Falling from Pegasos: Or, What’s a Heaven For (Pindar, Browning,Gilbert and Friends)

This is a repost. But I never get sick of these poems. And many of my students and colleagues might need some inspiration this time of year.

Pindar, Isthmian 7.40-49

“Seeking whatever pleasure each day gives
I will arrive at a peaceful old age and my allotted end.
For we all die the same, though
Our luck is unequal. If someone gazes
Too far, we are too small to reach the bronze threshold of the gods.
This is why winged Pegasos dropped his master
When he wanted to ascend the terraces of the sky.
When Bellerophon reached for Zeus’ assembly.
The bitterest end lies in wait
however sweet the injustice.”

ὅτι τερπνὸν ἐφάμερον διώκων
ἕκαλος ἔπειμι γῆρας ἔς τε τὸν μόρσιμον
αἰῶνα. θνᾴσκομεν γὰρ ὁμῶς ἅπαντες•
δαίμων δ’ ἄϊσος• τὰ μακρὰ δ’ εἴ τις
παπταίνει, βραχὺς ἐξικέσθαι χαλκόπεδον θεῶν
ἕδραν• ὅ τοι πτερόεις ἔρριψε Πάγασος
δεσπόταν ἐθέλοντ’ ἐς οὐρανοῦ σταθμούς
ἐλθεῖν μεθ’ ὁμάγυριν Βελλεροφόνταν
Ζηνός. τὸ δὲ πὰρ δίκαν
γλυκὺ πικροτάτα μένει τελευτά.

File:Red-figure plate showing Bellerophon riding Pegasus and a Chimera, by the Baltimore painter, second half of the 4th century BC, Monsters. Fantastic Creatures of Fear and Myth Exhibition, Palazzo Massimo alle Terme, Rome (12836992534).jpg
Red Figure by the Baltimore Painter, 4th Century BCE

Ah, don’t overreach! Yet, methinks Robert Browning might object (Andrea Del Sarto, Called “The Faultless Painter”):

“I, painting from myself and to myself, 90
Know what I do, am unmoved by men’s blame
Or their praise either. Somebody remarks
Morello’s outline there is wrongly traced,
His hue mistaken; what of that? or else,
Rightly traced and well ordered; what of that? 95
Speak as they please, what does the mountain care?
Ah, but a man’s reach should exceed his grasp,
Or what’s a heaven for?
All is silver-gray
Placid and perfect with my art: the worse!

In one of my favorite modern pieces, the poet Jack Gilbert explores the theme of flying and falling in “Failing And Flying” (from 2005’s wonderful Refusing Heaven) where he begins and ends with a meditation on Icarus. The sentiments seem apt (the text comes from poetryfoundation.org):

Everyone forgets that Icarus also flew.
It’s the same when love comes to an end,
or the marriage fails and people say
they knew it was a mistake, that everybody
said it would never work. That she was
old enough to know better. But anything
worth doing is worth doing badly.
Like being there by that summer ocean
on the other side of the island while
love was fading out of her, the stars
burning so extravagantly those nights that
anyone could tell you they would never last.
Every morning she was asleep in my bed
like a visitation, the gentleness in her
like antelope standing in the dawn mist.
Each afternoon I watched her coming back
through the hot stony field after swimming,
the sea light behind her and the huge sky
on the other side of that. Listened to her
while we ate lunch. How can they say
the marriage failed? Like the people who
came back from Provence (when it was Provence)
and said it was pretty but the food was greasy.
I believe Icarus was not failing as he fell,
but just coming to the end of his triumph.
The passage above from Pindar assumes some basic knowledge on the part of its audience, for instance: the connection between Bellerophon and Pegasos and how the former was in a position to fall from the latter. It is clear from the use of the figure as a negative example that the story had both broad currency and a typical understanding. A Scholiast in writing on Pindar’s 13th Olympian ode elaborates on the details of the fall (Schol. In Pindar Ol. 13.130c).

