Achilles’ (Missing) Sister

Reading over Merkelbach and West’s Fragmenta Hesiodea often reminds me of many things I have forgotten. I am too young to blame this forgetfulness on senility; and yet too old to blame it on youthful ignorance.

Today’s particular disturbance comes from fragment 213 which tells us that Achilles, like Odysseus, has a sister (fragment included within the scholia below).

At first, I thought that this was some sort of Lykophrontic fantasy. But, alas, upon looking into the details she is actually mentioned in the Iliad!

Iliad, 16.173-178

“Menestheus of the dancing-breastplate led one contingent,
son of the swift-flowing river Sperkheios
whom the daughter of Peleus, beautiful Poludôrê bore
when she shared the bed with the indomitable river-god, Sperkheios
although by reputation he was the son of Boros, the son of Periêrês
who wooed her openly by offering countless gifts.”

τῆς μὲν ἰῆς στιχὸς ἦρχε Μενέσθιος αἰολοθώρηξ
υἱὸς Σπερχειοῖο διιπετέος ποταμοῖο·
ὃν τέκε Πηλῆος θυγάτηρ καλὴ Πολυδώρη
Σπερχειῷ ἀκάμαντι γυνὴ θεῷ εὐνηθεῖσα,
αὐτὰρ ἐπίκλησιν Βώρῳ Περιήρεος υἷι,
ὅς ῥ’ ἀναφανδὸν ὄπυιε πορὼν ἀπερείσια ἕδνα.

The confusion, shock and horror of this detail—which I presume the vast majority of Homer’s audiences have overlooked or forgotten as with the sad fate of Odysseus’ sister—can be felt as well in the various reactions of the Scholia where we encounter (a) denial—it was a different Peleus!; (b) sophomoric prevarication—why doesn’t Achilles talk about her, hmmm?; (c) conditional acceptance through anachronistic assumptions—she’s suppressed because it is shameful that she is a bastard; (d) and, finally, citation of hoary authorities to insist upon a ‘truth’ unambiguous in the poem.

I have translated the major scholia below. Note that we can see where the ‘fragments’ of several authors come from here (hint: they’re just talked about by the scholiasts). We can also learn a bit about the pluralistic and contradictory voices to be found in the Homeric scholia. The bastard child bit is my favorite part.

Continue reading “Achilles’ (Missing) Sister”

Fragmentary Friday, Latin Edition: Accius’ Achilles

 

 Achilles Schools Antilochus in Word Choice (Accius, Myrmidons, 452-7)

“Antilochus, this behavior that you declare obstinacy
I call constancy and desire to practice it.
To conquer and to be called constant
Is something I suffer happily; but I do not tolerate being called obstinate.
Constancy qualifies the brave; untrained men are obstinate.
You add the sense of fault and erase what should be praised.”

Tu pertinaciam esse, Antiloche, hanc praedicas,
Ego pervicaciam aio et ea me uti volo;
Nam pervicacem dici me esse et vincere
Perfacile patior, pertinacem nihil moror.
Haec fortis sequitur, illam indocti possident.
Tu addis quod vitio est, demis quod laudi datur.

Accius, Lucius Accius? A Romen tragedian and scholar who was born before the third Punic War and lived through the time of Sulla.

AChillesAjax
“You go first.” “No, YOU go first”…

If You Feel Rage Coming On, Sing Yourself a Song!

Aelian, Varia Historia 14.23 Achilles plays the Lyre to Calm his Rage

“Kleinias was serious in his manner and he was a Pythagorean in his philosophical training. If he was ever driven towards rage or had a sense of getting hot-headed, immediately before he became too overwhlemed with anger and before it was clear it was coming, he picked up the lyre and began to play. In response to people asking what the reason for this was, he responded melodiously, “I am calming myself”. Achilles in the Iliad seems to me to put his rage sleep when he sings along to a lyre and brings reminds himself of the famous tales of former men through his song. For, since he was a musical man, he chose the lyre first out of all the spoils.”

