The Right To Criticize the King: The Iliad and Freedom of Speech

Homer, Iliad 9.32-34

“After a while, Diomedes good-at-the warcry, addressed them:
“I will fight with you first because you are being foolish, son of Atreus,
Which is right, Lord, in the assembly. So don’t get angry at all.”

ὀψὲ δὲ δὴ μετέειπε βοὴν ἀγαθὸς Διομήδης·
᾿Ατρεΐδη σοὶ πρῶτα μαχήσομαι ἀφραδέοντι,
ἣ θέμις ἐστὶν ἄναξ ἀγορῇ· σὺ δὲ μή τι χολωθῇς.

Schol. T ad Il. 9.32b ex

[“I will fight with you first”] “It is clear that he is also criticizing the rest of the Greeks because they are consenting to the retreat through their silence. For he says the fight in opposition to the speech.”

ex. σοὶ πρῶτα μαχήσομαι: δῆλον ὡς καὶ τοῖς ἄλλοις μέμφεται ὡς συναινοῦσι τῇ φυγῇ διὰ τοῦ σιωπᾶν. μάχην δέ φησι τὴν ἐναντίωσιν τοῦ λόγου. T

Schol. A ad Il. 9.33b ex

[“which is right in the assembly, lord”] This is the custom, in a democracy. It is established in the agora because it is the custom to speak with freedom of speech [parrêsia] in the assembly.

D | Nic. ἣ θέμις <ἐστίν, ἄναξ, ἀγορῇ>: ὡς νόμος ἐστὶν—ἐν δημοκρατίᾳ. | ἐπὶ δὲ τὸ ἀγορῇ στικτέον, ὡς νόμος ἐστὶν ἐκκλησίας μετὰ παρρησίας λέγειν.

Schol. bT ad Il. 9.33 ex

[“don’t get angry at all”] this is an anticipatory warning, since he is about to criticize him more severely than he has been reproached at anytime, [alleging that it is right] to speak against kings during assemblies. He asks him to set anger aside because he believes it is right to accept advantageous truth and he is clarifying the purpose of what is said—that it is not to insult.

ex. ἣ θέμις ἐστίν, ἄναξ, <ἀγορῇ· σὺ δὲ μή τι χολωθῇς>: προδιόρθωσις, ἐπειδὴ σφοδρότερον αὐτοῦ μέλλει καθάπτεσθαι ὡς ἐφιεμένου μὴ ἄλλοτε, ἐν δὲ ταῖς ἐκκλησίαις ἀντιλέγειν τοῖς βασιλεῦσιν. προπαραιτεῖται δὲ τὴν ὀργήν, ἀξιῶν δέξασθαι τὴν πρὸς τὸ συμφέρον ἀλήθειαν καὶ δηλῶν ὡς τοῖς εἰρημένοις, οὐκ αὐτῷ ἀπέχθεται

Image result for ancient greek political assembly

Painting of Perikles by Philipp von Foltz

Some of the Smartest People Agree–Sometimes Being Silent is Far Superior to Speech

A reminder that oftentimes silence is better than speech.

Two sayings come from the Gnomologium Vaticanum

58 “When Aristotle was asked what the most burdensome thing in life is he said “staying silent.”

῾Ο αὐτὸς ἐρωτηθείς, τί δυσκολώτατόν ἐστιν ἐν βίῳ, εἶπε· „τὸ σιωπᾶν”.

382 “[Kratês] the Cynic used to say that it is better to slip with your foot than your tongue.”

῾Ο αὐτὸς ἔφη κρεῖττον εἶναι τῷ ποδὶ ὀλισθῆσαι ἢ τῇ γλώττῃ.

Plutarch De Garrulitate (On Talkitiveness), 505f-506e

No word uttered has helped as much as many held in silence. For it is possible to say later what has been kept silent, but certainly not to render silent what has been said—that has been poured out and has wandered far afield. This is why I think that we have men as teachers of speech, but gods as teachers of silence, since we maintain quiet in their sacrifices and rites.

And the poet has made the most capable speaker Odysseus the most silent, along with his son, wife and nurse. For the nurse says “I will keep it as a strong tree or iron would.” (19.494). And Odysseus is described when he sits next to Penelope as “mourning in his heart as he pities his wife, though his eyes stood strong untrembling beneath his brows like horn or iron” (19.210-212). He was so full of self-control throughout his body and reason kept him completely obedient and ready and ordered his eyes not to weep, his tongue not to speak, and his heart neither to tremble nor yelp since his power of reason extended even to the subconscious movements, mastering and softening even his breath and blood.

Many of Odysseus’ companions were similar in character—for they did not turn against Odysseus or reveal the fire-made too prepared for his eye even as the Cyclops was dragging them and smashing them on the ground. Instead, they were willing to be eaten raw rather than disclose any part of the secret, and a better example of self-control and trust does not exist. This is why, when the king of Egypt sent a sacrificial victim to him and ordered him to cut out the best and worst meat, Pittakos did not do badly when he cut out the tongue because it was the organ of the greatest good and evil.

Just so, Euripides’ Ino, when offering a speech about herself, says she knows “how to be silent when it is right and to speak when it is safe.” (fr. 413.2). For those who obtain a noble and royal education learn first to be silent and then to speak.”

