The Soul and Its Heroic Return, Two Fragments from Pindar

Pindar, Dirges Fr. 131b [= Plut. consol. ad Apoll. 35.120C]

“Every human’s body is a servant to death–
Yet a shadow of life goes on living still.
This part alone
Comes from the gods. It sleeps while our limbs move
But when we sleep it shows us
in multiple dreams a choice of things to come,
Some of pleasure, some of pain.”

σῶμα μὲν πάντων ἕπεται θανάτῳ περισθενεῖ,
ζωὸν δ᾿ ἔτι λείπεται αἰῶνος εἴδωλον·
τὸ γάρ ἐστι μόνον
ἐκ θεῶν· εὕδει δὲ πρασσόντων μελέων, ἀτὰρ εὑδόντεσσιν
ἐν πολλοῖς ὀνείροις
δείκνυσι τερπνῶν ἐφέρποισαν χαλεπῶν τε κρίσιν.

Pindar, Dirges Fr. 133 [=Plat. Men. 81B]

“When Persephone has taken the payment for that ancient pain,
From people, after nine years she gives their souls back
To the light of the sun above and from them come

Proud kings and men fast in strength and best in mind
And people call them holy heroes
for all that remains of time.”

οἷσι δὲ Φερσεφόνα ποινὰν παλαιοῦ πένθεος
δέξεται, ἐς τὸν ὕπερθεν ἅλιον κείνων ἐνάτῳ ἔτεϊ
ἀνδιδοῖ ψυχὰς πάλιν, ἐκ τᾶν βασιλῆες ἀγαυοί
καὶ σθένει κραιπνοὶ σοφίᾳ τε μέγιστοι
ἄνδρες αὔξοντ᾿· ἐς δὲ τὸν λοιπὸν χρόνον ἥροες ἁ-
γνοὶ πρὸς ἀνθρώπων καλέονται.

A somewhat impressionistic oil painting with outlines of two partial figures. One looks down and left, the other is seen only by an elbow in the upper right. The canvas is split between dark blue on top and tan on the bottom
“The freedom of new thinking”, by Erik Pevernagie, oil on canvas,80 x 100 cm

Our Bodies Are Punishment for Murder

Plutarch’s Moralia, The eating of Flesh 996a-C

“This is the third day since I made mention of that comment by Xenocrates in a discussion, that the Athenians rendered a judgment against the man who flayed a ram while it was still alive. But I think that someone who tortures something while it still lives is not worse than the one who kills it. Rather, as it seems to me, we are more sensitive to things that are against common practice than those against nature.

I am also saying these things in a more common way here. But this great, mysterious, and unbelievable matter, as Plato says, is something I am reluctant to frame with the principle of my belief with clever people who are mulling over mortal affairs, just as a captain in a storm pauses before moving his ship or a poet hesitates at raising the machine during the performance of a play.

But it may not be worse also to set the tune and anticipate the theme by using Empedocles’ words. For he allegorizes souls in his lines, suggesting that humans are imprisoned in bodies in order to pay the price for murder, eating flesh, and being cannibals. This belief has an older appearance, however. For there are stories told of the sufferings of Dionysus when he was dismembered and the outrages the Titans committed, how they were punished and struck by lightning after they tasted his blood. This myth is an occult tale about rebirth.”

