Apparently there was also a tradition that has Aphrodite pulling a Zeus-Amphitryon trick with Paris and Menelaos.
Nikias of Mallos, BNJ 60 F 2a [=Schol. V ad Od. 23.218]
“Priam’s child Alexander left Asia and went to Sparta with the plan of abducting Helen while he was a guest there. But she, because of her noble and husband-loving character, was refusing him and saying that she would honor her marriage with the law and thought more of Menelaos. Because Paris was ineffective, the story is that Aphrodite devised this kind of a trick: she exchanged the appearance of Alexander for Menelaos’ character to persuade Helen in this way. For, because she believed that this was truly Menelaos, she was not reluctant to leave with him. After she went to the ship before him, he took her inside and left. This story is told in Nikias of Mallos’ first book”
This kind of doubling and uncertainty about identity is certainly at home in any discussion of Euripides’ Helen (well, at least the first third where no one knows who anybody is). But it is also apt for the Odyssey where Odysseus cryptically insists (16.204):
Here’s some mythical-grade misogyny, with a variation on the Potiphar’s wife motif, and some infanticide.
Apollodorus, Bibliotheca, 3.155
“Hektor married Andromache, Êetiôn’s daughter, and Alexandros [Paris] married Oinônê the daughter of Kebren the river. She learned the power of prophecy from Rhea and warned Alexander not to sail to Helen. Because she did not persuade him, she said that if he was wounded, he should come to her because she alone would be able to heal him.
But he did steal Helen from Sparta and, while Troy was attacked, he was struck by Herakles’ arrows from Philoktêtes. He went to Oinône in Ida. She, because she took delight in his suffering, said she would not heal him. Alexandros returned to Troy and was dying, but Oinônê changed her mind and was bringing medicine to heal him only to find him dead. She hanged herself.”
This story is the one basically told in Parthenius (Love Tales, 4.7). Another version of the tale is preserved in Photios but is attributed to the historian and mythographer Konon (BNJ 26 F1 = Photios, Bibliotheka 186). A few notes of caution: Konon is dated to the 1st century CE; Photios to the 9th Century CE
Konon BNJ 26 F1 = Photios, Bibliotheka 186
[This section] is about how a child Koruthos, who surpassed his father in beauty, was born from Alexander/Paris and Oinône, the woman he married before he kidnapped Helen. His mother sent him to Helen to make Alexandros jealous and devise some evil for Helen. When Koruthos got to ‘know’ Helen, Alexandros arrived in the bedroom, and saw Koruthos sitting near her, and, already enraged out of suspicion, he killed him.
Because of the outrage against herself and the killing of her child, she cursed Alexandros a lot and predicted—for she had the inspiration of prophecy and was skilled in preparing medicines—that he would be wounded by one of the Achaeans some day and because he could not find treatment, he would need her and come home.
Later on, Alexander was wounded in the battle against the Achaeans in front of Troy by Philoktetes and he was suffering terribly. He was brought in a wagon to Idea and sent a herald to ask for Oinône. She arrogantly reproached him, saying that he should go back to Helen. Then Alexander died along the road because of the wound.
A powerful change of mind over took her at the time of his death before she heard of it, and once she gathered some medicine, she rushed to overtake him. Once she learned from the herald that he was dead and that she had killed him, she killed the herald for his arrogance by smashing a stone on his head. She threw herself over Alexander’s corpse and, after repeatedly blaming their shared fate, she hanged herself with her belt.”
A couple of takeaways from this one. First, it seems that Oinône knew about Paris’ lust for Helen before he departed for Sparta and remained behind on Mt. Ida once he returned to Troy. Second, it is entirely unclear when the child returns to Troy to tempt Helen. This story is a variation on the same story told about Phoinix in book 9 (his mother had him seduce his father’s lover; his father exiled him). No one in this story looks great (except for Koruthos, he looks real great). Paris is, well, a jerk. Poor Oinône is depicted as a witch-prophetess who, despite all the abuse, still loves her terrible husband.
Like Apollodorus’ version above, Ovid’s Heroides (5) do not mention the son. The earliest extant reference to Oinône seems to be Hellanicus, but some speculation links her to Bacchylides fr. 20d (where three letters OIN[….] seem to refer to a wife of Paris. See Gantz Early Greek Myth, 1993 n. 67 on page 839
Apparently there was also a tradition that has Aphrodite pulling a Zeus-Amphitryon trick with Paris and Menelaos.
