Infants, Trees, and Knowledge of the Good

Seneca, EM 125 7-9

“We say that being happy is what follows nature. And, moreover, what is according to nature is clear and obvious just as something that is complete is. That which is according to nature, what we touch at birth, I say is not the good but the beginning of the good. 

You attribute the highest good–pleasure–to infants so that at the moment of birth a baby starts where the perfected adult should end. You place the branch in the root’s position! If anyone should claim that that child, hidden in the maternal womb, with unclear gender, tender, incomplete, and unshaped, that this child is already in some true good, then they  would clearly seem to be lost in their ideas.

And yet how small is the difference between one who has just entered life and one who is still a hidden burden to their mother’s womb! They are equally knowing of the good and equally mature; An infant is no more conscious of the Good than a tree or any other speechless creature.”

Dicimus beata esse, quae secundum naturam sint, Quid autem secundum naturam sit, palam et protinus apparet, sicut quid sit integrum. Quod secundum naturam est, quod contigit protinus nato, non dico bonum, sed initium boni. Tu summum bonum, voluptatem, infantiae donas, ut inde incipiat nascens, quo consummatus homo pervenit. 

Cacumen radicis loco ponis. Si quis diceret illum in materno utero latentem, sexus quoque incerti,tenerum et inperfectum et informem iam in aliquo bono esse, aperte videretur errare. Atqui quantulum interest inter eum, qui cum1 maxime vitam accipit, et illum, qui maternorum viscerum latens onus est? Uterque, quantum ad intellectum boni ac mali, aeque maturus est, et non magis infans adhuc boni capax est quam arbor aut mutum aliquod animal.

Infant and Skull, Medieval, Louvre

The Best People Sickness Can Make

Pliny The Younger, Letters, 7.26

“A friend’s sickness has lately reminded me that we are the best people when we are sick. Does greed or lust ever bother a sick person? They are not controlled by their desires or their love of honors. They don’t care about wealth and think whatever little bit they have is enough, because they will leave it behind! The sick remember the gods and realize they are mortal. They don’t feel envy or awe or contempt for other people. Slander doesn’t attract or encourage the sick and all they dream of are baths and fountains.

These are the end of their concerns, the object of their prayers. And they promise that will be enough if they are lucky to survive. I can now say briefly and clearly what the philosophers try to convey in so many endless words: When we’re healthy we should strive to be the kind of people we promised to be when we were sick. Goodbye!”

Nuper me cuiusdam amici languor admonuit, optimos esse nos dum infirmi sumus. Quem enim infirmum aut avaritia aut libido sollicitat? Non amoribus servit, non adpetit honores, opes neglegit et quantulumcumque, ut relicturus, satis habet. Tunc deos tunc hominem esse se meminit, invidet nemini, neminem miratur neminem despicit, ac ne sermonibus quidem malignis aut attendit aut alitur: balinea imaginatur et fontes.

Haec summa curarum, summa votorum mollemque in posterum et pingue destinat vitam. Possum ergo quod plurimis verbis plurimis etiam voluminibus philosophi docere conantur, ipse breviter tibi mihique praecipere, ut tales esse sani perseveremus, quales nos futuros profitemur infirmi. Vale.

Euricius Cordus (1486-1535); Fur die newe, hievor vnerhorte und erschrocklich todtliche Kranckheyt und schnellen todt, die English schweyee-sucht geant, Strassbourg: 1529.Early books on medicine..Published: 1928..Copyrighted work available under Creative Commons Attribution only licence CC BY 4.0 http://creativecommons.org/licenses/by/4.0/

Serious People Don’t Get Drunk

Diogenes Laertius, Zeno 7.1. 118-119

“Serious people are truly dedicated and on guard to make themselves better by preparing both to keep corrupting things away from them and trying to ensure that good things are near at hand. But they are also unaffected: they have peeled away adornments from their voice and their face.

