Heroes, Isolation, and Madness

The notion of the depressive and insane artist (etc.) is an ancient one. In this passage it is also related to the stories of heroes. The different symptoms of madness Aristotle offers here are interesting. For instance, Bellerophon’s avoidance of other humans is seen as a symptom rather than a cause of his madness.

Aristotle, Problems 30

“What reason is it that all those men who are preeminent in philosophy or politics or poetry or the other arts are clearly melancholic and are so much so that they are also overcome by the afflictions from the black bile, as is implied in the tales of Herakles of the heroes? For that figure seems to be of this nature and because of this the ancients called the illnesses of epilepsy a sacred disease after him. And his madness toward his children and the outbreak of open sores before he vanished on Mt. Oitê make this clear. For this comes to many because of the black bile. These sores developed on the Spartan Lysander before his death.

In addition to this there are tales about Ajax and Bellerophon. The first of them was completely mad; but the second pursued isolated places, which is how Homer depicts him as “when that man was hated by all the gods / then he wandered alone on the Alêian plain / consuming his heart and avoiding the path of other people.”

And many other heroes seem to have shared afflictions with these men. In later times, Empedocles, Plato, Socrates and many other famous people [suffered] too. In addition, most of those who worked at poetry [suffered]. In many people like this the diseases develop from a kind of mixture in the body while in others there is a clear nature predisposing them to these maladies. But all, to put it simply, as has been said, are this way somehow because of nature.”

1. Διὰ τί πάντες ὅσοι περιττοὶ γεγόνασιν ἄνδρες ἢ κατὰ φιλοσοφίαν ἢ πολιτικὴν ἢ ποίησιν ἢ τέχνας φαίνονται μελαγχολικοὶ ὄντες, καὶ οἱ μὲν οὕτως ὥστε καὶ λαμβάνεσθαι τοῖς ἀπὸ μελαίνης χολῆς ἀρρωστήμασιν, οἷον λέγεται τῶν [τε] ἡρωϊκῶν τὰ περὶ τὸν Ἡρακλέα; καὶ γὰρ ἐκεῖνος ἔοικε | γενέσθαι ταύτης τῆς φύσεως, διὸ καὶ τὰ ἀρρωστήματα τῶν ἐπιληπτικῶν ἀπ᾿ ἐκείνου προσηγόρευον οἱ ἀρχαῖοι ἱερὰν νόσον. καὶ ἡ περὶ τοὺς παῖδας ἔκστασις καὶ ἡ πρὸ τῆς ἀφανίσεως ἐν Οἴτῃ τῶν ἑλκῶν ἔκφυσις γενομένη τοῦτο δηλοῖ· καὶ γὰρ τοῦτο γίνεται πολλοῖς ἀπὸ μελαίνης χολῆς. συνέβη δὲ καὶ | Λυσάνδρῳ τῷ Λάκωνι πρὸ τῆς τελευτῆς γενέσθαι τὰ ἕλκη ταῦτα. ἔτι δὲ τὰ περὶ Αἴαντα καὶ Βελλεροφόντην, ὧν ὁ μὲν ἐκστατικὸς ἐγένετο παντελῶς, ὁ δὲ τὰς ἐρημίας ἐδίωκεν, διὸ οὕτως ἐποίησεν Ὅμηρος

αὐτὰρ ἐπεὶ καὶ κεῖνος ἀπήχθετο πᾶσι θεοῖσιν,
ἤτοι ὁ κὰπ πεδίον τὸ Ἀλήϊον οἶος ἀλᾶτο
ὃν | θυμὸν κατέδων, πάτον ἀνθρώπων ἀλεείνων.

καὶ ἄλλοι δὲ πολλοὶ τῶν ἡρώων ὁμοιοπαθεῖς φαίνονται τούτοις. τῶν δὲ ὕστερον Ἐμπεδοκλῆς καὶ Πλάτων καὶ Σωκράτης καὶ ἕτεροι συχνοὶ τῶν γνωρίμων. ἔτι δὲ τῶν περὶ τὴν ποίησιν οἱ πλεῖστοι. πολλοῖς μὲν γὰρ τῶν τοιούτων γίνεται νοσήματα ἀπὸ | τῆς τοιαύτης κράσεως τῷ σώματι, τοῖς δὲ ἡ φύσις δήλη ῥέπουσα πρὸς τὰ πάθη. πάντες δ᾿ οὖν ὡς εἰπεῖν ἁπλῶς εἰσί, καθάπερ ἐλέχθη, τοιοῦτοι τὴν φύσιν.