ἐμνήσθην δὲ τρίτην ἡμέραν διαλεγόμενος τὸ τοῦ Ξενοκράτους ὅτι Ἀθηναῖοι τῷ ζῶντα τὸν κριὸν ἐκδείραντι δίκην ἐπέθηκαν· οὐκ ἔστι δ᾿, οἶμαι, χείρων ὁ ζῶντα βασανίζων τοῦ παραιρουμένου τὸ ζῆν καὶ φονεύοντος· ἀλλὰ μᾶλλον, ὡς ἔοικε, τῶν παρὰ συνήθειαν ἢ τῶν παρὰ φύσιν αἰσθανόμεθα. καὶ ταῦτα μὲν ἐκεῖ κοινότερον ἔλεγον· τὴν δὲ μεγάλην καὶ μυστηριώδη καὶ ἄπιστον ἀνδράσι δεινοῖς, ᾗ φησιν ὁ Πλάτων, καὶ θνητὰ φρονοῦσιν ἀρχὴν τοῦ δόγματος ὀκνῶ μὲν ἔτι τῷ λόγῳ κινεῖν, ὥσπερ ναῦν ἐν χειμῶνι ναύκληρος ἢ μηχανὴν αἴρειν ποιητικὸς ἀνὴρ ἐν θεάτρῳ σκηνῆς περιφερομένης. οὐ χεῖρον δ᾿ ἴσως καὶ προανακρούσασθαι καὶ προαναφωνῆσαι τὰ τοῦ Ἐμπεδοκλέους· . . . ἀλληγορεῖ γὰρ ἐνταῦθα τὰς ψυχάς, ὅτι φόνων καὶ βρώσεως σαρκῶν καὶ ἀλληλοφαγίας δίκην τίνουσαι σώμασι θνητοῖς ἐνδέδενται. καίτοι δοκεῖ παλαιότερος οὗτος ὁ λόγος εἶναι· τὰ γὰρ δὴ περὶ τὸν Διόνυσον μεμυθευμένα πάθη τοῦ διαμελισμοῦ καὶ τὰ Τιτάνων ἐπ᾿ αὐτὸν τολμήματα, κολάσεις τε τούτων καὶ κεραυνώσεις γευσαμένων τοῦ φόνου, ᾐνιγμένος ἐστὶ μῦθος εἰς τὴν παλιγγενεσίαν·

Image result for ancient greek sacrifice image
From here

A Tunic of Flesh and Kirke as an Allegory

Plutarch’s Moralia Fr. 200

“Our fated nature is identified by Empedocles as the force behind this remaking, “wrapping [us] in a tunic of strange flesh” and transferring souls to a new place. Homer has called this circular revolution and the return of rebirth by the name Kirke, a child of Helios, the one who unites every destruction with birth and destruction again, binding it endlessly.

The Island Aiaia is that place which revives the person who dies, a place where the souls first step when they are wandering and feel like strangers to themselves as they mourn and cannot figure out which direction is west nor where the “sun which brings life to people over the land / descends again into the earth.”

These souls long for their habits of pleasure and their life in the flesh and the way they lived with their flesh and they fall again into that mixture where birth swirls together and truly stirs into one the immortal and moral, the material of thought and experience, elements of heaven and earth. The souls are enchanted but also weakened by the pleasures that pull them to birth again. At that time, souls require a great amount of good luck and much wisdom to find some way to resist and depart from their worst characters and become bound to their most base parts or passions and take up a terrible and beastly life.”