They also have no concern for business since they abstain from doing anything which transgresses their duty. They do drink, but they do not get drunk. Indeed, they will also not go mad—even though the sometimes the same fantasies will still occur to them because of depression or delirium, but because of the logic of what they have selected but against nature.

And a wise person will never grieve because they understand that grief is an illogical closure of the soul, as Apollodorus says in his Ethics. These people are also godlike because they have some divine aspect in them; the scoundrel is godless.”

Ἀκιβδήλους τοὺς σπουδαίους φυλακτικούς τ᾿ εἶναι τοῦ ἐπὶ τὸ βέλτιον αὑτοὺς παριστάναι, διὰ παρασκευῆς τῆς τὰ φαῦλα μὲν ἀποκρυπτούσης, τὰ δ᾿ ὑπάρχοντα ἀγαθὰ φαίνεσθαι ποιούσης. ἀπλάστους τε· περιῃρηκέναι γὰρ ἐν τῇ φωνῇ τὸ πλάσμα καὶ τῷ εἴδει. ἀπράγμονάς τ᾿ εἶναι· ἐκκλίνειν γὰρ τὸ πράττειν τι παρὰ τὸ καθῆκον. καὶ οἰνωθήσεσθαι μέν, οὐ μεθυσθήσεσθαι δέ. ἔτι δ᾿ οὐδὲ μανήσεσθαι· προσπεσεῖσθαι μέντοι ποτὲ αὐτῷ φαντασίας ἀλλοκότους διὰ μελαγχολίαν ἢ λήρησιν, οὐ κατὰ τὸν τῶν αἱρετῶν λόγον, ἀλλὰ παρὰ φύσιν. οὐδὲ μὴν λυπηθήσεσθαι τὸν σοφόν, διὰ τὸ τὴν λύπην ἄλογον εἶναι συστολὴν τῆς ψυχῆς, ὡς Ἀπολλόδωρός φησιν ἐν τῇ Ἠθικῇ.

Θείους τ᾿ εἶναι· ἔχειν γὰρ ἐν ἑαυτοῖς οἱονεὶ θεόν. τὸν δ᾿ φαῦλον ἄθεον.

 

Stobaeus, 2.7.11.41

“It is not possible to think when you’re drunk. For drunkenness is extremely prone to error and people are really talkative over wine…”

Οὐχ οἷον δὲ μεθυσθήσεσθαι τὸν νοῦν ἔχοντα· τὴν γὰρ μέθην ἁμαρτητικὸν περιέχειν, λήρησιν εἶναι <γὰρ> παρὰ τὸν οἶνον,

Attic Lamb’s head Rhyton, MET

Two Years and then Some More: A Plague’s Retreat and Return

Thucydides, Peloponnesian War 3.87

“As winter started coming on, the disease afflicted the Athenians a second time—even though it hadn’t totally disappeared before, there was still a period of relief. Then it lingered no less than a year when the first encounter was two. The overall result was that nothing overwhelmed the Athenians and sapped their power more than this.

No fewer than 4400 hoplites died from the ranks along with three hundred cavalry. And the number of the rest of the masses that died was never discovered.”

Τοῦ δ’ ἐπιγιγνομένου χειμῶνος ἡ νόσος τὸ δεύτερον ἐπέπεσε τοῖς ᾿Αθηναίοις, ἐκλιποῦσα μὲν οὐδένα χρόνον τὸ παντάπασιν, ἐγένετο δέ τις ὅμως διοκωχή. παρέμεινε δὲ τὸ μὲν ὕστερον οὐκ ἔλασσον ἐνιαυτοῦ, τὸ δὲ πρότερον καὶ δύο ἔτη, ὥστε ᾿Αθηναίους γε μὴ εἶναι ὅτι μᾶλλον τούτου ἐπίεσε καὶ ἐκάκωσε τὴν δύναμιν· τετρακοσίων γὰρ ὁπλιτῶν καὶ τετρακισχιλίων οὐκ ἐλάσσους ἀπέθανον ἐκ τῶν τάξεων καὶ τριακοσίων ἱππέων, τοῦ δὲ ἄλλου ὄχλου ἀνεξεύρετος ἀριθμός.