Κλεινίας ἀνὴρ ἦν σπουδαῖος τὸν τρόπον, Πυθαγόρειος δὲ τὴν σοφίαν. οὗτος εἴ ποτε ἐς ὀργὴν προήχθη καὶ εἶχεν αἰσθητικῶς ἑαυτοῦ ἐς θυμὸν ἐξαγομένου, παραχρῆμα πρὶν ἢ ἀνάπλεως αὐτῷ ἡ ὀργὴ καὶ ἐπίδηλος γένηται ὅπως διάκειται, τὴν λύραν ἁρμοσάμενος ἐκιθάριζε. πρὸς δὲ τοὺς πυνθανομένους τὴν αἰτίαν ἀπεκρίνετο ἐμμελῶς ὅτι ‘πραΰνομαι.’ δοκεῖ δέ μοι καὶ ὁ ἐν ᾿Ιλιάδι ᾿Αχιλλεύς, ὁ τῇ κιθάρᾳ προσᾴδων καὶ τὰ κλέα τῶν προτέρων διὰ τοῦ μέλους ἐς μνήμην ἑαυτῷ ἄγων, τὴν μῆνιν κατευνάζειν• μουσικὸς γὰρ ὢν τὴν κιθάραν πρώτην ἐκ τῶν λαφύρων ἔλαβε.

Aelian is referring to the following passage from Homer when the embassy from Agamemnon comes to treat with Achilles in book 9. Odysseus, Ajax and Phoenix arrive and find Achilles singing.

Iliad, 9.185-191

“They came to the dwellings and the ships of the Myrmidons
And they found [Achilles] delighting his heart with the clear-voiced lyre,
A finely wrought one which was silver on the bridge,
The one he chose as a prize after sacking the city of Êetiôn.
He delighted his heart with that and sang the famous stories of men.
But Patroklos sat alone opposite him in silence,
Waiting for time when the grandson of Aiakos would stop his songs.”

Μυρμιδόνων δ’ ἐπί τε κλισίας καὶ νῆας ἱκέσθην,
τὸν δ’ εὗρον φρένα τερπόμενον φόρμιγγι λιγείῃ
καλῇ δαιδαλέῃ, ἐπὶ δ’ ἀργύρεον ζυγὸν ἦεν,
τὴν ἄρετ’ ἐξ ἐνάρων πόλιν ᾿Ηετίωνος ὀλέσσας•
τῇ ὅ γε θυμὸν ἔτερπεν, ἄειδε δ’ ἄρα κλέα ἀνδρῶν.
Πάτροκλος δέ οἱ οἶος ἐναντίος ἧστο σιωπῇ,
δέγμενος Αἰακίδην ὁπότε λήξειεν ἀείδων,

Aelian’s interpretation is interesting in part because it makes sense—Achilles is often seen as resting, or taking up time with the singing. But modern interpretations put a lot more weight into Achilles’ words, and what exactly it means to sing the “famous stories of men”. In the same book, Phoenix chastises Achilles by saying: “This is not what we have heard before in the famous stories of men/ heroes, whenever a powerful anger overtook someone” (οὕτω καὶ τῶν πρόσθεν ἐπευθόμεθα κλέα ἀνδρῶν / ἡρώων, ὅτε κέν τιν’ ἐπιζάφελος χόλος ἵκοι, 9.524-5). And in the Odyssey, the same phrase is used to indicate Demodokos’ ability to sing songs from the Trojan War, right before he sings about the conflict between Odysseus and Achilles. (Μοῦσ’ ἄρ’ ἀοιδὸν ἀνῆκεν ἀειδέμεναι κλέα ἀνδρῶν, 8.73)

