Strong Winds and Serving Justice

Euripides, Andromache 479-485

“When strong winds carry sailors forward
Divergent opinions steering the ship
Or a mob thick with wise men is feebler
Than a single mind with self-control.
In city and under a single
Authority should be one person’s
Whenever we want to find success.”

πνοαὶ δ᾽ ὅταν φέρωσι ναυτίλους θοαί,
κατὰ πηδαλίων δίδυμαι πραπίδων γνῶμαι,
σοφῶν τε πλῆθος ἀθρόον ἀσθενέστερον
φαυλοτέρας φρενὸς αὐτοκρατοῦς.
ἑνὸς ἄρ᾽ ἄνυσις ἀνά τε μέλαθρα
κατά τε πόλιας, ὁπόταν εὑ-
ρεῖν θέλωσι καιρόν.

Euripides, Hecuba 834-845

“My speech is lacking one thing still.
I wish I had the voice in my limbs
And hands and hair and the march of my feet
Or the skills of Daidalos or some god
So I could completely grasp you by your knees
Wailing, laying about you with every kind of argument.
Master, great hope of life for the Greeks,
Heed me—lend an avenging hand to an old woman
Even if she is nothing at all.

For it is right that a good man serve justice
And always do evil everywhere to evil men.”

ἑνός μοι μῦθος ἐνδεὴς ἔτι·
εἴ μοι γένοιτο φθόγγος ἐν βραχίοσιν
καὶ χερσὶ καὶ κόμαισι καὶ ποδῶν βάσει
ἢ Δαιδάλου τέχναισιν ἢ θεῶν τινος,
ὡς πάνθ᾿ ἁμαρτῇ σῶν ἔχοιτο γουνάτων
κλαίοντ᾿, ἐπισκήπτοντα παντοίους λόγους.
ὦ δέσποτ᾿, ὦ μέγιστον Ἕλλησιν φάος,
πιθοῦ, παράσχες χεῖρα τῇ πρεσβύτιδι
τιμωρόν, εἰ καὶ μηδέν ἐστιν ἀλλ᾿ ὅμως.
ἐσθλοῦ γὰρ ἀνδρὸς τῇ δίκῃ θ᾿ ὑπηρετεῖν
καὶ τοὺς κακοὺς δρᾶν πανταχοῦ κακῶς ἀεί.

Euripides, Hecuba 885-887

Agamemnon: Frightening! But I surely can’t trust a woman’s strength.
Hecuba: Why? Didn’t women kill the sons of Aegyptus
And wipe Lemnos clean of all men?

δεινόν· τὸ μέντοι θῆλυ μέμφομαι σθένος.
ΕΚΑΒΗ
τί δ᾿; οὐ γυναῖκες εἷλον Αἰγύπτου τέκνα
καὶ Λῆμνον ἄρδην ἀρσένων ἐξῴκισαν;

Viviano Codazzi and Filippo Lauri – Arches in ruins and Hecuba’s vengeance over Polymestor

It Is Good For Women to Exercise Too! (But for Predictable, Instrumental Reasons)

Philostratus, Gymnasticus 27

“And there is also a notion older than this which seemed right to Lykourgos for Sparta. Because he meant to provide warrior-athletes for Sparta, he said, “Let the girls exercise and permit them to run in public. Certainly this strengthening of their bodies was for the sake of good childbearing and that they would have better offspring.

For one who comes from this training to her husband’s home will not hesitate to carry water or to mill grain because she has prepared from her youth. And if she is joined together with a youth who has joined her in rigorous exercise, she will provide better offspring—for they will be tall, strong and rarely sick. Sparta became so preeminent in war once her marriages were prepared in this way.”

Καίτοι καὶ πρεσβύτερον τούτου, ὃ καὶ Λυκούργῳ ἐδόκει τῷ Σπαρτιάτῃ· παριστάμενος γὰρ τῇ Λακεδαίμονι πολεμικοὺς ἀθλητὰς, “γυμναζέσθων,” φησὶν, “αἱ κόραι καὶ ἀνείσθων δημοσίᾳ τρέχειν.” ὑπὲρ εὐπαιδίας δήπου καὶ τοῦ τὰ ἔκγονα βελτίω τίκτειν ὑπὸ τοῦ ἐρρῶσθαι τὸ σῶμα· ἀφικομένη γὰρ ἐς ἀνδρὸς ὑδροφορεῖν οὐκ ὀκνήσει οὐδὲ ἀλεῖν διὰ τὸ ἠσκῆσθαι ἐκ νέας· εἰ δὲ καὶ νέῳ καὶ συγγυμναζομένῳ συζυγείη, βελτίω τὰ ἔκγονα ἀποδώσει, καὶ γὰρ εὐμήκη καὶ ἰσχυρὰ καὶ ἄνοσα. καὶ ἐγένετο ἡ Λακεδαίμων τοσαύτη κατὰ πόλεμον, ἐπειδὴ τὰ γαμικὰ αὐτοῖς ὧδε ἐπράττετο.

Image result for ancient greek female athletes

Helen’s Serving Girl Wrote the First Greek Sex Manual

From the Suda

Astuanassa: A handmaid of Helen, Menelaos’ wife. She first discovered positions for intercourse and wrote On Sexual Positions. Philainis and Elephantinê rivaled her in this later—they were women who danced out these sorts of wanton acts.

Ἀστυάνασσα, Ἑλένης τῆς Μενελάου θεράπαινα: ἥτις πρώτη τὰς ἐν τῇ συνουσίᾳ κατακλίσεις εὗρε καὶ ἔγραψε περὶ σχημάτων συνουσιαστικῶν: ἣν ὕστερον παρεζήλωσαν Φιλαινὶς καὶ Ἐλεφαντίνη, αἱ τὰ τοιαῦτα ἐξορχησάμεναι ἀσελγήματα.