Αὐτῆς γὰρ τῆς μετακοσμήσεως εἱμαρμένη καὶ φύσις ὑπὸ Ἐμπεδοκλέους δαίμων ἀνηγόρευται σαρκῶν ἀλλογνῶτι περιστέλλουσα χιτῶνι καὶ μεταμπίσχουσα τὰς ψυχάς, Ὅμηρος δὲ τὴν ἐν κύκλῳ περίοδον καὶ περιφορὰν παλιγγενεσίας Κίρκην προσηγόρευκεν, Ἡλίου παῖδα τοῦ πᾶσαν φθορὰν γενέσει καὶ γένεσιν αὖ πάλιν φθορᾷ συνάπτοντος ἀεὶ καὶ συνείροντος. Αἰαίη δὲ νῆσος ἡ δεχομένη τὸν ἀποθνήσκοντα μοῖρα καὶ χώρα τοῦ περιέχοντος, εἰς ἣν ἐμπεσοῦσαι πρῶτον αἱ ψυχαὶ πλανῶνται καὶ ξενοπαθοῦσι καὶ ὀλοφύρονται καὶ οὐκ ἴσασιν ὅπῃ ζόφος οὐδ᾿ ὅπῃ ἠέλιος φαεσίμβροτος εἶσ᾿ ὑπὸ γαῖαν,ποθοῦσαι δὲ καθ᾿ ἡδονὰς τὴν συνήθη καὶ σύντροφον ἐν σαρκὶ καὶ μετὰ σαρκὸς δίαιταν ἐμπίπτουσιν αὖθις εἰς τὸν κυκεῶνα, τῆς γενέσεως μιγνύσης εἰς ταὐτὸ καὶ κυκώσης ὡς ἀληθῶς ἀίδια καὶ θνητὰ καὶ φρόνιμα καὶ παθητὰ καὶ ὀλύμπια καὶ γηγενῆ, θελγόμεναι καὶ μαλασσόμεναι ταῖς ἀγούσαις αὖθις ἐπὶ τὴν γένεσιν ἡδοναῖς, ἐν ᾧ δὴ μάλιστα πολλῆς μὲν εὐτυχίας αἱ ψυχαὶ δέονται πολλῆς δὲ σωφροσύνης, ὅπως μὴ τοῖς κακίστοις ἐπισπόμεναι καὶ συνενδοῦσαι μέρεσιν ἢ πάθεσιν αὑτῶν κακοδαίμονα καὶ θηριώδη βίον ἀμείψωσιν.

Related image
Wright Barker (British, 1863-1941) – “Circe” c.1889

Our Bodies Are Punishment for Murder

Plutarch’s Moralia, The eating of Flesh 996a-C

“This is the third day since I made mention of that comment by Xenocrates in a discussion, that the Athenians rendered a judgment against the man who flayed a ram while it was still alive. But I think that someone who tortures something while it still lives is not worse than the one who kills it. Rather, as it seems to me, we are more sensitive to things that are against common practice than those against nature.

I am also saying these things in a more common way here. But this great, mysterious, and unbelievable matter, as Plato says, is something I am reluctant to frame with the principle of my belief with clever people who are mulling over mortal affairs, just as a captain in a storm pauses before moving his ship or a poet hesitates at raising the machine during the performance of a play.

But it may not be worse also to set the tune and anticipate the theme by using Empedocles’ words. For he allegorizes souls in his lines, suggesting that humans are imprisoned in bodies in order to pay the price for murder, eating flesh, and being cannibals. This belief has an older appearance, however. For there are stories told of the sufferings of Dionysus when he was dismembered and the outrages the Titans committed, how they were punished and struck by lightning after they tasted his blood. This myth is an occult tale about rebirth.”

ἐμνήσθην δὲ τρίτην ἡμέραν διαλεγόμενος τὸ τοῦ Ξενοκράτους ὅτι Ἀθηναῖοι τῷ ζῶντα τὸν κριὸν ἐκδείραντι δίκην ἐπέθηκαν· οὐκ ἔστι δ᾿, οἶμαι, χείρων ὁ ζῶντα βασανίζων τοῦ παραιρουμένου τὸ ζῆν καὶ φονεύοντος· ἀλλὰ μᾶλλον, ὡς ἔοικε, τῶν παρὰ συνήθειαν ἢ τῶν παρὰ φύσιν αἰσθανόμεθα. καὶ ταῦτα μὲν ἐκεῖ κοινότερον ἔλεγον· τὴν δὲ μεγάλην καὶ μυστηριώδη καὶ ἄπιστον ἀνδράσι δεινοῖς, ᾗ φησιν ὁ Πλάτων, καὶ θνητὰ φρονοῦσιν ἀρχὴν τοῦ δόγματος ὀκνῶ μὲν ἔτι τῷ λόγῳ κινεῖν, ὥσπερ ναῦν ἐν χειμῶνι ναύκληρος ἢ μηχανὴν αἴρειν ποιητικὸς ἀνὴρ ἐν θεάτρῳ σκηνῆς περιφερομένης. οὐ χεῖρον δ᾿ ἴσως καὶ προανακρούσασθαι καὶ προαναφωνῆσαι τὰ τοῦ Ἐμπεδοκλέους· . . . ἀλληγορεῖ γὰρ ἐνταῦθα τὰς ψυχάς, ὅτι φόνων καὶ βρώσεως σαρκῶν καὶ ἀλληλοφαγίας δίκην τίνουσαι σώμασι θνητοῖς ἐνδέδενται. καίτοι δοκεῖ παλαιότερος οὗτος ὁ λόγος εἶναι· τὰ γὰρ δὴ περὶ τὸν Διόνυσον μεμυθευμένα πάθη τοῦ διαμελισμοῦ καὶ τὰ Τιτάνων ἐπ᾿ αὐτὸν τολμήματα, κολάσεις τε τούτων καὶ κεραυνώσεις γευσαμένων τοῦ φόνου, ᾐνιγμένος ἐστὶ μῦθος εἰς τὴν παλιγγενεσίαν·

