Achilles, Murderous Dolphin

Homer, Iliad 21.17-33

“Then godly Achilles left his spear there on the bank,
Leaning on the tamarisks and he leapt into the river,
Holding only his sword as he devised wicked deeds in his thoughts.
And he was striking constantly. An unseemly groan rose up
From the people he killed with the sword. And the water grew red with blood.
As when other fish fill the hollows of a safe harbor
When they are fleeing in front of a great-jawed dolphin
Out of fear, since it eats up whatever it catches,
So too did the Trojans cower in the currents of the terrible river
Right beneath the banks. But when he tired out his hands in the killing,
Achilles took twelve young men out of the river alive
As payback for the death of Menoitios’ son Patroklos.
He let them out and they were stunned like fawns.
He bound their hands behind them with the well-twisted belts
They were carrying themselves to cinch their tunics.
He handed them over to his attendants to take to the hollow ships.
Then he sprang back into action again, eager to murder some more.”

Αὐτὰρ ὃ διογενὴς δόρυ μὲν λίπεν αὐτοῦ ἐπ’ ὄχθῃ
κεκλιμένον μυρίκῃσιν, ὃ δ’ ἔσθορε δαίμονι ἶσος
φάσγανον οἶον ἔχων, κακὰ δὲ φρεσὶ μήδετο ἔργα,
τύπτε δ’ ἐπιστροφάδην· τῶν δὲ στόνος ὄρνυτ’ ἀεικὴς
ἄορι θεινομένων, ἐρυθαίνετο δ’ αἵματι ὕδωρ.
ὡς δ’ ὑπὸ δελφῖνος μεγακήτεος ἰχθύες ἄλλοι
φεύγοντες πιμπλᾶσι μυχοὺς λιμένος εὐόρμου
δειδιότες· μάλα γάρ τε κατεσθίει ὅν κε λάβῃσιν·
ὣς Τρῶες ποταμοῖο κατὰ δεινοῖο ῥέεθρα
πτῶσσον ὑπὸ κρημνούς. ὃ δ’ ἐπεὶ κάμε χεῖρας ἐναίρων,
ζωοὺς ἐκ ποταμοῖο δυώδεκα λέξατο κούρους
ποινὴν Πατρόκλοιο Μενοιτιάδαο θανόντος·
τοὺς ἐξῆγε θύραζε τεθηπότας ἠΰτε νεβρούς,
δῆσε δ’ ὀπίσσω χεῖρας ἐϋτμήτοισιν ἱμᾶσι,
τοὺς αὐτοὶ φορέεσκον ἐπὶ στρεπτοῖσι χιτῶσι,
δῶκε δ’ ἑταίροισιν κατάγειν κοίλας ἐπὶ νῆας.
αὐτὰρ ὃ ἂψ ἐπόρουσε δαϊζέμεναι μενεαίνων.

Schol. bT Ad Hom. Il. 21.22-24

“The [elements] of the comparison work really well. On the one hand, the pursuer is on land, but those who are fleeing are pressed together into the river. The poem previously compared him to a fire and them to locusts [21.12-140]. But when the pursuer and the pursued are in the water, it harmonizes them to the newly established space.”

καλῶς τὰ τῆς παραβολῆς. ὅτε μὲν γὰρ ὁ διώκων ἐπὶ γῆς ἦν, οἱ δὲ φεύγοντες εἰς τὸν ποταμὸν συνωθοῦντο, τὸν μὲν πυρί, τοὺς δὲ ἀκρίσιν ὡμοίωσεν· ὅτε δὲ ἐν ὕδατι ὁ διώκων καὶ οἱ διωκόμενοι, πρὸς τὸν ὑποκείμενον τόπον ἡ παραβολὴ συνᾴδει.

Schol. T ad Hom. Il. 21.22

“The comparison to a dolphin is well-put. For Achilles is the son of a sea-god. The narrative says “the other [fish]” because a dolphin is a fish.”

καλῶς δὲ καὶ δελφῖνι εἴκασται· θαλασσίας γὰρ δαίμονος υἱός. ὡς ἰχθύος δὲ ὄντος τοῦ δελφῖνος τὸ ἄλλοι (22) εἶπεν.

image of a red fiugure vase showing one warrior bandaging the wounds of another
Sosias (potter, signed). Painting attributed to the Sosias Painter (name piece for Beazley, overriding attribution) or the Kleophrades Painter (Robertson) or Euthymides (Ohly-Dumm)

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