A Speaker of Words and a Doer of Deeds: Iliad 9.437-443

In his speech to Achilles in Iliad 9, Phoinix laments the idea that he may be separated from Achilles. Part of his sorrow, it seems, resides in the fact that he has work still to do (437-443):

“How could I be left here without you, dear child,
alone? The old man and horse-trainer Peleus assigned me to you
on that day when he sent you from Phthia with Agamemnon
still a child, not yet educated in the ways of crushing war
or assemblies where men become most prominent.
He sent me for this reason: to teach you all these things,
how to be a speaker of words and a doer of deeds.”

πῶς ἂν ἔπειτ’ ἀπὸ σεῖο φίλον τέκος αὖθι λιποίμην
οἶος; σοὶ δέ μ’ ἔπεμπε γέρων ἱππηλάτα Πηλεὺς
ἤματι τῷ ὅτε σ’ ἐκ Φθίης ᾿Αγαμέμνονι πέμπε
νήπιον οὔ πω εἰδόθ’ ὁμοιΐου πολέμοιο
οὐδ’ ἀγορέων, ἵνα τ’ ἄνδρες ἀριπρεπέες τελέθουσι.
τοὔνεκά με προέηκε διδασκέμεναι τάδε πάντα,
μύθων τε ῥητῆρ’ ἔμεναι πρηκτῆρά τε ἔργων.

A Scholiast (Schol. bT in Il. 9.443 ex 1-4) suggests that what Achilles needs to have learned is “rhetoric” (φαίνεται οὖν καὶ τὸ τῆς ῥητορικῆς ὄνομα εἰδώς) whereas another scholion (Schol. AT in Il. 9.443 c1) emphasizes the fact that the execution of both deeds and words requires “good counsel” (εὐβουλία: σημείωσαι ὅτι τὸ ὁμοιοτέλευτον ἔφυγε μεταβαλὼν τὴν φράσιν· οὐ γὰρ εἶπε ‘μύθων τε ῥητῆρα καὶ ἔργων πρακτῆρα’. καὶ ὅτι πάντων διδακτικὸν εὐβουλία).

This passage is popular in later antiquity as well, where Plutarch cites it several times. He uses it almost in passing in discussing whether or not the elderly should rule the state:

An seni respublica gerenda sit, Plutarch, 795e5-796a7
“It is not possible for the overseer to contend for a prize when others are competing; and the one who trains the youths in common affairs and public contexts prepares them for their country: “To be speakers of speeches and doers of deeds”, which is useful in no small or minor part for a government: for this reason first and foremost, Lykourgos exerted himself to make sure that the youths obeyed every elder as if he were a law-giver.”

τὸν μὲν γὰρ ἐπιστάτην ἀθλοῦσιν ἑτέροις οὐκ ἔστιν αὐτὸν ἀθλεῖν, ὁ δὲ παιδοτριβῶν
νέον ἐν πράγμασι κοινοῖς καὶ δημοσίοις ἀγῶσι καὶ παρασκευάζων τῇ πατρίδι

μύθων τε ῥητῆρ’ ἔμεναι πρηκτῆρά τε ἔργων

ἐν οὐ μικρῷ μέρει πολιτείας οὐδὲ φαύλῳ χρήσιμός ἐστιν, ἀλλ’ εἰς ὃ μάλιστα καὶ πρῶτον ὁ Λυκοῦργος ἐντείνας ἑαυτὸν εἴθισε τοὺς νέους παντὶ πρεσβύτῃ καθάπερ νομοθέτῃ πειθομένους διατελεῖν.

In the Pseudo-Plutarchean Life of Homer, these lines are used to assert (1) that virtue is teachable and (2) that Homer was the first philosopher (Ps-Plutarch Vita Homeri 1736-1739):

“For life is sustained by means of actions and words, and he says that he was made a teacher of the young man about both. From these lines he asserts clearly that every kind of virtue is teachable. Thus Homer was therefore first to philosophize concerning ethical and natural affairs.”
ἐπεὶ γὰρ ὁ βίος ἐκ πράξεων καὶ λόγων συνέστηκε, τούτων φησὶ διδά-
σκαλον ἑαυτὸν τοῦ νεανίσκου γεγονέναι. ἐκ δὲ τῶν εἰρημένων δῆλον
ὅτι πᾶσαν ἀρετὴν ἀποφαίνει διδακτήν. οὕτω μὲν οὖν πρῶτος ῞Ομηρος
ἔν τε ἠθικοῖς καὶ φυσικοῖς φιλοσοφεῖ.

