Why Wives Should Learn Geometry and Plato. And, an Eclipse

Plutarch, Advice to Bride and Groom (Moralia138a-146a : Conjugalia Praecepta)

“These kinds of studies, foremost, distract woman from inappropriate matters. For, a wife will be ashamed to dance when she is learning geometry. And she will not receive spells of medicine if she is charmed by Platonic dialogues and the works of Xenophon. And if anyone claims she can pull down the moon, she will laugh at the ignorance and simplicity of the women who believe these things because she herself is not ignorant of astronomy and she has read about Aglaonikê. She was the daughter of Hêgêtor of Thessaly because she knew all about the periods of the moon and eclipses knew before everyone about the time when the moon would be taken by the shadow of the earth. She tricked the other women and persuaded them that she herself was causing the lunar eclipse.”

τὰ δὲ τοιαῦτα μαθήματα πρῶτον ἀφίστησι τῶν ἀτόπων τὰς γυναῖκας· αἰσχυνθήσεται γὰρ ὀρχεῖσθαι γυνὴ γεωμετρεῖν μανθάνουσα, καὶ φαρμάκων ἐπῳδὰς οὐ προσδέξεται τοῖς Πλάτωνος ἐπᾳδομένη λόγοις καὶ τοῖς Ξενοφῶντος. ἂν δέ τις ἐπαγγέλληται καθαιρεῖν τὴν σελήνην, γελάσεται τὴν ἀμαθίαν καὶ τὴν ἀβελτερίαν τῶν ταῦτα πειθομένων γυναικῶν, ἀστρολογίας μὴ ἀνηκόως ἔχουσα καὶ περὶ Ἀγλαονίκης ἀκηκουῖα τῆς Ἡγήτορος τοῦ Θετταλοῦ θυγατρὸς ὅτι τῶν ἐκλειπτικῶν ἔμπειρος οὖσα πανσελήνων καὶ προειδυῖα τὸν χρόνον, ἐν ᾧ συμβαίνει τὴν σελήνην ὑπὸ γῆς σκιᾶς ἁλίσκεσθαι, παρεκρούετο καὶ συνέπειθε τὰς γυναῖκας ὡς αὐτὴ καθαιροῦσα τὴν σελήνην.

 

Miniature of Alexander the Great consulting his astrologers about an eclipse of the sun after the battle of Arbela: British Library Burney MS 169, f. 69r

Ancient Vampires 2: What’s Really Scary is Misogyny

This is the second post about ancient Greek Vampires. The first looked at the Empousa. 

Lucian, Lover of Lies 2

“…these are various and disturbing tales, able to rattle the minds of children who still fear Mormo and Lamia.”

πάνυ ἀλλόκοτα καὶ τεράστια μυθίδια παίδων ψυχὰς κηλεῖν δυνάμενα ἔτι τὴν Μορμὼ καὶ τὴν Λάμιαν δεδιότων.

The Lamia (or, just Lamia to her friends) is one of the figures from Greek myth who seems like a frightening monster but really is a particular distillation of misogyny. She is often called a Greek ‘vampire’ along with Empousa. Unlike the latter, however, Lamia is specifically associated with killing children.

Diodorus Siculus, 20.40

“At the rock’s root there was a very large cave which was roofed with ivy and bryony in which the myths say the queen Lamia, exceptional for her beauty, was born. But, because of the beastliness of her soul, they say that her appearance has become more monstrous in the time since then.

For, when all her children who were born died, she was overwhelmed by her suffering and envied all the women who were luckier with their children. So she ordered that the infants be snatched from their arms and killed immediately. For this reason, even in our lifetime, the story of that women has lingered among children and the mention of her name is most horrifying to them.

But, whenever she was getting drunk, she would allow people to do whatever pleased them without observation. Because she was not closely watching everything at that time, the people in that land imagined that she could not see. This is why the myth developed that she put her eyes into a bottle, using this story a metaphor for the carelessness she enacted in wine, since that deprived her of sight.”

 περὶ δὲ τὴν ῥίζαν αὐτῆς ἄντρον ἦν εὐμέγεθες, κιττῷ καὶ σμίλακι συνηρεφές, ἐν ᾧ μυθεύουσι γεγονέναι βασίλισσαν Λάμιαν τῷ κάλλει διαφέρουσαν· διὰ δὲ τὴν τῆς ψυχῆς ἀγριότητα διατυπῶσαί φασι τὴν ὄψιν αὐτῆς τὸν μετὰ ταῦτα χρόνον θηριώδη. τῶν γὰρ γινομένων αὐτῇ παίδων ἁπάντων τελευτώντων βαρυθυμοῦσαν ἐπὶ τῷ πάθει καὶ φθονοῦσαν ταῖς τῶν ἄλλων γυναικῶν εὐτεκνίαις κελεύειν ἐκ τῶν ἀγκαλῶν ἐξαρπάζεσθαι τὰ βρέφη καὶ παραχρῆμα ἀποκτέννειν. διὸ καὶ καθ᾿ ἡμᾶς μέχρι τοῦ νῦν βίου παρὰ τοῖς νηπίοις διαμένειν τὴν περὶ τῆς γυναικὸς ταύτης φήμην καὶ φοβερωτάτην αὐτοῖς εἶναι τὴν ταύτης προσηγορίαν. ὅτε δὲ μεθύσκοιτο, τὴν ἄδειαν διδόναι πᾶσιν ἃ βούλοιντο ποιεῖν ἀπαρατηρήτως. μὴ πολυπραγμονούσης οὖν αὐτῆς κατ᾿ ἐκεῖνον τὸν χρόνον τὰ γινόμενα τοὺς κατὰ τὴν χώραν ὑπολαμβάνειν μὴ βλέπειν αὐτήν· καὶ διὰ τοῦτ᾿ ἐμυθολόγησάν τινες ὡς εἰς ἄρσιχον ἐμβάλοι τοὺς ὀφθαλμούς, τὴν ἐν οἴνῳ συντελουμένην ὀλιγωρίαν εἰς τὸ προειρημένον μέτρον μεταφέροντες, ὡς τούτου παρῃρημένου τὴν ὅρασιν.

Euripides, fr. 472m (=Diodorus Siculus 20.41.6)

“Who does not know my name, most hateful to men,
The Lamia, a Libyan by birth?”

τίς τοὐ<μὸν ὄ>νομα τοὐπονείδιστον βροτοῖς
οὐκ οἶδε Λαμίας τῆς Λιβυστικῆς γένος;

The story of why Lamia killed children gets a little more depressing in the Fragments of the Greek Historians

Duris, BNJ 76 F17 [= Photios s.v. Lamia]

“In the second book of his Libyan History, Duris reports that Lamia was a fine looking woman but after Zeus had sex with her, Hera killed the children she bore because she was envious. As a result she was disfigured by grief and would seize and kill the children of others.”

ταύτην ἐν τῆι Λιβύηι Δοῦρις ἐν δευτέρωι Λιβυκῶν ἱστορεῖ γυναῖκα καλὴν γενέσθαι, μιχθέντος δ᾽ αὐτῆι Διὸς ὑφ᾽ ῞Ηρας ζηλοτυπουμένην ἃ ἔτικτεν ἀπολλύναι· διόπερ ἀπὸ τῆς λύπης δύσμορφον γεγονέναι καὶ τὰ τῶν ἄλλων παιδία ἀναρπάζουσαν διαφθείρειν.

Elsewhere, the evidence of narratives about Lamia are rather limited. She becomes just another negative, female monster.

Suda, Lambda 85

“Lamia: a monster. The name comes from having a gaping throat, laimia and lamia. Aristophanes: “It has the smell of a seal, the unwashed balls of a Lamia.” For testicles are active—and he is making a fantasy image of Lamia’s balls, since she is female.”

Λάμια: θηρίον. ἀπὸ τοῦ ἔχειν μέγαν λαιμόν, λαίμια καὶ λάμια. ᾿Αριστοφάνης· φώκης δ’ εἶχεν ὀσμήν, λαμίας ὄρχεις ἀπολύτους. δραστικοὶ γὰρ οἱ ὄρχεις. εἰδωλοποιεῖ δέ τινας ὄρχεις λαμίας· θῆλυ γάρ.

Unlike Empousa and some others, Lamia is interestingly integrated in some other genealogical traditions.

Schol. G ad Ap. Rhodes 4.825-831

“Stesichorus says in his Skylla, regarding her form, that Skylla is the daughter of Lamia.”

Στησίχορος δὲ ἐν τῇ Σκύλλῃ †εἶδός τινος† Λαμίας τὴν Σκύλλαν φησὶ θυγατέρα εἶναι.

Pausanias on Phocis, 12

“There is a crag rising up over the ground on which the Delphians claim that a woman stood singing oracles, named Hêrophilê but known as Sibyl. There is the earlier Sibyl, the one I have found to be equally as old as the others, whom the Greeks claim is the daughter of Zeus and Lamia, the daughter of Poseidon. She was the first woman to sing oracles and they say that she was named Sibyl by the Libyans. Hêrophilê was younger than here, but she was obviously born before the Trojan War since she predicted Helen in her oracles, that was raised up in Sparta as the destruction for Asia and Europe and that Troy would be taken by the Greeks because of her.”

XII. Πέτρα δέ ἐστιν ἀνίσχουσα ὑπὲρ τῆς γῆς· ἐπὶ ταύτῃ Δελφοὶ στᾶσάν φασιν ᾆσαι τοὺς χρησμοὺς γυναῖκα ὄνομα Ἡροφίλην, Σίβυλλαν δὲ ἐπίκλησιν. τὴν δὲ πρότερον γενομένην, ταύτην ταῖς μάλιστα ὁμοίως οὖσαν ἀρχαίαν εὕρισκον, ἣν θυγατέρα Ἕλληνες Διὸς καὶ Λαμίας τῆς Ποσειδῶνός φασιν εἶναι, καὶ χρησμούς τε αὐτὴν γυναικῶν πρώτην ᾆσαι καὶ ὑπὸ τῶν Λιβύων Σίβυλλαν λέγουσιν ὀνομασθῆναι. ἡ δὲ Ἡροφίλη νεωτέρα μὲν ἐκείνης, φαίνεται δὲ ὅμως πρὸ τοῦ πολέμου γεγονυῖα καὶ αὕτη τοῦ Τρωικοῦ, καὶ Ἑλένην τε προεδήλωσεν ἐν τοῖς χρησμοῖς, ὡς ἐπ᾿ ὀλέθρῳ τῆς Ἀσίας καὶ Εὐρώπης τραφήσοιτο ἐν Σπάρτῃ, καὶ ὡς Ἴλιον ἁλώσεται δι᾿ αὐτὴν ὑπὸ Ἑλλήνων.

