The Allegory of the Ship of State

Heraclitus the Commentator, in defending the application of allegorical readings to Homer, argues that allegory is of considerable antiquity—used clearly by Archilochus when he compares the troubles of a war (fr. 54) and Alcaeus, who “compares the troubles of a tyranny to the turmoil of a stormy sea.” (τὰς γὰρ τυραννικὰς ταραχὰς ἐξ ἴσου χειμερίῳ προσεικάζει καταστήματι θαλάττης, Homeric Problems 5.8)

Alcaeus, fr. 326

“I cannot make sense of the clash of the winds:
One wave whirls from this side,
Another wave comes from the other, and we in the middle
Are borne in our dark ship
Toiling ever on in this great storm.

The swell has taken the mast
And the sail is completely transparent—
There are great tears through it
And the anchors have broken free…”

ἀσυννέτημμι τὼν ἀνέμων στάσιν,
τὸ μὲν γὰρ ἔνθεν κῦμα κυλίνδεται,
τὸ δ’ ἔνθεν, ἄμμες δ’ ὂν τὸ μέσσον
νᾶϊ φορήμμεθα σὺν μελαίναι
χείμωνι μόχθεντες μεγάλωι μάλα·
πὲρ μὲν γὰρ ἄντλος ἰστοπέδαν ἔχει,
λαῖφος δὲ πὰν ζάδηλον ἤδη,
καὶ λάκιδες μέγαλαι κὰτ αὖτο,
χόλαισι δ’ ἄγκυρραι

Alcaeus, fr. 6a [P. Oxy. 1789 1 i 15–19, ii 1–17, 3 i, 12 + 2166(e)4]

“Now this higher wave comes harder than the one before
And will bring us much toil to face
When it overcomes the ship

Let us strengthen the ship’s sides
As fast as we can and hurry into a safe harbor.
Let no weak hesitation take anyone.
For a great contest is clearly before us.
Recall your previous toil.
Today, let every one be committed
And may we never cause shame
To our noble parents who lie beneath the earth”

τόδ’ αὖ]τε κῦμα τὼ π[ρ]οτέρ̣[ω †νέμω
στείχει,] παρέξει δ’ ἄ[μμι πόνον π]όλυν
ἄντλην ἐπ]εί κε νᾶ[ος ἔμβαι
[ ].όμεθ’ ἐ[
[ ]..[..]·[
[ ]

φαρξώμεθ’ ὠς ὤκιστα̣[τοίχοις,
ἐς δ’ ἔχυρον λίμενα δρό[μωμεν,
καὶ μή τιν’ ὄκνος μόλθ[ακος
λάχηι· πρόδηλον γάρ· μεγ[ἀέθλιον·
μνάσθητε τὼ πάροιθα μ[όχθω·
νῦν τις ἄνηρ δόκιμος γε̣[νέσθω.
καὶ μὴ καταισχύνωμεν [ἀνανδρίᾳ
ἔσλοις τόκηας γᾶς ὔπα κε̣[ιμένοις

The text in Heraclitus’ Homeric Problems reads somewhat differently for the first line:

Τὸ δ’ ηὖτε κῦμα τῶν προτέρων ὄνω

Theognis 855-856

“This state has often run to ground like a failing ship
Thanks to the wickedness of its leaders.”

πολλάκις ἡ πόλις ἥδε δι᾿ ἡγεμόνων κακότητα
ὥσπερ κεκλιμένη ναῦς παρὰ γῆν ἔδραμεν.

On the internal surface, around the rim, four ships. Cemetery of Ancient Thera. 3rd quarter of the 6th cent. BC Archaeological Museum of Thera.

Schol. ad. Od. 8.17 (On why Odysseus is only responsible for the companions in his particular ship)

“According to the proverb “Common ship, common safety”

κατὰ τὴν παροιμίαν “κοινὴ ναῦς κοινὴ σωτηρία,”

Pindar, Nem. 6. 52-56

“Older poets found these things
To be an elevated roadway;
I follow it even though I have concern–
The wave that is always turning
Right into the front of the ship
Is said to cause everyone’s heart
The most trouble.”

καὶ ταῦτα μὲν παλαιότεροι
ὁδὸν ἀμαξιτὸν εὗρον· ἕπο-
μαι δὲ καὶ αὐτὸς ἔχων μελέταν·
τὸ δὲ πὰρ ποδὶ ναὸς ἑλισσόμενον αἰεὶ κυμάτων
λέγεται παντὶ μάλιστα δονεῖν
θυμόν

Buschor, Ernst, 1886-1961 (1913) Griechische Vasenmalerei, Munich: R. Piper Retrieved on 21-NOV-2013.

Sophocles, Antigone 175–190 (Creon speaking)

“It is impossible to really learn a man’s
mind, thought and opinion before he’s been initiated
into the offices and laws of the state.
Indeed—whoever attempts to direct the country
but does not make use of the best advice
as he keeps his tongue frozen out of fear
Seems to me to be the worst kind of person now and long ago.

Anyone who thinks his friend is more important than the country,
I say that they live nowhere.
May Zeus who always sees everything witness this:
I could never be silent when I saw ruin
Overtaking my citizens instead of safety.

And I could never make my country’s enemy a friend
For myself, because I know this crucial thing:
The state is the ship which saves us
And we may make friends only if it remains afloat.”