 

“For it is reported that when he planned to fly up on Pegasos and put himself in danger on high, he fell when Pegasos was bitten by a fly according to Zeus’ plan and he was crippled. So Homer says that he wandered crippled on the Alêion plain (Il. 6.201).

λέγεται γὰρ ὅτι ἀναπτῆναι βουληθεὶς τῷ Πηγάσῳ, κούφως παρακινδυνεύσας, κατὰ βούλησιν τοῦ Διὸς οἰστρωθέντος τοῦ Πηγάσου ἐκπίπτει καὶ χωλοῦται•
καὶ ἐπλανᾶτο κατὰ τὸ ᾿Αλήιον χωλός. καὶ ῞Ομηρός φησιν (Ζ 201).

The story of Bellerophon’s exile, told in Homer, is clarified or re-envisioned with the story of his downfall as articulated as a moral in Pindar. In Athenian Tragedy, Bellerophon became a popular figure (we have fragmentary plays by Sophocles and Euripides). Bellerophon’s eventual vengeance upon Sthenboia (an alternative for Anteia, Proitios’ wife) is the man story in Euripides’ play of that name that starts with a rumination on the trouble women cause for men:


Euripides, Stheneboia Fr. 661-662

“There is no man who is lucky in all things.
Either a man born noble has no livelihood
Or the baseborn ploughs fertile fields.
And many who boast of their wealth or birth
Are shamed by a foolish woman in their homes.”

Οὐκ ἔστιν ὅστις πάντ’ ἀνὴρ εὐδαιμονεῖ•
ἢ γὰρ πεφυκὼς ἐσθλὸς οὐκ ἔχει βίον,
ἢ δυσγενὴς ὢν πλουσίαν ἀροῖ πλάκα.
πολλοὺς δὲ πλούτῳ καὶ γένει γαυρουμένους
γυνὴ κατῄσχυν’ ἐν δόμοισι νηπία.

Just as Pindar uses Bellerophon as a vehicle to deliver a moralizing message, so too Euripides uses the hero to voice general concerns. In a second play on Bellerophon, Euripides returns to the moral content of Pindar’s complaint but, rather than simply portraying an instance of hubris, he offers a hero challenging the nature of divinity.

Here are two fragments from the lost Euripidean Bellerophon in which the eponymous hero denies that the gods exist. He does not seem to say that there are no gods at all, but his complaints are like those of Xenophanes who complains about the misbehavior of Homer’s gods.

Instead, Bellerophon’s complaints are based on the fact that since the world seems unjust and the gods are supposed to ensure justice, therefore they must not exist (either totally or in the form man makes them).

Euripides, fr.286.1-7 (Bellerophon)

“Is there anyone who thinks there are gods in heaven?
There are not. There are not, for any man who wishes
Not to be a fool and trust some ancient story.
Look at it yourselves, don’t make up your mind
Because of my words. I think that tyranny
Kills so many men and steals their possessions
And that men break their oaths by sacking cities.
But the men who do such things are more fortunate
Than those who live each die piously, at peace.
I know that small cities honor the gods,
Cities that obey stronger more impious men
Because they are overpowered by the strength of their arms.”

φησίν τις εἶναι δῆτ’ ἐν οὐρανῷ θεούς;
οὐκ εἰσίν, οὐκ εἴσ’, εἴ τις ἀνθρώπων θέλει
μὴ τῷ παλαιῷ μῶρος ὢν χρῆσθαι λόγῳ.
σκέψασθε δ’ αὐτοί, μὴ ἐπὶ τοῖς ἐμοῖς λόγοις
γνώμην ἔχοντες. φήμ’ ἐγὼ τυραννίδα
κτείνειν τε πλείστους κτημάτων τ’ ἀποστερεῖν
ὅρκους τε παραβαίνοντας ἐκπορθεῖν πόλεις•
καὶ ταῦτα δρῶντες μᾶλλόν εἰσ’ εὐδαίμονες
τῶν εὐσεβούντων ἡσυχῇ καθ’ ἡμέραν.
πόλεις τε μικρὰς οἶδα τιμώσας θεούς,
αἳ μειζόνων κλύουσι δυσσεβεστέρων
λόγχης ἀριθμῷ πλείονος κρατούμεναι.

