The Short Dream and the Sudden Darkness

Athenaeus, Deipnosophists 14.620c

“Chamaeleon claims in his book On Stesichorus that it wasn’t only Homer’s poetry that was accompanied by music but also Archilochus’ and Hesiod’s too. He adds the work of Mimnermus and Phocylides to this as well.”

Χαμαιλέων δὲ ἐν τῷ περὶ Στησιχόρου (fr. 28 Wehrli) καὶ μελῳδηθῆναί φησιν οὐ μόνον τὰ Ὁμήρου ἀλλὰ καὶ τὰ Ἡσιόδου καὶ Ἀρχιλόχου, ἔτι δὲ Μιμνέρμου καὶ Φωκυλίδου.

Athenaeus, fr. 13.5.567f= Hermesian fr. 7.35-40

“Then Mimnermos, who discovered the sweet sound
And breath of gentle pentameter, after he suffered terribly,
Was burning for Nanno. With his lips often on the grey lotus
Pipe, he partied with Examyes.
But he was hateful to serious Hermobios and Pherekles.”

Μίμνερμος δέ, τὸν ἡδὺν ὃς εὕρετο πολλὸν ἀνατλὰς
ἦχον καὶ μαλακοῦ πνεῦμ᾿ ἀπὸ πενταμέτρου,
καίετο μὲν Ναννοῦς, πολιῷ δ᾿ ἐπὶ πολλάκι λωτῷ
κνημωθεὶς κώμους εἶχε σὺν Ἐξαμύῃ·
†ἠδ᾿ ἠχθεε† δ᾿ Ἑρμόβιον τὸν ἀεὶ βαρὺν ἠδὲ Φερεκλῆν

Suda, Mu 1077 (iii.397.20 Adler)

“Mimnermos, the son of Ligurtuades, from Kolophon or Smurnos or Astupalaios. An elegiac poet. He lived during the 37th Olympiad [ c. 632-629 BCE) and so lived before the Seven Sages. Some people say that he lived at the same time they did. He used to be called Liguastades because of his harmony and clarity. He wrote…those many books.”

Μίμνερμος Λιγυρτυάδου, Κολοφώνιος ἢ Σμυρναῖος ἢ Ἀστυπαλαιεύς, ἐλεγειοποιός. γέγονε δ᾿ ἐπὶ τῆς λζ΄ ὀλυμπιάδος, ὡς προτερεύειν τῶν ζ΄ σοφῶν· τινὲς δὲ αὐτοῖς καὶ συγχρονεῖν λέγουσιν. ἐκαλεῖτο δὲ καὶ Λιγυᾳστάδης διὰ τὸ ἐμμελὲς καὶ λιγύ. ἔγραψε βιβλία †ταῦτα πολλά.

Mimnermus, fr. 5 = Stobaeus 4.50.69

[missing line of dactylic hexameter]

“….but dear youth is like a short dream
Then suddenly hard and ugly old age
Drapes down over your head.
It makes a man hateful and unloved, even unknown
As it weakens his eyes and clouds his mind.”

ἀλλ᾿ ὀλιγοχρόνιον γίνεται ὥσπερ ὄναρ
ἥβη τιμήεσσα· τὸ δ᾿ ἀργαλέον καί ἄμορφον
γῆρας ὑπὲρ κεφαλῆς αὐτίχ᾿ ὑπερκρέμεται,
ἐχθρὸν ὁμῶς καὶ ἄτιμον, ὅ τ᾿ ἄγνωστον τιθεῖ ἄνδρα,
βλάπτει δ᾿ ὀφθαλμοὺς καὶ νόον ἀμφιχυθέν.