The famous plague is described at 2.47-55 and first fell on the Athenians in 430 BCE. Three years later, after a respite, it returned.

The tenth plague: the death of the first-born including Pharaoh’s son. From the Haggadah for Passover (the ‘Sister Haggadah’). 2nd or 3rd quarter of the 14th century. British Library

The Cruelty Off Stage, Spoken Yet Unseen

Homer, Iliad 6.53-62

“And then [Menelaos] was intending to give Adrastus
To an attendant to take back to the Achaeans’ swift ships
But Agamemnon came rushing in front of him and spoke commandingly
“Oh my fool Menelaos, why do you care so much about people?
Did your house suffer the best treatment by the Trojans?
Let none of them flee dread death at our hands,
Not even  a mother who carries in her womb
a child that will be a boy, let not one flee, but instead
Let everyone at Troy perish, unwept and unseen.”

The hero spoke like this and changed his brother’s mind,
Since he advised properly…

καὶ δή μιν τάχ᾽ ἔμελλε θοὰς ἐπὶ νῆας Ἀχαιῶν
δώσειν ᾧ θεράποντι καταξέμεν: ἀλλ᾽ Ἀγαμέμνων
ἀντίος ἦλθε θέων, καὶ ὁμοκλήσας ἔπος ηὔδα:
‘ὦ πέπον ὦ Μενέλαε, τί ἢ δὲ σὺ κήδεαι οὕτως
ἀνδρῶν; ἦ σοὶ ἄριστα πεποίηται κατὰ οἶκον
πρὸς Τρώων; τῶν μή τις ὑπεκφύγοι αἰπὺν ὄλεθρον
χεῖράς θ᾽ ἡμετέρας, μηδ᾽ ὅν τινα γαστέρι μήτηρ
κοῦρον ἐόντα φέροι, μηδ᾽ ὃς φύγοι, ἀλλ᾽ ἅμα πάντες
Ἰλίου ἐξαπολοίατ᾽ ἀκήδεστοι καὶ ἄφαντοι.

ὣς εἰπὼν ἔτρεψεν ἀδελφειοῦ φρένας ἥρως
αἴσιμα παρειπών:

Schol, bT ad Il 6.58-59 ex [from the Erbse edition]

 “these words are hateful and ill-fit to a noble manner. For they indicate a savageness of spirit and any human audience member will hate the excess bitterness and inhumanity. This is why tragedians hide people who do these kinds of things on stage and signal what was done either through the sound of some voices or through messengers later, for no other reason than they might be hated for what was done”

μηδ’ ὅντινα<—μηδ’ ὃς φύγοι>: μισητὰ καὶ οὐχἁρμόζοντα βασιλικῷ ἤθει τὰ ῥήματα· τρόπου γὰρ ἐνδείκνυσι θηριότητα, ὁ δὲ ἀκροατὴς ἄνθρωπος ὢν μισεῖ τὸ ἄγαν πικρὸν καὶ ἀπάνθρωπον. ὅθεν κἀν ταῖς τραγῳδίαις κρύπτουσι τοὺς δρῶντας τὰ τοιαῦτα ἐν ταῖς σκηναῖς καὶ ἢ φωναῖς τισιν ἐξακουομέναις ἢ δι’ ἀγγέλων ὕστερον σημαίνουσι τὰ πραχθέντα, οὐδὲν ἄλλο ἢ φοβούμενοι, μὴ αὐτοὶ συμμισηθῶσι τοῖς δρωμένοις….

A few more glosses from the scholia

Schol b ad Il. 6.59

“Who is a boy”: because a female infant would be useless for battle

<κοῦρον ἐόντα:> ἄχρηστον γὰρ εἰς μάχην τὸ θῆλυ.

