A Response to AP Latin: A Student Perspective

I’m obviously not the first one to say this, but the AP Latin curriculum isn’t good.

In several different ways, it seems like the content of the course is slowly deteriorating over time. I’m sure some here can recall the days of four different tests, each covering a different Roman author. That’s right, four. Nowadays, it seems as if the College Board has really limited the curriculum as a result of the lessening number of students taking the exam (4,899 in 2021).

The effect of this lack of students? A curriculum that awkwardly shoves together two authors in a way that isn’t conducive to educating modern high school students. It hops back and forth between Caesar and Vergil for each unit—in such a way that your average juniors and seniors can struggle to gain a truly strong footing in the material. It’s a little strange.

There’s also an absurd amount of vocabulary. Based on the research of other teachers, there are nearly 11,700 words that a student must understand over the course of the syllabus. This amount of new vocabulary is much more than what the beginner Latin reader is used to dealing with in their first few years of the subject. It’s not to say that it’s impossible, but it is difficult if you’re in your third or fourth year of the subject.

The other aspect of this current AP curriculum that doesn’t exactly appeal to your average teenage high school student is in the subject matter inherent to these pieces. Commentarii de Bello Gallico is dry and does a tremendous job detailing the frequently boring military exploits of the Roman army in Gaul. For every chapter explaining the specifics of a battle, there are five more examining how Caesar sent a dull letter to a commander that one time.

On the other hand, Vergil’s Aeneid is much more interesting. There are lots of references throughout the text and its narrative serves as a nice introduction to the wider world of literature for newer Latin students. In fact, it inspired me to read other works of Roman poetry that I enjoy.

(Personally, my passion for authors like Catullus and Ovid was directly inspired by my work with Vergil this last year. It was the first time I had been exposed to this kind of poetic literature in my education, and now it’s my main interest in the subject. My favorite genre of these works are the semi-autobiographical elegies.)

However, there is one massive flaw with both the Aeneid and Commentarii Bello Gallico that each AP Latin student has to contend with. There is a total lack of variety in the material provided.

I don’t think I’m asking for too much here. This last year, I completed the course with five of my peers, and we were all shocked by something as simple as the lack of a relatable female voice. I can’t remember a single named female character in De Bello Gallico and the non-male characters of the Aeneid don’t exactly get much, either.

You have Juno and Dido, who are both characterized as “crazy” in their opposition to Aeneas.  From the opening lines of the epic, it is established that Juno is defined in the story by her conflict against Aeneas’ journey to founding Rome. Similarly, Dido is at first portrayed as the strong female ruler of Carthage, but after Aeneas departs at the request of Mercury, she becomes a crazed lunatic who commits suicide in a famously elaborate fashion.

The other prominent female characters don’t exactly have much to offer. Venus exists entirely as a mother figure in respect to Aeneas, and Lavinia acts as nothing more than a prize to be won at the end of the narrative.

The response to this shouldn’t be “well that’s how it is,” because there are countless examples of prominent, more defined characters throughout Latin literature.

And so, my peers and I, inspired by this notion and a friend’s passion for typesetting, decided to pursue our own educational resources for newer Latin students that featured these uncommon figures. The process for us consists of taking texts from books like Sarah Pomeroy’s Goddesses, Whores, Wives, and Slaves and resources like Tufts’ Perseus Digital Library and Oxford Scholarly Editions and adapting them to lower reading levels. It’s tedious and not exactly entertaining, but it’s been insightful to go through all these different resources and pick certain texts to adapt. Hopefully, this can become a resource useful for high school and lower-level teachers. Based off of the formatting of other educational texts, here’s a section I adapted:

Luke is a rising high school senior from outside Philadelphia, PA. He was new to the subject entering his freshman year, but has since fallen in love with Classical languages and culture to the point where he hopes to study it in college. His personal interest is specific to Roman poetry, but he has experience with traditional Greek authors as well. Outside of his academics, Luke enjoys theatrical performance and filmmaking.