Image result for ancient greek sacrifice image
From here

A Tunic of Flesh and Kirke as an Allegory

Plutarch’s Moralia Fr. 200

“Our fated nature is identified by Empedocles as the force behind this remaking, “wrapping [us] in a tunic of strange flesh” and transferring souls to a new place. Homer has called this circular revolution and the return of rebirth by the name Kirke, a child of Helios, the one who unites every destruction with birth and destruction again, binding it endlessly.

The Island Aiaia is that place which revives the person who dies, a place where the souls first step when they are wandering and feel like strangers to themselves as they mourn and cannot figure out which direction is west nor where the “sun which brings life to people over the land / descends again into the earth.”

These souls long for their habits of pleasure and their life in the flesh and the way they lived with their flesh and they fall again into that mixture where birth swirls together and truly stirs into one the immortal and moral, the material of thought and experience, elements of heaven and earth. The souls are enchanted but also weakened by the pleasures that pull them to birth again. At that time, souls require a great amount of good luck and much wisdom to find some way to resist and depart from their worst characters and become bound to their most base parts or passions and take up a terrible and beastly life.”

Αὐτῆς γὰρ τῆς μετακοσμήσεως εἱμαρμένη καὶ φύσις ὑπὸ Ἐμπεδοκλέους δαίμων ἀνηγόρευται σαρκῶν ἀλλογνῶτι περιστέλλουσα χιτῶνι καὶ μεταμπίσχουσα τὰς ψυχάς, Ὅμηρος δὲ τὴν ἐν κύκλῳ περίοδον καὶ περιφορὰν παλιγγενεσίας Κίρκην προσηγόρευκεν, Ἡλίου παῖδα τοῦ πᾶσαν φθορὰν γενέσει καὶ γένεσιν αὖ πάλιν φθορᾷ συνάπτοντος ἀεὶ καὶ συνείροντος. Αἰαίη δὲ νῆσος ἡ δεχομένη τὸν ἀποθνήσκοντα μοῖρα καὶ χώρα τοῦ περιέχοντος, εἰς ἣν ἐμπεσοῦσαι πρῶτον αἱ ψυχαὶ πλανῶνται καὶ ξενοπαθοῦσι καὶ ὀλοφύρονται καὶ οὐκ ἴσασιν ὅπῃ ζόφος οὐδ᾿ ὅπῃ ἠέλιος φαεσίμβροτος εἶσ᾿ ὑπὸ γαῖαν,ποθοῦσαι δὲ καθ᾿ ἡδονὰς τὴν συνήθη καὶ σύντροφον ἐν σαρκὶ καὶ μετὰ σαρκὸς δίαιταν ἐμπίπτουσιν αὖθις εἰς τὸν κυκεῶνα, τῆς γενέσεως μιγνύσης εἰς ταὐτὸ καὶ κυκώσης ὡς ἀληθῶς ἀίδια καὶ θνητὰ καὶ φρόνιμα καὶ παθητὰ καὶ ὀλύμπια καὶ γηγενῆ, θελγόμεναι καὶ μαλασσόμεναι ταῖς ἀγούσαις αὖθις ἐπὶ τὴν γένεσιν ἡδοναῖς, ἐν ᾧ δὴ μάλιστα πολλῆς μὲν εὐτυχίας αἱ ψυχαὶ δέονται πολλῆς δὲ σωφροσύνης, ὅπως μὴ τοῖς κακίστοις ἐπισπόμεναι καὶ συνενδοῦσαι μέρεσιν ἢ πάθεσιν αὑτῶν κακοδαίμονα καὶ θηριώδη βίον ἀμείψωσιν.

