“As in a dream he isn’t able to pursue the one fleeing
Nor in turn is he able to escape him, nor again can the other overtake him
So he can’t catch up to him with his feet and the other can’t get away”
“These three lines are athetized because they are simple in structure and thought and they indicate the uselessness of the chase and its unchangeable nature.”
“The poet wants to make clear the impossibility of the action, how these things are fantasies and not real, that they are achieving nothing: the first does not escape, the second cannot overtake him.”
“Stranger, I am leaving griefs and pains for my father Philiskos
And my pitiful mother, because I went down to Hades’ home—
I lost my life because of a savage bear who violently
Killed me, crushing my flesh with her jaws.
I died at 27 years old. Fate led miserable me
To go to Hades in this way.
My bedchamber is bereft, and I live now
Below the earth, gazing on a dusky bed chamber
Where my wife cannot lie beside me, nor my father
And I don’t look toward hearing my mother’s voice.
A dark cloud covers Timelas.
Ill-fated, I have charged upon this kind of end to life.”
“The people were so elated at his death, that at its first announcement some went running around shouting, “Tiberius to the Tiber” and others appealed to the Earth mother and the Ghosts to give the dead man no home except among the punished. Others threatened his corpse with a hook and the Mourning Stairs, angered by the memory of new insult added to ancient injury.
This is because the Senate had recently decreed that executions should be delayed for 10 days and as it turned out some of them were to be killed when the news of Tiberius’ death broke. The poor souls who begged for public protection had no one to approach or appeal to because Gaius was gone; and the jailors strangled them and threw them out on the Mourning Stairs because they were afraid to do anything against the law. Their hatred grew greater since the tyrant’s brutality persisted after death”
Morte eius ita laetatus est populus, ut ad primum nuntium discurrentes pars: “Tiberium in Tiberim!” clamitarent, pars Terram matrem deosque Manes orarent, ne mortuo sedem ullam nisi inter impios darent, alii uncum et Gemonias cadaveri minarentur, exacerbati super memoriam pristinae crudelitatis etiam recenti atrocitate. Nam cum senatus consulto cautum esset, ut poena damnatorum in decimum semper diem differretur, forte accidit ut quorundam supplicii dies is esset, quo nuntiatum de Tiberio erat. Hos implorantis hominum fidem, quia absente adhuc Gaio nemo exstabat qui adiri interpellarique posset, custodes, ne quid adversus constitutum facerent, strangulaverunt abieceruntque in Gemonias. Crevit igitur invidia, quasi etiam post mortem tyranni saevitia permanente.
Peter Paul Rubens, “Tiberius and his wife Vipsania Agrippina” 1577
“The Swan, which the poets and many prose authors make an attendant to Apollo, has some other relationship to music and song I do not understand. But it was believed by those before us that the swan died after he sang what was called its “swan-song”. Nature truly honors it more than noble and good men and for good reason: for while others praise and morn people, the swans take care of themselves, if you will.”
“Singing the swan song”: [this proverb] is applied to those who are near death. For swans sing as they die and they know then the end of life is coming upon them and so, in this way, they face that arrival bravely. But human beings fear what they do not know and think that it is the greatest evil. But swans sing out at death the kind of song sung at a funeral…”
“Chrysippos was writing about something like this again in the same work. When someone who loved to make fun of people was about to be killed by the executioner, he said that he wanted one thing, to die after singing his ‘swan-song’. After the executioner agreed, the man made fun of him.”
It is the right time of the year for raising the dead. A student paper on the Elpenor Pelike at the MFA in Boston drew my attention to the following passage.
Servius ad Aen. 6.107
“For this reason the place is named without joy since, as people claim, it would not have been there but for necromancy or spell-craft. For, Aeneas completed these sacred rites when Misenus was killed and Ulysses did it with the death of Elpenor.
This very scene Homer himself presented falsely from the detail of its location which he specifies along with the length of time of the journey. For he claims that Ulysses sailed for one night and came to the place where he completed these sacrifices. For this reason it is abundantly clear that he doesn’t mean the ocean but Campania.”
sine gaudio autem ideo ille dicitur locus, quod necromantia vel sciomantia, ut dicunt, non nisi ibi poterat fieri: quae sine hominis occisione non fiebant; nam et Aeneas illic occiso Miseno sacra ista conplevit et Vlixes occiso Elpenore. quamquam fingatur in extrema Oceani parte Vlixes fuisse: quod et ipse Homerus falsum esse ostendit ex qualitate locorum, quae commemorat, et ex tempore navigationis; dicit enim eum a Circe unam noctem navigasse et ad locum venisse, in quo haec sacra perfecit: quod de Oceano non procedit, de Campania manifestissimum est.
The relevant passages from the Odyssey don’t give any hint that Elpenor was intentionally killed for black magic. When Odysseus actually does summon the dead, now that gets a little dark.