Nick Drake, “Black Eyed Dog”

Black eyed dog he called at my door
The black eyed dog he called for more

A black eyed dog he knew my name
A black eyed dog he knew my name
A black eyed dog
A black eyed dog

I’m growing old and I wanna go home, I’m growing old and I dont wanna know
I’m growing old and I wanna go home

Black eyed dog he called at my door
The black eyed dog he called for more

Ditlev Blunck, Old Age. From the series: The Four Ages of Man (1840-1845) Statens Museum fur Kunst

The Short Dream and the Sudden Darkness

Athenaeus, Deipnosophists 14.620c

“Chamaeleon claims in his book On Stesichorus that it wasn’t only Homer’s poetry that was accompanied by music but also Archilochus’ and Hesiod’s too. He adds the work of Mimnermus and Phocylides to this as well.”

Χαμαιλέων δὲ ἐν τῷ περὶ Στησιχόρου (fr. 28 Wehrli) καὶ μελῳδηθῆναί φησιν οὐ μόνον τὰ Ὁμήρου ἀλλὰ καὶ τὰ Ἡσιόδου καὶ Ἀρχιλόχου, ἔτι δὲ Μιμνέρμου καὶ Φωκυλίδου.

Athenaeus, fr. 13.5.567f= Hermesian fr. 7.35-40

“Then Mimnermos, who discovered the sweet sound
And breath of gentle pentameter, after he suffered terribly,
Was burning for Nanno. With his lips often on the grey lotus
Pipe, he partied with Examyes.
But he was hateful to serious Hermobios and Pherekles.”

Μίμνερμος δέ, τὸν ἡδὺν ὃς εὕρετο πολλὸν ἀνατλὰς
ἦχον καὶ μαλακοῦ πνεῦμ᾿ ἀπὸ πενταμέτρου,
καίετο μὲν Ναννοῦς, πολιῷ δ᾿ ἐπὶ πολλάκι λωτῷ
κνημωθεὶς κώμους εἶχε σὺν Ἐξαμύῃ·
†ἠδ᾿ ἠχθεε† δ᾿ Ἑρμόβιον τὸν ἀεὶ βαρὺν ἠδὲ Φερεκλῆν

Suda, Mu 1077 (iii.397.20 Adler)

“Mimnermos, the son of Ligurtuades, from Kolophon or Smurnos or Astupalaios. An elegiac poet. He lived during the 37th Olympiad [ c. 632-629 BCE) and so lived before the Seven Sages. Some people say that he lived at the same time they did. He used to be called Liguastades because of his harmony and clarity. He wrote…those many books.”

Μίμνερμος Λιγυρτυάδου, Κολοφώνιος ἢ Σμυρναῖος ἢ Ἀστυπαλαιεύς, ἐλεγειοποιός. γέγονε δ᾿ ἐπὶ τῆς λζ΄ ὀλυμπιάδος, ὡς προτερεύειν τῶν ζ΄ σοφῶν· τινὲς δὲ αὐτοῖς καὶ συγχρονεῖν λέγουσιν. ἐκαλεῖτο δὲ καὶ Λιγυᾳστάδης διὰ τὸ ἐμμελὲς καὶ λιγύ. ἔγραψε βιβλία †ταῦτα πολλά.

Mimnermus, fr. 5 = Stobaeus 4.50.69

[missing line of dactylic hexameter]

“….but dear youth is like a short dream
Then suddenly hard and ugly old age
Drapes down over your head.
It makes a man hateful and unloved, even unknown
As it weakens his eyes and clouds his mind.”

ἀλλ᾿ ὀλιγοχρόνιον γίνεται ὥσπερ ὄναρ
ἥβη τιμήεσσα· τὸ δ᾿ ἀργαλέον καί ἄμορφον
γῆρας ὑπὲρ κεφαλῆς αὐτίχ᾿ ὑπερκρέμεται,
ἐχθρὸν ὁμῶς καὶ ἄτιμον, ὅ τ᾿ ἄγνωστον τιθεῖ ἄνδρα,
βλάπτει δ᾿ ὀφθαλμοὺς καὶ νόον ἀμφιχυθέν.

