Reputable Tales about Ariadne; And Strange Ones

The following account is interesting for the variations in the story of Ariadne and Theseus but also for the strange detail of the ritual where young men imitate a woman in childbirth. 

Other tales about Ariadne, According to Plutarch (Theseus 20)

“There are many other versions circulated about these matters still and also about Ariadne, none of which agree. For some say that she hanged herself after she was abandoned by Theseus. Others claim that after she was taken to Naxos by sailors she lived with Oinaros a priest of Dionysus and that she was abandoned by Theseus because he loved another.

“A terrible lust for Aiglê the daughter of Panopeus ate at him” [fr. 105]—this is a line Hereas the Megarean claims Peisistratus deleted from the poems of Hesiod, just as again he says that he inserted into the Homeric catalogue of dead “Theseus and Perithoos, famous children of the gods” [Od. 11.631] to please the Athenans. There are some who say that Ariadne gave birth to Oinipiôn and Staphulos with Theseus. One of these is Ion of  Khios who has sung about his own city “Oinopiôn, Theseus’ son, founded this city once.” [fr. 4D]

The most reputable of the myths told are those which, as the saying goes, all people have in their mouths. But Paiôn the Amathousian has handed down a particular tale about these events. For he says that Theseus was driven by a storm, to Cyprus and that he had Ariadne with him, who was pregnant and doing quite badly because of the sea and the rough sailing. So he set her out alone and he was carried back into the sea from the land while he was tending to the ship. The native women, then, received Ariadne and they tried to ease her depression because of her loneliness by offering her a counterfeit letter written to her by Theseus and helping her and supporting her during childbirth. They buried her when she died before giving birth.

Paiôn claims that when Theseus returned he was overcome with grief and he left money to the island’s inhabitants, charging them to sacrifice to Ariadne and to have two small statues made for her—one of silver and one of bronze. During the second day of the month of Gorpiaon at the sacrifice, one of the young men lies down and mouns and acts as women do during childbirth. They call the grove in which they claim her tomb is that of Ariadne Aphrodite.

Some of the Naxians claim peculiarly that there were two Minoses and two Ariadnes. They claim one was married to Dionysus on Naxos and bore the child Staphulos, and the young one was taken by Theseus and left when he came to Naxos with a nurse named Korkunê—whose tomb they put on display. They claim that Ariadne died there and has honors unequal to those of the earlier one. The first has a festival of singing and play; the second has one where sacrifices are performed with grief and mourning.”

Πολλοὶ δὲ λόγοι καὶ περὶ τούτων ἔτι λέγονται καὶ περὶ τῆς Ἀριάδνης, οὐδὲν ὁμολογούμενον ἔχοντες. οἱ μὲν γὰρ ἀπάγξασθαί φασιν αὐτὴν ἀπολειφθεῖσαν ὑπὸ τοῦ Θησέως, οἱ δὲ εἰς Νάξον ὑπὸ ναυτῶν κομισθεῖσαν Οἰνάρῳ τῷ ἱερεῖ τοῦ Διονύσου συνοικεῖν, ἀπολειφθῆναι δὲ τοῦ Θησέως ἐρῶντος ἑτέρας· Δεινὸς γάρ μιν ἔτειρεν ἔρως Πανοπηΐδος Αἴγλης. τοῦτο γὰρ τὸ ἔπος ἐκ τῶν Ἡσιόδου Πεισίστρατον ἐξελεῖν φησιν Ἡρέας ὁ Μεγαρεύς, ὥσπερ αὖ πάλιν ἐμβαλεῖν εἰς τὴν Ὁμήρου νέκυιαν τὸ Θησέα Πειρίθοόν τε θεῶν ἀριδείκετα τέκνα,χαριζόμενον Ἀθηναίοις· ἔνιοι δὲ καὶ τεκεῖν ἐκ Θησέως Ἀριάδνην Οἰνοπίωνα καὶ Στάφυλον· ὧν καὶ ὁ Χῖος Ἴων ἐστὶ περὶ τῆς ἑαυτοῦ πατρίδος λέγων· Τήν ποτε Θησείδης ἔκτισεν Οἰνοπίων.

Ἃ δ᾿ ἐστὶν εὐφημότατα τῶν μυθολογουμένων, πάντες ὡς ἔπος εἰπεῖν διὰ στόματος ἔχουσιν. ἴδιον δέ τινα περὶ τούτων λόγον ἐκδέδωκε Παίων ὁ Ἀμαθούσιος. τὸν γὰρ Θησέα φησὶν ὑπὸ χειμῶνος εἰς Κύπρον ἐξενεχθέντα καὶ τὴν Ἀριάδνην ἔγκυον ἔχοντα, φαύλως δὲ διακειμένην ὑπὸ τοῦ σάλου καὶ δυσφοροῦσαν, ἐκβιβάσαι μόνην, αὐτὸν δὲ τῷ πλοίῳ βοηθοῦντα πάλιν εἰς τὸ πέλαγος ἀπὸ τῆς γῆς φέρεσθαι. τὰς οὖν ἐγχωρίους γυναῖκας τὴν Ἀριάδνην ἀναλαβεῖν καὶ περιέπειν ἀθυμοῦσαν ἐπὶ τῇ μονώσει, καὶ γράμματα πλαστὰ προσφέρειν, ὡς τοῦ Θησέως γράφοντος αὐτῇ, καὶ περὶ τὴν ὠδῖνα συμπονεῖν καὶ βοηθεῖν· ἀποθανοῦσαν δὲ θάψαι μὴ τεκοῦσαν. ἐπελθόντα δὲ τὸν Θησέα καὶ περίλυπον γενόμενον τοῖς μὲν ἐγχωρίοις ἀπολιπεῖν χρήματα, συντάξαντα θύειν τῇ Ἀριάδνῃ, δύο δὲ μικροὺς ἀνδριαντίσκους ἱδρύσασθαι, τὸν μὲν ἀργυροῦν, τὸν δὲ χαλκοῦν. ἐν δὲ τῇ θυσίᾳ τοῦ Γορπιαίου μηνὸς ἱσταμένου δευτέρᾳ κατακλινόμενόν τινα τῶν νεανίσκων φθέγγεσθαι καὶ ποιεῖν ἅπερ ὠδίνουσαι γυναῖκες· καλεῖν δὲ τὸ ἄλσος Ἀμαθουσίους, ἐν ᾧ τὸν τάφον δεικνύουσιν, Ἀριάδνης Ἀφροδίτης.

Καὶ Ναξίων δέ τινες ἰδίως ἱστοροῦσι δύο Μίνωας γενέσθαι καὶ δύο Ἀριάδνας, ὧν τὴν μὲν Διονύσῳ γαμηθῆναί φασιν ἐν Νάξῳ καὶ τοὺς περὶ Στάφυλον τεκεῖν, τὴν δὲ νεωτέραν ἁρπασθεῖσαν ὑπὸ τοῦ Θησέως καὶ ἀπολειφθεῖσαν εἰς Νάξον ἐλθεῖν, καὶ τροφὸν μετ᾿ αὐτῆς ὄνομα Κορκύνην, ἧς δείκνυσθαι τάφον. ἀποθανεῖν δὲ καὶ τὴν Ἀριάδνην αὐτόθι καὶ τιμὰς ἔχειν οὐχ ὁμοίας τῇ προτέρᾳ. τῇ μὲν γὰρ ἡδομένους καὶ παίζοντας ἑορτάζειν, τὰς δὲ ταύτῃ δρωμένας θυσίας εἶναι πένθει τινὶ καὶ στυγνότητι μεμιγμένας.

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Athena, Ariadne, and Theseus: IL MUSEO ARCHEOLOGICO NAZIONALE DI TARANTO

The Secrets That You Keep

Plutarch, On Talkativeness, 505a-b

“Some of the other faults and disorders we suffer are dangerous, hateful, or absurd; but talkativeness is all of these things. For chatterboxes are mocked for explaining common affairs, hated for trumpeting bad news, and they risk their lives because they can’t keep secrets.

For this reason, when Anacharsis had a feast at Solon’s home and was stretched out to sleep, he covered his genitals with his left hand and placed his right hand over his mouth:  he thought that the tongue demanded the stronger protection! And this is correct. For, one couldn’t easily make a list of how many men have been laid low because of uncontrolled lust any more than the number of cities and governments which a revealed secret has destroyed.”

Τῶν δ᾿ ἄλλων παθῶν καὶ νοσημάτων τὰ μέν ἐστιν ἐπικίνδυνα τὰ δὲ μισητὰ τὰ δὲ καταγέλαστα, τῇ δ᾿ ἀδολεσχίᾳ πάντα συμβέβηκε· χλευάζονται μὲν γὰρ ἐν ταῖς κοιναῖς διηγήσεσι, μισοῦνται δὲ διὰ τὰς τῶν κακῶν προσαγγελίας, κινδυνεύουσι δὲ τῶν ἀπορρήτων μὴ κρατοῦντες. ὅθεν Ἀνάχαρσις ἑστιαθεὶς παρὰ Σόλωνι καὶ κοιμώμενος ὤφθη τὴν μὲν ἀριστερὰν χεῖρα τοῖς μορίοις τὴν δὲ δεξιὰν τῷ στόματι προσκειμένην ἔχων· ἐγκρατεστέρου γὰρ ᾤετο χαλινοῦ δεῖσθαι τὴν γλῶτταν, ὀρθῶς οἰόμενος. οὐ γὰρ ἄν τις ἐξαριθμήσαιτο ῥᾳδίως ἄνδρας τοσούτους ἀφροδισίων ἀκρασίᾳ πεπτωκότας, ὅσας πόλεις καὶ ἡγεμονίας λόγος ἐξενεχθεὶς ἀπόρρητος ἀναστάτους ἐποίησε.