 

Milk, Wine, and Rambling On

Galen, Hygiene 347k-348K

“I guess I’ve talked about milk and wine for a little longer than is strictly needed. Really, it is better, once someone has said what benefit the elderly get from these drinks, to indicate what has already been taught about the selection of the material and how diluted each of them should be and especially on the differences of each—once we’ve established that the warmer and more urine-producing wines are better for the elderly and that we shouldn’t give milk to everyone, but only those who can digest well and don’t sense any problem with their right hypochondrium.

But thanks to the lack of effort of those who are too lazy to read the books where more is written about the substance of cures we sometimes have to drag out our explanations. So, hopefully someone will pardon my style of teaching, that I am not precise and brief in the approaches I have generally taken.”

καὶ νῦν γέ μοι δοκῶ μακρότερον ἢ δεῖ τοῖς ἐνεστῶσι διεληλυθέναι περί τε γάλακτος καὶ οἴνων. ἄμεινον γὰρ ἦν εἰπόντα τὴν ἐξ αὐτῶν ὠφέλειαν τοῖς γέρουσι γινομένην ἐπὶ τὴν τῆς ὕλης ἐκλογὴν ἀποπέμψαι τὸν ἤδη μεμαθηκότα τάς τε κοινὰς δυνάμεις καθ’ ἑκάτερον αὐτῶν καὶ τὰς ἐν μέρει διαφοράς, ἐπὶ μὲν τῶν οἴνων εἰπόντα τὰς διαφορὰς τοὺς θερμοτέρους τε καὶ οὐρητικωτέρους ἀμείνους εἶναι τοῖς γέρουσι, ἐπὶ δὲ τοῦ γάλακτος, ὡς οὐδὲ πᾶσι δοτέον, ἀλλὰ μόνοις ὅσοι γε πέττουσιν αὐτὸ καλῶς καὶ συμπτώματος οὐδενὸς αἰσθάνονται κατὰ τὸ δεξιὸν ὑποχόνδριον. ἐπεὶ δ’ ἔστιν ὅτε διὰ τὴν πολλῶν ὀλιγωρίαν οὐχ ὑπομενόντων ἀναγινώσκειν τὰ βιβλία, δι’ ὧν ἐπὶ πλέον ὑπὲρ τῆς τῶν βοηθημάτων ὕλης λέλεκται, μηκύνειν ἀναγκαζόμεθα πολλάκις, εἰκότως ἄν τις ἡμῖν καὶ νῦν συγγνοίη τοῦ τρόπου τῆς διδασκαλίας, οὐ κατὰ τὴν ἀκριβῆ βραχυλογίαν ἐπὶ ταῖς καθόλου μεθόδοις προερχομένοις.

If you have children, these are the most precious substances in the world. (From https://commons.wikimedia.org/wiki/File:Red_Wine_%26_Milk.jpg)

Building Ships, Feeding Minds: Reflections on Teaching in Latin and Greek

Plato, Laws 803

“We should speak next about the teaching and communication of these subjects: how to do so, who should do it, and when it is right to apply each of them. In the same way that a shipwright anticipates the outline of his creation at the beginning in laying out the keel, I seem to be outlining the whole, trying to imagine the shape of lives based on the habits of their minds and in actuality then laying out their keels, by seeking out precisely through what method and with what habits we might best navigate through this journey of life.”

τούτων δὲ αὐτῶν διδασκαλία καὶ παράδοσις λεγέσθω τὸ μετὰ τοῦτο, τίνα τρόπον χρὴ καὶ οἷστισι καὶ πότε πράττειν ἕκαστα αὐτῶν· οἷον δή τις ναυπηγὸς τὴν τῆς ναυπηγίας ἀρχὴν καταβαλλόμενος τὰ τροπιδεῖα ὑπογράφεται <τὰ> τῶν πλοίων σχήματα, ταὐτὸν δή μοι κἀγὼ φαίνομαι ἐμαυτῷ δρᾷν τὰ τῶν βίων πειρώμενος σχήματα διαστήσασθαι κατὰ τρόπους τοὺς τῶν ψυχῶν, ὄντως αὐτῶν τὰ τροπιδεῖα καταβάλλεσθαι, ποίᾳ μηχανῇ καὶ τίσι ποτὲ τρόποις ξυνόντες τὸν βίον ἄριστα διὰ τοῦ πλοῦ τούτου τῆς ζωῆς διακομισθησόμεθα, τοῦτο σκοπῶν ὀρθῶς.