Euripides, fr. 292.6 (Bellerophon)

“If the gods do a shameful thing, they are not gods.”

εἰ θεοί τι δρῶσιν αἰσχρόν, οὐκ εἰσὶν θεοί.

Keep It Simple! Quintilian on Textbooks and Teaching

Quintilian, Inst. Orat. 8.1-3

“The order of the material which was collected in the previous five books introduces the concepts of Invention and Disposition. While it is necessary to understand these completely and deeply to obtain the highest level of learning, it is advantageous for those just beginning to be exposed to them rather briefly and directly.

Beginners are often deterred by the difficulty of such a complex and perplexing course of study or, at the very moment when their intelligences require nourishing and cultivation with some indulgence, they are exhausted by the handling of rather obscure material. They also may think they if they have learned these things enough they can consider themselves prepared for eloquence or, because they are addicted to some other fast rules of speaking, they resist any new attempt.

This is why it is the case that those who are the best writers of textbooks diverge the most from eloquence. Beginners need a path to guide them, but it should be clearly laid out, walkable, and easy to see. The talented teacher, then, should choose the best things from all sources and convey those things in the present which are effective without introducing delay by disputing contrary views.”

His fere, quae in proximos quinque libros conlata sunt, ratio inveniendi atque inventa disponendi continetur, quam ut per omnis numeros penitus cognoscere ad summam scientiae necessarium est, ita incipientibus brevius ac simplicius tradi magis convenit. Aut enim difficultate institutionis tam numerosae atque perplexae deterreri solent, aut eo tempore quo praecipue alenda ingenia atque indulgentia quadam enutrienda sunt asperiorum tractatu rerum atteruntur, aut si haec sola didicerunt satis se ad eloquentiam instructos arbitrantur, aut quasi ad certas quasdam dicendi leges alligati conatum omnem reformidant. Unde existimant accidisse ut qui diligentissimi artium scriptores extiterint ab eloquentia longissime fuerint. Via tamen opus est incipientibus, sed ea plana et cum ad ingrediendum tum ad demonstrandum expedita. Eligat itaque peritus ille praeceptor ex omnibus optima et tradat ea demum in praesentia quae placet, remota refutandi cetera mora.

 

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Virtue and the Arts: Some Aristotle to Start Your Day

Before I got ready to shovel the snow from my driveway, I read some Aristotle this morning. I don’t think I actually believe the third point–because I suspect that insisting that human character is constant and consistent is actually (1) wrong and (2) impacts mental health negatively. But I like the beginning and the emphasis on that Aristotelian notion that doing something makes you something...

Aristotle, Nicomachean Ethics 2.2-4

“Or is this also true in the arts? For spelling a word accidentally or with someone else guiding you is possible. Then, one will be a scholar if he spells something the way a scholar does, by which I mean according to the scholarly art itself. In addition, there is no real similarity between the arts and virtue. For the products of art are good in themselves—it suffices if they develop while having their own quality.

But acts of virtue don’t have their own intrinsic quality and are performed wisely or justly, but if the person who does them acts in a certain way. First, he must understand what he does. Second, he must choose to do it and for its own nature. And, third, he must act from a fixed and constant character. None of these conditions are necessary for the other arts apart from understanding the act. But knowledge is of little or no importance for the virtues while the other conditions are not minor but rather everything, if truly [virtue] emerges from repeatedly doing just and wise things.”