Schol bT ad Il. 6.60a

ἀκήδεστοι: “unmourned” for people who don’t have someone grieving them

ἄφαντοι: “unseen” because no one leaves behind a grave marker for them

ἀκήδεστοι: μὴ ἔχοντες τὸν κηδεύοντα.

ἄφαντοι: ὡς μηδὲ μνημεῖον αὐτῶν παραλείπεσθαι.

 

Schol bT ad Il. 6.62

αἴσιμα παρειπών: “fated things” or “things proper for people who have done wrong”. The poet bears witness to how correctly Agamemnon has ordered his speech.”

αἴσιμα παρειπών: εἱμαρμένα, ἢ τὰ πρέποντα τοῖς ἀδικουμένοις. ἐμαρτύρησε δὲ ὁ ποιητὴς αὐτῷ ὡς καλῶς διαθεμένῳ τοὺς λόγους.

black-figured amphora: the death of Priam; Priam is being battered to death with the body of his grandson Astyanax. BM 1842,0314.3

 

Paris, Primal Destroyer of Troy

Pindar, Paean, fr. 8a [=52i(A) P. Oxy. 841 (5, 1908)]

[She felt him] hurrying and her divine heart
Wailed with horrible groans
And she explained the reason
With words like this: So wholly…
Wide-browed son of Kronos–
You are bringing about the fated
Pain from when Hekabe [informed]
The Dardanian women when she
Was carrying this man in her body,
She believed that she would give birth
To a fire-breathing hundred-hander
One who would drag all Ilion
To the ground with his wicked [ways]
And she spoke [of him] [confessing]
The sign that came into her dreams
[shuddering in fear] at her foreknowledge.”

σπεύδοντ᾿, ἔκλαγξέ <θ᾿> ἱερ̣[
δαιμόνιον κέαρ ὀλοαῖ-
σι στοναχαῖς ἄφαρ,
καὶ τοιᾷδε κορυφᾷ σά-
μαινεν λόγων· ὦ παναπ.[εὐ-
ρ[ύ]οπα Κρονίων τελεῖς σ̣[
π[ε]πρωμέναν πάθαν α[
νικα Δαρδανίδαις Ἑκάβ[
. . ] ποτ᾿ εἶδεν ὑπὸ σπλάγχ[νοις
φέροισα τόνδ᾿ ἀνέρ᾿· ἔδοξ̣[ε γάρ
τεκεῖν πυρφόρον ἐρι[
Ἑκατόγχειρα, σκληρᾷ [
Ἴλιον πᾶσάν νιν ἐπὶ π[έδον
κατερεῖψαι· ἔειπε δὲ μ̣[
. . .] . ´[.]ᾳ τέρας ὑπνα̣[λέον
. . . . .]λ̣ε προμάθεια

Red figure vase. Paris holding a lance and wearing a Phrygian cap. Pillar to right

Medicine and Pain

Euripides, fr. 1079

“Mortals have no other medicine for pain
Like the advice of a good man, a friend
Who has experience with this sickness.
A man who troubles then calms his thoughts with drinking,
Finds immediate pleasure, but laments twice as much later on.”

Οὐκ ἔστι λύπης ἄλλο φάρμακον βροτοῖς
ὡς ἀνδρὸς ἐσθλοῦ καὶ φίλου παραίνεσις.
ὅστις δὲ ταύτῃ τῇ νόσῳ ξυνὼν ἀνὴρ
μέθῃ ταράσσει καὶ γαληνίζει φρένα,
παραυτίχ’ ἡσθεὶς ὕστερον στένει διπλᾶ.

Anacreonta 56

“The one who strengthens someone in pain,
Who comforts a young one in love,
Who makes the dancer beautiful over drinks,
That god has descended to the ground,
Offering a calming lovespell for mortals,
A medicine against grief,
The vine’s child, wine.