οὐδεὶς γὰρ οὕτω λόγος ὠφέλησε ῥηθεὶς ὡς πολλοὶ σιωπηθέντες· ἔστι γὰρ εἰπεῖν ποτε τὸ σιγηθέν, οὐ μὴν σιωπῆσαί γε τὸ λεχθέν, ἀλλ’ ἐκκέχυται καὶ διαπεφοίτηκεν. ὅθεν οἶμαι τοῦ μὲν λέγειν ἀνθρώπους τοῦ δὲ σιωπᾶν θεοὺς διδασκάλους ἔχομεν, ἐν τελεταῖς καὶ μυστηρίοις σιωπὴν παραλαμβάνοντες. | ὁ δὲ ποιητὴς τὸν λογιώτατον ᾿Οδυσσέα σιωπηλότατον πεποίηκε καὶ τὸν υἱὸν αὐτοῦ καὶ τὴν γυναῖκα καὶ τὴν τροφόν· ἀκούεις γὰρ λεγούσης (τ 494) ‘ἕξω δ’ ἠύτε περ κρατερὴ δρῦς ἠὲ σίδηρος.’
αὐτὸς δὲ τῇ Πηνελόπῃ παρακαθήμενος (τ 210—2)

‘θυμῷ μὲν γοόωσαν ἑὴν ἐλέαιρε γυναῖκα,
ὀφθαλμοὶ δ’ ὡς εἰ κέρα ἕστασαν ἠὲ σίδηρος,
ἀτρέμας ἐν βλεφάροισιν·’

οὕτω τὸ σῶμα μεστὸν ἦν αὐτῷ πανταχόθεν ἐγκρατείας, καὶ πάντ’ ἔχων ὁ λόγος εὐπειθῆ καὶ ὑποχείρια προσέταττε τοῖς ὄμμασι μὴ δακρύειν, τῇ γλώττῃ μὴ φθέγγεσθαι, τῇ καρδίᾳ μὴ τρέμειν μηδ’ ὑλακτεῖν (υ 13). ‘τῷ δ’ αὖτ’ ἐν πείσῃ κραδίη μένε τετληυῖα’ (υ 23), μέχρι τῶν ἀλόγων κινημάτων διήκοντος τοῦ λογισμοῦ καὶ
τὸ πνεῦμα καὶ τὸ αἷμα πεποιημένου κατήκοον ἑαυτῷ καὶ χειρόηθες. τοιοῦτοι δὲ καὶ οἱ πολλοὶ τῶν ἑταίρων·

τοιοῦτοι δὲ καὶ οἱ πολλοὶ τῶν ἑταίρων· τὸ γὰρ ἑλκομένους καὶ προσουδιζομένους (ι 289) ὑπὸ τοῦ Κύκλωπος μὴ κατειπεῖν τοῦ ᾿Οδυσσέως μηδὲ δεῖξαι τὸ πεπυρακτωμένον ἐκεῖνο καὶ παρεσκευασμένον ὄργανον ἐπὶ τὸν ὀφθαλμόν, ἀλλ’ ὠμοὺς ἐσθίεσθαι μᾶλλον ἢ φράσαι τι τῶν ἀπορρήτων ὑπερβολὴν ἐγκρατείας καὶ πίστεως οὐ λέλοιπεν. ὅθεν ὁ Πιττακὸς οὐ κακῶς τοῦ Αἰγυπτίων βασιλέως
πέμψαντος ἱερεῖον αὐτῷ καὶ κελεύσαντος τὸ κάλλιστον καὶ χείριστον ἐξελεῖν κρέας ἔπεμψεν ἐξελὼν τὴν γλῶτταν ὡς ὄργανον μὲν ἀγαθῶν ὄργανον δὲ κακῶν τῶν μεγίστων οὖσαν. ἡ δ’ Εὐριπίδειος ᾿Ινὼ παρρησίαν ἄγουσα περὶ αὑτῆς εἰδέναι φησί (fr. 413, 2)

‘σιγᾶν θ’ ὅπου δεῖ καὶ λέγειν ἵν’ ἀσφαλές.’

οἱ γὰρ εὐγενοῦς καὶ βασιλικῆς τῷ ὄντι παιδείας τυχόντες πρῶτον σιγᾶν εἶτα λαλεῖν μανθάνουσιν

Perhaps Plutarch was inspired by the proverb attributed to Zeno:  “for this reason we have two ears and one mouth, so that we might hear more and say less…”

διὰ τοῦτο … δύο ὦτα ἔχομεν, στόμα δὲ ἕν, ἵνα πλείω μὲν ἀκούωμεν, ἥττονα δὲ λέγωμεν

Aulus Gellius, Attic Nights 1.15.1

“Those light-weight, annoying and pointless talkers who, though they cannot rely on any strong foundation, pour out lolling, liquid words, are correctly believed to draw only as deep as the lips and not the heart. Indeed, most people say that the tongue should not be free but should be guided by lines tied to the deepest part of the chest and the heart, as if by a ship’s captain. But still you may see certain men who toss around words without any semblance of judgment, but instead with a certainty so great and profound that even while they are speaking they do not seem to understand that they speak.

