Poison Proofs

Aelian (Claudius Aelianus), On the Nature of Animals, 16, 27 (= BNJ 86F 21b)

“Agatharkhides claims that there is a group of people in Libya–and that they are also called the Psylli–in most ways they aren’t really different from the rest of humankind in their lifestyle except that their body has a strange and incredible quality that sets them apart. You see, creatures that sting as part of attacking don’t harm these people at all!

Indeed, they don’t even notice a snakebite or a spider-bite that might be fatal to other people, nor even a scorpion’s sting. When one of the creatures gets near them and touches them, it acts like it has taken some sleep-causing drug as soon as it smells them! They contract a kind of drowsiness or drugged state and become weak and slow until the person walks away.

Also, when they want to test whether their babies are trueborn or bastards, they leave them in the middle of snakes just as I said above, the way gold-workers test metal in fire.”

᾽Αγαθαρχίδης φησὶν εἶναι γένος ἐν τῆι Λιβύηι τινῶν ἀνθρώπων καὶ μέντοι καὶ καλεῖσθαι αὐτοὺς Ψύλλους. καὶ ὅσα μὲν κατὰ τὸν ἄλλον βίον τῶν λοιπῶν ἀνθρώπων διαφέ̣ρειν οὐδὲ ἕν, τὸ δὲ σῶμα ἔχειν ξένον τε καὶ παράδοξον ὡς πρὸς τοὺς ἑτεροφύλους ἀντικρινόμενον. τὰ γάρ τοι ζῶια τὰ δακετὰ καὶ τὰ ἐγχρίμπτοντα πάμπολλα ὄντα μηδὲν αὐτοὺς μόνους ἀδικεῖν. οὐτε γοῦν ὄφεως δακόντος ἐπαίουσιν οὐτε φαλαγγίου νύξαντος [ὡς] τοὺς ἄλλους ἐς θάνατον οὐτε μὴν σκορπίου κέντρον ἀπερείσαντος. ἐπὰν δὲ ἄρα τούτων προσπελάσηι τι καὶ παραψαύσηι τοῦ σώματος καὶ ἅμα καὶ τῆς ὀσμῆς τῆς ἐκείνων [ψαύσηι ἢ] σπάσηι, ὥσπερ οὖν φαρμάκου γευσάμενον ὑπνοποιοῦ κάρωσίν τινα ἑλκτικὴν ἐς ἀναισθησίαν ἐμποιοῦντος, ἐξασθενεῖ καὶ παρεῖται, ἔστ᾽ ἂν παραδράμηι ὁ ἄνθρωπος. ὅπως δὲ ἐλέγχουσι τὰ ἑαυτῶν βρέφη εἴτε ἐστὶ γνήσια εἴτε καὶ νόθα, ἐν τοῖς ἑρπετοῖς βασανιζοντες ὡς ἐν τῶι πυρὶ τὸν χρυσὸν οἱ βάναυσοι χρυσουργοί, ἀνωτέρω εἶπον.

This is one of several scenes in the Church of Ura Kidane Mihret depicting snake-like creatures. In this panel, the snake appears to have gotten out of hand, and the man on the right is in the process of lopping off the snake’s head with what look like metal shears.
Zeghie Peninsula, Lake Tana, Ethiopia.

Play The Part You’re Given: Epictetus, Teles, and Shakespeare

Epictetus, Encheiridion, 17

“Remember that you are an actor in a drama, whatever kind the playwright desires. If he wishes it to be short, it is short. If he wants it to be long, it is long.

If he wants you to act as a beggar, act even that part seriously. And the same if you are a cripple, a ruler, or a fool. This is your role: to play well the part you were given. It is another’s duty to choose.”

Μέμνησο, ὅτι ὑποκριτὴς εἶ δράματος, οἵου ἂν θέλῃ ὁ διδάσκαλος· ἂν βραχύ, βραχέος· ἂν μακρόν, μακροῦ· ἂν πτωχὸν ὑποκρίνασθαί σε θέλῃ, ἵνα καὶ τοῦτον εὐφυῶς ὑποκρίνῃ· ἂν χωλόν, ἂν ἄρχοντα, ἂν ἰδιώτην. σὸν γὰρ τοῦτ᾿ ἔστι, τὸ δοθὲν ὑποκρίνασθαι πρόσωπον καλῶς· ἐκλέξασθαι δ᾿ αὐτὸ ἄλλου.