The Hands of Achilles: Ovid, Ars Amatoria 1.11-16

“Chiron made Achilles expert at the cithara, and molded his fierce spirit with a gentle art. He who so often terrified his companions, so often terrified his enemies, is thought to have feared an aged old man. Those hands, which Hector would one day feel, he offered up to be flogged when his teacher so demanded.”

Phillyrides puerum cithara perfecit Achillem

atque animos placida contudit arte feros.

qui totiens socios, totiens exterruit hostes

creditur annosum pertimuisse senem;

quas Hector sensurus erat, poscente magistro

verberibus iussas praebuit ille manus.

NOTE: I am conscious of the serious deficiency of this translation; I doubt very much that the effect of quas sensurus erat could be adequately captured in English. I had not read this poem for some time, and in coming back to it, I was reminded of the consummate artistry of Ovid, who really excels at rendering grand emotional effects through very specific particularization; in this case, by focusing on the hands of Achilles and their history.

Aiakos, Aegina and the Building and Destruction of Troy: Pindar,Olympian 8

According to some authors Aiakos, who ends up as a judge of the dead in the underworld, was the son of Zeus and Europa. According to others (Pindar, Corinna) he was son of Zeus and Aegina (Or Poseidon and Aegina). When Poseidon and Apollo went to build the walls of Troy, they took Aiakos along to help them. A scholiast reports that it had to happen this way: since a mortal helped build the walls, they were not wholly invincible.
Pindar’s account of this emphasizes an omen that appeared at the completion of the walls. In his telling, Apollo interprets the omen as indicating that the descendants of Aiakos will be instrumental in the destruction of the city. Who are his descendants? Ajax, Achilles. Oh, Neoptolemos and Epeius the builder of the Trojan horse too!
(go here for the full Ode and a good commentary).

Pindar, Ol. 8.24-54

“For whatever weighs a great deal is hard
To judge with a fair mind at the right time.
But some law of the gods established this sea-protected land [Aegina]
As a sacred pillar
For every kind of stranger.
May rising time never tire
Of making this true
for this land tended by the Dorian people since Aiakos’ time.
It was Aiakos that Leto’s son and wide-ruling Apollo took
When they were going to build a wall around Troy. They summoned him
As a coworker for the wall. For it was fated that
When wars arose in the city-sacking battles,
That the wall would breathe out twisting smoke.
When the wall was just built, three dark serpents
Leapt up at it: two fell against it
and, stunned, lost their lives.
One rose up with cries of mourning.
Apollo interpreted this sign immediately and said:
“Pergamos will be sacked, hero, by your hands’ deeds:
So this sacred vision says to me
Sent by loud-thundering Zeus.
And it won’t be done without your sons: the city will be slaughtered by the first
And the third generations.*” So the god spoke clearly
And he rode Xanthus to the well-horsed Amazons and to the Danube.
The trident-bearer directed his swift-chariot.
To the sea by the Isthmus
Bearing Aiakos here
With golden horses,
Gazing upon the ridge of Corinth, famous for its feasts.
But nothing is equally pleasing among men.”