He is guarding it safe,
Within the vines’ bunches of grapes,
So, whenever they cut the fruit,
Everyone remains free of sickness,
Healthy with shining skin
And a sweet-hearted mind,
Until the passing of another year.”

ὁ τὸν ἐν πόνοις ἀτειρῆ,
νέον ἐν πόθοις ἀταρβῆ,
καλὸν ἐν πότοις χορευτὴν
τελέων θεὸς κατῆλθε,
ἁπαλὸν βροτοῖσι φίλτρον,
πότον ἄστονον κομίζων,
γόνον ἀμπέλου, τὸν οἶνον,
ἐπὶ κλημάτων ὀπώραις
πεπεδημένον φυλάττων,
ἵν᾿, ὅταν τέμωσι βότρυν,
ἄνοσοι μένωσι πάντες,
ἄνοσοι δέμας θεητόν,
ἄνοσοι γλυκύν τε θυμὸν
ἐς ἔτους φανέντος ἄλλου.

Pliny, Letters 8.19

“I have so much joy and comfort in literature that there’s nothing that can’t be made happier because of it and there’s nothing sad enough to detract from its effect. I am so troubled by the sickness of my wife and the danger to my household, even the threat of death, that I have fled to my study as the only distraction from pain. I may sense my troubles more in this way but I yet bear them more easily. ”

Et gaudium mihi et solacium in litteris, nihilque tam laetum quod his laetius, tam triste quod non per has minus triste. Itaque et infirmitate uxoris et meorum periculo, quorundam vero etiam morte turbatus, ad unicum doloris levamentum studia confugi, quae praestant ut adversa magis intellegam sed patientius feram.

Drugs as therapy for pain

Morphine, “Cure for Pain” (1993)
“Where is the ritual
And tell me where where is the taste
Where is the sacrifice
And tell me where where is the faith
Someday there’ll be a cure for pain
That’s the day I throw my drugs away…”

Homer, Odyssey 4.219–232

“But then Zeus’ daughter Helen had different plans.
She immediately cast into the wine they were drinking a drug,
A pain neutralizer and anger reducer, an eraser of all evils.
Whoever consumes this drug once it is mixed in the wine,
Could not let a single tear loose upon their cheeks for a whole day.
Not even if their mother or father died,
Nor again if they lost their brother and dear son,
Cut down by bronze right their in front of their own eyes.
These are the kinds of complex drugs, good ones, Zeus’s daughter
Possesses. Polydamna, the wife of Thôn, gave them to her
In Egypt where the fertile land grows the most drugs—
Many there are mixed fine; but many cause pain too.
Each man there is a doctor whose knowledge surpasses most men,
For they are the offspring of Paieon.”

ἔνθ’ αὖτ’ ἄλλ’ ἐνόησ’ ῾Ελένη Διὸς ἐκγεγαυῖα·
αὐτίκ’ ἄρ’ εἰς οἶνον βάλε φάρμακον, ἔνθεν ἔπινον,
νηπενθές τ’ ἄχολόν τε, κακῶν ἐπίληθον ἁπάντων.
ὃς τὸ καταβρόξειεν, ἐπὴν κρητῆρι μιγείη,
οὔ κεν ἐφημέριός γε βάλοι κατὰ δάκρυ παρειῶν,
οὐδ’ εἴ οἱ κατατεθναίη μήτηρ τε πατήρ τε,
οὐδ’ εἴ οἱ προπάροιθεν ἀδελφεὸν ἢ φίλον υἱὸν
χαλκῷ δηϊόῳεν, ὁ δ’ ὀφθαλμοῖσιν ὁρῷτο.
τοῖα Διὸς θυγάτηρ ἔχε φάρμακα μητιόεντα,
ἐσθλά, τά οἱ Πολύδαμνα πόρεν, Θῶνος παράκοιτις,
Αἰγυπτίη, τῇ πλεῖστα φέρει ζείδωρος ἄρουρα
φάρμακα, πολλὰ μὲν ἐσθλὰ μεμιγμένα, πολλὰ δὲ λυγρά,
ἰητρὸς δὲ ἕκαστος ἐπιστάμενος περὶ πάντων
ἀνθρώπων· ἦ γὰρ Παιήονός εἰσι γενέθλης.