Homer has his Ulysses, however,–a man suffused with wise eloquence–move his voice not from his mouth but from his chest. This depiction is not so much about the sound and style of his voice as it is indicative of the considerable weight of the thoughts conceived within. And Homer also said quite appropriately that teeth are a wall built to contain immature and dangerous words—not just so that the watchful guardian of the heart could restrain them, but that they may be stopped by a guardhouse of sorts positioned at the mouth. The Homeric lines which I mentioned above are: “But when he released the great voice from his chest” (Il.3.221) and “What kind of word has escaped the bulwark of your teeth”? (Il. 4.350)

1 Qui sunt leves et futtiles et inportuni locutores quique nullo rerum pondere innixi verbis uvidis et lapsantibus diffluunt, eorum orationem bene existimatum est in ore nasci, non in pectore; linguam autem debere aiunt non esse liberam nec vagam, sed vinclis de pectore imo ac de corde aptis moveri et quasi gubernari. 2 Sed enim videas quosdam scatere verbis sine ullo iudicii negotio cum securitate multa et profunda, ut loquentes plerumque videantur loqui sese nescire.

3 Ulixen contra Homerus, virum sapienti facundia praeditum, vocem mittere ait non ex ore, sed ex pectore, quod scilicet non ad sonum magis habitumque vocis quam ad sententiarum penitus conceptarum altitudinem pertineret, petulantiaeque verborum coercendae vallum esse oppositum dentium luculente dixit, ut loquendi temeritas non cordis tantum custodia atque vigilia cohibeatur, sed et quibusdam quasi excubiis in ore positis saepiatur. 4 Homerica, de quibus supra dixi, haec sunt:
ἀλλ’ ὅτε δὴ ὄπα τε μεγάλην ἐκ στήθεος εἵη (Il.3.221)

 

Vergerio, de ingenuis moribus et liberalibus adulescentiae studiis, XIII:

“They should be deterred from this vain mendacity as much as possible. First, because men who became accustomed to lying in youth tend to maintain the habit, and nothing could be more shameful. Second, because almost nothing offends elders more, than the mendacity of youths who try, though just born yesterday, to ensnare old men with deceit. It would be well if our youth were advised to speak little and rarely, unless bid to do so. For, in excessive speech there is always something which can be criticized, and if one is to make a mistake in either direction, it is much safer to be silent than to speak. Indeed, he who is silent at the wrong time, makes only this one mistake, that he is silent: but in speaking, one may make many mistakes. Therefore, we ought to see to it that youths do not become accustomed to base and dishonest talk. For, as was said by a Greek poet and repeated by the Apostle Paul,

                “Bad conversations will corrupt good characters.”

Ab hac autem mentiendi vanitate deterrendi sunt maxime. Primum, quod assueti in iuventute mentiri morem hunc viri servant, quo nihil est turpius; deinde, quod prope nihil aeque maiores offendit quam mendacia adulescentium, qui studeant, pridie nati, senes fallaciis circumvenire. Proderit autem si admoneantur parum loqui et raro, nisi iussos, dicere. In multo namque sermone est aliquid semper quod reprehendi possit. Quod si alterutro est peccandum, multo sane tutius est tacere quam loqui. Nam qui intempestive tacet, hoc in unum peccat, quod tacet; loquendo autem, in multis errare contingit. Providendum etiam ne foedis atque inhonestis sermonibus assuescant. Nam, ut est a graeco poeta dictum et ab apostolo Paolo repetitum,

                corrumpunt bonos mores colloquia mala.

Aeneas Silvius Piccolomini, de Educatione Liberorum XXXV

“What then should we say, considering that there is great utility in both silence and in speaking? We would have you hold to the middle course, and find yourself neither always speaking nor always quit. I do not demand a five-years silence in the Pythagorean fashion, nor would I recommend the loquacity of a Thersites. The ancients used to say that the tongue should not always be free and wandering, but moved and perhaps even governed by chains rooted deep in the heart and soul. The words of those who speak freely, lightly, aimlessly, and with no sense of timing ought to be considered as springing not from the heart, but from the mouth itself. Homer, however, says that Ulysses – a man endowed with wisdom and eloquence – would speak not from his mouth, but from his heart. Certainly, the ‘bulwark of the teeth’ is placed as a restraint on inconsiderate speech, so that temerity in speaking would not be checked only by the heart’s guardianship, but also be hedged in by guards placed in the mouth. One should take care not to deserve that charge of Epicharmus, of being a man ‘who, although he was unable to speak, yet could not be silent,’ or even that of Sallust, who speaks of one who ‘when he spoke was talkative rather than eloquent.’”

Quid ergo dicemus, cum et silentii et orationis magna utilitas sit? Tenere te medium volumus, neque tacere semper neque loqui semper. Non exigimus Pythagoreum illud quinquennale silentium neque Thersitis loquacitatem. Linguam dicebant veteres debere non esse liberam nec vagam sed vinculis de pectore imo ac de corde aptis moveri et quasi gubernari. Nam qui sunt faciles, leves, futiles et importuni locutores, horum orationem bene aestimatum in ore nasci, non in pectore. Ulixem contra Homerus sapienti facundia praeditum vocem mittere ait non ex ore, sed ex pectore. Nempe verborum coercendae petulantiae vallum positum est dentium, ut loquendi temeritas non cordis tantum custodia cohibeatur, sed et quibusdam quasi excubiis in ore positis saepiatur. Cavendum est, ne obiici possit illud Epicharmi, ‘<qui> cum loqui non posset, tacere non potuit,’ aut Sallustianum: ‘loquax inquit magis quam facundus.’