… ὅ τι γὰρ πολὺ καὶ πολλᾷ ῥέπῃ,
ὀρθᾷ διακρίνειν φρενὶ μὴ παρὰ καιρόν,
δυσπαλές: τεθμὸς δέ τις ἀθανάτων καὶ τάνδ᾽ ἁλιερκέα χώραν
παντοδαποῖσιν ὑπέστασε ξένοις
κίονα δαιμονίαν
ὁ δ᾽ ἐπαντέλλων χρόνος
τοῦτο πράσσων μὴ κάμοι
Δωριεῖ λαῷ ταμιευομέναν ἐξ Αἰακοῦ:
τὸν παῖς ὁ Λατοῦς εὐρυμέδων τε Ποσειδᾶν,
Ἰλίῳ μέλλοντες ἐπὶ στέφανον τεῦξαι, καλέσαντο συνεργὸν
τείχεος, ἦν ὅτι νιν πεπρωμένον
ὀρνυμένων πολέμων
πτολιπόρθοις ἐν μάχαις
λάβρον ἀμπνεῦσαι καπνόν.
γλαυκοὶ δὲ δράκοντες, ἐπεὶ κτίσθη νέον,
πύργον ἐσαλλόμενοι τρεῖς, οἱ δύο μὲν κάπετον,
αὖθι δ᾽ ἀτυζομένω ψυχὰς βάλον:
εἷς δ᾽ ἀνόρουσε βοάσαις.
ἔννεπε δ᾽ ἀντίον ὁρμαίνων τέρας εὐθὺς, Ἀπόλλων:
‘ Πέργαμος ἀμφὶ τεαῖς, ἥρως, χερὸς ἐργασίαι ἁλίσκεται:
ὣς ἐμοὶ φάσμα λέγει Κρονίδα
πεμφθὲν βαρυγδούπου Διός:
οὐκ ἄτερ παίδων σέθεν, ἀλλ᾽ ἅμα πρώτοις ῥάζεται
καὶ τερτάτοις.’ ὣς ἆρα θεὸς σάφα εἴπαις
Ξάνθον ἤπειγεν καὶ Ἀμαζόνας εὐίππους καὶ ἐς Ἴστρον ἐλαύνων.
Ὀρσοτρίαινα δ᾽ ἐπ᾽ Ἰσθμῷ ποντίᾳ
ἅρμα θοὸν τανύεν,
ἀποπέμπων Αἰακὸν
δεῦρ᾽ ἀν᾽ ἵπποις χρυσέαις,
καὶ Κορίνθου δειράδ᾽ ἐποψόμενος δαιτικλυτάν.
τερπνὸν δ᾽ ἐν ἀνθρώποις ἴσον ἔσσεται οὐδέν.

*First and Third generation: Aiakos had two sons (Telemon and Peleus) with Endeis and one with another woman (Phocus). Telemon and Peleus killed their half-brother; but the three sons fathered Ajax, Achilles and Panopeus (Phocus). The latter two grandsons fathered Neoptolemus and Epeios. Achilles’ son Neoptolemus helped take Troy; Epeios built the wooden horse.

Zeus – Aegina
|
Endeis – Aiakos – Psamathe
|                 |
Telamon Peleus                  Phocus
|                |                        |
Ajax       Achilles                  Panopeus
|               |                                  |
Neoptolemus                 Epeios

Taking Issue With Homer: We Shouldn’t Approve of Achilles (Plato, Republic 390e-391a)

Earlier today I posted some fragments from Plato the Comic poet. Here’s a bit from that other Plato, you know, the philosopher.

“We should not praise Achilles’ teacher Phoinix as speaking prudently when he advises him to take the gifts and defend the Achaeans, but not to give up on his rage without the gifts. Nor should we think it right that Achilles is so acquisitive or agree that he might take the gifts from Agamemnon, and then earn honor in turn for ransoming a corpse, when he isn’t willing to do so otherwise.”

οὐδὲ τὸν τοῦ ᾿Αχιλλέως παιδαγωγὸν Φοίνικα ἐπαινετέον ὡς μετρίως ἔλεγε συμβουλεύων αὐτῷ δῶρα μὲν λαβόντι ἐπαμύνειν τοῖς ᾿Αχαιοῖς, ἄνευ δὲ δώρων μὴ ἀπαλλάττεσθαι τῆς μήνιος. οὐδ’ αὐτὸν τὸν ᾿Αχιλλέα ἀξιώσομεν οὐδ’ ὁμολογήσομεν οὕτω φιλοχρήματον εἶναι, ὥστε παρὰ τοῦ ᾿Αγαμέμνονος δῶρα λαβεῖν, καὶ τιμὴν αὖ λαβόντα νεκροῦ ἀπολύειν, ἄλλως δὲ μὴ ‘θέλειν.