Teles the Philosopher, On Self-Sufficiency (Hense, 5)

“Just as a good actor will carry off well whatever role the poet assigns him, so too a good person should manage well whatever chance allots. For chance, as Biôn says, just like poetry, assigns the role of the first speaker and the second speaker, now a king and then a vagabond. Don’t long to be the second speaker when you have the role of the first. Otherwise, you will create disharmony.”

Δεῖ ὥσπερ τὸν ἀγαθὸν ὑποκριτὴν ὅ τι ἂν ὁ ποιητὴς περιθῇ πρόσωπον τοῦτο ἀγωνίζεσθαι καλῶς, οὕτω καὶ τὸν ἀγαθὸν ἄνδρα ὅ τι ἂν περιθῇ ἡ τύχη. καὶ γὰρ αὕτη, φησὶν ὁ Βίων, ὥσπερ ποιήτρια, ὁτὲ μὲν πρωτολόγου, ὁτὲ δὲ δευτερολόγου περιτίθησι πρόσωπον, καὶ ὁτὲ μὲν βασιλέως, ὁτὲ δὲ ἀλήτου. μὴ οὖν βούλου δευτερολόγος ὢν τὸ πρωτολόγου πρόσωπον· εἰ δὲ μή,  ἀνάρμοστόν τι ποιήσεις.

Diogenes Laertius, Ariston 160

“[He compared] the wise man to a good actor who could take up the role of both Thersites and Agamemnon and play either appropriately

εἶναι γὰρ ὅμοιον τὸν σοφὸν τῷ ἀγαθῷ ὑποκριτῇ, ὃς ἄν τε Θερσίτου ἄν τε Ἀγαμέμνονος πρόσωπον ἀναλάβῃ, ἑκάτερον ὑποκρίνεται προσηκόντως.

Epictetus, Discourses 1.29

“There will soon be a time when the tragic actors will believe that their masks and costumes are their real selves. You have these things as material and a plot. Say something so we may know whether you are a tragic actor or a comedian. For they have the rest of their material in common [apart from the words]. If one, then, should deprive the actor of his buskins and his masks and introduce him to the stage as only a ghost, has the actor been lost or does he remain? If he has a voice, he remains.”

ἔσται χρόνος τάχα, ἐν ᾧ οἱ τραγῳδοὶ οἰήσονται ἑαυτοὺς εἶναι προσωπεῖα καὶ ἐμβάδας καὶ τὸ σύρμα. ἄνθρωπε, ταῦτα ὕλην ἔχεις καὶ ὑπόθεσιν. φθέγξαι τι, ἵνα εἰδῶμεν πότερον τραγῳδὸς εἶ ἢ γελωτοποιός· κοινὰ γὰρ ἔχουσι τὰ ἄλλα ἀμφότεροι. διὰ τοῦτο ἂν ἀφέλῃ τις αὐτοῦ καὶ τὰς ἐμβάδας καὶ τὸ προσωπεῖον καὶ ἐν εἰδώλῳ αὐτὸν προαγάγῃ, ἀπώλετο ὁ τραγῳδὸς ἢ μένει; ἂν φωνὴν ἔχῃ, μένει.

 W. Shakespeare, As You Like It, Act II, Scene 7 (spoken by Jaques)
                                        All the world’s a stage,
And all the men and women merely players;
They have their exits and their entrances;
And one man in his time plays many parts…
An image generated by DALL•E of an ancient mosaic of comic masks. There are three masks. The left and right are partially cut off. The background is red. The masks have pale skin, wide-open mouths, big noses, and piercing eyes.

Isolation and Self-Sufficiency

Aristotle, Nicomachean Ethics 1. 6-9

“We use ‘self-sufficient’ not to mean a person alone—someone living in isolation—but to include one’s parents, children, spouse, friends, and even fellow citizens, since a human being is a social creature by nature. Now, some limit needs to be observed in these ties—for it will go on endlessly if you extend it to someone’s ancestors and descendants.  But that’s a problem for another time.

We posit that self-sufficiency is something which in itself makes life attractive and lacks nothing and for this reason we think it is happiness, since we imagine that happiness is the most preferable of all things when it is not counted with others. It is clear that it is desirable even with the least of the goods—the addition of goods increases the total, since the greater good is always desirable.”