ἢ οὐδ᾿ ἐπὶ τῶν τεχνῶν οὕτως ἔχει; ἐνδέχεται γὰρ γραμματικόν τι ποιῆσαι καὶ ἀπὸ τύχης καὶ ἄλλου ὑποθεμένου· τότε οὖν ἔσται γραμματικός, ἐὰν καὶ γραμματικόν τι ποιήσῃ καὶ γραμματικῶς, τοῦτο δ᾿ ἐστὶ [τὸ] κατὰ τὴν ἐν αὑτῷ γραμματικήν. ἔτι οὐδ᾿ ὅμοιόν ἐστιν ἐπὶ τῶν τεχνῶν καὶ τῶν ἀρετῶν· τὰ μὲν γὰρ ὑπὸ τῶν τεχνῶν γινόμενα τὸ εὖ ἔχει ἐν αὑτοῖς, ἀρκεῖ οὖν αὐτά πως ἔχοντα γενέσθαι· τὰ δὲ κατὰ τὰς ἀρετὰς γινόμενα οὐκ ἐὰν αὐτά πως ἔχῃ, δικαίως ἢ σωφρόνως πράττεται, ἀλλὰ καὶ ἐὰν ὁ πράττων πως ἔχων πράττῃ, πρῶτον μὲν ἐὰν εἰδώς, ἔπειτ᾿ ἐὰν προαιρούμενος, καὶ προαιρούμενος δι᾿ αὐτά, τὸ δὲ τρίτον καὶ ἐὰν βεβαίως καὶ ἀμετακινήτως ἔχων πράττῃ. ταῦτα δὲ πρὸς μὲν τὸ τὰς ἄλλας τέχνας ἔχειν οὐ συναριθμεῖται, πλὴν αὐτὸ τὸ εἰδέναι· πρὸς δὲ τὸ τὰς ἀρετὰς τὸ μὲν εἰδέναι μικρὸν ἢ οὐδὲν ἰσχύει, τὰ δ᾿ ἄλλα οὐ μικρὸν ἀλλὰ τὸ πᾶν δύναται, εἴπερ ἐκ τοῦ πολλάκις πράττειν τὰ δίκαια καὶ σώφρονα περιγίνεται.

Image result for Medieval manuscript aristotle ethics papyrus
Brtitish Library, Constitution of the Athenians

Political Correctness: A Response

We received this message earlier on Twitter:

“Best to avoid political tweets. At least half your audience doesn’t share this PC dogma, remember.”

How dare you? Brushing aside the epistemological question of how one reader could speak for half of the audience, it is necessarily true that large portions of any audience will disagree with something which is presented to it. Is it our responsibility simply to provide a comforting echo to each reader’s full collection of thoughts, opinions, and feelings? Impossible. Almost all of the internet is resolutely indifferent to Classics, yet we do not on that account feel compelled to shut down the operation for fear of boring people with ancient quotations. I could easily start a heated debate and earn the disapproval of more than half of the audience with the claim that I think the Odyssey superior to the Iliad, yet I would not on that account be afraid to say so. In such matters, one may resort to the old principle de gustibus non disputandum, but politics affects our lives in far more tangible ways than aesthetic preferences. It would be base cowardice to refrain from even commenting upon injustice, and I would sooner lose all of our audience than appear to condone reactionary barbarism.

“Political correctness” is a vacuous and insipid term, but it is a potent ideological weapon, used in an attempt to denigrate any potentially civilizing viewpoints. Not infrequently, expressions of support for human rights, cosmopolitanism, and cultural sensitivity are dismissed as politically correct. Yet, it also seems that the time for this phrase has long since past; it is not clear that any form of sensitivity is politically correct in a time when Trumpian disregard for civilization itself has managed not only to clutch all of the levers of political power in this country, but also to obtrude itself upon our consciousness so forcibly that we now run the risk of normalizing puerile hatred and pettiness as accepted modes of civic discourse.

The main purpose of this site is not political, but there is no denying that Classics has become one of many battlefields in a heated and horrifying ideological war. I would not flatter myself into thinking that it is central to the political debate, but when I see that a field of study which I care about is being weaponized against the civic values which I believe in, I will not silently refrain from comment in a vain hope to retain an audience. Just as many cities in antiquity claimed Homer as their own, so too many cultures, and even many ideologies, claim the study of ancient Greece and Rome as a part of their personal heritage. I will not pretend to be surprised that unregenerate reactionaries find something to admire in the Classics, which, for all of their civilization, are yet saturated with barbarism throughout. But one could easily impose any political ideology from far left to far right onto the template which the ancient world provides. The power of selective citation is that it can be used to lend a grave authority to any viewpoint. Yet, as I have written before, the ancient world should be an object for study, not revivification. I have spent more than a decade of my modern life thinking about antiquity, but I’ll be damned if I have ever felt a desire to experience it first hand and “live with the Romans.” We must learn from history, but only the most vile reactionary would take pleasure in a recrudescence of the “ancient ways”, and modeling one’s behavior on some dimly-understood precedent from thousands of years ago is craven in the extreme.