ἀμήχανον δὲ παντὸς ἀνδρὸς ἐκμαθεῖν
ψυχήν τε καὶ φρόνημα καὶ γνώμην, πρὶν ἂν
ἀρχαῖς τε καὶ νόμοισιν ἐντριβὴς φανῇ.
ἐμοὶ γὰρ ὅστις πᾶσαν εὐθύνων πόλιν
μὴ τῶν ἀρίστων ἅπτεται βουλευμάτων,
ἀλλ᾿ ἐκ φόβου του γλῶσσαν ἐγκλῄσας ἔχει,
κάκιστος εἶναι νῦν τε καὶ πάλαι δοκεῖ·

καὶ μείζον᾿ ὅστις ἀντὶ τῆς αὑτοῦ πάτρας
φίλον νομίζει, τοῦτον οὐδαμοῦ λέγω.
ἐγὼ γάρ, ἴστω Ζεὺς ὁ πάνθ᾿ ὁρῶν ἀεί,
οὔτ᾿ ἂν σιωπήσαιμι τὴν ἄτην ὁρῶν
στείχουσαν ἀστοῖς ἀντὶ τῆς σωτηρίας,
οὔτ᾿ ἂν φίλον ποτ᾿ ἄνδρα δυσμενῆ χθονὸς
θείμην ἐμαυτῷ, τοῦτο γιγνώσκων ὅτι
ἥδ᾿ ἐστὶν ἡ σῴζουσα καὶ ταύτης ἔπι
πλέοντες ὀρθῆς τοὺς φίλους ποιούμεθα.

Plato, Republic 6 488a7-89a2

[This was inspired by a ”Ship of Fools” post at LitKicks]

“Consider this how this could turn out on many ships or even just one: there is a captain of some size and strength beyond the rest of the men in the ship, but he is deaf and similarly limited at seeing, and he knows as much about sailing as these qualities might imply. So, the sailors are struggling with one another about steering the ship, because each one believes that he should be in charge, even though he has learned nothing of the craft nor can indicate who his teacher was nor when he had the time to learn. Some of them are even saying that it is not teachable, and that they are ready to cut down the man who says it can be taught.

They are always hanging all over the captain asking him and making a big deal of the fact that he should entrust the rudder to them. There are times when some of them do not persuade him, and some of them kill others or kick them off the ship, and once they have overcome the noble captain through a mandrake, or drugs, or something else and run the ship, using up its contents drinking, and partying, and sailing just as such sort of men might. In addition to this, they praise as a fit sailor, and call a captain and knowledgeable at shipcraft the man who is cunning at convincing or forcing the captain that they should be in charge. And they rebuke as useless anyone who is not like this.

Such men are unaware what a true helmsman is like, that he must be concerned about the time of year, the seasons, the sky, the stars, the wind and everything that is appropriate to the art, if he is going to be a leader of a ship in reality, how he might steer the ship even if some desire it or not, when they believe that it is not possible to obtain art or practice about how to do this, something like an art of ship-steering. When these types of conflicts are occurring on a ship, don’t you think the one who is a true helmsman would be called a star-gazer, a blabber, or useless to them by the sailors in the ships organized in this way?

νόησον γὰρ τοιουτονὶ γενόμενον εἴτε πολλῶν νεῶν πέρι εἴτε μιᾶς· ναύκληρον μεγέθει μὲν καὶ ῥώμῃ ὑπὲρ τοὺς ἐν τῇ νηὶ πάντας, ὑπόκωφον δὲ καὶ ὁρῶντα ὡσαύτως βραχύ τι καὶ γιγνώσκοντα περὶ ναυτικῶν ἕτερα τοιαῦτα, τοὺς δὲ ναύτας στασιάζοντας πρὸς ἀλλήλους περὶ τῆς κυβερνήσεως, ἕκαστον οἰόμενον δεῖν κυβερνᾶν, μήτε μαθόντα πώποτε τὴν τέχνην μέτε ἔχοντα ἀποδεῖξαι διδάσκαλον ἑαυτοῦ μηδὲ χρόνον ἐν ᾧ ἐμάνθανεν, πρὸς δὲ τούτοις φάσκοντας μηδὲ διδακτὸν εἶναι, ἀλλὰ καὶ τὸν λέγοντα ὡς διδακτὸν ἑτοίμους κατατέμνειν, αὐτοὺς δὲ αὐτῷ ἀεὶ τῷ ναυκλήρῳ περικεχύσθαι δεομένους καὶ πάντα ποιοῦντας ὅπως ἂν σφίσι τὸ πηδάλιον ἐπιτρέψῃ, ἐνίοτε δ’ ἂν μὴ πείθωσιν ἀλλὰ ἄλλοι μᾶλλον, τοὺς μὲν ἄλλους ἢ ἀποκτεινύντας ἢ ἐκβάλλοντας ἐκ τῆς νεώς, τὸν δὲ γενναῖον ναύκληρον μανδραγόρᾳ ἢ μέθῃ ἤ τινι ἄλλῳ συμποδίσαντας τῆς νεὼς ἄρχειν χρωμένους τοῖς ἐνοῦσι, καὶ πίνοντάς τε καὶ εὐωχουμένους πλεῖν ὡς τὸ εἰκὸς τοὺς τοιούτους, πρὸς δὲ τούτοις ἐπαινοῦντας ναυτικὸν μὲν καλοῦντας καὶ κυβερνητικὸν καὶ ἐπιστάμενον τὰ κατὰ ναῦν, ὃς ἂν συλλαμβάνειν δεινὸς ᾖ ὅπως ἄρξουσιν ἢ πείθοντες ἢ βιαζόμενοι τὸν ναύκληρον, τὸν δὲ μὴ τοιοῦτον ψέγοντας ὡς ἄχρηστον, τοῦ δὲ ἀληθινοῦ κυβερνήτου πέρι μηδ’ ἐπαΐοντες, ὅτι ἀνάγκη αὐτῷ τὴν ἐπιμέλειαν ποιεῖσθαι ἐνιαυτοῦ καὶ ὡρῶν καὶ οὐρανοῦ καὶ ἄστρων καὶ πνευμάτων καὶ πάντων τῶν τῇ τέχνῃ προσηκόντων, εἰ μέλλει τῷ ὄντι νεὼς ἀρχικὸς ἔσεσθαι, ὅπως δὲ κυβερνήσει ἐάντε τινες βούλωνται ἐάντε μή, μήτε τέχνην τούτου μήτε μελέτην οἰόμενοι δυνατὸν εἶναι λαβεῖν ἅμα καὶ τὴν κυβερνητικήν. τοιούτων δὴ περὶ τὰς ναῦς γιγνομένων τὸν ὡς ἀληθῶς κυβερνητικὸν οὐχ ἡγῇ ἂν τῷ ὄντι μετεωροσκόπον τε καὶ ἀδολέσχην καὶ ἄχρηστόν σφισι καλεῖσθαι ὑπὸ τῶν ἐν ταῖς οὕτω κατεσκευασμέναις ναυσὶ πλωτήρων;

