Hunting, Leaping, and Drunk on Love: Some Anacreon for Your Weekend

Anacreon, fr. 357

“Lord with whom Lust the subduer
And the dark-eyed nymphs
And royal Aphrodite play
As you roam the high mountain peaks.

I beg you:
come to me kindly
Hear my prayer made pleasing to you:

Be a good advisor to Kleoboulos,
Dionysus, that he accept
My desire.

ὦναξ, ὧι δαμάλης ῎Ερως
καὶ Νύμφαι κυανώπιδες
πορφυρῆ τ’ ᾿Αφροδίτη
συμπαίζουσιν, ἐπιστρέφεαι
δ’ ὑψηλὰς ὀρέων κορυφάς·

γουνοῦμαί σε, σὺ δ’ εὐμενὴς
ἔλθ’ ἡμίν, κεχαρισμένης
δ’ εὐχωλῆς ἐπακούειν·
Κλεοβούλωι δ’ ἀγαθὸς γένεο
σύμβουλος, τὸν ἐμόν γ’ ἔρω-
τ’, ὦ Δεόνυσε, δέχεσθαι.

fr. 358

“Again! Golden-haired Desire
Strikes me with a purple ball
Calling me out to play
With a fine-sandaled youth

But she is from well-settled
Lesbos and she carps at my hair,
Because it is white. So she stares at
Some other [hair] instead.”*

σφαίρηι δηὖτέ με πορφυρῆι
βάλλων χρυσοκόμης ῎Ερως
νήνι ποικιλοσαμβάλωι
συμπαίζειν προκαλεῖται·

ἡ δ’, ἐστὶν γὰρ ἀπ’ εὐκτίτου
Λέσβου, τὴν μὲν ἐμὴν κόμην,
λευκὴ γάρ, καταμέμφεται,
πρὸς δ’ ἄλλην τινὰ χάσκει.

*The Greek ἄλλην τινὰ may mean “some other girl” as the Loeb translation has it. But the structure of the sentence makes me think the girl is staring at different hair (not the narrator’s white hair).

fr. 359

“I long for Kleoboulos.
I am crazy for Kleoboulos.
I am staring at Kleoboulos.”

Κλεοβούλου μὲν ἔγωγ’ ἐρέω,
Κλεοβούλωι δ’ ἐπιμαίνομαι,
Κλεόβουλον δὲ διοσκέω.

 

fr. 360

“Boy with a maiden’s looks—
I am hunting you, but you don’t hear me
Because you do not know
That you are the charioteer of my soul”

ὦ παῖ παρθένιον βλέπων
δίζημαί σε, σὺ δ’ οὐ κλύεις,
οὐκ εἰδὼς ὅτι τῆς ἐμῆς
ψυχῆς ἡνιοχεύεις.

 

fr. 377

“Ah, I climbed up again and leapt
From the Leucadian Cliff into the grey wave,
Drunk with longing.”

ἀρθεὶς δηὖτ’ ἀπὸ Λευκάδος
πέτρης ἐς πολιὸν κῦμα κολυμβῶ μεθύων ἔρωτι.

 

fr. 378

“I am springing up to Olympos on light wings
Because of Desire—for [no one] wants to enjoy youth with me”

ἀναπέτομαι δὴ πρὸς ῎Ολυμπον πτερύγεσσι κούφηις
διὰ τὸν ῎Ερωτ’· οὐ γὰρ ἐμοὶ <> θέλει συνηβᾶν.

 

fr. 389

“Since you’re a friendly girl to strangers, allow me to drink because I’m thirsty”

φίλη γάρ εἰς ξείνοισιν· ἔασον δέ με διψέοντα πιεῖν.

 

Pythagorean Self-Invention

Scholion to Sophocles Electra 62.2

“Pythagoras shut himself in a hole in the ground and told his mother to tell people that he was dead. After that, once he reappeared again later, he was telling fantastic tales of reincarnation and the people Hades, explaining to the living about the matters of the dead. From these stories, he created that kind of repute for himself that, before the Trojan War, he was Aithalidês the son of Hermes and then Euphorbos, and then Hermotimos of Samos, then Delian Pythios and after all of them, Pythagoras.”