Odyssey, 10.552–560
“I could not even lead my companions unharmed from there.
The youngest of my companions was a certain Elpênor,
He was neither especially brave in battle or composed in his thoughts.
He separated himself from the companions in Kirkê’s holy home
Because he needed some air; then he fell asleep because he was drunk.
When he heard the noise and trouble of our companions moving out,
He got up immediately and it completely escaped his thoughts
To climb down again by the long ladder—
So he fell straight from the roof and his neck
Shattered along his spine; then his spirit flew down to Hades.”
Nekuomanteia, glossed by Hesychius as nekromanteia (i.e. “necromancy”) is an alternate name for the Nekyuia, the parade of the dead in book 11 of the Odyssey. From the Greek Anthology: ᾿Εν τῷ Η ἡ τοῦ ᾿Οδυσσέως νεκυομαντεία· (3.8); Scholia to the Odyssey, Hypotheses: Λ. Νεκυομαντεία, ἢ, Νεκυία. Cf. Eustathius, Comm. Ad Od. 1.396.10
Diogenes Laerius, Lives of the Philosophers 5.6 [Heraclides 89-90]
“He seems to have freed his country from tyranny by killing the monarch, as Demetrius of Magnesia claims in his People with the Same Names. Demetrius also tells this next story about him.
From the time he was a child he raised a pet snake. When he was near death he told one of the people he trusted to hide his body but to put the snake on his funeral litter so that he might seem to have transitioned to a place among the gods.
They did this, but while the people were taking Heracleides in his procession and were shouting out, the snake heard it and came out of the shroud, troubling people. Once everything was uncovered, Heracleides was known as he truly was, not as he seemed to be.”
According to the following account, Hesiod died for another man’s crimes. His corpse was moved by dolphins.
Plutarch, Dinner of the Seven Wise Men 19 (= Moralia 162d-e)
“Hesiod’s misfortune was rather human and like our own—you have probably heard the story”
‘No, I have not’, I said.
‘Well, it is really worth hearing. It seems that Hesiod was sharing hospitality and a place with a man from Miletus when they were in Lokris. When the other guy was secretly having sex with their host’s daughter and was caught, he had suspicion that Hesiod knew from the beginning and conspired to hide the offense—even though he was responsible for nothing, he wrongly encountered untimely rage and slander. For the brothers of the girl killed him after they ambushed him near the Nemeion in Lokris, and they killed his servant, named Troilos, too.
After the bodies were pushed out into the river Daphnos, Troilos’ was carried to a boulder washed by water, positioned a little bit out into the sea. And to this day the boulder is called Troilos. A pod of dolphins took Hesiod’s body right away and conveyed it first to Rhion and Molykria. It just happened that the Lokrian sacrifice at Rhion and their assembly, which they hold occasionally even to our time in that place, was in progress at that time. When the body showed up, carried as it was, they were amazed at the chance and they ran down and, when they recognized the corpse since it was still rather fresh, they considered everything secondary to investigating the murder, all because of Hesiod’s fame
They accomplished this quickly by discovering the murderers [a dog went barking and hunting the murderers with a shout]. They put them still alive in the sea and destroyed their homes. Hesiod was then buried near Nemeia. Many people foreign to the region do not know where the grave is. It is hidden because, as they claim, it was sought by the people of Orkhomenos who wanted to transfer the remains to their vicinity in accordance with an oracle.”
The Certamen of Homer and Hesiod has a similar account but with some differences
“After the contest [with Homer] was over, Hesiod went to Delphi to get an oracle and to make a thanks-offering for the victory to the god. When he arrived at the shrine, people claim that the prophetess was inspired and said:
“This lucky man who travels to my home
Is Hesiod, honored by the divine Muses.
His fame will spread as far as the sun shines.
But guard against the gorgeous grove of Nemeian Zeus.
It is there where your fated death will come.”
Hesiod, after he heard this oracle, went retreating from the Peloponnese because he believed that the god meant the oracle there. He went to Oinoê in Lokris and rested with Amphiphanes and Ganuktôr, the children of Phêgeus, and he really did not understand the oracle. For this place was called the shrine of Zeus Nemeios. After he spent a period of time with the Oineans, the youths, because they suspected that Hesiod fornicated with their sister, killed him and through hem into the sea between Euboia and Lokris.
When the abandoned corpse was carried by dolphins to land, there was some local festival happening and everyone ran to the shore. Once they recognized who this was, they grieved and buried him—and then they began to seek his murderers. The brothers, because they feared the rage of the citizens, made off with a fishing skiff and sailed toward Krêtê. Zeus struck that vessel in the middle with lightening and submerged them in the sea, as Alkidamas says in the Mouseion.