The Allegory of the Ship of State

Heraclitus the Commentator, in defending the application of allegorical readings to Homer, argues that allegory is of considerable antiquity—used clearly by Archilochus when he compares the troubles of a war (fr. 54) and Alcaeus, who “compares the troubles of a tyranny to the turmoil of a stormy sea.” (τὰς γὰρ τυραννικὰς ταραχὰς ἐξ ἴσου χειμερίῳ προσεικάζει καταστήματι θαλάττης, Homeric Problems 5.8)

Alcaeus, fr. 326

“I cannot make sense of the clash of the winds
One wave whirls from this side,
Another wave comes from the other, and we in the middle
Are borne in our dark ship
Toiling ever on in this great storm.
The swell has taken he mast
And the sail is completely transparent—
There are great tears through it
And the anchors have broken free…”

ἀσυννέτημμι τὼν ἀνέμων στάσιν,
τὸ μὲν γὰρ ἔνθεν κῦμα κυλίνδεται,
τὸ δ’ ἔνθεν, ἄμμες δ’ ὂν τὸ μέσσον
νᾶϊ φορήμμεθα σὺν μελαίναι
χείμωνι μόχθεντες μεγάλωι μάλα·
πὲρ μὲν γὰρ ἄντλος ἰστοπέδαν ἔχει,
λαῖφος δὲ πὰν ζάδηλον ἤδη,
καὶ λάκιδες μέγαλαι κὰτ αὖτο,
χόλαισι δ’ ἄγκυρραι

Alcaeus, fr. 6a [P. Oxy. 1789 1 i 15–19, ii 1–17, 3 i, 12 + 2166(e)4]

“Now this higher wave comes harder than the one before
And will bring us much toil to face
When it overcomes the ship

Let us strengthen the ship’s sides
As fast as we can and hurry into a safe harbor.
Let no weak hesitation take anyone.
For a great contest is clearly before us.
Recall your previous toil.
Today, let every man be dedicated.
And may we never cause shame
To our noble parents who lie beneath the earth”

τόδ’ αὖ]τε κῦμα τὼ π[ρ]οτέρ̣[ω †νέμω
στείχει,] παρέξει δ’ ἄ[μμι πόνον π]όλυν
ἄντλην ἐπ]εί κε νᾶ[ος ἔμβαι
[ ].όμεθ’ ἐ[
[ ]..[..]·[
[ ]

φαρξώμεθ’ ὠς ὤκιστα̣[τοίχοις,
ἐς δ’ ἔχυρον λίμενα δρό[μωμεν,
καὶ μή τιν’ ὄκνος μόλθ[ακος
λάχηι· πρόδηλον γάρ· μεγ[ἀέθλιον·
μνάσθητε τὼ πάροιθα μ[όχθω·
νῦν τις ἄνηρ δόκιμος γε̣[νέσθω.
καὶ μὴ καταισχύνωμεν [ἀνανδρίᾳ
ἔσλοις τόκηας γᾶς ὔπα κε̣[ιμένοις

The text in Heraclitus’ Homeric Problems reads somewhat differently for the first line:

Τὸ δ’ ηὖτε κῦμα τῶν προτέρων ὄνω

Theognis 855-856

“This state has often run to ground like a failing ship
Thanks to the wickedness of its leaders.”

πολλάκις ἡ πόλις ἥδε δι᾿ ἡγεμόνων κακότητα
ὥσπερ κεκλιμένη ναῦς παρὰ γῆν ἔδραμεν.

On the internal surface, around the rim, four ships. Cemetery of Ancient Thera. 3rd quarter of the 6th cent. BC Archaeological Museum of Thera.