In the opening of his Politics, Aristotle claims that “all people do everything which they do for the sake of what they think is good.” (τοῦ γὰρ εἶναι δοκοῦντος ἀγαθοῦ χάριν πάντα πράττουσι πάντες.) This site does not exist for the purpose of promoting good or social justice, but it should be understood that we believe in universal human rights, free expression, and multiculturalism. (Anyone who studies Classics is necessarily committed to this last, in that they find themselves at the intersection of a bare minimum of three distinct cultures.) We will not refrain from commenting on politics at the behest of one or even thousands of idle charges of “political correctness,” which will be received with all the lip-curling exertion of a contemptuous sneer.

The Parthenon
Frederic Edwin Church, The Parthenon

A Few Words on Politics and Character

Tacitus, Annales 1.81

“Appealing words, but of a hollow or deceitful nature: the more they were covered with the appearance of freedom, the more they would burst into hostile servitude.”

speciosa verbis, re inania aut subdola, quantoque maiore libertatis imagine tegebantur, tanto eruptura ad infensius servitium.

 Critias, Fr. 11.1-4

“A good character is stronger than the law;
no politician can ever twist him around
as he ruins the law by troubling it
this way and that with arguments.”

τρόπος δὲ χρηστὸς ἀσφαλέστερος νόμου·
τὸν μὲν γὰρ οὐδεὶς ἂν διαστρέψαι ποτέ
ῥήτωρ δύναιτο, τὸν δ’ ἄνω τε καὶ κάτω
λόγοις ταράσσων πολλάκις λυμαίνεται

 

with an h/t to Pavel Gregoric for helping me fix the Critias

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Human Agency and the Lord’s Prayer

Caveat: I am neither a theologian nor a specialist in Biblical Greek (my specialty is Homeric Greek). I claim no authority in what follows and will gladly add any comments or corrections.

A twitter correspondent recently noted that Pope Francis wants to change the standard translation of the Lord’s Prater because of the line typically translated as “lead us not into temptation”. The Pope’s objects is that this version might lead people to believe that God is the cause of human sin.

Even though I probably said this prayer a thousand times as a child, I never really thought about it or where it came from. So, Master Clarke’s question made me nervous. I looked at the Greek, and it is straightforward. Then I started thinking about the objection. So, here is my very basic translation (the hubris!) followed by the Greek, the Latin and a short comment. (Wikipedia’s discussion is decent as a starting point)

“Our father, the one in the heavens,
May your name be sacred.
May your kingdom come,
May your desire be done
On the earth as it is in heaven.
Give to us today our bread for the coming day.
Free us of our debts
As we have freed those indebted to us.
And do not compel us to a test
But protect us from wickedness.

Πάτερ ἡμῶν ὁ ἐν τοῖς οὐρανοῖς·
ἁγιασθήτω τὸ ὄνομά σου·
ἐλθέτω ἡ βασιλεία σου·
γενηθήτω τὸ θέλημά σου,
ὡς ἐν οὐρανῷ καὶ ἐπὶ γῆς·
τὸν ἄρτον ἡμῶν τὸν ἐπιούσιον δὸς ἡμῖν σήμερον·
καὶ ἄφες ἡμῖν τὰ ὀφειλήματα ἡμῶν,
ὡς καὶ ἡμεῖς ἀφήκαμεν τοῖς ὀφειλέταις ἡμῶν·
καὶ μὴ εἰσενέγκῃς ἡμᾶς εἰς πειρασμόν,
ἀλλὰ ῥῦσαι ἡμᾶς ἀπὸ τοῦ πονηροῦ.