The Romantics, “Talking in Your Sleep”

When you close your eyes and go to sleep
And it’s down to the sound of a heartbeat
I can hear the things that you’re dreaming about
When you open up your heart
And the truth comes out
You tell me that you want me
You tell me that you need me
You tell me that you love me
And I know that I’m right
‘Cause I hear it in the night
I hear the secrets that you keep
When you’re talking in your sleep

The Weeknd,  “Secrets”

Everybody here wants you
My love, my love
And I know that you want him too
My love, my love
I ask you what your heart desires
My love, my love
You tell me I’m the only one
My love, my love
It’s a lie, a lie
I catch you every time
In your lust, your lust
Every time you close your eyes
I hear the secrets that you keep
When you’re talking in your sleep
I hear the secrets that you keep, keep, keep
When you’re talk, talking, talking
I hear the secrets that you keep
When you’re talking in your sleep
I hear the secrets that you keep, keep, keep
When you’re talk, talking, talking
two men and a woman making love on a boat on the Nile, with a crocodile and a hippopotamus (looking like monstrous dog) – period / date: fourth style of pompeian wall painting, 50-79 AD – findspot: Pompeii – museum / inventory number: Napoli, Museo Archeologico Nazionale 27698

Some Greek Passages on Work for May 1st

Heraclitus, On the Universe 90

“We all work together to a single end: some of us knowingly and intentionally, others unconsciously. This is why, I think, Heraclitus says that even people a sleep are workers and collaborators in what happens in the universe”

Πάντες εἰς ἓν ἀποτέλεσμα συνεργοῦμεν, οἱ μὲν εἰδότως καὶ παρακολουθητικῶς, οἱ δὲ ἀνεπιστάτως· ὥσπερ καὶ τοὺς καθεύδοντας, οἶμαι, ὁ Ἡράκλειτος ἐργάτας εἶναι λέγει καὶ συνεργοὺς τῶν ἐν τῷ κόσμῳ γινομένων.

Xenophon, Oeconomicus 4.15-16

“Critoboulos, Some say that whenever the great king gives gifts, he calls in first those who proved their excellence at war because there is no advantage to plowing many fields unless they defend them. After them, he rewards those who prepare and work the land best, because brave men cannot survive unless someone works the land.”

Φασὶ δέ τινες, ἔφη ὁ Σωκράτης, ὦ Κριτόβουλε, καὶ ὅταν δῶρα διδῷ ὁ βασιλεύς, πρῶτον μὲν εἰσκαλεῖν τοὺς πολέμῳ ἀγαθοὺς γεγονότας, ὅτι οὐδὲν ὄφελος πολλὰ ἀροῦν, εἰ μὴ εἶεν οἱ ἀρήξοντες· δεύτερον δὲ τοὺς κατασκευάζοντας τὰς χώρας ἄριστα καὶ ἐνεργοὺς ποιοῦντας λέγοντα, ὅτι οὐδ᾿ ἂν οἱ ἄλκιμοι δύναιντο ζῆν, εἰ μὴ εἶεν οἱ ἐργαζόμενοι. λέγεται δὲ καὶ Κῦρός ποτε, ὅσπερ εὐδοκιμώτατος δὴ βασιλεὺς γεγένηται, εἰπεῖν τοῖς ἐπὶ τὰ δῶρα κεκλημένοις, ὅτι αὐτὸς ἂν δικαίως τὰ ἀμφοτέρων δῶρα λαμβάνοι· κατασκευάζειν τε γὰρ ἄριστος εἶναι ἔφη χώραν καὶ ἀρήγειν τοῖς κατεσκευασμένοις.

Plutarch, fr. 43

“Let no one find fault with this line because wealth is made to be much praised ahead of virtue. Know that wealth here is the product workers get from their labors—it is a just portion gathered from their personal toil.”

Μηδεὶς λοιδορείτω τὸν στίχον εἰς τὸν πολυάρατον πλοῦτον ὁρῶν τὸν πόρρω τῆς ἀρετῆς ἐσκηνημένον, ἀλλὰ πλοῦτον οἰέσθω νῦν λέγεσθαι τὴν ἀπὸ τῶν ἔργων πορισθεῖσαν ἀφθονίαν τοῖς ἐργαζομένοις δικαίαν οὖσαν καὶ ἀπὸ τῶν οἰκείων πόνων ἠθροισμένην.

Plutarch, Perikles 1.4 5-6

“Often and quite contrarily, we look down on a laborer while delighting in his work”

πολλάκις δὲ καὶ τοὐναντίον χαίροντες τῷ ἔργῳ τοῦ δημιουργοῦ καταφρονοῦμεν

Hesiod, Works and Days, 289-90

“The gods made sweat the price for virtue.”

τῆς δ’ ἀρετῆς ἱδρῶτα θεοὶ προπάροιθεν ἔθηκαν
ἀθάνατοι·

 

Pindar, Isthmian 1. 47

“People find different payment sweet for different work.”

μισθὸς γὰρ ἄλλοις ἄλλος ἐπ’ ἔργμασιν ἀνθρώποις
γλυκύς

 

Hesiod, Works and Days, 303

“Gods and men alike dislike a lazy man.”

τῷ δὲ θεοὶ νεμεσῶσι καὶ ἀνέρες ὅς κεν ἀεργὸς.

Edvard Munch, “Street Workers in Snow”

When an aristocrat co-opts the language of the proletariat…

Odyssey 15.321-324

“No mortal could rival me in work:
No one could best me at building a fire or dry wood,
At serving at the table, cooking meat or serving wine–
All those tasks lesser men complete for their betters.”

δρηστοσύνῃ οὐκ ἄν μοι ἐρίσσειε βροτὸς ἄλλος,
πῦρ τ’ εὖ νηῆσαι διά τε ξύλα δανὰ κεάσσαι,
δαιτρεῦσαί τε καὶ ὀπτῆσαι καὶ οἰνοχοῆσαι,
οἷά τε τοῖς ἀγαθοῖσι παραδρώωσι χέρηες.”

Odyssey, 18.366-383

“Eurymachus: I wish the two of us could have a labor-contest
In the height of spring when the days are drawing longer,
In the thickening grass. I would grip the curved scythe
And you could hold the same thing, so we could test each other
At work, fasting right up to dusk where the grass was thick.
And then the next day we could drive the oxen, the strongest ones,
Bright and large, both stuffed full with their food,
A pair of the same age, equally burdened, their strength unwavering.
I’d wish for a four-acre parcel to put under the plow.
Then you’d see me, how I would cut a furrow straight from end to end.
Or if, instead, Kronos’ son would send me a war today,
And I would have a shield and two spears
Matched with a bronze helmet well-fit to my temples.
Then you’d see me mixing it up in the front lines
And you wouldn’t bawl about, belittling my hungry stomach.”

“Εὐρύμαχ’, εἰ γὰρ νῶϊν ἔρις ἔργοιο γένοιτο
ὥρῃ ἐν εἰαρινῇ, ὅτε τ’ ἤματα μακρὰ πέλονται,
ἐν ποίῃ, δρέπανον μὲν ἐγὼν εὐκαμπὲς ἔχοιμι,
καὶ δὲ σὺ τοῖον ἔχοις, ἵνα πειρησαίμεθα ἔργου
νήστιες ἄχρι μάλα κνέφαος, ποίη δὲ παρείη·
εἰ δ’ αὖ καὶ βόες εἶεν ἐλαυνέμεν, οἵ περ ἄριστοι,
αἴθωνες μεγάλοι, ἄμφω κεκορηότε ποίης,
ἥλικες ἰσοφόροι, τῶν τε σθένος οὐκ ἀλαπαδνόν,
τετράγυον δ’ εἴη, εἴκοι δ’ ὑπὸ βῶλος ἀρότρῳ·
τῶ κέ μ’ ἴδοις, εἰ ὦλκα διηνεκέα προταμοίμην.
εἰ δ’ αὖ καὶ πόλεμόν ποθεν ὁρμήσειε Κρονίων
σήμερον, αὐτὰρ ἐμοὶ σάκος εἴη καὶ δύο δοῦρε
καὶ κυνέη πάγχαλκος ἐπὶ κροτάφοισ’ ἀραρυῖα,
τῶ κέ μ’ ἴδοις πρώτοισιν ἐνὶ προμάχοισι μιγέντα,
οὐδ’ ἄν μοι τὴν γαστέρ’ ὀνειδίζων ἀγορεύοις.

This Current Time of Sickness

Plutarch’s On Whether Sickness of the Body or Mind Are Worse (Moralia 500 ff).

“Evils of the soul delude most people; for this reason they are worse—they prevent those who suffer from sensing them”

τὰ δ᾿ ἐν ψυχῇ λανθάνει τοὺς πολλοὺς κακά, διὰ τοῦτ᾿ ἐστι καίω, προσαφαιρούμενα τὴν αὑτῶν τοῦ πάσχοντος αἴσθησιν

“Just as, therefore, the storm which keeps you from docking is more dangerous than the one that won’t let you sail, the storms of the soul are worse when they do not allow a person to control or put down his troubled thoughts—this person goes without a helmsman, without ballast in confusion and wandering, taking off in steep and opposite courses until suffering a harrowing shipwreck and crushing his life. This is why it is worse to suffer sickness of mind than the body: For those who are sick, merely suffer; the sick of mind suffer and harm others.

