No Better(er) A Man: Mimnermus’ Memory of War

Mimnermus fr. 14

“That man did not have this kind of strength and proud spirit
As I learn from those who came before me
Who saw him turning back the Lydian cavalry’s teeming ranks
On the Hermion plan, a man with an ash-spear in his hand.

Pallas Athena never carped at his heart’s
Rushing strength when he sped into the front-ranks
In the clash of the bloody war,
Disappointing his enemies’ bitter bolts.

For not one of his opponents was a better man
At facing the work of powerful war,
When he [went] like the rays of the sun…”

οὐ μὲν δὴ κείνου γε μένος καὶ ἀγήνορα θυμὸν
τοῖον ἐμέο προτέρων πεύθομαι, οἵ μιν ἴδον
Λυδῶν ἱππομάχων πυκινὰς κλονέοντα φάλαγγας
῞Ερμιον ἂμ πεδίον, φῶτα φερεμμελίην [1
τοῦ μὲν ἄρ’ οὔ ποτε πάμπαν ἐμέμψατο Παλλὰς ᾿Αθήνη
δριμὺ μένος κραδίης, εὖθ’ ὅ γ’ ἀνὰ προμάχους
σεύαιθ’ αἱματόεν<τος ἐν> ὑσμίνηι πολέμοιο,
πικρὰ βιαζόμενος δυσμενέων βέλεα·
οὐ γάρ τις κείνου δηίων ἔτ’ ἀμεινότερος[2] φὼς
ἔσκεν ἐποίχεσθαι φυλόπιδος κρατερῆς
ἔργον, ὅτ’ αὐγῆισιν φέρετ’ εἴκελος[3] ἠελίοιο

This poem is not one of the best attributed to Mimnermus, but it has an a few interesting images and some instructive hapax legomena [“words that occur only once”]

1. A hapax legomenon [word only occuring once]: φερεμμελίην, “ash-spear” wielding”

2. ἀμεινότερος: a double formation, adding the comparative suffix –oter– to the irregular comparative ameinôn

3. Most editions have ὠκέος ἠελίοιο in the final line. I prefer εἴκελος because it works better with the dative αὐγῆισιν

Penthesileia in Agrigento https://www.flickr.com/photos/sarah_c_murray/5556332339

Perhaps Eddie meant to sing “she can’t find a betterer man”

Death’s Decade: Two Poets on When to Die

Diogenes Laertius, Lives of the Philosophers: Solon 61

Look at this: People say that Mimnermus wrote: [fr. 20 Bergk]

“I wish that my allotted death would come at 60
Without sicknesses or painful worries.”

But [Solon] rebuked him in saying [fr. 42 Bergk]

“If you listened to me already, you’d cut that line.
But don’t get angry that I advise better than you.
Change your wish, Liguastades, and sing this tune
May my allotted death come at eighty.”

ἰδοῦ. φασὶ δ᾿ αὐτὸν καὶ Μιμνέρμου γράψαντος,

αἲ γὰρ ἄτερ νούσων τε καὶ ἀργαλέων μελεδωνέων
ἑξηκονταέτη μοῖρα κίχοι θανάτου,

ἐπιτιμῶντα αὐτῷ εἰπεῖν·

ἀλλ᾿ εἴ μοι κἂν νῦν ἔτι πείσεαι, ἔξελε τοῦτον·
μηδὲ μέγαιρ᾿ ὅτι σεῦ λῷον ἐπεφρασάμην·
καὶ μεταποίησον, Λιγυαστάδη, ὧδε δ᾿ ἄειδε·
ὀγδωκονταέτη μοῖρα κίχοι θανάτου.

Red figure on black background. Old greek man with white hair holding staff and looking to right, the viewer's left.
Athens National Archaeological Museum 1301 – bibliography: Beazley Archive Pottery Database 19896; c. 450 BCE

Anger, Eggs, and Some Semen: A Recipe for Apostasy

Further adventures in the Homeric Scholia

Schol. b ad Il. 2.783

“They report that Gaia, annoyed over the murder of the giants, slandered Zeus to Hera and that she went to speak out to Kronos. He gave her two eggs and he rubbed them down with his own semen and ordered her to put them down in the ground from where a spirit would arise who would rebel against Zeus from the beginning. She did this because she was really angry and set them down below Arimos in Kilikia.