How does it balance with innate skills and character? It’s complicated.

Quintilian, 2.19

“In sum, nature is education’s raw material: the latter shapes, the former is shaped. There is no art without substance; material has a worth apart from art; and yet, the highest art is superior to the best material.”

Denique natura materia doctrinae est: haec fingit, illa fingitur. Nihil ars sine materia, materiae etiam sine arte pretium est; ars summa materia optima melior.

How important is education?

Plutarch, Can Virtue Be Taught 439f

“ ‘If people are not made better through education, their teacher’s pay is wasted’  The teachers are the first to guide children after they leave their mother and, just as nurses help shape the body with hands, teachers shape their character: with their habits they put children on the first step toward excellence. This is why the Spartan, when asked what he accomplished through teaching, said ‘I make noble things appealing to children.’ ”

“εἰ μὴ γίνονται μαθήσει βελτίονες ἄνθρωποι, παραπόλλυται ὁ μισθὸς τῶν παιδαγωγῶν”; πρῶτοι γὰρ οὗτοι παραλαμβάνοντες ἐκ γάλακτος, ὥσπερ αἱ τίτθαι ταῖς χερσὶ τὸ σῶμα πλάττουσιν, οὕτω τὸ ἦθος ῥυθμίζουσι τοῖς ἔθεσιν, εἰς ἴχνος τι πρῶτον ἀρετῆς καθιστάντες. καὶ ὁ Λάκων ἐρωτηθεὶς τί παρέχει παιδαγωγῶν, “τὰ καλά,” ἔφη, “τοῖς παισὶν ἡδέα ποιῶ.”

Hmmm, how do you do this?

Suetonius, On Grammarians 37

“Marcus Verrius flaccus, a freedman, became especially famous through his manner of teaching. For he was in the habit of matching students with their equals in order to encourage learning. He would not merely specify the subjects they would write about, but he would offer a prize which the winner would earn. This prize was some pretty or rare old book. For this reason, Augustus chose him as tutor to his grandsons….”

Verrius Flaccus libertinus docendi genere maxime claruit. Namque ad exercitanda discentium ingenia aequales inter se committere solebat, proposita non solum materia quam scriberent, sed et praemio quod victor auferret. Id erat liber aliquis antiquus pulcher aut rarior. Quare ab Augusto quoque nepotibus eius praeceptor electus

No course of learning is without some regrets….

Letters of Cicero, Fragments. (Suet. Gram. 26)

On Lucius Plotius Gallus,

“I still have a memory from my childhood when a certain Plotius began to teach in Latin for the first time. When crowds circled him and everyone was eager to study with him, I was upset because it was forbidden to me. I was restricted by the advice of the most educated men who used to believe that minds were better fed by training in Greek.”

Plotius Gallus. de hoc Cicero in epistula ad M. Titinium sic refert: equidem memoria teneo pueris nobis primum Latine docere coepisse Plotium quendam. ad quem cum fieret concursus et studiosissimus quisque apud eum exerceretur, dolebam mihi idem non licere; continebar autem doctissimorum hominum auctoritate, qui existimabant Graecis exercitationibus ali melius ingenia posse. (Suet.Gram. 26)

Speech and Its Corresponding Meaning

Sextus Empiricus, Against the Professors 36-38

“Next, let’s consider the way we learn, since learning happens wither through experience or through speech. But of these two approaches, experience comes from this which are demonstrable, the demonstrable is clear, and the clear—because it is obvious—is available to all in common. Such perception which is available to all in common is unteachable. Hence, anything apprehended through experience is not teachable.

Speech either corresponds to some meaning or it does not. If it corresponds to no meaning at all, then it teaches nothing. When it does correspond to some meaning it does it either by intrinsic nature or by established convention. It cannot, in truth correspond to meaning by intrinsic nature since not all people understand the same meaning when they hear it (as when the Greeks listen to barbarians or the barbarians listen to Greeks).