The Iliad, the Assembly, and Freedom of Speech

Homer, Iliad 9.32-34

“After a while, Diomedes good-at-the warcry, addressed them:
“I will fight with you first because you are being foolish, son of Atreus,
Which is right, Lord, in the assembly. So don’t get angry at all.”

ὀψὲ δὲ δὴ μετέειπε βοὴν ἀγαθὸς Διομήδης·
᾿Ατρεΐδη σοὶ πρῶτα μαχήσομαι ἀφραδέοντι,
ἣ θέμις ἐστὶν ἄναξ ἀγορῇ· σὺ δὲ μή τι χολωθῇς.

Schol. T ad Il. 9.32b ex

[“I will fight with you first”] “It is clear that he is also criticizing the rest of the Greeks because they are consenting to the retreat through their silence. For he says the fight in opposition to the speech.”

ex. σοὶ πρῶτα μαχήσομαι: δῆλον ὡς καὶ τοῖς ἄλλοις μέμφεται ὡς συναινοῦσι τῇ φυγῇ διὰ τοῦ σιωπᾶν. μάχην δέ φησι τὴν ἐναντίωσιν τοῦ λόγου. T

Schol. A ad Il. 9.33b ex

[“which is right in the assembly, lord”] This is the custom, in a democracy. It is established in the agora because it is the custom to speak with freedom of speech [parrêsia] in the assembly.

D | Nic. ἣ θέμις <ἐστίν, ἄναξ, ἀγορῇ>: ὡς νόμος ἐστὶν—ἐν δημοκρατίᾳ. | ἐπὶ δὲ τὸ ἀγορῇ στικτέον, ὡς νόμος ἐστὶν ἐκκλησίας μετὰ παρρησίας λέγειν.

Schol. bT ad Il. 9.33 ex

[“don’t get angry at all”] this is an anticipatory warning, since he is about to criticize him more severely than he has been reproached at anytime, [alleging that it is right] to speak against kings during assemblies. He asks him to set anger aside because he believes it is right to accept advantageous truth and he his clarifying the purpose of what is said—that it is not to insult.

ex. ἣ θέμις ἐστίν, ἄναξ, <ἀγορῇ· σὺ δὲ μή τι χολωθῇς>: προδιόρθωσις, ἐπειδὴ σφοδρότερον αὐτοῦ μέλλει καθάπτεσθαι ὡς ἐφιεμένου μὴ ἄλλοτε, ἐν δὲ ταῖς ἐκκλησίαις ἀντιλέγειν τοῖς βασιλεῦσιν. προπαραιτεῖται δὲ τὴν ὀργήν, ἀξιῶν δέξασθαι τὴν πρὸς τὸ συμφέρον ἀλήθειαν καὶ δηλῶν ὡς τοῖς εἰρημένοις, οὐκ αὐτῷ ἀπέχθεται

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Painting of Perikles by Philipp von Foltz

Suspicious Speech and the Pleasure Principle

Quintilian Inst Orat. 5.14

“In addition, the harsher something is by nature, the more it must be peppered with pleasures. A speech’s content is less suspicious thanks to disguise; and the audience’s pleasure aids much the speech’s credibility. Unless, of course, we believe that Cicero put it badly in his suggestion that “laws keep quiet among arms’ or “sometimes a sword is handed to us by the laws themselves.” In these cases, the devices must be consideration as an ornament, not an impediment.”

quoque quid est natura magis asperum, hoc pluribus condiendum est voluptatibus, et minus suspecta argumentatio dissimulatione, et multum ad fidem adiuvat audientis voluptas: nisi forte existimamus Ciceronem haec ipsa male in argumentatione dixisse, ‘silere leges inter arma’, et ‘gladium nobis interim ab ipsis porrigi legibus’. In his tamen habendus is est modus ut sint ornamento, non impedimento.

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Roman de la Rose. Bruges c. 1490-150

The Balance of Silence and Speech

These sayings come from the Gnomologium Vaticanum

 

58 “When Aristotle was asked what the most burdensome thing in life is he said “staying silent.”

῾Ο αὐτὸς ἐρωτηθείς, τί δυσκολώτατόν ἐστιν ἐν βίῳ, εἶπε· „τὸ σιωπᾶν”.

 

547 “Philoxenos said that peoples’ ears get worn out by a tongue for they are eager to tell people what they don’t know before listening well.”

Φιλόξενος ἔφησε τῶν ἀνθρώπων τὰς ἀκοὰς τῇ γλώσσῃ συντετρῆσθαι· πρὶν γὰρ ἢ καλῶς ἀκοῦσαι, σπουδάζειν αὐτοὺς ἅπερ οὐκ ἐπίστανται πρὸς ἄλλους λέγειν.

 

456 “Pittakos asked Bias “what is hardest in life?” And when he answered “to know yourself”, he asked again, “what is easiest?” And Bias said in response “to criticize someone else.”