Eratosthenes says in his epode that Ktimenos and Antiphon, the sons of Ganuktôr, were arrested for the aforementioned reason and sacrificed to the gods of hospitality by Eurukles the prophet. According to the same author, The virgin sister of these men hanged herself after she was raped—and Eratosthenes says she was raped by some stranger on the road who was named Hesiod, the son of Dêmades. He was also killed by the same men. Later, the Orkhomenians, in accordance with an oracle, transferred Hesiod and buried them in their land….”
Cert. Hom. et Hes. v. 214 West. (unde eadem Tzetzes
Valerius Maximus, Memorable Sayings and Deeds, 1.8.12
“Another spectacle for our state was the pyre of Acilius Aviola. Doctors and his servants believed that he was dead since he had stretched out still in his house for some time. When he was taken out for burial, once the fire overtook his body, he yelled that he was alive and asked for help from his teacher—for he had remained there alone. But, because he was already surrounded by flames, he could not be saved from his death.”
1.8.12a Aliquid admirationis civitati nostrae Acilii etiam Aviolae rogus attulit, qui et a medicis et a domesticis mortuus creditus, cum aliquamdiu domi iacuisset, elatus, postquam corpus eius ignis corripuit, vivere se proclamavit auxiliumque paedagogi sui—nam is solus ibi remanserat—invocavit, sed iam flammis circumdatus fato subtrahi non potuit.
Pliny the Elder presents a shortened version of this (Natural History, 1.173)
“Aviola the consul revived on the funeral pyre and since it was not possible to help him because the fire was too strong, he was cremated alive.”
Aviola consularis in rogo revixit et, quoniam subveniri non potuerat praevalente flamma, vivus crematus est
“This is the time attended by the most fear. Augustus had sent his own grandson Germanicus to Germany to handle the end of the conflict there. And he was about to send his son Tiberius to Illyricum to shore up the peace where he had subjugated with war. Following him and at the same time intending to visit the athletic competitions which had been established in his honor by the Neapolitans, Augustus traveled to Campania. Although he had already at that point felt the growth of weakness and sensed the beginning of his own deterioration, he followed his son with a resolute strength of spirit—he parted from him at Beneventum and left for Nola. There, as his strength dissipated by the day, and he recognized whom it was necessary to summon if he wished for everything to remain safe once he was gone, he quickly recalled his son.
Tiberius returned to the father of his fatherland more quickly than he was expected. Then, confessing that he has more content because he was surrounded by the embrace of his son, he entrusted to him their common efforts without any kind of an end, allowing that, if the fates demanded, he was ready. Even though he was renewed at first by the sight of his son and at the voice of someone dearest to him, soon, since the fates can conquer every kind of care, he released his elements and returned his divine soul to heaven in his seventy-sixth year, during the consulship of Pompeius and Apuleius” (14 CE).
Venitur ad tempus, in quo fuit plurimum metus. Quippe Caesar Augustus cum Germanicum nepotem suum reliqua belli patraturum misisset in Germaniam. Tiberium autem filium missurus esset in Illyricum ad firmanda pace quae bello subegerat, prosequens eum simulque interfuturus athletarum certaminis ludicro, quod eius honori sacratum a Neapolitanis est, processit in Campaniam. Quamquam iam motus imbecillitatis inclinataeque in deterius principia valetudinis senserat, tamen obnitente vi animi prosecutus filium digressusque ab eo Beneventi ipse Nolam petiit: et ingravescente in dies valetudine, cum sciret, quis volenti omnia post se salva remanere accersendus foret, festinanter revocavit filium; ille ad patrem patriae expectato revolavit maturius. 2 Tum securum se Augustus praedicans circumfususque amplexibus Tiberii sui, commendans illi sua atque ipsius opera nec quidquam iam de fine, si fata poscerent, recusans, subrefectus primo conspectu alloquioque carissimi sibi spiritus, mox, cum omnem curam fata vincerent, in sua resolutus initia Pompeio Apuleioque consulibus septuagesimo et sexto anno animam caelestem caelo reddidit.
“The Swan, which the poets and many prose authors make an attendant to Apollo, has some other relationship to music and song I do not understand. But it was believed by those before us that the swan died after he sang what was called its “swan-song”. Nature truly honors it more than noble and good men and for good reason: for while others praise and morn people, the swans take care of themselves, if you will.”
“Singing the swan song”: [this proverb] is applied to those who are near death. For swans sing as they die and they know then the end of life is coming upon them and so, in this way, they face that arrival bravely. But human beings fear what they do not know and think that it is the greatest evil. But swans sing out at death the kind of song sung at a funeral…”
“Chrysippos was writing about something like this again in the same work. When someone who loved to make fun of people was about to be killed by the executioner, he said that he wanted one thing, to die after singing his ‘swan-song’. After the executioner agreed, the man made fun of him.”
