Who Punishes Gods for Doing Wrong?

Euripides Ion, 329-443

“Why does this woman abuse the god with words
And twist him up with constant riddles?
Is it because she loves the women she gets oracles for?
Is she keeping something silent because she needs to?
But why does Erekhtheus’ daughter matter to me?
She’s nothing to me! I will go to fill
The purificatory vessels with golden cups of water

I need to criticize Apollo. What’s he thinking?
He keeps ruining girls for marriage with rape
And producing children in secret only to ignore them
As they die. Don’t act this way, but since you can,
Pursue excellence. The gods punish any mortal
Who does wrong. How is it right for those who write
The laws for mortals to lead lawless lives?”

τί ποτε λόγοισιν ἡ ξένη πρὸς τὸν θεὸν
κρυπτοῖσιν αἰεὶ λοιδοροῦσ᾿ αἰνίσσεται;
ἤτοι φιλοῦσά γ᾿ ἧς ὕπερ μαντεύεται,
ἢ καί τι σιγῶσ᾿ ὧν σιωπᾶσθαι χρεών;
ἀτὰρ θυγατρὸς τῆς Ἐρεχθέως τί μοι
μέλει; προσήκει γ᾿ οὐδέν. ἀλλὰ χρυσέαις
πρόχοισιν ἐλθὼν εἰς ἀπορραντήρια
δρόσον καθήσω. νουθετητέος δέ μοι
Φοῖβος, τί πάσχει· παρθένους βίᾳ γαμῶν
προδίδωσι; παῖδας ἐκτεκνούμενος λάθρᾳ
θνῄσκοντας ἀμελεῖ; μὴ σύ γ᾿· ἀλλ᾿, ἐπεὶ κρατεῖς,
ἀρετὰς δίωκε. καὶ γὰρ ὅστις ἂν βροτῶν
κακὸς πεφύκῃ, ζημιοῦσιν οἱ θεοί.
πῶς οὖν δίκαιον τοὺς νόμους ὑμᾶς βροτοῖς
γράψαντας αὐτοὺς ἀνομίαν ὀφλισκάνειν

501-508

“Play your pipe, Pan
In your caves
Where some pitiful girl
Gave birth to a child with Apollo
And then exposed it as a feast
For the birds and beasts
The insult of their bitter ‘marriage’.
Never at the loom or in tales have I heard of
Mortal women having divine children and good fortune.”

συρίζεις, ὦ Πάν,
τοῖσι σοῖς ἐν ἄντροις,
ἵνα τεκοῦσά τις
παρθένος μελέα βρέφος
Φοίβῳ πτανοῖς ἐξόρισεν
θοίναν θηρσί τε φοινίαν
δαῖτα, πικρῶν γάμων ὕβριν·
οὔτ᾿ ἐπὶ κερκίσιν οὔτε †λόγοις† φάτιν
ἄιον εὐτυχίας μετέχειν θεόθεν τέκνα θνατοῖς.

Color photograph of an oil panel painting  Laomedon Refusing Payment to Poseidon and Apollo. An old figure in front is waving off two figures behind him

The Secret Keys to Sex and Pretense

Pindar, Pythian 9.37-51

“The mighty Centaur laughed brightly
With a soft brow, and immediately offered
His own wisdom: “The locks of holy sex
Are secrets of wise Persuasion, Apollo.
Gods and humans similarly avoid
Climbing quickly into bed openly, for the first time at least.

Even so, your moving lust persuaded you
To offer this speech when it is wrong For you to lie.

Are you really asking where the girl is from, lord?
You’re the one who knows the proper end of all things
And the paths that leads to them-=-
How many leaves the earth sprouts in the spring
And how many sands in the rivers and the sea
Swirl in the waves and the driven winds
Or what will be and where it will come from–
You know all of this well.

But, if it is my duty match one so wise,
I will speak…”

