Propertius: A Slave to Love

Propertius I.12.

Haven’t you reproached me enough, Ponticus,
For idly hanging around Rome?
A certain girl is far, far from my bed,
Like the Hypanis river is far, far from the Po.
Cynthia is not stoking with hugs the love
I’ve come to expect, nor is she cooing in my ear.

I was once her beloved. No one’s ever thought
He could love with the same confidence.
We occasioned envy. Does a god now destroy me?
Or, what herb from the Caucasus mountains keeps us apart?

I am not who I was. Extended travel changes girls.
How great a love fled in little time!
And now, a first: I’m forced to know long nights alone,
And to be a burden to my own ears.

Happy is the man who can weep in front of a girl
(Love thoroughly enjoys being sprinkled with tears),
Or who is so rejected he can redirect his ardor
(serving someone new has its pleasures too).
I can’t love someone else, and I can’t break with her:
Cynthia was first. Cynthia will be last.

Quid mihi desidiae non cessas fingere crimen,
quod facias nobis, Pontice, Roma moram?
tam multa illa meo divisa est milia lecto,
quantum Hypanis Veneto dissidet Eridano;
nec mihi consuetos amplexu nutrit amores
Cynthia, nec nostra dulcis in aure sonat.

olim gratus eram: non illo tempore cuiquam
contigit ut simili posset amare fide.
invidiae fuimus: num me deus obruit? an quae
lecta Prometheis dividit herba iugis?

non sum ego qui fueram: mutat via longa puellas.
quantus in exiguo tempore fugit amor!
nunc primum longas solus cognoscere noctes
cogor et ipse meis auribus esse gravis.

felix, qui potuit praesenti flere puellae
(non nihil aspersus gaudet Amor lacrimis),
aut si despectus, potuit mutare calores,
(sunt quoque translato gaudia servitio).
mi neque amare aliam neque abhac desistere fas est:
Cynthia prima fuit, Cynthia finis erit.


Rodin. The Eternal Idol. 1893.
Musee Rodin. Paris.

Larry Benn has a B.A. in English Literature from Harvard College, an M.Phil in English Literature from Oxford University, and a J.D. from Yale Law School. Making amends for a working life misspent in finance, he’s now a hobbyist in ancient languages and blogs at featsofgreek.blogspot.com.

No Trouble from The Trees for Sleep

Moschus Fr. 1 [=Stob. 4.17.19]

“Whenever the wind strikes the gray sea
I pluck the cowardice from my heart and the land
Is no longer dear because the great sea fills me with desire.

But when the sea groans in its dusky deep
And it churns  growing waves on its back
Then I glance at the land and escape  for the trees.
The soil delights me and the forest shade is a pleasure
There where the pine sings loud when the wind breathes.

A fisherman lives a terrible life: his home is a boat;
His work is the sea and the fish his wandering hunt.
I’d have a sweet slumber under a deep-leafed plane tree
And I would love to hear the echo of a spring nearby
The sound of water that soothes but does not trouble your sleep.”

Τὰν ἅλα τὰν γλαυκὰν ὅταν ὥνεμος ἀτρέμα βάλλῃ,
τὰν φρένα τὰν δειλὰν ἐρεθίζομαι, οὐδ’ ἔτι μοι γᾶ
ἐντὶ φίλα, ποθίει δὲ πολὺ πλέον ἁ μεγάλα μ’ ἅλς.

ἀλλ’ ὅταν ἀχήσῃ πολιὸς βυθὸς ἁ δὲ θάλασσα
κυρτὸν ἐπαφρίζῃ τὰ δὲ κύματα μακρὰ μεμήνῃ,
ἐς χθόνα παπταίνω καὶ δένδρεα τὰν δ’ ἅλα φεύγω,
γᾶ δέ μοι ἀσπαστά, χἀ δάσκιος εὔαδεν ὕλα
ἔνθα καὶ ἢν πνεύσῃ πολὺς ὥνεμος ἁ πίτυς ᾄδει.