῾Ο αὐτὸς Βίαντα ἠρώτησε· „τί δυσχερέστερον ἐν τῷ βίῳ”; τοῦ δὲ εἰπόντος· „τὸ ἑαυτὸν γνῶναι” πάλιν ἤρετο· „τί δὲ ῥᾴδιον”; καὶ πάλιν Βίας φησί· „τὸ ἕτερον ψέξαι”.

 

382 “[Kratês] the Cynic used to say that it is better to slip with your foot than your tongue.”

῾Ο αὐτὸς ἔφη κρεῖττον εἶναι τῷ ποδὶ ὀλισθῆσαι ἢ τῇ γλώττῃ.

 

219 “When Demosthenes was asked what kind of thing is the greatest weapon, he said “speech”.

῾Ο αὐτὸς ἐρωτηθεὶς ποῖον μέγιστον ὅπλον εἶπε· „λόγος”.

 

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What Good Is Speech? Hesiod on A Good King

Palaiophron’s post on the words of Piccolomini reminded me of a passage from the other end of Classical Antiquity, the opening of Hesiod’s Theogony, where the poet, somewhat unexpectedly, digresses on the importance of poetic speech to kings:

Theogony, 80-93:

[Kalliope] is the Muse who attends to kings and singers.
Whomever of the god-raised Kings the daughters of great Zeus
Honor and look upon when he is born,
On his tongue they pour sweet dew
And gentle words flow out of his mouth. Then the people
All look upon him as he judges the laws
With straight decisions. He speaks confidently
And quickly resolves a conflict with skill.
For this reason, kings are intelligent, so that they
May effect retributive actions in the assembly when men are harmed,
And with ease as they persuade everyone with gentle words.
When he walks into the contest ground people propitiate him
Like a god with gentle reverence, and he stands out among the assembled.
Such is the gift of the muses for men.

ἡ γὰρ καὶ βασιλεῦσιν ἅμ’ αἰδοίοισιν ὀπηδεῖ.
ὅντινα τιμήσουσι Διὸς κοῦραι μεγάλοιο
γεινόμενόν τε ἴδωσι διοτρεφέων βασιλήων,
τῷ μὲν ἐπὶ γλώσσῃ γλυκερὴν χείουσιν ἐέρσην,
τοῦ δ’ ἔπε’ ἐκ στόματος ῥεῖ μείλιχα· οἱ δέ νυ λαοὶ
πάντες ἐς αὐτὸν ὁρῶσι διακρίνοντα θέμιστας
ἰθείῃσι δίκῃσιν· ὁ δ’ ἀσφαλέως ἀγορεύων
αἶψά τι καὶ μέγα νεῖκος ἐπισταμένως κατέπαυσε·
τούνεκα γὰρ βασιλῆες ἐχέφρονες, οὕνεκα λαοῖς
βλαπτομένοις ἀγορῆφι μετάτροπα ἔργα τελεῦσι
ῥηιδίως, μαλακοῖσι παραιφάμενοι ἐπέεσσιν·
ἐρχόμενον δ’ ἀν’ ἀγῶνα θεὸν ὣς ἱλάσκονται
αἰδοῖ μειλιχίῃ, μετὰ δὲ πρέπει ἀγρομένοισι.
τοίη Μουσάων ἱερὴ δόσις ἀνθρώποισιν.

Whatever one’s political leanings, the ideals for a leader in this passage resonate in almost any era–that a leader should use speech to resolve conflicts (rather than create them), to use speech with justice in mind, and, through both, to create a safer, more unified public.

 

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Varro and Augustine on Speech and Development

From Varro, 7.52

“A man speaks [fatur] who first releases from his mouth a sound that has a meaning. From this, children are called infants [lit. the ‘unspeaking’] before they can do this; when they can do this, they are said “to speak”.

Fatur is qui primum homo significabilem ore mittit vocem. Ab eo, ante quam ita faciant, pueri dicuntur infantes; cum id faciunt, iam fari;

Augustine, Confessions 1.8

“Was it really this man—me—who jumped from infancy and moved to childhood? Or was it more that childhood entered me and replaced infancy? Infancy didn’t depart—where would it go? But still, it was not there anymore. For I was no longer an infant who could not speak but I was a boy who spoke. I remember this and sometime later I understood where I learned to speak. My elders were not teaching me, offering me words in some established curriculum as they would later with reading, but I, with the mind you gave me, my God, I wanted to make clear the feelings of my heart with all types of groaning and sounds and mad moving of the limbs, so that my will would be obeyed; when I did not prevail over all the things which I wanted from everyone, I picked at it with my memory. Whenever anyone called something something and when they moved toward a thing in response to that word a second time, I observed it and I understood that the thing was named by them—when they made that sound they meant to indicate it.”

nonne ab infantia huc pergens veni in pueritiam? vel potius ipsa in me venit et successit infantiae? nec discessit illa: quo enim abiit? et tamen iam non erat. non enim eram infans qui non farer, sed iam puer loquens eram. et memini hoc, et unde loqui didiceram post adverti. non enim docebant me maiores homines, praebentes mihi verba certo aliquo ordine doctrinae sicut paulo post litteras, sed ego ipse mente quam dedisti mihi, deus meus, cum gemitibus et vocibus variis et variis membrorum motibus edere vellem sensa cordis mei, ut voluntati pareretur, nec valerem quae volebam omnia nec quibus volebam omnibus, prensabam memoria. cum ipsi appellabant rem aliquam et cum secundum eam vocem corpus ad aliquid movebant, videbam et tenebam hoc ab eis vocari rem illam quod sonabant cum eam vellent ostendere.