Another figure often seen as less than sane is Philoktetes who his described as (2.721)

“He lies there on the island suffering strong pains
In fertile Lemnos where the sons of the Achaeans left him
Suffering with an evil wound from a murderous watersnake.”

ἀλλ’ ὃ μὲν ἐν νήσῳ κεῖτο κρατέρ’ ἄλγεα πάσχων
Λήμνῳ ἐν ἠγαθέῃ, ὅθι μιν λίπον υἷες ᾿Αχαιῶν
ἕλκεϊ μοχθίζοντα κακῷ ὀλοόφρονος ὕδρου·

When Odysseus is described in book 5 of the Odyssey, his first line is identical with Philoktetes’ (Od. 5.13-15):

“He lies there on the island suffering strong pains
In the halls of Kalypso the nymph who holds him
By necessity. He is not able of returning to his paternal land.”

ἀλλ’ ὁ μὲν ἐν νήσῳ κεῖται κρατέρ’ ἄλγεα πάσχων,
νύμφης ἐν μεγάροισι Καλυψοῦς, ἥ μιν ἀνάγκῃ
ἴσχει· ὁ δ’ οὐ δύναται ἣν πατρίδα γαῖαν ἱκέσθαι·

If we can imagine an “abnormal mental state” for these figures, the implication is the inverse, perhaps, of what Aristotle indicates for Bellerophon. Their madness is caused by isolation rather than causing it. When commenting upon Odysseus’ first appearance in book 5, an ancient scholar records Aristonicus’ comment that the language is more fit (οἰκειότερον ἐν ᾿Ιλιάδι) for the Iliad at 2.721 where Philoktetes is described. He adds that it would be right for him instead to be “tortured in his heart” (νῦν δὲ ἔδει τετιημένος ἦτορ εἶναι, Schol. H ad Od. 5.13).

Psychologists have studied the emotional and physical effects of isolation over the past few generations. These studies reinforce important themes of the Odyssey, namely that individual identity is constitutive of social relationships without which we cease to be ourselves. Modern studies of isolated individuals have shown that limited social engagements have deleterious emotional effects including a rise in fear and paranoia and a decrease in self-esteem. Some have even argued that over time, the brain of an isolated person has fewer neural connections and a thinner cerebral cortex. Inmates have difficulties with memory, distorted perceptions of reality, and display a deterioration of language function. Isolation’s biological changes affect the very parts of the brain that facilitate social interaction, higher order analytical thinking, and the ability to plan and act in the world.

Image result for GReek vase Philoctetes

David T. Mitchell and Sharon L. Snyder. Narrative Prosthesis: Disability and the Dependency of Discourse. Ann Arbor. 2000.

39: “Beginning with ancient Greece, Thiher’s study demonstrates that literary stories of mental discordance have provided the foundation for scientific explanations of cognitive deviance. Rather than view this historical material as superficial and primitive, Thiher argues for a historical vision of madness as that which could productively give voice to the existence of disparate, and even antithetical, “realities”.

Some inspirations

Andersen, H. S., Sestoft, D. D., Lillebæk, T. T., Gabrielsen, G. G., Hemmingsen, R. R., & Kramp, P. P. (2000), ―”A Longitudinal Study of Prisoners on Remand: Psychiatric Prevalence, Incidence and Psychopathology in Solitary vs.Non-Solitary Confinement.‖ , 102(1), 19.

Betty Gilmore and Nanon M. Williams. The Darkest Hour: Shedding Light on the Impact of Isolation and Death Row in Texas Prisons. Dallas 2014.

Fatos Kaba, Andrea Lewis, Sarah Glowa-Kollisch, James Hadler, David Lee, Howard Alper, Daniel Selling, Ross MacDonald, Angela Solimo, Amanda Parsons, and Homer Venters.  “Solitary Confinement and Risk of Self-Harm Among Jail Inmates.” American Journal of Public Health: March 2014, Vol. 104, No. 3, pp. 442-447.

Shruti Ravindran. “Twilight in the Box.” Aeon 27 February 2014.

Thiher, Allen. 1999. Revels in Madness: Insanity in Medicine and Literature. Ann Arbor.