τὸ δ᾿ αὔταρκες λέγομεν οὐκ αὐτῷ μόνῳ, τῷ ζῶντι βίον μονώτην, ἀλλὰ καὶ γονεῦσι καὶ τέκνοις καὶ γυναικὶ καὶ ὅλως τοῖς φίλοις καὶ πολίταις, ἐπειδὴ φύσει πολιτικὸν ὁ ἄνθρωπος. τούτων δὲ ληπτέος ὅρος τις· ἐπεκτείνοντι γὰρ ἐπὶ τοὺς γονεῖς καὶ τοὺς ἀπογόνους καὶ τῶν φίλων τοὺς φίλους εἰς ἄπειρον πρόεισιν. ἀλλὰ τοῦτο μὲν εἰσαῦθις ἐπισκεπτέον, τὸ δ᾿ αὔταρκες τίθεμεν ὃ μονούμενον αίπετὸν ποιεῖ τὸν βίον καὶ μηδενὸς ἐνδεᾶ· τοιοῦτον δὲ τὴν εὐδαιμονίαν οἰόμεθα εἶναι. ἔτι δὲ πάντων αἱρετωτάτην μὴ συναριθμουμένην—συναριθμουμένην γὰρ δῆλον ὡς αἱρετωτέραν μετὰ τοῦ ἐλαχίστου τῶν ἀγαθῶν, ὑπεροχὴ γὰρ ἀγαθῶν γίνεται τὸ προστιθέμενον, ἀγαθῶν δὲ τὸ μεῖζον αἱρετώτερον

John Donne, Meditation 17

No man is an Iland, intire of itselfe; every man
is a peece of the Continent, a part of the maine;
if a Clod bee washed away by the Sea, Europe
is the lesse, as well as if a Promontorie were, as
well as if a Manor of thy friends or of thine
owne were; any mans death diminishes me,
because I am involved in Mankinde;
And therefore never send to know for whom
the bell tolls; It tolls for thee.

Wounded Philoctetes by Nicolai Abildgaard

Bad Planning and Disasters

Aesop: The Monkey and the Fisherman: ΑΛΙΕΥΣ ΚΑΙ ΠΙΘΗΞ

“Some fisherman was setting is net for fish along the seashore. A monkey was watching him and wanted to copy what he was doing. When the man went into some cave to take a nap and left his net on the beach, the monkey came down, and was trying to fish in the same way. Ignorant of the skill, he was using the net poorly and just wrapped it all around himself. He immediately fell into the sea and drowned. When the fisherman found him already drowning, he said, “fool, your ignorance and bad planning ruined you.”

The moral of the story is that people who try to imitate acts beyond their ability bring disaster upon themselves.”

ἀνήρ τις ἁλιεὺς παρὰ τὴν θάλασσαν ἄγραν ἰχθύων ἐποίει. πίθηξ δέ τις αὐτὸν κατιδὼν ἐκμιμήσασθαι ἠβουλήθη. τοῦ δὲ ἀνδρὸς ἐν σπηλαίῳ τινὶ ἑαυτὸν εἰσελθόντος διαναπαῦσαι καὶ τὸ δίκτυον παρὰ τὸν αἰγιαλὸν καταλιπόντος ἐλθὼν

ὁ πίθηξ καὶ τοῦ δικτύου λαβόμενος ἀγρεῦσαι δῆθεν δι’ αὐτοῦ ἐπεχείρει. ἀγνώστως δὲ τῇ τέχνῃ καὶ ἀσυντάκτως χρώμενος καὶ τῷ δικτύῳ περισχεθεὶς ἐπὶ τῆς θαλάσσης εὐθὺς πέπτωκε καὶ ἀπεπνίγη. ὁ δὲ ἁλιεὺς καταλαβὼν αὐτὸν ἤδη ἀποπνιγέντα ἔφη· „ὦ ἄθλιε, ὤλεσέ σε ἡ ἀφροσύνη καὶ ἡ ματαία ἐπίνοια.”

     ὁ μῦθος δηλοῖ, ὡς οἱ τὰ ὑπὲρ αὐτοὺς μιμεῖσθαι πειρώμενοι ἑαυτοῖς ἐντεῦθεν ἐπάγουσι κινδύνους.