The Full Latin Text

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Knowing When to Be Silent

Plutarch, On the Education of Childen 10-11

“Ruling your tongue, then, remains of the subjects about which I have set out to speak. If anyone thinks that this is a small or foolish matter, than he has strayed very far from the truth. For silence at the right time is a skill and stronger than all speech. For this reason it seems to me that the ancients established the mystery rights as they did, that, in becoming accustomed to silence during them, we may translate that fear from the gods to the safekeeping of human secrets. For, in turn, no one who was silent ever felt remorse about it; but countless chattering men felt regret. The word unsaid, moreover, is easy to speak out; but a spoken word cannot be taken back. I have heard of ten thousand men who have suffered the greatest misfortunes thanks to a loose tongue…”

Τὸ τοίνυν τῆς γλώττης κρατεῖν (περὶ τούτου γάρ, ὧνπερ ὑπεθέμην, εἰπεῖν λοιπόν) εἴ τις μικρὸν καὶ φαῦλον ὑπείληφε, πλεῖστον διαμαρτάνει τῆς ἀληθείας. σοφὸν γὰρ εὔκαιρος σιγὴ καὶ παντὸς λόγου κρεῖττον. καὶ διὰ τοῦτό μοι δοκεῖ τὰς μυστηριώδεις τελετὰς οἱ παλαιοὶ κατέδειξαν, ἵν’ ἐν ταύταις σιωπᾶν ἐθισθέντες ἐπὶ τὴν τῶν ἀνθρωπίνων μυστηρίων πίστιν τὸν ἀπὸ τῶν θείων μεταφέρωμεν φόβον. καὶ γὰρ αὖ σιωπήσας μὲν οὐδεὶς μετενόησε, λαλήσαντες δὲ παμπληθεῖς. καὶ τὸ μὲν σιγηθὲν ἐξειπεῖν ῥᾴδιον, τὸ δὲ ῥηθὲν ἀναλαβεῖν ἀδύνατον. μυρίους δ’ ἔγωγ’ οἶδ’ ἀκούσας ταῖς μεγίσταις συμφοραῖς περιπεσόντας διὰ τὴν τῆς γλώττης ἀκρασίαν.

Today Plutarch might say that not sending an email or a tweet is often better than sending one. My mother used to say “if you can’t say something nice, don’t say something at all”. It is not difficult to imagine Plutarch’s reactions to our constant invitations to commentary in the modern world. I do not think he would want people to be silent about corruption and injustice–this is a ‘manual’ for the raising of children–but instead that they learn the value of well-applied and strategic speech.

Not that Plutarch is necessarily a master of this. He left us enough words that “timeliness” of speech seems to have been his universal condition.

Compare this to

Aulus Gellius, Attic Nights 1.15.1

“Those light-weight, annoying and pointless talkers who, though they cannot rely on any strong foundation, pour out lolling, liquid words, are correctly believed to draw only as deep as the lips and not the heart. Indeed, most people say that the tongue should not be free but should be guided by lines tied to the deepest part of the chest and the heart, as if by a ship’s captain. But still you may see certain men who toss around words without any semblance of judgment, but instead with a certainty so great and profound that even while they are speaking they do not seem to understand that they speak.

Homer has his Ulysses, however,–a man suffused with wise eloquence–move his voice not from his mouth but from his chest. This depiction is not so much about the sound and style of his voice as it is indicative of the considerable weight of the thoughts conceived within. And Homer also said quite appropriately that teeth are a wall built to contain immature and dangerous words—not just so that the watchful guardian of the heart could restrain them, but that they may be stopped by a guardhouse of sorts positioned at the mouth. The Homeric lines which I mentioned above are: “But when he released the great voice from his chest” (Il.3.221) and “What kind of word has escaped the bulwark of your teeth”? (Il. 4.350)

1 Qui sunt leves et futtiles et inportuni locutores quique nullo rerum pondere innixi verbis uvidis et lapsantibus diffluunt, eorum orationem bene existimatum est in ore nasci, non in pectore; linguam autem debere aiunt non esse liberam nec vagam, sed vinclis de pectore imo ac de corde aptis moveri et quasi gubernari. 2 Sed enim videas quosdam scatere verbis sine ullo iudicii negotio cum securitate multa et profunda, ut loquentes plerumque videantur loqui sese nescire.