 

Schol. ad. Od. 8.17 (On why Odysseus is only responsible for the companions in his particular ship)

“According to the proverb “Common ship, common safety”

κατὰ τὴν παροιμίαν “κοινὴ ναῦς κοινὴ σωτηρία,”

Pindar, Nem. 6. 52-56

“Older poets found these things
To be an elevated roadway;
I follow it even though I have concern–
The wave that is always turning
Right into the front of the ship
Is said to cause everyone’s heart
The most trouble.”

καὶ ταῦτα μὲν παλαιότεροι
ὁδὸν ἀμαξιτὸν εὗρον· ἕπο-
μαι δὲ καὶ αὐτὸς ἔχων μελέταν·
τὸ δὲ πὰρ ποδὶ ναὸς ἑλισσόμενον αἰεὶ κυμάτων
λέγεται παντὶ μάλιστα δονεῖν
θυμόν

Heraclitus, Homeric Problems 70

“Generally, then, if one wants to examine it carefully, you will find Odysseus’ wandering to be an allegory. Homer has positioned Odysseus as some kind of an instrument of every kind of virtue and he has used him to philosophize, since he hated the wickedness which governs human life.

The land of the Lotus-eaters, a farm of exotic temptation, represents the temptation of pleasure through which Odysseus sailed in perfect control. He snuffs out the savage anger of each of us with the advice from his words as if cauterizing it. This anger is named the Cyclops, the one who steals away [hypoklôpôn] our faculties of reason.

What of this—does it not seem that Odysseus who ‘overcame the winds’ was the first to anticipate fair sailing through his knowledge of the stars? And he was superior to Kirkê’s drugs because he discovered a cure for addictive delicacies thanks to his deep wisdom.

And his intelligence extends even to Hades so that nothing in the underworld might go unexplored. Who listens to the Sirens and learns a diverse history of all time? Charybdis is an obvious name for luxury and endless drinking. Homer has allegorized manifold shamelessness in Skylla, which is why she would logically have a belt of dogs, guardians for her rapacity, daring, and pugnacity. The cattle of the sun are about controlling your eating—for he would not even allow starvation to be a compulsion to do injustice.

These stories were told mythically for their audiences, if someone delves into the allegorized wisdom, it will be the most useful to those who apprehend it.”

Καθόλου δὲ τὴν ᾿Οδυσσέως πλάνην, εἴ τις ἀκριβῶς ἐθέλει σκοπεῖν, ἠλληγορημένην εὑρήσει·

 πάσης γὰρ ἀρετῆς καθάπερ ὄργανόν τι τὸν ᾿Οδυσσέα παραστησάμενος ἑαυτῷ διὰ τοῦτο πεφιλοσόφηκεν, ἐπειδὴ τὰς ἐκνεμομένας τὸν ἀνθρώπινον βίον ἤχθηρε κακίας.

 ῾Ηδονὴν μέν γε, τὸ Λωτοφάγον χωρίον, ξένης γεωργὸν ἀπολαύσεως, ἣν ᾿Οδυσσεὺς ἐγκρατῶς παρέπλευσεν·  τὸν δ’ ἄγριον ἑκάστου θυμὸν ὡσπερεὶ καυτηρίῳ τῇ παραινέσει τῶν λόγων ἐπήρωσε.  Κύκλωψ δὲ οὗτος ὠνόμασται, ὁ τοὺς λογισμοὺς ὑποκλωπῶν.

     Τί δ’; οὐχὶ πρῶτος εὔδιον πλοῦν δι’ ἐπιστήμης ἀστρονόμου τεκμηράμενος ἔδοξεν ἀνέμους δεδωκέναι; Φαρμάκων τε τῶν παρὰ Κίρκης γέγονε κρείττων, ὑπὸ πολλῆς σοφίας πεμμάτων ἐπεισάκτων κακῶν λύσιν εὑρόμενος.

     ῾Η δὲ φρόνησις ἕως ῞Αιδου καταβέβηκεν, ἵνα μηδὲ τῶν νέρθεν ἀδιερεύνητον ᾖ.  Τίς δὲ Σειρήνων ἀκούει, τὰς πολυπείρους ἱστορίας παντὸς αἰῶνος ἐκμαθών;  Καὶ Χάρυβδις μὲν ἡ δάπανος ἀσωτία καὶ περὶ πότους ἄπληστος  εὐλόγως ὠνόμασται·  Σκύλλαν δὲ τὴν πολύμορφον ἀναίδειαν ἠλληγόρησε, διὸ δὴ κύνας οὐκ ἀλόγως ὑπέζωσται προτομαῖς ἁρπαγῇ, τόλμῃ καὶ πλεονεξίᾳ πεφραγμέναις·

 αἱ δ’ ἡλίου βόες ἐγκράτεια γαστρός εἰσιν, εἰ μηδὲ λιμὸν ἔσχεν ἀδικίας ἀνάγκην.

     ῝Α δὴ μυθικῶς μέν ἐστιν εἰρημένα περὶ τοὺς ἀκούοντας, εἰ δ’ ἐπὶ τὴν ἠλληγορημένην σοφίαν καταβέβηκεν, ὠφελιμώτατα τοῖς μιμουμένοις γενήσεται.

Sophocles, Antigone 175–190 (Creon speaking)

“It is impossible to really learn a man’s
mind, thought and opinion before he’s been initiated
into the offices and laws of the state.
Indeed—whoever attempts to direct the country
but does not make use of the best advice
as he keeps his tongue frozen out of fear
Seems to me to be the worst kind of person now and long ago.