…Πυθαγόρας καθείρξας ἑαυτὸν ἐν ὑπογείῳ λογοποιεῖν ἐκέλευσε τὴν μητέρα, ὡς ἄρα τεθνηκὼς εἴη. καὶ μετὰ ταῦτα ἐπιφανεὶς περὶ παλιγγενεσίας καὶ τῶν καθ’ ᾅδου τινὰ ἐτερατεύετο, διηγούμενος πρὸς τοὺς ζῶντας περὶ τῶν οἰκείων, οἷς ἐν ᾅδου συντετυχηκέναι ἔλεγεν. ἐξ ὧν τοιαύτην ἑαυτῷ δόξαν περιέθηκεν, ὡς πρὸ μὲν τῶν Τρωϊκῶν Αἰθαλίδης ὢν ὁ Ἑρμοῦ, εἶτα Εὔφορβος, εἶτα Ἑρμότιμος Σάμιος, εἶτα Πύθιος Δήλιος, εἶτα ἐπὶ πᾶσι Πυθαγόρας.Monday

Fragmentary Friday: Why Are You Sober if You Have Money?

Baton, the Comic Poet (fr. 3.1-11, preserved in Athenaeus Deipn. 4.163b)

“I am calling the prudent philosophers here,
Those who never allow themselves anything good,
Those who seek a thoughtful man in every walk
And in their discussions as if he were a fugitive slave.
Wretched man, why are you sober if you have money?
Why do you dishonor the gods this much?
Why do you think money is worth more than you are?
Does it have some intrinsic worth?
If you drink water, you’re useless to the city.
You hurt the farmer and the trader at the same time.
But I make them wealthier by getting drunk.”

τῶν φιλοσόφων τοὺς σώφρονας ἐνταυθοῖ καλῶ,
τοὺς ἀγαθὸν αὑτοῖς οὐ διδόντας οὐδὲ ἕν,
τοὺς τὸν φρόνιμον ζητοῦντας ἐν τοῖς περιπάτοις
καὶ ταῖς διατριβαῖς ὥσπερ ἀποδεδρακότα.
ἄνθρωπ’ ἀλάστωρ, διὰ τί συμβολὰς ἔχων
νήφεις; τί τηλικοῦτον ἀδικεῖς τοὺς θεούς;
τί τἀργύριον, ἄνθρωπε, τιμιώτερον
σαυτοῦ τέθεικας ἢ πέφυκε τῇ φύσει;
ἀλυσιτελὴς εἶ τῇ πόλει πίνων ὕδωρ·
τὸν γὰρ γεωργὸν καὶ τὸν ἔμπορον κακοῖς.
ἐγὼ δὲ τὰς προσόδους μεθύων καλὰς ποιῶ.

Another fragmentary author with no Wikipedia page.  All the Suda says about him is: Βάτων, κωμικός· δράματα αὐτοῦ Συνεξαπατῶν, ᾿Ανδροφόνος, Εὐεργέται. (“A Comic Poet whose plays were the Conspirators, the Murder and the Goodworkers.”) Athenaeus’ Deipnosophists is the main source for his fragments. This Batôn should not be confused with the historian and orator Batôn (also mentioned in Athenaeus).

 

#BuyNothingDay: Read Some More Lucretius

Lucretius, De Rerum Natura 5.1430-1439 (Full text on the Scaife Viewer)

“The human race, then, labors uselessly and in vain
as we always consume our time in empty concerns
because we don’t understand that there’s a limit to having—
and there’s an end to how far true pleasure can grow.
This has dragged life bit by bit into the deep sea
and has stirred at its bottom great blasts of war.
But the guardian of the earth turns around the great sky
and teaches men truly that the year’s seasons come full circle
and that all must be endured with a sure reason and order.”

Ergo hominum genus in cassum frustraque laborat
semper et [in] curis consumit inanibus aevom,
ni mirum quia non cognovit quae sit habendi
finis et omnino quoad crescat vera voluptas;
idque minutatim vitam provexit in altum
et belli magnos commovit funditus aestus.
at vigiles mundi magnum versatile templum
sol et luna suo lustrantes lumine circum
perdocuere homines annorum tempora verti
et certa ratione geri rem atque ordine certo.