3 Ulixen contra Homerus, virum sapienti facundia praeditum, vocem mittere ait non ex ore, sed ex pectore, quod scilicet non ad sonum magis habitumque vocis quam ad sententiarum penitus conceptarum altitudinem pertineret, petulantiaeque verborum coercendae vallum esse oppositum dentium luculente dixit, ut loquendi temeritas non cordis tantum custodia atque vigilia cohibeatur, sed et quibusdam quasi excubiis in ore positis saepiatur. 4 Homerica, de quibus supra dixi, haec sunt:
ἀλλ’ ὅτε δὴ ὄπα τε μεγάλην ἐκ στήθεος εἵη (Il.3.221)

et:
… ποῖόν σε ἔπος φύγεν ἕρκος ὀδόντων; (4.350)

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When Silence Is Better Than Speech (Plutarch on Odysseus)

Plutarch De Garrulitate (On Talkitiveness), 505f-506e

“No word uttered has helped as much as many held in silence. For it is possible to say later what has been kept silent, but certainly not to render silent what has been said—that has been poured out and has wandered far afield. This is why I think that we have men as teachers of speech, but gods as teachers of silence, since we maintain quiet in their sacrifices and rites.

And the poet has made the most capable speaker Odysseus the most silent, along with his son, wife and nurse. For the nurse says “I will keep it as a strong tree or iron would.” (19.494). And Odysseus is described when he sits next to Penelope as “mourning in his heart as he pities his wife, though his eyes stood strong untrembling beneath his brows like horn or iron” (19.210-212). He was so full of self-control throughout his body and reason kept him completely obedient and ready and ordered his eyes not to weep, his tongue not to speak, and his heart neither to tremble nor yelp since his power of reason extended even to the subconscious movements, mastering and softening even his breath and blood.

Many of Odysseus’ companions were similar in character—for they did not turn against Odysseus or reveal the fire-made too prepared for his eye even as the Cyclops was dragging them and smashing them on the ground. Instead, they were willing to be eaten raw rather than disclose any part of the secret, and a better example of self-control and trust does not exist. This is why, when the king of Egypt sent a sacrificial victim to him and ordered him to cut out the best and worst meat, Pittakos did not do badly when he cut out the tongue because it was the organ of the greatest good and evil.

Just so, Euripides’ Ino, when offering a speech about herself, says she knows “how to be silent when it is right and to speak when it is safe.” (fr. 413.2). For those who obtain a noble and royal education learn first to be silent and then to speak.”

οὐδεὶς γὰρ οὕτω λόγος ὠφέλησε ῥηθεὶς ὡς πολλοὶ σιωπηθέντες· ἔστι γὰρ εἰπεῖν ποτε τὸ σιγηθέν, οὐ μὴν σιωπῆσαί γε τὸ λεχθέν, ἀλλ’ ἐκκέχυται καὶ διαπεφοίτηκεν. ὅθεν οἶμαι τοῦ μὲν λέγειν ἀνθρώπους τοῦ δὲ σιωπᾶν θεοὺς διδασκάλους ἔχομεν, ἐν τελεταῖς καὶ μυστηρίοις σιωπὴν παραλαμβάνοντες. | ὁ δὲ ποιητὴς τὸν λογιώτατον ᾿Οδυσσέα σιωπηλότατον πεποίηκε καὶ τὸν υἱὸν αὐτοῦ καὶ τὴν γυναῖκα καὶ τὴν τροφόν· ἀκούεις γὰρ λεγούσης (τ 494) ‘ἕξω δ’ ἠύτε περ κρατερὴ δρῦς ἠὲ σίδηρος.’
αὐτὸς δὲ τῇ Πηνελόπῃ παρακαθήμενος (τ 210—2)

‘θυμῷ μὲν γοόωσαν ἑὴν ἐλέαιρε γυναῖκα,
ὀφθαλμοὶ δ’ ὡς εἰ κέρα ἕστασαν ἠὲ σίδηρος,
ἀτρέμας ἐν βλεφάροισιν·’

οὕτω τὸ σῶμα μεστὸν ἦν αὐτῷ πανταχόθεν ἐγκρατείας, καὶ πάντ’ ἔχων ὁ λόγος εὐπειθῆ καὶ ὑποχείρια προσέταττε τοῖς ὄμμασι μὴ δακρύειν, τῇ γλώττῃ μὴ φθέγγεσθαι, τῇ καρδίᾳ μὴ τρέμειν μηδ’ ὑλακτεῖν (υ 13). ‘τῷ δ’ αὖτ’ ἐν πείσῃ κραδίη μένε τετληυῖα’ (υ 23), μέχρι τῶν ἀλόγων κινημάτων διήκοντος τοῦ λογισμοῦ καὶ
τὸ πνεῦμα καὶ τὸ αἷμα πεποιημένου κατήκοον ἑαυτῷ καὶ χειρόηθες. τοιοῦτοι δὲ καὶ οἱ πολλοὶ τῶν ἑταίρων·

τοιοῦτοι δὲ καὶ οἱ πολλοὶ τῶν ἑταίρων· τὸ γὰρ ἑλκομένους καὶ προσουδιζομένους (ι 289) ὑπὸ τοῦ Κύκλωπος μὴ κατειπεῖν τοῦ ᾿Οδυσσέως μηδὲ δεῖξαι τὸ πεπυρακτωμένον ἐκεῖνο καὶ παρεσκευασμένον ὄργανον ἐπὶ τὸν ὀφθαλμόν, ἀλλ’ ὠμοὺς ἐσθίεσθαι μᾶλλον ἢ φράσαι τι τῶν ἀπορρήτων ὑπερβολὴν ἐγκρατείας καὶ πίστεως οὐ λέλοιπεν. ὅθεν ὁ Πιττακὸς οὐ κακῶς τοῦ Αἰγυπτίων βασιλέως
πέμψαντος ἱερεῖον αὐτῷ καὶ κελεύσαντος τὸ κάλλιστον καὶ χείριστον ἐξελεῖν κρέας ἔπεμψεν ἐξελὼν τὴν γλῶτταν ὡς ὄργανον μὲν ἀγαθῶν ὄργανον δὲ κακῶν τῶν μεγίστων οὖσαν. ἡ δ’ Εὐριπίδειος ᾿Ινὼ παρρησίαν ἄγουσα περὶ αὑτῆς εἰδέναι φησί (fr. 413, 2)

‘σιγᾶν θ’ ὅπου δεῖ καὶ λέγειν ἵν’ ἀσφαλές.’