Compare to the King James Version

Our Father which art in heaven, Hallowed be thy name.
10 Thy kingdom come, Thy will be done in earth, as it is in heaven.
11 Give us this day our daily bread.
12 And forgive us our debts, as we forgive our debtors.
13 And lead us not into temptation, but deliver us from evil: For thine is the kingdom, and the power, and the glory, for ever. Amen.

Here’s the Latin Vulgate

Pater noster, qui es in caelis,
sanctificetur nomen tuum,
adveniat regnum tuum,
fiat voluntas tua,
sicut in caelo, et in terra.
Panem nostrum supersubstantialem da nobis hodie;
et dimitte nobis debita nostra,
sicut et nos dimittimus debitoribus nostris;
et ne inducas nos in tentationem;
sed libera nos a Malo

Image result for lord's prayer greek manuscript

A few notes:

An Anglican scholar (Rev. Ian Paul) suggests that the problem comes from the ambiguity of peirasmos (πειρασμόν) which the Latin vulgate translations as tentationem (“temptation”) but which conveys a sense of “test”, “trial” etc. The root peira is also relation to words of experience. As a Classicist and not a theologian, if I can break away from my own protestant upbringing, I would also add that the “lead” of English is not really appropriate for the Latin (inducas) or the Greek (εἰσενέγκῃς). Both of these verbs seem to imply a request for the deity not to force the speaker of the prayer into a test (perhaps crucible or evaluation). But the peirasmos in the context of the New Testament recalls, for me, Jesus’ testing by Satan in the wilderness.

Late antique and Byzantine lexicographers (Hesychius, Photius, Etymological texts, the Suda) often gloss Ἐπαγωγή with πειρασμός, defining the former as “a punishment, captivity, or anything bad that happens to a person” (Suda, epsilon 1921: ἢ ζημία, αἰχμαλωσία, ἤτοι τὸ ὁπωσοῦν ἐπαγόμενον κακόν). The Etymologicum Gudianum glosses notes that peirasmos is a noun from the verb “to test” which means “to attach or engage in war” (Πειρασμὸς, παρὰ τὸ πειράζω, ὃ σημαίνει τὸ καταλαμβάνω καὶ πολεμῶ). So, rather than denoting a mere solicitation or inducement (as might be implied by our “temptation”) this noun may carry the force of a violent trial.

So—and again, I am not only not a theologian but I am an agnostic who would claim classical atheism if the modern atheists hadn’t made such a mess of things—what I see from my years of reading Greek is not a blaming of sin on God, but rather a plea that God not make a test of man’s ability to resist. The point of the Greek, I think, is that good and evil exist and man has the ability to choose. The first request is one for God not to force us into testing our mettle.

When followed by the next line (ἀλλὰ ῥῦσαι) where the speaker requests to be “protected from evil”, it seems to me that we have an expanded idea: essentially, “don’t force me into a test [of good and evil] [which I might fail as an imperfect being] but preserve me from the evil” [so I may choose the good, because, as I said, I am imperfect]. And this binary request within the polarization of good and evil seems as well to dovetail with the previous lines where the speaker asks to be released from “debts” or “obligations”.

So, based just on the English of the King James (“lead us not into temptation”), I think the Pope probably has a point that the translation could mislead people about human agency in error. But the “lead” does not do this alone…Also, I think we must content with the radical difference between the translations “debts” and “trespasses” (property anyone?) in addition to the difference between “temptation” and “test”.

I ignored another important problem:

 

 

And this:

https://twitter.com/Chrysologus/status/939213939157725185

 

But I did get this:

https://twitter.com/Chrysologus/status/939213638375702528

Springs Feeding Beautiful Voices: An Odd Philological Detail

Vitruvius 8. 25

“Gaius Julius, Masinissa’s son, who controlled all the lands of the city, fought alongside the emperor. He was my guest from time to time. In our daily conversations we often were compelled to argue about philology.