Nick Drake, “Black Eyed Dog”

Black eyed dog he called at my door
The black eyed dog he called for more

A black eyed dog he knew my name
A black eyed dog he knew my name
A black eyed dog
A black eyed dog

I’m growing old and I wanna go home, I’m growing old and I dont wanna know
I’m growing old and I wanna go home

Black eyed dog he called at my door
The black eyed dog he called for more

Ditlev Blunck, Old Age. From the series: The Four Ages of Man (1840-1845) Statens Museum fur Kunst

A Routine for Managing Old Age from Cicero

Cicero, De Senectute 35-36

“Laelius and Scipio, we must resist old age and counteract its weaknesses with care. We must fight against it as we would a disease. A heath regimen must be established. We need moderate exercise and only as much food and drink as is needed to replenish our abilities but not to overcome them. And we should not attend to the body alone: but much greater service is owed to the mind and soul.

For these parts flicker out from old age just as a lamps unfilled with oil waver and dim. The body, moreover, grows worn out from excessive exercise, but our minds are unburdened by working out. For, the men Caecilius calls “the comic old fools” are those he means to mark out as credulous, forgetful, and discombobulated. These are not the faults of old age altogether, but of a lazy, careless, and sleepy old age. Just as petulance and lust are more often traits of young men than old ones, yet are not present in all young men but only the corruptible ones, so too is that aged foolishness which people usually call senility a mark of those who have weak minds, not of all old men.”

Resistendum, Laeli et Scipio, senectuti est eiusque vitia diligentia compensanda sunt, pugnandum tamquam contra morbum sic contra senectutem, habenda  ratio valetudinis, utendum exercitationibus modicis, tantum cibi et potionis adhibendum, ut reficiantur vires, non opprimantur. Nec vero corpori solum subveniendum est, sed menti atque animo multo magis. Nam haec quoque, nisi tamquam lumini oleum instilles, exstinguuntur senectute. Et corpora quidem exercitationum defetigatione ingravescunt, animi autem exercitando levantur. Nam quos ait Caecilius “comicos stultos senes,” hos significat credulos obliviosos dissolutos, quae vitia sunt non senectutis, sed inertis ignavae somniculosae senectutis. Ut petulantia, ut libido magis est adulescentium quam senum, nec tamen omnium adulescentium, sed non proborum, sic ista senilis stultitia, quae deliratio appellari solet, senum levium est, non omnium.

Line drawing of a bust of cicero from the plate of a book

The Short Dream and the Sudden Darkness

Athenaeus, Deipnosophists 14.620c

“Chameleon claims in his book On Stesichorus that it wasn’t only Homer’s poetry that was accompanied by music but also Archilochus’ and Hesiod’s too He adds the work of Mimnermus and Phocylides.”

Χαμαιλέων δὲ ἐν τῷ περὶ Στησιχόρου (fr. 28 Wehrli) καὶ μελῳδηθῆναί φησιν οὐ μόνον τὰ Ὁμήρου ἀλλὰ καὶ τὰ Ἡσιόδου καὶ Ἀρχιλόχου, ἔτι δὲ Μιμνέρμου καὶ Φωκυλίδου.

Athenaeus, fr. 13.5.567f= Hermesian fr. 7.35-40

“Then Mimnermos, who discovered the sweet sound
And breath of gentle pentameter, after he suffered terribly,
Was burning for Nanno. With his lips often on the grey lotus
Pipe, he partied with Examyes.
But he was hateful to serious Hermobios and Pherekles.”

Μίμνερμος δέ, τὸν ἡδὺν ὃς εὕρετο πολλὸν ἀνατλὰς
ἦχον καὶ μαλακοῦ πνεῦμ᾿ ἀπὸ πενταμέτρου,
καίετο μὲν Ναννοῦς, πολιῷ δ᾿ ἐπὶ πολλάκι λωτῷ
κνημωθεὶς κώμους εἶχε σὺν Ἐξαμύῃ·
†ἠδ᾿ ἠχθεε† δ᾿ Ἑρμόβιον τὸν ἀεὶ βαρὺν ἠδὲ Φερεκλῆν

Suda, Mu 1077 (iii.397.20 Adler)

“Mimnermos, the son of Ligurtuades, from Kolophon or Smurnos or Astupalaios. An elegiac poet. He lived during the 37th Olympiad [ c. 632-629 BCE) and so lived before the Seven Sages. Some people say that he lived at the same time they did. He used to be called Liguastades because of his harmony and clarity. He wrote…those many books.”