Ajax’s Frustration and Achilles’ Shield: Two Moments for ‘Justice’ in Homer’s Iliad

The Iliad provides two moments where some type of institutional (non-violent) conflict resolution is imagined. Note, though murder is mentioned, capital punishment is not. And Homer’s world is certainly a savage one…

At the end of the embassy in book 9, Ajax voices his frustration with Achilles (9.632-638):

“You are relentless: someone might even accept payment
for the murder of a brother or the death of his own child.
and after making great restitution, the killer remains in his country,
and though bereft, the other restrains his heart and mighty anger
once he has accepted the price. But the gods put an untouchable
and wicked rage in your heart over only a girl…”

νηλής• καὶ μέν τίς τε κασιγνήτοιο φονῆος
ποινὴν ἢ οὗ παιδὸς ἐδέξατο τεθνηῶτος•
καί ῥ’ ὃ μὲν ἐν δήμῳ μένει αὐτοῦ πόλλ’ ἀποτίσας,
τοῦ δέ τ’ ἐρητύεται κραδίη καὶ θυμὸς ἀγήνωρ
ποινὴν δεξαμένῳ• σοὶ δ’ ἄληκτόν τε κακόν τε
θυμὸν ἐνὶ στήθεσσι θεοὶ θέσαν εἵνεκα κούρης
οἴης• …

On Achilles’ shield, Hephaestus creates two cities, one at war and one at peace. He also creates an assembly where a killing is being judged Il. 18.496-508

“The people where gathered, crowded, in the assembly where a conflict (neîkos)
had arisen: two men were striving over the penalty for
a man who had been killed; the first one was promising to give everything
as he was testifying to the people; but the other was refusing to take anything;
and both men longed for a judge to make a decision.
The people, partisans on either side, applauded.
Then the heralds brought the host together; the elders
sat on smooth stones in a sacred circle
as they held in their hands the scepters of clear-voiced heralds;
each one was leaping to his feet and they pronounced judgments in turn.
In the middle there were two talents of gold to give
to whoever among them uttered the straightest judgment.”

λαοὶ δ’ εἰν ἀγορῇ ἔσαν ἀθρόοι• ἔνθα δὲ νεῖκος
ὠρώρει, δύο δ’ ἄνδρες ἐνείκεον εἵνεκα ποινῆς
ἀνδρὸς ἀποφθιμένου• ὃ μὲν εὔχετο πάντ’ ἀποδοῦναι
δήμῳ πιφαύσκων, ὃ δ’ ἀναίνετο μηδὲν ἑλέσθαι•
ἄμφω δ’ ἱέσθην ἐπὶ ἴστορι πεῖραρ ἑλέσθαι.
λαοὶ δ’ ἀμφοτέροισιν ἐπήπυον ἀμφὶς ἀρωγοί•
κήρυκες δ’ ἄρα λαὸν ἐρήτυον• οἳ δὲ γέροντες
εἵατ’ ἐπὶ ξεστοῖσι λίθοις ἱερῷ ἐνὶ κύκλῳ,
σκῆπτρα δὲ κηρύκων ἐν χέρσ’ ἔχον ἠεροφώνων•
τοῖσιν ἔπειτ’ ἤϊσσον, ἀμοιβηδὶς δὲ δίκαζον.
κεῖτο δ’ ἄρ’ ἐν μέσσοισι δύω χρυσοῖο τάλαντα,
τῷ δόμεν ὃς μετὰ τοῖσι δίκην ἰθύντατα εἴποι.

Monday Morning PSA: What Does Honor Mean to the Dead?

Iliad 9.315-320

“I don’t think that I would obey Atreus’ son Agamemnon
Nor should the rest of the Danaans, since there is no recompense at all
For them to constantly struggle among hostile men.
The portion is the same for the man who hangs back and the one who fights hard:
The coward and the brave man fall into the same honor;
Both the lazy man and the man who works hard die the same.”