But why is it necessary to repeat the great number of afflictions? Current events remind me of them. Do you see this immense, mixed-up crowd that clings together and mixes around the seat of government and the market?”

Ὥσπερ οὖν ἐπισφαλέστερος χειμὼν τοῦ πλεῖν οὐκ ἐῶντος ὁ κωλύων καθορμίσασθαι, οὕτως οἱ κατὰ ψυχὴν χειμῶνες βαρύτεροι στείλασθαι τὸν ἄνθρωπον οὐκ ἐῶντες οὐδ᾿ ἐπιστῆσαι τεταραγμένον τὸν λογισμόν· ἀλλ᾿ ἀκυβέρνητος καὶ ἀνερμάτιστος ἐν ταραχῇ καὶ πλάνῃ δρόμοις λεχρίοις καὶ παραφόροις διατραχηλιζόμενος εἴς τι ναυάγιον φοβερὸν ἐξέπεσε καὶ συνέτριψε τὸν ἑαυτοῦ βίον. ὥστε καὶ ταύτῃ χεῖρον νοσεῖν ταῖς ψυχαῖς ἢ τοῖς σώμασιν· τοῖς μὲν γὰρ πάσχειν μόνον τοῖς δὲ καὶ πάσχειν καὶ ποιεῖν κακῶς συμβέβηκε.

Καὶ τί δεῖ τὰ πολλὰ λέγειν τῶν παθῶν; αὐτὸς ὁ καιρὸς ὑπόμνησίς ἐστιν. ὁρᾶτε τὸν πολὺν καὶ παμμιγῆ τοῦτον τὸν ἐνταῦθα συνηραγμένον καὶ κυκώμενον ὄχλον περὶ τὸ βῆμα καὶ τὴν ἀγοράν;

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William Hogworth, “The Madhouse”

What a Beautiful Box! I Will Put the Iliad In It

Plutarch, Life of Alexander 26.4

“When a small box was brought to him—which seem more valuable than the rest of the possessions and baggage they had taken from Dareios, [Alexander] asked his friends what thing seem especially worthy of being put in it. Although many of them made many suggestions, Alexander said that he would keep the Iliad safe by placing it inside. Not a few of the most credible sources claim this.

If, as the Alexandrians say is true—since they believe Herakleides—Homer was no lazy or unprofitable travel companion…”

Κιβωτίου δέ τινος αὐτῷ προσενεχθέντος, οὗ πολυτελέστερον οὐδὲν ἐφάνη τοῖς τὰ Δαρείου χρήματα καὶ τὰς ἀποσκευὰς παραλαμβάνουσιν, ἠρώτα τοὺς φίλους, ὅ τι δοκοίη μάλιστα τῶν ἀξίων σπουδῆς εἰς αὐτὸ καταθέσθαι. πολλὰ δὲ πολλῶν λεγόντων, αὐτὸς ἔφη τὴν ᾿Ιλιάδα φρουρήσειν ἐνταῦθα καταθέμενος· καὶ ταῦτα μὲνοὐκ ὀλίγοι τῶν ἀξιοπίστων μεμαρτυρήκασιν. εἰ δ’, ὅπερ ᾿Αλεξανδρεῖς λέγουσιν ῾Ηρακλείδῃ (fr. 140 W.) πιστεύοντες, ἀληθές ἐστιν, οὔκουν [οὐκ] ἀργὸς οὐδ’ ἀσύμβολος αὐτῷ συστρατεύειν ἔοικεν ῞Ομηρος.

This passage refers to an earlier moment in the Life. Coincidentally, I also sleep the same way…

8.4

“[Alexander] was also naturally a lover of language, a lover of learning, and a lover of reading. Because he believed that the Iliad was a guidebook for military excellence—and called it that too—he took a copy of it which had been edited by Aristotle which they used to refer to as “Iliad-in-a-Box”. He always kept it with his dagger beneath his pillow—as Onêsikritos tells us.

When there were no other books in -and, he sent to Harpalos for some more. Then Harpalus sent him Philistos’ books along with some tragedies of Euripides, Sophokles and Aeschylus and the dithyrambs of Telestes and Philoxenos.”

ἦν δὲ καὶ φύσει φιλόλογος καὶ φιλομαθὴς καὶ φιλαναγνώστης, καὶ τὴν μὲν  ᾿Ιλιάδα τῆς πολεμικῆς ἀρετῆς ἐφόδιον καὶ νομίζων καὶ ὀνομάζων, ἔλαβε μὲν ᾿Αριστοτέλους διορθώσαντος ἣν ἐκ τοῦ νάρθηκος καλοῦσιν, εἶχε δ’ ἀεὶ μετὰ τοῦ ἐγχειριδίου κειμένην ὑπὸ τὸ προσκεφάλαιον, ὡς ᾿Ονησίκριτος ἱστόρηκε (FGrH 134 F 38)· τῶν δ’ ἄλλων βιβλίων οὐκ εὐπορῶν ἐν τοῖς ἄνω τόποις, ῞Αρπαλον ἐκέλευσε πέμψαι, κἀκεῖνος ἔπεμψεν αὐτῷ τάς τε Φιλίστου βίβλους καὶ τῶν Εὐριπίδου καὶ Σοφοκλέους καὶ Αἰσχύλου τραγῳδιῶν συχνάς, καὶ Τελέστου καὶ Φιλοξένου διθυράμβους.

 

Plutarch tells a slightly different story in the Moralia

Plutarch, On the Fortune—or Virtue—of Alexander 327f-328a

“Yes, indeed, the accoutrements he possessed thanks to Aristotle were greater than what he got from Phillip when he went against the Persians. But, while we believe those who claim that Alexander said that the Iliad and the Odyssey went with him as guides on his expedition—since we do think that Homer is sacred—don’t we dismiss anyone who claims that the epics followed him as his solace and distraction from work with sweet leisure when the true guide was the reason he had from philosophy and his ‘baggage’ was his notes on Bravery, Prudence, and greatness of spirit?”

ναί, πλείονας παρ᾿ Ἀριστοτέλους τοῦ καθηγητοῦ ἢ Fπαρὰ Φιλίππου τοῦ πατρὸς ἀφορμὰς ἔχων διέβαινεν ἐπὶ Πέρσας. ἀλλὰ τοῖς μὲν γράφουσιν, ὡς Ἀλέξανδρος ἔφη ποτὲ τὴν Ἰλιάδα καὶ τὴν Ὀδύσσειαν ἀκολουθεῖν αὐτῷ τῆς στρατείας ἐφόδιον, πιστεύομεν, Ὅμηρον σεμνύνοντες· ἂν δέ τις φῇ τὴν Ἰλιάδα καὶ τὴν Ὀδύσσειαν παραμύθιον πόνου καὶ διατριβὴν ἕπεσθαι σχολῆς γλυκείας, ἐφόδιον δ᾿ ἀληθῶς γεγονέναι τὸν ἐκ φιλοσοφίας λόγον καὶ τοὺς περὶ ἀφοβίας καὶ ἀνδρείας ἔτι δὲ σωφροσύνης καὶ μεγαλοψυχίας ὑπομνηματισμούς, καταφρονοῦμεν;

Image result for alexander the great's box iliad
I can’t wait until the battle is over so I can get back to reading…

 

 

Telesilla: Argive Woman, Warrior Poet

From Pausanias,  2.20.8-10

“Beyond the theater is the shrine of Aphrodite. In front of the foundation is a stele on which Telesilla, a poet of lyric, is depicted. Her books are tossed near her feet while she looks at the helmet she holds in her hand as she is about to put it on her head. Telesilla was famous among women and especially honored for her poetry.

But a greater story about her comes from when the Argives were bested by Kleomenes the son of Alexandrides and the Lakedaimonians. Some Argives died during the battle itself and however many fled to the grove of Ares died there too—at first they left the grove under an armistice but they realized they were deceived and were burned with the rest in the grove. As a result, Kleomenes led the Spartans to an Argos bereft of men.

But Telesilla stationed on the wall of the city all the slaves who were unable to bear arms because of youth or old age and, after collecting however many weapons had been left in homes or in the shrines, she armed all the women at the strongest age and once she had armed herself they took up posts were the army was going to attack.

When the Spartans came near and the women were not awestruck by their battle-cry but waited and were fighting bravely, then the Spartans, because they reasoned that if they killed the women the victory would be ill-rumored even as their own defeat would come with great insult, yielded to the women.

The Pythian priestess had predicted this contest earlier in the prophecy relayed by Herodotus who may or may not have understood it (6.77):

But when the female conquers the male
And drives him away and wins glory for the Argives,
It will make many Argive women tear their cheeks.

These are the words of the oracle on the women’s accomplishment.”