Dionysus of Halicarnassus, On Thucydides 6

“Foremost he differed from previous authors in this, by which I mean how he took on a subject that was not a single thread nor one divided in many different and also disconnected parts. And then, because did not include mythical material in his work and he did not use his writing for the deception and bewitchment of many, as every author before him did when they told the stories of certain Lamiai rising up from the earth in groves and glens and of amphibious Naiads rushing out of Tartaros, half-beasts swimming through the seas and then joining together in groups among humans, and producing offspring of mortals and gods, demigods—and other stories which seem extremely unbelievable and untrustworthy to us now.”

πρῶτον μὲν δὴ κατὰ τοῦτο διήλλαξε τῶν πρὸ αὐτοῦ συγγραφέων, λέγω δὲ κατὰ τὸ λαβεῖν ὑπόθεσιν μήτε μονόκωλον παντάπασι μήτ᾿ εἰς πολλὰ μεμερισμένην καὶ ἀσυνάρτητα κεφάλαια· ἔπειτα κατὰ τὸ μηδὲν αὐτῇ μυθῶδες προσάψαι, μηδ᾿ εἰς ἀπάτην καὶ γοητείαν τῶν πολλῶν ἐκτρέψαι τὴν γραφήν, ὡς οἱ πρὸ αὐτοῦ πάντες ἐποίησαν, Λαμίας τινὰς ἱστοροῦντες ἐν ὕλαις καὶ νάπαις ἐκ γῆς ἀνιεμένας, καὶ Ναΐδας ἀμφιβίους ἐκ Ταρτάρων ἐξιούσας καὶ διὰ πελάγους νηχομένας καὶ μιξόθηρας, καὶ ταύτας εἰς ὁμιλίαν ἀνθρώποις συνερχομένας, καὶ ἐκ θνητῶν καὶ θείων συνουσιῶν γονὰς ἡμιθέους, καὶ ἄλλας τινὰς ἀπίστους τῷ καθ᾿ ἡμᾶς βίῳ καὶ πολὺ τὸ ἀνόητον ἔχειν δοκούσας ἱστορίας.

There is another variant name–she might get her own entry some day

Suda, s.v.Μορμώ 

Mormô, in the genitive Mormous, declined like Sappho. There is also the form Mormôn, genitive Mormonos. Aristophanes says “I ask you, take this Mormo away from me”. This meant to dispel frightening things. For Mormo is frightening. And again in Aristophanes: “A Mormo for courage”. There is also a mormalukeion which they also call a Lamia. They were also saying frightening things like this.”

Μορμώ: λέγεται καὶ Μορμώ, Μορμοῦς, ὡς Σαπφώ. καὶ Μορμών, Μορμόνος. Ἀριστοφάνης: ἀντιβολῶ σ’, ἀπένεγκέ μου τὴν Μορμόνα. ἄπο τὰ φοβερά: φοβερὰ γὰρ ὑπῆρχεν ἡ Μορμώ. καὶ αὖθις Ἀριστοφάνης: Μορμὼ τοῦ θράσους. μορμολύκειον, ἣν λέγουσι Λαμίαν: ἔλεγον δὲ οὕτω καὶ τὰ φοβερά.

 In some traditions, Lamia became proverbial

Plutarch, De Curiositate [On Being a Busybod y] 516a

“Now, just as in the myth they say that Lamia sleeps at home, putting her eyes set aside in some jar, but when she goes out she puts them back in and peers around, in the same way each of us puts his curiosity, as if fitting in an eye, into meanness towards others. But we often stumble over our own mistakes and faults because of ignorance, since we fail to secure sight or light for them.

For this reason, a busybody is rather useful to his enemies, since he rebukes and emphasizes their faults and shows them what they should guard and correct, even as he overlooks most of his own issues thanks to his obsession with everyone else. This is why Odysseus did not stop to speak with his mother before he inquired from the seer about those things for which he had come to Hades. Once he had made his inquiry, he turned to his own mother and also the other women, asking who Tyro was, who beautiful Khloris was, and why Epikaste had died.”

Lamia is not well-attested in art and myth

νῦν δ’ ὥσπερ ἐν τῷ μύθῳ τὴν Λάμιαν λέγουσιν οἴκοι μὲν εὕδειν τυφλήν, ἐν ἀγγείῳ τινὶ τοὺς ὀφθαλμοὺς ἔχουσαν ἀποκειμένους, | ἔξω δὲ προϊοῦσαν ἐντίθεσθαι καὶ βλέπειν, οὕτως ἡμῶν ἕκαστος ἔξω καὶ πρὸς ἑτέρους τῇ κακονοίᾳ τὴν περιεργίαν ὥσπερ ὀφθαλμὸν ἐντίθησι, τοῖς δ’ ἑαυτῶν ἁμαρτήμασι καὶ κακοῖς πολλάκις περιπταίομεν ὑπ’ ἀγνοίας, ὄψιν ἐπ’ αὐτὰ καὶ φῶς οὐ ποριζόμενοι. διὸ καὶ τοῖς ἐχθροῖς ὠφελιμώτερός ἐστιν ὁ πολυπραγμονῶν· τὰ γὰρ ἐκείνων ἐλέγχει καὶ προφέρεται καὶ δείκνυσιν αὐτοῖς ἃ δεῖ φυλάξασθαι καὶ διορθῶσαι, τῶν δ’ οἴκοι τὰ πλεῖστα παρορᾷ διὰ τὴν περὶ τὰ ἔξω πτόησιν. ὁ μὲν γὰρ ᾿Οδυσσεὺς (λ 84 sqq.) οὐδὲ τῇ μητρὶ διαλεχθῆναι πρότε- ρον ὑπέμεινεν ἢ πυθέσθαι παρὰ τοῦ μάντεως, ὧν ἕνεκ’ ἦλθεν εἰς ῞Αιδου, πυθόμενος δὲ οὕτω πρός τε ταύτην ἔτρεψεν αὑτόν, καὶ τὰς ἄλλας γυναῖκας ἀνέκρινε, τίς ἡ Τυρὼ καὶ τίς ἡ καλὴ Χλωρὶς καὶ διὰ τί ἡ ᾿Επικάστη ἀπέθανεν…

Image result for Ancient Greek Lamia vase
Skylla, relative of Lamia. More Misogyny.

Some other misogynistic tales from myth with telling variants

The Lemnian Women and their Terrible Smell

The Privileging of Klytemnestra’s Infamy

The Terrible Tale of Asclepius’ Two Mothers

Pretty Much Everything about Medea

Kassandra’s Prophecy and Life

Kassandra’s Children

The Death of Hecuba

Helen and Iphigenia

Theseus Died Like His Father, Except Worse

Pausanias, 1.18.4-6

“Many divergent things are said about the death of Theseus. Many say that he was bound in the underworld until Herakles restored him; but of the things I have heard, these are the most believable: Theseus attacked Thesprotia in order to kidnap the wife of the Thesprotian king and lost the majority of his army in the process.

In fact, both he and Peirithous—who went on the expedition also looking for a marriage—were captured and the Thesprotian king kept them imprisoned in Kikhuros. There are many other things in the Thesprotian land worthy of seeing—the shrine of Zeus at Dodona and an oak sacred to the god. Near Kikhuros is a lake called Akherousia and a river called Akheron. A really unpleasant river called the Kokutos flows there too. Homer must have seen these places and was emboldened to use their names for places in Hades, transferring the names for the rivers from the Thesprotian landscape.

While Theseus was imprisoned, the children of Tyndareus attached Aphidna, sacked it, and installed Menestheus as king. Menestheus had no thought for the children of Theseus who had retreated to Elephenor in Euboia; but because he knew that Theseus, if he ever were restored from the Thesprotians, would be a difficult opponent, he attempted to improve the affairs of the common people, so that when Theseus was released, he was expelled from the land. As a result, Theseus went to Deukalion in Crete—when he was carried by winds to the island of Skyros, the Skyrians treated him well because of the fame of his family and the worth of the deeds which he accomplished himself. For these reasons, Lycomedes planned his death.”