ἦ κακὸν ὁ γριπεὺς ζώει βίον, ᾧ δόμος ἁ ναῦς,
καὶ πόνος ἐντὶ θάλασσα, καὶ ἰχθύες ἁ πλάνος ἄγρα.
αὐτὰρ ἐμοὶ γλυκὺς ὕπνος ὑπὸ πλατάνῳ βαθυφύλλῳ,
καὶ παγᾶς φιλέοιμι τὸν ἐγγύθεν ἆχον ἀκούειν
ἃ τέρπει ψοφέοισα τὸν ἄγρυπνον, οὐχὶ ταράσσει.

Albert Anker, In the Woods, 1865

Skipping the Passive for the Straight-Up Aggressive

Pliny, Letters 2.1

“I am super mad and whether or not it is right I’m not sure but I’m super mad. You know how unfair love is frequently, often powerless always quick to be offended. But my reason is still serious whether I believe it’s right and I am as mad as I would be if it were right since I have had no letter from you for such a long time.

The only solution to this is if you write me many really long letters right now. This is the only way I will forgive you. Other things seem fake. I won’t even hear “I was in Rome” or “I was busy”. But Gods forbid you say, “I’ve been sick.”

I’ve been in my country-house enjoying my two delights that come from leisure: reading and resting. Bye!”

Plinius Paulino Suo S.

1Irascor, nec liquet mihi an debeam, sed irascor. Scis, quam sit amor iniquus interdum, impotens saepe μικραίτιος semper. Haec tamen causa magna est, nescio an iusta; sed ego, tamquam non minus iusta quam magna sit, graviter irascor, quod a te tam diu litterae nullae. Exorare me potes uno modo, si nunc saltem plurimas et longissimas miseris. Haec mihi sola excusatio vera, ceterae falsae videbuntur. Non sum auditurus “non eram Romae” uel “occupatior eram”; illud enim nec di sinant, ut “infirmior”. Ipse ad villam partim studiis partim desidia fruor, quorum utrumque ex otio nascitur. Vale.

File:Ancient Roman villa of Salar 012 (30512518878).jpg ...
This is a Villa. It is not Pliny’s. 

Nameless Altars and Human Sacrifice

Diogenes Laertius, Vitae philosophorum 1.110 [Epimenides]

“Epimenides was known among the Greeks and was thought to be extremely beloved to the gods. For this reason, when the Athenians were once afflicted by a plague and the Pythian oracle prophesied that they should cleanse their city, they sent a ship along with Nikias the son of Nikêratos, summoning Epimenides.

He made it to Athens at the time of the 46th Olympiad [c. 596 BCE] and cleansed the city. He stopped it in the following manner. After obtaining white and black sheep, he led them to the Areopagos and then allowed them to go wherever they wanted there. He ordered the people following them to sacrifice the sheep to whichever god was proper to the place where each sheep laid down.

This is how the plague stopped. For this reason it is still even today possible to find altars without names in certain Athenian neighborhoods as a commemoration of that ancient cleansing. Some people report that Epimenides indicated the pollution from the Kylon scandal as the cause of the plague along with a resolution for it. For this reason, they killed two youths, Kratinos and Ktêsibios and the suffering was relieved.”