οὔτ’ ἔμεγ’ ᾿Ατρεΐδην ᾿Αγαμέμνονα πεισέμεν οἴω
οὔτ’ ἄλλους Δαναούς, ἐπεὶ οὐκ ἄρα τις χάρις ἦεν
μάρνασθαι δηΐοισιν ἐπ’ ἀνδράσι νωλεμὲς αἰεί.
ἴση μοῖρα μένοντι καὶ εἰ μάλα τις πολεμίζοι•
ἐν δὲ ἰῇ τιμῇ ἠμὲν κακὸς ἠδὲ καὶ ἐσθλός•
κάτθαν’ ὁμῶς ὅ τ’ ἀεργὸς ἀνὴρ ὅ τε πολλὰ ἐοργώς.

Achilles, of course, realizes that there are different answers for different questions…Oh, he also compares himself to a mother bird (9.323-325)

If You Feel Rage Coming On, Sing Yourself A Song: Aelian on Kleinias and Achilles

Aelian, 14.23 Achilles plays the Lyre to Calm his Rage

“Kleinias was serious in his manner and he was a Pythagorean in his philosophical training. If he was ever driven towards rage or had a sense of getting hot-headed, immediately before he became too overwhlemed with anger and before it was clear it was coming, he picked up the lyre and began to play. In response to people asking what the reason for this was, he responded melodiously, “I am calming myself”. Achilles in the Iliad seems to me to put his rage sleep when he sings along to a lyre and brings reminds himself of the famous tales of former men through his song. For, since he was a musical man, he chose the lyre first out of all the spoils.”

Κλεινίας ἀνὴρ ἦν σπουδαῖος τὸν τρόπον, Πυθαγόρειος δὲ τὴν σοφίαν. οὗτος εἴ ποτε ἐς ὀργὴν προήχθη καὶ εἶχεν αἰσθητικῶς ἑαυτοῦ ἐς θυμὸν ἐξαγομένου, παραχρῆμα πρὶν ἢ ἀνάπλεως αὐτῷ ἡ ὀργὴ καὶ ἐπίδηλος γένηται ὅπως διάκειται, τὴν λύραν ἁρμοσάμενος ἐκιθάριζε. πρὸς δὲ τοὺς πυνθανομένους τὴν αἰτίαν ἀπεκρίνετο ἐμμελῶς ὅτι ‘πραΰνομαι.’ δοκεῖ δέ μοι καὶ ὁ ἐν ᾿Ιλιάδι ᾿Αχιλλεύς, ὁ τῇ κιθάρᾳ προσᾴδων καὶ τὰ κλέα τῶν προτέρων διὰ τοῦ μέλους ἐς μνήμην ἑαυτῷ ἄγων, τὴν μῆνιν κατευνάζειν• μουσικὸς γὰρ ὢν τὴν κιθάραν πρώτην ἐκ τῶν λαφύρων ἔλαβε.

Aelian is referring to the following passage from Homer when the embassy from Agamemnon comes to treat with Achilles in book 9. Odysseus, Ajax and Phoenix arrive and find Achilles singing.

Iliad, 9.185-191

“They came to the dwellings and the ships of the Myrmidons
And they found [Achilles] delighting his heart with the clear-voiced lyre,
A finely wrought one which was silver on the bridge,
The one he chose as a prize after sacking the city of Êetiôn.
He delighted his heart with that and sang the famous stories of men.
But Patroklos sat alone opposite him in silence,
Waiting for time when the grandson of Aiakos would stop his songs.”