ἐς δὲ τὴν τελευτὴν τὴν Θησέως πολλὰ ἤδη καὶ οὐχ ὁμολογοῦντα εἴρηται· δεδέσθαι τε γὰρ αὐτὸν λέγουσιν ἐς τόδε ἕως ὑφ’ ῾Ηρακλέους ἀναχθείη, πιθανώτατα δὲ ὧν ἤκουσα· Θησεὺς ἐς Θεσπρωτοὺς ἐμβαλών, τοῦ βασιλέως τῶν Θεσπρωτῶν γυναῖκα ἁρπάσων, τὸ πολὺ τῆς στρατιᾶς οὕτως ἀπόλλυσι, καὶ αὐτός τε καὶ Πειρίθους—Πειρίθους γὰρ καὶ τὸν γάμον σπεύδων ἐστράτευεν— ἥλωσαν, καὶ σφᾶς ὁ Θεσπρωτὸς δήσας εἶχεν ἐν Κιχύρῳ. γῆς δὲ τῆς Θεσπρωτίδος ἔστι μέν που καὶ ἄλλα θέας ἄξια, ἱερόν τε Διὸς ἐν Δωδώνῃ καὶ ἱερὰ τοῦ θεοῦ φηγός· πρὸς δὲ τῇ Κιχύρῳ λίμνη τέ ἐστιν ᾿Αχερουσία καλουμένη καὶ ποταμὸς ᾿Αχέρων, ῥεῖ δὲ καὶ Κωκυτὸς ὕδωρ ἀτερπέστατον. ῞Ομηρός τέ μοι δοκεῖ ταῦτα ἑωρακὼς ἔς τε τὴν ἄλλην ποίησιν ἀποτολμῆσαι τῶν ἐν ῞Αιδου καὶ δὴ καὶ τὰ ὀνόματα τοῖς ποταμοῖς ἀπὸ τῶν ἐν Θεσπρωτίδι θέσθαι. τότε δὲ ἐχομένου Θησέως στρατεύουσιν ἐς ῎Αφιδναν οἱ Τυνδάρεω παῖδες καὶ τήν τε ῎Αφιδναν αἱροῦσι καὶ Μενεσθέα ἐπὶ βασιλείᾳ κατήγαγον· Μενεσθεὺς δὲ τῶν μὲν παίδων τῶν Θησέως παρ’ ᾿Ελεφήνορα ὑπεξελθόντων ἐς Εὔβοιαν εἶχεν οὐδένα λόγον, Θησέα δέ, εἴ ποτε παρὰ Θεσπρωτῶν ἀνακομισθήσεται, δυσανταγώνιστον ἡγούμενος διὰ θεραπείας τὰ τοῦ δήμου καθίστατο, ὡς Θησέα ἀνασωθέντα ὕστερον ἀπωσθῆναι. στέλλεται δὴ Θησεὺς παρὰ Δευκαλίωνα ἐς Κρήτην, ἐξενεχθέντα δὲ αὐτὸν ὑπὸ πνευμάτων ἐς Σκῦρον τὴν νῆσον λαμπρῶς περιεῖπον οἱ Σκύριοι κατὰ γένους δόξαν καὶ ἀξίωμα ὧν ἦν αὐτὸς εἰργασμένος· καί οἱ θάνατον Λυκομήδης διὰ ταῦτα ἐβούλευσεν.

The details of Theseus’ death are reported elsewhere:

Plutarch, Life of Theseus 35.4

“When he came to [Lycomedes] he was seeking that his lands be returned to him so he might live there. Some report that Theseus was asking him for help against the Athenians. Lycomedes, either because he feared the man’s reputation or as a favor to Menestheus, led Theseus to the highest part of the land on the pretense of showing him the territory. Then he pushed him from the rocks and killed him.  Others say that Theseus fell on his own, going on a walk after dinner.”

[4] πρὸς τοῦτον οὖν ἀφικόμενος ἐζήτει τοὺς ἀγροὺς ἀπολαβεῖν, ὡς αὐτόθι κατοικήσων: ἔνιοι δέ φασι παρακαλεῖν αὐτὸν βοηθεῖν ἐπὶ τοὺς Ἀθηναίους. ὁ δὲ Λυκομήδης, εἴτε δείσας τὴν δόξαν τοῦ ἀνδρός, εἴτε τῷ Μενεσθεῖ χαριζόμενος, ἐπὶ τὰ ἄκρα τῆς χώρας ἀναγαγὼν αὐτόν, ὡς ἐκεῖθεν ἐπιδείξων τοὺς ἀγρούς, ὦσε κατὰ τῶν πετρῶν καὶ διέφθειρεν. ἔνιοι δ᾽ ἀφ᾽ ἑαυτοῦ πεσεῖν φασι σφαλέντα, μετὰ δεῖπνον

Color photograph of a red figure vase with a young Theseus, nude, about to stab the Minotaur
Life’s Not All Minotaur-Slaying

from Euripides’ lost Hippolytus Veiled

“Alas! I wish facts had a voice for people
So that clever speakers would be nothing.
Now instead men with turning tongues steal away
The truest things: and what should seem true cannot.”

φεῦ φεῦ, τὸ μὴ τὰ πράγματ’ ἀνθρώποις ἔχειν
φωνήν, ἵν’ ἦσαν μηδὲν οἱ δεινοὶ λέγειν.
νῦν δ’ εὐτρόχοισι στόμασι τἀληθέστατα
κλέπτουσιν, ὥστε μὴ δοκεῖν ἃ χρὴ δοκεῖν

Euripides’ lost Hippolytus Veiled allegedly detailed the deception of Theseus and the death of his son. His words sound idealist and almost noble, but as the story goes his wife Phaedra lies about sexual advances from her stepson Hippolytus and Theseus curses him. One of Theseus’ interlocutors replies (fr. 440):

“Theseus, I advise you that this is best, if you think through it:
Don’t ever believe that you hear the truth from a woman.”

Θησεῦ, παραινῶ σοὶ τὸ λῷστον, εἰ φρονεῖς,
γυναικὶ πείθου μηδὲ τἀληθῆ κλύων.

more from Pausanias

Pausanias, 1.3.3

“On the opposite wall are painted Theseus, Democracy and the People. Clearly, this painting shows Theseus as the founder of political equality for the Athenians. In other accounts the story has been popularized that Theseus handed the powers of the state over to the people and that the Athenians lived in a democracy from his time until Peisistratus rebelled and became a tyrant.

The majority of people repeat many things which are not true, since they know nothing of history and they believe whatever they have heard since childhood in choruses and tragedy. This is how it is with Theseus who actually was king himself and whose descendants continued ruling for four generations until Menestheus died.”

ἐπὶ δὲ τῷ τοίχῳ τῷ πέραν Θησεύς ἐστι γεγραμμένος καὶ Δημοκρατία τε καὶ Δῆμος. δηλοῖ δὲ ἡ γραφὴ Θησέα εἶναι τὸν καταστήσαντα ᾿Αθηναίοις ἐξ ἴσου πολιτεύεσθαι· κεχώρηκε δὲ φήμη καὶ ἄλλως ἐς τοὺς πολλούς, ὡς Θησεὺς παραδοίη τὰ πράγματα τῷ δήμῳ καὶ ὡς ἐξ ἐκείνου δημοκρατούμενοι διαμείναιεν, πρὶν ἢ Πεισίστρατος ἐτυράννησεν ἐπαναστάς. λέγεται μὲν δὴ καὶ ἄλλα οὐκ ἀληθῆ παρὰ τοῖς πολλοῖς οἷα ἱστορίας ἀνηκόοις οὖσι καὶ ὁπόσα ἤκουον εὐθὺς ἐκ παίδων ἔν τε χοροῖς καὶ τραγῳδίαις πιστὰ ἡγουμένοις, λέγεται δὲ καὶ ἐς τὸν Θησέα, ὃς αὐτός τε ἐβασίλευσε καὶ ὕστερον Μενεσθέως τελευτήσαντος καὶ ἐς τετάρτην  οἱ Θησεῖδαι γενεὰν διέμειναν ἄρχοντες.

Telesilla: Argive Woman, Warrior Poet

From Pausanias,  2.20.8-10

“Beyond the theater is the shrine of Aphrodite. In front of the foundation is a stele on which Telesilla, a poet of lyric, is depicted. Her books are tossed near her feet while she looks at the helmet she holds in her hand as she is about to put it on her head. Telesilla was famous among women and especially honored for her poetry.

But a greater story about her comes from when the Argives were bested by Kleomenes the son of Alexandrides and the Lakedaimonians. Some Argives died during the battle itself and however many fled to the grove of Ares died there too—at first they left the grove under an armistice but they realized they were deceived and were burned with the rest in the grove. As a result, Kleomenes led the Spartans to an Argos bereft of men.

But Telesilla stationed on the wall of the city all the slaves who were unable to bear arms because of youth or old age and, after collecting however many weapons had been left in homes or in the shrines, she armed all the women at the strongest age and once she had armed herself they took up posts were the army was going to attack.

When the Spartans came near and the women were not awestruck by their battle-cry but waited and were fighting bravely, then the Spartans, because they reasoned that if they killed the women the victory would be ill-rumored even as their own defeat would come with great insult, yielded to the women.

The Pythian priestess had predicted this contest earlier in the prophecy relayed by Herodotus who may or may not have understood it (6.77):

But when the female conquers the male
And drives him away and wins glory for the Argives,
It will make many Argive women tear their cheeks.

These are the words of the oracle on the women’s accomplishment.”

ὑπὲρ δὲ τὸ θέατρον ᾿Αφροδίτης ἐστὶν ἱερόν, ἔμπροσθεν δὲ τοῦ ἕδους Τελέσιλλα ἡ ποιήσασα τὰ ᾄσματα ἐπείργασται στήλῃ· καὶ βιβλία μὲν ἐκεῖνα ἔρριπταί οἱ πρὸς τοῖς ποσίν, αὐτὴ δὲ ἐς κράνος ὁρᾷ κατέχουσα τῇ χειρὶ καὶ ἐπιτίθεσθαι τῇ κεφαλῇ μέλλουσα. ἦν δὲ ἡ Τελέσιλλα καὶ ἄλλως ἐν ταῖς γυναιξὶν εὐδόκιμος καὶ μᾶλλον ἐτιμᾶτο ἔτι ἐπὶ τῇ ποιήσει. συμβάντος δὲ ᾿Αργείοις ἀτυχῆσαι λόγου μειζόνως πρὸς Κλεομένην τὸν ᾿Αναξανδρίδου καὶ Λακεδαιμονίους, καὶ τῶν μὲν ἐν αὐτῇ πεπτωκότων τῇ μάχῃ, ὅσοι δὲ ἐς τὸ ἄλσος τοῦ ῎Αργου κατέφευγον διαφθαρέντων καὶ τούτων, τὰ μὲν πρῶτα ἐξιόντων κατὰ ὁμολογίαν, ὡς δὲ ἔγνωσαν ἀπατώμενοι συγκατακαυθέντων τῷ ἄλσει τῶν λοιπῶν, οὕτω τοὺς Λακεδαιμονίους Κλεομένης ἦγεν ἐπὶ ἔρημον ἀνδρῶν τὸ ῎Αργος. Τελέσιλλα δὲ οἰκέτας μὲν καὶ ὅσοι διὰ νεότητα ἢ γῆρας ὅπλα ἀδύνατοι φέρειν ἦσαν, τούτους μὲν πάντας ἀνεβίβασεν ἐπὶ τὸ τεῖχος, αὐτὴ δὲ ὁπόσα ἐν ταῖς οἰκίαις ὑπελείπετο καὶ τὰ ἐκ τῶν ἱερῶν ὅπλα ἀθροίσασα τὰς ἀκμαζούσας ἡλικίᾳ τῶν γυναικῶν ὥπλιζεν, ὁπλίσασα δὲ ἔτασσε κατὰ τοῦτο ᾗ τοὺς πολεμίους προσιόντας ἠπίστατο. ὡς δὲ <ἐγγὺς> ἐγίνοντο οἱ Λακεδαιμόνιοι καὶ αἱ γυναῖκες οὔτε τῷ ἀλαλαγμῷ  κατεπλάγησαν δεξάμεναί τε ἐμάχοντο ἐρρωμένως, ἐνταῦθα οἱ Λακεδαιμόνιοι, φρονήσαντες ὡς καὶ διαφθείρασί σφισι τὰς γυναῖκας ἐπιφθόνως τὸ κατόρθωμα ἕξει καὶ σφαλεῖσι μετὰ ὀνειδῶν γενήσοιτο ἡ συμφορά, ὑπείκουσι ταῖς γυναιξί. πρότερον δὲ ἔτι τὸν ἀγῶνα τοῦτον προεσήμηνεν ἡ Πυθία, καὶ τὸ λόγιον εἴτε ἄλλως εἴτε καὶ ὡς συνεὶς ἐδήλωσεν ῾Ηρόδοτος·

ἀλλ’ ὅταν ἡ θήλεια τὸν ἄρρενα νικήσασα
ἐξελάσῃ καὶ κῦδος ἐν ᾿Αργείοισιν ἄρηται,
πολλὰς ᾿Αργείων ἀμφιδρυφέας τότε θήσει.