Photius Bibl. 190.149a 27-30

We have learned about this embroidered girdle, that Hera took it from Aphrodite and gave it to Helen. Her handmaid Astuanassa stole it but Aphrodite took it back from her again.

Περὶ τοῦ κεστοῦ ἱμάντος ὡς λάβοιμὲν αὐτὸν ῞Ηρα παρὰ ᾿Αφροδίτης, δοίη δ’ ῾Ελένῃ, κλέψοι δ’ αὐτὸν ἡ ῾Ελένης θεράπαινα ᾿Αστυάνασσα, ἀφέλοι δ’ αὐτὸν ἐξ αὐτῆς πάλιν ᾿Αφροδίτη.

Hesychius, sv. Astuanassa

Astuanassa: A handmaiden of Helen and the first to discover Aphrodite and her licentious positions.

᾿Αστυάνασσα· ῾Ελένης θεράπαινα ἥτις πρώτη ἐξεῦρεν ᾿Αφροδίτην καὶ ἀκόλαστα σχήματα

Image result for Ancient Greek Helen vase

As is largely unsurprising from the perspective of Greek misogyny, excessive interest in sexual behavior is projected a female quality. Expertise beyond interest is made the province of female ‘professionals’ (slaves) who may act as scapegoats and marginal figures for the corruption of both men and women. There is a combination of such interest with an excessive emphasis on eating (and eating really well) in Athenaeus where the pleasures of the body are combined.

Athenaeus, Deipnosophists 8.335c

“Dear men, even though I have great admiration for Chrysippus as the leader of the Stoa, I praise him even more because he ranks Arkhestratos, well-known for his Science of Cooking along with Philainis who is credited with a licentious screed about sexual matters—even though the iambic poet of Samos, Aiskhriôn, claims that Polycrates the sophist started this slander of her when she was really quite chaste. The lines go like this:

“I, Philainis, circulated among men
Lie here thanks to great old age.
Don’t laugh, foolish sailor, as your trace the cape
Nor make me a target of mockery or insult
For, by Zeus and his sons in Hell
I was never a slut with men nor a public whore.
Polykrates, Athenian by birth,
A bit clever with words and with a nasty tongue,
Wrote what he wrote. I don’t know anything about it.”

But the most amazing Chrysippus combines in the fifth book of his On Goodness and Pleasure that both “the books of Philianis and the Gastronomiai of Arkhestratos and forces of erotic and sexual nature, and in the same way slave-girls who are expert at these kinds of movements and positions and who are engaged in their practice.” He adds that they learn this type of material completely and then thoroughly possess what has been written on these topics by Philainis and Arkhestratos and those who have written on similar topics. Similarly, in his seventh book, he says ‘As you cannot wholly learn the works of Philianis and Arkhestratos’ Gastronomia because they do have something to offer for living better.’ “

Χρύσιππον δ᾿, ἄνδρες φίλοι, τὸν τῆς στοᾶς ἡγεμόνα κατὰ πολλὰ θαυμάζων ἔτι μᾶλλον ἐπαινῶ τὸν πολυθρύλητον ἐπὶ τῇ Ὀψολογίᾳ Ἀρχέστρατον αἰεί ποτε μετὰ Φιλαινίδος κατατάττοντα, εἰς ἣν ἀναφέρεται τὸ περὶ ἀφροδισίων ἀκόλαστον cσύγγραμμα, ὅπερ φησὶ | ποιῆσαι Αἰσχρίων ὁ Σάμιος ἰαμβοποιὸς Πολυκράτη τὸν σοφιστὴν ἐπὶ διαβολῇ τῆς ἀνθρώπου σωφρονεστάτης γενομένης. ἔχει δὲ οὕτως τὰ ἰαμβεῖα·

ἐγὼ Φιλαινὶς ἡ ᾿πίβωτος ἀνθρώποις
ἐνταῦθα γήρᾳ τῷ μακρῷ κεκοίμημαι.
μή μ᾿, ὦ μάταιε ναῦτα, τὴν ἄκραν κάμπτων
χλεύην τε ποιεῦ καὶ γέλωτα καὶ λάσθην.
ὐ γὰρ μὰ τὸν Ζῆν᾿, οὐ μὰ τοὺς κάτω κούρους, |
dοὐκ ἦν ἐς ἄνδρας μάχλος οὐδὲ δημώδης.
Πολυκράτης δὲ τὴν γενὴν Ἀθηναῖος,
λόγων τι παιπάλημα καὶ κακὴ γλῶσσα,
ἔγραψεν οἷ᾿ ἔγραψ᾿· ἐγὼ γὰρ οὐκ οἶδα.

ἀλλ᾿ οὖν ὅ γε θαυμασιώτατος Χρύσιππος ἐν τῷ πέμπτῳ Περὶ τοῦ Καλοῦ καὶ τῆς Ἡδονῆς φησι· καὶ βιβλία τά τε Φιλαινίδος καὶ τὴν τοῦ Ἀρχεστράτου Γαστρονομίαν καὶ δυνάμεις ἐρωτικὰς καὶ συνουσιαστικάς, ὁμοίως δὲ καὶ τὰς θεραπαίνας ἐμπείρους τοιῶνδε κινήσεών τε καὶ σχημάτων καὶ περὶ τὴν eτούτων μελέτην γινομένας. καὶ πάλιν· ἐκμανθάνειν | τ᾿ αὐτοὺς τὰ τοιαῦτα καὶ κτᾶσθαι τὰ περὶ τούτων γεγραμμένα Φιλαινίδι καὶ Ἀρχεστράτῳ καὶ τοῖς τὰ ὅμοια γράψασιν. κἀν τῷ ἑβδόμῳ δέ φησι· καθάπερ γὰρ οὐκ ἐκμανθάνειν τὰ Φιλαινίδος καὶ τὴν Ἀρχεστράτου Γαστρονομίαν ἔστιν ὡς φέροντά τι πρὸς τὸ ζῆν ἄμεινον.