Nikias of Mallos, BNJ 60 F 2a [=Schol. V ad Od. 23.218]
“Priam’s child Alexander left Asia and went to Sparta with the plan of abducting Helen while he was a guest there. But she, because of her noble and husband-loving character, was refusing him and saying that she would honor her marriage with the law and thought more of Menelaos. Because Paris was ineffective, the story is that Aphrodite devised this kind of a trick: she exchanged the appearance of Alexander for Menelaos’ character to persuade Helen in this way. For, because she believed that this was truly Menelaos, she was not reluctant to leave with him. After she went to the ship before him, he took her inside and left. This story is told in Nikias of Mallos’ first book”
This kind of doubling and uncertainty about identity is certainly at home in any discussion of Euripides’ Helen (well, at least the first third where no one knows who anybody is). But it is also apt for the Odyssey where Odysseus cryptically insists (16.204):
The following account is interesting for the variations in the story of Ariadne and Theseus but also for the strange detail of the ritual where young men imitate a woman in childbirth. Also, the counterfeit letters bit is precious. What would they say?.
Other tales about Ariadne, According to Plutarch (Theseus 20)
“There are many other versions circulated about these matters still and also about Ariadne, none of which agree. For some say that she hanged herself after she was abandoned by Theseus. Others claim that after she was taken to Naxos by sailors she lived with Oinaros a priest of Dionysus and that she was abandoned by Theseus because he loved another.
“A terrible lust for Aiglê the daughter of Panopeus ate at him” [fr. 105]—this is a line Hereas the Megarean claims Peisistratus deleted from the poems of Hesiod, just as again he says that he inserted into the Homeric catalogue of dead “Theseus and Perithoos, famous children of the gods” [Od. 11.631] to please the Athenans. There are some who say that Ariadne gave birth to Oinipiôn and Staphulos with Theseus. One of these is Ion of Khios who has sung about his own city “Oinopiôn, Theseus’ son, founded this city once.” [fr. 4D]
The most reputable of the myths told are those which, as the saying goes, all people have in their mouths. But Paiôn the Amathousian has handed down a particular tale about these events. For he says that Theseus was driven by a storm, to Cyprus and that he had Ariadne with him, who was pregnant and doing quite badly because of the sea and the rough sailing. So he set her out alone and he was carried back into the sea from the land while he was tending to the ship. The native women, then, received Ariadne and they tried to ease her depression because of her loneliness by offering her a counterfeit letter written to her by Theseus and helping her and supporting her during childbirth. They buried her when she died before giving birth.
Paiôn claims that when Theseus returned he was overcome with grief and he left money to the island’s inhabitants, charging them to sacrifice to Ariadne and to have two small statues made for her—one of silver and one of bronze. During the second day of the month of Gorpiaon at the sacrifice, one of the young men lies down and mouns and acts as women do during childbirth. They call the grove in which they claim her tomb is that of Ariadne Aphrodite.
Some of the Naxians claim peculiarly that there were two Minoses and two Ariadnes. They claim one was married to Dionysus on Naxos and bore the child Staphulos, and the young one was taken by Theseus and left when he came to Naxos with a nurse named Korkunê—whose tomb they put on display. They claim that Ariadne died there and has honors unequal to those of the earlier one. The first has a festival of singing and play; the second has one where sacrifices are performed with grief and mourning.”
While discussing unexpected variants in Greek myths today with twitter friends Carly Silver and Emily Hauser (whose forthcoming third book For theImmortal takes its readers to the world of the Amazons, just as her earlier For the Winner and For the Most Beautifulretell the tales of Atalanta and Helen respectively), I learned another new thing today: some traditions give Achilles a “love-child” with Penthesileia [Carly’s great phrase].. And the child’s name is Kaustros (Causter/Cayster).
One of the very humbling things about studying myth–once you accept that there is no central version and realize that audiences kept writing themselves and their local traditions into myth (and vice versa)–is that it is pretty much impossible to know it all. Rather than get discouraged by this, I actually find it exciting–it infuses some work with child-like wonder and makes other work feel like an episode of CSI: Ancient Greece (or something like that).
The sources for this child are pretty limited–and it does not seem that any specifically name Achilles as father (which is ok–I look forward to seeing what she does with the character):
Schol A ad. Il. 2.461d ex [cf. Eusth. Comm ad I 1.387]
“Kaüstros is a son of Penthesileia the Amazon. He married Derketô in Askalon and fathered from her Semiramis. Among the Syrians, Derketô is called Atargatis.”
Pretty much the same information is repeated in several different texts, for example:
Etym. Magn. [=Kallierges 493.10, s.v. Kaüstros; cf. Ps. Herod.]
“Kaüstros: a river in Lydia, from Kaüstros. And Kaüstros is a son of Penthesileia the Amazon. He married Derketô in Askalon and fathered from her Semiramis. She’s the one who had the walls of Babylon built.”
For many, this story is surprising and strange, because the famous vase images and the tales that are told in most of the citations above are that Achilles fell in love with Penthesileia while or after killing her
“Tellis tells the tale that Penthesileia killed Achilles but that, after Thetis asked Zeus, he resurrcted him and Achilles killed her in turn. Penthesileia’s father sued Thetis for this but Poseidon judged against Ares.”