If speech signals meaning by convention, it is clear that people who have absorbed before the meanings to which these words correspond will also comprehend them now, and not because they have learned from them something which was not known—it is more like they are resuscitating what they knew before, while those who lack learning of what they don’t know will not do the same.”

τὸ μετὰ τοῦτο ἀπαιτῶμεν τὸν τρόπον τῆς μαθήσεως. ἢ γὰρ ἐναργείᾳ γίνεται ἢ λόγῳ τὰ τῆς διδασκαλίας. ἀλλὰ τούτων ἡ μὲν ἐνάργεια τῶν δεικτῶν ἐστί, τὸ δὲ δεικτὸν φαινόμενον, τὸ δὲ φαινόμενον, ᾗ φαίνεται, κοινῶς πᾶσι ληπτόν, τὸ δὲ κοινῶς πᾶσι ληπτὸν ἀδίδακτον· οὐκ ἄρα τὸ ἐναργείᾳ δεικτὸν διδακτόν. ὁ δὲ λόγος ἤτοι σημαίνει τι ἢ οὐ σημαίνει. καὶ μηδὲν μὲν σημαίνων οὐδὲ διδάσκαλός τινὸς ἐστι, σημαίνων δὲ ἤτοι φύσει σημαίνει τι ἢ θέσει. καὶ φύσει μὲν οὐ σημαίνει διὰ τὸ μὴ πάντας πάντων ἀκούειν, Ἕλληνας βαρβάρων καὶ βαρβάρους Ἑλλήνων ἢ Ἕλληνας Ἑλλήνων ἢ βαρβάρους βαρβάρων· θέσει δὲ εἴπερ σημαίνει, δῆλον ὡς οἱ μὲν προκατειληφότες τὰ καθ᾿ ὧν αἱ λέξεις κεῖνται καὶ ἀντιλήψονται τούτων, οὐ τὸ ἀγνοούμενον ἐξ αὐτῶν διδασκόμενοι, τὸ δ᾿ ὅπερ ᾔδεισαν ἀνανεούμενοι, οἱ δὲ χρῄζοντες τῆς τῶν ἀγνοουμένων μαθήσεως οὐκέτι.

Image result for sextus empiricus

Little By Little: Memory and Education

Plutarch, The Education of Children (Moralia 9)

It is especially important to train and practice children’s memory:  memory is the warehouse of learning. This is why we used to mythologize Memory as the mother of the Muses, making it clear through allegory that nothing creates and nourishes the way memory does. This should be trained in both cases, whether children have a good memory from the beginning or are naturally forgetful. For we may strengthen the inborn ability and supplement the deficiency. The first group will be better than others; but the second will be better than themselves. This is why the Hesiodic line rings true: “If you add a little by little, and you keep doing it, soon you can have something great.”

Parents should also not forget that a skill of memory contributes its great worth not only to education but to life’s actions in general. For the memory of past events becomes an example of good planning for future actions.”

Πάντων δὲ μάλιστα τὴν μνήμην τῶν παίδων ἀσκεῖν καὶ συνεθίζειν· αὕτη γὰρ ὥσπερ τῆς παιδείας ἐστὶ ταμιεῖον, καὶ διὰ τοῦτο μητέρα τῶν Μουσῶν ἐμυθολόγησαν εἶναι τὴν Μνημοσύνην, αἰνιττόμενοι καὶ παραδηλοῦντες ὅτι οὕτως οὐδὲν γεννᾶν καὶ τρέφειν ὡς ἡ μνήμη πέφυκε. καὶ τοίνυν ταύτην κατ᾿ ἀμφότερ᾿ ἐστὶν ἀσκητέον, εἴτ᾿ ἐκ φύσεως μνήμονες εἶεν οἱ παῖδες, εἴτε καὶ τοὐναντίον ἐπιλήσμονες. τὴν γὰρ πλεονεξίαν τῆς φύσεως ἐπιρρώσομεν, τὴν δ᾿ ἔλλειψιν ἀναπληρώσομεν· καὶ οἱ μὲν τῶν ἄλλων ἔσονται βελτίους, οἱ δ᾿ ἑαυτῶν. τὸ γὰρ Ἡσιόδειον καλῶς εἴρηται

εἰ γάρ κεν καὶ σμικρὸν ἐπὶ σμικρῷ καταθεῖο
καὶ θαμὰ τοῦτ᾿ ἔρδοις, τάχα κεν μέγα καὶ τὸ
γένοιτο.