Why Wives Should Learn Geometry and Plato. And, an Eclipse

Plutarch, Advice to Bride and Groom (Moralia138a-146a : Conjugalia Praecepta)

“These kinds of studies, foremost, distract women from inappropriate matters. For, a wife will be ashamed to dance when she is learning geometry. And she will not receive spells of medicine if she is charmed by Platonic dialogues and the works of Xenophon. And if anyone claims she can pull down the moon, she will laugh at the ignorance and simplicity of the women who believe these things because she herself is not ignorant of astronomy and she has read about Aglaonikê. She was the daughter of Hêgêtor of Thessaly because she knew all about the periods of the moon and eclipses knew before everyone about the time when the moon would be taken by the shadow of the earth. She tricked the other women and persuaded them that she herself was causing the lunar eclipse.”

τὰ δὲ τοιαῦτα μαθήματα πρῶτον ἀφίστησι τῶν ἀτόπων τὰς γυναῖκας· αἰσχυνθήσεται γὰρ ὀρχεῖσθαι γυνὴ γεωμετρεῖν μανθάνουσα, καὶ φαρμάκων ἐπῳδὰς οὐ προσδέξεται τοῖς Πλάτωνος ἐπᾳδομένη λόγοις καὶ τοῖς Ξενοφῶντος. ἂν δέ τις ἐπαγγέλληται καθαιρεῖν τὴν σελήνην, γελάσεται τὴν ἀμαθίαν καὶ τὴν ἀβελτερίαν τῶν ταῦτα πειθομένων γυναικῶν, ἀστρολογίας μὴ ἀνηκόως ἔχουσα καὶ περὶ Ἀγλαονίκης ἀκηκουῖα τῆς Ἡγήτορος τοῦ Θετταλοῦ θυγατρὸς ὅτι τῶν ἐκλειπτικῶν ἔμπειρος οὖσα πανσελήνων καὶ προειδυῖα τὸν χρόνον, ἐν ᾧ συμβαίνει τὴν σελήνην ὑπὸ γῆς σκιᾶς ἁλίσκεσθαι, παρεκρούετο καὶ συνέπειθε τὰς γυναῖκας ὡς αὐτὴ καθαιροῦσα τὴν σελήνην.

 

Image result for Ancient Greek marriage advice

Heard And Seen: Disagreeing With Thucydides About Women

Plutarch, On the Virtues of Women 1

“Klea, I do not have the same opinion as Thucydides concerning the virtue of women. For he claims that the best woman is the one who has the slimmest reputation among those outside her home, critical or positive—since he believes that the name of a good woman ought to be locked up and kept indoors just like her body.  Gorgias, in fact, is more appealing to me, since he insists that the fame rather than the form of a woman should be known to many. Indeed, the Roman practice seems best: granting praise to women in public after their death just as for men.

So, when Leontis, one of the best women died, you and I had a rather long conversation which did not lack philosophical solace; and now, just as you have asked, I have written down for you the rest of the things one can say supporting the assertion that the virtue of a man and woman are the same thing. This [composition] is historical and is not arranged for pleasurable hearing. But if some pleasure is possible in a persuasive piece thanks to the nature of its example, then the argument itself does not avoid some charm—that aid to explanation—nor is it reluctant to “mix the Graces in with the Muses, a most noble pairing”, in the words of Euripides, basing its credibility on the love of beauty which is a special province of the soul.”

Περὶ ἀρετῆς, ὦ Κλέα, γυναικῶν οὐ τὴν αὐτὴν τῷ Θουκυδίδῃ γνώμην ἔχομεν. ὁ μὲν γάρ, ἧς ἂν ἐλάχιστος ᾖ παρὰ τοῖς ἐκτὸς ψόγου πέρι ἢ ἐπαίνου λόγος, ἀρίστην ἀποφαίνεται, καθάπερ τὸ σῶμα καὶ τοὔνομα τῆς ἀγαθῆς γυναικὸς οἰόμενος δεῖν κατάκλειστον εἶναι καὶ ἀνέξοδον. ἡμῖν δὲ κομψότερος μὲν ὁ Γοργίας φαίνεται, κελεύων μὴ τὸ εἶδος ἀλλὰ τὴν δόξαν εἶναι πολλοῖς γνώριμον τῆς γυναικός· ἄριστα δ᾿ ὁ Ῥωμαίων δοκεῖ νόμος ἔχειν, ὥσπερ ἀνδράσι καὶ γυναιξὶ δημοσίᾳ μετὰ τὴν τελευτὴν τοὺς προσήκοντας ἀποδιδοὺς ἐπαίνους. διὸ καὶ Λεοντίδος τῆς ἀρίστης ἀποθανούσης, εὐθύς τε μετὰ σοῦ τότε πολὺν λόγον εἴχομεν οὐκ ἀμοιροῦντα παραμυθίας φιλοσόφου, καὶ νῦν, ὡς ἐβουλήθης, τὰ ὑπόλοιπα τῶν λεγομένων εἰς τὸ μίαν εἶναι καὶ τὴν αὐτὴν ἀνδρὸς καὶ γυναικὸς ἀρετὴν προσανέγραψά σοι, τὸ ἱστορικὸν ἀποδεικτικὸν ἔχοντα καὶ πρὸς ἡδονὴν μὲν ἀκοῆς οὐ συντεταγμένα. εἰ δὲ τῷ πείθοντι καὶ τὸ τέρπον ἔνεστι φύσει τοῦ παραδείγματος, τὸ ἱστορικὸν ἀποδεικτικὸν ἔχοντα καὶ πρὸς ἡδονὴν μὲν ἀκοῆς οὐ συντεταγμένα· εἰ δὲ τῷ πείθοντι καὶ τὸ τέρπον ἔνεστι φύσει τοῦ παραδείγματος, οὐ φεύγει χάριν ἀποδείξεως συνεργὸν ὁ λόγος οὐδ᾿ αἰσχύνεται