 

Happy Fragmentary Friday: the Dirges of Simonides

Fragment 15

 

“Human strength is meager
Our plains incomplete
Toil follows toil in our short lives.
Death looms inescapable for all—
Men who are good and bad draw
of that an equal portion.”

 

ἀνθρώπων ὀλίγον μὲν
κάρτος, ἄπρακτοι δὲ μεληδόνες,
αἰῶνι δ’ ἐν παύρωι πόνος ἀμφὶ πόνωι·
ὁ δ’ ἄφυκτος ὁμῶς ἐπικρέμαται θάνατος·
κείνου γὰρ ἴσον λάχον μέρος οἵ τ’ ἀγαθοὶ
ὅστις τε κακός.

 

Fragment 16

 

“Since you are human, never say what will come tomorrow.
Nor, if you see a fortunate man, how long it will last.
For not even the time of a tender-winged fly
Is not as fast.”

 

ἄνθρωπος ἐὼν μή ποτε φάσηις ὅ τι γίνεται 〚αὔριον〛,
μηδ’ ἄνδρα ἰδὼν ὄλβιον ὅσσον χρόνον ἔσσεται·
ὠκεῖα γὰρ οὐδὲ τανυπτερύγου μυίας
οὕτως ἁ μετάστασις.

 

Fragment 17

 

“All things come to a single, blasted Charybdis—
Great virtues and wealth all the same.”

 

πάντα γὰρ μίαν ἱκνεῖται δασπλῆτα Χάρυβδιν,
αἱ μεγάλαι τ’ ἀρεταὶ καὶ ὁ πλοῦτος.

 

Fragment 18

 

“Not even those who were long ago,
The half-divine sons of our lord gods,
Came to old age without finishing
A life of toil, pain and danger.”

 

†οὐδὲ γὰρ οἳ πρότερόν ποτ’ ἐπέλοντο,
θεῶν δ’ ἐξ ἀνάκτων ἐγένονθ’ υἷες ἡμίθεοι,
ἄπονον οὐδ’ ἄφθιτον οὐδ’ ἀκίνδυνον βίον
ἐς γῆρας ἐξίκοντο τελέσαντες.†

Some Divergent Greek Views on Heroes: Pluralism in Ancient Poetry

Pindar Olympian 2.2

“What god, what hero and what man will we celebrate?”

τίνα θεόν, τίν’ ἥρωα, τίνα δ’ ἄνδρα κελαδήσομεν;

 

The Greeks have left us some evidence for attitudes about heroes that might surprise some modern readers. The line from Pindar above is a classic account of the hero as a mid-point between man and god, sharing in both worlds but truly part of neither.

One of the things that is different from our usage is that Greek heroes represent, in some readings, a particular generation in time (the race before ours, according to Hesiod in the Works and Days). And this race of heroes whose trials and tribulations give us so many myths included men and women, as the poet Corinna would remind us:

 

Corinna, fr.644 (Apollonius Dyskolus, Pronouns)

“I sing of the virtues of heroes and heroines.”

ἱώνει δ᾿ εἱρώων ἀρετὰς / χεἰρωάδων

 

This ‘race’ of heroes was appropriated to different contexts to different ends. As in our modern world, ‘heroes’ were sometimes portrayed as defenders of men and protectors of the community—and to an extent this is how they feature in the martial poetry of Kallinos of Sparta:

 

Kallinos, Fr. 1.18-21

“The loss is felt by the whole country when a brave man dies,
A man the equal of heroes;
Someone they see as a fortress before their eyes;
Someone who does the work of many even when alone.”

 

λαῶι γὰρ σύμπαντι πόθος κρατερόφρονος ἀνδρὸς
θνήσκοντος, ζώων δ’ ἄξιος ἡμιθέων·
ὥσπερ γάρ μιν πύργον ἐν ὀφθαλμοῖσιν ὁρῶσιν·
ἔρδει γὰρ πολλὼν ἄξια μοῦνος ἐών.

 

But the Greeks, like everyone throughout time, were far from unanimous in their opinions about heroes. In the fragments of early comedy, for example, heroes are singled out for that which is their nature: being singled out, and different:

 

Myrtilus, fr. 2 (Titan-pans; Scholia to Aristophanes’ Birds)

“Heroes get ornery and mean when people get too close.”