 

A Happy Side of Madness

Aristotle, On Amazing Things Heard 832b

“The story goes that in Abydos there was a man who was afflicted with madness. He went into the theater and watched for many days as if there were actually people acting and applauded. When he had a respite from his affliction, he said that this was the most enjoyable time of his life.”

Λέγεται δέ τινα ἐν Ἀβύδῳ παρακόψαντα τῇ διανοίᾳ καὶ εἰς τὸ θέατρον ἐρχόμενον ἐπὶ πολλὰς ἡμέρας θεωρεῖν, ὡς ὑποκρινομένων τινῶν, καὶ ἐπισημαίνεσθαι· καὶ ὡς κατέστη τῆς παρακοπῆς, ἔφησεν ἐκεῖνον αὑτῷ τὸν χρόνον ἥδιστα βεβιῶσθαι.

This made me think of Thrasyllos again.

Aelian, 4.25

“Thrasyllos from the deme Aiksône endured an incredible and novel madness. For he left the city and went to the Peiraia and stayed there. He believed that all the ships that sailed in were his and he wrote down their names, checked the list when they left and rejoiced when they returned safely to the harbor again. He spent many years living with this sickness.

When his brother returned from Sicily, he took him to a doctor for treatment and he freed him from that sickness. But he often remembered the avocation of his sickness and used to say that he was never as happy as when he took pleasure at the sight of ships that weren’t his returning safely.”

Θράσυλλος ὁ Αἰξωνεὺς παράδοξον καὶ καινὴν ἐνόσησε μανίαν. ἀπολιπὼν γὰρ τὸ ἄστυ καὶ κατελθὼν ἐς τὸν Πειραιᾶ καὶ ἐνταῦθα οἰκῶν τὰ πλοῖα τὰ καταίροντα ἐν αὐτῷ πάντα ἑαυτοῦ ἐνόμιζεν εἶναι, καὶ ἀπεγράφετο αὐτὰ καὶ αὖ πάλιν ἐξέπεμπε καὶ τοῖς περισωζομένοις καὶ ἐσιοῦσιν ἐς τὸν λιμένα ὑπερέχαιρε· χρόνους δὲ διετέλεσε πολλοὺς συνοικῶν τῷ ἀρρωστήματι τούτῳ. ἐκ Σικελίας δὲ ἀναχθεὶς ὁ ἀδελφὸς αὐτοῦ παρέδωκεν αὐτὸν ἰατρῷ ἰάσασθαι, καὶ ἔπαυσεν αὐτὸν τῆς νόσου οὗτος. ἐμέμνητο δὲ πολλάκις τῆς ἐν μανίᾳ διατριβῆς, καὶ ἔλεγε μηδέποτε ἡσθῆναι τοσοῦτον, ὅσον τότε ἥδετο ἐπὶ ταῖς μηδὲν αὐτῷ προσηκούσαις ναυσὶν

Closeup from a medieval manuscript detail with a stylized cat playing a bagpipe
Cat playing a bagpipe in a Book of Hours, Paris, c. 1460

Bad Planning and Disasters

Aesop: The Monkey and the Fisherman: ΑΛΙΕΥΣ ΚΑΙ ΠΙΘΗΞ

“Some fisherman was setting his net for fish along the seashore. A monkey was watching him and wanted to copy what he was doing. When the man went into some cave to take a nap and left his net on the beach, the monkey came down, and was trying to fish in the same way. Ignorant of the skill, he was using the net poorly and just wrapped it all around himself. He immediately fell into the sea and drowned. When the fisherman found him already drowning, he said, “fool, your ignorance and bad planning ruined you.”

The moral of the story is that people who try to imitate acts beyond their ability bring disaster upon themselves.”

ἀνήρ τις ἁλιεὺς παρὰ τὴν θάλασσαν ἄγραν ἰχθύων ἐποίει. πίθηξ δέ τις αὐτὸν κατιδὼν ἐκμιμήσασθαι ἠβουλήθη. τοῦ δὲ ἀνδρὸς ἐν σπηλαίῳ τινὶ ἑαυτὸν εἰσελθόντος διαναπαῦσαι καὶ τὸ δίκτυον παρὰ τὸν αἰγιαλὸν καταλιπόντος ἐλθὼν

ὁ πίθηξ καὶ τοῦ δικτύου λαβόμενος ἀγρεῦσαι δῆθεν δι’ αὐτοῦ ἐπεχείρει. ἀγνώστως δὲ τῇ τέχνῃ καὶ ἀσυντάκτως χρώμενος καὶ τῷ δικτύῳ περισχεθεὶς ἐπὶ τῆς θαλάσσης εὐθὺς πέπτωκε καὶ ἀπεπνίγη. ὁ δὲ ἁλιεὺς καταλαβὼν αὐτὸν ἤδη ἀποπνιγέντα ἔφη· „ὦ ἄθλιε, ὤλεσέ σε ἡ ἀφροσύνη καὶ ἡ ματαία ἐπίνοια.”