(110) γνωσθεὶς δὲ παρὰ τοῖς ῞Ελλησι θεοφιλέστατος εἶναι ὑπελήφθη. ὅθεν καὶ Ἀθηναίοις ποτὲ λοιμῶι κατεχομένοις ἔχρησεν ἡ Πυθία καθῆραι τὴν πόλιν, οἱ δὲ πέμπουσι ναῦν τε καὶ Νικίαν τὸν Νικηράτου εἰς Κρήτην, καλοῦντες τὸν Ἐπιμενίδην. καὶ ὃς ἐλθὼν ὀλυμπιάδι τεσσαρακοστῆι ἕκτηι ἐκάθηρεν αὐτῶν τὴν πόλιν, καὶ ἔπαυσε τὸν λοιμὸν τοῦτον τὸν τρόπον· λαβὼν πρόβατα μέλανά τε καὶ λευκά, ἤγαγεν πρὸς τὸν ῎Αρειον πάγον, κἀκεῖθεν εἴασεν ἰέναι οἷ βούλοιντο, προστάξας τοῖς ἀκολούθοις, ἔνθα ἂν κατακλινῆι αὐτῶν ἕκαστον, θύειν τῶι προσήκοντι θεῶι· καὶ οὕτω λῆξαι τὸ κακόν· ὅθεν ἔτι καὶ νῦν ἔστιν εὺρεῖν κατὰ τοὺς δήμους τῶν Ἀθηναίων βωμοὺς ἀνωνύμους, ὑπόμνημα τῆς τότε γενομενης ἐξιλάσεως. οἱ δὲ τὴν αἰτίαν εἰπεῖν τοῦ λοιμοῦ τὸ Κυλώνειον ἄγος σημαίνειν τε τὴν ἀπαλλαγήν· καὶ διὰ τοῦτο ἀποθανεῖν δύο νεανίας Κρατῖνον καὶ Κτησίβιον, καὶ λυθῆναι τὴν συμφοράν

File:3217 - Athens - Sto… of Attalus Museum - Kylix - Photo by ...
Kylix showing an armored youth offering a sacrifice. Ancient Agora Museum in Athens, around 480 BC

Which Road to Hell?

Epictetus. Disc 2. 6.17-19

 “But if you say these things are annoying, what annoyance does the thing that existed experience in perishing? The tool of destruction is a blade, a wheel, the sea, a tile, or a tyrant. What does it matter to you what road you take to hell? All the paths there are equal in the end.

εἰ δ᾿ ὡς δύσκολα καλεῖς, ποίαν δυσκολίαν ἔχει τὸ γενόμενον φθαρῆναι; τὸ δὲ φθεῖρον ἢ μάχαιρά ἐστιν ἢ τροχὸς ἢ θάλασσα ἢ κεραμὶς ἢ τύραννος. τί σοι μέλει, ποίᾳ ὁδῷ καταβῇς εἰς Ἅιδου; ἴσαι πᾶσαί εἰσιν.

Miniature from the Hours of Catherine of Cleves, Morgan Library & Museum, MS M.945, f. 107r

Hesiod: Cure for the Blues

Hesiod, Theogony 94-103.

“It is because of the Muses and far-shooting Apollo
Men on the earth are singers and players of the lyre,
And because of Zeus, they are kings. Whomever the Muses
Love is blessed: a sweet sound flows from his mouth.
Even if some fresh concern worries a man’s spirit,
And the affliction desiccates his heart, just let some singer,
the Muses’ servant, celebrate in song the glories of folks
From olden times and the blessed Olympian gods,
That man quickly forgets his blues, does not remember his cares–
Just like that, the Muses’ gifts change his disposition.”

ἐκ γάρ τοι Μουσέων καὶ ἑκηβόλου Ἀπόλλωνος
ἄνδρες ἀοιδοὶ ἔασιν ἐπὶ χθόνα καὶ κιθαρισταί,
ἐκ δὲ Διὸς βασιλῆες: ὃ δ᾽ ὄλβιος, ὅντινα Μοῦσαι
φίλωνται: γλυκερή οἱ ἀπὸ στόματος ῥέει αὐδή.
εἰ γάρ τις καὶ πένθος ἔχων νεοκηδέι θυμῷ
ἄζηται κραδίην ἀκαχήμενος, αὐτὰρ ἀοιδὸς
Μουσάων θεράπων κλέἱα προτέρων ἀνθρώπων
ὑμνήσῃ μάκαράς τε θεούς, οἳ Ὄλυμπον ἔχουσιν,
αἶψ᾽ ὅ γε δυσφροσυνέων ἐπιλήθεται οὐδέ τι κηδέων
μέμνηται: ταχέως δὲ παρέτραπε δῶρα θεάων.

B.B. King with his lyre-substitute, the guitar.
Image: Paul Natkin/Getty.