But when Typhoeus appeared Hera relented and told Zeus everything. He struck him down with lightning and named him Mt. Aetna. This report works well for us not to have an issue that this is the Homeric Account. He names the grave a resting place euphemistically.”

φασὶ τὴν Γῆν ἀγανακτοῦσαν ἐπὶ τῷ φόνῳ τῶν Γιγάντων διαβαλεῖν Δία τῇ ῞Ηρᾳ. τὴν δὲ πρὸς Κρόνον ἀπελθοῦσαν ἐξειπεῖν. τὸν δὲ δοῦναι αὐτῇ δύο ᾠά, τῷ ἰδίῳ χρίσαντα θορῷ καὶ κελεύσαντα κατὰ γῆς ἀποθέσθαι, ἀφ’ ὧν ἀναδοθήσεται δαίμων ὁ ἀποστήσων Δία τῆς ἀρχῆς. θέσθαι, ἀφ’ ὧν ἀναδοθήσεται δαίμων ὁ ἀποστήσων Δία τῆς ἀρχῆς. ἡ δέ, ὡς εἶχεν ὀργῆς, ἔθετο αὐτὰ ὑπὸ τὸ ῎Αριμον τῆς Κιλικίας. ἀναδο-θέντος δὲ τοῦ Τυφῶνος ῞Ηρα διαλλαγεῖσα Διῒ τὸ πᾶν ἐκφαίνει. ὁ δὲ κεραυνώσας Αἴτνην τὸ ὄρος ὠνόμασεν. καλῶς δὲ καὶ τὸ φασίν, ἵνα  μὴ προσκρούοιμεν ὡς ῾Ομηρικῷ ὄντι τῷ στίχῳ. εὐφήμως δὲ τὸν τάφον εὐνὰς ἐκάλεσεν.

Heracles and Typhon, Acr. 36 plus. From the West Pediment of Hekatompedon. Acropolis Musuem, Athens.

The Soul and the Light Upon Its Face

Epictetus, Discourses according to Arrian 3.18-22

“These are the cruel beliefs that need to be excised, what we need to focus on completely. What is weeping and groaning? A kind of judgment. What is bad luck? A belief? What is conflict, nitpicking, accusation, sacrilege, nonsense? These are all just beliefs and they are also beliefs that sit outside the selection of what is actually good and evil. Have someone change their focus to these real things and I promise they will stand fast no matter what things change around them.

The soul is a bit like a bowl of water and its experiences are like the ray of light that dances on the water’s face. When the water is rough, it seems like the light is disturbed too, even though it isn’t touched. Just so, whenever someone suffers a moment of darkness, their skills and virtues aren’t all mixed up, just the breath in which they subsist. When it finds peace again, so do they.”

ταῦτ᾿ οὖν ἐκκόπτειν δεῖ τὰ πονηρὰ δόγματα, περὶ τοῦτο συντετάσθαι. τί γάρ ἐστι τὸ κλαίειν καὶ οἰμώζειν; δόγμα. τί δυστυχία; δόγμα. τί στάσις, τί διχόνοια, τί μέμψις, τί κατηγορία, τί ἀσέβεια, τί φλυαρία; ταῦτα πάντα δόγματά ἐστι καὶ ἄλλο οὐδὲν καὶ δόγματα περὶ τῶν ἀπροαιρέτων ὡς ὄντων ἀγαθῶν καὶ κακῶν. ταῦτά τις ἐπὶ τὰ προαιρετικὰ μεταθέτω, κἀγὼ αὐτὸν ἐγγυῶμαι ὅτι εὐσταθήσει, ὡς ἂν ἔχῃ τὰ περὶ αὐτόν.

