Landscape in Literature

Jerome K. Jerome, Three Men on the Bummel

“Lastly, in this book there will be no scenery.  This is not laziness on my part; it is self-control.  Nothing is easier to write than scenery; nothing more difficult and unnecessary to read.  When Gibbon had to trust to travellers’ tales for a description of the Hellespont, and the Rhine was chiefly familiar to English students through the medium of Caesar’s Commentaries, it behoved every globe-trotter, for whatever distance, to describe to the best of his ability the things that he had seen.  Dr. Johnson, familiar with little else than the view down Fleet Street, could read the description of a Yorkshire moor with pleasure and with profit.  To a cockney who had never seen higher ground than the Hog’s Back in Surrey, an account of Snowdon must have appeared exciting.  But we, or rather the steam-engine and the camera for us, have changed all that.  The man who plays tennis every year at the foot of the Matterhorn, and billiards on the summit of the Rigi, does not thank you for an elaborate and painstaking description of the Grampian Hills.  To the average man, who has seen a dozen oil paintings, a hundred photographs, a thousand pictures in the illustrated journals, and a couple of panoramas of Niagara, the word-painting of a waterfall is tedious.”

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