Once we had a debate about the power of water and its finer qualities. He told me that there were springs which came from his own land along which whoever was born there developed exceptional singing voices. Because of this, people used to purchase fine looking lads and full-grown girls to mate with them, so that the children who were born from them would be exceptional in voice and form.”

Gaius Iulius Masinissae filius, cuius erant totius oppidi agrorum possessiones, cum patre Caesare militavit. Is hospitio meo est usus. Ita cotidiano convictu necesse fuerat de philologia  disputare. Interim cum esset inter nos de aquae potestate et ius virtutibus sermo, exposuit esse in ea terra eiusmodi fontes, ut, qui ibi procrearentur, voces ad cantandum egregias haberent, ideoque semper transmarinos catlastros emere formonsos et puellas maturas eosque coniungere, ut, qui nascerentur ex his, non solum voce egregia sed etiam forma essent non invenusta.

Frescoes of Marine Life found on a wall along the via La Portuense in the river port of San Paolo Rome CE) – National Museum of Rome

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Frescoes found, in the river port of San Paolo Rome  – National Museum of Rome

Pindar, Ol. 1 1–7

“Water is best, yet gold shining as a fire
Clear in the night is beyond all noble wealth—
But if you desire,
Dear heart, to sing of contests,
Don’t look farther than the sun
For any bright star warmer by day, alone in the sky.
And let us sing no contest greater than Olympia.”

Α′ ῎Αριστον μὲν ὕδωρ, ὁ δὲ χρυσὸς αἰθόμενον πῦρ
ἅτε διαπρέπει νυκτὶ μεγάνορος ἔξοχα πλούτου·
εἰ δ’ ἄεθλα γαρύεν
ἔλδεαι, φίλον ἦτορ,
μηκέτ’ ἀελίου σκόπει
ἄλλο θαλπνότερον ἐν ἁμέρᾳ φαεν-
νὸν ἄστρον ἐρήμας δι’ αἰθέρος,
μηδ’ ᾿Ολυμπίας ἀγῶνα φέρτερον αὐδάσομεν·

Thales, fr. 20

“Water is the beginning and the end of everything.”

[οὕτος ἔφη] ἀρχὴν τοῦ παντὸς εἶναι καὶ τέλος τὸ ὕδωρ

Epictetus on Scholarship and Sickness

At the end of the semester, sickness and scholarship go hand-in-hand. But Epictetus advises to take time to be sick properly…

Epictetus, 3.10-12

“But, am I not a scholar? Why do you pursue scholarship? Servant, do you do this to be content? Do you do it to be safe? Do you do it to grasp nature and live in accordance with it? What stops you when you’re sick from having your principle align with nature? This is the test of the matter, the crucible for any philosopher. This is also a part of life, like a stroll, a voyage, a trip, the fever too! Do you read while walking? No! And you don’t read while having a fever.  But if you walk well, you deliver the promise of one who walks.

If you have a fever, then do what one who has a fever should do. What does it mean to be sick well? Don’t blame god, or man. Don’t be undone by the things that happen. Await death bravely and correctly, and do what is given to you.”

Ἀλλ᾿ οὐ φιλολογῶ;—Τίνος δ᾿ ἕνεκα φιλολογεῖς; ἀνδράποδον, οὐχ ἵνα εὐροῇς; οὐχ ἵνα εὐσταθῇς; οὐχ ἵνα κατὰ φύσιν ἔχῃς καὶ διεξάγῃς;  τί κωλύει πυρέσσοντα κατὰ φύσιν ἔχειν τὸ ἡγεμονικόν; ἐνθάδ᾿ ὁ ἔλεγχος τοῦ πράγματος, ἡ δοκιμασία τοῦ φιλοσοφοῦντος. μέρος γάρ ἐστι καὶ τοῦτο τοῦ βίου, ὡς περίπατος, ὡς πλοῦς, ὡς ὁδοιπορία, οὕτως καὶ πυρετός. μή τι περιπατῶν ἀναγιγνώσκεις;—Οὔ.—Οὕτως οὐδὲ πυρέσσων. ἀλλ᾿ ἂν καλῶς περιπατῇς, ἔχεις τὸ τοῦ περιπατοῦντος· ἂν καλῶς πυρέξῃς, ἔχεις τὰ τοῦ πυρέσσοντος. 13τί ἐστὶ καλῶς πυρέσσειν; μὴ θεὸν μέμψασθαι, μὴ ἄνθρωπον, μὴ θλιβῆναι ὑπὸ τῶν γινομένων, εὖ καὶ καλῶς προσδέχεσθαι τὸν θάνατον, ποιεῖν τὰ προστασσόμενα·

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British Library, London. Aldobrandino of Siena: Li Livres dou Santé. France, late 13th Century.