So, the basic argument is that the phrase kléa andrôn is a metonym for tales from myth or epic and that Achilles is not merely entertaining himself but, just as Phoenix invites him to consider the lessons from “the famous stories of men” as precedents to help correct his behavior, Achilles is singing in order to figure out where his story fits in the pantheon of tales he knows. And, against Aelian’s interpretation, Achilles doesn’t seem to have overcome his anger for very long once Odysseus begins to speak…

Far Better People than You Have Died (Lucretius and Homer)

Lucretius, De Rerum Natura 3.1034-1053

“You may on occasion say this to yourself:
Noble Ancus* loosed the light from his eyes,
A man who was better than imperfect you in many ways.
And from there, many other kings and luminaries
Died too, men who ruled over great nations.
That very man* who once laid a great road across a vast sea
To provide a path for his armies upon the deep
And taught them to dance across the crescent salt
As he pranced with his horses and dismissed the sea’s roar—
He poured out his soul when his body died and he was robbed of the light.
Clan Scipio’s son, the bolt of war, the scourge of Carthage,
Gave his bones to the earth just as a humble servant would.
Add to these men the inventors of theories and beauty,
Add as well the friends of the Muses whose single Homer,
the sceptered lord, has been quieted in sleep like the rest.
Democritus, too, when advanced age finally warned him
That the moving memories of his mind were fading,
He freely offered his own head to his end.
Epicurus as well departed when the light of his life ran its course,
He surpassed the race of man with his genius, who overshown
The light of all men the way the sun washes out the stars—
And now you will hesitate and be angry to die?
You whose life is already nearly dead, though you live and see,
You who squander the greater part of life in sleep
And snore wide-awake, never breaking from seeing dreams,
As you carry a mind tortured by empty fear.
You can’t figure out what ails you, you poor drunk,
When you are oppressed by so many anxieties everywhere
As you wander adrift on the uncertain compulsions of your mind.”

Hoc etiam tibi tute interdum dicere possis.
‘lumina sis oculis etiam bonus Ancus reliquit,
qui melior multis quam tu fuit, improbe, rebus.
inde alii multi reges rerumque potentes
occiderunt, magnis qui gentibus imperitarunt.
ille quoque ipse, viam qui quondam per mare magnum
stravit iterque dedit legionibus ire per altum
ac pedibus salsas docuit super ire lucunas
et contempsit equis insultans murmura ponti,
lumine adempto animam moribundo corpore fudit.
Scipiadas, belli fulmen, Carthaginis horror,
ossa dedit terrae proinde ac famul infimus esset.
adde repertores doctrinarum atque leporum,
adde Heliconiadum comites; quorum unus Homerus
sceptra potitus eadem aliis sopitus quietest.
denique Democritum post quam matura vetustas
admonuit memores motus languescere mentis,
sponte sua leto caput obvius optulit ipse.
ipse Epicurus obit decurso lumine vitae,
qui genus humanum ingenio superavit et omnis
restinxit stellas exortus ut aetherius sol.
tu vero dubitabis et indignabere obire?
mortua cui vita est prope iam vivo atque videnti,
qui somno partem maiorem conteris aevi,
et viligans stertis nec somnia cernere cessas
sollicitamque geris cassa formidine mentem
nec reperire potes tibi quid sit saepe mali, cum
ebrius urgeris multis miser undique curis
atque animo incerto fluitans errore vagaris.’

This passage reminds me in part of Achilles’ famous vaunt to Lykaon (a man he had previously ransomed) in the Iliad (21.106-113)

“But you die too, friend. Really, why are you grieving thus?
Patroklos also died, and he was much better than you.
Don’t you see how handsome and large I am?
I come from a noble father and a goddess mother bore me—
But, even now, death and compelling fate await me.
The time will come at dawn, dusk, or the middle of the day
When someone rips the life even from me with Ares’ power
As he strikes with a spear or an arrow from its string.”