Μίμνερμος Λιγυρτυάδου, Κολοφώνιος ἢ Σμυρναῖος ἢ Ἀστυπαλαιεύς, ἐλεγειοποιός. γέγονε δ᾿ ἐπὶ τῆς λζ΄ ὀλυμπιάδος, ὡς προτερεύειν τῶν ζ΄ σοφῶν· τινὲς δὲ αὐτοῖς καὶ συγχρονεῖν λέγουσιν. ἐκαλεῖτο δὲ καὶ Λιγυᾳστάδης διὰ τὸ ἐμμελὲς καὶ λιγύ. ἔγραψε βιβλία †ταῦτα πολλά.

Mimnermus, fr. 5 = Stobaeus 4.50.69

[missing line of dactylic hexameter]

“….but dear youth is like a short dream
Then suddenly hard and ugly old age
Drapes down over your head.
It makes a man hateful and unloved, even unknown
As it weakens his eyes and clouds his mind.”

ἀλλ᾿ ὀλιγοχρόνιον γίνεται ὥσπερ ὄναρ
ἥβη τιμήεσσα· τὸ δ᾿ ἀργαλέον καί ἄμορφον
γῆρας ὑπὲρ κεφαλῆς αὐτίχ᾿ ὑπερκρέμεται,
ἐχθρὸν ὁμῶς καὶ ἄτιμον, ὅ τ᾿ ἄγνωστον τιθεῖ ἄνδρα,
βλάπτει δ᾿ ὀφθαλμοὺς καὶ νόον ἀμφιχυθέν.

Nick Drake, “Black Eyed Dog”

Black eyed dog he called at my door
The black eyed dog he called for more

A black eyed dog he knew my name
A black eyed dog he knew my name
A black eyed dog
A black eyed dog

I’m growing old and I wanna go home, I’m growing old and I dont wanna know
I’m growing old and I wanna go home

Black eyed dog he called at my door
The black eyed dog he called for more

Ditlev Blunck, Old Age. From the series: The Four Ages of Man (1840-1845) Statens Museum fur Kunst

Life’s Games at Any Age

Anacreonta 7

The women say
“Anacreon, you’re old
Look at a mirror and see
Your hair has gone missing,
Your brow is picked clean”

I don’t know whether
My hair is going or gone
But I know this:

Pleasurable games are fine
For an old man
As long as Life lingers on.”

λέγουσιν αἱ γυναῖκες·
‘Ἀνάκρεον, γέρων εἶ·
λαβὼν ἔσοπτρον ἄθρει
κόμας μὲν οὐκέτ᾿ οὔσας,
ψιλὸν δέ σευ μέτωπον.’

ἐγὼ δὲ τὰς κόμας μέν,
εἴτ᾿ εἰσὶν εἴτ᾿ ἀπῆλθον,
οὐκ οἶδα· τοῦτο δ᾿ οἶδα,
ὡς τῷ γέροντι μᾶλλον

πρέπει τὸ τερπνὰ παίζειν,
ὅσῳ πέλας τὰ Μοίρης.

Close-up crop of BHC2720 – Captain Lord George Graham in his Cabin (1715-1747). William Hogarth

The Short Dream and the Sudden Darkness

Athenaeus, Deipnosophists 14.620c

“Chameleon claims in his book On Stesichorus that it wasn’t only Homer’s poetry that was accompanied by music but also Archilochus’ and Hesiod’s too He adds the work of Mimnermus and Phocylides.”