An Immortal Procession: The Death of the Individual and the Life of the Whole

I fear that Philo is overconfident here, but the passage is still something special

Philo, The Worse Attack the Better  206

“When some musician or scholar has died, then their music or writing dies with them; but their basic contributions persist and, in some way, live as long as the universe does. Those who are scholars and musicians now or who will be in the future will continue to develop thanks to these previous works in an undying procession.

In the same way, whatever is prudent, wise, brave, just, or just simply wise in an individual may perish, but it nevertheless remains as immortal thought and all excellence is safeguarded against decay in the immortal nature of the whole [universe]. Through this advantage people today and those of tomorrow will also become civilized—unless we believe that the death of one individual person in turn visits ruin upon humankind.”

ὥσπερ γὰρ μουσικοῦ τινος ἢ γραμματικοῦ τελευτήσαντος ἡ μὲν ἐν | τοῖς ἀνδράσι μουσικὴ καὶ γραμματικὴ συνέφθαρται, αἱ δὲ τούτων ἰδέαι μένουσι καὶ τρόπον τινὰ βιοῦσιν ἰσοχρόνιοι τῷ κόσμῳ, καθ᾿ ἃς οἵ τε ὄντες καὶ οἱ μέλλοντες διαδοχαῖς ταῖς εἰσαεὶ μουσικοί τε καὶ γραμματικοὶ γενήσονται, οὕτως καὶ τὸ ἔν τινι φρόνιμον ἢ σῶφρον ἢ ἀνδρεῖον ἢ δίκαιον ἢ συνόλως σοφὸν ἂν ἀναιρεθῇ, οὐδὲν ἧττον ἐν τῇ τοῦ παντὸς ἀθανάτῳ φύσει φρόνησις ἀθάνατος καὶ ἀρετὴ σύμπασα ἄφθαρτος ἐστηλίτευται, καθ᾿ ἣν καὶ νῦν εἰσιν ἀστεῖοί τινες καὶ αὖθις γενήσονται· εἰ μὴ καὶ ἀνθρώπου τινὸς τῶν ἐν μέρει θάνατον φθορὰν ἐργάσασθαι φήσομεν ἀνθρωπότητι

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 Mosaic from the reception room from Sparsholt Roman Villa, Hampshire, England

The Transformation of Philosophy into Philology

Seneca, Moral Epistle 108

“Attalus used to praise a pillow which resisted the weight of the body. I use one like this too, now that I am old, in which it is impossible to leave a trace of my presence. I tell you these things so I might indicate how fiery new students are toward their first attractions to the best matters, if anyone should encourage them or kindle them that way.

But some error comes thanks to our teachers who instruct us how to argue but not how to live; some error too comes from students, who bring themselves to teachers not for the nourishing of the soul, but the cultivation of our wit. Thus what was philosophy has been turned into philology.”

Laudare solebat Attalus culcitam, quae resisteret corpori; tali utor etiam senex, in qua vestigium apparere non possit. Haec rettuli ut probarem tibi, quam vehementes haberent tirunculi impetus primos ad optima quaeque, si quis exhortaretur illos, si quis incenderet. Sed aliquid praecipientium vitio peccatur, qui nos docent disputare, non vivere, aliquid discentium, qui propositum adferunt ad praeceptores suos non animum excolendi, sed ingenium. Itaque quae philosophia fuit, facta philologia est.

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Roman Sarcophagus with Children, Vienna, Museum of Art History (c. 2nd Century CE)