Anyone who thinks his friend is more important than the country,
I say that they live nowhere.
May Zeus who always sees everything witness this:
I could never be silent when I saw ruin
Overtaking my citizens instead of safety.

And I could never make my country’s enemy a friend
For myself, because I know this crucial thing:
The state is the ship which saves us
And we may make friends only if it remains afloat.”

ἀμήχανον δὲ παντὸς ἀνδρὸς ἐκμαθεῖν
ψυχήν τε καὶ φρόνημα καὶ γνώμην, πρὶν ἂν
ἀρχαῖς τε καὶ νόμοισιν ἐντριβὴς φανῇ.
ἐμοὶ γὰρ ὅστις πᾶσαν εὐθύνων πόλιν
μὴ τῶν ἀρίστων ἅπτεται βουλευμάτων,
ἀλλ᾿ ἐκ φόβου του γλῶσσαν ἐγκλῄσας ἔχει,
κάκιστος εἶναι νῦν τε καὶ πάλαι δοκεῖ·

καὶ μείζον᾿ ὅστις ἀντὶ τῆς αὑτοῦ πάτρας
φίλον νομίζει, τοῦτον οὐδαμοῦ λέγω.
ἐγὼ γάρ, ἴστω Ζεὺς ὁ πάνθ᾿ ὁρῶν ἀεί,
οὔτ᾿ ἂν σιωπήσαιμι τὴν ἄτην ὁρῶν
στείχουσαν ἀστοῖς ἀντὶ τῆς σωτηρίας,
οὔτ᾿ ἂν φίλον ποτ᾿ ἄνδρα δυσμενῆ χθονὸς
θείμην ἐμαυτῷ, τοῦτο γιγνώσκων ὅτι
ἥδ᾿ ἐστὶν ἡ σῴζουσα καὶ ταύτης ἔπι
πλέοντες ὀρθῆς τοὺς φίλους ποιούμεθα.

Plato, Republic 6 488a7-89a2

[This was inspired by a”Ship of Fools” post at LitKicks]

Consider this how this could turn out on many ships or even just one: there is a captain of some size and strength beyond the rest of the men in the ship, but he is deaf and similarly limited at seeing, and he knows as much about sailing as these qualities might imply. So, the sailors are struggling with one another about steering the ship, because each one believes that he should be in charge, even though he has learned nothing of the craft nor can indicate who his teacher was nor when he had the time to learn. Some of them are even saying that it is not teachable, and that they are ready to cut down the man who says it can be taught.

They are always hanging all over the captain asking him and making a big deal of the fact that he should entrust the rudder to them. There are times when some of them do not persuade him, and some of them kill others or kick them off the ship, and once they have overcome the noble captain through a mandrake, or drugs, or something else and run the ship, using up its contents drinking, and partying, and sailing just as such sort of men might. In addition to this, they praise as a fit sailor, and call a captain and knowledgeable at shipcraft the man who is cunning at convincing or forcing the captain that they should be in charge. And they rebuke as useless anyone who is not like this.

Such men are unaware what a true helmsman is like, that he must be concerned about the time of year, the seasons, the sky, the stars, the wind and everything that is appropriate to the art, if he is going to be a leader of a ship in reality, how he might steer the ship even if some desire it or not, when they believe that it is not possible to obtain art or practice about how to do this, something like an art of ship-steering. When these types of conflicts are occurring on a ship, don’t you think the one who is a true helmsman would be called a star-gazer, a blabber, or useless to them by the sailors in the ships organized in this way?

νόησον γὰρ τοιουτονὶ γενόμενον εἴτε πολλῶν νεῶν πέρι εἴτε μιᾶς· ναύκληρον μεγέθει μὲν καὶ ῥώμῃ ὑπὲρ τοὺς ἐν τῇ νηὶ πάντας, ὑπόκωφον δὲ καὶ ὁρῶντα ὡσαύτως βραχύ τι καὶ γιγνώσκοντα περὶ ναυτικῶν ἕτερα τοιαῦτα, τοὺς δὲ ναύτας στασιάζοντας πρὸς ἀλλήλους περὶ τῆς κυβερνήσεως, ἕκαστον οἰόμενον δεῖν κυβερνᾶν, μήτε μαθόντα πώποτε τὴν τέχνην μέτε ἔχοντα ἀποδεῖξαι διδάσκαλον ἑαυτοῦ μηδὲ χρόνον ἐν ᾧ ἐμάνθανεν, πρὸς δὲ τούτοις φάσκοντας μηδὲ διδακτὸν εἶναι, ἀλλὰ καὶ τὸν λέγοντα ὡς διδακτὸν ἑτοίμους κατατέμνειν, αὐτοὺς δὲ αὐτῷ ἀεὶ τῷ ναυκλήρῳ περικεχύσθαι δεομένους καὶ πάντα ποιοῦντας ὅπως ἂν σφίσι τὸ πηδάλιον ἐπιτρέψῃ, ἐνίοτε δ’ ἂν μὴ πείθωσιν ἀλλὰ ἄλλοι μᾶλλον, τοὺς μὲν ἄλλους ἢ ἀποκτεινύντας ἢ ἐκβάλλοντας ἐκ τῆς νεώς, τὸν δὲ γενναῖον ναύκληρον μανδραγόρᾳ ἢ μέθῃ ἤ τινι ἄλλῳ συμποδίσαντας τῆς νεὼς ἄρχειν χρωμένους τοῖς ἐνοῦσι, καὶ πίνοντάς τε καὶ εὐωχουμένους πλεῖν ὡς τὸ εἰκὸς τοὺς τοιούτους, πρὸς δὲ τούτοις ἐπαινοῦντας ναυτικὸν μὲν καλοῦντας καὶ κυβερνητικὸν καὶ ἐπιστάμενον τὰ κατὰ ναῦν, ὃς ἂν συλλαμβάνειν δεινὸς ᾖ ὅπως ἄρξουσιν ἢ πείθοντες ἢ βιαζόμενοι τὸν ναύκληρον, τὸν δὲ μὴ τοιοῦτον ψέγοντας ὡς ἄχρηστον, τοῦ δὲ ἀληθινοῦ κυβερνήτου πέρι μηδ’ ἐπαΐοντες, ὅτι ἀνάγκη αὐτῷ τὴν ἐπιμέλειαν ποιεῖσθαι ἐνιαυτοῦ καὶ ὡρῶν καὶ οὐρανοῦ καὶ ἄστρων καὶ πνευμάτων καὶ πάντων τῶν τῇ τέχνῃ προσηκόντων, εἰ μέλλει τῷ ὄντι νεὼς ἀρχικὸς ἔσεσθαι, ὅπως δὲ κυβερνήσει ἐάντε τινες βούλωνται ἐάντε μή, μήτε τέχνην τούτου μήτε μελέτην οἰόμενοι δυνατὸν εἶναι λαβεῖν ἅμα καὶ τὴν κυβερνητικήν. τοιούτων δὴ περὶ τὰς ναῦς γιγνομένων τὸν ὡς ἀληθῶς κυβερνητικὸν οὐχ ἡγῇ ἂν τῷ ὄντι μετεωροσκόπον τε καὶ ἀδολέσχην καὶ ἄχρηστόν σφισι καλεῖσθαι ὑπὸ τῶν ἐν ταῖς οὕτω κατεσκευασμέναις ναυσὶ πλωτήρων;