ταῖς Μούσαις
τὰς Χάριτας συγκαταμιγνὺς
καλλίσταν συζυγίαν,

ὡς Εὐριπίδης φησίν, ἐκ τοῦ φιλοκάλου μάλιστα τῆς ψυχῆς ἀναδούμενος τὴν πίστιν.

Giovanni Martinelli – The Three Graces

 

 

Roman Epitaphs to and for Wives

A repost of some translations by Brandon Conley.

  1. AE 1983 0040

D(is) M(anibus). Memoriae Publicies Septimines L(ucius) Sammonius Adiutor coniug(i) pientissim(a)e et animules amantissimes

“To the spirits of the dead. Lucius Sammonius Adiutor (made this) for the memory of Publicia Septimina, his most faithful wife and most loving soul.”

Romancouple

  1. AE 1982 0106

D(is) M(anibus) Iucundis[sim]a Priscia[no con]iugi am[antiss]imo b(ene) [m(erenti) fecit]

“To the spirits of the dead. Iucundissima made this for her well-deserving, most loving husband, Priscianus.”

 

  1. CIL 6.18817

Animae sanctae colendae d(is) m(anibus) s(acrum). Furia Spes L(ucio) Sempronio Firmo coniugi carissimo mihi. Ut cognovi puer puella obligati amori pariter. Cum quo vixi tempori minimo et quo tempore vivere debuimus a manu mala diseparati sumus. Ita peto vos manes sanctissimae commendat[um] habeatis meum ca[ru]m et vellitis huic indulgentissimi esse horis nocturnis ut eum videam et etiam me fato suadere vellit ut et ego possim dulcius et celerius aput eum pervenire.

“To a sacred and worshipped spirit: a sacred thing to the spirits of the dead. Furia Spes (made this) for her dearest husband, Lucius Sempronius Firmus. When we met as boy and girl, we were joined in love equally. I lived with him for a short while, and in a time when we should have lived together, we were separated by an evil hand.

So I ask you, most sacred spirits, to protect my dear husband entrusted to you, and that you be willing to be most accommodating to him in the nightly hours, so I may have a vision of him, and so he might wish that I persuade fate to allow me to come to him more sweetly and quickly.”

adiutor

  1. CIL 3.10501

Clausa iacet lapidi coniunx pia cara Sabina. Artibus edocta superabat sola maritum vox ei grata fuit pulsabat pollice c(h)ordas. Set (sed) cito rapta silpi (silet)…

“My beautiful, faithful wife, Sabina, lies enclosed in stone. Skilled in the arts, she alone surpassed her husband. Her voice was pleasing (as) she plucked the strings with her thumb. But suddenly taken, now she is silent.”

 

  1. CIL 3.00333

Dis Manibus Flaviae Sophene [Ge]nealis Caesaris Aug(usti) [se]rvos verna dispens(ator) [ad] frumentum carae coniugi et amanti bene merenti fecit [vix(it)] an(nis) XXXII m(ensibus) VII

//

[Φλ]αβία Σόφη γυνὴ Γενεάλ/[ιος] Καίσαρος δούλου οἰκο/νόμου ἐπὶ τοῦ σείτου / [ζή]σασα κοσμίως ἔτη [λβ] / [μῆ]νας ζ χαῖρε

“To the spirits of the dead. For Flavia Sophe. Genialis, home-born slave of Caesar Augustus, keeper of the grain supply, made this for his loving, dear, well-deserving wife. She lived 32 years, 7 months.”

 

  1. AE 1982 0988.

Iulia Cecilia vicxit annis XLV cui Terensus marit(us) fek(it) dom(um) et(e)r(nalem) f(eci)t

“Julia Caecilia lived 45 years, for whom her husband Terensus made this. He made her an eternal home.”

 

  1. CIL 13.01983 (EDCS-10500938)

D(is) M(anibus) et memoriae aetern(ae) Blandiniae Martiolae puellae innocentissimae quae vixit ann(os) XVIII m(enses) VIIII d(ies) V. Pompeius Catussa cives Sequanus tector coniugi incomparabili et sibi benignissim(a)e quae mecum vixit an(nos) V m(enses) VI d(ies) XVIII sine ul(l)a criminis sorde. Viv(u)s sibi et coniugi ponendum curavit et sub ascia dedicavit. Tu qui legis vade in Apol(l)inis lavari quod ego cum coniuge feci. Vellem si ad(h)uc possem

“To the spirits of the dead and the eternal memory of Blandinia Martiola, a most innocent girl who lived 18 years, 9 months, 5 days. Pompeius Catussa, a Sequani citizen and plasterer, (made this) for his incomparable and most kind wife, who lived with me 5 years, 6 months, 18 days without any transgressions. While alive, he saw to the building and dedicated this, while under construction, to himself and his wife. You who read this, go and bathe in the bath of Apollo, which I did with my wife. I wish I were still able to do it.”