τὰ μὲν ἐς τὸ ἔργον τῶν γυναικῶν ἔχοντα τοῦ χρησμοῦ ταῦτα ἦν·

Telesilla

Plutarch, On the Virtues of Women 245d-f6 reports a version of this tale; the Suda (s.v. Telesilla) likely takes its account from Pausanias.

“Telesilla, a poetess. On a stele her books are tossed around and she has placed a helmet on her head. And When the Lakedaimonians slaughtered the Argives who had fled to a shrine and were heading to the city to sack it, then Telesilla armed the women of the right age and set them against where they were marching. When the Lakedaimonians saw this, they turned back because they believed it shameful to fight against women whom it would be inglorious to conquer but a great reproached to be defeated by….” [the oracle is listed next”

Τελέσιλλα, ποιήτρια. ἐπὶ στήλης τὰ μὲν βιβλία ἀπέρριπτε, κράνος δὲ τῇ κεφαλῇ περιέθηκε. καὶ γὰρ ὅτε Λακεδαιμόνιοι τοὺς ἐν τῷ ἱερῷ τοῦ ῎Αργους καταφυγόντας διέφθειρον καὶ πρὸς τὴν πόλιν ᾔεσαν ὡς αἱρήσοντες, τότε Τελέσιλλα τὰς ἐν ἡλικίᾳ γυναῖκας ὁπλίσασα ὑπήντησεν οἷ προσῄεσαν. ὅπερ ἰδόντες οἱ Λακεδαιμόνιοι ἐς τοὐπίσω ὑπέστρεψαν, αἰσχρὸν νομίσαντες γυναιξὶ πολεμεῖν, ἃς καὶ τὸ νικᾶν ἄδοξον καὶ ἡττᾶσθαι μέγα ὄνειδος. ἐς τοῦτο καὶ ὁ χρησμὸς πεπλήρωτο, ᾿Αργείοις λέγων· ἀλλ’ ὅταν ἡ θήλεια τὸν ἄρρενα νικήσασα ἐξελάσῃ καὶ κῦδος ᾿Αργείοισιν ἄρηται, πολλὰς ᾿Αργείων ἀμφιδρυφέας τότε θήσει.

The extant fragments of Telesilla are not much to work with (each line is a separate fragment:

ἁ δ’ ῎Αρτεμις, ὦ κόραι,

φεύγοισα τὸν ᾿Αλφεόν

φιληλιάς,

†βελτιώτας

δῖνον.

οὐλοκίκιννε

〚ποιητριαν〛

〚Τελεσ̣ι̣λ̣λα̣ν̣〛

Why Wives Should Learn Geometry and Plato. And, an Eclipse

Plutarch, Advice to Bride and Groom (Moralia138a-146a : Conjugalia Praecepta)

“These kinds of studies, foremost, distract women from inappropriate matters. For, a wife will be ashamed to dance when she is learning geometry. And she will not receive spells of medicine if she is charmed by Platonic dialogues and the works of Xenophon. And if anyone claims she can pull down the moon, she will laugh at the ignorance and simplicity of the women who believe these things because she herself is not ignorant of astronomy and she has read about Aglaonikê. She was the daughter of Hêgêtor of Thessaly because she knew all about the periods of the moon and eclipses knew before everyone about the time when the moon would be taken by the shadow of the earth. She tricked the other women and persuaded them that she herself was causing the lunar eclipse.”

τὰ δὲ τοιαῦτα μαθήματα πρῶτον ἀφίστησι τῶν ἀτόπων τὰς γυναῖκας· αἰσχυνθήσεται γὰρ ὀρχεῖσθαι γυνὴ γεωμετρεῖν μανθάνουσα, καὶ φαρμάκων ἐπῳδὰς οὐ προσδέξεται τοῖς Πλάτωνος ἐπᾳδομένη λόγοις καὶ τοῖς Ξενοφῶντος. ἂν δέ τις ἐπαγγέλληται καθαιρεῖν τὴν σελήνην, γελάσεται τὴν ἀμαθίαν καὶ τὴν ἀβελτερίαν τῶν ταῦτα πειθομένων γυναικῶν, ἀστρολογίας μὴ ἀνηκόως ἔχουσα καὶ περὶ Ἀγλαονίκης ἀκηκουῖα τῆς Ἡγήτορος τοῦ Θετταλοῦ θυγατρὸς ὅτι τῶν ἐκλειπτικῶν ἔμπειρος οὖσα πανσελήνων καὶ προειδυῖα τὸν χρόνον, ἐν ᾧ συμβαίνει τὴν σελήνην ὑπὸ γῆς σκιᾶς ἁλίσκεσθαι, παρεκρούετο καὶ συνέπειθε τὰς γυναῖκας ὡς αὐτὴ καθαιροῦσα τὴν σελήνην.

 

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Happy New Year: Hangover Poems and Cures

Crapulous: def. 2: Sick from excessive indulgence in liquor.

kraipale

From the Suda:

Kraipalê: The pounding that comes from drinking too much wine. We also have the participle “carousing” which is when someone acts poorly because of drinking, or just being drunk. It derives from the word “head” (kara) and “pound” (pallein). Or, it could also come from screwing up (sphallesthai) timely matters (kairiôn)

Κραιπάλη: ὁ ἐκ πολλῆς οἰνώσεως παλμός. καὶ Κραιπαλῶν, ἀντὶ τοῦ ἐκ μέθης ἀτακτοῦντα, μεθύοντα. ἀπὸ τοῦ κάρα πάλλειν τοὺς μεθύοντας. ἢ ἀπὸ τοῦ σφάλλεσθαι τῶν καιρίων.

Kraipalôdês: “Prone to drunkenness”: The ancients knew well the weaknesses of the spirit, weather it was a person who was prone to excessive drinking or a love-seeker who has his brain in his genitals.”

Κραιπαλώδης· τῆς ψυχῆς τὰ ἐλαττώματα κατηπίσταντο, εἴτε κραιπαλώδης τις εἴη καὶ μέθυσος εἴτε φιλήδονος καὶ ἐν τοῖς αἰδοίοις ἔχων τὸν ἐγκέφαλον.

Kraipalaikômos“Hangover-revel”: Metonymically, this a song that happens while drunk

Κραιπαλαίκωμος: μετωνυμικῶς ὁ κατὰ μέθην γινόμενος ὕμνος.

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Alexis, fr. 287

“Yesterday you drank too much and now you’re hungover.
Take a nap—this will help it. Then let someone give you
Cabbage, boiled.”

ἐχθὲς ὑπέπινες, εἶτα νυνὶ κραιπαλᾷς.
κατανύστασον· παύσῃ γάρ. εἶτά σοι δότω
ῥάφανόν τις ἑφθήν.

Eubulus, fr. 124

“Woman, it’s because you think I am a cabbage that you’re trying
To give me your hangover. At least, that’s how it seems to me.”

γύναι,
ῥάφανόν με νομίσασ’ εἰς ἐμέ σου τὴν κραιπάλην
μέλλεις ἀφεῖναι πᾶσαν, ὡς ἐμοὶ δοκεῖς.

Nikokharês

“Tomorrow we will boil acorns instead of cabbage
To treat our hangover.”

εἰσαύριον .. ἀντὶ ῥαφάνων ἑψήσομεν
βαλάνιον, ἵνα νῷν ἐξάγῃ τὴν κραιπάλην.

Alexis, fr. 390

“If only we got hangovers before we drank
Then no one would ever drink more
Than is good for them. But now, because
We do not expect to escape drinking’s penalty,
We too eagerly drink unmixed wines”

εἰ τοῦ μεθύσκεσθαι πρότερον τὸ κραιπαλᾶν
παρεγίνεθ’ ἡμῖν, οὐδ’ ἂν εἷς οἶνόν ποτε
προσίετο πλείω τοῦ μετρίου. νυνὶ δὲ τὴν
τιμωρίαν οὐ προσδοκῶντες τῆς μέθης
ἥξειν προχείρως τοὺς ἀκράτους πίνομεν.

Sopater

“It is sweet for men to drink at dawn
Streams of honey when they are struck by thirst
Driven by the last night’s hangover”

νᾶμα μελισσῶν ἡδὺ μὲν ὄρθρου
καταβαυκαλίσαι τοῖς ὑπὸ πολλῆς
κραιπαλοβόσκου δίψης κατόχοις.

How to Cure a Hangover…

Aristotle, Problemata 873a-b

“Wine (being of a wet nature) stretches those who are slow and makes them quick, but it tends to restrain those who are quick already. On that account, some who are melancholic by nature become entirely dissipated in drunken stupors (kraipalais). Just as a bath can make those who are all bound up and stiff more readily able to move, so does it check those who are already movable and loose, so too does wine, which is like a bath for your innards, accomplish this same thing.