Μυρμιδόνων δ’ ἐπί τε κλισίας καὶ νῆας ἱκέσθην,
τὸν δ’ εὗρον φρένα τερπόμενον φόρμιγγι λιγείῃ
καλῇ δαιδαλέῃ, ἐπὶ δ’ ἀργύρεον ζυγὸν ἦεν,
τὴν ἄρετ’ ἐξ ἐνάρων πόλιν ᾿Ηετίωνος ὀλέσσας•
τῇ ὅ γε θυμὸν ἔτερπεν, ἄειδε δ’ ἄρα κλέα ἀνδρῶν.
Πάτροκλος δέ οἱ οἶος ἐναντίος ἧστο σιωπῇ,
δέγμενος Αἰακίδην ὁπότε λήξειεν ἀείδων,

Aelian’s interpretation is interesting in part because it makes sense—Achilles is often seen as resting, or taking up time with the singing. But modern interpretations put a lot more weight into Achilles’ words, and what exactly it means to sing the “famous stories of men”. In the same book, Phoenix chastises Achilles by saying: “This is not what we have heard before in the famous stories of men/ heroes, whenever a powerful anger overtook someone” (οὕτω καὶ τῶν πρόσθεν ἐπευθόμεθα κλέα ἀνδρῶν / ἡρώων, ὅτε κέν τιν’ ἐπιζάφελος χόλος ἵκοι, 9.524-5). And in the Odyssey, the same phrase is used to indicate Demodokos’ ability to sing songs from the Trojan War, right before he sings about the conflict between Odysseus and Achilles. (Μοῦσ’ ἄρ’ ἀοιδὸν ἀνῆκεν ἀειδέμεναι κλέα ἀνδρῶν, 8.73)

So, the basic argument is that the phrase kléa andrôn is a metonym for tales from myth or epic and that Achilles is not merely entertaining himself but, just as Phoenix invites him to consider the lessons from “the famous stories of men” as precedents to help correct his behavior, Achilles is singing in order to figure out where his story fits in the pantheon of tales he knows. And, against Aelian’s interpretation, Achilles doesn’t seem to have overcome his anger for very long once Odysseus begins to speak…

Fragmentary Friday, Latin Edition: Accius’ Achilles

 Achilles Schools Antilochus in Word Choice (Accius, Myrmidons, 452-7)

“Antilochus, this behavior that you declare obstinacy
I call constancy and desire to practice it.
To conquer and to be called constant
Is something I suffer happily; but I do not tolerate being called obstinate.
Constancy qualifies the brave; untrained men are obstinate.
You add the sense of fault and erase what should be praised.”

Tu pertinaciam esse, Antiloche, hanc praedicas,
Ego pervicaciam aio et ea me uti volo;
Nam pervicacem dici me esse et vincere
Perfacile patior, pertinacem nihil moror.
Haec fortis sequitur, illam indocti possident.
Tu addis quod vitio est, demis quod laudi datur.

Accius, Lucius Accius? A Roman tragedian and scholar who was born before the third Punic War and lived through the time of Sulla.

AChillesAjax
“You go first.” “No, YOU go First”…

So You Think You Know Odysseus?

(Gentle Readers: The following is a summary of several posts about Odysseus for my myth class.)

Homer’s Odyssey, read by many as the story of Odysseus, has perhaps exerted a fantastic influence on the reception of the survivor of the Trojan War.  One of the things I like to encourage is the idea that rather than representing the standard view of the figure, the Homeric epic goes to great lengths to reform and re-present a traditional figure whose broader mythical tradition may have been a bit more positive.

Odysseus' Magic Raft
Odysseus’ Magic Raft

(And it is fair to say that a close reading of the Odyssey itself can produce less-than-favorable revelations regarding the man it sings about.)

Part of the difference represented by Odysseus, I think, is that he is not strictly speaking a demi-god: instead of being a child of a god endowed with super-human ability, he is something somewhat mundane, a human being one step closer to the messy world of his audiences. He is, as the epic announces, the “many-minded man” and a “man of many shapes”. For this reason especially, he becomes a protean figure in myth.

Odysseus Declaims to Sirens?
Odysseus Declaims to Sirens?

The epic may play with this when Odysseus reveals himself to Telemachus in book 16, his son at first balks, certain that this man in front of him is a god or some delusion.  Odysseus responds memorably (16.204):

“No other Odysseus will ever come home to you”
οὐ μὲν γάρ τοι ἔτ’ ἄλλος ἐλεύσεται ἐνθάδ’ ᾿Οδυσσεύς

A groundbreaking television documentary in the ancient world entitled “So You Think You Know Odysseus” might start out with his biography as popularly known and then look more closely at the epic itself.  For instance, though we often talk about his son Telemachus, his wife Penelope and his father Laertes, we often miss the small detail presented in the epic that Odysseus has a sister named Ktimene. What is going on with her? Well, it seems that she was married off into the murky relationships that pervade the background of the Odyssey‘s rather unclear presentation of the geography and politics of the islands around Ithaca, a tale which makes Laertes out to be a conqueror and brings Odysseus’ rule into question.