No Bull, Just Zeus

Anacreonta 54

“Child, this bull
Looks a bit like Zeus to me.
Since he is carrying on his back
A Sidonian lady.

He is crossing the broad sea!
He carves the waves with his feet!

No other bull could
Separate himself from the herd and
Sail across the sea except
this bull alone.”

ὁ ταῦρος οὗτος, ὦ παῖ,
δοκεῖ τις εἶναί μοι Ζεύς·
φέρει γὰρ ἀμφὶ νώτοις
Σιδωνίαν γυναῖκα·
περᾷ δὲ πόντον εὐρύν,
τέμνει δὲ κῦμα χηλαῖς.
οὐκ ἂν δὲ ταῦρος ἄλλος
ἐξ ἀγέλης λιασθεὶς
ἔπλευσε τὴν θάλασσαν,
εἰ μὴ μόνος ἐκεῖνος.

Segment of a fresco (wall painting). Woman, half-clothed, sits on bull while friends calm him. The bull looks suspicious.
Wall painting from pompeii, Europa already sitting on the back of the bull (Zeus)

Homer’s Lyre and the Lyric Muse

Anacreonta 2

“Give me Homer’s lyre
Without its bloody strings–
Hand me cups of laws
mixed with rules for things.

That way, I will dance when I’m drunk
wisely out of my mind,
I will sing to the fingers playing
And shout the songs for drinking
Just give me Homer’s lyre
Without its bloody strings.”

δότε μοι λύρην Ὁμήρου
φονίης ἄνευθε χορδῆς,
φέρε μοι κύπελλα θεσμῶν,
φέρε μοι νόμους κεράσσας,

μεθύων ὅπως χορεύσω,
ὑπὸ σώφρονος δὲ λύσσης
μετὰ βαρβίτων ἀείδων
τὸ παροίνιον βοήσω.
δότε μοι λύρην Ὁμήρου
φονίης ἄνευθε χορδῆς.

Anacreonta 3

“Come here, best of painters
Listen to the Lyric muse!
Paint cities first
Happy ones, laughing ones,
And Bacchantes at play,
Breathing into their double pipes.
Then if the wax can manage,
Trace out the lovers’ ways.”

ἄγε, ζωγράφων ἄριστε,
λυρικῆς ἄκουε Μούσης·
γράφε τὰς πόλεις τὸ πρῶτον
ἱλαράς τε καὶ γελώσας,
φιλοπαίγμονάς τε Βάκχας
†ἑτεροπνόους ἐναύλους·†
ὁ δὲ κηρὸς ἂν δύναιτο,
γράφε καὶ νόμους φιλούντων.

Peter Paul Reubens “Minerva protects Pax from Mars” 1629/30

Glory and Worthless Wealth

Bacchylides, Odes 1. 159-172

“I claim and I will always claim
That excellence has the greatest glory.
Wealth will flock to worthless people
And always tends to swell a person’s thoughts.
But the one who does well for the gods
Has more glorious hopes
To settle their heart.

But if someone has health
Even if mortal
And can live through their own household
They rival the best.

Truly, all pleasure
In a person’s life
Comes apart from disease
And a poverty with no cure.

Rich people desire big things
No less than the poor something smaller,
And there’s nothing sweet for mortals
In being able to get everything at all
Because they’re always straining to catch
Whatever is getting away.”