Epicureanism doesn’t do it for you? Here’s something else;

Epictetus, Encheiridion 44 (Full text on the Scaife Viewer)

“These statements are illogical: “I am richer than you and therefore better than you. I am more articulate than you and therefore better than you.” But these conclusions are more fitting: “I am wealthier than you, therefore my possessions are greater than yours. I am more articulate than you, therefore my speech is better than yours.” You are neither your property nor your speech.”

c. 44. Οὗτοι οἱ λόγοι ἀσύνακτοι· “ἐγώ σου πλουσιώτερός εἰμι, ἐγώ σου ἄρα κρείσσων”· “ἐγώ σου λογιώτερος, ἐγώ σου ἄρα κρείσσων” ἐκεῖνοι δὲ μᾶλλον συνακτικοί· “ἐγώ σου πλουσιώτερός εἰμι, ἡ ἐμὴ ἄρα κτῆσις τῆς σῆς κρείσσων”· “ἐγώ σου λογιώτερος, ἡ ἐμὴ ἄρα λέξις τῆς σῆς κρείσσων.” σὺ δὲ γε οὔτε κτῆσις εἶ οὔτε λέξις.

Some Approving Words from Cicero,

Cicero, Paradoxa Stoicorum 7-8 (Full Latin text on the Scaife Viewer)

“Can something good be bad for anyone, or is it possible for someone not to be good in the abundance of goods? But indeed, we see that all of those things we mentioned are of such a sort that the wicked have them, but the good do not. For that reason, anyone at all may laugh at me if they wish, but true reasoning will possess more power with me than the opinion of the common mob. Nor will I ever say that someone has lost their goods if they should lose their cattle or furniture. I will always praise the wise man Bias who, as I think, is numbered among the seven sages. When the enemy had seized his fatherland of Priene, and the other citizens were fleeing while carrying many of their possessions with them, Bias was advised by another to do them same himself. Bias responded, ‘I am doing just that – I carry everything I own with me.’”

Potestne bonum cuiquam malo esse, aut potest quisquam in abundantia bonorum ipse esse non bonus? Atqui ista omnia talia videmus, ut et inprobi habeant et absint probis. Quam ob rem licet inrideat, si qui vult, plus apud me tamen vera ratio valebit quam vulgi opinio; neque ego umquam bona perdidisse dicam, si quis pecus aut supellectilem amiserit, nec non saepe laudabo sapientem illum, Biantem, ut opinor, qui numeratur in septem; cuius quom patriam Prienam cepisset hostis ceterique ita fugerent, ut multa de suis rebus asportarent, cum esset admonitus a quodam, ut idem ipse faceret, ‘Ego vero’, inquit, ‘facio; nam omnia mecum porto mea.’

Market scene, 15th century, Manuscript, Bibliothèque Municipale, Rouen

Get the Best of Every Thanksgiving Dish With this One Simple Trick!

The training regimen of Philoxenus of Leucus (Athenaeus, Deipnosophists 1.9.1-19)

“Certain flat-cakes were eventually named ‘Philoxenian’ from a man named Philoxenus. Chrysippus says of him: ‘I know of a certain foodie who fell so far from worrying about what people thought of his actions that he publicly tried to get used to heat in the public baths by plunging his hands in the hot water or gargling with it so that he couldn’t be moved from the hot plates! People claimed that he was pressuring the cooks to serve the food as hot as possible so that he could swallow it alone, since no one else would be able to keep up with him.’

The same accounts are given of Philoxenus the Cytherean, Archytas and many others—one of them says the following in a comedy by Crobylus (fr. 8):

A. ‘For this dish that is beyond hot

I have Idaean finger tips
And it is sweet to steam my throat with fish steaks!

B. He’s a kiln not a man!’

Cooking1
Make it hotter!