Οἷόν ἐστιν ἡ λεκάνη τοῦ ὕδατος, τοιοῦτον ἧ ψυχή, οἷον ἡ αὐγὴ ἡ προσπίπτουσα τῷ ὕδατι, τοιοῦτον αἱ φαντασίαι. ὅταν οὖν τὸ ὕδωρ κινηθῇ, δοκεῖ μὲν καὶ ἡ αὐγὴ κινεῖσθαι, οὐ μέντοι κινεῖται. καὶ ὅταν τοίνυν σκοτωθῇ τις, οὐχ αἱ τέχναι καὶ αἱ ἀρεταὶ συγχέονται, ἀλλὰ τὸ πνεῦμα, ἐφ᾿ οὗ εἰσίν· καταστάντος δὲ καθίσταται κἀκεῖνα.

A Good Shared by the State and the People

Tyrtaeus 12 [= Stob. 4.10.1 (vv. 1–14) + 6 (vv. 15–44)]

“I wouldn’t celebrate or even mention a man
For the strength of his feet or his wrestling,
Not even if he had a Cyclopean size and strength
And could conquer the gods’ Thracian Northwind

And not even if he were better looking than Tithonos
And wealthier than Midas and Kinyras,
Not even if he were more royal than the Tantalid Pelops
And had a tongue more persuasive than Adrastus
And possessed fame for everything except rushing courage.

No man proves good in a war
If he cannot endure seeing bloody murder,
And can strike out while standing near the enemy.
This is virtue, this is the best prize among human beings,
The noblest thing for a young man to win.

This is a shared good for the whole state and the people,
When a man stands firm among the front ranks,
Relentless, completely forgetful of shameful retreat,
Offering up his life and enduring heart,
Ready with an encouraging word for the man next to him.
This man proves to be good in war.

Then he quickly turns aside the threatening ranks
Of the enemy soldiers and the battle’s wave is fueled by his passion.
And should he fall among the first ranks, losing his life,
He brings fame to his city, people, and father,
Stabbed through many times around the chest
And embossed shield, straight through his armor.

The young and the old mourn for him alike
And the whole city feels harsh grief from longing,
Yet his grave and children are well known to all
Along with his children’s children and generations to come.

His noble fame will never die, nor his name
But he will be immortal even though under the earth,
Whoever the man is raging Ares slays in his moment of excellence
As he stands fast and struggles for his land and children.

But if he escapes the fate of a sorrowful death,
And claims victory to vouchsafe his boastful spear,
Everyone will honor him, the young and the old alike,
And he will go to Hades, after living life well.
He will be prominent among his people as he ages,
No one will dream of slighting his respect and due:
All the young men give their places at the bench to him,
And yield to him, along with his peers and elders.
May everyone now try to reach the peak
Of that virtue, never giving up in war.

οὔτ᾿ ἂν μνησαίμην οὔτ᾿ ἐν λόγῳ ἄνδρα τιθείμην
οὔτε ποδῶν ἀρετῆς οὔτε παλαιμοσύνης,
οὐδ᾿ εἰ Κυκλώπων μὲν ἔχοι μέγεθός τε βίην τε,
νικῴη δὲ θέων Θρηΐκιον Βορέην,
οὐδ᾿ εἰ Τιθωνοῖο φυὴν χαριέστερος εἴη,
πλουτοίη δὲ Μίδεω καὶ Κινύρεω μάλιον,
οὐδ᾿ εἰ Τανταλίδεω Πέλοπος βασιλεύτερος εἴη,
γλῶσσαν δ᾿ Ἀδρήστου μειλιχόγηρυν ἔχοι,
οὐδ᾿ εἰ πᾶσαν ἔχοι δόξαν πλὴν θούριδος ἀλκῆς·

οὐ γὰρ ἀνὴρ ἀγαθὸς γίνεται ἐν πολέμῳ
εἰ μὴ τετλαίη μὲν ὁρῶν φόνον αἱματόεντα,
καὶ δηίων ὀρέγοιτ᾿ ἐγγύθεν ἱστάμενος.
ἥδ᾿ ἀρετή, τόδ᾿ ἄεθλον ἐν ἀνθρώποισιν ἄριστον
κάλλιστόν τε φέρειν γίνεται ἀνδρὶ νέῳ.