ὑπὲρ δὲ τὸ θέατρον ᾿Αφροδίτης ἐστὶν ἱερόν, ἔμπροσθεν δὲ τοῦ ἕδους Τελέσιλλα ἡ ποιήσασα τὰ ᾄσματα ἐπείργασται στήλῃ· καὶ βιβλία μὲν ἐκεῖνα ἔρριπταί οἱ πρὸς τοῖς ποσίν, αὐτὴ δὲ ἐς κράνος ὁρᾷ κατέχουσα τῇ χειρὶ καὶ ἐπιτίθεσθαι τῇ κεφαλῇ μέλλουσα. ἦν δὲ ἡ Τελέσιλλα καὶ ἄλλως ἐν ταῖς γυναιξὶν εὐδόκιμος καὶ μᾶλλον ἐτιμᾶτο ἔτι ἐπὶ τῇ ποιήσει. συμβάντος δὲ ᾿Αργείοις ἀτυχῆσαι λόγου μειζόνως πρὸς Κλεομένην τὸν ᾿Αναξανδρίδου καὶ Λακεδαιμονίους, καὶ τῶν μὲν ἐν αὐτῇ πεπτωκότων τῇ μάχῃ, ὅσοι δὲ ἐς τὸ ἄλσος τοῦ ῎Αργου κατέφευγον διαφθαρέντων καὶ τούτων, τὰ μὲν πρῶτα ἐξιόντων κατὰ ὁμολογίαν, ὡς δὲ ἔγνωσαν ἀπατώμενοι συγκατακαυθέντων τῷ ἄλσει τῶν λοιπῶν, οὕτω τοὺς Λακεδαιμονίους Κλεομένης ἦγεν ἐπὶ ἔρημον ἀνδρῶν τὸ ῎Αργος. Τελέσιλλα δὲ οἰκέτας μὲν καὶ ὅσοι διὰ νεότητα ἢ γῆρας ὅπλα ἀδύνατοι φέρειν ἦσαν, τούτους μὲν πάντας ἀνεβίβασεν ἐπὶ τὸ τεῖχος, αὐτὴ δὲ ὁπόσα ἐν ταῖς οἰκίαις ὑπελείπετο καὶ τὰ ἐκ τῶν ἱερῶν ὅπλα ἀθροίσασα τὰς ἀκμαζούσας ἡλικίᾳ τῶν γυναικῶν ὥπλιζεν, ὁπλίσασα δὲ ἔτασσε κατὰ τοῦτο ᾗ τοὺς πολεμίους προσιόντας ἠπίστατο. ὡς δὲ <ἐγγὺς> ἐγίνοντο οἱ Λακεδαιμόνιοι καὶ αἱ γυναῖκες οὔτε τῷ ἀλαλαγμῷ  κατεπλάγησαν δεξάμεναί τε ἐμάχοντο ἐρρωμένως, ἐνταῦθα οἱ Λακεδαιμόνιοι, φρονήσαντες ὡς καὶ διαφθείρασί σφισι τὰς γυναῖκας ἐπιφθόνως τὸ κατόρθωμα ἕξει καὶ σφαλεῖσι μετὰ ὀνειδῶν γενήσοιτο ἡ συμφορά, ὑπείκουσι ταῖς γυναιξί. πρότερον δὲ ἔτι τὸν ἀγῶνα τοῦτον προεσήμηνεν ἡ Πυθία, καὶ τὸ λόγιον εἴτε ἄλλως εἴτε καὶ ὡς συνεὶς ἐδήλωσεν ῾Ηρόδοτος·

ἀλλ’ ὅταν ἡ θήλεια τὸν ἄρρενα νικήσασα
ἐξελάσῃ καὶ κῦδος ἐν ᾿Αργείοισιν ἄρηται,
πολλὰς ᾿Αργείων ἀμφιδρυφέας τότε θήσει.

τὰ μὲν ἐς τὸ ἔργον τῶν γυναικῶν ἔχοντα τοῦ χρησμοῦ ταῦτα ἦν·

Telesilla

Plutarch, On the Virtues of Women 245d-f6 reports a version of this tale; the Suda (s.v. Telesilla) likely takes its account from Pausanias.

“Telesilla, a poetess. On a stele her books are tossed around and she has placed a helmet on her head. And When the Lakedaimonians slaughtered the Argives who had fled to a shrine and were heading to the city to sack it, then Telesilla armed the women of the right age and set them against where they were marching. When the Lakedaimonians saw this, they turned back because they believed it shameful to fight against women whom it would be inglorious to conquer but a great reproached to be defeated by….” [the oracle is listed next”

Τελέσιλλα, ποιήτρια. ἐπὶ στήλης τὰ μὲν βιβλία ἀπέρριπτε, κράνος δὲ τῇ κεφαλῇ περιέθηκε. καὶ γὰρ ὅτε Λακεδαιμόνιοι τοὺς ἐν τῷ ἱερῷ τοῦ ῎Αργους καταφυγόντας διέφθειρον καὶ πρὸς τὴν πόλιν ᾔεσαν ὡς αἱρήσοντες, τότε Τελέσιλλα τὰς ἐν ἡλικίᾳ γυναῖκας ὁπλίσασα ὑπήντησεν οἷ προσῄεσαν. ὅπερ ἰδόντες οἱ Λακεδαιμόνιοι ἐς τοὐπίσω ὑπέστρεψαν, αἰσχρὸν νομίσαντες γυναιξὶ πολεμεῖν, ἃς καὶ τὸ νικᾶν ἄδοξον καὶ ἡττᾶσθαι μέγα ὄνειδος. ἐς τοῦτο καὶ ὁ χρησμὸς πεπλήρωτο, ᾿Αργείοις λέγων· ἀλλ’ ὅταν ἡ θήλεια τὸν ἄρρενα νικήσασα ἐξελάσῃ καὶ κῦδος ᾿Αργείοισιν ἄρηται, πολλὰς ᾿Αργείων ἀμφιδρυφέας τότε θήσει.

The extant fragments of Telesilla are not much to work with (each line is a separate fragment:

ἁ δ’ ῎Αρτεμις, ὦ κόραι,

φεύγοισα τὸν ᾿Αλφεόν

φιληλιάς,

†βελτιώτας

δῖνον.

οὐλοκίκιννε

〚ποιητριαν〛

〚Τελεσ̣ι̣λ̣λα̣ν̣〛

Why Wives Should Learn Geometry and Plato. And, an Eclipse

Plutarch, Advice to Bride and Groom (Moralia138a-146a : Conjugalia Praecepta)

“These kinds of studies, foremost, distract women from inappropriate matters. For, a wife will be ashamed to dance when she is learning geometry. And she will not receive spells of medicine if she is charmed by Platonic dialogues and the works of Xenophon. And if anyone claims she can pull down the moon, she will laugh at the ignorance and simplicity of the women who believe these things because she herself is not ignorant of astronomy and she has read about Aglaonikê. She was the daughter of Hêgêtor of Thessaly because she knew all about the periods of the moon and eclipses knew before everyone about the time when the moon would be taken by the shadow of the earth. She tricked the other women and persuaded them that she herself was causing the lunar eclipse.”

τὰ δὲ τοιαῦτα μαθήματα πρῶτον ἀφίστησι τῶν ἀτόπων τὰς γυναῖκας· αἰσχυνθήσεται γὰρ ὀρχεῖσθαι γυνὴ γεωμετρεῖν μανθάνουσα, καὶ φαρμάκων ἐπῳδὰς οὐ προσδέξεται τοῖς Πλάτωνος ἐπᾳδομένη λόγοις καὶ τοῖς Ξενοφῶντος. ἂν δέ τις ἐπαγγέλληται καθαιρεῖν τὴν σελήνην, γελάσεται τὴν ἀμαθίαν καὶ τὴν ἀβελτερίαν τῶν ταῦτα πειθομένων γυναικῶν, ἀστρολογίας μὴ ἀνηκόως ἔχουσα καὶ περὶ Ἀγλαονίκης ἀκηκουῖα τῆς Ἡγήτορος τοῦ Θετταλοῦ θυγατρὸς ὅτι τῶν ἐκλειπτικῶν ἔμπειρος οὖσα πανσελήνων καὶ προειδυῖα τὸν χρόνον, ἐν ᾧ συμβαίνει τὴν σελήνην ὑπὸ γῆς σκιᾶς ἁλίσκεσθαι, παρεκρούετο καὶ συνέπειθε τὰς γυναῖκας ὡς αὐτὴ καθαιροῦσα τὴν σελήνην.

 

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Poems on Hangovers and the Cures

Crapulous: def. 2: Sick from excessive indulgence in liquor.

kraipale

From the Suda:

Kraipalê: The pounding that comes from drinking too much wine. We also have the participle “carousing” which is when someone acts poorly because of drinking, or just being drunk. It derives from the word “head” (kara) and “pound” (pallein). Or, it could also come from screwing up (sphallesthai) timely matters (kairiôn)

Κραιπάλη: ὁ ἐκ πολλῆς οἰνώσεως παλμός. καὶ Κραιπαλῶν, ἀντὶ τοῦ ἐκ μέθης ἀτακτοῦντα, μεθύοντα. ἀπὸ τοῦ κάρα πάλλειν τοὺς μεθύοντας. ἢ ἀπὸ τοῦ σφάλλεσθαι τῶν καιρίων.

Kraipalôdês: “Prone to drunkenness”: The ancients knew well the weaknesses of the spirit, weather it was a person who was prone to excessive drinking or a love-seeker who has his brain in his genitals.”

Κραιπαλώδης· τῆς ψυχῆς τὰ ἐλαττώματα κατηπίσταντο, εἴτε κραιπαλώδης τις εἴη καὶ μέθυσος εἴτε φιλήδονος καὶ ἐν τοῖς αἰδοίοις ἔχων τὸν ἐγκέφαλον.