ἀπὸ τούτου τοῦ Φιλοξένου καὶ Φιλοξένειοί τινες πλακοῦντες ὠνομάσθησαν. περὶ τούτου Χρύσιππός φησιν· ‘ἐγὼ κατέχω τινὰ ὀψοφάγον ἐπὶ τοσοῦτον ἐκπεπτωκότα τοῦ μὴ ἐντρέπεσθαι τοὺς πλησίον ἐπὶ τοῖς γινομένοις ὥστε φανερῶς ἐν τοῖς βαλανείοις τήν τε χεῖρα συνεθίζειν πρὸς τὰ θερμὰ καθιέντα εἰς ὕδωρ θερμὸν καὶ τὸ στόμα ἀναγαργαριζόμενον θερμῷ, ὅπως δηλονότι ἐν τοῖς θερμοῖς δυσκίνητος ᾖ. ἔφασαν γὰρ αὐτὸν καὶ τοὺς ὀψοποιοῦντας ὑποποιεῖσθαι, ἵνα θερμότατα παρατιθῶσι καὶ μόνος καταναλίσκῃ αὐτὸς τῶν λοιπῶν συνακολουθεῖν μὴ δυναμένων.’ τὰ δ’ αὐτὰ καὶ περὶ τοῦ Κυθηρίου Φιλοξένου ἱστοροῦσι καὶ ᾿Αρχύτου καὶ ἄλλων πλειόνων, ὧν τις παρὰ Κρωβύλῳ τῷ κωμικῷ φησιν (IV 568 M)·

ἐγὼ δὲ πρὸς τὰ θερμὰ ταῦθ’ ὑπερβολῇ
τοὺς δακτύλους δήπουθεν ᾿Ιδαίους ἔχω
καὶ τὸν λάρυγγ’ ἥδιστα πυριῶ τεμαχίοις.

Β. κάμινος, οὐκ ἄνθρωπος.

Sing Me a Dinner! A Comic Fragment for an Epic Feast

Antiquity has bequeathed us many odd things. Among them, the Attic Dinner attributed to Matro of Pitane, a poet so obscure he does not merit his own wikipedia article. A student of Greek epic–even a rather poor one–should recognize the many allusions to Homer. (Of course, this poet is largely preserved by the gastronome Athenaeus).

“Dinners, tell me, Muse, of dinners, much nourishing and many.
Which Xenokles the orator ate at my house in Athens.
For I went there too, but a great hunger plagued me—
Where I saw the finest and largest loaves
Whiter than snow, tasting like wheat-cakes
The north-wind lusted after them as they baked.
Xenicles himself inspected the ranks of men
As he stopped while standing at the threshold; next to him was the parasite
Khairephoôn, a man like a starving sea-gull,
Hungry, and well-acquainted with other people’s feasts.”

δεῖπνα μοι ἔννεπε, Μοῦσα, πολύτροφα καὶ μάλα
πολλά ἃ Ξενοκλῆς ῥήτωρ ἐν ᾿Αθήναις δείπνισεν ἡμᾶς·
ἦλθον γὰρ κἀκεῖσε, πολὺς δέ μοι ἕσπετο λιμός.
οὗ δὴ καλλίστους ἄρτους ἴδον ἠδὲ μεγίστους,
λευκοτέρους χιόνος, ἔσθειν δ’ ἀμύλοισιν ὁμοίους
τάων καὶ Βορέης ἠράσσατο πεσσομενάων
αὐτὸς δὲ Ξενοκλῆς ἐπεπωλεῖτο στίχας ἀνδρῶν
στῆ δ’ ἄρ’ ἐπ’ οὐδὸν ἰών. σχεδόθεν δέ οἱ ἦν παράσιτος
Χαιρεφόων, πεινῶντι λάρῳ ὄρνιθι ἐοικώς,
νήστης, ἀλλοτρίων εὖ εἰδὼς δειπνοσυνάων.

grapes

The first line quite obviously adapts the first line of the Odyssey:

“Of a man, tell me, Muse, a man of many ways who [suffered] many things…”

῎Ανδρα μοι ἔννεπε, Μοῦσα, πολύτροπον, ὃς μάλα πολλὰ

The Best Time For Sex? A Holiday Dinner Conversation Prompt

Plutarch, Moralia 653: Table-Talk—Book 3, Question 8: Concerning the Right Time for Sex

“Some young men who had not spent much time in classical literature were criticizing Epicurus, that it was not noble or necessary that he included a discussion about the right time for sex in his Symposium. For, they claimed that it was the worst kind of impropriety for an older man to talk about sexual matters during dinner when youths were present and to work through whether it was better after dinner or before dinner.