μὴ λανθανέτω τοίνυν μηδὲ τοῦτο τοὺς πατέρας, ὅτι τὸ μνημονικὸν τῆς μαθήσεως μέρος οὐ μόνον πρὸς τὴν παιδείαν ἀλλὰ καὶ πρὸς τὰς τοῦ βίου πράξεις οὐκ ἐλαχίστην συμβάλλεται μοῖραν. ἡ γὰρ τῶν γεγενημένων πράξεων μνήμη τῆς περὶ τῶν μελλόντων εὐβουλίας γίγνεται παράδειγμα.

Image result for Ancient Roman School rooms

Introducing Particuliterate

I am super excited to introduce a new student website, Particuliterate, by Eric Blum. This website emerges from Eric’s Schiff Undergraduate Fellowship at Brandeis University (a program that funds independent undergraduate research under a faculty member’s supervision).

Confused about what a particle is? We probably make it harder in the classroom than it needs to be. Eric provides a simple definition on his about page:

σύνδεσμος δέ ἐστιν φωνὴ ἄσημος ἣ οὔτε κωλύει οὔτε ποιεῖ φωνὴν μίαν σημαντικὴν ἐκ πλειόνων φωνῶν φεφυκυῖα συντίθεσθαι … ἣν μὴ ἁρμόττει ἐν ἀρχῇ λόγου τιθέναι καθ’ αὑτην, οἷον μέν ἤτοι δέ.

A particle is a meaningless sound, which neither hinders nor causes a significant sound to be made out of many sounds … which cannot fittingly be put at the beginning of a sentence by itself, like μέν and δέ.

ARISTOTLE, POETICS, 1456B38–57A4 (GREEK TEXT FROM TARÁN AND GUTAS, 2012)

Eric will be rolling out a new post about a different particle every week. Eric starting designing this project over a year ago, building on his own fascination with particles and his frustration with easily accessible tools to understand them. Here’s what he says about his website:

“This website is aimed primarily at that student. Its goal is to aggregate the discussion of particles, which is often spread out and hard to track down, into one place, where the views of various scholars can be summarized in a succinct and understandable manner. Particles entries include extensive hyperlinking to the Glossary page, which includes definitions for common terms and explanations of theories which underlie the arguments being described.”

I have learned a lot in discussing the project (and particles!) with Eric. He resisted my urge to name the site “Particle Man”, showing maturity and wisdom beyond his years.

In additional to the specific posts, this site has gathered electronic resources on particles and includes a useful glossary. For each particle, Eric will focus on Homeric examples and usage in part, but these posts will range from basic definitions, through usage from a perspective of grammaticalization, and to different readings based on historical linguistics and contextualization.

Here’s the first entry on δέ .

Check the site out and let Eric know you’re a fan.

 

Milk, Wine, and Rambling On

Galen, Hygiene 347k-348K

“I guess I’ve talked about milk and wine for a little longer than is strictly needed. Really, it is better, once someone has said what benefit the elderly get from these drinks, to indicate what has already been taught about the selection of the material and how diluted each of them should be and especially on the differences of each—once we’ve established that the warmer and more urine-producing wines are better for the elderly and that we shouldn’t give milk to everyone, but only those who can digest well and don’t sense any problem with their right hypochondrium.

But thanks to the lack of effort of those who are too lazy to read the books where more is written about the substance of cures we sometimes have to drag out our explanations. So, hopefully someone will pardon my style of teaching, that I am not precise and brief in the approaches I have generally taken.”