     ὁ μῦθος δηλοῖ, ὡς οἱ τὰ ὑπὲρ αὐτοὺς μιμεῖσθαι πειρώμενοι ἑαυτοῖς ἐντεῦθεν ἐπάγουσι κινδύνους.

color photograph of a bunch of fishing nets all tangled together

 

A Plague of Caspian Rats

Aelian, On the Nature of Animals 17.17

“Amyntas in his work which he named Stages writes that in the Caspian land there are many herds of cattle and horses almost beyond counting. He adds this as well, that in some seasons an unconquerable plague of rats blights the land. He continues with evidence, saying that even though the rivers flow at that of year with a huge surge, the rats swim fearlessly and they even hold on to each other’s tales, biting down on one another, to form a bridge and they they cross the strait in this way.

After swimming into the farmland, he says, they grind down the roots of crops and swarm over trees and once they use their fruits for their meals they sever the branches too just because they are not able to eat them. For this reason, the Caspians—in order to ward off this invasion of rats and the ruin they bring—do not kill the predatory birds which come in turn, flying down from the clouds, and fulfill their nature by freeing the Caspians of this plague.

Caspian foxes are so numerous that they frequent both the sheepfolds in the country and they also appear in cities. By Zeus, a fox will show up in a house not to steal something or ruin it, but like some kind of pet. The Caspian foxes wag their tails just like pet dogs in our land.

The rats of the terrible plague afflicting the Caspians are almost the same in size when you look a them as the ikhneumenos of Egypt, but they are wild, and terrible, and they have teeth strong enough to cut and even eat metal. The rats in Teridon, Babylonia are like this too—and traders bring their skins to sell among the Persians. Indeed, these skins are soft and can be sewn together as a tunic to warm people. And they call them kandutanes, because it is dear to them.

Here is something amazing about these rats: if a pregnant female is caught and her fetus is removed, when the female fetus is dissected and examined, it also has a baby.”

᾽Αμύντας ἐν τοῖς ἐπιγραφομένοις οὕτως ὑπ᾽ αὐτοῦ Σταθμοῖς κατὰ τὴν γῆν τὴν Κασπίαν καὶ βοῶν ἀγέλας λέγει πολλὰς καὶ κρείττονας ἀριθμοῦ εἶναι καὶ ἵππων. ἐπιλέγει δὲ ἄρα καὶ ἐκεῖνο, ἐν ὡρῶν τισι περιτροπαῖς μυῶν ἐπιδημίας γίνεσθαι πλῆθος ἄμαχον· καὶ τὸ μαρτύριον ἐπάγει λέγων, τῶν ποταμῶν τῶν ἀεννάων σὺν πολλῶι τῶι ῥοίζωι φερομένων, τοὺς δὲ καὶ μάλα ἀτρέπτως ἐπινήχεσθαί τε αὐτοῖς καὶ τὰς οὐρὰς ἀλλήλων ἐνδακόντας ἕρμα τοῦτο ἴσχειν, καὶ τοῦ διαβάλλειν τὸν πόρον σύνδεσμόν σφισιν ἰσχυρότατον ἀποφαίνει τόνδε.