ξυνὸν δ᾿ ἐσθλὸν τοῦτο πόληί τε παντί τε δήμῳ,
ὅστις ἀνὴρ διαβὰς ἐν προμάχοισι μένῃ
νωλεμέως, αἰσχρῆς δὲ φυγῆς ἐπὶ πάγχυ λάθηται,
ψυχὴν καὶ θυμὸν τλήμονα παρθέμενος,
θαρσύνῃ δ᾿ ἔπεσιν τὸν πλησίον ἄνδρα παρεστώς·
οὗτος ἀνὴρ ἀγαθὸς γίνεται ἐν πολέμῳ.

αἶψα δὲ δυσμενέων ἀνδρῶν ἔτρεψε φάλαγγας
τρηχείας, σπουδῇ δ᾿ ἔσχεθε κῦμα μάχης.
αὐτὸς δ᾿ ἐν προμάχοισι πεσὼν φίλον ὤλεσε θυμόν,
ἄστυ τε καὶ λαοὺς καὶ πατέρ᾿ εὐκλεΐσας,
πολλὰ διὰ στέρνοιο καὶ ἀσπίδος ὀμφαλοέσσης
καὶ διὰ θώρηκος πρόσθεν ἐληλαμένος.

τὸν δ᾿ ὀλοφύρονται μὲν ὁμῶς νέοι ἠδὲ γέροντες,
ἀργαλέῳ δὲ πόθῳ πᾶσα κέκηδε πόλις,
καὶ τύμβος καὶ παῖδες ἐν ἀνθρώποις ἀρίσημοι
καὶ παίδων παῖδες καὶ γένος ἐξοπίσω·

οὐδέ ποτε κλέος ἐσθλὸν ἀπόλλυται οὐδ᾿ ὄνομ᾿αὐτοῦ,
ἀλλ᾿ ὑπὸ γῆς περ ἐὼν γίνεται ἀθάνατος,
ὅντιν᾿ ἀριστεύοντα μένοντά τε μαρνάμενόν τε
γῆς πέρι καὶ παίδων θοῦρος Ἄρης ὀλέσῃ.

εἰ δὲ φύγῃ μὲν κῆρα τανηλεγέος θανάτοιο,
νικήσας δ᾿ αἰχμῆς ἀγλαὸν εὖχος ἕλῃ,
πάντες μιν τιμῶσιν, ὁμῶς νέοι ἠδὲ παλαιοί,
πολλὰ δὲ τερπνὰ παθὼν ἔρχεται εἰς Ἀΐδην,
γηράσκων δ᾿ ἀστοῖσι μεταπρέπει, οὐδέ τις αὐτὸν
βλάπτειν οὔτ᾿ αἰδοῦς οὔτε δίκης ἐθέλει,
πάντες δ᾿ ἐν θώκοισιν ὁμῶς νέοι οἵ τε κατ᾿ αὐτὸν
εἴκουσ᾿ ἐκ χώρης οἵ τε παλαιότεροι.
ταύτης νῦν τις ἀνὴρ ἀρετῆς εἰς ἄκρον ἱκέσθαι
πειράσθω θυμῷ μὴ μεθιεὶς πολέμου.

Black vase with red warrior holding shield and spear. Right knee is raised.
ed figure lekythos, Tithonos Painter, aroud 470 BC. Archaeological Museum of Syracuse.

Hate in the Heart, Love for the Dark: CAN’T LOSE

Tyrtaeus, Fr. 11 [=11 Stob. 4.9. 16]

This fragment is preserved in Stobaeus’ Anthology under the section “On War” [ΠΕΡΙ ΠΟΛΕΜΟΥ]. It is immediately preceded by a passage from Plato’s Menexenus that mentions that “it is offer the case that it is noble to die in war” [πολλαχῇ κινδυνεύει καλὸν εἶναι / τὸ ἐν πολέμῳ ἀποθνῄσκειν]. Not to quibble with Stobaeus’ choices, but Tyrtaeus fr. 10, starting τεθνάμεναι γὰρ καλὸν ἐνὶ προμάχοισι πεσόντα might have been better.