Kraipalaikômos“Hangover-revel”: Metonymically, this a song that happens while drunk

Κραιπαλαίκωμος: μετωνυμικῶς ὁ κατὰ μέθην γινόμενος ὕμνος.

Vase with image of reveller vomiting. Getty Villa 86.AE.285

Alexis, fr. 287

“Yesterday you drank too much and now you’re hungover.
Take a nap—this will help it. Then let someone give you
Cabbage, boiled.”

ἐχθὲς ὑπέπινες, εἶτα νυνὶ κραιπαλᾷς.
κατανύστασον· παύσῃ γάρ. εἶτά σοι δότω
ῥάφανόν τις ἑφθήν.

Eubulus, fr. 124

“Woman, it’s because you think I am a cabbage that you’re trying
To give me your hangover. At least, that’s how it seems to me.”

γύναι,
ῥάφανόν με νομίσασ’ εἰς ἐμέ σου τὴν κραιπάλην
μέλλεις ἀφεῖναι πᾶσαν, ὡς ἐμοὶ δοκεῖς.

Nikokharês

“Tomorrow we will boil acorns instead of cabbage
To treat our hangover.”

εἰσαύριον .. ἀντὶ ῥαφάνων ἑψήσομεν
βαλάνιον, ἵνα νῷν ἐξάγῃ τὴν κραιπάλην.

Alexis, fr. 390

“If only we got hangovers before we drank
Then no one would ever drink more
Than is good for them. But now, because
We do not expect to escape drinking’s penalty,
We too eagerly drink unmixed wines”

εἰ τοῦ μεθύσκεσθαι πρότερον τὸ κραιπαλᾶν
παρεγίνεθ’ ἡμῖν, οὐδ’ ἂν εἷς οἶνόν ποτε
προσίετο πλείω τοῦ μετρίου. νυνὶ δὲ τὴν
τιμωρίαν οὐ προσδοκῶντες τῆς μέθης
ἥξειν προχείρως τοὺς ἀκράτους πίνομεν.

Sopater

“It is sweet for men to drink at dawn
Streams of honey when they are struck by thirst
Driven by the last night’s hangover”

νᾶμα μελισσῶν ἡδὺ μὲν ὄρθρου
καταβαυκαλίσαι τοῖς ὑπὸ πολλῆς
κραιπαλοβόσκου δίψης κατόχοις.

How to Cure a Hangover…

Aristotle, Problemata 873a-b

“Wine (being of a wet nature) stretches those who are slow and makes them quick, but it tends to restrain those who are quick already. On that account, some who are melancholic by nature become entirely dissipated in drunken stupors (kraipalais). Just as a bath can make those who are all bound up and stiff more readily able to move, so does it check those who are already movable and loose, so too does wine, which is like a bath for your innards, accomplish this same thing.

Why then does cabbage prevent drunkenness (kraipale)? Either because it has a sweet and purgative juice (and for this reason doctors use it to clean out the intestines), even though it is itself of a cold nature. Here is a proof: doctors use it against exceptionally bad cases of diarrhea, after preparing it by cooking it, removing the fiber, and freezing it. It happens in the case of those suffering from the effects of drunkenness (kraipalonton) that the cabbage juice draws the wet elements, which are full of wine and still undigested, down to their stomachs, while the body chills the rest which remains in the upper part of the stomach. Once it has been chilled, the rest of the moist element can be drawn into the bladder. Thus, when each of the wet elements has been separated through the body and chilled, people are likely to be relieved of their drunkenness (akraipaloi). For wine is wet and warm.”

καὶ ὁ οἶνος (ὑγρὸς γάρ ἐστι τὴν φύσιν) τοὺς μὲν βραδυτέρους ἐπιτείνει καὶ θάττους ποιεῖ, τοὺς δὲ θάττους ἐκλύει. διὸ ἔνιοι τῶν μελαγχολικῶν τῇ φύσει ἐν ταῖς κραιπάλαις ἐκλελυμένοι γίνονται πάμπαν. ὥσπερ γὰρ τὸ λουτρὸν τοὺς μὲν συνδεδεμένους τὸ σῶμα καὶ σκληροὺς εὐκινήτους ποιεῖ, τοὺς δὲ εὐκινήτους καὶ ὑγροὺς ἐκλύει, οὕτως ὁ οἶνος, ὥσπερ λούων τὰ ἐντός, ἀπεργάζεται τοῦτο.

Διὰ τί ἡ κράμβη παύει τὴν κραιπάλην; ἢ ὅτι τὸν  μὲν χυλὸν γλυκὺν καὶ ῥυπτικὸν ἔχει (διὸ καὶ κλύζουσιν αὐτῷ τὴν κοιλίαν οἱ ἰατροί), αὐτὴ δ’ ἐστὶ ψυχρά. σημεῖον δέ· πρὸς γὰρ τὰς σφοδρὰς διαρροίας χρῶνται αὐτῇ οἱ ἰατροί, ἕψοντες σφόδρα καὶ ἀποξυλίζοντες καὶ ψύχοντες. συμβαίνει δὴ τῶν κραιπαλώντων τὸν μὲν χυλὸν αὐτῆς εἰς τὴν κοιλίαν κατασπᾶν τὰ ἐν αὐτοῖς ὑγρά, οἰνηρὰ καὶ ἄπεπτα ὄντα, αὐτὴν δὲ ὑπολειπομένην ἐν τῇ ἄνω κοιλίᾳ ψύχειν τὸ σῶμα. ψυχομένου δὲ ὑγρὰ λεπτὰ συμβαίνει εἰς τὴν κύστιν φέρεσθαι. ὥστε κατ’ ἀμφότερα τῶν ὑγρῶν ἐκκρινομένων διὰ τοῦ σώματος, καὶ καταψυχομένου, εἰκότως ἀκραίπαλοι γίνονται· ὁ γὰρ οἶνος ὑγρὸς καὶ θερμός ἐστιν.

Hippocrates of Cos, Epidemics 2.30

“If someone has head pain from a hangover, have him drink a cup of unmixed wine. For different head pains, have the patient eat bread warm from unmixed wine.”

Ἢν ἐκ κραιπάλης κεφαλὴν ἀλγέῃ, οἴνου ἀκρήτου κοτύλην πιεῖν· ἢν δὲ ἄλλως κεφαλὴν ἀλγέῃ, ἄρτον ὡς θερμότατον ἐξ οἴνου ἀκρήτου ἐσθίειν.

Plutarch, Table-Talk 3 (652F)

“Those who are suffering bodily from drinking and being hungover can find relief from sleeping immediately, warmed with a cover. On the next day, they can be restored with a bath, a massage, and whatever food does not cause agitation but restores the warmth dispelled and lost from the body by wine.”

 ἰῶνταί γε μὴν τὰς περὶ τὸ σῶμα τῶν μεθυσκομένων καὶ κραιπαλώντων κακώσεις εὐθὺς μὲν ὡς ἔοικε περιστολῇ καὶ κατακλίσει συνθάλποντες, μεθ᾿ ἡμέραν δὲ λουτρῷ καὶ ἀλείμματι καὶ σιτίοις, ὅσα μὴ ταράττοντα τὸν ὄγχον ἅμα πράως ἀνακαλεῖται τὸ θερμὸν ὑπὸ τοῦ οἴνου διεσπασμένον καὶ πεφυγαδευμένον ἐκ τοῦ σώματος.

 Latin: crapula, from Grk. Kraipalê

Plautus, Rudens 585-590

“But why am I standing here, a sweating fool?
Maybe I should leave here for Venus’ temple to sleep off this hangover
I got because I drank more than I intended?
Neptune soaked us with the sea as if we were Greek wines
And he hoped to relieve us with salty-beverages.
Shit. What good are words?”

sed quid ego hic asto infelix uuidus?
quin abeo huc in Veneris fanum, ut edormiscam hanc crapulam,
quam potaui praeter animi quam lubuit sententiam?
quasi uinis Graecis Neptunus nobis suffudit mare,
itaque aluom prodi sperauit nobis salsis poculis;
quid opust uerbis?

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Plautus, Stichus 226-230

“I am selling Greek moisturizers
And other ointments, hangover-cures
Little jokes, blandishments
And a sycophant’s confabulations.
I’ve got a rusting strigil, a reddish flask,
And a hollowed out follower to hide your trash in.”

uel unctiones Graecas sudatorias
uendo uel alias malacas, crapularias;
cauillationes, assentatiunculas,
ac periuratiunculas parasiticas;
robiginosam strigilim, ampullam rubidam,
parasitum inanem quo recondas reliquias.

 

Advice more useful the day before

John of Damascus, Sacra Parallela 96.161:

“When the membranes become full of the vapors which wine produces when it is vaporized, the head is stricken with unbearable pains. No longer can it stay upright upon the shoulders, but it constantly drops this way and that, slipping around upon its joints. But who would say such things to those stricken by wine? Their heads are heavy from drunkenness (kraipale), they nod off, they yawn, they see through a fog, and they feel nauseous. On that account, they do not listen to their teachers yelling out to them all of the time. Don’t get drunk on wine, in which there is profligacy. Therein lie trembling and weakness, the breath is beaten out by immoderate indulgence in wine, the nerves are slackened, and the entire mass of the body is put into disorder. “

A woman holding the head of a man who is vomiting. Gouache painting.