Χαμαιλέων δὲ ἐν τῷ περὶ Στησιχόρου (fr. 28 Wehrli) καὶ μελῳδηθῆναί φησιν οὐ μόνον τὰ Ὁμήρου ἀλλὰ καὶ τὰ Ἡσιόδου καὶ Ἀρχιλόχου, ἔτι δὲ Μιμνέρμου καὶ Φωκυλίδου.

Athenaeus, fr. 13.5.567f= Hermesian fr. 7.35-40

“Then Mimnermos, who discovered the sweet sound
And breath of gentle pentameter, after he suffered terribly,
Was burning for Nanno. With his lips often on the grey lotus
Pipe, he partied with Examyes.
But he was hateful to serious Hermobios and Pherekles.”

Μίμνερμος δέ, τὸν ἡδὺν ὃς εὕρετο πολλὸν ἀνατλὰς
ἦχον καὶ μαλακοῦ πνεῦμ᾿ ἀπὸ πενταμέτρου,
καίετο μὲν Ναννοῦς, πολιῷ δ᾿ ἐπὶ πολλάκι λωτῷ
κνημωθεὶς κώμους εἶχε σὺν Ἐξαμύῃ·
†ἠδ᾿ ἠχθεε† δ᾿ Ἑρμόβιον τὸν ἀεὶ βαρὺν ἠδὲ Φερεκλῆν

Suda, Mu 1077 (iii.397.20 Adler)

“Mimnermos, the son of Ligurtuades, from Kolophon or Smurnos or Astupalaios. An elegiac poet. He lived during the 37th Olympiad [ c. 632-629 BCE) and so lived before the Seven Sages. Some people say that he lived at the same time they did. He used to be called Liguastades because of his harmony and clarity. He wrote…those many books.”

Μίμνερμος Λιγυρτυάδου, Κολοφώνιος ἢ Σμυρναῖος ἢ Ἀστυπαλαιεύς, ἐλεγειοποιός. γέγονε δ᾿ ἐπὶ τῆς λζ΄ ὀλυμπιάδος, ὡς προτερεύειν τῶν ζ΄ σοφῶν· τινὲς δὲ αὐτοῖς καὶ συγχρονεῖν λέγουσιν. ἐκαλεῖτο δὲ καὶ Λιγυᾳστάδης διὰ τὸ ἐμμελὲς καὶ λιγύ. ἔγραψε βιβλία †ταῦτα πολλά.

Mimnermus, fr. 5 = Stobaeus 4.50.69

[missing line of dactylic hexameter]

“….but dear youth is like a short dream
Then suddenly hard and ugly old age
Drapes down over your head.
It makes a man hateful and unloved, even unknown
As it weakens his eyes and clouds his mind.”

ἀλλ᾿ ὀλιγοχρόνιον γίνεται ὥσπερ ὄναρ
ἥβη τιμήεσσα· τὸ δ᾿ ἀργαλέον καί ἄμορφον
γῆρας ὑπὲρ κεφαλῆς αὐτίχ᾿ ὑπερκρέμεται,
ἐχθρὸν ὁμῶς καὶ ἄτιμον, ὅ τ᾿ ἄγνωστον τιθεῖ ἄνδρα,
βλάπτει δ᾿ ὀφθαλμοὺς καὶ νόον ἀμφιχυθέν.

Nick Drake, “Black Eyed Dog”

Black eyed dog he called at my door
The black eyed dog he called for more

A black eyed dog he knew my name
A black eyed dog he knew my name
A black eyed dog
A black eyed dog

I’m growing old and I wanna go home, I’m growing old and I dont wanna know
I’m growing old and I wanna go home

Black eyed dog he called at my door
The black eyed dog he called for more

Ditlev Blunck, Old Age. From the series: The Four Ages of Man (1840-1845) Statens Museum fur Kunst

Knowing When to Bow Out

Sappho Fr. 121

Since you’re a friend to us,
find a younger wife.
I won’t countenance marriage,
being older than you.