“You are the race of unconquerable Herakles!
Come, be brave–Zeus has not yet turned his head away.
Don’t fear the mob of men or think of running,
But let each man hold his shield directly against their front ranks,
Once you make your soul hateful and treat
The dark fates of death as dear as the rays of the sun.

You know the destructive tasks of much-wept Ares,
And you have learned well the fury of painful war;
You have been among the attackers and the retreat,
Young man, and you have had enough of both.

Those who stand at one another’s side dare
To enter the hand to hand fight in the front ranks
And fewer die–they save the army behind them.
When people run away, all excellence perishes.

No one could ever list in words each of the things
That someone suffers, all the evils a person sees in shame.
For it is terrible to stab a man in the back
As he flees in the middle of the enemy army.

It is shameful to see a body lying in the dust,
Driven through, a spear sticking out of its back.

Let everyone stand in place, setting feet firm,
Rooted into the earth, biting lips with teeth,
Covering thighs, shins below, chest and shoulders
With the bellow of a broad shield.

Shake your strong spear in your right hand,
Toss the helmet’s crest terribly on your head.

Learn how to fight from completing acts of strength–
Don’t just stand outside the range of the weapons
But move forward holding your shield,
Attack the enemy face-to-face with spear or sword.

Press foot against foot, shield against shield,
Helmet to helmet and crest to crest,
Fight against a man chest to chest,
Take the hilt of his sword or long spear.
You, light armed men, crouch behind shields
Moving from on to another, and hit the enemy
With huge stones; strike them with javelins,
Stand next to those in armor.

ἀλλ᾿, Ἡρακλῆος γὰρ ἀνικήτου γένος ἐστέ,
θαρσεῖτ᾿·—οὔπω Ζεὺς αὐχένα λοξὸν ἔχει—
μηδ᾿ ἀνδρῶν πληθὺν δειμαίνετε, μηδὲ φοβεῖσθε,
ἰθὺς δ᾿ ἐς προμάχους ἀσπίδ᾿ ἀνὴρ ἐχέτω,
ἐχθρὴν μὲν ψυχὴν θέμενος, θανάτου δὲ μελαίνας
κῆρας <ὁμῶς> αὐγαῖς ἠελίοιο φίλας.

ἴστε γὰρ ὡς Ἄρεος πολυδακρύου ἔργ᾿ ἀΐδηλα,
εὖ δ᾿ ὀργὴν ἐδάητ᾿ ἀργαλέου πολέμου,
καὶ μετὰ φευγόντων τε διωκόντων τ᾿ ἐγένεσθε,
ὦ νέοι, ἀμφοτέρων δ᾿ ἐς κόρον ἠλάσατε.
οἳ μὲν γὰρ τολμῶσι παρ᾿ ἀλλήλοισι μένοντες
ἔς τ᾿ αὐτοσχεδίην καὶ προμάχους ἰέναι,
παυρότεροι θνήσκουσι, σαοῦσι δὲ λαὸν ὀπίσσω·
τρεσσάντων δ᾿ ἀνδρῶν πᾶσ᾿ ἀπόλωλ᾿ ἀρετή.

οὐδεὶς ἄν ποτε ταῦτα λέγων ἀνύσειεν ἕκαστα,
ὅσσ᾿, ἢν αἰσχρὰ πάθῃ, γίνεται ἀνδρὶ κακά·
ἀργαλέον γὰρ ὄπισθε μετάφρενόν ἐστι δαΐζειν
ἀνδρὸς φεύγοντος δηΐῳ ἐν πολέμῳ·
αἰσχρὸς δ᾿ ἐστὶ νέκυς κατακείμενος ἐν κονίῃσι
νῶτον ὄπισθ᾿ αἰχμῇ δουρὸς ἐληλάμενος.