῞Οταν γὰρ πλήρεις αἱ μένιγγες γίνωνται τῆς αἰθάλης, ἣν ὁ οἶνος ἐξατμιζόμενος ἀναφέρει, βάλλεται μὲν ὀδύναις ἀφορήτοις ἡ κεφαλή· μένειν δὲ ὀρθὴ ἐπὶ τῶν ὤμων μὴ δυναμένη, ἄλλοτε ἐπ’ ἄλληλα καταπίπτει, τοῖς σπονδύλοις ἐνολισθαίνουσα. ᾿Αλλὰ τίς εἴποι ταῦτα τοῖς οἰνοπλήκτοις; καρηβαροῦσι γὰρ ἐκ τῆς κραιπάλης, νυστάζουσι, χασμῶνται, ἀχλὺν βλέπουσιν, ναυτιῶσιν. Διὰ τοῦτο οὐκ ἀκούουσι τῶν διδασκάλων πολλαχόθεν αὐτοῖς ἐκβοώντων· Μὴ μεθύσκεσθε οἴνῳ, ἐν ᾧ ἐστιν ἀσωτία. ᾿Εντεῦθεν οἱ τρόμοι καὶ αἱ ἀσθένειαι, κοπτομένου αὐτοῖς τοῦ πνεύματος ὑπὸ τῆς ἀμετρίας τοῦ οἴνου, καὶ τῶν νεύρων λυομένων, ὁ κλόνος τῷ σύμπαντι ὄγκῳ τοῦ σώματος ἐπιγίνεται.

Ancient Vampires 2: What’s Really Scary is Misogyny

This is the second post about ancient Greek Vampires. The first looked at the Empousa. 

Lucian, Lover of Lies 2

“…these are various and disturbing tales, able to rattle the minds of children who still fear Mormo and Lamia.”

πάνυ ἀλλόκοτα καὶ τεράστια μυθίδια παίδων ψυχὰς κηλεῖν δυνάμενα ἔτι τὴν Μορμὼ καὶ τὴν Λάμιαν δεδιότων.

The Lamia (or, just Lamia to her friends) is one of the figures from Greek myth who seems like a frightening monster but really is a particular distillation of misogyny. She is often called a Greek ‘vampire’ along with Empousa. Unlike the latter, however, Lamia is specifically associated with killing children.

Diodorus Siculus, 20.40

“At the rock’s root there was a very large cave which was roofed with ivy and bryony in which the myths say the queen Lamia, exceptional for her beauty, was born. But, because of the beastliness of her soul, they say that her appearance has become more monstrous in the time since then.

For, when all her children who were born died, she was overwhelmed by her suffering and envied all the women who were luckier with their children. So she ordered that the infants be snatched from their arms and killed immediately. For this reason, even in our lifetime, the story of that women has lingered among children and the mention of her name is most horrifying to them.

But, whenever she was getting drunk, she would allow people to do whatever pleased them without observation. Because she was not closely watching everything at that time, the people in that land imagined that she could not see. This is why the myth developed that she put her eyes into a bottle, using this story a metaphor for the carelessness she enacted in wine, since that deprived her of sight.”

 περὶ δὲ τὴν ῥίζαν αὐτῆς ἄντρον ἦν εὐμέγεθες, κιττῷ καὶ σμίλακι συνηρεφές, ἐν ᾧ μυθεύουσι γεγονέναι βασίλισσαν Λάμιαν τῷ κάλλει διαφέρουσαν· διὰ δὲ τὴν τῆς ψυχῆς ἀγριότητα διατυπῶσαί φασι τὴν ὄψιν αὐτῆς τὸν μετὰ ταῦτα χρόνον θηριώδη. τῶν γὰρ γινομένων αὐτῇ παίδων ἁπάντων τελευτώντων βαρυθυμοῦσαν ἐπὶ τῷ πάθει καὶ φθονοῦσαν ταῖς τῶν ἄλλων γυναικῶν εὐτεκνίαις κελεύειν ἐκ τῶν ἀγκαλῶν ἐξαρπάζεσθαι τὰ βρέφη καὶ παραχρῆμα ἀποκτέννειν. διὸ καὶ καθ᾿ ἡμᾶς μέχρι τοῦ νῦν βίου παρὰ τοῖς νηπίοις διαμένειν τὴν περὶ τῆς γυναικὸς ταύτης φήμην καὶ φοβερωτάτην αὐτοῖς εἶναι τὴν ταύτης προσηγορίαν. ὅτε δὲ μεθύσκοιτο, τὴν ἄδειαν διδόναι πᾶσιν ἃ βούλοιντο ποιεῖν ἀπαρατηρήτως. μὴ πολυπραγμονούσης οὖν αὐτῆς κατ᾿ ἐκεῖνον τὸν χρόνον τὰ γινόμενα τοὺς κατὰ τὴν χώραν ὑπολαμβάνειν μὴ βλέπειν αὐτήν· καὶ διὰ τοῦτ᾿ ἐμυθολόγησάν τινες ὡς εἰς ἄρσιχον ἐμβάλοι τοὺς ὀφθαλμούς, τὴν ἐν οἴνῳ συντελουμένην ὀλιγωρίαν εἰς τὸ προειρημένον μέτρον μεταφέροντες, ὡς τούτου παρῃρημένου τὴν ὅρασιν.

Euripides, fr. 472m (=Diodorus Siculus 20.41.6)

“Who does not know my name, most hateful to men,
The Lamia, a Libyan by birth?”

τίς τοὐ<μὸν ὄ>νομα τοὐπονείδιστον βροτοῖς
οὐκ οἶδε Λαμίας τῆς Λιβυστικῆς γένος;

The story of why Lamia killed children gets a little more depressing in the Fragments of the Greek Historians

Duris, BNJ 76 F17 [= Photios s.v. Lamia]

“In the second book of his Libyan History, Duris reports that Lamia was a fine looking woman but after Zeus had sex with her, Hera killed the children she bore because she was envious. As a result she was disfigured by grief and would seize and kill the children of others.”

ταύτην ἐν τῆι Λιβύηι Δοῦρις ἐν δευτέρωι Λιβυκῶν ἱστορεῖ γυναῖκα καλὴν γενέσθαι, μιχθέντος δ᾽ αὐτῆι Διὸς ὑφ᾽ ῞Ηρας ζηλοτυπουμένην ἃ ἔτικτεν ἀπολλύναι· διόπερ ἀπὸ τῆς λύπης δύσμορφον γεγονέναι καὶ τὰ τῶν ἄλλων παιδία ἀναρπάζουσαν διαφθείρειν.

Elsewhere, the evidence of narratives about Lamia are rather limited. She becomes just another negative, female monster.

Suda, Lambda 85

“Lamia: a monster. The name comes from having a gaping throat, laimia and lamia. Aristophanes: “It has the smell of a seal, the unwashed balls of a Lamia.” For testicles are active—and he is making a fantasy image of Lamia’s balls, since she is female.”

Λάμια: θηρίον. ἀπὸ τοῦ ἔχειν μέγαν λαιμόν, λαίμια καὶ λάμια. ᾿Αριστοφάνης· φώκης δ’ εἶχεν ὀσμήν, λαμίας ὄρχεις ἀπολύτους. δραστικοὶ γὰρ οἱ ὄρχεις. εἰδωλοποιεῖ δέ τινας ὄρχεις λαμίας· θῆλυ γάρ.

Unlike Empousa and some others, Lamia is interestingly integrated in some other genealogical traditions.

Schol. G ad Ap. Rhodes 4.825-831

“Stesichorus says in his Skylla, regarding her form, that Skylla is the daughter of Lamia.”

Στησίχορος δὲ ἐν τῇ Σκύλλῃ †εἶδός τινος† Λαμίας τὴν Σκύλλαν φησὶ θυγατέρα εἶναι.

Pausanias on Phocis, 12

“There is a crag rising up over the ground on which the Delphians claim that a woman stood singing oracles, named Hêrophilê but known as Sibyl. There is the earlier Sibyl, the one I have found to be equally as old as the others, whom the Greeks claim is the daughter of Zeus and Lamia, the daughter of Poseidon. She was the first woman to sing oracles and they say that she was named Sibyl by the Libyans. Hêrophilê was younger than here, but she was obviously born before the Trojan War since she predicted Helen in her oracles, that was raised up in Sparta as the destruction for Asia and Europe and that Troy would be taken by the Greeks because of her.”

XII. Πέτρα δέ ἐστιν ἀνίσχουσα ὑπὲρ τῆς γῆς· ἐπὶ ταύτῃ Δελφοὶ στᾶσάν φασιν ᾆσαι τοὺς χρησμοὺς γυναῖκα ὄνομα Ἡροφίλην, Σίβυλλαν δὲ ἐπίκλησιν. τὴν δὲ πρότερον γενομένην, ταύτην ταῖς μάλιστα ὁμοίως οὖσαν ἀρχαίαν εὕρισκον, ἣν θυγατέρα Ἕλληνες Διὸς καὶ Λαμίας τῆς Ποσειδῶνός φασιν εἶναι, καὶ χρησμούς τε αὐτὴν γυναικῶν πρώτην ᾆσαι καὶ ὑπὸ τῶν Λιβύων Σίβυλλαν λέγουσιν ὀνομασθῆναι. ἡ δὲ Ἡροφίλη νεωτέρα μὲν ἐκείνης, φαίνεται δὲ ὅμως πρὸ τοῦ πολέμου γεγονυῖα καὶ αὕτη τοῦ Τρωικοῦ, καὶ Ἑλένην τε προεδήλωσεν ἐν τοῖς χρησμοῖς, ὡς ἐπ᾿ ὀλέθρῳ τῆς Ἀσίας καὶ Εὐρώπης τραφήσοιτο ἐν Σπάρτῃ, καὶ ὡς Ἴλιον ἁλώσεται δι᾿ αὐτὴν ὑπὸ Ἑλλήνων.