ἐς τὰς ἀρούρας δὲ ἀπονηξάμενοι, φησί, καὶ τὰ λήια ὑποκείρουσι καὶ διὰ τῶν δένδρων ἀνέρπουσι καὶ τὰ ὡραῖα δεῖπνον ἔχουσι καὶ τοὺς κλάδους δὲ διακόπτουσιν, οὐδὲ ἐκείνους κατατραγεῖν ἀδυνατοῦντες. οὐκοῦν ἀμυνόμενοι οἱ Κάσπιοι τὴν ἐκ τῶν μυῶν ἐπιδρομήν τε ἅμα καὶ λύμην φείδονται τῶν γαμψωνύχων, οἵπερ οὖν καὶ αὐτοὶ κατὰ νέφη πετόμενοι εἶτα αὐτοὺς ἀνασπῶσιν, καὶ ἰδίαι τινὶ φύσει τοῖς Κασπίοις ἀναστέλλουσι τὸν λιμόν. ἀλώπηκες δὲ αἱ Κάσπιαι, τὸ πλῆθος αὐτῶν τοσοῦτόν ἐστιν ὡς καὶ ἐπιφοιτᾶν οὐ μόνον τοῖς αὐλίοις τοῖς κατὰ τοὺς ἀγρούς, ἤδη γε μὴν καὶ ἐς τὰς πόλεις παριέναι. καὶ ἐν οἰκίαι ἀλώπηξ φανεῖται οὐ μὰ Δία ἐπὶ λύμηι οὐδὲ ἁρπαγῆι, ἀλλὰ οἷα τιθασός· καὶ ὑποσαίνουσί τε αἱ Κάσπιοι καὶ ὑπαικάλλουσι τῶν παρ᾽ ἡμῖν κυνιδίων <δίκην>.

οἱ δὲ μύες οἱ τοῖς Κασπίοις ἐπίδημον ὄντες κακόν, μέγεθος αὐτῶν ὅσον κατά γε τοὺς Αἰγυπτίων ἰχνεύμονας ὁρᾶσθαι, ἄγριοι δὲ καὶ δεινοὶ καὶ καρτεροὶ τοὺς ὀδόντας, καὶ διακόψαι τε καὶ διατραγεῖν οἷοί τε εἰσὶ καὶ σίδηρον. τοιοῦτοι δὲ ἄρα καὶ οἱ μύες οἱ ἐν τῆι Τερηδόνι τῆς Βαβυλωνίας (F 7) εἰσίν, ὧνπερ οὖν καὶ τὰς δορὰς οἱ τούτων κάπηλοι ἐς Πέρσας ἄγουσι φόρτον. εἰσὶ δὲ ἁπαλαί, καὶ συνερραμέναι χιτῶνές τε ἅμα γίνονται καὶ ἀλεαίνουσιν αὐτούς. καλοῦνται δὲ ἄρα οὗτοι κανδυτᾶνες, ὡς ἐκείνοις φίλον.

θαυμάσαι δὲ τῶν μυῶν τῶνδε ἄξιον ἄρα καὶ τοῦτο· ἐὰν ἁλῶι μῦς κύουσα, κἆιτα ἐξαιρεθῆι τὸ ἔμβρυον, αὐτῆς δὲ διατμηθείσης ἐκείνης εἶτα μέντοι καὶ αὐτὸ διανοιχθῆι, καὶ ἐκεῖνο ἔχει βρέφος.

Color photograph of a medieval manuscript showing rats rowing a boat

Ste-Genevieve, MS 143 (Taken from Pinterest)There are not  independent words for rat mouse in Ancient Greek.

μυόβρωτος: “mouse-eaten”

μυοδόχος: “containing mice”

μυοθήρας: “mouse-catcher”

μυοκτόνος: “mouse-killer”

μυομαχία: “a battle of mice”

μυοπάρων: “a small pirate boat”

μυόχοδον: “mouse dung”

Plato and Friends on Why We Need to Party

Democritus, fr. 230

“A life without parties is a long journey without inns.”

βίος ἀνεόρταστος μακρὴ ὁδὸς ἀπανδόκευτος.

Plato, Laws 653d

“Great. Now, since many of these kinds of education—which accustom us to correctly manage pleasures and pains—lose their effectiveness during life, the gods took pity on  the human race because it is born to toil and assigned to us as well parties as vacations from our toil. In addition, they have also given us the Muses, Apollo the master of music, and Dionysus as party-guests so that people can straighten out their habits because they are present at the festival with the gods.”