To this, some guests added that Xenophon used to take his dinner companions home after dinner not by foot but by horse to have sex with their wives. Zopyros the doctor—a man very familiar with Epicurus’ arguments, said that they has not read Epicurus’ Symposium very carefully. For, he did not put forth the problem as one based on a certain rule or established practice,  and then provide his arguments in its favor. Instead, he roused the youths after dinner for a walk and talked for the reason of instruction, to curb them from their desires, because sex is always a matter which might bring harm and which afflicts those worst who engage after food and drink.

He said, “If, indeed, this discussion were earnestly about sex, would it seem right not to examine the better opportunity and hour for doing these kinds of things? Would it be otherwise right for him to look look for another moment more opportune except at the symposium and the dinner table?”

 

Image result for Ancient Greek Symposium Sex vase

Περὶ καιροῦ συνουσίας

Νεανίσκοι τινὲς οὐ πάλαι τοῖς παλαιοῖς λόγοις προσπεφοιτηκότες ἐσπάραττον τὸν Ἐπίκουρον, ὡς οὐ καλὸν οὐδ᾿ ἀναγκαῖον ἐμβεβληκότα λόγον περὶ καιροῦ συνουσίας εἰς τὸ Συμπόσιον· μιμνήσκεσθαι γὰρ ἀφροδισίων ἄνδρα πρεσβύτερον ἐν δείπνῳ μειρακίων παρόντων καὶ διαπορεῖν, πότερον μετὰ δεῖπνον ἢ πρὸ δείπνου χρηστέον, ἐσχάτης ἀκολασίας εἶναι. πρὸς ταῦθ᾿ οἱ μὲν τὸν Ξενοφῶντα παρέλαβον ὡς ἀπάγοντα τοὺς συμπότας μετὰ δεῖπνον οὐχὶ βάδην ἀλλ᾿ ἐφ᾿ ἵππων ἐπὶ συνουσίας πρὸς τὰς γυναῖκας. Ζώπυρος δ᾿ ὁ ἰατρός, εὖ μάλα τοῖς Ἐπικούρου λόγοις ἐνωμιληχώς, οὐκ ἔφη προσέχοντας αὐτοὺς ἀνεγνωκέναι τὸ Ἐπικούρου Συμπόσιον· οὐ γὰρ ὥσπερ ἐξ ἀρχῆς τινος καὶ καταστάσεως τοῦτο πρόβλημα ποιησάμενον εἶτα λόγους ἐπ᾿ αὐτῷ περαίνειν, ἀλλὰ τοὺς νέους ἀνιστάντα μετὰ δεῖπνον εἰς περίπατον ἐπὶ σωφρονισμῷ διαλέγεσθαι καὶ ἀνακρούειν ἀπὸ τῶν ἐπιθυμιῶν, ὡς ἀεὶ μὲν ἐπισφαλοῦς εἰς βλάβην τοῦ πράγματος ὄντος, κάκιστα δὲ τοὺς περὶ πότον καὶ ἐδωδὴν χρωμένους αὐτῷ διατιθέντος. “εἰ δὲ δὴ καὶ προηγουμένως,” εἶπεν, “ἐζητεῖτο περὶ τούτου, πότερον οὐδ᾿ ὅλως ἐσκέφθαι καλῶς εἶχε τὸν βέλτιον μὲν ἐν καιρῷ καὶ μετὰ λογισμοῦ τὰ τοιαῦτα πράττειν, τὸν δὲ καιρὸν ἄλλως μὲν ἐπισκοπεῖν οὐκ ἄωρον ἐν δὲ συμποσίῳ καὶ περὶ τράπεζαν αἰσχρόν;

Make A Seating Plan for Your Holiday Feast, Unless Simonides is Coming…

Ancient memory techniques go back to oratorical training in theory, but in practice probably much further back in human history. Philostratus records the reputation of Dionysius of Miletus and his “memory-men”. But one of the most easily abused and likely misunderstood method from the ancient world is the “memory palace” (or “method of loci“), made famous by Cicero, but credited to the lyric poet Simonides.