But if we leave the Odyssey and look into the mythical tradition, we find that Odysseus dies–according to some–because he is defecated upon by a bird. He has a grandson related to Nestor. And he has up to 18 separate children apart from Telemachus. He was, in many ways, a classic, wandering inseminator.

Odysseus Prepares to Expose his 'Sword'
Odysseus Prepares to Expose his ‘Sword’

But he was also a bit of a scoundrel. According to one tradition, he tried to stab Diomedes in the back while they slipped out of Troy. The negative associations of Odysseus become standard during the classical age when he appears often (but not always) as a bit of a villain in Tragedy and as a counter-figure in oratory where Socrates prefers Palamedes to Homer’s hero.

But it would certainly be unfair to say that the dangers of Odysseus weren’t present in the epic itself: during the middle of his own story, Odysseus as much admits that his own actions were in part cause of his (and his family’s) suffering. In the mythical tradition, Odysseus is positioned as the remorseful cause of Ajax’ madness, the vengeful scourge of Palamedes, the manipulative master of Philoktetes, and the captain who loses all his ships. His suffering is endemic. He is never innocent. But he carries on.

Odysseus and Eurykleia
Odysseus and Eurykleia

I think that this traces in part to his essential humanity: for Plato, Achilles was the best man who went to Troy, and Odysseus was the “most shifty“. His changeable nature, rather than seeming heroic, is more real, more relatable, and far less than ideal. And this is what makes him so much more like us.

The “human-ness” of Odysseus is part of what made him appealing to later philosophers, the Stoics, as a survivor. The continuation of his tale makes him an apt metaphor or available allegory for the struggle of mankind to survive after the stories are done being told.

Commentary on the Batrakhomyomakhia, Part 2: lines 9-23

Last week, we posted the first installment of our draft commentary on the Homeric “Battle of Frogs and Mice”. This is the second part. We welcome comments and additions.

9 Μῦς ποτε διψαλέος γαλέης κίνδυνον ἀλύξας,
10 πλησίον ἐν λίμνῃ λίχνον προσέθηκε γένειον,
11 ὕδατι τερπόμενος μελιηδέϊ• τὸν δὲ κατεῖδε
12 λιμνόχαρις πολύφημος , ἔπος δ’ ἐφθέγξατο τοῖον•
13 Ξεῖνε τίς εἶ; πόθεν ἦλθες ἐπ’ ἠϊόνας; τίς ὁ φύσας;
14 πάντα δ’ ἀλήθευσον, μὴ ψευδόμενόν σε νοήσω.
15 εἰ γάρ σε γνοίην φίλον ἄξιον ἐς δόμον ἄξω•
16 δῶρα δέ τοι δώσω ξεινήϊα πολλὰ καὶ ἐσθλά.
17 εἰμὶ δ’ ἐγὼ βασιλεὺς Φυσίγναθος, ὃς κατὰ λίμνην
18 τιμῶμαι βατράχων ἡγούμενος ἤματα πάντα•
19 καί με πατὴρ Πηλεὺς ἀνεθρέψατο , ῾Υδρομεδούσῃ
20 μιχθεὶς ἐν φιλότητι παρ’ ὄχθας ᾿Ηριδανοῖο.
21 καὶ σὲ δ’ ὁρῶ καλόν τε καὶ ἄλκιμον ἔξοχον ἄλλων,
22 σκηπτοῦχον βασιλῆα καὶ ἐν πολέμοισι μαχητὴν
23 ἔμμεναι• ἀλλ’ ἄγε θᾶσσον ἑὴν γενεὴν ἀγόρευε.
Continue reading “Commentary on the Batrakhomyomakhia, Part 2: lines 9-23”