τὸν δὲ Κένταυρος ζαμενής, ἀγανᾷ
χλοαρὸν γελάσσαις ὀφρύι, μῆτιν ἑάν
εὐθὺς ἀμείβετο· “κρυπταὶ κλαΐδες ἐντὶ σοφᾶς
Πειθοῦς ἱερᾶν φιλοτάτων,
Φοῖβε, καὶ ἔν τε θεοῖς τοῦτο κἀνθρώποις ὁμῶς
αἰδέοντ᾿, ἀμφανδὸν ἁδεί-
ας τυχεῖν τὸ πρῶτον εὐνᾶς.
καὶ γὰρ σέ, τὸν οὐ θεμιτὸν ψεύδει θιγεῖν,
ἔτραπε μείλιχος ὀργὰ παρφάμεν τοῦ-
τον λόγον, κούρας δ᾿ ὁπόθεν γενεάν
ἐξερωτᾷς, ὦ ἄνα; κύριον ὃς πάντων τέλος
οἶσθα καὶ πάσας κελεύθους·
ὅσσα τε χθὼν ἠρινὰ φύλλ᾿ ἀναπέμπει, χὠπόσαι
ἐν θαλάσσᾳ καὶ ποταμοῖς ψάμαθοι
κύμασιν ῥιπαῖς τ᾿ ἀνέμων κλονέονται,
χὤ τι μέλλει, χὠπόθεν
ἔσσεται, εὖ καθορᾷς.
εἰ δὲ χρὴ καὶ πὰρ σοφὸν ἀντιφερίξαι,
ἐρέω·

A fresco from naples (wall painting): From left to right: Apollo (of the Apollo Lykeios type), Chiron, and Asclepius.
Fresco, 1st Century CE from Pompeii

Who Punishes Gods for Doing Wrong?

Euripides Ion, 329-443

“Why does this woman abuse the god with words
And twist him up with constant riddles?
Is it because she loves the women she gets oracles for?
Is she keeping something silent because she needs to?
But why does Erekhtheus’ daughter matter to me?
She’s nothing to me! I will go to fill
The purificatory vessels with golden cups of water

I need to criticize Apollo. What’s he thinking?
He keeps ruining girls for marriage with rape
And producing children in secret only to ignore them
As they die. Don’t act this way, but since you can,
Pursue excellence. The gods punish any mortal
Who does wrong. How is it right for those who write
The laws for mortals to lead lawless lives?”

τί ποτε λόγοισιν ἡ ξένη πρὸς τὸν θεὸν
κρυπτοῖσιν αἰεὶ λοιδοροῦσ᾿ αἰνίσσεται;
ἤτοι φιλοῦσά γ᾿ ἧς ὕπερ μαντεύεται,
ἢ καί τι σιγῶσ᾿ ὧν σιωπᾶσθαι χρεών;
ἀτὰρ θυγατρὸς τῆς Ἐρεχθέως τί μοι
μέλει; προσήκει γ᾿ οὐδέν. ἀλλὰ χρυσέαις
πρόχοισιν ἐλθὼν εἰς ἀπορραντήρια
δρόσον καθήσω. νουθετητέος δέ μοι
Φοῖβος, τί πάσχει· παρθένους βίᾳ γαμῶν
προδίδωσι; παῖδας ἐκτεκνούμενος λάθρᾳ
θνῄσκοντας ἀμελεῖ; μὴ σύ γ᾿· ἀλλ᾿, ἐπεὶ κρατεῖς,
ἀρετὰς δίωκε. καὶ γὰρ ὅστις ἂν βροτῶν
κακὸς πεφύκῃ, ζημιοῦσιν οἱ θεοί.
πῶς οὖν δίκαιον τοὺς νόμους ὑμᾶς βροτοῖς
γράψαντας αὐτοὺς ἀνομίαν ὀφλισκάνειν

501-508

“Play your pipe, Pan
In your caves
Where some pitiful girl
Gave birth to a child with Apollo
And then exposed it as a feast
For the birds and beasts
The insult of their bitter ‘marriage’.
Never at the loom or in tales have I heard of
Mortal women having divine children and good fortune.”

συρίζεις, ὦ Πάν,
τοῖσι σοῖς ἐν ἄντροις,
ἵνα τεκοῦσά τις
παρθένος μελέα βρέφος
Φοίβῳ πτανοῖς ἐξόρισεν
θοίναν θηρσί τε φοινίαν
δαῖτα, πικρῶν γάμων ὕβριν·
οὔτ᾿ ἐπὶ κερκίσιν οὔτε †λόγοις† φάτιν
ἄιον εὐτυχίας μετέχειν θεόθεν τέκνα θνατοῖς.

Apollo on a coin

 

Apollo’s Esteem for Human Beings

Schol. BT ad. Il. 21.465

“Whenever the poet turns his gaze to divine nature, then he holds human affairs in contempt.”

ὅταν δὲ ἀποβλέψῃ εἰς τὴν θείαν φύσιν ὁ ποιητής, τότε τὰ ἀνθρώπινα πράγματα ἐξευτελίζει. b(BCE3)T

Iliad 5.440-442

“Think, son of Tydeus, step off, don’t wish to think
Equal to the gods, since not at all similar are the races
Of immortal gods and humans who walk on the ground.”