 

  1. CIL 06.15346

Hospes quod deico paullum est. Asta ac pellege. Heic est sepulcrum hau(d) pulcrum pulcrai feminae. Nomen parentes nominarunt Claudiam. Suom mareitum corde deilexit souo. Gnatos duos creavit horunc (horum-ce) alterum in terra linquit alium sub terra locat. Sermone lepido tum autem incessu commodo domum servavit lanam fecit dixi abei

“Stranger, what I say is short. Stand and read over it. This is the hardly beautiful tomb of a beautiful woman. Her parents called her Claudia. She loved her husband with all her heart. She had two sons, one of whom she leaves on earth, the other she placed under it. With pleasant conversing but respectable gait she cared for her home and made wool. I have spoken. Move along.”

 

  1. CIL 06.20307

Iulio Timotheo qui vixit p(lus) m(inus) annis XXVIII vitae innocentissim(a)e decepto a latronibus cum alumnis n(umero) VII. Otacilia Narcisa co(n)iugi dulcissimo

“For Julius Timotheus, who lived around 28 years of a most innocent life, cheated by bandits along with his 7 fostered children. Otacilia Narcisa (made this) for her sweetest husband.”

Image result for roman epitaph
This is from the Johns Hopkins Archaeological Museum

Spartan Women Once Said…

This is the second part of the sayings attributed to women in the Gnomologium Vaticanum (568-576)

“Sayings of women and their thoughts”

᾿Αποφθέγματα γυναικῶν, ἤτοι φρονήματα.

“When a Spartan woman was speaking to her son who had been crippled in battle and was depressed because of that she said “don’t be sad, child—for each step recalls your private virtue”

Γυνὴ Λάκαινα τοῦ υἱοῦ αὐτῆς ἐν παρατάξει χωλωθέντος καὶ δυσφοροῦντος ἐπὶ τούτῳ „τέκνον”, εἶπε, „μὴ λυποῦ· καθ’ ἕκαστον γὰρ βῆμα τῆς ἰδίας <ἀρετῆς ὑπομνησθήσῃ.”>

 

“When a Spartan woman heard that her son died in the battle line she said “Child, you paid your country back well for your upbringing.”

Γυνὴ Λάκαινα ἀκούσασα τὸν υἱὸν αὐτῆς ἐν παρατάξει τεθνηκέναι „τέκνον”, εἶπεν, „ὡς καλὰ τροφεῖα τῇ πατρίδι ἀπέδωκας!”

 

“A Spartan woman said of her son who was thankful that he was the only one to survive a battle-line “why aren’t you ashamed that you’re the only one alive?”

Λάκαινα γυνὴ σεμνυνομένου τοῦ υἱοῦ αὐτῆς ἐπὶ τῷ μόνον ἐκ τῆς παρατάξεως σεσῶσθαι ἔφη· „τί οὖν οὐκ αἰσχύνῃ μόνος ζῶν;”

The website “Sharing Ancient Wisdom” is a really interesting and useful collection of proverbial sayings. Check it out.

How A Woman Should Dress (And Sacrifice)

Phintys, fr. 2, On a Woman’s Prudence by the Spartan Phintys, the daughter of Kallikrates the Pythagorean (=Stob. 4.23.61)

“It is also necessary for a woman to take to heart that she will find no kind of purifying remedy for this mistake [adultery], something that would allow her to approach the temples and altars of the gods as a chaste and god-loved woman. This is because in this crime especially the divine spirit is most unforgiving. The most beautiful achievement of a free woman and the foremost glory is to provide as testimony to her prudence toward her husband her children, if they do in fact bear the imprint of similarity to the father who sowed them. That seems to me to be enough regarding marriage.

The following seems to be right to me when it comes to the management of the body. A woman should wear white, but be dressed simply and without decoration. This style of dressing is achieved without transparent or decorated robes or robes which are made from silk; instead a woman should wear modest and white clothing. She preferably also avoids luxury and ostentation and will not cause vile jealousy in other women. She should also not put on gold or emeralds at all—this behavior would make her seem wealthy and haughty to common women.

It is necessary that the well-governed city which is ordered completely with a view to its whole should be one of common experiences and likemindedness. And it should keep out the craftspeople who create these sorts of baubles from its territory. A prudent woman should not embellish her appearance with foreign decoration and makeup but should use the native beauty of the body—she should decorate her body by washing it in water rather than bringing it shame. For this brings honor to herself and the man she lives with.

Women need to make processions from their homes to make sacrifices to the leading-god of the city for themselves, their husbands, and their households. They must make their expedition to the theater or to the market for household goods, however, not when the evening star is rising nor when it is dark but whenever it is still light, accompanied by a single servant or, at most, two as is proper.

In addition, a prudent woman must also perform sacrificial rites for the gods as is permitted to her, but must abstain from the occult rites and rituals of the Great Mother at home. For the common law prohibits women from performing these rituals, since, in addition to other things, these practices make them drunk and insane. The woman of the home needs to be temperate and uncontaminated by everything, even when she is governing the home.”