Philodemus 5.112

I loved—who hasn’t? And partied—who’s a stranger to that?
But my loss of all control, what was the cause? A god, no?
To hell with it! Grey hair is fast closing in on black ones,
Harbinger of the sober stage of life.
When it was the season to play, I played.
Now that’s over, I’m turning to more suitable concerns.

Sappho Fr. 121

ἀλλ’ ἔων φίλος ἄμμι
λέχος ἄρνυσο νεώτερον·
οὐ γὰρ τλάσομ’ ἔγω συνοί-
κην ἔοισα γεραιτέρα

Philodemus 5.112

ἠράσθην τίς δ᾽ οὐχί; κεκώμακα: τίς δ᾽ ἀμύητος
κώμων; ἀλλ᾽ ἐμάνην ἐκ τίνος; οὐχὶ θεοῦ;
ἐρρίφθω: πολιὴ γὰρ ἐπείγεται ἀντὶ μελαίνης
θρὶξ ἤδη, συνετῆς ἄγγελος ἡλικίης.
καὶ παίζειν ὅτε καιρός, ἐπαίξαμεν ἡνίκα καὶ νῦν
οὐκέτι, λωϊτέρης φροντίδος ἁψόμεθα.

Larry Benn has a B.A. in English Literature from Harvard College, an M.Phil in English Literature from Oxford University, and a J.D. from Yale Law School. Making amends for a working life misspent in finance, he’s now a hobbyist in ancient languages and blogs at featsofgreek.blogspot.com.

How Will I know If She Really Loves Me?

Rufinus 5.87 (from the Greek Anthology)

Melissias will not admit her love,
But her body screams like it’s on the receiving end
Of a quiver of arrows: unsteady steps,
Bouts of gasping breath,
And hollow love-struck sockets.
Now then, O Longings, in your mother’s name,
(Cytherea with the beautiful garland)
Inflame the unyielding woman
Until she cries out, “I’m burning!”

ἀρνεῖται τὸν ἔρωτα Μελισσιάς, ἀλλὰ τὸ σῶμα
κέκραγ᾽ ὡς βελέων δεξάμενον φαρέτρην,
καὶ βάσις ἀστατέουσα, καὶ ἄστατος ἄσθματος ὁρμή,
καὶ κοῖλαι βλεφάρων ἰοτυπεῖς βάσιες.
ἀλλά, Πόθοι, πρὸς μητρὸς ἐϋστεφάνου Κυθερείης,
φλέξατε τὴν ἀπιθῆ, μέχρις ἐρεῖ ‘ Φλέγομαι.’

Comment

Isn’t it strange that the speaker’s great desire is for Melissias to say aloud what he purportedly already knows? This limited ambition begs the question, what in the first place justifies his belief that she’s in love? To hear him tell it, her body gives her away: her eyes, her feet, her breathing. It’s worth noting that the speaker describes Melissias’s body not as showing how she feels but as uttering it (κράζω: to shout, scream, shriek). It’s worth noting precisely because what the speaker is now asking for is more of the same: more utterances, but this time from the mouth. 

But what’s gained by having her mouth join the chorus of signifying body parts? The idea seems to be that the mouth is uniquely subject to the will while eyes and feet, for example, are not. Speech, that is, evidences an internal reality, a second being which might well be free even after the body submits. If that’s the case, then the behavior of the eyes and feet don’t suffice as evidence of the love, undermining the speaker’s explicit claim to the contrary. In other words, it appears the speaker actually doubts the reliability of the signs his conclusion rests on. And so he’s asked for . . . more signs.  

But words, like the body, can deceive. After all, Melissias has denied what she’ll next affirm. Where then is certainty to be found? That’s the speaker’s question, and ours. Here it’s worth recalling Wittgenstein’s insight: at some point the demand for certainty is no longer a desire for knowledge of the object but a desire to be the object. In other words, certainty would require collapsing the third-person and first-person perspectives, such that there would be no difference between saying “I know myself” and “I know her.” And that, I suspect, is beyond the power of the gods.