Aristotle, Physiognomics 808b

“[in this case] the soul and the body would experience things together, but they would not have the same reactions as one another. But, now, it is entirely clear that one follows another. This is especially obvious from the following. For madness seems to be a matter of the mind; doctors, however, respond to it by cleansing the body with medicines and also by telling them to pursue certain habits in life which may relieve the mind of madness.

So, the form of the body is relieved by treatments to the body at the very same time that the soul is freed from madness. Since they are both relieved together, it is clear that their reactions are in synchrony. It is also clear from this that the forms special to the body are similar to the capabilities of the mind, with the result that all similarities in living things are clear signs of some kind of sameness.”

ἡ ψυχή τε καὶ τὸ σῶμα συμπαθῆ, οὐ μέντοι συνδιατελοῦντα ἀλλήλοις. νῦν δὲ καταφανὲς ὅτι ἑκάτερον ἑκατέρῳ ἕπεται. μάλιστα μέντοι ἐκ τοῦδε δῆλον γένοιτο. μανία γὰρ δοκεῖ εἶναι περὶ ψυχήν, καὶ οἱ ἰατροὶ φαρμάκοις καθαίροντες τὸ σῶμα καὶ διαίταις τισὶ πρὸς αὐτοῖς χρησάμενοι ἀπαλλάττουσι τὴν ψυχὴν τῆς μανίας. ταῖς δὴ τοῦ σώματος θεραπείαις καὶ ἅμα ἥ τε τοῦ σώματος μορφὴ λέλυται καὶ ἡ ψυχὴ μανίας ἀπήλλακται. ἐπειδὴ οὖν ἅμα ἀμφότερα λύονται, δῆλον ὅτι συνδιατελοῦσιν ἀλλήλοις. συμφανὲς δὲ καὶ ὅτι ταῖς δυνάμεσι τῆς ψυχῆς ὅμοιαι αἱ μορφαὶ τοῖς σώμασιν ἐπιγίνονται, ὥστ᾿ ἐστὶν ἅπαντα ὅμοια ἐν τοῖς ζῴοις τοῦ αὐτοῦ τινὸς δηλωτικά.

Epictetus, Fr. 26

“Epictetus used to say, ‘you’re a tiny soul lugging around a corpse’.”

Ψυχάριον εἶ βαστάζον νεκρόν, ὡς Ἐπίκτητος ἔλεγεν.

Related image
Wright Barker (British, 1863-1941) – “Circe” c.1889

Rebirth From the Fire

Philo, The Eternity of the World 85-86 (504)

“And this is also not unworthy of consideration: what will be the way of rebirth when everything has been destroyed by fire? For, when substance is completely burned up, then it is necessary that the fire burns out because it no longer has anything to feed it.

If the fire remains, then the essential logic of an orderly creation is preserved; but if fire is removed, then that disappears too. This is a double sacrifice and sacrilege—not only to ask for the destruction of the world but also to eradicate rebirth as if god took joy in disorder, lethargy, and all kinds of error.”