 

     Κἀκεῖνο δὲ χρὴ διαλογίζεσθαι, ὡς οὐδὲν καθάρσιον εὑρήσει τᾶς ἀμπλακίας ταύτας ἄκος, ὥστε ὡς ἱερὰ θεῶν καὶ βωμὼς ποτερχομέναν ἦμεν ἁγνὰν καὶ θεοφιλάταν· ἐπὶ γὰρ ταύτᾳ τᾷ ἀδικίᾳ μάλιστα καὶ τὸ δαιμόνιον ἀσυγγνωμόνητον γίνεται. κάλλιστος δὲ κόσμος γυναικὸς ἐλευθέρας πρᾶτόν τε κῦδος τὸ διὰ τῶν αὑτᾶς τέκνων ἐπιμαρτύρασθαι τὰν σωφροσύναν τὰν ποτὶ τὸν ἄνδρα, αἴκα τὸν τύπον τᾶς ὁμοιότατος ἐπιφέρωντι τῶ κατασπείραντος αὐτὼς πατρός. καὶ περὶ μὲν εὐνᾶς οὕτως ἔχει· περὶ δὲ τῶ κόσμω τῶ περὶ τὸ σῶμα δοκεῖ μοι οὕτως.

δεῖ λευχείμονα ἦμεν καὶ ἁπλοϊκὰν καὶ ἀπερίσσευτον. ἐσσεῖται  δὲ τοῦτο, αἴκα μὴ διαφανέεσσι μηδὲ διαποικίλοις μηδὲ ἀπὸ βόμβυκος ὑφασμένοις χρᾶται τοῖς περὶ τὸ σῶμα, ἀλλὰ μετρίοις καὶ λευκοχρωμάτοις· οὕτω γὰρ τὸ μᾶλλον κοσμεῖσθαι καὶ τρυφὰν καὶ καλλωπισμὸν φεύξεται, καὶ ζᾶλον οὐκ ἐμποιήσει μοχθηρὸν ταῖς ἄλλαις. χρυσὸν δὲ καὶ σμάραγδον ἁπλῶς μὴ περιτίθεσθαι· καὶ γὰρ πολυχρήματον καὶ ὑπεραφανίαν ἐμφαῖνον ποττὰς δαμοτικάς.

δεῖ δὲ τὰν εὐνομουμέναν πόλιν, ὅλαν αὐτὰν δι’ ὅλας τεταγμέναν, συμπαθέα τε καὶ ὁμοιόνομον ἦμεν, ἀπερύκεν δὲ καὶ δαμιοεργὼς ἐκ τᾶς πόλιος τὼς ἐργαζομένως τὰ τοιαῦτα. χρώματι δὲ φαιδρύνεσθαι τὰν ποτῶπα μὴ ἐπακτῷ καὶ ἀλλοτρίῳ, τῷ δ’ οἰκῄῳ τῶ σώματος δι’ αὐτῶ τῶ ὕδατος ἀπολουομέναν, κοσμὲν δὲ μᾶλλον αὑτὰν αἰσχύνᾳ·

καὶ γὰρ τὸν συμβιῶντα καὶ αὑτὰν ἔντιμον παρέξεται. τὰς δὲ ἐξόδως ἐκ τᾶς οἰκίας ποιεῖσθαι † τὰς γυναῖκας τὰς δαμοτελέας θυηπολούσας τῷ ἀρχαγέτᾳ θεῷ τᾶς πόλιος ὑπὲρ αὑτᾶς καὶ τῶ ἀνδρὸς καὶ τῶ παντὸς οἴκω· ἔπειτα  μήτε ὄρφνας ἐνισταμένας μήτε ἑσπέρας ἀλλὰ πλαθυούσας ἀγορᾶς καταφανέα γινομέναν τὰν ἔξοδον ποιεῖσθαι θεωρίας ἕνεκά τινος ἢ ἀγορασμῶ οἰκῄω μετὰ θεραπαίνας μιᾶς ἢ καττὸ πλεῖστον δύο εὐκόσμως χειραγωγουμέναν.

τὰς δὲ θυσίας λιτὰς παριστάμεν τοῖς θεοῖς καὶ καττὰν δύναμιν, ὀργιασμῶν δὲ καὶ ματρῳασμῶν τῶν κατ’ οἶκον  ἀπέχεσθαι. καὶ γὰρ ὁ κοινὸς νόμος τᾶς πόλιος ἀπερύκει ταῦ<τα> τὰς γυναῖκας ἐπιτελέν, καὶ ἄλλως καὶ ὅτι μέθας καὶ ἐκστάσιας ψυχᾶς ἐπάγοντι ταὶ θρησκεύσιες αὗται· τὰν δ’ οἰκοδέσποιναν καὶ προκαθεζομέναν οἴκω δεῖ σώφρονα καὶ ἀνέπαφον ποτὶ πάντα ἦμεν.

 

Image result for ancient greek women's clothing
Image from Heilbrunn Timeline of Art History 4th Century BCE Marble Statue

A List of Women Authors from Ancient Greece and Rome for #InternationalWomensDay

In our now annual tradition, we are re-posting this list with more names and updated links. Most of the evidence for these authors has been collected only in Wikipedia. I have added new translations and new names over the past few years (especially among the philosophers). Always happy to have new names and links suggested.

I originally received a link to the core list in an email from my undergraduate poetry teacher, the amazing poet and translator Olga Broumas. The post is on tumblr on a page by DiasporaChic, bit the original author is Terpsikeraunos.

** denotes names I have added

Sappho and Erinna in a Garden at Mytilene by Simeon Solomon
Women in ancient Greece and Rome with surviving works or fragments

 

PHILOSOPHY

Here is a list of Women philosophers with testimonia and fragments (with French translations and commentary).