Larry Benn has a B.A. in English Literature from Harvard College, an M.Phil in English Literature from Oxford University, and a J.D. from Yale Law School. Making amends for a working life misspent in finance, he’s now a hobbyist in ancient languages and blogs at featsofgreek.blogspot.com.

Angry Poet and Killer Songs

CW: Suicide 

Greek Anthology, 7.351, Dioscorides

“By this holy tomb of the dead we daughters of Lykambes
Who received a hateful reputation, make this oath:
We didn’t shame our virginity or our parents
Nor Paros, the highest of the sacred islands.

No: Archilochus spat hateful rumor
And frightening insult against our family.
By the gods and the spirits: we never saw Archilochus
On the streets or in Hera’s great sanctuary.

If we were truly so lustful and reckless, that guy
Never would have wanted to have children with us.”

Οὐ μὰ τόδε φθιμένων σέβας ὅρκιον αἵδε Λυκάμβεω,
αἳ λάχομεν στυγερὴν κληδόνα, θυγατέρες
οὔτε τι παρθενίην ᾐσχύναμεν οὔτε τοκῆας
οὔτε Πάρον, νήσων αἰπυτάτην ἱερῶν,

ἀλλὰ καθ᾿ ἡμετέρης γενεῆς ῥιγηλὸν ὄνειδος
φήμην τε στυγερὴν ἔφλυσεν Ἀρχίλοχος.
Ἀρχίλοχον, μὰ θεοὺς καὶ δαίμονας, οὔτ᾿ ἐνἀγυιαῖς
εἴδομεν οὔθ᾿ Ἥρης ἐν μεγάλῳ τεμένει.
εἰ δ᾿ ἦμεν μάχλοι καὶ ἀτάσθαλοι οὐκ ἂν ἐκεῖνος
ἤθελεν ἐξ ἡμέων γνήσια τέκνα τεκεῖν.

Schol. C ad Ovid, Ibis 53-54

“Lycambes offered his daughter Neobule to Archilochus and promised a dowry which he refused to give later. So Archilochus composed invective in iambic meter about him and talked so savagely about him and his wife and his daughter that he compelled them to hanging. For they preferred dying over living with such foul abuses.”

Lycambes Neobulen, filiam suam, Archilocho desponsavit et dotem promisit; quam quia postea negavit, Archilochus in iambico metro invectivam in ipsum fecit et tam turpia de eo dixit quod ipsum et uxorem et filiam ad laqueos coegit: maluerunt enim mori quam sub turpibus obprobriis vivere.

Eustathius, Commentary in Hom. Od. 11.277 (1684.45)

“You should know that many have hanged themselves over grief. This is why the ancient account has the daughters of Lykambes doing so thanks to Archilochus’ poems because they could not endure the rumors from his insults. The man was skilled at offending. For this reason we have the proverb “you’ve tread on Archilochus” which is for people who are good at insults, as if someone claims you stepped on snake or a sharp thorn.”

ἰστέον δὲ ὅτι πολλῶν προσώπων ἁψαμένων βρόχους ἐπὶ λύπαις ἔπαθον οὕτω κατὰ τὴν παλαιὰν ἱστορίαν καὶ αἱ Λυκαμβίδαι ἐπὶ τοῖς Ἀρχιλόχου ποιήμασι, μὴ φέρουσαι τὴν ἐπιφορὰν τῶν ἐκείνου σκωμμάτων· ἦν γὰρ ὁ ἀνὴρ δεινὸς ὑβρίζειν· ὅθεν καὶ παροιμία ἐπὶ τῶν οὕτω σκώπτειν εὐφυῶν τό, Ἀρχίλοχον πεπάτηκας, ὡς εἴ τις εἴπῃ, σκορπίον ἢ ὄφιν ἢ κακὴν ἄκανθαν.

Cave of Archilochos on the Paros island, near Sacred cape in front of the entrance to the harbor of Parikia.