Why then does cabbage prevent drunkenness (kraipale)? Either because it has a sweet and purgative juice (and for this reason doctors use it to clean out the intestines), even though it is itself of a cold nature. Here is a proof: doctors use it against exceptionally bad cases of diarrhea, after preparing it by cooking it, removing the fiber, and freezing it. It happens in the case of those suffering from the effects of drunkenness (kraipalonton) that the cabbage juice draws the wet elements, which are full of wine and still undigested, down to their stomachs, while the body chills the rest which remains in the upper part of the stomach. Once it has been chilled, the rest of the moist element can be drawn into the bladder. Thus, when each of the wet elements has been separated through the body and chilled, people are likely to be relieved of their drunkenness (akraipaloi). For wine is wet and warm.”

καὶ ὁ οἶνος (ὑγρὸς γάρ ἐστι τὴν φύσιν) τοὺς μὲν βραδυτέρους ἐπιτείνει καὶ θάττους ποιεῖ, τοὺς δὲ θάττους ἐκλύει. διὸ ἔνιοι τῶν μελαγχολικῶν τῇ φύσει ἐν ταῖς κραιπάλαις ἐκλελυμένοι γίνονται πάμπαν. ὥσπερ γὰρ τὸ λουτρὸν τοὺς μὲν συνδεδεμένους τὸ σῶμα καὶ σκληροὺς εὐκινήτους ποιεῖ, τοὺς δὲ εὐκινήτους καὶ ὑγροὺς ἐκλύει, οὕτως ὁ οἶνος, ὥσπερ λούων τὰ ἐντός, ἀπεργάζεται τοῦτο.

Διὰ τί ἡ κράμβη παύει τὴν κραιπάλην; ἢ ὅτι τὸν  μὲν χυλὸν γλυκὺν καὶ ῥυπτικὸν ἔχει (διὸ καὶ κλύζουσιν αὐτῷ τὴν κοιλίαν οἱ ἰατροί), αὐτὴ δ’ ἐστὶ ψυχρά. σημεῖον δέ· πρὸς γὰρ τὰς σφοδρὰς διαρροίας χρῶνται αὐτῇ οἱ ἰατροί, ἕψοντες σφόδρα καὶ ἀποξυλίζοντες καὶ ψύχοντες. συμβαίνει δὴ τῶν κραιπαλώντων τὸν μὲν χυλὸν αὐτῆς εἰς τὴν κοιλίαν κατασπᾶν τὰ ἐν αὐτοῖς ὑγρά, οἰνηρὰ καὶ ἄπεπτα ὄντα, αὐτὴν δὲ ὑπολειπομένην ἐν τῇ ἄνω κοιλίᾳ ψύχειν τὸ σῶμα. ψυχομένου δὲ ὑγρὰ λεπτὰ συμβαίνει εἰς τὴν κύστιν φέρεσθαι. ὥστε κατ’ ἀμφότερα τῶν ὑγρῶν ἐκκρινομένων διὰ τοῦ σώματος, καὶ καταψυχομένου, εἰκότως ἀκραίπαλοι γίνονται· ὁ γὰρ οἶνος ὑγρὸς καὶ θερμός ἐστιν.

Hippocrates of Cos, Epidemics 2.30

“If someone has head pain from a hangover, have him drink a cup of unmixed wine. For different head pains, have the patient eat bread warm from unmixed wine.”

Ἢν ἐκ κραιπάλης κεφαλὴν ἀλγέῃ, οἴνου ἀκρήτου κοτύλην πιεῖν· ἢν δὲ ἄλλως κεφαλὴν ἀλγέῃ, ἄρτον ὡς θερμότατον ἐξ οἴνου ἀκρήτου ἐσθίειν.

Plutarch, Table-Talk 3 (652F)

“Those who are suffering bodily from drinking and being hungover can find relief from sleeping immediately, warmed with a cover. On the next day, they can be restored with a bath, a massage, and whatever food does not cause agitation but restores the warmth dispelled and lost from the body by wine.”

 ἰῶνταί γε μὴν τὰς περὶ τὸ σῶμα τῶν μεθυσκομένων καὶ κραιπαλώντων κακώσεις εὐθὺς μὲν ὡς ἔοικε περιστολῇ καὶ κατακλίσει συνθάλποντες, μεθ᾿ ἡμέραν δὲ λουτρῷ καὶ ἀλείμματι καὶ σιτίοις, ὅσα μὴ ταράττοντα τὸν ὄγχον ἅμα πράως ἀνακαλεῖται τὸ θερμὸν ὑπὸ τοῦ οἴνου διεσπασμένον καὶ πεφυγαδευμένον ἐκ τοῦ σώματος.

 Latin: crapula, from Grk. Kraipalê

Plautus, Rudens 585-590

“But why am I standing here, a sweating fool?
Maybe I should leave here for Venus’ temple to sleep off this hangover
I got because I drank more than I intended?
Neptune soaked us with the sea as if we were Greek wines
And he hoped to relieve us with salty-beverages.
Shit. What good are words?”

sed quid ego hic asto infelix uuidus?
quin abeo huc in Veneris fanum, ut edormiscam hanc crapulam,
quam potaui praeter animi quam lubuit sententiam?
quasi uinis Graecis Neptunus nobis suffudit mare,
itaque aluom prodi sperauit nobis salsis poculis;
quid opust uerbis?

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Plautus, Stichus 226-230

“I am selling Greek moisturizers
And other ointments, hangover-cures
Little jokes, blandishments
And a sycophant’s confabulations.
I’ve got a rusting strigil, a reddish flask,
And a hollowed out follower to hide your trash in.”

uel unctiones Graecas sudatorias
uendo uel alias malacas, crapularias;
cauillationes, assentatiunculas,
ac periuratiunculas parasiticas;
robiginosam strigilim, ampullam rubidam,
parasitum inanem quo recondas reliquias.

 

Advice more useful the day before

John of Damascus, Sacra Parallela 96.161:

“When the membranes become full of the vapors which wine produces when it is vaporized, the head is stricken with unbearable pains. No longer can it stay upright upon the shoulders, but it constantly drops this way and that, slipping around upon its joints. But who would say such things to those stricken by wine? Their heads are heavy from drunkenness (kraipale), they nod off, they yawn, they see through a fog, and they feel nauseous. On that account, they do not listen to their teachers yelling out to them all of the time. Don’t get drunk on wine, in which there is profligacy. Therein lie trembling and weakness, the breath is beaten out by immoderate indulgence in wine, the nerves are slackened, and the entire mass of the body is put into disorder. “

῞Οταν γὰρ πλήρεις αἱ μένιγγες γίνωνται τῆς αἰθάλης, ἣν ὁ οἶνος ἐξατμιζόμενος ἀναφέρει, βάλλεται μὲν ὀδύναις ἀφορήτοις ἡ κεφαλή· μένειν δὲ ὀρθὴ ἐπὶ τῶν ὤμων μὴ δυναμένη, ἄλλοτε ἐπ’ ἄλληλα καταπίπτει, τοῖς σπονδύλοις ἐνολισθαίνουσα. ᾿Αλλὰ τίς εἴποι ταῦτα τοῖς οἰνοπλήκτοις; καρηβαροῦσι γὰρ ἐκ τῆς κραιπάλης, νυστάζουσι, χασμῶνται, ἀχλὺν βλέπουσιν, ναυτιῶσιν. Διὰ τοῦτο οὐκ ἀκούουσι τῶν διδασκάλων πολλαχόθεν αὐτοῖς ἐκβοώντων· Μὴ μεθύσκεσθε οἴνῳ, ἐν ᾧ ἐστιν ἀσωτία. ᾿Εντεῦθεν οἱ τρόμοι καὶ αἱ ἀσθένειαι, κοπτομένου αὐτοῖς τοῦ πνεύματος ὑπὸ τῆς ἀμετρίας τοῦ οἴνου, καὶ τῶν νεύρων λυομένων, ὁ κλόνος τῷ σύμπαντι ὄγκῳ τοῦ σώματος ἐπιγίνεται.

Want to Make Friends at Holiday Parties? Plutarch on Why Drinking is Useful

Plutarch, Moralia 644e: Table-Talk, On the Usefulness of Drinking for Getting to Know People

“When the Poet Simonides, my Sossios Senecios, saw a stranger at a drinking party sitting there in silence and talking to no one he said “Man, if you are a fool, you are doing something wise; but if you are wise, you are doing a foolish thing.” For, as Heraclitus says, “it is better to hide ignorance” and it is really hard to do this while drinking “which makes even a very wise man sing / and causes him to laugh gently and dance /and then to speak whatever word which was unsaid” [Hom. Od. 14.464-6).

In this, it seems to me, the poet demonstrates the differences between being a little tipsy and drunkenness. For song, merriment, dancing and dancing are coming to those who have drunk moderately. But talking too much and saying what is better kept silent is the work of too much wine, of being drunk. For this reason also, Plato believes that we can see the character of most men while drinking, as Homer said, “those two did not learn one another’s nature even at the table”.

It is clear that Homer knows the talkativeness of wine and how it creates much conversation. For it is not possible to know people who sit eating and drinking in silence. Drinking leads to chatting, and by chatting someone emerges and much that is otherwise hidden is disclosed—drinking together provides some way of getting to know each other.

For this reason, it is not wrong to chastise Aesop, “Why are you searching out these gateways, sir, through which different people can gaze upon the mindset of one another? This lays waste our well made modes of behavior, from the most basic custom by which we were trained, as if by a teacher.” This is why drinking is useful to both Aesop and Plato, and for anyone else looking for a method of inquiry.

