Some Images from the Delphi Museum

The Delphi Museum, located near the archaeological site, is well-laid out and has some wonderful holdings. I have included some pictures of my favorites. (Unless otherwise noted, these images are all my own. Here’s another good page with some images.)

The museum’s first awe-inspiring sight are massive kouroi, identified by some as Kleobis and Biton.

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Odysseus under a ram (exiting Polyphemos’ cave, ostensibly)

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Herakles bringing the Erymanthian boar to Eurystheos

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Gold dedicated to Apollo

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A sphinx

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Herakles trying to steal the Pythia’s tripod

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Apollo with a lyre

The Bronze Charioteer is probably one of the museum’s most famous objects.

Tawdry Tuesday, Sacred Object Edition (NSFW?)

Pliny the Elder, Natural History 36.4 (21)

“Later, Nicomedes the king wanted to buy the statue from the Knidians, promising to unburden the state of its public debt, which was immense. They preferred to live with this and not without good reason—for Praxiteles ennobled Knidos with this sculpture. Its temple is open all around so that it is possible to see the goddess’ image from every direction. The goddess favors this herself, as the story goes. There is no less sense of wonder from any direction. They report that a certain man was taken with love for it and, once he had hidden himself for the night, he let himself loose upon the image, and there is a stain to show his desire.”

voluit eam a Cnidiis postea mercari rex Nicomedes, totum aes alienum, quod erat ingens, civitatis dissoluturum se promittens. omnia perpeti maluere, nec inmerito; illo enim signo Praxiteles nobilitavit Cnidum. aedicula eius tot aperitur, ut conspici possit undique effigies deae, favente ipsa, ut creditur, facta. nec minor ex quacumque parte admiratio est. ferunt amore captum quendam, cum delituisset noctu, simulacro cohaesisse, eiusque cupiditatis esse indicem maculam.

Valerius Maximus, Memorable Deeds and Sayings 8.2 ext 3

“Praxiteles centered the wife of Vulcan in marble in the Knidians’ temple as if she were breathing—and she was barely safe from a lustful embrace because of the beauty of the work. In this, a mistake is rather excusable for a horse who, when he sees the picture of a mare is compelled to utter a neigh; or when a dog is excited by the sight of a painted dog to bark; or the bull in Syracuse who was compelled to lust after and mount a bronze cow that was just too close to real. Why, then, should we be amazed that animals who lack reason are deceived by art, when we see a man’s sacrilegious desire elicited by the shape of silent stone?”

Cuius coniugem Praxiteles in marmore quasi spirantem in templo Cnidiorum collocavit, propter pulchritudinem operis a libidinoso cuiusdam complexu parum tutam. quo excusabilior est error equi, qui visa pictura equae hinnitum edere coactus est, et canum latratus aspectu picti canis incitatus, taurusque ad amorem et concubitum aeneae vaccae Syracusis nimiae similitudinis irritamento compulsus: quid enim vacua rationis animalia arte decepta miremur, cum hominis sacrilegam cupiditatem muti lapidis liniamentis excitatam videamus?

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What is ValMax’s tone here–is he completely sanguine about this anecdote? How might our current, pornographically advanced society strike him? How would he feel about the ethics of sex with robots and its threat against the future of humanity?  Feel like hearing more about masturbation in Ancient Greek? Yeah, we’ve got that. More than once.

yes, there is a Greek Epigram on this (Plato, Epigram XXV Page):

“Paphian Aphrodite once came across the sea to Knidos, hoping to see a statue of herself. After gazing at it in a spot seen from all sides , she said, ‘When did Praxiteles see me naked?’ Praxiteles never saw what it was not right to see – his tool carved out an Aphrodite that Ares would like.”

῾Η Παφίη Κυθέρεια δι’ οἴδματος ἐς Κνίδον ἦλθε
βουλομένη κατιδεῖν εἰκόνα τὴν ἰδίην.
πάντῃ δ’ ἀθρήσασα περισκέπτῳ ἐνὶ χώρῳ
φθέγξατο· „Ποῦ γυμνὴν εἶδέ με Πραξιτέλης;”
Πραξιτέλης οὐκ εἶδεν, ἃ μὴ θέμις, ἀλλ’ ὁ σίδηρος
ἔξεσεν, οἷά γ’ ῎Αρης ἤθελε, τὴν Παφίην.

Tawdry Tuesday, Object Edition

Yesterday I took students from my myth class to work with the Lexicon Iconographicum Mythologiae Classicae (LIMC), a wonderful, bedeviling, and at this point old-fashioned reference work. It is also indispensable because nothing comes near to its breadth and depth (why isn’t it online).

I encouraged students to look up something they were interested in (hopefully, something pertaining to a research project; at the least, something that brought them joy). One student found a phallos rhyton:

 

Phallus Picture

One of the things I love about teaching is that I am always learning new things from students. I have been teaching classical subjects for many years, and I honestly did not know anything about penis rhytons (drinking vessels).

Here’s the description, in German (the LIMC written entries are in the author’s preferred language, including English, German, French and Italian).

Phallos Sheet

Here are some others from online (Archaeological Museum, Pella):

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Art Institute, Chicago, one from ancient Peru:

Rhyton in the Form of a Man with an Exaggerated Phallus

 

This one is for sale

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