οἵ ἥρωες δὲ δυσόργητοι καὶ χαλεποὶ τοῖς ἐμπελάζουσι γίνονται

 

And even in early epic, what it means to be a hero is at play. The Iliad and the Odyssey give very different versions of what it means to be heroic (and they oscillate among differing visions in the same narrative. Other epic fragments play with the debates offered in the Homeric poems.

 

Panyasis fr. 12K (=16 Benarbe) 8-9

“I would make the fame of the man who enjoys himself at the feast equal to the one earned by commanding the rest of the army.”

τοῦ κεν ἐγὼ θείμην ἶσον κλέος, ὅς τ’ ἐνὶ δαιτὶ
τέρπηται παρεὼν ἅμα τ’ ἄλλον λαὸν ἀνώγῃ

 

In part, the exploration of what it means to be a hero is a further step in the definition of what it means to be a man, to be a human being, and to live together as people in a city. One of the things that both the Iliad and the Odyssey dramatize is the danger that their heroes can both fend off and cause to their people. This was probably a current in the thought of early Greek philosophers and poets.

 

Xenophanes, Fragment 2. 16-19

“Swiftness of feet—the thing honored most in all of man’s acts of strength in the contest—could never make a city governed well.”

οὐδὲ μὲν εἰ ταχυτῆτι ποδῶν, τόπερ ἐστὶ πρότιμον,
ῥώμης ὅσσ’ ἀνδρῶν ἔργ’ ἐν ἀγῶνι πέλει,
τούνεκεν ἂν δὴ μᾶλλον ἐν εὐνομίηι πόλις εἴη·

By the time of Classical Athens, it was clear that the outsized ambitions (and honors) of individuals could be undermining to the state. Herein lies the quandary: cities need great men to protect them, but their very strengths often bring ruin. This is dramatized in the heroic myths from Herakles through Odysseus and explored as well in Athenian tragedy.

 

And to end, some random, confusing samples:

 

 

Euripides, fr. 237 (Archelaus)

 

“A young man ought to be bold always,
Since no laid-back man becomes famous.
Work gives birth to a good reputation.”

 

νεανίαν γὰρ ἄνδρα χρὴ τολμᾶν ἀεί·
οὐδεὶς γὰρ ὢν ῥᾴθυμος εὐκλεὴς ἀνήρ,
ἀλλ’ οἱ πόνοι τίκτουσι τὴν εὐδοξίαν.

 

 

Euripides, fr. 257 (Archelaus)

 

“A rash heart and a limited mind
Has destroyed many men: dual evils for whoever has them.”

 

πολλοὺς δ’ ὁ θυμὸς ὁ μέγας ὤλεσεν βροτῶν
ἥ τ’ ἀξυνεσία, δύο κακὼ τοῖς χρωμένοις.

 

 

Euripides, fr. 275 (Auge)

 

“Pray that all who rejoice in tyranny,
Or in some small monarchy in their city, die terribly.
The name ‘freedom’ is worth everything—
Even if he possesses a little, a man who has this is considered great.”

 

κακῶς δ’ ὄλοιντο πάντες οἳ τυραννίδι
χαίρουσιν ὀλίγῃ τ’ ἐν πόλει μοναρχίᾳ·
τοὐλεύθερον γὰρ ὄνομα παντὸς ἄξιον,
κἂν σμίκρ’ ἔχῃ τις, μεγάλ’ ἔχειν νομιζέτω.

The Curse of Unexpected Consequences: Helen’s Daughter and the Beginning of the Trojan War

IN the Hesiodic Catalogue of Women, the marriage of Helen is followed by the birth of her child Hermione which is described surprisingly as “unexpected” or “unhoped for” (ἄελπτον). The birth itself is probably not unexpected–Greek myth is not shy about connected births to sex–instead she is a metonym for the “unhoped for” destruction that issues from the union between Menelaos and Helen. After her birth, a strife rises among the gods as Zeus decides to separate the races of men and heroes and cause a great war:

Hesiod, fr. 204. 93-106

“And [Leda] gave birth to the fine-ankled Hermione in her halls,
Unhoped for, and all the gods were in diverse opinions
Because of the strife. For, then, really, Zeus, the high-thunderer was devising
Monstrous deeds, to mix up confusion on the boundless earth.
He was already hurrying to ruin the race of mortal men,
For a pretext to destroy the souls of heroes […]
Children of gods […] seeing with eyes,
But the blessed ones […] as even before
Would pursue their life and customs apart from human beings.
But [for the children] of mortals and immortals the same,
[Zeus granted…] pain upon pain…”