ΑΘ. Καλῶς τοίνυν. τούτων γὰρ δὴ τῶν ὀρθῶς τεθραμμένων ἡδονῶν καὶ λυπῶν παιδειῶν οὐσῶν χαλᾶται τοῖς ἀνθρώποις καὶ διαφθείρεται τὰ πολλὰ ἐν τῷ βίῳ, θεοὶ δὲ οἰκτείραντες τὸ τῶν ἀνθρώπων ἐπίπονον πεφυκὸς γένος ἀναπαύλας τε αὐτοῖς τῶν πόνων ἐτάξαντο τὰς τῶν ἑορτῶν ἀμοιβὰς [τοῖς θεοῖς] καὶ Μούσας Ἀπόλλωνά τε μουσηγέτην καὶ Διόνυσον ξυνεορταστὰς ἔδοσαν, ἵν᾿ ἐπανορθῶνται τάς γε τροφὰς γενόμενοι ἐν ταῖς ἑορταῖς μετὰ θεῶν.

Thucydides, 2.38.1

“Certainly we have furnished our mind with the greatest reliefs from our labors, maintaining games and feasts throughout the year in public and in private living with care and finery, all those things which provide pleasure to expel our grief. Because of the greatness of our city, everything comes to us from the earth and we are lucky enough to harvest all of the goods from our own land with no less familiar pleasure than those we gather from other peoples.”

‘Καὶ μὴν καὶ τῶν πόνων πλείστας ἀναπαύλας τῇ γνώμῃ ἐπορισάμεθα, ἀγῶσι μέν γε καὶ θυσίαις διετησίοις νομίζοντες, ἰδίαις δὲ κατασκευαῖς εὐπρεπέσιν, ὧν καθ’ ἡμέραν ἡ τέρψις τὸ λυπηρὸν ἐκπλήσσει. ἐπεσέρχεται δὲ διὰ μέγεθος τῆς πόλεως ἐκ πάσης γῆς τὰ πάντα, καὶ ξυμβαίνει ἡμῖν μηδὲν οἰκειοτέρᾳ τῇ ἀπολαύσει τὰ αὐτοῦ ἀγαθὰ γιγνόμενα καρποῦσθαι ἢ καὶ τὰ τῶν ἄλλων ἀνθρώπων.

Special thanks to Dr. Liv Yarrow for tweeting these passages

 

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Marble Anaglyph of ancient symposium. A couple in love time. Archaeological Museum of Nicopolis, Preveza.

waynes world wayne GIF by chuber channel

Rich People Need the Poor

Lucian, Saturnalia 33 (for more Lucian go to the Scaife viewer)

“See that they don’t blame you any longer but honor you and have affection for you because they take part in these things. While the cost is of little account to you, the gift in their time of need will always be remembered. Furthermore, you would not be able to live in cities if the poor did not live there with you and make your happiness possible in countless ways. You would have no one to amaze with your wealth if you were rich alone, in private, and without anyone knowing.

So, let the masses gaze upon and wonder at your silver, your fine tables, and then, when you are toasting them, have them weigh their cups while they drink, consider the weight of the gold applied with skill, and contemplate the truth of the story it tells. In addition to hearing them call you noble and philanthropic, you will fall outside their envy. For who begrudges someone who shares and gives a little portion? And who wouldn’t pray for him to live as long as possible, benefiting from his goods? Right now, your blessings go unwitnessed, your wealth is an object of envy, and your life is not pleasant.”

Ὁρᾶτε οὖν ὅπως μηκέτι ὑμᾶς αἰτιάσωνται, ἀλλὰ τιμήσωσι καὶ φιλήσωσι τῶν ὀλίγων τούτων μεταλαμβάνοντες· ὧν ὑμῖν μὲν ἡ δαπάνη ἀνεπαίσθητος, ἐκείνοις δὲ ἐν καιρῷ τῆς χρείας ἡ δόσις ἀείμνηστος. ἄλλως τε οὐδ᾿ ἂν οἰκεῖν δύναισθε τὰς πόλεις μὴ οὐχὶ καὶ πενήτων συμπολιτευομένων καὶ μυρία πρὸς τὴν εὐδαιμονίαν ὑμῖν συντελούντων, οὐδ᾿ ἂν ἔχοιτε τοὺς θαυμάζοντας ὑμῶν τὸν πλοῦτον, ἢν μόνοι καὶ ἰδίᾳ καὶ ὑπὸ σκότῳ πλουτῆτε. ἰδέτωσαν οὖν πολλοὶ καὶ θαυμασάτωσαν ὑμῶν τὸν ἄργυρον καὶ τὰς τραπέζας καὶ προπινόντων φιλοτησίας, μεταξὺ πίνοντες περισκοπείτωσαν τὸ ἔκπωμα καὶ τὸ βάρος ἴστωσαν αὐτοὶ διαβαστάσαντες καὶ τῆς ἱστορίας τὸ ἀκριβὲς καὶ τὸν χρυσὸν ὅσος, ὃς ἐπανθεῖ τῇ τέχνῃ. πρὸς γὰρ τῷ χρηστοὺς καὶ φιλανθρώπους ἀκούειν καὶ τοῦ φθονεῖσθαι ὑπ᾿ αὐτῶν ἔξω γενήσεσθε. τίς γὰρ ἂν φθονήσειε τῷ κοινωνοῦντι καὶ διδόντι τῶν μετρίων; τίς δ᾿ οὐκ ἂν εὔξαιτο εἰς τὸ μήκιστον διαβιῶναι αὐτὸν ἀπολαύοντα τῶν ἀγαθῶν; ὡς δὲ νῦν ἔχετε, ἀμάρτυρος μὲν ἡ εὐδαιμονία, ἐπίφθονος δὲ ὁ πλοῦτος, ἀηδὴς δὲ ὁ βίος.