ἀλλὰ φίλος θάνε καὶ σύ· τί ἦ ὀλοφύρεαι οὕτως;
κάτθανε καὶ Πάτροκλος, ὅ περ σέο πολλὸν ἀμείνων.
οὐχ ὁράᾳς οἷος καὶ ἐγὼ καλός τε μέγας τε;
πατρὸς δ’ εἴμ’ ἀγαθοῖο, θεὰ δέ με γείνατο μήτηρ·
ἀλλ’ ἔπι τοι καὶ ἐμοὶ θάνατος καὶ μοῖρα κραταιή·
ἔσσεται ἢ ἠὼς ἢ δείλη ἢ μέσον ἦμαρ
ὁππότε τις καὶ ἐμεῖο ῎Αρῃ ἐκ θυμὸν ἕληται
ἢ ὅ γε δουρὶ βαλὼν ἢ ἀπὸ νευρῆφιν ὀϊστῷ.

 

*Ancus was the fourth king of Rome

*Xerxes (who built pontoon bridge across the Hellespont to bring an army into Greece c. 480 BCE)

 

Post-Script: I can’t really say that either passages offer much solace to me. It is a given that everyone dies, true, but however unimpressive I am, it still seems absurd at all to exist rather than not exist. To close the circle by ending it seems, even if appropriate, equally absurd.  I’m with Dylan Thomas, I fear, raging….

‘Diomedean Compulsion’: Or, Remember the Time Odysseus tried to Stab Diomedes in the Back?

 

The Suda Has the following Entry:

Diomedean Compulsion: “This is also called a horse; a proverb from either the son of Tydeus or from the Thracian Diomedes who compelled guests to sleep with daughters who were ugly (and whom some allegorize as horses), or he would kill them.

And some say that Odysseus and Diomedes, after stealing the Palladion, returned during the night. Odysseus, who was following, planned to kill Diomedes. But when Diomedes saw the shadow of the sword in the moonlight, because he feared Odysseus, he made him walk in front of him, slapping him with the sword in the middle of the back. This proverb is used when people do things under compulsion.

For this reason, Diomedes kept man-eating horses: in the departure he was greatly aggrieved and was not welcomed to his own home, but after he was exiled he went to Kalabria and founded a city which he called Argurippê but whose name later was changed to Benebentos.”

 

Διομήδειος ἀνάγκη. λέγεται καὶ ἵππος. παροιμία, ἀπὸ τοῦ Τυδέως ἢ ἀπὸ τοῦ Θρᾳκός· ὃς ἠνάγκαζε τοὺς ξένους αἰσχραῖς οὔσαις ταῖς θυγατράσιν αὐτοῦ μίσγεσθαι (ἃς καὶ ἵππους ἀλληγορεῖ), εἶτα ἀν-ῄρει. οἱ δέ, ὅτι Διομήδης καὶ ᾿Οδυσσεὺς τὸ Παλλάδιον κλέψαντες νυκτὸς ἐπανῄεσαν. ἑπόμενος δὲ ὁ ᾿Οδυσσεὺς τὸν Διομήδην ἐβουλήθη ἀποκτεῖναι. ἐν τῇ σελήνῃ δὲ ἰδὼν τὴν σκιὰν τοῦ ξίφους ὁ Διομήδης, δείσας τὸν ᾿Οδυσσέα ἐποίησε προάγειν παίων αὐτοῦ τῷ ξίφει τὸ

μετάφρενον. τάττεται δὲ ἐπὶ τῶν κατ’ ἀνάγκην τι πραττόντων. διὰ τοῦτο λέγει, ὅτι ἵππους ἀνθρωποφάγους εἶχεν ὁ Διομήδης. ὅτι Διομήδης εἰς τὸν ἀπόπλουν καταχθεὶς εἰς τὰ ἴδια οὐκ ἐδέχθη, ἀλλὰ διωχθεὶς ἀπῆλθεν εἰς Καλαβρίαν καὶ κτίζει πόλιν, ἣν ἐκάλεσεν ᾿Αργυρίππην, τὴν μετονομασθεῖσαν Βενεβεντόν.