When This is All Over, It Will Happen Again

Nemesius, De natura Hominis 37

“The stoics say that once the planets return into the same sign and location where each one was at the beginning when the universe first arose, in that appointed circuit of time there is a burning and purging of existence and everything returns necessarily to the same order. Each of the stars that travels again ends up indistinguishable from how they were in the previous cycle.

They say that Socrates will be there again along with Plato and each of the people with them and their friends, and their fellow citizens. They will experience the same things, do the same things, and try their hand at the same things; and every city, village, and field will be the same. This re-creation of everything happens not once but often

In the boundless space, the things turn out the same without this completion. The gods, because they do not submit to that destruction and have become away from just one cycle, know everything that is going to happen in subsequent eras from a single turn. There’s nothing different in what happens from before but everything is indistinguishable down to the smallest detail.”

 

οἱ δὲ Στωϊκοί φασιν ἀποκαθισταμένους τοὺς πλανήτας εἰς τὸ αὐτὸ σημεῖον κατά τε μῆκος καὶ πλάτος ἔνθα τὴν ἀρχὴν ἕκαστος ἦν ὅτε τὸ πρῶτον ὁ κόσμος συνέστη, ἐν ῥηταῖς χρόνων περιόδοις ἐκπύρωσιν καὶ φθορὰν τῶν ὄντων ἀπεργάζεσθαι, καὶ πάλιν ἐξ ὑπαρχῆς εἰς τὸ αὐτὸ τὸν κόσμον ἀποκαθίστασθαι, καὶ τῶν ἀστέρων ὁμοίως πάλιν φερομένων ἕκαστα τῶν ἐν τῇ προτέρᾳ περιόδῳ γενομένων ἀπαραλλάκτως ἀποτελεῖσθαι.

ἔσεσθαι γὰρ πάλιν Σωκράτην καὶ Πλάτωνα καὶ ἕκαστον τῶν ἀνθρώπων σὺν τοῖς αὐτοῖς καὶ φίλοις καὶ πολίταις, καὶ τὰ αὐτὰ πείσεσθαι, καὶ τοῖς αὐτοῖς συντεύξεσθαι καὶ τὰ αὐτὰ μεταχειριεῖσθαι, καὶ πᾶσαν πόλιν καὶ κώμην καὶ ἀγρὸν ὁμοίως ἀποκαθίστασθαι· γίνεσθαι δὲ τὴν ἀποκατάστασιν τοῦ παντὸς οὐχ ἅπαξ ἀλλὰ πολλάκις·

μᾶλλον δὲ εἰς ἄπειρον, καὶ ἀτελευτήτως τὰ αὐτὰ ἀποκαθίστασθαι· τοὺς δὲ θεοὺς τοὺς μὴ ὑποκειμένους τῇ φθορᾷ ταύτῃ, παρακολουθήσαντας μιᾷ περιόδῳ γινώσκειν ἐκ ταύ- πάντα τὰ μέλλοντα ἔσεσθαι ἐν ταῖς ἑξῆς περιόδοις·  οὐδὲν γὰρ ξένον ἔσεσθαι παρὰ τὰ γενόμενα πρότερον, ἀλλὰ πάντα ὡσαύτως ἀπαραλλάκτως ἄχρι καὶ τῶν ἐλαχίστων.

or

Catullus: A Lexicon

Catullus 96 is classed as a consolation, a poem comforting the bereaved at the death of a loved one (in this case a wife or mistress, it seems). The poems imagines what the corpse would feel if somehow it were aware of the grief of the living: 

#96

If anything dear and welcome can happen in mute graves
Because of our sadness, Calvus,
Because of that longing by which we renew old loves
And by which we weep for friendships formed long ago,
Surely Quintilia isn’t saddened by her untimely death,
But rather, she’s gladdened by your love.

Si quicquam mutis gratum acceptumve sepulcris
accidere a nostro, Calve, dolore potest,
quo desiderio veteres renovamus amores
atque olim junctas flemus amicitias,
certe non tanto mors immatura dolori est
Quintiliae, quantum gaudet amore tuo.

The central word in the lyric is “sadness” (dolor): it motivates the first couplet; it’s given a synonym and definition in the second; and reappears in the third. 