“The Sixth book has the following table of contents: how Achilles, killed by Penthesileia, returned to life after his mother made this request, and then returned to Hades after killing Penthesileia”
Please do! (& feel free to link to next book For the Immortal, too, which explores Cayster through fiction [& drawing on Achilles & Deidamia, which gave me more to go on]) https://t.co/Q51dB6p45w
A twitter correspondent started asking me about Oinônê this morning. To be honest, I had only the faintest idea who she was. Now that I know a little more, I am no happier about the world. Cue up some mythical-grade misogyny, a variation on the Potiphar’s wife motif, and some infanticide.
Apollodorus, Bibliotheca, 3.155
“Hektor married Andromache, Êetiôn’s daughter, and Alexandros [Paris] married Oinônê the daughter of Kebren the river. She learned the power of prophecy from Rhea and warned Alexander not to sail to Helen. Because she did not persuade him, she said that if he was wounded, he should come to her because she alone would be able to heal him.
But he did steal Helen from Sparta and, while Troy was attacked, he was struck by Herakles’ arrows from Philoktêtes. He went to Oinône in Ida. She, because she took delight in his suffering, said she would not heal him. Alexandros returned to Troy and was dying, but Oinônê changed her mind and was bringing medicine to heal him only to find him dead. She hanged herself.”
This story is the one basically told in Parthenius (Love Tales, 4.7). Another version of the tale is preserved in Photios but is attributed to the historian and mythographer Konon (BNJ 26 F1 = Photios, Bibliotheka 186). A few notes of caution: Konon is dated to the 1st century CE; Photios to the 9th Century CE
Konon BNJ 26 F1 = Photios, Bibliotheka 186
[This section] is about how a child Koruthos, who surpassed his father in beauty, was born from Alexander/Paris and Oinône, the woman he married before he kidnapped Helen. His mother sent him to Helen to make Alexandros jealous and devise some evil for Helen. When Koruthos got to ‘know’ Helen, Alexandros arrived in the bedroom, and saw Koruthos sitting near her, and, already enraged out of suspicion, he killed him.
Because of the outrage against herself and the killing of her child, she cursed Alexandros a lot and predicted—for she had the inspiration of prophecy and was skilled in preparing medicines—that he would be wounded by one of the Achaeans some day and because he could not find treatment, he would need her and come home.
Later on, Alexander was wounded in the battle against the Achaeans in front of Troy by Philoktetes and he was suffering terribly. He was brought in a wagon to Idea and sent a herald to ask for Oinône. She arrogantly reproached him, saying that he should go back to Helen. Then Alexander died along the road because of the wound.
A powerful change of mind over took her at the time of his death before she heard of it, and once she gathered some medicine, she rushed to overtake him. Once she learned from the herald that he was dead and that she had killed him, she killed the herald for his arrogance by smashing a stone on his head. She threw herself over Alexander’s corpse and, after repeatedly blaming their shared fate, she hanged herself with her belt.”
A couple of takeaways from this one. First, it seems that Oinône knew about Paris’ lust for Helen before he departed for Sparta and remained behind on Mt. Ida once he returned to Troy. Second, it is entirely unclear when the child returns to Troy to tempt Helen. This story is a variation on the same story told about Phoinix in book 9 (his mother had him seduce his father’s lover; his father exiled him). No one in this story looks great (except for Koruthos, he looks real great). Paris is, well, a jerk. Poor Oinône is depicted as a witch-prophetess who, despite all the abuse, still loves her terrible husband.
Like Apollodorus’ version above, Ovid’s Heroides (5) do not mention the son. The earliest extant reference to Oinône seems to be Hellanicus, but some speculation links her to Bacchylides fr. 20d (where three letters OIN[….] seem to refer to a wife of Paris. See Gantz Early Greek Myth, 1993 n. 67 on page 839
I recently gave my upper level Greek students a mythography assignment. Since we’re reading Euripides’ Helen, the assignment was to research some part of her story. In the Helen, Euripides pursues the version of events favored by Stesichorus and mentioned by Herodotus too: that Helen was replaced by a cloud-Helen (whom I call a Cylon). The fake-Helen went to Troy while the real one went to Egypt.
One of the passages a student found was completely new to me. Apparently there was a tradition that has Aphrodite pulling a Zeus-Amphitryon trick with Paris and Menelaos.
Nikias of Mallos, BNJ 60 F 2a [=Schol. V ad Od. 23.218]
“Priam’s child Alexander left Asia and went to Sparta with the plan of abducting Helen while he was a guest there. But she, because of her noble and husband-loving character, was refusing him and saying that she would honor her marriage with the law and thought more of Menelaos. Because Paris was ineffective, the story is that Aphrodite devised this kind of a trick: she exchanged the appearance of Alexander for Menelaos’ character to persuade Helen in this way. For, because she believed that this was truly Menelaos, she was not reluctant to leave with him. After she went to the ship before him, he took her inside and left. This story is told in Nikias of Mallos’ first book”
This kind of doubling and uncertainty about identity is certainly at home in any discussion of Euripides’ Helen (well, at least the first third where no one knows who anybody is). But it is also apt for the Odyssey where Odysseus cryptically insists (16.204):