Ἐκεῖνο δ᾿ οὐκ ἀνάξιον διαπορῆσαι, τίνα τρόπον ἔσται παλιγγενεσία, πάντων εἰς πῦρ ἀναλυθέντων· ἐξαναλωθείσης γὰρ τῆς οὐσίας ὑπὸ πυρός, ἀνάγκη καὶ τὸ πῦρ οὐκέτ᾿ ἔχον τροφὴν ἀποσβεσθῆναι. μένοντος μὲν οὖν, ὁ σπερματικὸς τῆς διακοσμήσεως ἐσῴζετ᾿ <ἂν> λόγος, ἀναιρεθέντος δὲ συνανῄρηται. τὸ δ᾿ ἐστὶν ἔκθεσμον καὶ ἀσέβημα ἤδη διπλοῦν, μὴ μόνον φθορὰν τοῦ κόσμου κατηγορεῖν ἀλλὰ καὶ παλιγγενεσίαν ἀναιρεῖν, ὥσπερ ἐν ἀκοσμίᾳ καὶ ἀπραξίᾳ καὶ τοῖς πλημμελέσι πᾶσι χαίροντος θεοῦ.

Image result for medieval manuscript reincarnation
Medieval Wheel of Fortune

A Tunic of Flesh and Kirke as an Allegory

Plutarch’s Moralia Fr. 200

“Our fated nature is identified by Empedocles as the force behind this remaking, “wrapping [us] in a tunic of strange flesh” and transferring souls to a new place. Homer has called this circular revolution and the return of rebirth by the name Kirke, a child of Helios, the one who unites every destruction with birth and destruction again, binding it endlessly.

The Island Aiaia is that place which revives the person who dies, a place where the souls first step when they are wandering and feel like strangers to themselves as they mourn and cannot figure out which direction is west nor where the “sun which brings life to people over the land / descends again into the earth.”

These souls long for their habits of pleasure and their life in the flesh and the way they lived with their flesh and they fall again into that mixture where birth swirls together and truly stirs into one the immortal and moral, the material of thought and experience, elements of heaven and earth. The souls are enchanted but also weakened by the pleasures that pull them to birth again. At that time, souls require a great amount of good luck and much wisdom to find some way to resist and depart from their worst characters and become bound to their most base parts or passions and take up a terrible and beastly life.”

Αὐτῆς γὰρ τῆς μετακοσμήσεως εἱμαρμένη καὶ φύσις ὑπὸ Ἐμπεδοκλέους δαίμων ἀνηγόρευται σαρκῶν ἀλλογνῶτι περιστέλλουσα χιτῶνι καὶ μεταμπίσχουσα τὰς ψυχάς, Ὅμηρος δὲ τὴν ἐν κύκλῳ περίοδον καὶ περιφορὰν παλιγγενεσίας Κίρκην προσηγόρευκεν, Ἡλίου παῖδα τοῦ πᾶσαν φθορὰν γενέσει καὶ γένεσιν αὖ πάλιν φθορᾷ συνάπτοντος ἀεὶ καὶ συνείροντος. Αἰαίη δὲ νῆσος ἡ δεχομένη τὸν ἀποθνήσκοντα μοῖρα καὶ χώρα τοῦ περιέχοντος, εἰς ἣν ἐμπεσοῦσαι πρῶτον αἱ ψυχαὶ πλανῶνται καὶ ξενοπαθοῦσι καὶ ὀλοφύρονται καὶ οὐκ ἴσασιν ὅπῃ ζόφος οὐδ᾿ ὅπῃ ἠέλιος φαεσίμβροτος εἶσ᾿ ὑπὸ γαῖαν,ποθοῦσαι δὲ καθ᾿ ἡδονὰς τὴν συνήθη καὶ σύντροφον ἐν σαρκὶ καὶ μετὰ σαρκὸς δίαιταν ἐμπίπτουσιν αὖθις εἰς τὸν κυκεῶνα, τῆς γενέσεως μιγνύσης εἰς ταὐτὸ καὶ κυκώσης ὡς ἀληθῶς ἀίδια καὶ θνητὰ καὶ φρόνιμα καὶ παθητὰ καὶ ὀλύμπια καὶ γηγενῆ, θελγόμεναι καὶ μαλασσόμεναι ταῖς ἀγούσαις αὖθις ἐπὶ τὴν γένεσιν ἡδοναῖς, ἐν ᾧ δὴ μάλιστα πολλῆς μὲν εὐτυχίας αἱ ψυχαὶ δέονται πολλῆς δὲ σωφροσύνης, ὅπως μὴ τοῖς κακίστοις ἐπισπόμεναι καὶ συνενδοῦσαι μέρεσιν ἢ πάθεσιν αὑτῶν κακοδαίμονα καὶ θηριώδη βίον ἀμείψωσιν.