 

Hesychios the Lexicographer discusses the same two origins for the phrase:

“Diomedean Necessity: A proverb. Klearkhos says that Diomedes’ daughters were absolutely wretched and that some were forced to sleep with them or he murdered them immediately. In the little Iliad, the story is that the phrase comes from the theft of the Palladion.

Διομήδειος ἀνάγκη· παροιμία. Κλέαρχος μέν φησι, Διομήδους
θυγατέρας γενέσθαι πάνυ μοχθηράς, αἷς ἀναγκάζειν πλησιάζειν
τινάς, καὶ εὐθὺς αὐτοὺς φονεύειν· ὁ δὲ τὴν μικρὰν ᾿Ιλιάδα
φησὶ (fr. 9 Allen) ἐπὶ τῆς τοῦ Παλλαδίου κλοπῆς γενέσθαι

There is one fragment from the Little Iliad about this moment:

“It was the middle of the night, and the bright moon lay on them”

νὺξ μὲν ἔην μεσάτη, λαμπρὴ δ’ ἐπέτελλε σελήνη.

This, admittedly, doesn’t say much. The basic story is that, in order to take Troy, the Greeks needed to steal the Palladion, an image of Athena. Odysseus and Diomedes sneaked into the city to get it. On the way back, Odysseus tried to kill Diomedes. According to the fragments of the historian Konon, Diomedes climbed on Odysseus’ shoulders to get into the city, but then left him behind to secure the Palladion himself. According to other accounts (summarized by Servius in his commentary on the Aeneid, see Gantz 1992, 643-5), Odysseus just wanted the glory all to himself.

In any case, the Palladion-tale is a re-doubling of other Trojan War Motifs: the requirement of Herakles’ bow and Philoktetes or the need to have Neoptolemus present, for example, are similar talismanic possessions to end the long war. Odysseus’ conflict with Diomedes, here, is not dissimilar either to his quarrel with Ajax or his feud with Achilles (mentioned in the Odyssey). This narrative, also engages with the pairing of Diomedes and Odysseus elsewhere, especially Iliad 10.

Odysseus and Diomedes

 

Fragmentary Friday: Achilles Never Could Abide Delays (Euripides, 727c)

Euripides, Telephos fr. 727c (=Frag. Pap. 149)

In the larger Trojan War narrative, the Greeks arrive in Asia Minor and attack, only to discover they have attacked the Mysians led by Herakles’ son Telephos. Achilles wounds Telephos and the fleet eventually withdraws. (In some traditions, Achilles has to heal Telephos to continue with the expedition).

Achilles: Have you just now arrived from your sea-bound land
Odysseus? Where is the assembly of your companions?
Why are you waiting? You should not stay here at rest!

Odysseus: It seems time to start the expedition and these things
Are a concern to those in charge. You’ve arrived on time, son of Peleus.

Achilles: But our army is not at oar on the shore
Nor is the infantry presently drawn up!

Odysseus: Soon. It is necessary to hurry at the right time.

Achilles: You all are always lazy and postponing—
Each of you sits here making countless speeches
But nothing is every accomplished!
But I, as you see, I have come ready to act
And my army of Myrmidons too! I will sail
Not waiting on the delays of Atreus’ sons.”

᾿Αχιλλε(ύς) μῶν καὶ σὺ καινὸς ποντίας ἀπὸ χθονὸς
ἥκεις, ᾿Οδυσσεῦ; ποῦ ‘στι σύλλογος φ[ί]λων;
τί μέλλετ’; οὐ χρῆν ἥσυχον κεῖσθαι π[ό]δα.

᾿Οδ(υσσεύς) δοκεῖ στρατεύειν καὶ μέλει τοῖς ἐν τέλει
τάδ’· ἐν δέοντι δ’ ἦλθες, ὦ παῖ Πηλέως.