From the Suda

“Pharmakon [medicine]: conversation, consoling, it comes from pherein [bringing] akos [relief/cure]. But it is also said to come from flowers.”

Φάρμακον: παραμυθία, ὁμιλία, εἴρηται δὲ ἀπὸ τοῦ φέρειν τὴν ἄκεσιν: εἴρηται δὲ ἀπὸ τῶν ἀνθέων

still life oil painting. striped table cloth, plate with pears, wine jug and glass.
Adolphe Joseph Thomas Monticelli, “Still Life with Food and Wine” 1874

Fantastic Lies (about Helen)

Isocrates, Helen 1-3

“There are some people who get puffed up if they manage to talk about something tolerably after they have themselves selected a strange and impossible subject. Men have also grown old claiming that it is impossible to say or disprove a lie or to speak two ways about the same matters. Others claim that courage, wisdom, and justice are the same thing, that we have none of these by nature, and that there is a single knowledge about them all. Others waste their time in conflicts which bring no benefit, which can only create more trouble for those who approach them.

I, if I saw that this superfluity had only just emerged in speeches and that these men were eager for honor in the novelty of what they discover, I would not be a surprised at them. But, now, who is such a late-learner that he does not know Protagoras and the sophists who were active at his time and that they left to us these types of things and speeches even more excessively composed than these? How could anyone overcome Gorgias who dared to say that nothing exists at all or Zeno who tried to demonstrate that the same things are possible and impossible or even Melissos who—although some things are countless in number—tried to provide a proof that everything is one!”

Εἰσί τινες οἳ μέγά φρονοῦσιν, ἢν ὑπόθεσιν ἄτοπον καὶ παράδοξον ποιησάμενοι περὶ ταύτης ἀνεκτῶς εἰπεῖν δυνηθῶσι· καὶ καταγεγηράκασιν οἱ μὲν οὐ φάσκοντες οἷόν τ᾿ εἶναι ψευδῆ λέγειν οὐδ᾿ ἀντιλέγειν οὐδὲ δύω λόγω περὶ τῶν αὐτῶν πραγμάτων ἀντειπεῖν, οἱ δὲ διεξιόντες ὡς ἀνδρία καὶ σοφία καὶ δικαιοσύνη ταὐτόν ἐστι, καὶ φύσει μὲν οὐδὲν αὐτῶν ἔχομεν, μία δ᾿ ἐπιστήμη καθ᾿ ἁπάντων ἐστίν· ἄλλοι δὲ περὶ τὰς ἔριδας διατρίβουσι τὰς οὐδὲν μὲν ὠφελούσας, πράγματα δὲ παρέχειν τοῖς πλησιάζουσι δυναμένας.

Ἐγὼ δ᾿ εἰ μὲν ἑώρων νεωστὶ τὴν περιεργίαν ταύτην ἐν τοῖς λόγοις ἐγγεγενημένην καὶ τούτους ἐπὶ τῇ καινότητι τῶν εὑρημένων φιλοτιμουμένους, οὐκ ἂν ὁμοίως ἐθαύμαζον αὐτῶν· νῦν δὲ τίς ἐστιν οὕτως ὀψιμαθής, ὅστις οὐκ οἶδε Πρωταγόραν καὶ τοὺς κατ᾿ ἐκεῖνον τὸν χρόνον γενομένους σοφιστάς, ὅτι καὶ τοιαῦτα καὶ πολὺ τούτων πραγματωδέστερα συγγράμματα κατέλιπον ἡμῖν; πῶς γὰρ ἄν τις ὑπερβάλοιτο Γοργίαν τὸν τολμήσαντα λέγειν ὡς οὐδὲν τῶν ὄντων ἔστιν, ἢ Ζήνωνα τὸν ταὐτὰ δυνατὰ καὶ πάλιν ἀδύνατα πειρώμενον ἀποφαίνειν, ἢ Μέλισσον ὃς ἀπείρων τὸ πλῆθος πεφυκότων τῶν πραγμάτων ὡς ἑνὸς ὄντος τοῦ παντὸς ἐπεχείρησεν ἀποδείξεις εὑρίσκειν;

