Aelian, 2.3 and 4.28
(I know I have been painting this site with an Aelian brush, but these two anecdotes are too precious).
2.3: “When Alexander gazed at a likeness of himself in Ephesus painted by Apelles, he didn’t praise it to the worth of its craftsmanship. After his horse approached and neighed toward the horse in the image as if it were real, Apelles said “King, your horse seems to appreciate art much more than you do.”
᾿Αλέξανδρος θεασάμενος τὴν ἐν ᾿Εφέσῳ εἰκόνα ἑαυτοῦ τὴν ὑπὸ ᾿Απελλοῦ γραφεῖσαν οὐκ ἐπῄνεσε κατὰ τὴν ἀξίαν τοῦ γράμματος. ἐσαχθέντος δὲ τοῦ ἵππου καὶ χρεμετίσαντος πρὸς τὸν ἵππον τὸν ἐν τῇ εἰκόνι ὡς πρὸς ἀληθινὸν καὶ ἐκεῖνον ‘ὦ βασιλεῦ’ εἶπεν ὁ ᾿Απελλῆς, ‘ἀλλ’ ὅ γε ἵππος ἔοικέ σου γραφικώτερος εἶναι κατὰ πολύ.
4.28: “I am unable to resist laughing at Alexander the son of Philip if, indeed, when he heard what Democritus says in his writings–that there are endless numbers of universes–he was upset that he wasn’t even master of the one we all share. How much would Democritus have laughed at him, do I even need to say, when laughter was his job?”
Οὐ γὰρ δὴ δύναμαι πείθειν ἐμαυτὸν μὴ γελᾶν ἐπ’ ᾿Αλεξάνδρῳ τῷ Φιλίππου, εἴ γε ἀπείρους ἀκούων εἶναί τινας κόσμους λέγοντος Δημοκρίτου ἐν τοῖς συγγράμμασιν ὃ δὲ ἠνιᾶτο μηδὲ τοῦ ἑνὸς καὶ κοινοῦ κρατῶν. πόσον δ’ ἂν ἐπ’ αὐτῷ Δημόκριτος ἐγέλασεν αὐτός, τί δεῖ καὶ λέγειν, ᾧ ἔργον τοῦτο ἦν;