ἀλλά τις εὖ διαβὰς μενέτω ποσὶν ἀμφοτέροισι
στηριχθεὶς ἐπὶ γῆς, χεῖλος ὀδοῦσι δακών,
μηρούς τε κνήμας τε κάτω καὶ στέρνα καὶ ὤμους
ἀσπίδος εὐρείης γαστρὶ καλυψάμενος·

δεξιτερῇ δ᾿ ἐν χειρὶ τινασσέτω ὄβριμον ἔγχος,
κινείτω δὲ λόφον δεινὸν ὑπὲρ κεφαλῆς·
ἔρδων δ᾿ ὄβριμα ἔργα διδασκέσθω πολεμίζειν,
μηδ᾿ ἐκτὸς βελέων ἑστάτω ἀσπίδ᾿ ἔχων,
ἀλλά τις ἐγγὺς ἰὼν αὐτοσχεδὸν ἔγχεϊ μακρῷ
ἢ ξίφει οὐτάζων δήϊον ἄνδρ᾿ ἑλέτω,
καὶ πόδα πὰρ ποδὶ θεὶς καὶ ἐπ᾿ ἀσπίδος ἀσπίδ᾿ ἐρείσας,
ἐν δὲ λόφον τε λόφῳ καὶ κυνέην κυνέῃ
καὶ στέρνον στέρνῳ πεπληγμένος ἀνδρὶ μαχέσθω,
ἢ ξίφεος κώπην ἢ δόρυ μακρὸν ἑλών.

ὑμεῖς δ᾿, ὦ γυμνῆτες, ὑπ᾿ ἀσπίδος ἄλλοθεν ἄλλος
πτώσσοντες μεγάλοις βάλλετε χερμαδίοις
δούρασί τε ξεστοῖσιν ἀκοντίζοντες ἐς αὐτούς,
τοῖσι πανόπλοισιν πλησίον ἱστάμενοι.

Red figure vase with two sides of soldiers holding shields and spears facing each other. A double flute player is behind one side
Detail from the Chiggi Vase, c. 7th century CE

Philosophers, Spectators at the Game of Life?

Diogenes Laertius, Pythagoras 8.3

“Sôsikrates, in his Successions, says that when Pythagoras was asked by Leon, the tyrant of the Phliasians, who he was, he said, “a philosopher,” and that he said life was like the Great Games. Some people go there to compete, others go to make money, and the best people go to watch. For in life, some people have a slavish nature and they hunt for glory or profit, while philosophers search for the truth.”

Σωσικράτης δ᾿ ἐν Διαδοχαῖς φησιν αὐτὸν ἐρωτηθέντα ὑπὸ Λέοντος τοῦ Φλιασίων τυράννου τίς εἴη, φιλόσοφος, εἰπεῖν. καὶ τὸν βίον ἐοικέναι πανηγύρει· ὡς οὖν εἰς ταύτην οἱ μὲν ἀγωνιούμενοι, οἱ δὲ κατ᾿ ἐμπορίαν, οἱ δέ γε βέλτιστοι ἔρχονται θεαταί, οὕτως ἐν τῷ βίῳ οἱ μὲν ἀνδραποδώδεις, ἔφη, φύονται δόξης καὶ πλεονεξίας θηραταί, οἱ δὲ φιλόσοφοι τῆς ἀληθείας.

Plato compares life to a game too, just a different one….

Plutarch, De Tranquilitate Animi 467b

“Plato likened life to a dice-game in which we need both to throw what is advantageous and to use the dice well after we’ve thrown them. And when we are subject to chance, if we take good advice, this is our task: though we cannot control the toss, we can accept the outcome luck gives us properly and allot to each event a place in which what is good for us helps the most and what was unplanned aggrieves the least.”