᾿Αχιλλ(εύς) οὐ μὴν ἐπ’ ἀκταῖς γ’ ἐστὶ κωπήρης στρατός,
οὔτ’ οὖν ὁπλίτης ἐξετάζεται παρών.

᾿Οδ(υσσεύς) ἀλλ’ αὐτίκα· σπεύδειν γὰρ ἐν καιρῶι χρεών.

᾿Αχιλλε(ύς) αἰεί ποτ’ ἐστὲ νωχελεῖς καὶ μέλλετε,
ῥήσεις θ’ ἕκαστος μυρίας καθήμενος
λέγει, τὸ δ’ ἔργον [ο]ὐ̣δαμοῦ περαίνεται.
κἀ̣[γ]ὼ μέν, ὡς ὁρᾶ[τ]ε, δρᾶν ἕτοιμος ὢν
ἥκ̣ω, στρατός τε Μ̣[υρ]μιδών, καὶ πλεύσ[ομαι
τὰ [τ]ῶν ᾿Ατρειδ̣[ῶν οὐ μένων] μελλήμ[ατα.

Heraclitus Criticized Achilles’ Wish, The Scholia Set Us Straight: Strife, Heraclitus and the Scholia

In book 18 of the Iliad, when Achilles laments the events that led to the death of Patroklos, he also makes an impossible wish for the gods to erase conflict from the lives of men. Rather than seeing this as an emotional–and somewhat reasonable–desire on Achilles’ part, the presocratic philosopher Heraclitus is alleged to have taken issue.

The comments appear in two traditions of Scholia to the Iliad. Both attempt to explain Heraclitus’ mistakes.

Homer, Iliad 18.107: “I wish that the gods would erase strife from men”

Schol A ad Iliad 18.107: “Heraclitus criticizes Homer because he believes that the nature of things as they are depends upon strife, and here Achilles then seems to be praying for the collapse of the cosmos. To this someone might reply that he is not saying here that strife is something in opposition but rather that it is hateful—this is the reason he adds in the next line “and anger as well” [kholos]. For, the opposition of things [e.g. Heraclitus’ principle of nature] does not drive prudent men out of their powers of reason.”

Schol T. “Heraclitus says that Achilles is praying for the collapse of everything, since all things depend upon their opposites. But Achilles means that this strife is has led to worse affairs. Otherwise [if he doesn’t mean this], this should be allowed, since he is afire with suffering [over the death of Patroklos]”

ex. ὡς ἔρις ἔκ τε θεῶν :

῾Ηράκλειτος (fr. 28 p. 133 M.; Vors. 6 A 22) τὴν τῶν ὄντων φύσιν κατ’ ἔριν συνεστάναι νομίζων μέμφεται ῞Ομηρον, σύγχυσιν κόσμου δοκῶν αὐτὸν εὔχεσθαι. πρὸς ὃν ἄν τις εἴποι ὅτι οὐ λέγει νῦν τὴν ἐναντίωσιν ἔριν, ἀλλὰ τὴν ἔχθραν· ὅθεν ἐπιφέρει „καὶ χόλος” (Σ 108)· οὐ γὰρ ἡ τῶν πραγμάτων ἐναντίωσις τοὺς φρονίμους ἐξίστησι τῶν λογισμῶν. A
ὡς ἔρις ἔκ τε θεῶν: ῾Ηράκλειτος σύγχυσιν αὐτὸν εὔ-
χεσθαι ἁπάντων φησί· κατὰ γὰρ ἐναντίωσιν τὰ πάντα συνέχεσθαι. ἀλλὰ τὴν ἐπὶ τὸ χεῖρον ἄγουσαν ἔριν νῦν φησιν. ἄλλως τε δοτέον τοῦτο, φλεγμαίνοντος τοῦπάθους

Achilles Missed out on Helen Because He Was At School (Hes. Cat. fr. 204.86-93)