ἣ τέκεν ῾Ερμιόνην καλλίσφυρ[ο]ν ἐν μεγάροισιν
ἄελπτον. πάντες δὲ θεοὶ δίχα θυμὸν ἔθεντο
ἐξ ἔριδος· δὴ γὰρ τότε μήδετο θέσκελα ἔργα
Ζεὺς ὑψιβρεμέτης, †μεῖξαι κατ’ ἀπείρονα γαῖαν
τυρβάξας,† ἤδη δὲ γένος μερόπων ἀνθρώπων
πολλὸν ἀϊστῶσαι σ̣π̣ε̣ῦ̣δ̣ε̣, π̣ρ̣[ό]φασιν μὲν ὀλέσθαι
ψυχὰς ἡμιθέω[ν ….. ….. .]ο̣ι̣σ̣ι̣ βροτοῖσι
τέκ̣να θεῶν μι[…].[..]ο̣.[ ὀφ]θαλμοῖσιν ὁρῶντα,
ἀλλ̣’ ο̣ἳ μ[ὲ]ν μάκ̣[α]ρ̣ες̣ κ̣[…….]ν̣ ὡ̣ς̣ τ̣ὸ̣ πάρος περ
χωρ̣ὶς ἀπ’ ἀν[θ]ρ̣ώπων̣[ βίοτον κα]ὶ̣ ἤθε’ ἔχωσιν
το̣[..]ε̣.ε̣αλ̣[ ἀθα]νάτω̣[ν τε ἰδὲ] θ̣νητῶν ἀνθρώπων
…[ ]κ̣α̣λ ἄλγος ἐπ’ ἄλγει

Zeus’ agency and the ending of the race of heroes shows up in at least two other places in early Greek epic: Hesiod’s Works and Days and the first fragment of a poem of the Trojan War cycle called the Kypria (Cypria)

Hesiod, Works and Days, 158-165:

“Kronos’ son Zeus made a better and more just third race,
the divine generation of heroic men who are called
hemitheoi, the earlier generation on the boundless earth.
And then evil war and dread conflict wiped them out,
some of them under seven-gated Thebes, the Cadmean land,
where they struggled over the flocks of Oedipus,
and leading others in ships for booty across the sea
at Troy, for the sake of well-tressed Helen.”

Ζεὺς Κρονίδης ποίησε, δικαιότερον καὶ ἄρειον,
ἀνδρῶν ἡρώων θεῖον γένος, οἳ καλέονται
ἡμίθεοι, προτέρη γενεὴ κατ’ ἀπείρονα γαῖαν.
καὶ τοὺς μὲν πόλεμός τε κακὸς καὶ φύλοπις αἰνὴ
τοὺς μὲν ὑφ’ ἑπταπύλῳ Θήβῃ, Καδμηίδι γαίῃ,
ὤλεσε μαρναμένους μήλων ἕνεκ’ Οἰδιπόδαο,
τοὺς δὲ καὶ ἐν νήεσσιν ὑπὲρ μέγα λαῖτμα θαλάσσης
ἐς Τροίην ἀγαγὼν ῾Ελένης ἕνεκ’ ἠυκόμοιο.

Kypria, Frag. 1

“There was a time when the myriad tribes of men
wandering pressed down on the thick chest of the broad earth—
And when Zeus saw this, he pitied her and in his complex thoughts
He planned to lighten the all-nourishing earth of human beings
By fanning the great strife of the Trojan War,
So that he might lighten the weight by death. And then in Troy
The heroes were dying, and the will of Zeus was being fulfilled.”

ἦν ὅτε μυρία φῦλα κατὰ χθόνα πλαζόμεν’ αἰεὶ
βαρυστέρνου πλάτος αἴης,
Ζεὺς δὲ ἰδὼν ἐλέησε καὶ ἐν πυκιναῖς πραπίδεσσι
κουφίσαι ἀνθρώπων παμβώτορα σύνθετο γαῖαν,
ῥιπίσσας πολέμου μεγάλην ἔριν ᾿Ιλιακοῖο,
ὄφρα κενώσειεν θανάτωι βάρος. οἱ δ’ ἐνὶ Τροίηι
ἥρωες κτείνοντο, Διὸς δ’ ἐτελείετο βουλή.