φράζεο Τυδεΐδη καὶ χάζεο, μηδὲ θεοῖσιν
ἶσ’ ἔθελε φρονέειν, ἐπεὶ οὔ ποτε φῦλον ὁμοῖον
ἀθανάτων τε θεῶν χαμαὶ ἐρχομένων τ’ ἀνθρώπων.

Iliad 21.461-465

“Then lord Apollo the far-shooter answered,
“Earthshaker, you would not think that I would be prudent
If indeed I fought with you over mortals,
Wretched men who are like the leaves now flourish
Until they grow full, eat the fruit of fields,
And then they diminish until they die…”

Τὸν δ’ αὖτε προσέειπεν ἄναξ ἑκάεργος ᾿Απόλλων·
ἐννοσίγαι’ οὐκ ἄν με σαόφρονα μυθήσαιο
ἔμμεναι, εἰ δὴ σοί γε βροτῶν ἕνεκα πτολεμίξω
δειλῶν, οἳ φύλλοισιν ἐοικότες ἄλλοτε μέν τε
ζαφλεγέες τελέθουσιν ἀρούρης καρπὸν ἔδοντες,
ἄλλοτε δὲ φθινύθουσιν ἀκήριοι…

 

Image result for Ancient greek vase apollo

Why Does Apollo Kill the Mules and Dogs First?

Hint: Either because he likes people. Or, animals have a good sense of smell.

Schol. A ad Il. 1.50c ex.

“First he [attacked] the mules and the fast dogs”

“Because the god is well-disposed toward human beings, he kills mules, dogs, and the other irrational beasts first, so that, by inducing fear through these [deaths], he might nurture proper reverence in the Greeks.

Or, it is because the mules and dogs have a more powerful perception of smell. For, dogs are really good at tracking beasts because of their sense of smell, and mules, when they are left behind, often rediscover their paths thanks to their sense of smell.”

<οὐρῆας μὲν πρῶτον ἐπῴχετο καὶ κύνας ἀργούς:>

φιλάνθρωπος ὢν ὁ θεὸς πρῶτον τὰς ἡμιόνους καὶ τοὺς κύνας καὶ τὰ ἄλογα ζῷα ἀναιρεῖ, ἵνα διὰ τούτων εἰς δέος ἀγαγὼν τοὺς ῞Ελληνας ἐπὶ τὸ εὐσεβεῖν παρασκευάσῃ. ἢ ὅτι αἱ ἡμίονοι καὶ οἱ κύνες τὴν αἴσθησιν τῆς ὀσφρήσεως ἐνεργεστέραν ἔχουσιν· οἱ μὲν γὰρ κύνες ἀπὸ τῆς ὀσφρήσεως τῶν ἰχνῶν ἐν αἰσθήσει τῶν θηρίων γίνονται, αἱ δὲ ἡμίονοι πολλάκις ἀπολειφθεῖσαι τινων ἀπὸ τῆς ὀσφρήσεως καὶ τὰς ὁδοὺς ἀνευρίσκουσιν.

Additional note: On 1.50, Aristonicus denies the claims by by some rogues that “mules” here is a word for “guards”; the bT scholia make the quasi-scientific claim that these animals are more susceptible to diseases than humans. I like the idea of Apollo trying to teach people a lesson before just murdering them all.

What are some bad things that the Greek god Apollo did? - Quora

Lessons.

Who Punishes Gods for Doing Wrong?

Euripides Ion, 329-443

“Why does this woman abuse the god with words
And twist him up with constant riddles?
Is it because she loves the women she gets oracles for?
Is she keeping something silent because she needs to?
But why does Erekhtheus’ daughter matter to me?
She’s nothing to me! I will go to fill
The purificatory vessels with golden cups of water

I need to criticize Apollo. What’s he thinking?
He keeps ruining girls for marriage with rape
And producing children in secret only to ignore them
As they die. Don’t act this way, but since you can,
Pursue excellence. The gods punish any mortal
Who does wrong. How is it right for those who write
The laws for mortals to lead lawless lives?”