Last week, we posted a part of the Catalogue of Women with the catalogue of Helen’s suitors, explaining that Menelaos won Helen’s hand because of the magnitude of his wealth. The fragment, however, does not stop there. No! It has to explain why Achilles didn’t win Helen’s hand:

Fr. 204.86-93

“Atreus’ war-loving son Menelaos conquered everyone
Because he gave the most gifts. Kheiron took Peleus’ son
of swift feet to wooded Pelion, that most exceptional of men,
when he was still a child. War-loving Menelaos wouldn’t have defeated him
nor would any other Mortal man on the earth who was wooing
Helen if swift Achilles had come upon her when she was still a maiden
As he returned home from Pelion.
But, as it turned out, war-loving Menelaos got her first.”

᾿Ατρε[ίδ]ης ν̣[ίκησε]ν ἀρηΐφιλος Μενέλαος
πλεῖ̣[στ]α πορών. Χε̣ί̣ρων δ’ ἐν Πηλίωι ὑλήεντι
Πηλείδην ἐκ̣ό̣μιζε πόδας ταχύν, ἔξοχον ἀνδρῶν,
παῖδ’ ἔτ’ ἐόν[τ’·] οὐ γάρ μιν ἀρηΐφιλος Μενέλαος
νίκησ’ οὐδέ τις ἄλλος ἐπιχθονίων ἀνθρώπων
μνηστεύων ῾Ελένην, εἴ μιν κίχε παρθένον οὖσαν
οἴκαδε νοστήσας ἐκ Πηλίου ὠκὺς ᾿Αχιλλεύς.
ἀλλ’ ἄρα τὴν πρίν γ’ ἔσχεν ἀρηΐφιλος Μενέλαος·

In other traditions Achilles actually is a suitor. (Pausanias 3.24; Euripides’, Helen 98-99; see Ormand, THe Hesiodic Catalogue of Women and Archaic Greece, 2014, 149-150 and 198-201). Hesiod, however, finds it necessary to explain why he is sidelined from this game…

Lucian, “Dialogues of the Dead” Achilles Whines to Antilochus

 

Apparently, after Odysseus leaves the underworld, Achilles has a conversation with his friend, Nestor’s son Antilochus. Antilochus is confused that Achilles spoke so disparagingly of glory in the previous day’s exchange with Odysseus. Achilles explains:

 

“Son of Nestor, when I was alive I wasn’t experienced in this place [Hades] and I was ignorant about which world was better, even preferring that miserable vision of glory to life. But now I know that glory is useless, even if living men endlessly praise it. Among the corpses there is equality, and neither that beauty nor strength remains, but we all wait the same under this darkness and differ from one another in no way. The Trojan dead do not fear me; the Achaian corpses are not solicitous of me. Instead, there is unsparing freedom of speech and every corpse is equal: “both base and noble man alike” [Il. 9.319] This causes me pain and I am annoyed that I don’t serve a lesser man, still alive.”

 

     ῏Ω παῖ Νέστορος, ἀλλὰ τότε μὲν ἄπειρος ἔτι τῶν ἐνταῦθα ὢν καὶ τὸ βέλτιον ἐκείνων ὁπότερον ἦν ἀγνοῶν τὸ δύστηνον ἐκεῖνο δοξάριον προετίμων τοῦ βίου, νῦν δὲ συνίημι ἤδη ὡς ἐκείνη μὲν ἀνωφελής, εἰ καὶ ὅτι μάλιστα οἱ ἄνω ῥαψῳδήσουσιν. μετὰ νεκρῶν δὲ ὁμοτιμία, καὶ οὔτε τὸ κάλλος ἐκεῖνο, ὦ ᾿Αντίλοχε, οὔτε ἡ ἰσχὺς πάρεστιν, ἀλλὰ κείμεθα ἅπαντες ὑπὸ τῷ αὐτῷ ζόφῳ ὅμοιοι καὶ κατ’ οὐδὲν ἀλλήλων διαφέροντες, καὶ οὔτε οἱ τῶν Τρώων νεκροὶ δεδίασίν με οὔτε οἱ τῶν ᾿Αχαιῶν θεραπεύου-σιν, ἰσηγορία δὲ ἀκριβὴς καὶ νεκρὸς ὅμοιος, “ἠμὲν κακὸς ἠδὲ καὶ ἐσθλός.” ταῦτά με ἀνιᾷ καὶ ἄχθομαι, ὅτι μὴ θητεύω ζῶν.