Κυβείᾳ γὰρ ὁ Πλάτων (Resp. 604c) τὸν βίον ἀπείκασεν, ἐν ᾧ καὶ βάλλειν δεῖ τὰ πρόσφορα, καὶ βαλόντα χρῆσθαι καλῶς τοῖς πεσοῦσι. τούτων δὲ τὸ μὲν βάλλειν οὐκ ἐφ’ ἡμῖν, τὸ δὲ προσηκόντως δέχεσθαι τὰ γινόμενα παρὰ τῆς τύχης καὶ νέμειν ἑκάστῳ τόπον, ἐν ᾧ καὶ τὸ οἰκεῖον ὠφελήσει μάλιστα καὶ τὸ ἀβούλητον ἥκιστα λυπήσει τοὺς ἐπιτυγχάνοντας, ἡμέτερον ἔργον ἐστίν, ἂν εὖ φρονῶμεν.

And here is the passage Plutarch is drawing on from the tenth book of the Republic (Plato, Republic 604c-d)

“The best way to deliberate about what has happened is just as we might in the fall of dice: to order our affairs in reference to how the dice have fallen where reason dictates the best place would be, and not to stumble forward like children shocked at the outcome wasting time with crying. Instead, we should always prepare our mind towards addressing what has happened as quickly as possible and to redress what has fallen and what ails, erasing lament [lit. threnody] with treatment*.”

Τῷ βουλεύεσθαι, ἦν δ’ ἐγώ, περὶ τὸ γεγονὸς καὶ ὥσπερ ἐν πτώσει κύβων πρὸς τὰ πεπτωκότα τίθεσθαι τὰ αὑτοῦ πράγματα, ὅπῃ ὁ λόγος αἱρεῖ βέλτιστ’ ἂν ἔχειν, ἀλλὰ μὴ προσπταίσαντας καθάπερ παῖδας ἐχομένους τοῦ πληγέντος ἐν τῷ βοᾶν διατρίβειν, ἀλλ’ ἀεὶ ἐθίζειν τὴν ψυχὴν ὅτι τάχιστα γίγνεσθαι πρὸς τὸ ἰᾶσθαί τε καὶ ἐπανορθοῦν τὸ πεσόν τε καὶ νοσῆσαν, ἰατρικῇ θρηνῳδίαν ἀφανίζοντα.

*ἰατρικῇ: lit. “art of medicine”; some translations use “therapy”.

Image from Wikipedia

A Sweet Evil: Schadenfreude in Ancient Greek

From the Suda

Epikhairekakía: is pleasure at someone else’s troubles”

ἐπιχαιρεκακία δὲ ἡδονὴ ἐπ’ ἀλλοτρίοις κακοῖς

Diogenes Laertius, Vita Philosophorum 7. 114

“Pleasure is irrational excitement at gaining what seems to be needed. As a subset of pleasure, are elation, pleasure at someone else’s pain (epikhairekakía) and delight, which is similar to turning (trepsis), a mind’s inclination to weakness. The embrace of pleasure is the surrender of virtue.”

῾Ηδονὴ δέ ἐστιν ἄλογος ἔπαρσις ἐφ’ αἱρετῷ δοκοῦντι ὑπάρχειν, ὑφ’ ἣν τάττεται κήλησις, ἐπιχαιρεκακία, τέρψις, διάχυσις. κήλησις μὲν οὖν ἐστιν ἡδονὴ δι’ ὤτων κατακηλοῦσα· ἐπιχαιρεκακία δὲ ἡδονὴ ἐπ’ ἀλλοτρίοις κακοῖς· τέρψις δέ, οἷον τρέψις, προτροπή τις ψυχῆς ἐπὶ τὸ ἀνειμένον· διάχυσις δ’ ἀνάλυσις ἀρετῆς.

Aristotle, Nicomachean Ethics 1107a 8-11

“There are some vices whose names are cloaked with evil, for instance, pleasure at evils [epikhairekakía], shamelessness, and envy; and there are deeds too: adultery, theft, and manslaughter. All these things and those of this sort are called evil on their own, it is not an indulgence in them or an improper use that is wrong.”