What’s styled as a consolation is really an occasion for Catullus to display his private language. Catullus tells us that “sadness” (dolor) is a form of “longing” (desiderium), and longing has two aspects: 1. the reanimation of old love (desire renewed, that is), and 2. a lament for an old friendship.

I’m fairly sure that if you or I were to deconstruct “sadness” this is not where we would land. These definitional moves beg the question, if in Catullus’s private language familiar terms like “sadness” and “longing” have idiosyncratic meanings, then “love” (amor) and “friendship” (amicitia) probably do too. 

You’ll have to take my word for it that by love (amor) Catullus intends something like passion and desire (nothing unusual there). But “friendship” (amicitia) is trickier. It also belongs to amorous discourse, but it’s some combination of intimacy, mutuality, and trust between lovers. “Longing” is both carnal (amor) and, for lack of a better word, spiritual (amicitia). 

The love lyric Catullus 109 shows what “friendship” means:    

#109

My everything, you claim this mutual love
Of ours will be lasting and happy.
Great god, grant that she can keep her word,
Speaks sincerely, and speaks from the heart,
So we might sustain this eternal compact
Of sacred friendship for all of life.

Iucundum, mea vita, mihi proponis amorem
hunc nostrum inter nos perpetuumque fore.
di magni, facite ut vere promittere possit,
atque id sincere dicat et ex animo,
ut liceat nobis tota perducere vita
aeternum hoc sanctae foedus amicitiae.

Larry Benn has a B.A. in English Literature from Harvard College, an M.Phil in English Literature from Oxford University, and a J.D. from Yale Law School. Making amends for a working life misspent in finance, he’s now a hobbyist in ancient languages and blogs at featsofgreek.blogspot.com.

Rowing the Same Ship, Twice

Plutarch, Theseus 23.1

“The Athenians preserved the boat—a thirty-oared ship—on which Theseus sailed with his companions and came back safely until the time of Demetrius of Phalerus, changing out the older wood and replacing it with strong, new parts until the ship became a famous example to philosophers of the problem of growth. Some say that it remained the same ship, others claim it did not.”

τὸ δὲ πλοῖον ἐν ᾧ μετὰ τῶν ἠϊθέων ἔπλευσε καὶ πάλιν ἐσώθη, τὴν τριακόντορον, ἄχρι τῶν Δημητρίου τοῦ Φαληρέως χρόνων διεφύλαττον οἱ Ἀθηναῖοι, τὰ μὲν παλαιὰ τῶν ξύλων ὑφαιροῦντες, ἄλλα δὲ ἐμβάλλοντες ἰσχυρὰ καὶ συμπηγνύντες οὕτως ὥστε καὶ τοῖς: φιλοσόφοις εἰς τὸν αὐξόμενον λόγον ἀμφιδοξούμενον παράδειγμα τὸ πλοῖον εἶναι, τῶν μὲν ὡς τὸ αὐτό, τῶν δὲ ὡς οὐ τὸ αὐτὸ διαμένοι λεγόντων.

Solon, fr. 18

“I grow old, always learning many things.”

γηράσκω δ’ αἰεὶ πολλὰ διδασκόμενος·

Plato, Cratylus 402

So. “Heraclitus, I guess you know, says that everything flows and nothing stays the same. He compares reality to a flowing river, saying that you cannot step into the same river twice.”

Λέγει που Ἡράκλειτος ὅτι πάντα χωρεῖ καὶ οὐδὲν μένει, καὶ ποταμοῦ ῥοῇ ἀπεικάζων τὰ ὄντα λέγει ὡς δὶς ἐς τὸν αὐτὸν ποταμὸν οὐκ ἂν ἐμβαίης.

Her. That’s for real.

ΕΡΜ. Ἔστι ταῦτα.

Homer, Odyssey 16.204

“No other Odysseus will ever come home to you”

οὐ μὲν γάρ τοι ἔτ’ ἄλλος ἐλεύσεται ἐνθάδ’ ᾿Οδυσσεύς,