Dionysus of Halicarnassus, On Thucydides 6

“Foremost he differed from previous authors in this, by which I mean how he took on a subject that was not a single thread nor one divided in many different and also disconnected parts. And then, because did not include mythical material in his work and he did not use his writing for the deception and bewitchment of many, as every author before him did when they told the stories of certain Lamiai rising up from the earth in groves and glens and of amphibious Naiads rushing out of Tartaros, half-beasts swimming through the seas and then joining together in groups among humans, and producing offspring of mortals and gods, demigods—and other stories which seem extremely unbelievable and untrustworthy to us now.”

πρῶτον μὲν δὴ κατὰ τοῦτο διήλλαξε τῶν πρὸ αὐτοῦ συγγραφέων, λέγω δὲ κατὰ τὸ λαβεῖν ὑπόθεσιν μήτε μονόκωλον παντάπασι μήτ᾿ εἰς πολλὰ μεμερισμένην καὶ ἀσυνάρτητα κεφάλαια· ἔπειτα κατὰ τὸ μηδὲν αὐτῇ μυθῶδες προσάψαι, μηδ᾿ εἰς ἀπάτην καὶ γοητείαν τῶν πολλῶν ἐκτρέψαι τὴν γραφήν, ὡς οἱ πρὸ αὐτοῦ πάντες ἐποίησαν, Λαμίας τινὰς ἱστοροῦντες ἐν ὕλαις καὶ νάπαις ἐκ γῆς ἀνιεμένας, καὶ Ναΐδας ἀμφιβίους ἐκ Ταρτάρων ἐξιούσας καὶ διὰ πελάγους νηχομένας καὶ μιξόθηρας, καὶ ταύτας εἰς ὁμιλίαν ἀνθρώποις συνερχομένας, καὶ ἐκ θνητῶν καὶ θείων συνουσιῶν γονὰς ἡμιθέους, καὶ ἄλλας τινὰς ἀπίστους τῷ καθ᾿ ἡμᾶς βίῳ καὶ πολὺ τὸ ἀνόητον ἔχειν δοκούσας ἱστορίας.

There is another variant name–she might get her own entry some day

Suda, s.v.Μορμώ 

Mormô, in the genitive Mormous, declined like Sappho. There is also the form Mormôn, genitive Mormonos. Aristophanes says “I ask you, take this Mormo away from me”. This meant to dispel frightening things. For Mormo is frightening. And again in Aristophanes: “A Mormo for courage”. There is also a mormalukeion which they also call a Lamia. They were also saying frightening things like this.”

Μορμώ: λέγεται καὶ Μορμώ, Μορμοῦς, ὡς Σαπφώ. καὶ Μορμών, Μορμόνος. Ἀριστοφάνης: ἀντιβολῶ σ’, ἀπένεγκέ μου τὴν Μορμόνα. ἄπο τὰ φοβερά: φοβερὰ γὰρ ὑπῆρχεν ἡ Μορμώ. καὶ αὖθις Ἀριστοφάνης: Μορμὼ τοῦ θράσους. μορμολύκειον, ἣν λέγουσι Λαμίαν: ἔλεγον δὲ οὕτω καὶ τὰ φοβερά.

 In some traditions, Lamia became proverbial

Plutarch, De Curiositate [On Being a Busybod y] 516a

“Now, just as in the myth they say that Lamia sleeps at home, putting her eyes set aside in some jar, but when she goes out she puts them back in and peers around, in the same way each of us puts his curiosity, as if fitting in an eye, into meanness towards others. But we often stumble over our own mistakes and faults because of ignorance, since we fail to secure sight or light for them.

For this reason, a busybody is rather useful to his enemies, since he rebukes and emphasizes their faults and shows them what they should guard and correct, even as he overlooks most of his own issues thanks to his obsession with everyone else. This is why Odysseus did not stop to speak with his mother before he inquired from the seer about those things for which he had come to Hades. Once he had made his inquiry, he turned to his own mother and also the other women, asking who Tyro was, who beautiful Khloris was, and why Epikaste had died.”

Lamia is not well-attested in art and myth

νῦν δ’ ὥσπερ ἐν τῷ μύθῳ τὴν Λάμιαν λέγουσιν οἴκοι μὲν εὕδειν τυφλήν, ἐν ἀγγείῳ τινὶ τοὺς ὀφθαλμοὺς ἔχουσαν ἀποκειμένους, | ἔξω δὲ προϊοῦσαν ἐντίθεσθαι καὶ βλέπειν, οὕτως ἡμῶν ἕκαστος ἔξω καὶ πρὸς ἑτέρους τῇ κακονοίᾳ τὴν περιεργίαν ὥσπερ ὀφθαλμὸν ἐντίθησι, τοῖς δ’ ἑαυτῶν ἁμαρτήμασι καὶ κακοῖς πολλάκις περιπταίομεν ὑπ’ ἀγνοίας, ὄψιν ἐπ’ αὐτὰ καὶ φῶς οὐ ποριζόμενοι. διὸ καὶ τοῖς ἐχθροῖς ὠφελιμώτερός ἐστιν ὁ πολυπραγμονῶν· τὰ γὰρ ἐκείνων ἐλέγχει καὶ προφέρεται καὶ δείκνυσιν αὐτοῖς ἃ δεῖ φυλάξασθαι καὶ διορθῶσαι, τῶν δ’ οἴκοι τὰ πλεῖστα παρορᾷ διὰ τὴν περὶ τὰ ἔξω πτόησιν. ὁ μὲν γὰρ ᾿Οδυσσεὺς (λ 84 sqq.) οὐδὲ τῇ μητρὶ διαλεχθῆναι πρότε- ρον ὑπέμεινεν ἢ πυθέσθαι παρὰ τοῦ μάντεως, ὧν ἕνεκ’ ἦλθεν εἰς ῞Αιδου, πυθόμενος δὲ οὕτω πρός τε ταύτην ἔτρεψεν αὑτόν, καὶ τὰς ἄλλας γυναῖκας ἀνέκρινε, τίς ἡ Τυρὼ καὶ τίς ἡ καλὴ Χλωρὶς καὶ διὰ τί ἡ ᾿Επικάστη ἀπέθανεν…

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Skylla, relative of Lamia. More Misogyny.

Some other misogynistic tales from myth with telling variants

The Lemnian Women and their Terrible Smell

The Privileging of Klytemnestra’s Infamy

The Terrible Tale of Asclepius’ Two Mothers

Pretty Much Everything about Medea

Kassandra’s Prophecy and Life

Kassandra’s Children

The Death of Hecuba

Helen and Iphigenia

The Sad Death of Hesiod and His Body’s Afterlife

According to the following account, Hesiod died for another man’s crimes. His corpse was moved by dolphins. 

Plutarch, Dinner of the Seven Wise Men 19 (= Moralia 162d-e)

“Hesiod’s misfortune was rather human and like our own—you have probably heard the story”

‘No, I have not’, I said.

‘Well, it is really worth hearing. It seems that Hesiod was sharing hospitality and a place with a man from Miletus when they were in Lokris. When the other guy was secretly having sex with their host’s daughter and was caught, he had suspicion that Hesiod knew from the beginning and conspired to hide the offense—even though he was responsible for nothing, he wrongly encountered untimely rage and slander. For the brothers of the girl killed him after they ambushed him near the Nemeion in Lokris, and they killed his servant, named Troilos, too.

After the bodies were pushed out into the river Daphnos, Troilos’ was carried to a boulder washed by water, positioned a little bit out into the sea. And to this day the boulder is called Troilos. A pod of dolphins took Hesiod’s body right away and conveyed it first to Rhion and Molykria. It just happened that the Lokrian sacrifice at Rhion and their assembly, which they hold occasionally even to our time in that place, was in progress at that time. When the body showed up, carried as it was, they were amazed at the chance and they ran down and, when they recognized the corpse since it was still rather fresh, they considered everything secondary to investigating the murder, all because of Hesiod’s fame

They accomplished this quickly by discovering the murderers [a dog went barking and hunting the murderers with a shout]. They put them still alive in the sea and destroyed their homes. Hesiod was then buried near Nemeia. Many people foreign to the region do not know where the grave is. It is hidden because, as they claim, it was sought by the people of Orkhomenos who wanted to transfer the remains to their vicinity in accordance with an oracle.”

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Plutarchi sept. sap. conv. 19 (Hercher): ἀνθρώπινον δὲ καὶ πρὸς ἡμᾶς τὸ τοῦ ῾Ησιόδου πάθος· ἀκήκοας γὰρ ἴσως τὸν λόγον. Οὐκ ἔγωγε, εἶπον. ᾿Αλλὰ μὴν ἄξιον πυθέσθαι.