ἔνια γὰρ εὐθὺς ὠνόμασται συνειλημμένα μετὰ τῆς φαυλότητος, οἷον ἐπιχαιρεκακία
ἀναισχυντία φθόνος, καὶ ἐπὶ τῶν πράξεων μοιχεία κλοπὴ ἀνδροφονία· πάντα γὰρ ταῦτα καὶ τὰ τοιαῦτα λέγεται τῷ αὐτὰ φαῦλα εἶναι, ἀλλ’ οὐχ αἱ ὑπερβολαὶ αὐτῶν οὐδ’ αἱ ἐλλείψεις.

Image result for Ancient Greek Vase party

When You Can, Live as You Should

Seneca, Moral Epistles 7.8-9

“Both habits, moreover, should be avoided. Don’t imitate bad people, because there are many of them, nor hate the many, because you aren’t like them. Take shelter in yourself, whenever you can. Spend time with people who will make you a better person. Embrace those whom you can make better. Such improvement is a partnership, for people learn while they teach.”

Utrumque autem devitandum est; neve similis malis fias, quia multi sunt, neve inimicus multis, quia dissimiles sunt. Recede in te ipsum, quantum potes. Cum his versare, qui te meliorem facturi sunt. Illos admitte, quos tu potes facere meliores. Mutuo ista fiunt, et homines, dum docent, discunt.

Seneca, De Beata Vita 17-18

“ ‘This is enough for me: to each day lose one of my vices and recognize my mistakes. I have not perfected my health, nor certainly will I. I hope to relieve my gout rather than cure it, happy if it comes less frequently and cause less pain. But when I compare myself to your feet, I am a sprinter even though crippled.’

I do not say these things for myself—since I am deep in every kind of vice—but for the person who has done something.

You say, “You talk one way but you live another.” This insult, most shameful and hateful friend, was thrown at Plato, tossed at Epicurus, and dropped on Zeno. For all these people were talking not about how they were living themselves but about how they should live. When it comes to virtue, I do not talk about myself, and my fight is with vices, but chiefly my own. When I can, I will live as I should.”

Hoc mihi satis est, cotidie aliquid ex vitiis meis demere et errores meos obiurgare. Non perveni ad sanitatem, ne perveniam quidem; delenimenta magis quam remedia podagrae meae compono, contentus, si rarius accedit et si minus verminatur; vestris quidem pedibus comparatus, debilis1 cursor sum.” Haec non pro me loquor—ego enim in alto vitiorum omnium sum—, sed pro illo, cui aliquid acti est.

 “Aliter,” inquis, “loqueris, aliter vivis.” Hoc, malignissima capita et optimo cuique inimicissima, Platoni obiectum est, obiectum Epicuro, obiectum Zenoni; omnes enim isti dicebant non quemadmodum ipsi viverent, sed quemadmodum esset ipsis vivendum. De virtute, non de me loquor, et cum vitiis convicium facio, in primis meis facio. 2Cum potuero, vivam quomodo oportet.

Image result for medieval manuscripts meditating
Verdun, Bibl. mun., ms. 0070, f. 42v.

Shame on the Tip of the Tongue

Sappho Fr. 137 [Arist. Rhet. 1367a (p. 47 Römer)]

“I want to say something but shame
Stops me.

But if you had a taste for the noble or kind
And not some tongue ready to hiss evil,
Then shame wouldn’t cover your eyes
And you would be saying something right.”

θέλω τί τ᾿ εἴπην, ἀλλά με κωλύει
αἴδως . . .
. . .
αἰ δ᾿ ἦχες ἔσλων ἴμερον ἢ κάλων
καὶ μή τί τ᾿ εἴπην γλῶσσ᾿ ἐκύκα κάκον,
αἴδως † κέν σε οὐκ † ἦχεν ὄππατ᾿,
ἀλλ᾿ ἔλεγες † περὶ τῶ δικαίω †

Three gargoyle sculptures: one covering its eyes, one holding its mouth, and the third covering its ears
3 Gargoyles from Paisley Abbey