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Σιμωνίδης ὁ ποιητής, ὦ Σόσσιε Σενεκίων, ἔν τινι πότῳ ξένον ἰδὼν κατακείμενον σιωπῇ καὶ μηδενὶ διαλεγόμενον, “ὦ ἄνθρωπ᾿,” εἶπεν, “εἰ μὲν ἠλίθιος εἶ, σοφὸν πρᾶγμα ποιεῖς· εἰ δὲ σοφός, ἠλίθιον.” “ἀμαθίην γὰρ ἄμεινον,” ὥς φησιν Ἡράκλειτος, “κρύπτειν,” ἔργον δ᾿ ἐν ἀνέσει καὶ παρ᾿ οἶνον

ὅστ᾿ ἐφέηκε πολύφρονά περ μάλ᾿ ἀεῖσαι,
καί θ᾿ ἁπαλὸν γελάσαι καί τ᾿ ὀρχήσασθαι ἀνῆκεν,
καί τι ἔπος προέηκεν, ὅπερ τ᾿ ἄρρητον ἄμεινον·

οἰνώσεως ἐνταῦθα τοῦ ποιητοῦ καὶ μέθης, ὡς ἐμοὶ δοκεῖ, διαφορὰν ὑποδεικνύντος. ᾠδὴ μὲν γὰρ καὶ γέλως καὶ ὄρχησις οἰνουμένοις μετρίως ἔπεισι· τὸ δὲ λαλεῖν καὶ λέγειν, ἃ βέλτιον ἦν σιωπᾶν, παροινίας ἤδη καὶ μέθης ἔργον ἐστίν. διὸ καὶ Πλάτων ἐν οἴνῳ μάλιστα καθορᾶσθαι τὰ ἤθη τῶν πολλῶν νομίζει, καὶ Ὅμηρος εἰπὼν

οὐδὲ τραπέζῃ / γνώτην ἀλλήλων

δῆλός ἐστιν εἰδὼς τὸ πολύφωνον τοῦ οἴνου καὶ λόγων πολλῶν γόνιμον. οὐ γὰρ ἔστι τρωγόντων σιωπῇ καὶ πινόντων γνῶσις· ἀλλ᾿ ὅτι τὸ πίνειν εἰς τὸ λαλεῖν προάγεται, τῷ δὲ λαλεῖν ἐμφαίνεται καὶ τὸ ἀπογυμνοῦσθαι πολλὰ τῶν ἄλλως λανθανόντων, παρέχει τινὰ τὸ συμπίνειν κατανόησιν ἀλλήλων· ὥστε μὴ φαύλως ἂν ἐπιτιμῆσαι τῷ Αἰσώπῳ· “τί τὰς θυρίδας, ὦ μακάριε, ζητεῖς ἐκείνας, δι᾿ ὧν ἄλλος ἄλλου κατόψεται τὴν διάνοιαν; ὁ γὰρ οἶνος ἡμᾶς ἀνοίγει καὶ δείκνυσιν οὐκ ἐῶν ἡσυχίαν ἄγειν, ἀλλ᾿ ἀφαιρῶν τὸ πλάσμα καὶ τὸν σχηματισμόν, ἀπωτάτω τοῦ νόμου καθάπερ παιδαγωγοῦ γεγονότων.” Αἰσώπῳ μὲν οὖν καὶ Πλάτωνι, καὶ εἴ τις ἄλλος ἐξετάσεως τρόπου δεῖται, πρὸς τοῦτο χρήσιμον ὁ ἄκρατος·

 

Safe Dinner Topics from Antiquity: Chicken or Egg?

Plutarch, Moralia: Table-Talk, Question 3, Book 2—Whether the Bird or the Egg Came First

“I had been refraining from eggs for a very long time because of a certain dream. In this, I meant to test by an egg as a Carian would this dream which had come to me vividly and often. When I was dining at the home of Sossios Senecius, the guests developed some suspicion that I was done in by Orphic beliefs of Pythagorean notions and that I thought the egg should be sacred, like a heart or a brain, because it was the initial principle of creation. Alexander the Epicurean joked “Eating beans is like eating your parents’ heads”.

See, these call eggs ‘beans’, playing on the word for conception (kuêsis) and they believe that eating eggs is not at all different from dining on the creatures who gave birth to the eggs. To tell my dream to an Epicurean was probably a less logical as an explanation than the cause itself. Or this reason, I said nothing against their beliefs but messed with Alexander a little. For he was a charming man and a fine philologist.”

Image result for Ancient Greek egg
Black Figure Eggs from Child’s Tomb, 5th Century BCE

Πότερον ἡ ὄρνις πρότερον ἢ τὸ ᾠὸν ἐγένετο

 Ἐξ ἐνυπνίου τινὸς ἀπειχόμην ᾠῶν πολὺν ἤδη χρόνον παρὰ τοῦτο ποιούμενος, ἐν ᾠ ῷ καθάπερ ἐν Καρὶ διάπειραν λαβεῖν τῆς ὄψεως ἐναργῶς μοι πολλάκις γενομένης· ὑπόνοιαν μέντοι παρέσχον, ἑστιῶντος ἡμᾶς Σοσσίου Σενεκίωνος, ἐνέχεσθαι δόγμασιν Ὀρφικοῖς ἢ Πυθαγορικοῖς καὶ τὸ ᾠόν, ὥσπερ ἔνιοι καρδίαν καὶ ἐγκέφαλον, ἀρχὴν ἡγούμενος γενέσεως ἀφοσιοῦσθαι· καὶ προὔφερεν Ἀλέξανδρος ὁ Ἐπικούρειος ἐπὶ γέλωτι τὸ

ἶσόν τοι κυάμους ἔσθειν κεφαλάς τε τοκήων,

ὡς δὴ κυάμους τὰ ᾠὰ διὰ τὴν κύησιν αἰνιττομένων τῶν ἀνδρῶν, διαφέρειν δὲ μηδὲν οἰομένων τὸ ἐσθίειν ᾠὰ τοῦ χρῆσθαι τοῖς τίκτουσι τὰ ᾠὰ ζῴοις. ἐγίγνετο δὴ τὸ τῆς αἰτίας ἀπολόγημα τῆς αἰτίας αὐτῆς ἀλογώτερον, Ἐπικουρείῳ λέγειν ἐνύπνιον. ὅθεν οὐ παρῃτούμην τὴν δόξαν ἅμα προσπαίζων τι τῷ Ἀλεξάνδρῳ· καὶ γὰρ ἦν χαρίεις καὶ φιλόλογος

Ancient Vampires 2: What’s Really Scary is Misogyny

This is the second post about ancient Greek Vampires. The first looked at the Empousa. 

Lucian, Lover of Lies 2

“…these are various and disturbing tales, able to rattle the minds of children who still fear Mormo and Lamia.”

πάνυ ἀλλόκοτα καὶ τεράστια μυθίδια παίδων ψυχὰς κηλεῖν δυνάμενα ἔτι τὴν Μορμὼ καὶ τὴν Λάμιαν δεδιότων.

The Lamia (or, just Lamia to her friends) is one of the figures from Greek myth who seems like a frightening monster but really is a particular distillation of misogyny. She is often called a Greek ‘vampire’ along with Empousa. Unlike the latter, however, Lamia is specifically associated with killing children.

Diodorus Siculus, 20.40

“At the rock’s root there was a very large cave which was roofed with ivy and bryony in which the myths say the queen Lamia, exceptional for her beauty, was born. But, because of the beastliness of her soul, they say that her appearance has become more monstrous in the time since then.

For, when all her children who were born died, she was overwhelmed by her suffering and envied all the women who were luckier with their children. So she ordered that the infants be snatched from their arms and killed immediately. For this reason, even in our lifetime, the story of that women has lingered among children and the mention of her name is most horrifying to them.

But, whenever she was getting drunk, she would allow people to do whatever pleased them without observation. Because she was not closely watching everything at that time, the people in that land imagined that she could not see. This is why the myth developed that she put her eyes into a bottle, using this story a metaphor for the carelessness she enacted in wine, since that deprived her of sight.”

 περὶ δὲ τὴν ῥίζαν αὐτῆς ἄντρον ἦν εὐμέγεθες, κιττῷ καὶ σμίλακι συνηρεφές, ἐν ᾧ μυθεύουσι γεγονέναι βασίλισσαν Λάμιαν τῷ κάλλει διαφέρουσαν· διὰ δὲ τὴν τῆς ψυχῆς ἀγριότητα διατυπῶσαί φασι τὴν ὄψιν αὐτῆς τὸν μετὰ ταῦτα χρόνον θηριώδη. τῶν γὰρ γινομένων αὐτῇ παίδων ἁπάντων τελευτώντων βαρυθυμοῦσαν ἐπὶ τῷ πάθει καὶ φθονοῦσαν ταῖς τῶν ἄλλων γυναικῶν εὐτεκνίαις κελεύειν ἐκ τῶν ἀγκαλῶν ἐξαρπάζεσθαι τὰ βρέφη καὶ παραχρῆμα ἀποκτέννειν. διὸ καὶ καθ᾿ ἡμᾶς μέχρι τοῦ νῦν βίου παρὰ τοῖς νηπίοις διαμένειν τὴν περὶ τῆς γυναικὸς ταύτης φήμην καὶ φοβερωτάτην αὐτοῖς εἶναι τὴν ταύτης προσηγορίαν. ὅτε δὲ μεθύσκοιτο, τὴν ἄδειαν διδόναι πᾶσιν ἃ βούλοιντο ποιεῖν ἀπαρατηρήτως. μὴ πολυπραγμονούσης οὖν αὐτῆς κατ᾿ ἐκεῖνον τὸν χρόνον τὰ γινόμενα τοὺς κατὰ τὴν χώραν ὑπολαμβάνειν μὴ βλέπειν αὐτήν· καὶ διὰ τοῦτ᾿ ἐμυθολόγησάν τινες ὡς εἰς ἄρσιχον ἐμβάλοι τοὺς ὀφθαλμούς, τὴν ἐν οἴνῳ συντελουμένην ὀλιγωρίαν εἰς τὸ προειρημένον μέτρον μεταφέροντες, ὡς τούτου παρῃρημένου τὴν ὅρασιν.

Euripides, fr. 472m (=Diodorus Siculus 20.41.6)

“Who does not know my name, most hateful to men,
The Lamia, a Libyan by birth?”

τίς τοὐ<μὸν ὄ>νομα τοὐπονείδιστον βροτοῖς
οὐκ οἶδε Λαμίας τῆς Λιβυστικῆς γένος;

The story of why Lamia killed children gets a little more depressing in the Fragments of the Greek Historians

Duris, BNJ 76 F17 [= Photios s.v. Lamia]

“In the second book of his Libyan History, Duris reports that Lamia was a fine looking woman but after Zeus had sex with her, Hera killed the children she bore because she was envious. As a result she was disfigured by grief and would seize and kill the children of others.”