φαμὶ καὶ φάσω μέγιστον
κῦδος ἔχειν ἀρετάν· πλοῦ-
τος δὲ καὶ δειλοῖσιν ἀνθρώπων ὁμιλεῖ,
ἐθέλει δ᾿ αὔξειν φρένας ἀνδρός·
ὁ δ᾿ εὖ ἔρδων θεούς
ἐλπίδι κυδροτέραι
σαίνει κέαρ. εἰ δ᾿ ὑγιείας
θνατὸς ἐὼν ἔλαχεν
ζώειν τ᾿ ἀπ᾿ οἰκείων ἔχει,
πρώτοις ἐρίζει· παντί τοι
τέρψις ἀνθρώπων βίωι
ἕπεται νόσφιν γε νόσων
πενίας τ᾿ ἀμαχάνου.
ἶσον ὅ τ᾿ ἀφνεὸς ἱμείρει
μεγάλων ὅ τε μείων
παυροτέρων· τὸ δὲ πάντων
εὐμαρεῖν οὐδὲν γλυκύ
θνατοῖσιν, ἀλλ᾿ αἰεὶ τὰ φεύγοντα
δίζηνται κιχεῖν.

Raphaelle Peale, “Melons and Morning Glories” 1813

Put Your Seatbelt on, This is an Epinician Poem

Pindar, Pythian 10.46-50

“Nothing unbelievable surprises me,
provided the gods make it happen.

Keep your oar still–quickly drive the anchor
into the earth from the prow,
A weapon against the uneven jetty:

The finest hymns of praise
Rush from one story to another
Like a bee.”

ἐμοὶ δὲ θαυμάσαι
θεῶν τελεσάντων οὐδέν ποτε φαίνεται
ἔμμεν ἄπιστον.
κώπαν σχάσον, ταχὺ δ᾿ ἄγκυραν ἔρεισον χθονί
πρῴραθε, χοιράδος ἄλκαρ πέτρας.
ἐγκωμίων γὰρ ἄωτος ὕμνων
ἐπ᾿ ἄλλοτ᾿ ἄλλον ὥτε μέλισσα θύνει λόγον.

GIF of a roller coaster

A Short Path To Wisdom

Pindar, Pythian 4.246-248

“The path for me to walk is long, since
The hour narrows–but I know a shortcut.
I lead many others to wisdom.”

μακρά μοι νεῖσθαι κατ᾿ ἀμαξιτόν· ὥρα
γὰρ συνάπτει· καί τινα
οἶμον ἴσαμι βραχύν· πολ-
λοῖσι δ᾿ ἄγημαι σοφίας ἑτέροις.

Schol. ad Pin. Pyth 4 var.

“Along the wagon-path: [this means] to travel and speak along that path of the praising of Jason.”

κατ’ ἀμαξιτόν: κατὰ τὴν ὁδὸν ταύτην τὴν τῶν ἐγκωμίων τοῦ ᾿Ιάσονος πορεύεσθαι καὶ λέγειν.

“The hour is narrowing”: the right time is urging me to recount this to Arkesliaos.

ὥρα γὰρ συνάπτει: καιρός με ἐπείγει, ὥστε πρὸς τὸν ᾿Αρκεσίλαον ἀναδραμεῖν.

“I know some way”: this means I know some short path, which means that I also know how to speak this explanation briefly.”

καί τινα οἶμον ἴσαμι: καί τινα οἶδα ὁδὸν βραχεῖαν, τουτέστιν οἶδα κατὰ τὰς ἐξηγήσεις καὶ βραχέα λέγειν.

“Wisdom to others”: This is about that wisdom from earlier, speaking concisely, and becoming and exemplar to others, which means a teacher. What he’s saying is I am showing many others about concision, how to explain things concisely.”

σοφίας ἑτέροις: ἤτοι ταύτης τῆς σοφίας, τῆς περὶ τὸ συντόμως λέγειν, καὶ ἄλλων γέγονα καθηγητὴς, ὅ ἐστι διδάσκαλος· ἢ πολλοῖς προσέσχον ἄλλοις, ὡς ἐν συντομίᾳ, ὥστε ταχέως αὐτὰ ἐξειπεῖν.

Color photograph of museum display with a horse and wheeled wagon made out of clay.
Ancient Greek Vase Gallery, National Archaeological Museum of Greece, Athens, Greece.

Fox Temper Meet Hunting Wolf

Pindar, Pythian 2.77-89

“Slander merchants are an incurable headache for everyone–
They have tempers like foxes–
But what kind of profit does that cleverness produce?
It is just like when the rest of the equipment
Struggles in the the depth of the sea and I go
Floating untouched like a cork on the salty swell.

It’s impossible for a lying citizen to speak a strong word
Among good people–yet they’ll keep sucking up to everyone
To weave total ruin.
I don’t share his audacity! I want to love a friend
And be hateful to an enemy and
Run him to ground like a wolf does–

Creeping up on him by indirect paths.
Someone who speaks straight rises to the top
In any constitution–in a tyranny, when the mob rules or
When wise people oversee the state.
You shouldn’t fight with a god.”