Cicero De Oratore 2.352–355

“But, so I may return to the matter”, he said, “I am not as smart as Themistocles was as to prefer the art of forgetting to the art of memory. And So I am thankful to that Simonides of Ceos who, as they say, first produced an art of memory. For they say that when Simonides was dining at the home of a wealthy aristocrate named Scopas in Thessaly and had performed that song which he wrote in his honor—in which there were many segments composed for Castor and Pollux elaborated in the way of poets. Then Scopas told him cruelly that he would pay him half as much as he had promised he would give for the song; if it seemed right to him, he could ask Tyndareus’ sons for the other half since he had praised them equally.

A little while later, as they tell the tale, it was announced that Simonides should go outside—there were two young men at the door who had been calling him insistently. He rose, exited, and sAW no one. Meanwhile, in the same space of time, the ceiling under which Scopas was having his feast collapsed: the man was crushed by the ruins and died with his relatives. When people wanted to bury them they could not recognize who was where because they were crushed. Simonides is said to have shown the place in which each man died from his memory for their individual burials.

From this experience, Simonides is said to have learned that it is order most of all that brings light to memory. And thus those who wish to practice this aspect of the skill must select specific places and shape in their mind the matters they wish to hold in their memory and locate these facts in those places. It will so turn out that the order of the places will safeguard the order of the matters, the reflections of the facts will remind of the facts themselves, and we may use the places like wax and the ideas like letters written upon it.”

Sed, ut ad rem redeam, non sum tanto ego, inquit, ingenio quanto Themistocles fuit, ut oblivionis artem quam memoriae malim; gratiamque habeo Simonidi illi Cio quem primum ferunt artem memoriae protulisse.  Dicunt enim cum cenaret Crannone in Thessalia Simonides apud Scopam fortunatum hominem et nobilem cecinissetque id carmen quod in eum scripsisset, in quo multa ornandi causa poetarum more in Castorem scripta et Pollucem fuissent, nimis illum sordide Simonidi dixisse se dimidium eius ei quod pactus esset pro illo carmine daturum: reliquum a suis Tyndaridis quos aeque laudasset peteret si ei videretur. Paulo post esse ferunt nuntiatum Simonidi ut prodiret: iuvenes stare ad ianuam duos quosdam qui eum magnopere evocarent; surrexisse illum, prodisse, vidisse neminem; hoc interim spatio conclave illud ubi epularetur Scopas concidisse; ea ruina ipsum cum cognatis oppressum suis interiisse; quos cum humare vellent sui neque possent obtritos internoscere ullo modo, Simonides dicitur ex eo quod meminisset quo eorum loco quisque cubuisset demonstrator uniuscuiusque sepeliendi fuisse; hac tum re admonitus invenisse fertur ordinem esse maxime qui memoriae lumen afferret. Itaque eis qui hanc partem ingeni exercerent locos esse capiendos et ea quae memoria tenere vellent effingenda animo atque in eis locis collocanda: sic fore ut ordinem rerum locorum ordo conservaret, res autem ipsas rerum effigies notaret, atque ut locis pro cera, simulacris pro litteris uteremur.

thanks to S. Raudnitz for reminding me of this passage too!

 

Image result for ancient greek memory palace medieval giulio camillo
This stuff is still popular: The Memory Theater of Guilio Camillo

A Simple Plan for Being the Perfect Dinner Guest

Aristophon, The Physician (fr. 5; Athenaeus, Deipnosophists 6.238c)

“I want to announce to him what kind of a man I am.
Whenever someone hosts a meal, I am there first—so much so
That I have been called “Broth-boy” for many years.
When we must carry someone out of the middle of the drinkers,
Know that I will look like an Argive grappler in the act.
If we must assault a house, I’m the ram. Storm it by the roof?
Call me Capaneus. I’m the anvil for enduring all blows.
I make fists like Telamon. I go at the handsome guys
Like smoke.”