οἱ γὰρ εὐγενοῦς καὶ βασιλικῆς τῷ ὄντι παιδείας τυχόντες πρῶτον σιγᾶν εἶτα λαλεῖν μανθάνουσιν

Perhaps Plutarch was inspired by the proverb attributed to Zeno:  “for this reason wehave two ears and one mouth, so that we might hear more and say less…”

διὰ τοῦτο … δύο ὦτα ἔχομεν, στόμα δὲ ἕν, ἵνα πλείω μὲν ἀκούωμεν, ἥττονα δὲ λέγωμεν

Strategikos Saturday: Onasander on A General’s Power of Speech (Strat. 1.16)

Today, in an ever narrowing spiral of obscurity, we bring you something from the one and only Onasandros.

Onasander was a Greek writer of the first century CE who wrote on Plato put also wrote a short treatise on the art of Generalship. That’s pretty much the beginning and the end of what is known about him.

If I were teaching a class, I’d give out candy or high fives for picking out the Platonic moves in the following (hint: doctors). Note as well that the entire section is one long sentence.

“[A general] should be prepared to speak. It is from this that I believe the greatest aid will come from a leader’s work. For, if a general is stationing his men in battle, his persuasive words make them contemptuous of danger and eager for honors. A strident trumpet does not move the soul to the throng of battle in the same way as a speech uttered on the contest of bravery instills a combative spirit against danger. If some hardship should befall the army, the comfort of a speech will shore up their souls; and a general’s rather deft speech is not less capable of treating the suffering of soldiers than the doctors who attend to wounds. For doctors minister to these men only with medicine while the general reinvigorates the weary and restores those who have lost heart. Just as it is harder to treat unseen diseases than obvious ones, it is also more difficult to restore a spirit from despair with an encouraging speech that it is to address a clear physical malady. No land nor city will field an army without generals nor even choose a general who cannot speak effectively.”

[ι′] λέγειν δ’ ἱκανόν· ἔνθεν γὰρ ἡγοῦμαι τὸ μέγιστον ὠφελείας ἵξεσθαι διὰ στρατεύματος· ἐάν τε γὰρ ἐκτάττῃ πρὸς μάχην στρατηγός, ἡ τοῦ λόγου παρακέλευσις τῶν μὲν δεινῶν ἐποίησε κατα-φρονεῖν, τῶν δὲ καλῶν ἐπιθυμεῖν, καὶ οὐχ οὕτως ἀκοαῖς ἐνηχοῦσα σάλπιγξ ἐγείρει ψυχὰς εἰς ἅμιλλαν μάχης, ὡς λόγος εἰς προτροπὴν ἀρετῆς ἐναγωνίου ῥηθεὶς αἰχμάζουσαν ἀνέστησε πρὸς τὰ δεινὰ τὴν διάνοιαν, ἄν τέ τι συμβῇ πταῖσμα περὶ τὸ στρατόπεδον, ἡ τοῦ λόγου παρηγορία τὰς ψυχὰς ἀνέρρωσε, καὶ πολὺ δὴ χρησιμώτερός ἐστι στρατηγοῦ λόγος οὐκ ἀδύνατος ὥστε παραμυθεῖσθαι τὰς ἐν στρατοπέδοις συμφοράς, τῶν ἑπομένων τοῖς τραυματίαις ἰατρῶν· οἱ μὲν γὰρ ἐκείνους μόνους τοῖς φαρμάκοις θεραπεύουσιν, ὁ δὲ καὶ τοὺς κάμνοντας εὐθυμοτέρους ἐποίησεν καὶ τοὺς ἐρρωμένους ἀνέστησε· καὶ ὥσπερ τὰ ἀόρατα νοσήματα τῶν ὁρωμένων δυσχερεστέραν ἔχει τὴν θεραπείαν, οὕτως ψυχὰς ἐξ ἀθυμίας ἰάσασθαι λόγῳ παρηγορήσαντα δυσκολώτερον, ἢ σωμάτων φανερὰν ἐξ ἐπιπολῆς θεραπεῦσαι νόσον. οὐδὲ χωρὶς στρατηγῶν οὐδὲ μία πόλις ἐκπέμψει στρατόπεδον, οὐδὲ δίχα τοῦ δύνασθαι λέγειν αἱρήσεται στρατηγόν.

(If I were reading with Palaiophron, I would complain aloud about the longwinded style of this author and his debased Greek. But, to be honest, his style seems to have some in common with Xenophon though it lacks the polish of classical prose authors and the vigor of the second sophistic).

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