Larry Benn has a B.A. in English Literature from Harvard College, an M.Phil in English Literature from Oxford University, and a J.D. from Yale Law School. Making amends for a working life misspent in finance, he’s now a hobbyist in ancient languages and blogs at featsofgreek.blogspot.com.

Before 78 Was the New 28

Mimnermus fr. 1

what is life, and what pleasure is there, without golden Aphrodite?
let me die when I stop caring about these things:
secret love, and gentle gifts, and the bed.
things like these are the blooms of youth –
delicious to men and women alike.

but then old age comes bounding.
always it makes a man a disfigured thing, a base thing.
ugly cares press at his soul nonstop.
when he looks on the rays of the sun, no joy.
no, instead boys hate him,
and women, they scorn him.

such are the ways god made old age a pain in the ass.

τίς δὲ βίος, τί δὲ τερπνὸν ἄτερ χρυσῆς Ἀφροδίτης,
τεθναίην ὅτε μοι μηκέτι ταῦτα μέλοι,
κρυπταδίη φιλότης καὶ μείλιχα δῶρα καὶ εὐνή,
οἷ᾽ ἥβης ἄνθ εα γίγνεται ἁρπαλέα
ἀνδράσιν ἠδὲ γυναιξίν: ἐπεὶ δ᾽ ὀδυνηρὸν ἐπέλθῃ
γῆρας, ὅ τ᾽ αἰσχρὸν ὁμῶς καὶ κακὸν ἄνδρα τιθεῖ,
αἰεί μιν φρένας ἀμφὶ κακαὶ τείρουσι μέριμναι,
οὐδ᾽ αὐγὰς προσορῶν τέρπεται ἠελίου,
ἀλλ᾽ ἐχθρὸς μὲν παισίν, ἀτίμαστος δὲ γυναιξίν,
οὕτως ἄργαλέον γῆρας ἔθηκε θεός.

Larry Benn has a B.A. in English Literature from Harvard College, an M.Phil in English Literature from Oxford University, and a J.D. from Yale Law School. Making amends for a working life misspent in finance, he’s now a hobbyist in ancient languages and blogs at featsofgreek.blogspot.com.

A Routine for Managing Old Age from Cicero

Cicero, De Senectute 35-36

“Laelius and Scipio, we must resist old age and counteract its weaknesses with care. We must fight against it as we would a disease. A heath regimen must be established. We need moderate exercise and only as much food and drink as is needed to replenish our abilities but not to overcome them. And we should not attend to the body alone: but much greater service is owed to the mind and soul.

For these parts flicker out from old age just as a lamps unfilled with oil waver and dim. The body, moreover, grows worn out from excessive exercise, but our minds are unburdened by working out. For, the men Caecilius calls “the comic old fools” are those he means to mark out as credulous, forgetful, and discombobulated. These are not the faults of old age altogether, but of a lazy, careless, and sleepy old age. Just as petulance and lust are more often traits of young men than old ones, yet are not present in all young men but only the corruptible ones, so too is that aged foolishness which people usually call senility a mark of those who have weak minds, not of all old men.”

Resistendum, Laeli et Scipio, senectuti est eiusque vitia diligentia compensanda sunt, pugnandum tamquam contra morbum sic contra senectutem, habenda  ratio valetudinis, utendum exercitationibus modicis, tantum cibi et potionis adhibendum, ut reficiantur vires, non opprimantur. Nec vero corpori solum subveniendum est, sed menti atque animo multo magis. Nam haec quoque, nisi tamquam lumini oleum instilles, exstinguuntur senectute. Et corpora quidem exercitationum defetigatione ingravescunt, animi autem exercitando levantur. Nam quos ait Caecilius “comicos stultos senes,” hos significat credulos obliviosos dissolutos, quae vitia sunt non senectutis, sed inertis ignavae somniculosae senectutis. Ut petulantia, ut libido magis est adulescentium quam senum, nec tamen omnium adulescentium, sed non proborum, sic ista senilis stultitia, quae deliratio appellari solet, senum levium est, non omnium.

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