τί ποτε λόγοισιν ἡ ξένη πρὸς τὸν θεὸν
κρυπτοῖσιν αἰεὶ λοιδοροῦσ᾿ αἰνίσσεται;
ἤτοι φιλοῦσά γ᾿ ἧς ὕπερ μαντεύεται,
ἢ καί τι σιγῶσ᾿ ὧν σιωπᾶσθαι χρεών;
ἀτὰρ θυγατρὸς τῆς Ἐρεχθέως τί μοι
μέλει; προσήκει γ᾿ οὐδέν. ἀλλὰ χρυσέαις
πρόχοισιν ἐλθὼν εἰς ἀπορραντήρια
δρόσον καθήσω. νουθετητέος δέ μοι
Φοῖβος, τί πάσχει· παρθένους βίᾳ γαμῶν
προδίδωσι; παῖδας ἐκτεκνούμενος λάθρᾳ
θνῄσκοντας ἀμελεῖ; μὴ σύ γ᾿· ἀλλ᾿, ἐπεὶ κρατεῖς,
ἀρετὰς δίωκε. καὶ γὰρ ὅστις ἂν βροτῶν
κακὸς πεφύκῃ, ζημιοῦσιν οἱ θεοί.
πῶς οὖν δίκαιον τοὺς νόμους ὑμᾶς βροτοῖς
γράψαντας αὐτοὺς ἀνομίαν ὀφλισκάνειν

501-508

“Play your pipe, Pan
In your caves
Where some pitiful girl
Gave birth to a child with Apollo
And then exposed it as a feast
For the birds and beasts
The insult of their bitter ‘marriage’.
Never at the loom or in tales have I heard of
Mortal women having divine children and good fortune.”

συρίζεις, ὦ Πάν,
τοῖσι σοῖς ἐν ἄντροις,
ἵνα τεκοῦσά τις
παρθένος μελέα βρέφος
Φοίβῳ πτανοῖς ἐξόρισεν
θοίναν θηρσί τε φοινίαν
δαῖτα, πικρῶν γάμων ὕβριν·
οὔτ᾿ ἐπὶ κερκίσιν οὔτε †λόγοις† φάτιν
ἄιον εὐτυχίας μετέχειν θεόθεν τέκνα θνατοῖς.

Apollo on a coin

 

Apollo’s Esteem for Human Beings

Schol. BT ad. Il. 21.465

“Whenever the poet turns his gaze to divine nature, then he holds human affairs in contempt.”

ὅταν δὲ ἀποβλέψῃ εἰς τὴν θείαν φύσιν ὁ ποιητής, τότε τὰ ἀνθρώπινα πράγματα ἐξευτελίζει. b(BCE3)T

Iliad 5.440-442

“Think, son of Tydeus, step off, don’t wish to think
Equal to the gods, since not at all similar are the races
Of immortal gods and humans who walk on the ground.”

φράζεο Τυδεΐδη καὶ χάζεο, μηδὲ θεοῖσιν
ἶσ’ ἔθελε φρονέειν, ἐπεὶ οὔ ποτε φῦλον ὁμοῖον
ἀθανάτων τε θεῶν χαμαὶ ἐρχομένων τ’ ἀνθρώπων.

Iliad 21.461-465

“Then lord Apollo the far-shooter answered,
“Earthshaker, you would not think that I would be prudent
If indeed I fought with you over mortals,
Wretched men who are like the leaves now flourish
Until they grow full, eat the fruit of fields,
And then they diminish until they die…”

Τὸν δ’ αὖτε προσέειπεν ἄναξ ἑκάεργος ᾿Απόλλων·
ἐννοσίγαι’ οὐκ ἄν με σαόφρονα μυθήσαιο
ἔμμεναι, εἰ δὴ σοί γε βροτῶν ἕνεκα πτολεμίξω
δειλῶν, οἳ φύλλοισιν ἐοικότες ἄλλοτε μέν τε
ζαφλεγέες τελέθουσιν ἀρούρης καρπὸν ἔδοντες,
ἄλλοτε δὲ φθινύθουσιν ἀκήριοι…

 

Image result for Ancient greek vase apollo

Why Does Apollo Kill the Mules and Dogs First?

Hint: Either because he likes people. Or, animals have a good sense of smell.

Schol. A ad Il. 1.50c ex.

“First he [attacked] the mules and the fast dogs”

“Because the god is well-disposed toward human beings, he kills mules, dogs, and the other irrational beasts first, so that, by inducing fear through these [deaths], he might nurture proper reverence in the Greeks.

Or, it is because the mules and dogs have a more powerful perception of smell. For, dogs are really good at tracking beasts because of their sense of smell, and mules, when they are left behind, often rediscover their paths thanks to their sense of smell.”