Aesara of Lucania: “Only a fragment survives of Aesara of Lucania’s Book on Human Nature, but it provides a key to understanding the philosophies of Phintys, Perictione, and Theano II as well. Aesara presents a familiar and intuitive natural law theory. She says that through the activity of introspection into our own nature – specifically the nature of a human soul – we can discover not only the natural philosophic foundation for all of human law, but we can also discern the technical structure of morality, positive law, and, it may be inferred, the laws of moral psychology and of physical medicine. Aesara’s natural law theory concerns laws governing three applications of moral law: individual or private morality, laws governing the moral basis of the institution of the family, and, laws governing the moral foundations of social institutions. By analyzing the nature of the soul, Aesara says, we will understand the nature of law and of justice at the individual, familial, and social levels.” – A History of Women Philosophers: Volume I: Ancient Women Philosophers, 600 B.C.-500 A.D., by M.E. Waith

*Wikipedia on Aesara

A translation of her work

**Aspasia of Miletus: wikipedia entry

**Axiothea of Phlius: wikipedia entry

**Bistala

**Damo: daughter of Pythagoras and Theano. wikipedia entry

**Deino of Croton: A student of Pythagoras.

A translation of Diogenes Laertius’ account.

**Diotima: wikipedia entry

**Eurydice: cf. Plutarch Conj. praec. 145a and e

**Hipparchia of Maronea: wikipedia entry

A translation of Diogenes Laertius’ account

**Klea: Cf.  Plut. Mul. virt. 242 ef

**Lasthenia of Mantinea: wikipedia entry

**Leontion: an Epicurean philosopher

Melissa: “Melissa (3rd century BC)[1][2] was a Pythagorean philosopher…Nothing is known about her life. She is known only from a letter written to another woman named Cleareta (or Clearete). The letter is written in a Doric Greek dialect dated to around the 3rd century BC.[2] The letter discusses the need for a wife to be modest and virtuous, and stresses that she should obey her husband.[2] The content has led to the suggestion that it was written pseudonymously by a man.[2] On the other hand, the author of the letter does not suggest that a woman is naturally inferior or weak, or that she needs a man’s rule to be virtuous.[1]” –Wikipedia

**Myia of Samos: wikipedia article

Perictione (I and II): “Two works attributed to Perictione have survived in fragments: On the Harmony of Women and On Wisdom. Differences in language suggest that they were written by two different people. Allen and Waithe identify them as Perictione I and Perictione II. Plato’s mother was named Perictione, and Waithe argues that she should be identified as the earlier Perictione, suggesting that similarities between Plato’s Republic and On the Harmony of Women may not be the result of Perictione reading Plato, but the opposite–the son learning philosophy from his mother. On the Harmony of Women, however, is written in Ionic prose with occasional Doric forms. This mixed dialect dates the work to the late fourth or third centuries BC. The reference in On the Harmony of Women to women ruling suggests the Hellenistic monarchies of the third century BC or later. On Wisdom is written in Doric and is partly identical with a work by Archytas of the same name. This work should be dated later, to the third or second centuries BC. Both the dates of the works and their dialects mean Perictione as the mother of Plato could not have written them. We then have two Pythagorean texts, attributed to otherwise unknown women named Perictione who should be dated perhaps one hundred years apart.” –Women Writers of Ancient Greece and Rome: An Anthology, by I.M. Plant

*N.B. This account leaves out the the basic narrative from Diogenes Laertius, that Plato’s father Ariston raped his mother Perictione.

A translation of a fragment attributed to Perictione here.

Phintys: “Phintys (or Phyntis, Greek: Φίντυς; 4th or 3rd century BC) was a Pythagorean philosopher. Nothing is known about her life, nor where she came from. She wrote a work on the correct behavior of women, two extracts of which are preserved by Stobaeus.” –Wikipedia

*Note, Stobaeus (4.32.61a) calls her the daughter of Kallikrates the Pythagorean (Φιντύος τᾶς Καλλικράτεος θυγατρὸς Πυθαγορείας). Here are some of her fragments on the prudence befitting women: part 1 and part 2.

Ptolemais of Cyrene: “Ptolemais is known to us through reference to her work by Porphyry in his Commentary on the Harmonics of Ptolemy. He tells us that she came from Cyrene and gives the title of her work, The Pythagorean Principles of Music, which he quotes. She is the only known female musical theorist from antiquity. Her dates cannot be known for sure. She clearly preceded Porphyry, who was born about AD 232; Didymus, who is also quoted by Porphyry, knew Ptolemais’ work and may even have been Porphyry’s source for it. This Didymus is probably the one who lived in the time of Nero, giving us a date for Ptolemais of the first century AD or earlier…One of the problems in dealing with this text is that it is in quotation. Porphyry does not clearly distinguish between the text he quotes from Ptolemais and his own discussion of the issues raised…A second issue is the problem of the accuracy of the quotation. Porphyry says in the introduction to fragment 4 that he has altered a few things in the quotation for the sake of brevity. We should not assume that this is the only quotation to have suffered from editing. On the other hand, where he quotes the same passage twice (fragment 3 is repeated almost verbatim in fragment 4) his consistency is encouraging. Ptolemais’ extant work is a catechism, written as a series of questions and answers. She discusses different schools of thought on harmonic theory, distinguishing between the degree to which they gave importance to theory and perception. Her text prefers the approach of Aristoxenus to that of the Pythagoreans, thus she should not be thought a Pythagorean, despite the title of her work.” –Women Writers of Ancient Greece and Rome: An Anthology, by I.M. Plant

A new translation of her fragment

**Theano the Pythagorean (I have collected her words here)

“When Theano the Pythagorean philosopher was asked what eros is, she said ‘the passion of a soul with spare time.’ ”

Θεανὼ ἡ πυθαγορικὴ φιλόσοφος ἐρωτηθεῖσα τί ἐστιν ἔρως ἔφη· ” πάθος ψυχῆς σχολαζούσης.”

“While Theano was walking she showed her forearm and some youth when he saw it said “Nice skin”. She responded, “it’s not communal”.