Gorgias, Defense of Helen 1-2

“Kosmos for a city is a good-population; for a body it is beauty; for a soul, wisdom. For a deed, excellence; and for a word, truth. The opposition of these things would be akosmia. It is right, on the one hand, to honor a man and a woman and a deed and a city and a deed worthy of praise with praise and to lay reproach on the unworthy. For it is equally mistaken and ignorant to rebuke the praiseworthy and praise things worthy of rebuke.

It is thus necessary for the same man to speak truly and refute those who reproach Helen, a woman about whom the belief from what the poets say and the fame of her name are univocal and single-minded, that memory of sufferings. I want, by giving some reckoning in speech, to relieve her of being badly spoken, and, once I demonstrate and show that those who reproach her are liars, to protect the truth from ignorance”

(1) Κόσμος πόλει μὲν εὐανδρία, σώματι δὲ κάλλος, ψυχῆι δὲ σοφία, πράγματι δὲ ἀρετή, λόγωι δὲ ἀλήθεια· τὰ δὲ ἐναντία τούτων ἀκοσμία. ἄνδρα δὲ καὶ γυναῖκα καὶ λόγον καὶ ἔργον καὶ πόλιν καὶ πρᾶγμα χρὴ τὸ μὲν ἄξιον ἐπαίνου ἐπαίνωι τιμᾶν, τῶι δὲ ἀναξίωι μῶμον ἐπιτιθέναι· ἴση γὰρ ἁμαρτία καὶ ἀμαθία μέμφεσθαί τε τὰ ἐπαινετὰ καὶ ἐπαινεῖν τὰ μωμητά.

(2) τοῦ δ’ αὐτοῦ ἀνδρὸς λέξαι τε τὸ δέον ὀρθῶς καὶ ἐλέγξαι *** τοὺς μεμφομένους ῾Ελένην, γυναῖκα περὶ ἧς ὁμόφωνος καὶ ὁμόψυχος γέγονεν ἥ τε τῶν ποιητῶν ἀκουσάντων πίστις ἥ τε τοῦ ὀνόματος φήμη, ὃ τῶν συμφορῶν μνήμη γέγονεν. ἐγὼ δὲ βούλομαι λογισμόν τινα τῶι λόγωι δοὺς τὴν μὲν κακῶς ἀκούουσαν παῦσαι τῆς αἰτίας, τοὺς δὲ μεμφομένους ψευδομένους ἐπιδείξας καὶ δείξας τἀληθὲς [ἢ] παῦσαι τῆς ἀμαθίας.

 

 a warrior draws his sword on a modestly veiled woman in the presence of two onlookers; this scene has been identified as Menelaos' recovery of Helen after the capture of Troy. Attributed to the circle of Exekias.
Black-figure Belly Amphora with the Reclamation of Helen and Herakles and Kerberos, c. 540 BCE. Walters Art Museum

Give Us Something Big, A Folk Song

Folk Songs, LCL fr. 848 (=Athen. 8. 360b–d)

“The swallow has come, has come,
Bringing us the best weather
The most wonderful time of the year,
White on its stomach and
White on its back–
Why don’t you toss out
From your well-stocked house
A cup of wine,
And a basket of cheese and wheat?
That bird won’t decline
A bit of flatbread either.

Should we leave or take something?
If you’re going to give us something, great!
If not, we won’t leave you alone.
We will steal your door
Or maybe your threshold or
Your wife who is sitting indoors.
She’s small. We’ll carry her easily.