καὶ νῦν γέ μοι δοκῶ μακρότερον ἢ δεῖ τοῖς ἐνεστῶσι διεληλυθέναι περί τε γάλακτος καὶ οἴνων. ἄμεινον γὰρ ἦν εἰπόντα τὴν ἐξ αὐτῶν ὠφέλειαν τοῖς γέρουσι γινομένην ἐπὶ τὴν τῆς ὕλης ἐκλογὴν ἀποπέμψαι τὸν ἤδη μεμαθηκότα τάς τε κοινὰς δυνάμεις καθ’ ἑκάτερον αὐτῶν καὶ τὰς ἐν μέρει διαφοράς, ἐπὶ μὲν τῶν οἴνων εἰπόντα τὰς διαφορὰς τοὺς θερμοτέρους τε καὶ οὐρητικωτέρους ἀμείνους εἶναι τοῖς γέρουσι, ἐπὶ δὲ τοῦ γάλακτος, ὡς οὐδὲ πᾶσι δοτέον, ἀλλὰ μόνοις ὅσοι γε πέττουσιν αὐτὸ καλῶς καὶ συμπτώματος οὐδενὸς αἰσθάνονται κατὰ τὸ δεξιὸν ὑποχόνδριον. ἐπεὶ δ’ ἔστιν ὅτε διὰ τὴν πολλῶν ὀλιγωρίαν οὐχ ὑπομενόντων ἀναγινώσκειν τὰ βιβλία, δι’ ὧν ἐπὶ πλέον ὑπὲρ τῆς τῶν βοηθημάτων ὕλης λέλεκται, μηκύνειν ἀναγκαζόμεθα πολλάκις, εἰκότως ἄν τις ἡμῖν καὶ νῦν συγγνοίη τοῦ τρόπου τῆς διδασκαλίας, οὐ κατὰ τὴν ἀκριβῆ βραχυλογίαν ἐπὶ ταῖς καθόλου μεθόδοις προερχομένοις.

If you have children, these are the most precious substances in the world. (From https://commons.wikimedia.org/wiki/File:Red_Wine_%26_Milk.jpg)

Calling All Students and Teachers to a Tragic Agôn: Playing Medea

Just a few days left to win money and immortal fame! (For students in the US and Canada, at least. The competition in Greece is open to December 18 and so is the UK version)

Let’s start with the basic details:

  1. High School and College students in North America (and UK and Greece): Create a short video of yourselves performing part of Euripides’ Medea
  2. Submit that video by October 23rd
  3. Win up to $400.00
  4. Earn kleos aphthiton (“immortal Glory”)

Ok, let’s get to some details. Playing Medea is a student theatrical competition organized by Out of Chaos Theatre, supported by a Classics Everywhere Grant from the Society for Classical Studies, a generous anonymous donor who loves Canada, and the Center for Hellenic Studies. The UK and Greece competitions are supported as well by The Classical Association and BADA (British American Drama Association).

The contest is open to high school and college students in the US and Canada (as well as the UK and Greece, but on a different schedule with different translations) and there is a $400 prize for first place, and two $200 prizes for second place.  We’re using Diane Rayor’s translation and you can choose from a selection of scenes, all of which are available here

So, record a scene from Medea and submit it by 23rd October 2020. Our panel of judges (including representatives from the British American Drama Academy) will watch all submissions and then announce the winners during the Reading Greek Tragedy Online episode on Medea on 11th November 2020. 

This competition has grown out of the weekly meetings of Reading Greek Tragedy Online. We started this project during the early days of the pandemic lockdown in the United States and have learned a lot about Greek tragedy and performance while also maintaining some sense of community even while living alone. We know that this is a year of unparalleled isolation and stress for students and teachers alike, so we designed this project to expand our community and encourage others to strengthen their own.

We encourage creativity and daring, and we welcome all contributions however modest they may seem. Entries can be recorded entirely on zoom, or by groups who are able to share the same space. University or high school groups can enter multiple times, but each actor can appear in only one submission.

Our website also includes a dramaturgy pack (thanks to Emma Pauly for putting it together) which includes information about the play, its characters, and its production history. There is also a wonderful Medea ebook created by the Archive of Performances of Greek and Roman Drama.

Here’s a video of Amy Pistone, Paul OMahony and me trying to be clear in on 3 or 5 takes.