 

 

This may all seem a little silly, but it is actually a close—though at times absurdist—reading of Odyssey 11 and Iliad 9. It keeps going too….but Antilochus shuts Achilles down when the latter claims that his annoyance at their situation in the underworld proves his own superiority:

 

 

“No, this shows we’re better, Achilles. For we recognize that speaking is useless. It has seemed best to us to be quiet, to bear up and endure, not to become an object of ridicule like you whenever you wish for these sorts of things”

 

     Οὔκ, ἀλλ’ ἀμείνους, ὦ ᾿Αχιλλεῦ· τὸ γὰρ ἀνωφελὲς τοῦ λέγειν ὁρῶμεν· σιωπᾶν γὰρ καὶ φέρειν καὶ ἀνέχεσθαι δέδοκται ἡμῖν, μὴ καὶ γέλωτα ὄφλωμεν ὥσπερ σὺ τοιαῦτα εὐχόμενος.

 

Finis.

Siblings Sunday: Like Odysseus, Achilles Had A Sister! (Homer, Hesiod, Pherecydes and More!)

While reading through Merkelbach and West’s Fragmenta Hesiodea I have encountered many details that have proved to me the depth of my own ignorance and illustrated an unwavering ability to be surprised and things I must have seen at some point in the last twenty years. Today’s particular disturbance comes from fragment 213 which tells us that Achilles, like Odysseus, has a sister (fragment included within the scholia below).

At first, I thought that this was some sort of Lykophrontic fantasy. But, alas, upon looking into the details she is actually mentioned in the Iliad!

Iliad, 16.173-178

“Menestheus of the dancing-breastplate led one contingent,
son of the swift-flowing river Sperkheios
whom the daughter of Peleus, beautiful Poludôrê bore
when she shared the bed with the indomitable river-god, Sperkheios
although by reputation he was the son of Boros, the son of Periêrês
who wooed her openly by offering countless gifts.”

τῆς μὲν ἰῆς στιχὸς ἦρχε Μενέσθιος αἰολοθώρηξ
υἱὸς Σπερχειοῖο διιπετέος ποταμοῖο·
ὃν τέκε Πηλῆος θυγάτηρ καλὴ Πολυδώρη
Σπερχειῷ ἀκάμαντι γυνὴ θεῷ εὐνηθεῖσα,
αὐτὰρ ἐπίκλησιν Βώρῳ Περιήρεος υἷι,
ὅς ῥ’ ἀναφανδὸν ὄπυιε πορὼν ἀπερείσια ἕδνα.

The confusion, shock and horror of this detail—which I presume the vast majority of Homer’s audiences have overlooked or forgotten as with the sad fate of Odysseus’ sister—can be felt as well in the various reactions of the Scholia where we encounter (a) denial—it was a different Peleus!; (b) sophomoric prevarication—why doesn’t Achilles talk about her, hmmm?; (c) conditional acceptance through anachronistic assumptions—she’s suppressed because it is shameful that she is a bastard; (d) and, finally, citation of hoary authorities to insist upon a ‘truth’ unambiguous in the poem.

I have translated the major scholia below. Note that we can see where the ‘fragments’ of several authors come from here (hint: they’re just talked about by the scholiasts). We can also learn a bit about the pluralistic and contradictory voices to be found in the Homeric scholia. The bastard child bit is my favorite part.

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