ταύτην ἐν τῆι Λιβύηι Δοῦρις ἐν δευτέρωι Λιβυκῶν ἱστορεῖ γυναῖκα καλὴν γενέσθαι, μιχθέντος δ᾽ αὐτῆι Διὸς ὑφ᾽ ῞Ηρας ζηλοτυπουμένην ἃ ἔτικτεν ἀπολλύναι· διόπερ ἀπὸ τῆς λύπης δύσμορφον γεγονέναι καὶ τὰ τῶν ἄλλων παιδία ἀναρπάζουσαν διαφθείρειν.

Elsewhere, the evidence of narratives about Lamia are rather limited. She becomes just another negative, female monster.

Suda, Lambda 85

“Lamia: a monster. The name comes from having a gaping throat, laimia and lamia. Aristophanes: “It has the smell of a seal, the unwashed balls of a Lamia.” For testicles are active—and he is making a fantasy image of Lamia’s balls, since she is female.”

Λάμια: θηρίον. ἀπὸ τοῦ ἔχειν μέγαν λαιμόν, λαίμια καὶ λάμια. ᾿Αριστοφάνης· φώκης δ’ εἶχεν ὀσμήν, λαμίας ὄρχεις ἀπολύτους. δραστικοὶ γὰρ οἱ ὄρχεις. εἰδωλοποιεῖ δέ τινας ὄρχεις λαμίας· θῆλυ γάρ.

Unlike Empousa and some others, Lamia is interestingly integrated in some other genealogical traditions.

Schol. G ad Ap. Rhodes 4.825-831

“Stesichorus says in his Skylla, regarding her form, that Skylla is the daughter of Lamia.”

Στησίχορος δὲ ἐν τῇ Σκύλλῃ †εἶδός τινος† Λαμίας τὴν Σκύλλαν φησὶ θυγατέρα εἶναι.

Pausanias on Phocis, 12

“There is a crag rising up over the ground on which the Delphians claim that a woman stood singing oracles, named Hêrophilê but known as Sibyl. There is the earlier Sibyl, the one I have found to be equally as old as the others, whom the Greeks claim is the daughter of Zeus and Lamia, the daughter of Poseidon. She was the first woman to sing oracles and they say that she was named Sibyl by the Libyans. Hêrophilê was younger than here, but she was obviously born before the Trojan War since she predicted Helen in her oracles, that was raised up in Sparta as the destruction for Asia and Europe and that Troy would be taken by the Greeks because of her.”

XII. Πέτρα δέ ἐστιν ἀνίσχουσα ὑπὲρ τῆς γῆς· ἐπὶ ταύτῃ Δελφοὶ στᾶσάν φασιν ᾆσαι τοὺς χρησμοὺς γυναῖκα ὄνομα Ἡροφίλην, Σίβυλλαν δὲ ἐπίκλησιν. τὴν δὲ πρότερον γενομένην, ταύτην ταῖς μάλιστα ὁμοίως οὖσαν ἀρχαίαν εὕρισκον, ἣν θυγατέρα Ἕλληνες Διὸς καὶ Λαμίας τῆς Ποσειδῶνός φασιν εἶναι, καὶ χρησμούς τε αὐτὴν γυναικῶν πρώτην ᾆσαι καὶ ὑπὸ τῶν Λιβύων Σίβυλλαν λέγουσιν ὀνομασθῆναι. ἡ δὲ Ἡροφίλη νεωτέρα μὲν ἐκείνης, φαίνεται δὲ ὅμως πρὸ τοῦ πολέμου γεγονυῖα καὶ αὕτη τοῦ Τρωικοῦ, καὶ Ἑλένην τε προεδήλωσεν ἐν τοῖς χρησμοῖς, ὡς ἐπ᾿ ὀλέθρῳ τῆς Ἀσίας καὶ Εὐρώπης τραφήσοιτο ἐν Σπάρτῃ, καὶ ὡς Ἴλιον ἁλώσεται δι᾿ αὐτὴν ὑπὸ Ἑλλήνων.

Dionysus of Halicarnassus, On Thucydides 6

“Foremost he differed from previous authors in this, by which I mean how he took on a subject that was not a single thread nor one divided in many different and also disconnected parts. And then, because did not include mythical material in his work and he did not use his writing for the deception and bewitchment of many, as every author before him did when they told the stories of certain Lamiai rising up from the earth in groves and glens and of amphibious Naiads rushing out of Tartaros, half-beasts swimming through the seas and then joining together in groups among humans, and producing offspring of mortals and gods, demigods—and other stories which seem extremely unbelievable and untrustworthy to us now.”

πρῶτον μὲν δὴ κατὰ τοῦτο διήλλαξε τῶν πρὸ αὐτοῦ συγγραφέων, λέγω δὲ κατὰ τὸ λαβεῖν ὑπόθεσιν μήτε μονόκωλον παντάπασι μήτ᾿ εἰς πολλὰ μεμερισμένην καὶ ἀσυνάρτητα κεφάλαια· ἔπειτα κατὰ τὸ μηδὲν αὐτῇ μυθῶδες προσάψαι, μηδ᾿ εἰς ἀπάτην καὶ γοητείαν τῶν πολλῶν ἐκτρέψαι τὴν γραφήν, ὡς οἱ πρὸ αὐτοῦ πάντες ἐποίησαν, Λαμίας τινὰς ἱστοροῦντες ἐν ὕλαις καὶ νάπαις ἐκ γῆς ἀνιεμένας, καὶ Ναΐδας ἀμφιβίους ἐκ Ταρτάρων ἐξιούσας καὶ διὰ πελάγους νηχομένας καὶ μιξόθηρας, καὶ ταύτας εἰς ὁμιλίαν ἀνθρώποις συνερχομένας, καὶ ἐκ θνητῶν καὶ θείων συνουσιῶν γονὰς ἡμιθέους, καὶ ἄλλας τινὰς ἀπίστους τῷ καθ᾿ ἡμᾶς βίῳ καὶ πολὺ τὸ ἀνόητον ἔχειν δοκούσας ἱστορίας.

There is another variant name–she might get her own entry some day

Suda, s.v.Μορμώ 

Mormô, in the genitive Mormous, declined like Sappho. There is also the form Mormôn, genitive Mormonos. Aristophanes says “I ask you, take this Mormo away from me”. This meant to dispel frightening things. For Mormo is frightening. And again in Aristophanes: “A Mormo for courage”. There is also a mormalukeion which they also call a Lamia. They were also saying frightening things like this.”

Μορμώ: λέγεται καὶ Μορμώ, Μορμοῦς, ὡς Σαπφώ. καὶ Μορμών, Μορμόνος. Ἀριστοφάνης: ἀντιβολῶ σ’, ἀπένεγκέ μου τὴν Μορμόνα. ἄπο τὰ φοβερά: φοβερὰ γὰρ ὑπῆρχεν ἡ Μορμώ. καὶ αὖθις Ἀριστοφάνης: Μορμὼ τοῦ θράσους. μορμολύκειον, ἣν λέγουσι Λαμίαν: ἔλεγον δὲ οὕτω καὶ τὰ φοβερά.

 In some traditions, Lamia became proverbial

Plutarch, De Curiositate [On Being a Busybod y] 516a

“Now, just as in the myth they say that Lamia sleeps at home, putting her eyes set aside in some jar, but when she goes out she puts them back in and peers around, in the same way each of us puts his curiosity, as if fitting in an eye, into meanness towards others. But we often stumble over our own mistakes and faults because of ignorance, since we fail to secure sight or light for them.

For this reason, a busybody is rather useful to his enemies, since he rebukes and emphasizes their faults and shows them what they should guard and correct, even as he overlooks most of his own issues thanks to his obsession with everyone else. This is why Odysseus did not stop to speak with his mother before he inquired from the seer about those things for which he had come to Hades. Once he had made his inquiry, he turned to his own mother and also the other women, asking who Tyro was, who beautiful Khloris was, and why Epikaste had died.”

Lamia is not well-attested in art and myth

νῦν δ’ ὥσπερ ἐν τῷ μύθῳ τὴν Λάμιαν λέγουσιν οἴκοι μὲν εὕδειν τυφλήν, ἐν ἀγγείῳ τινὶ τοὺς ὀφθαλμοὺς ἔχουσαν ἀποκειμένους, | ἔξω δὲ προϊοῦσαν ἐντίθεσθαι καὶ βλέπειν, οὕτως ἡμῶν ἕκαστος ἔξω καὶ πρὸς ἑτέρους τῇ κακονοίᾳ τὴν περιεργίαν ὥσπερ ὀφθαλμὸν ἐντίθησι, τοῖς δ’ ἑαυτῶν ἁμαρτήμασι καὶ κακοῖς πολλάκις περιπταίομεν ὑπ’ ἀγνοίας, ὄψιν ἐπ’ αὐτὰ καὶ φῶς οὐ ποριζόμενοι. διὸ καὶ τοῖς ἐχθροῖς ὠφελιμώτερός ἐστιν ὁ πολυπραγμονῶν· τὰ γὰρ ἐκείνων ἐλέγχει καὶ προφέρεται καὶ δείκνυσιν αὐτοῖς ἃ δεῖ φυλάξασθαι καὶ διορθῶσαι, τῶν δ’ οἴκοι τὰ πλεῖστα παρορᾷ διὰ τὴν περὶ τὰ ἔξω πτόησιν. ὁ μὲν γὰρ ᾿Οδυσσεὺς (λ 84 sqq.) οὐδὲ τῇ μητρὶ διαλεχθῆναι πρότε- ρον ὑπέμεινεν ἢ πυθέσθαι παρὰ τοῦ μάντεως, ὧν ἕνεκ’ ἦλθεν εἰς ῞Αιδου, πυθόμενος δὲ οὕτω πρός τε ταύτην ἔτρεψεν αὑτόν, καὶ τὰς ἄλλας γυναῖκας ἀνέκρινε, τίς ἡ Τυρὼ καὶ τίς ἡ καλὴ Χλωρὶς καὶ διὰ τί ἡ ᾿Επικάστη ἀπέθανεν…

Image result for Ancient Greek Lamia vase
Skylla, relative of Lamia. More Misogyny.