Calling All Students and Teachers to a Tragic Agôn: Playing Medea

Let’s start with the basic details:

  1. High School and College students in North America (and soon the UK): Create a short video of yourselves performing part of Euripides’ Medea
  2. Submit that video by October 23rd
  3. Win up to $400.00
  4. Earn kleos aphthiton (“immortal Glory”)

Ok, let’s get to some details. Playing Medea is a student theatrical competition organized by Out of Chaos Theatre, supported by a Classics Everywhere Grant from the Society for Classical Studies, a generous anonymous donor who loves Canada, and the Center for Hellenic Studies.

The contest is open to high school and college students in the US and Canada (there will be separate competitions in assorted other countries) and there is a $400 prize for first place, and two $200 prizes for second place.  We’re using Diane Rayor’s translation and you can choose from a selection of scenes, all of which are available here

So, record a scene from Medea and submit it by 23rd October 2020. Our panel of judges (including representatives from the British American Drama Academy) will watch all submissions and then announce the winners during the Reading Greek Tragedy Online episode on Medea on 11th November 2020. 

This competition has grown out of the weekly meetings of Reading Greek Tragedy Online. We started this project during the early days of the pandemic lockdown in the United States and have learned a lot about Greek tragedy and performance while also maintaining some sense of community even while living alone. We know that this is a year of unparalleled isolation and stress for students and teachers alike, so we designed this project to expand our community and encourage others to strengthen their own.

We encourage creativity and daring, and we welcome all contributions however modest they may seem. Entries can be recorded entirely on zoom, or by groups who are able to share the same space. University or high school groups can enter multiple times, but each actor can appear in only one submission.

Our website also includes a dramaturgy pack (thanks to Emma Pauly for putting it together) which includes information about the play, its characters, and its production history. There is also a wonderful Medea ebook created by the Archive of Performances of Greek and Roman Drama.

Here’s a video of Amy Pistone, Paul OMahony and me trying to be clear in on 3 or 5 takes.

Breaks and Games in Education

Quintilian  1.3

“Everyone still needs some kind of break, not only because there is no material which can endure endless labor—and even those things which lack perception or life must be guarded in turns of rest in order to protect their strength—but also because studying requires a desire to learn which cannot be compelled.

Once renewed and made fresh, students who often bristle at what is compulsory bring a greater intensity and a sharper mind to learning. Games do not bother me in young students—for this is also a sign of an excited mind—and I do not hope that a sad and always downcast child will come to studies with a sharp mind when the natural energy customary to that age is missing.

But, still, there should be a reasonable balance to breaks so students might not hate their studies when breaks are denied nor get too accustomed to leisure. There are even some games which are helpful for sharpening the wits of students—such as when they compete by asking each other little questions of any kind. Characters also unveil themselves more simply during games. But, no age seems to be so infirm that it cannot learn immediately what is right and wrong and the age especially good for shaping a character is before children know how to dissimulate and still yield to their teachers most easily. For it is faster to break things that have hardened into evil than it is to correct them.”

Danda est tamen omnibus aliqua remissio, non solum quia nulla res est quae perferre possit continuum laborem, atque ea quoque quae sensu et anima carent ut servare vim suam possint velut quiete alterna retenduntur, sed quod studium discendi voluntate, quae cogi non potest, constat. Itaque et virium plus adferunt ad discendum renovati ac recentes et acriorem animum, qui fere necessitatibus repugnat. Nec me offenderit lusus in pueris (est et hoc signum alacritatis), neque illum tristem semperque demissum sperare possim erectae circa studia mentis fore, cum in hoc quoque maxime naturali aetatibus illis impetu iaceat. Modus tamen sit remissionibus, ne aut odium studiorum faciant negatae aut otii consuetudinem nimiae. Sunt etiam nonnulli acuendis puerorum ingeniis non inutiles lusus, cum positis invicem cuiusque generis quaestiunculis aemulantur. Mores quoque se inter ludendum simplicius detegunt: modo nulla videatur aetas tam infirma quae non protinus quid rectum pravumque sit discat, tum vel maxime formanda cum simulandi nescia est et praecipientibus facillime cedit; frangas enim citius quam corrigas quae in pravum induruerunt.

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From the British Library