Midas, transmitting all gold into paper, print by James Gillray

 

“Give the Child a Book and Order Them to Read”

Polybius, Histories 10.47 7-12

“There are many other examples which provide proof for this, but the clearest one of all is that from reading. In this case, if someone sets a person who is illiterate and unaccustomed to reading but not a fool and then place next to him a child who can read, give the child a book and order them to read what is written, it is clear that the man would not be able to believe that while reading one must first understand the image of each letter, then the value of its sound, and then the possible combinations with other letters, all things that require a great deal of time.

When he sees the child reading without pausing seven or five lines, he will not easily be able to believe that the child has not read the book before. He will straight out deny it if the reader observes the rhythm, the pauses, the rough breathings and the smooth breathings too. We should not bar for ourselves, then, anything which is useful because it appears to be difficult at first. No, we must use the force of habit, the means by which humans achieve all good things and even more so when it concerns the matters upon which our very safety depends.”

τοῦ δὲ τοιούτου λόγου παραδείγματα μὲν πολλὰ καὶ ἕτερα πρὸς πίστιν, ἐναργέστατον δὲ τὸ γινόμενον ἐπὶ τῆς ἀναγνώσεως. ἐπὶ γὰρ ἐκείνης, εἴ τις παραστησάμενος ἄνθρωπον ἄπειρον μὲν καὶ ἀσυνήθη γραμματικῆς, τἄλλα δ᾿ ἀγχίνουν, κἄπειτα παιδάριον ἕξιν ἔχον παραστήσας καὶ δοὺς βυβλίον κελεύοι λέγειν τὰ γεγραμμένα, δῆλον ὡς οὐκ ἂν δύναιτο πιστεῦσαι διότι <δεῖ> πρῶτον ἐπὶ τὰς ὄψεις τὰς ἑνὸς ἑκάστου τῶν γραμμάτων ἐπιστῆσαι τὸν ἀναγινώσκοντα, δεύτερον ἐπὶ τὰς δυνάμεις, τρίτον ἐπὶ τὰς πρὸς ἄλληλα συμπλοκάς, ὧν ἕκαστον ποσοῦ χρόνου τινὸς δεῖται.διόπερ ὅταν ἀνεπιστάτως θεωρῇ τὸ παιδάριον ὑπὸ τὴν ἀναπνοὴν ἑπτὰ καὶ πέντε στίχους συνεῖρον, οὐκ ἂν εὐχερῶς δύναιτο πιστεῦσαι διότι πρότερον οὗτος οὐκ ἀνέγνωκε τὸ βυβλίον· εἰ δὲ καὶ τὴν ὑπόκρισιν καὶ τὰς διαιρέσεις, ἔτι δὲ δασύτητας καὶ ψιλότητας δύναιτο συσσῴζειν, οὐδὲ τελέως. διόπερ οὐκ ἀποστατέον οὐδενὸς τῶν χρησίμων διὰ τὰς προφαινομένας δυσχερείας, προσακτέον δὲ τὴν ἕξιν, ᾗ πάντα τὰ καλὰ γίνεται θηρατὰ τοῖς ἀνθρώποις, ἄλλως τε καὶ περὶ τῶν τοιούτων, ἐν οἷς πολλάκις κεῖται τὸ συνέχον τῆς σωτηρίας.

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