Θεανὼ πορευομένη ἔξω εἶχε τὸν βραχίονα· νεανίσκος δέ τις ἰδὼν εἶπε· ” καλὸν τὸ δέμας·” ἡ δὲ ἀπεκρίνατο· ” ἀλλ’ οὐ κοινόν.”

**Timycha of Sparta: wikipedia entry

Continue reading “A List of Women Authors from Ancient Greece and Rome for #InternationalWomensDay”

Odysseus’s Sister and Names for In-Laws

We have posted before about Odysseus’ sister Ktimene. She is mentioned by the swineherd Eumaios but never by Odysseus. The scholia connect her to one of Odysseus’ companions. The evidence for this seems to be the fact that Ktimene was sent to Same for marriage (where Eurylochus is from) and a kinship term used for him by Odysseus. Also of interest, according to the scholion, Odysseus may have had more sisters.

Homer, Odyssey 15.364-41

Strong Ktimenê, the youngest of the children she bore.
I was raised with her, and she honored me little less.
But when we both made it to much-praised youth,
They gave her to Samê and received much in return
But she gave me a cloak, tunic and clothing
Dressing me finely and give me sandals for my feet
And sent me to the field. But she loved me more in her heart.

οὕνεκά μ’ αὐτὴ θρέψεν ἅμα Κτιμένῃ τανυπέπλῳ
θυγατέρ’ ἰφθίμῃ, τὴν ὁπλοτάτην τέκε παίδων·
τῇ ὁμοῦ ἐτρεφόμην, ὀλίγον δέ τί μ’ ἧσσον ἐτίμα.
αὐτὰρ ἐπεί ῥ’ ἥβην πολυήρατον ἱκόμεθ’ ἄμφω,
τὴν μὲν ἔπειτα Σάμηνδ’ ἔδοσαν καὶ μυρί’ ἕλοντο,
αὐτὰρ ἐμὲ χλαῖνάν τε χιτῶνά τε εἵματ’ ἐκείνη
καλὰ μάλ’ ἀμφιέσασα ποσίν θ’ ὑποδήματα δοῦσα
ἀγρόνδε προΐαλλε· φίλει δέ με κηρόθι μᾶλλον.

Schol. BW ad Od. 15.364 ex

“Ktimenê is the proper name of Odysseus’ sister, whom Eurylochus is supposed to have married.”

Κτιμένη] Κτιμένη κυρίως ἐκαλεῖτο ἡ ᾿Οδυσσέως ἀδελφὴ, ἧς
ὁ Εὐρύλοχος ὑπονοεῖται ἀνήρ. λέγει γὰρ “καὶ πηῷ περ ἐόντι μάλα
σχεδόν” (κ, 441.). B.Q.

“She bore the youngest of the children”: [this means] of the female children. For his father only had Odysseus [for a son]. There were more sisters of Odysseus.”

ὁπλοτάτην τέκε παίδων] θηλειῶν γοῦν. μόνον δ’ αὖτ’ ᾿Οδυσσέα πατὴρ τέκε (π, 119.). καὶ πλείους οὖν αἱ ᾿Οδυσσέως ἀδελφαί. Q.

Homer, Odyssey 10.438-442

“So he spoke, and I was turning over in my thoughts
As I began to draw the sharp-edged sword next to my thick thigh,
Whether I should cut off his head and drive him to the ground
Even though he really was my relative. But our companions
Were restraining me with gentle words from all sides.”

ὣς ἔφατ’, αὐτὰρ ἐγώ γε μετὰ φρεσὶ μερμήριξα,
σπασσάμενος τανύηκες ἄορ παχέος παρὰ μηροῦ,
τῷ οἱ ἀποτμήξας κεφαλὴν οὖδάσδε πελάσσαι,
καὶ πηῷ περ ἐόντι μάλα σχεδόν· ἀλλά μ’ ἑταῖροι
μειλιχίοισ’ ἐπέεσσιν ἐρήτυον ἄλλοθεν ἄλλος·

Schol. QVB ad Od 10.441 ex

Q “Instead of the genitive here, “even though he was an in-law”.

V. “Relative”

QV For he married Odysseus’ sister Ktimene.
B “even though he was my brother-in-law by my sister Ktimenê.”

καὶ πηῷ] ἀντὶ τοῦ, καὶ πηοῦ περ ἐόντος. Q. συγγενεῖ. V.
Κτιμένην γὰρ γεγαμήκει τὴν ᾿Οδυσσέως ἀδελφήν. Q.V. γαμβρῷ
μοι ὄντι ἐπὶ τῇ ἀδελφῇ Κτιμένῃ. B.

Suda

“Pêos: A relative by marriage. In-law. Also, “in-lawness” [Pêosunê], relation-by-marriage. There is also Pêôn [genitive plural], for “of relatives-by-marriage. Homer has: “relatives and friends” [Il. 3.163]

Πηός: ὁ κατ’ ἐπιγαμίαν συγγενής. καὶ Πηοσύνη, ἡ συγγαμβρία.
καὶ Πηῶν, τῶν συγγενῶν. ῞Ομηρος· πηούς τε φίλους τε.

Etymologicum Gudianum

“…There is a difference between in-law and friend. People who have no connection to you by birth are friends. In-laws are related to you through marriage.”

διαφέρει δὲ πηὸς φίλου· φίλοι μὲν λέγονται οἱ μηδὲν τῷ γένει προσήκοντες·  πηοὶ δὲ οἱ κατ’ ἐπιγαμίαν συγγενεῖς.

peos

For a beautiful narrative re-imagining of the life of Ktimene, see Mary Ebbot’s “Seeking Odysseus’ Sister”