Related image
Wright Barker (British, 1863-1941) – “Circe” c.1889

Our Bodies Are Punishment for Murder

Plutarch’s Moralia, The eating of Flesh 996a-C

“This is the third day since I made mention of that comment by Xenocrates in a discussion, that the Athenians rendered a judgment against the man who flayed a ram while it was still alive. But I think that someone who tortures something while it still lives is not worse than the one who kills it. Rather, as it seems to me, we are more sensitive to things that are against common practice than those against nature.

I am also saying these things in a more common way here. But this great, mysterious, and unbelievable matter, as Plato says, is something I am reluctant to frame with the principle of my belief with clever people who are mulling over mortal affairs, just as a captain in a storm pauses before moving his ship or a poet hesitates at raising the machine during the performance of a play.

But it may not be worse also to set the tune and anticipate the theme by using Empedocles’ words. For he allegorizes souls in his lines, suggesting that humans are imprisoned in bodies in order to pay the price for murder, eating flesh, and being cannibals. This belief has an older appearance, however. For there are stories told of the sufferings of Dionysus when he was dismembered and the outrages the Titans committed, how they were punished and struck by lightning after they tasted his blood. This myth is an occult tale about rebirth.”

ἐμνήσθην δὲ τρίτην ἡμέραν διαλεγόμενος τὸ τοῦ Ξενοκράτους ὅτι Ἀθηναῖοι τῷ ζῶντα τὸν κριὸν ἐκδείραντι δίκην ἐπέθηκαν· οὐκ ἔστι δ᾿, οἶμαι, χείρων ὁ ζῶντα βασανίζων τοῦ παραιρουμένου τὸ ζῆν καὶ φονεύοντος· ἀλλὰ μᾶλλον, ὡς ἔοικε, τῶν παρὰ συνήθειαν ἢ τῶν παρὰ φύσιν αἰσθανόμεθα. καὶ ταῦτα μὲν ἐκεῖ κοινότερον ἔλεγον· τὴν δὲ μεγάλην καὶ μυστηριώδη καὶ ἄπιστον ἀνδράσι δεινοῖς, ᾗ φησιν ὁ Πλάτων, καὶ θνητὰ φρονοῦσιν ἀρχὴν τοῦ δόγματος ὀκνῶ μὲν ἔτι τῷ λόγῳ κινεῖν, ὥσπερ ναῦν ἐν χειμῶνι ναύκληρος ἢ μηχανὴν αἴρειν ποιητικὸς ἀνὴρ ἐν θεάτρῳ σκηνῆς περιφερομένης. οὐ χεῖρον δ᾿ ἴσως καὶ προανακρούσασθαι καὶ προαναφωνῆσαι τὰ τοῦ Ἐμπεδοκλέους· . . . ἀλληγορεῖ γὰρ ἐνταῦθα τὰς ψυχάς, ὅτι φόνων καὶ βρώσεως σαρκῶν καὶ ἀλληλοφαγίας δίκην τίνουσαι σώμασι θνητοῖς ἐνδέδενται. καίτοι δοκεῖ παλαιότερος οὗτος ὁ λόγος εἶναι· τὰ γὰρ δὴ περὶ τὸν Διόνυσον μεμυθευμένα πάθη τοῦ διαμελισμοῦ καὶ τὰ Τιτάνων ἐπ᾿ αὐτὸν τολμήματα, κολάσεις τε τούτων καὶ κεραυνώσεις γευσαμένων τοῦ φόνου, ᾐνιγμένος ἐστὶ μῦθος εἰς τὴν παλιγγενεσίαν·

Image result for ancient greek sacrifice image
From here