A few articles about what these passages have in common with each other and other traditions:

Ludwig Koenen. “Greece, The Near East, and Egypt: Cyclic Destruction in Hesiod and the Catalogue of Women.” Transactions and Proceedings of the American Philological Association 124 (1994) 1-34.

Kenneth Mayer. “Helen and the ΔΙΟΣ ΒΟΥΛΗ.” American Journal of Philology 117 (1996) 1-15.

Golden Rain or Incest? Early Fragments on Perseus

Perseus, Andromeda, and a Sea Monster
Perseus, Andromeda, and a Sea Monster

Hesiod, Fr. 129.8-18

“And she bore both Proitos and king Akrisios
And the father of gods and men established them in different places
Akrisos ruled in well-built Argos…
[three broken lines describing the marriage of Akrisios to Eurydike, daughter of Lakedaimon]
She gave birth to fine-ankled Danae in her home
Who in turn was the mother of Perseus, the mighty master of fear.
Proitos lived in the well-built city of Tiryns
and married the daughter of the great-hearted son of Arkas
the fine-haired Stheneboia…”
Read More

Don’t Hurt A Lady Like Diomedes Did (Ovid, Amores 1.7, 31-34)

“The son of Tydeus left the worst example of crimes—
He struck a goddess first—but I did it second!
And he was less to blame: The one I profess to love
I hurt; Tydeus’ son was a beast with an enemy.”

pessima Tydides scelerum monimenta reliquit.
ille deam primus perculit—alter ego!
et minus ille nocens. mihi, quam profitebar amare
laesa est; Tydides saevus in hoste fuit.

In this poem, Ovid starts out by asking to be handcuffed because he struck his girlfriend. He compares himself to insane Ajax or Orestes, before spending some time speaking of Diomedes. Of course, a lot of this ‘play’ is just part of the self-mockery and generic-gaming of the Amores where our poet starts out by mentioned the “arms and violent wars” he was preparing (arma gravi numero violentaque bella parabam, 1.1.); but from a modern perspective, the conceit of writing a poem about the temporary “madness” that made one strike a lover, seems a bit less than funny. Indeed, it seems, well, primitive and, as Ovid puts it, saevus.

And, though Ovid at first appears to make light of Diomedes’ wounding of Aphrodite in the Iliad (book 5), he certainly knew (as evidenced by the Metamorphoses 14.460-510) that Diomedes’ act had some grave consequences. According to some authors, Diomedes came home to find his wife Aigialea shacked up with his own relative Kometes. He must shelter in the temple of Athena and then flee his own land. According to some accounts, he makes it to Italy where he marries the daughter of Daunos and gets a kingdom. According to others, he is killed on a hunting expedition, either on purpose, or by accident.

So, perhaps wounding Aphrodite was a mistake to begin with…but I do wonder how much Ovid wants us to think about this when singing of Diomedes.

The Protector of Cities: Some Prayers and Hymns to Athena

5-east-pediment-birth-of-athena
Reconstruction of East Pediment of the Parthenon, Showing the Birth of Athena

Solon, fr. 4.4-5 (6th Century BCE)
Solon emphasizes Athena’s power as a protector and connection with Zeus

“This sort of a great-hearted overseer, a daughter of a strong-father
Holds her hands above our city, Pallas Athena”

τοίη γὰρ μεγάθυμος ἐπίσκοπος ὀβριμοπάτρη
Παλλὰς ᾿Αθηναίη χεῖρας ὕπερθεν ἔχει•

Euripides, Heracleidae 770-72 (5th Century BCE)
Euripides echoes Solon but also refers to Athena as a maternal figure

“Queen, the foundation of the land
and the city is yours, you are its mother,
mistress and guardian..”

ἀλλ’, ὦ πότνια, σὸν γὰρ οὖ-
δας γᾶς καὶ πόλις, ἆς σὺ μά-
τηρ δέσποινά τε καὶ φύλαξ…

Aristophanes, Knights 581-585 (5th Century BCE)
Aristophanes echoes the defender motif and connects it with the glory of Athens as a martial and creative center (perhaps under influence of a more robust Panathenaia)

“O Pallas, protector of the city,
The most sacred city-
and defender of a land
that surpasses all others
in war and poetry.”