Some other misogynistic tales from myth with telling variants

The Lemnian Women and their Terrible Smell

The Privileging of Klytemnestra’s Infamy

The Terrible Tale of Asclepius’ Two Mothers

Pretty Much Everything about Medea

Kassandra’s Prophecy and Life

Kassandra’s Children

The Death of Hecuba

Helen and Iphigenia

“No Mortal Could Rival Me In Work”: Some Greek Passages for Labor Day

Plutarch, Perikles 1.4 5-6

“Often and quite contrarily, we look down on a laborer while delighting in his work.”

πολλάκις δὲ καὶ τοὐναντίον χαίροντες τῷ ἔργῳ τοῦ δημιουργοῦ καταφρονοῦμεν

Xenophon, Memorabilia 1.56-57

“His accuser claimed that he selected the most wretched lines from the most famous poets and used them as proofs to teach his followers to be evildoers and tyrants. He is said to have used the line from Hesiod “there is nothing reproachable about work, but laziness is reproachable” (WD 311) to claim that the poet exhorted not to refrain from any work, unjust or shameful, but to do everything for profit.

Socrates, although he might agree that it is good and useful for a man to be a worker and harmful and bad for him to be lazy—that work is good and laziness is bad—he used to say that being a worker required people to do something good. Gambling or any other immortal occupation which takes from others he used to call laziness. Within these parameters, Hesiod’s claim that “there is nothing reproachable about work, but laziness is reproachable” holds true.

ἔφη δ᾿ αὐτὸν ὁ κατήγορος καὶ τῶν ἐνδοξοτάτων ποιητῶν ἐκλεγόμενον τὰ πονηρότατα καὶ τούτοις μαρτυρίοις χρώμενον διδάσκειν τοὺς συνόντας κακούργους τε εἶναι καὶ τυραννικούς, Ἡσιόδου μὲν τὸ: ἔργον δ᾿ οὐδὲν ὄνειδος, ἀεργίη δέ τ᾿ ὄνειδος·
τοῦτο δὴ λέγειν αὐτὸν ὡς ὁ ποιητὴς κελεύει μηδενὸς ἔργου μήτ᾿ ἀδίκου μήτ᾿ αἰσχροῦ ἀπέχεσθαι, ἀλλὰ καὶ ταῦτα ποιεῖν ἐπὶ τῷ κέρδει.

Σωκράτης δ᾿ ἐπεὶ διομολογήσαιτο τὸ μὲν ἐργάτην εἶναι ὠφέλιμόν τε ἀνθρώπῳ καὶ ἀγαθὸν εἶναι, τὸ δὲ ἀργὸν βλαβερόν τε καὶ κακόν, καὶ τὸ μὲν ἐργάζεσθαι ἀγαθόν, τὸ δ᾿ ἀργεῖν κακόν, τοὺς μὲν ἀγαθόν τι ποιοῦντας ἐργάζεσθαί τε ἔφη καὶ ἐργάτας εἶναι, τοὺς δὲ κυβεύοντας ἤ τι ἄλλο πονηρὸν καὶ ἐπιζήμιον ποιοῦντας ἀργοὺς ἀπεκάλει. ἐκ δὲ τούτων ὀρθῶς ἂν ἔχοι τὸ: ἔργον δ᾿ οὐδὲν ὄνειδος, ἀεργίη δέ τ᾿ ὄνειδος.

Hesiod Works and Days, 289-90

“The gods made sweat the price for virtue.”

τῆς δ’ ἀρετῆς ἱδρῶτα θεοὶ προπάροιθεν ἔθηκαν
ἀθάνατοι·

Image result for ancient greek harvest vase
The “Harvesters vase” from Agia Triada ( 1500-1400 BC). Heraklion Archaeological Museum

Xenophon, Oeconomicus 4.15-16

“Critoboulos, Some say that whenever the great king gives gifts, he calls in first those who proved their excellence at war because there is no advantage to plowing many fields unless they defend them. After them, he rewards those who prepare and work the land best, because brave men cannot survive unless someone works the land.”

Φασὶ δέ τινες, ἔφη ὁ Σωκράτης, ὦ Κριτόβουλε, καὶ ὅταν δῶρα διδῷ ὁ βασιλεύς, πρῶτον μὲν εἰσκαλεῖν τοὺς πολέμῳ ἀγαθοὺς γεγονότας, ὅτι οὐδὲν ὄφελος πολλὰ ἀροῦν, εἰ μὴ εἶεν οἱ ἀρήξοντες· δεύτερον δὲ τοὺς κατασκευάζοντας τὰς χώρας ἄριστα καὶ ἐνεργοὺς ποιοῦντας λέγοντα, ὅτι οὐδ᾿ ἂν οἱ ἄλκιμοι δύναιντο ζῆν, εἰ μὴ εἶεν οἱ ἐργαζόμενοι. λέγεται δὲ καὶ Κῦρός ποτε, ὅσπερ εὐδοκιμώτατος δὴ βασιλεὺς γεγένηται, εἰπεῖν τοῖς ἐπὶ τὰ δῶρα κεκλημένοις, ὅτι αὐτὸς ἂν δικαίως τὰ ἀμφοτέρων δῶρα λαμβάνοι· κατασκευάζειν τε γὰρ ἄριστος εἶναι ἔφη χώραν καὶ ἀρήγειν τοῖς κατεσκευασμένοις.

Plutarch, fr. 43

“Let no one find fault with this line because wealth is made to be much praised ahead of virtue. Know that wealth here is the product workers get from their labors—it is a just portion gathered from their personal toil.”

Μηδεὶς λοιδορείτω τὸν στίχον εἰς τὸν πολυάρατον πλοῦτον ὁρῶν τὸν πόρρω τῆς ἀρετῆς ἐσκηνημένον, ἀλλὰ πλοῦτον οἰέσθω νῦν λέγεσθαι τὴν ἀπὸ τῶν ἔργων πορισθεῖσαν ἀφθονίαν τοῖς ἐργαζομένοις δικαίαν οὖσαν καὶ ἀπὸ τῶν οἰκείων πόνων ἠθροισμένην.

Pindar, Isthmian 1.47

“Men find different payment sweet for different work.”

μισθὸς γὰρ ἄλλοις ἄλλος ἐπ’ ἔργμασιν ἀνθρώποις
γλυκύς

Hesiod, Works and Days, 303

“Gods and men alike dislike a lazy man.”

τῷ δὲ θεοὶ νεμεσῶσι καὶ ἀνέρες ὅς κεν ἀεργὸς.

Archilochus fr. 307

“The trap does the sleeping fisherman’s work”

εὕδοντι δ᾿ αἱρεῖ κύρτος

Euripides, Hippolytus 189-190

“The life of men is wholly grievous, nor is there any release from toil.”

πᾶς δ’ ὀδυνηρὸς βίος ἀνθρώπων
κοὐκ ἔστι πόνων ἀνάπαυσις.

Homer, Odyssey 15.321-324

“No mortal could rival me in work:
No one could best me at building a fire or heaping dry wood,
At serving at the table, cooking meat or serving wine–
All those tasks lesser men complete for their betters.”

δρηστοσύνῃ οὐκ ἄν μοι ἐρίσσειε βροτὸς ἄλλος,
πῦρ τ’ εὖ νηῆσαι διά τε ξύλα δανὰ κεάσσαι,
δαιτρεῦσαί τε καὶ ὀπτῆσαι καὶ οἰνοχοῆσαι,
οἷά τε τοῖς ἀγαθοῖσι παραδρώωσι χέρηες.”

Odyssey, 18.366-383

“Eurymachus: I wish the two of us could have a labor-contest
In the height of spring when the days are drawing longer,
In the thickening grass. I would grip the curved scythe
And you could hold the same thing, so we could test each other
At work, fasting right up to dusk where the grass was thick.
And then the next day we could drive the oxen, the strongest ones,
Bright and large, both stuffed full with their food,
A pair of the same age, equally burdened, their strength unwavering.
I’d wish for a four-acre parcel to put under the plow.
Then you’d see me, how I would cut a furrow straight from end to end.
Or if, instead, Kronos’ son would send me a war today,
And I would have a shield and two spears
Matched with a bronze helmet well-fit to my temples.
Then you’d see me mixing it up in the front lines
And you wouldn’t bawl about, belittling my hungry stomach.”

“Εὐρύμαχ’, εἰ γὰρ νῶϊν ἔρις ἔργοιο γένοιτο
ὥρῃ ἐν εἰαρινῇ, ὅτε τ’ ἤματα μακρὰ πέλονται,
ἐν ποίῃ, δρέπανον μὲν ἐγὼν εὐκαμπὲς ἔχοιμι,
καὶ δὲ σὺ τοῖον ἔχοις, ἵνα πειρησαίμεθα ἔργου
νήστιες ἄχρι μάλα κνέφαος, ποίη δὲ παρείη·
εἰ δ’ αὖ καὶ βόες εἶεν ἐλαυνέμεν, οἵ περ ἄριστοι,
αἴθωνες μεγάλοι, ἄμφω κεκορηότε ποίης,
ἥλικες ἰσοφόροι, τῶν τε σθένος οὐκ ἀλαπαδνόν,
τετράγυον δ’ εἴη, εἴκοι δ’ ὑπὸ βῶλος ἀρότρῳ·
τῶ κέ μ’ ἴδοις, εἰ ὦλκα διηνεκέα προταμοίμην.
εἰ δ’ αὖ καὶ πόλεμόν ποθεν ὁρμήσειε Κρονίων
σήμερον, αὐτὰρ ἐμοὶ σάκος εἴη καὶ δύο δοῦρε
καὶ κυνέη πάγχαλκος ἐπὶ κροτάφοισ’ ἀραρυῖα,
τῶ κέ μ’ ἴδοις πρώτοισιν ἐνὶ προμάχοισι μιγέντα,
οὐδ’ ἄν μοι τὴν γαστέρ’ ὀνειδίζων ἀγορεύοις.