Μιλησίου γὰρ ὡς ἔοικεν ἀνδρός, ᾧ ξενίας ἐκοινώνει ὁ ῾Ησίοδος καὶ διαίτης ἐν Λοκροῖς, τῇ τοῦ ξένου θυγατρὶ κρύφα συγγενομένου καὶ φωραθέντος, ὑποψίαν ἔσχεν ὡς γνοὺς ἀπ’ ἀρχῆς καὶ συνεπικρύψας τὸ ἀδίκημα, μηδενὸς ὢν αἴτιος ὀργῇ δ’ ἀκαίρῳ καὶ διαβολῇ περιπεσὼν ἀδίκως. ἀπέκτειναν γὰρ αὐτὸν οἱ τῆς παιδίσκης ἀδελφοὶ περὶ τὸ Λοκρικὸν Νέμειον ἐνεδρεύσαντες καὶ μετ’ αὐτοῦ τὸν ἀκόλουθον ᾧ Τρωίλος ἦν ὄνομα. τῶν δὲ σωμάτων εἰς τὸν Δάφνον ποταμὸν ὠσθέντων τὸ μὲν τοῦ Τρωίλου εἰς τὴν θάλασσαν ἔξω φορούμενον ἐπεσχέθη περικλύστῳ χοιράδι  μικρὸν ὑπὲρ τὴν θάλασσαν ἀνεχούσῃ· καὶ μέχρι νῦν Τρωίλος ἡ χοιρὰς καλεῖται. τοῦ δ’ ῾Ησιόδου τὸν νεκρὸν εὐθὺς ἀπὸ γῆς ὑπολαβοῦσα δελφίνων ἀγέλη πρὸς τὸ ῾Ρίον ἐκόμιζε καὶ τὴν Μολυκρίαν. ἐτύγχανε δὲ Λοκροῖς ἡ τῶν ῾Ρίων καθεστῶσα θυσία καὶ πανήγυρις, ἣν ἄγουσιν ἔτι νῦν περιφανῶς περὶ τὸν τόπον ἐκεῖνον. ὡς δ’ ὤφθη προσφερόμενον τὸ σῶμα, θαυμάσαντες ὡς εἰκὸς ἐπὶ τὴν ἀκτὴν κατέδραμον καὶ γνωρίσαντες ἔτι πρόσφατον τὸν νεκρόν, ἅπαντα δεύτερα τοῦ ζητεῖν τὸν φόνον ἐποιοῦντο διὰ τὴν δόξαν τοῦ ῾Ησιόδου. καὶ τοῦτο μὲν ταχέως ἔπραξαν εὑρόντες τοὺς φονέας (add. Plut. de soll. an. 36: τοῦ κυνὸς ὑλακτοῦντος καὶ μετὰ βοῆς ἐπιφερομένου τοῖς φονεῦσιν)· αὐτούς τε γὰρ κατεπόντισαν ζῶντας καὶ τὴν οἰκίαν κατέσκαψαν. ἐτάφη δ’ ὁ ῾Ησίοδος πρὸς τῷ Νεμείῳ· τὸν δὲ τάφον οἱ πολλοὶ τῶν ξένων οὐκ ἴσασιν, ἀλλ’ ἀποκέκρυπται, ζητούμενος ὑπ’ ᾿Ορχομενίων, ὥς φασι, βουλομένων κατὰ χρησμὸν ἀνελέσθαι τὰ λείψανα καὶ θάψαι παρ’ αὑτοῖς.

The Certamen of Homer and Hesiod has a similar account but with some differences

“After the contest [with Homer] was over, Hesiod went to Delphi to get an oracle and to make a thanks-offering for the victory to the god. When he arrived at the shrine, people claim that the prophetess was inspired and said:

“This lucky man who travels to my home
Is Hesiod, honored by the divine Muses.
His fame will spread as far as the sun shines.
But guard against the gorgeous grove of Nemeian Zeus.
It is there where your fated death will come.”

Hesiod, after he heard this oracle, went retreating from the Peloponnese because he believed  that the god meant the oracle there. He went to Oinoê in Lokris and rested with Amphiphanes and Ganuktôr, the children of Phêgeus,  and he really did not understand the oracle. For this place was called the shrine of Zeus Nemeios. After he spent a period of time with the Oineans, the youths, because they suspected that Hesiod fornicated with their sister, killed him and through hem into the sea between Euboia and Lokris.

When the abandoned corpse was carried by dolphins to land, there was some local festival happening and everyone ran to the shore. Once they recognized who this was, they grieved and buried him—and then they began to seek his murderers. The brothers, because they feared the rage of the citizens, made off with a fishing skiff and sailed toward Krêtê. Zeus struck that vessel in the middle with lightening and submerged them in the sea, as Alkidamas says in the Mouseion.

Eratosthenes says in his epode that Ktimenos and Antiphon, the sons of Ganuktôr, were arrested for the aforementioned reason and sacrificed to the gods of hospitality by Eurukles the prophet. According to the same author, The virgin sister of these men hanged herself after she was raped—and Eratosthenes says she was raped by some stranger on the road who was named Hesiod, the son of Dêmades. He was also killed by the same men. Later, the Orkhomenians, in accordance with an oracle, transferred Hesiod and buried them in their land….”

Cert. Hom. et Hes. v. 214 West. (unde eadem Tzetzes

 τοῦ δὲ ἀγῶνος διαλυθέντος διέπλευσεν ὁ ῾Ησίοδος εἰς Δελφοὺς χρησόμενος καὶ τῆς νίκης ἀπαρχὰς τῷ θεῷ ἀναθήσων. προσερχομένου δὲ αὐτοῦ τῷ ναῷ ἔνθεον γενομένην τὴν προφῆτίν φασιν εἰπεῖν

ὄλβιος οὗτος ἀνήρ, ὃς ἐμὸν δόμον ἀμφιπολεύει,

῾Ησίοδος Μούσῃσι τετιμένος ἀθανάτῃσι·

τοῦ δή τοι κλέος ἔσται ὅσην τ’ ἐπικίδναται ἠώς.

ἀλλὰ Διὸς πεφύλαξο Νεμείου κάλλιμον ἄλσος·

κεῖθι δέ τοι θανάτοιο τέλος πεπρωμένον ἐστίν.

ὁ δὲ ῾Ησίοδος ἀκούσας τοῦ χρησμοῦ τῆς Πελοποννήσου μὲν ἀνεχώρει νομίσας τὴν ἐκεῖ Νεμέαν τὸν θεὸν λέγειν, εἰς δὲ  Οἰνόην τῆς Λοκρίδος ἐλθὼν καταλύει παρὰ ᾿Αμφιφάνει καὶ Γανύκτορι, τοῖς Φηγέως παισίν, ἀγνοήσας τὸ μαντεῖον· ὁ γὰρ τόπος οὗτος ἐκαλεῖτο Διὸς Νεμείου ἱερόν. διατριβῆς δ’ αὐτῷ πλείονος γενομένης ἐν τοῖς Οἰνεῶσιν, ὑπονοήσαντες οἱ νεανίσκοι τὴν ἀδελφὴν αὐτῶν μοιχεύειν τὸν ῾Ησίοδον, ἀποκτείναντες εἰς τὸ μεταξὺ τῆς Εὐβοίας καὶ τῆς Λοκρίδος πέλαγος κατεπόντισαν.

τοῦ δὲ νεκροῦ τριταίου πρὸς τὴν γῆν ὑπὸ δελφίνων προσενεχθέντος, ἑορτῆς τινὸς ἐπιχωρίου παρ’ αὐτοῖς οὔσης ἀριαδνείας πάντες ἐπὶ τὸν αἰγιαλὸν ἔδραμον καὶ τὸ σῶμα γνωρίσαντες ἐκεῖνο μὲν πενθήσαντες ἔθαψαν, τοὺς δὲ φονεῖς ἀνεζήτουν. οἱ δὲ φοβηθέντες τὴν τῶν πολιτῶν ὀργήν, κατασπάσαντες ἁλιευτικὸν σκάφος διέπλευσαν εἰς Κρήτην. οὓς κατὰ μέσον τὸν πλοῦν ὁ Ζεὺς κεραυνωθεὶς κατεπόντωσεν, ὥς φησιν ᾿Αλκιδάμας ἐν μουσείῳ φησιν ᾿Αλκιδάμας ἐν Μουσείῳ.

᾿Ερατοσθένης δέ φησιν ἐν † ἐνηπόδω † Κτίμενον καὶ ῎Αντιφον τοὺς Γανύκτορος ἐπὶ τῇ προειρημένῃ αἰτίᾳ ἀνελόντας σφαγιασθῆναι θεοῖς τοῖς  ξενίοις ὑπ’ Εὐρυκλέους τοῦ μάντεως. τὴν μέντοι παρθένον τὴν ἀδελφὴν τῶν προειρημένων μετὰ τὴν φθορὰν ἑαυτὴν ἀναρτῆσαι, φθαρῆναι δὲ ὑπό τινος ξένου συνόδου τοῦ ῾Ησιόδου Δημώδους ὄνομα· ὃν καὶ αὐτὸν ἀναιρεθῆναι ὑπὸ τῶν αὐτῶν φησιν. ὕστερον δὲ ᾿Ορχομένιοι κατὰ χρησμὸν μετενέγκαντες αὐτὸν παρ’ αὑτοῖς ἔθαψαν καὶ ἐπέγραψαν ἐπὶ τῷ τάφῳ·