῏Ω πολιοῦχε Παλλάς, ὦ
τῆς ἱερωτάτης ἁπα-
σῶν πολέμῳ τε καὶ ποη-
ταῖς δυνάμει θ’ ὑπερφερού-
σης μεδέουσα χώρας,

Homeric Hymn to Athena 1 (Allen 11)
The shorter of the extant Homeric hymns focuses on Athena’s connection with war and heroes

“I begin to sing of Pallas Athena the dread
defender of cities, to whom the acts of war are a concern with Ares:
the cities sacked, the shrill sound, and the battles,
She rescues the host when it leaves and when it returns”

Παλλάδ’ ᾿Αθηναίην ἐρυσίπτολιν ἄρχομ’ ἀείδειν
δεινήν, ᾗ σὺν ῎Αρηϊ μέλει πολεμήϊα ἔργα
περθόμεναί τε πόληες ἀϋτή τε πτόλεμοί τε,
καί τ’ ἐρρύσατο λαὸν ἰόντα τε νισόμενόν τε.
Χαῖρε θεά, δὸς δ’ ἄμμι τύχην εὐδαιμονίην τε.

Homeric Hymn to Athena, 2 (Allen, 28)
The longer of the extant Homeric Hymns to Athena tells the story of her birth (but not her conception, perhaps reflecting the war-dances done in her honor

“I begin to sing the honored goddess, Pallas Athena,
The grey-eyed, very-clever one with a relentless heart,
A city-defending, revered and courageous maiden
Tritogeneia, whom counselor Zeus himself gave birth to
from his sacred head, already holding her weapons,
all gold and shining. Then awe took all the immortals
who looked on. And she rose from the immortal head
of aegis-bearing Zeus immediately in front of them
shaking her sharp spear. And great Olympos shook
terribly beneath the fury of the grey-eyed goddess
as the ground echoed frightfully around. Even the sea
was churned up with its dark waves and the brine seized
suddenly. The glorious son of Hyperion brought his
swift-footed steeds to rest for a long time until
the maiden Pallas Athena took the divine weapons
from her immortal shoulders. And counselor Zeus laughed.
Hail to you, then, child of aegis-bearing Zeus.
And I will also praise you with yet another song still.”

Παλλάδ’ ᾿Αθηναίην κυδρὴν θεὸν ἄρχομ’ ἀείδειν
γλαυκῶπιν πολύμητιν ἀμείλιχον ἦτορ ἔχουσαν
παρθένον αἰδοίην ἐρυσίπτολιν ἀλκήεσσαν
Τριτογενῆ, τὴν αὐτὸς ἐγείνατο μητίετα Ζεὺς
σεμνῆς ἐκ κεφαλῆς, πολεμήϊα τεύχε’ ἔχουσαν
χρύσεα παμφανόωντα• σέβας δ’ ἔχε πάντας ὁρῶντας
ἀθανάτους• ἡ δὲ πρόσθεν Διὸς αἰγιόχοιο
ἐσσυμένως ὤρουσεν ἀπ’ ἀθανάτοιο καρήνου
σείσασ’ ὀξὺν ἄκοντα• μέγας δ’ ἐλελίζετ’ ῎Ολυμπος
δεινὸν ὑπὸ βρίμης γλαυκώπιδος, ἀμφὶ δὲ γαῖα
σμερδαλέον ἰάχησεν, ἐκινήθη δ’ ἄρα πόντος
κύμασι πορφυρέοισι κυκώμενος, ἔσχετο δ’ ἅλμη
ἐξαπίνης• στῆσεν δ’ ῾Υπερίονος ἀγλαὸς υἱὸς
ἵππους ὠκύποδας δηρὸν χρόνον εἰσότε κούρη
εἵλετ’ ἀπ’ ἀθανάτων ὤμων θεοείκελα τεύχη
Παλλὰς ᾿Αθηναίη• γήθησε δὲ μητίετα Ζεύς.
Καὶ σὺ μὲν οὕτω χαῖρε Διὸς τέκος αἰγιόχοιο•
αὐτὰρ ἐγὼ καὶ σεῖο καὶ ἄλλης μνήσομ’ ἀοιδῆς.

Birth of Athena, Full-Armed, from Zeus' Head (Ouch!)
Birth of Athena, Full-Armed, from Zeus’ Head (Ouch!)

Sources:

OCD3

Walter Burkert. Greek Religion. Cambridge, 1985.

L. R. Farnell. The Cults of the Greek City States. 1895.

Timothy Gantz. Early Greek Myth. Baltimore, 1993.

Simon Price. Religions of the Ancient Greeks. Cambridge, 1999.