<οὐρῆας μὲν πρῶτον ἐπῴχετο καὶ κύνας ἀργούς:>

φιλάνθρωπος ὢν ὁ θεὸς πρῶτον τὰς ἡμιόνους καὶ τοὺς κύνας καὶ τὰ ἄλογα ζῷα ἀναιρεῖ, ἵνα διὰ τούτων εἰς δέος ἀγαγὼν τοὺς ῞Ελληνας ἐπὶ τὸ εὐσεβεῖν παρασκευάσῃ. ἢ ὅτι αἱ ἡμίονοι καὶ οἱ κύνες τὴν αἴσθησιν τῆς ὀσφρήσεως ἐνεργεστέραν ἔχουσιν· οἱ μὲν γὰρ κύνες ἀπὸ τῆς ὀσφρήσεως τῶν ἰχνῶν ἐν αἰσθήσει τῶν θηρίων γίνονται, αἱ δὲ ἡμίονοι πολλάκις ἀπολειφθεῖσαι τινων ἀπὸ τῆς ὀσφρήσεως καὶ τὰς ὁδοὺς ἀνευρίσκουσιν.

I was reading the beginning of the Iliad with some students the other day and I opened up the scholia to see what various nonsense there was to support or deny Zenodotus’ editorial dismissal of lines 1.46-47 (ἔκλαγξαν δ’ ἄρ’ ὀϊστοὶ ἐπ’ ὤμων χωομένοιο, / αὐτοῦ κινηθέντος· ὃ δ’ ἤϊε νυκτὶ ἐοικώς.). I started looking ahead and saw this! As other students might attest, this is what often happens in my advanced Greek classes–we discuss the strangeness of a thing, we check the apparatus, I hoot or holler over some editorial intervention, and then I open the scholia: look, this is absurd. and wonderful. and mad. and I love it.

Additional note: On 1.50, Aristonicus denies the claims by by some rogues that “mules” here is a word for “guards”; the bT scholia make the quasi-scientific claim that these animals are more susceptible to diseases than humans. I like the idea of Apollo trying to teach people a lesson before just murdering them all.

Lessons.

Some Pictures from Delphi

The site of Delphi, famous for the Oracle of Pythian Apollo, is impossible to show in one image. Far from any major city, it sits on the side of Mt. Parnassus and includes ruins of the sacred way, many dedicatory treasuries, a temple to Apollo, a theater, and, higher up, as stadium. Below the modern road, there is also an athletic training ground and a temple complex dedicated to Athena.

Here’s the view of the mountain peak from the museum:

20180824_113419

The remains of the temple to Apollo:

20180824_131811

A site model in the museum:

IMG_4153

One site plan:

Image result for delphi site plan

A view of the gymnasium below the sacred way and the valley:

20180824_130348

The theater (which seats around 5000)

20180824_131827

A drawing of the site plan:

Image result for delphi site plan

An image of the theater from above:

20180824_132411

The stadium above the theater (not my image):

Image result for stadium of delphi

The temple of Athena Pronaia:

20180824_160549

The modern Museum:

Image result for delphi museum

The second post will highlight some of my favorite pieces in this museum

Apollo’s Esteem for Human Beings

Schol. BT ad. Il. 21.465

“Whenever the poet turns his gaze to divine nature, then he holds human affairs in contempt.”

ὅταν δὲ ἀποβλέψῃ εἰς τὴν θείαν φύσιν ὁ ποιητής, τότε τὰ ἀνθρώπινα πράγματα ἐξευτελίζει. b(BCE3)T

Iliad 5.440-442

“Think, son of Tydeus, step off, don’t wish to think
Equal to the gods, since not at all similar are the races
Of immortal gods and humans who walk on the ground.”

φράζεο Τυδεΐδη καὶ χάζεο, μηδὲ θεοῖσιν
ἶσ’ ἔθελε φρονέειν, ἐπεὶ οὔ ποτε φῦλον ὁμοῖον
ἀθανάτων τε θεῶν χαμαὶ ἐρχομένων τ’ ἀνθρώπων.

Iliad 21.461-465

“Then lord Apollo the far-shooter answered,
“Earthshaker, you would not think that I would be prudent
If indeed I fought with you over mortals,
Wretched men who are like the leaves now flourish
Until they grow full, eat the fruit of fields,
And then they diminish until they die…”

Τὸν δ’ αὖτε προσέειπεν ἄναξ ἑκάεργος ᾿Απόλλων·
ἐννοσίγαι’ οὐκ ἄν με σαόφρονα μυθήσαιο
ἔμμεναι, εἰ δὴ σοί γε βροτῶν ἕνεκα πτολεμίξω
δειλῶν, οἳ φύλλοισιν ἐοικότες ἄλλοτε μέν τε
ζαφλεγέες τελέθουσιν ἀρούρης καρπὸν ἔδοντες,
ἄλλοτε δὲ φθινύθουσιν ἀκήριοι…

 

Image result for Ancient greek vase apollo