βούλομαι δ’ αὐτῷ προειπεῖν οἷός εἰμι τοὺς τρόπους·
ἄν τις ἑστιᾷ, πάρειμι πρῶτος, ὥστ’ ἤδη πάλαι
…. ζωμὸς καλοῦμαι. δεῖ τιν’ ἄρασθαι μέσον
τῶν παροινούντων, παλαιστὴν νόμισον αὐταργειον
μ’ ὁρᾶν.
προσβαλεῖν πρὸς οἰκίαν δεῖ, κριός· ἀναβῆναί τι πρὸς
κλιμάκιον … Καπανεύς· ὑπομένειν πληγὰς ἄκμων·
κονδύλους πλάττειν δὲ Τελαμών· τοὺς καλοὺς πει-
ρᾶν καπνός.

Archaeological Museum of Nikopolis, Nikopoli, Preveza, Greece.

Coming Together to Feast

Homer Iliad 1.458-476

When they had prayed and scattered barley,
first they pulled back the oxen’s heads,
then they cut their throats and flayed them.
They cut out the thigh bones,
wrapped them in folds of fat,
and put raw flesh on them.
The old man then burnt them on strips of wood
while pouring the libation, red wine, on them.

The young men at his side held five-pronged forks.
When the thigh bones were burnt up,
and they had eaten the innards,
they cut up the rest, put the pieces on spits,
roasted them with care, then pulled them off the spits.

Now their work was done.
They laid a feast and each man had his fill.
Then, freed from hunger for food and drink,
the young men filled the mixing bowls with wine.
They shared the wine with all, pouring in each cup
what’s needed for libations.

And all day long they appeased the god with song—
Achaeans singing the lovely paean,
singing and dancing for Apollo.
He heard them and was glad.

When at last the sun went down and night came on,
they laid down by their ship’s stern-cables and slept.

αὐέρυσαν μὲν πρῶτα καὶ ἔσφαξαν καὶ ἔδειραν,
μηρούς τʼ ἐξέταμον κατά τε κνίσῃ ἐκάλυψαν
δίπτυχα ποιήσαντες, ἐπʼ αὐτῶν δʼ ὠμοθέτησαν·
καῖε δʼ ἐπὶ σχίζῃς ὁ γέρων, ἐπὶ δʼ αἴθοπα οἶνον
λεῖβε· νέοι δὲ παρʼ αὐτὸν ἔχον πεμπώβολα χερσίν.
αὐτὰρ ἐπεὶ κατὰ μῆρε κάη καὶ σπλάγχνα πάσαντο,
μίστυλλόν τʼ ἄρα τἆλλα καὶ ἀμφʼ ὀβελοῖσιν ἔπειραν,
ὤπτησάν τε περιφραδέως, ἐρύσαντό τε πάντα.
αὐτὰρ ἐπεὶ παύσαντο πόνου τετύκοντό τε δαῖτα
δαίνυντʼ, οὐδέ τι θυμὸς ἐδεύετο δαιτὸς ἐΐσης.
αὐτὰρ ἐπεὶ πόσιος καὶ ἐδητύος ἐξ ἔρον ἕντο,
κοῦροι μὲν κρητῆρας ἐπεστέψαντο ποτοῖο,
νώμησαν δʼ ἄρα πᾶσιν ἐπαρξάμενοι δεπάεσσιν·
οἳ δὲ πανημέριοι μολπῇ θεὸν ἱλάσκοντο
καλὸν ἀείδοντες παιήονα κοῦροι Ἀχαιῶν
μέλποντες ἑκάεργον· ὃ δὲ φρένα τέρπετʼ ἀκούων.
ἦμος δʼ ἠέλιος κατέδυ καὶ ἐπὶ κνέφας ἦλθε,
δὴ τότε κοιμήσαντο παρὰ πρυμνήσια νηός·

Larry Benn has a B.A. in English Literature from Harvard College, an M.Phil in English Literature from Oxford University, and a J.D. from Yale Law School. Making amends for a working life misspent in finance, he’s now a hobbyist in ancient languages and blogs at featsofgreek.blogspot.com.