Would you give us something? Could you give us something big?
Open up, open the door to the swallow.
We aren’t old men, but little kids.”

ἦλθ᾿ ἦλθε χελιδὼν
καλὰς ὥρας ἄγουσα
καὶ καλοὺς ἐνιαυτούς,
ἐπὶ γαστέρα λευκά
κἀπὶ νῶτα μέλαινα.
παλάθαν οὐ προκυκλεῖς
ἐκ πίονος οἴκου
οἴνου τε δέπαστρον
τυροῦ τε κάνυστρον
καὶ πυρῶν; ἁ χελιδών
καὶ λεκιθίταν οὐκ ἀπωθεῖται.
πότερ᾿ ἀπίωμες ἢ λαβώμεθα;
εἰ μέν τι δώσεις· εἰ δὲ μή, οὐκ ἐάσομες·
ἢ τὰν θύραν φέρωμες;ἢ τὸ ὑπέρθυρον
ἢ τὰν γυναῖκα τὰν ἔσω καθημέναν·
μικρὰ μέν ἐστι, ῥᾳδίως νιν οἴσομες.
ἂν δή τι φέρῃς, μέγα δή τι φέροις·
ἄνοιγ᾿ ἄνοιγε τὰν θύραν χελιδόνι·
οὐ γὰρ γέροντές ἐσμεν, ἀλλὰ παιδία.

A close up of a swallow sitting on a twig

The Rise and Fall of Republican Rome as Stages in a Life

Seneca the Elder, Historical Fragments, 1 [=Lactant. Inst. Div. 7.15.14]

“Seneca outlined the periods of Roman history in “life-stages”. The first was her infancy under the king Romulus, who parented Rome and educated her. Then there followed a childhood under various kings thanks to whom the city grew and was shaped by many practices and institutions. Then, while Tarquin was king and Rome began to become more adult, it could not endure servitude and, once the yoke of arrogant rule was thrown off, preferred to heed laws instead of kings.

Once the Roman adolescence ended with the close of the Punic war,  it began to show the full strength of adulthood. For, when Carthage was subdued, that city which was an ancient rival for power, Rome extended her hands over the whole earth, both land and sea until every king and nation had bent to her power.

But, since there was no reason left for wars, Rome began to use her strengths poorly and wore herself out. This was the first step of old age: when Rome was wounded by civil wars and suffering from internal evil, she returned again to the practice of individual rule, as if she had devolved into a second infancy. Thus she lost the freedom which she defended when Brutus was its agent and champion and grew weak in old age, as if she had not the strength to support herself unless she could use the ‘cane’ of kings.”

Seneca Romanae urbis tempora distribuit in aetates; primam enim dixit infantiam sub rege Romulo fuisse, a quo et genita et quasi educata sit Roma, deinde pueritiam sub ceteris regibus, a quibus et aucta sit et disciplinis pluribus institutisque formata. At vero Tarquinio regnante, cum iam quasi adulta esse coepisset, servitium non tulisse, et reiecto superbae dominationis iugo maluisse legibus obtemperare quam regibus, cumque esset adulescentia eius fine Punici belli terminata, tum denique confirmatis viribus coepisse iuvenescere. Sublata enim Carthagine, quae diu aemula imperii fuit, manus suas in totum orbem terra marique porrexit, donec regibus cunctis et nationibus imperio subiugatis, cum iam bellorum materia deficeret, viribus suis male uteretur, quibus se ipsa confecit. Haec fuit prima eius senectus, cum bellis lacerata civilibus atque intestino malo pressa rursus ad regimen singularis imperii recidit quasi ad alteram infantiam revoluta. Amissa enim libertate, quam Bruto duce et auctore defenderat, ita consenuit tamquam sustentare se ipsa non valeret nisi adminiculo regentium uteretur.

Bust of an elderly Roman man, marble 40BC, Albertinum, Dresden