ἄμαχον κακὸν ἀμφοτέροις διαβολιᾶν ὑποφάτιες,
ὀργαῖς ἀτενὲς ἀλωπέκων ἴκελοι.
κέρδει δὲ τί μάλα τοῦτο κερδαλέον τελέθει;
ἅτε γὰρ ἐννάλιον πόνον ἐχοίσας βαθύν
σκευᾶς ἑτέρας, ἀβάπτιστος εἶμι φελ-
λὸς ὣς ὑπὲρ ἕρκος ἅλμας.
ἀδύνατα δ᾿ ἔπος ἐκβαλεῖν κραταιὸν ἐν ἀγαθοῖς
δόλιον ἀστόν· ὅμως μὰν σαίνων ποτὶ πάντας ἄ-
ταν πάγχυ διαπλέκει.
οὔ οἱ μετέχω θράσεος. φίλον εἴη φιλεῖν·
ποτὶ δ᾿ ἐχθρὸν ἅτ᾿ ἐχθρὸς ἐὼν λύκοιο
δίκαν ὑποθεύσομαι,

ἄλλ᾿ ἄλλοτε πατέων ὁδοῖς σκολιαῖς.
ἐν πάντα δὲ νόμον εὐθύγλωσσος ἀνὴρ προφέρει,
παρὰ τυραννίδι, χὠπόταν ὁ λάβρος στρατός,
χὤταν πόλιν οἱ σοφοὶ τηρέωντι. χρὴ
δὲ πρὸς θεὸν οὐκ ἐρίζειν

Photograph of the inside of a red figure vase. A large headed figure sits and talks to a fox, who is gesticulating
Red Figure Vase c. 460 BCE Vatican Museum

No Bull, Just Zeus

Anacreonta 54

“Child, this bull
Looks a bit like Zeus to me.
Since he is carrying on his back
A Sidonian lady.

He is crossing the broad sea!
He carves the waves with his feet!

No other bull could
Separate himself from the herd and
Sail across the sea except
this bull alone.”

ὁ ταῦρος οὗτος, ὦ παῖ,
δοκεῖ τις εἶναί μοι Ζεύς·
φέρει γὰρ ἀμφὶ νώτοις
Σιδωνίαν γυναῖκα·
περᾷ δὲ πόντον εὐρύν,
τέμνει δὲ κῦμα χηλαῖς.
οὐκ ἂν δὲ ταῦρος ἄλλος
ἐξ ἀγέλης λιασθεὶς
ἔπλευσε τὴν θάλασσαν,
εἰ μὴ μόνος ἐκεῖνος.

Segment of a fresco (wall painting). Woman, half-clothed, sits on bull while friends calm him. The bull looks suspicious.
Wall painting from pompeii, Europa already sitting on the back of the bull (Zeus)

Attacked by a Baby in a Dream

Anacreonta 33

“Once, in the middle of the night,
At that time when the bear
Is already turning round the Plowman’s hand,
And all mortal peoples lie
Overcome by exhaustion,
Love stationed himself outside
The bolts of my doors and was knocking.

I said, “who’s knocking at my door?
You’ve broken up my dreams!”
And Love said, “Open up!
I am just a baby, don’t be afraid.
I am getting damp as I wander
Through this moonless night.”

I felt pity when I heard this
And immediately grabbed my lamp.
I opened the door and saw
Baby there, wearing a quiver
With arrows and a bow.
I sat him down near my hearth
And I warmed his hands with mine
And pressed the gold water from his hair.

Once he shrugged off his shivers,
He said, “Come on, let’s try this bow,
Whether its string has been ruined from getting wet.

He drew and shot true,
In the middle of my heart, like a mosquito.
He jumped up and laughed out with a smile,
“Friend, celebrate with me!
My bow is unharmed,
Although your heart will hurt for a while!

μεσονυκτίοις ποτ᾿ ὥραις,
στρέφετ᾿ ἡνίκ᾿ Ἄρκτος ἤδη
κατὰ χεῖρα τὴν Βοώτου,
μερόπων δὲ φῦλα πάντα
κέαται κόπῳ δαμέντα,
τότ᾿ Ἔρως ἐπισταθείς μευ
θυρέων ἔκοπτ᾿ ὀχῆας.

῾τίς᾿ ἔφην ῾θύρας ἀράσσει
κατά μευ σχίσας ὀνείρους;’
ὁ δ᾿ Ἔρως ῾ἄνοιγε’ φησίν·
῾βρέφος εἰμί, μὴ φόβησαι·
βρέχομαι δὲ κἀσέληνον
κατὰ νύκτα πεπλάνημαι.’
ἐλέησα ταῦτ᾿ ἀκούσας,

ἀνὰ δ᾿ εὐθὺ λύχνον ἅψας
ἀνέῳξα καὶ βρέφος μὲν
ἐσορῶ φέροντα τόξον
πτέρυγάς τε καὶ φαρέτρην·
παρὰ δ᾿ ἱστίην καθίξας

παλάμαισι χεῖρας αὐτοῦ
ἀνέθαλπον, ἐκ δὲ χαίτης
ἀπέθλιβον ὑγρὸν ὕδωρ.
ὁ δ᾿, ἐπεὶ κρύος μεθῆκε,
῾φέρε᾿ φησί ῾πειράσωμεν
τόδε τόξον, εἴ τι μοι νῦν
βλάβεται βραχεῖσα νευρή.’

τανύει δὲ καί με τύπτει
μέσον ἧπαρ, ὥσπερ οἶστρος.
ἀνὰ δ᾿ ἅλλεται καχάζων·
῾ξένε᾿ δ᾿ εἶπε ῾συγχάρηθι·
κέρας ἀβλαβὲς μὲν ἡμῖν,
σὺ δὲ καρδίαν πονήσεις.’

Black-and-white photo of a marble baby cupid with wings and a bow
Duquesnoy Cupid prewar photo