“Beyond the theater is the shrine of Aphrodite. In front of the foundation is a stele on which Telesilla, a poet of lyric, is depicted. Her books are tossed near her feet while she looks at the helmet she holds in her hand as she is about to put it on her head. Telesilla was famous among women and especially honored for her poetry.
But a greater story about her comes from when the Argives were bested by Kleomenes the son of Alexandrides and the Lakedaimonians. Some Argives died during the battle itself and however many fled to the grove of Ares died there too—at first they left the grove under an armistice but they realized they were deceived and were burned with the rest in the grove. As a result, Kleomenes led the Spartans to an Argos bereft of men.
But Telesilla stationed on the wall of the city all the slaves who were unable to bear arms because of youth or old age and, after collecting however many weapons had been left in homes or in the shrines, she armed all the women at the strongest age and once she had armed herself they took up posts were the army was going to attack.
When the Spartans came near and the women were not awestruck by their battle-cry but waited and were fighting bravely, then the Spartans, because they reasoned that if they killed the women the victory would be ill-rumored even as their own defeat would come with great insult, yielded to the women.
The Pythian priestess had predicted this contest earlier in the prophecy relayed by Herodotus who may or may not have understood it (6.77):
But when the female conquers the male
And drives him away and wins glory for the Argives,
It will make many Argive women tear their cheeks.
These are the words of the oracle on the women’s accomplishment.”
Plutarch, On the Virtues of Women 245d-f6 reports a version of this tale; the Suda (s.v. Telesilla) likely takes its account from Pausanias.
“Telesilla, a poetess. On a stele her books are tossed around and she has placed a helmet on her head. And When the Lakedaimonians slaughtered the Argives who had fled to a shrine and were heading to the city to sack it, then Telesilla armed the women of the right age and set them against where they were marching. When the Lakedaimonians saw this, they turned back because they believed it shameful to fight against women whom it would be inglorious to conquer but a great reproached to be defeated by….” [the oracle is listed next”
The Lamia (or, just Lamia to her friends) is one of the figures from Greek myth who seems like a frightening monster but really is a particular distillation of misogyny. She is often called a Greek ‘vampire’ along with Empousa. Unlike the latter, however, Lamia is specifically associated with killing children.
Diodorus Siculus, 20.40
“At the rock’s root there was a very large cave which was roofed with ivy and bryony in which the myths say the queen Lamia, exceptional for her beauty, was born. But, because of the beastliness of her soul, they say that her appearance has become more monstrous in the time since then.
For, when all her children who were born died, she was overwhelmed by her suffering and envied all the women who were luckier with their children. So she ordered that the infants be snatched from their arms and killed immediately. For this reason, even in our lifetime, the story of that women has lingered among children and the mention of her name is most horrifying to them.
But, whenever she was getting drunk, she would allow people to do whatever pleased them without observation. Because she was not closely watching everything at that time, the people in that land imagined that she could not see. This is why the myth developed that she put her eyes into a bottle, using this story a metaphor for the carelessness she enacted in wine, since that deprived her of sight.”
The story of why Lamia killed children gets a little more depressing in the Fragments of the Greek Historians
Duris, BNJ 76 F17 [= Photios s.v. Lamia]
“In the second book of his Libyan History, Duris reports that Lamia was a fine looking woman but after Zeus had sex with her, Hera killed the children she bore because she was envious. As a result she was disfigured by grief and would seize and kill the children of others.”
Elsewhere, the evidence of narratives about Lamia are rather limited. She becomes just another negative, female monster.
Suda, Lambda 85
“Lamia: a monster. The name comes from having a gaping throat, laimia and lamia. Aristophanes: “It has the smell of a seal, the unwashed balls of a Lamia.” For testicles are active—and he is making a fantasy image of Lamia’s balls, since she is female.”
“There is a crag rising up over the ground on which the Delphians claim that a woman stood singing oracles, named Hêrophilê but known as Sibyl. There is the earlier Sibyl, the one I have found to be equally as old as the others, whom the Greeks claim is the daughter of Zeus and Lamia, the daughter of Poseidon. She was the first woman to sing oracles and they say that she was named Sibyl by the Libyans. Hêrophilê was younger than here, but she was obviously born before the Trojan War since she predicted Helen in her oracles, that was raised up in Sparta as the destruction for Asia and Europe and that Troy would be taken by the Greeks because of her.”
“Foremost he differed from previous authors in this, by which I mean how he took on a subject that was not a single thread nor one divided in many different and also disconnected parts. And then, because did not include mythical material in his work and he did not use his writing for the deception and bewitchment of many, as every author before him did when they told the stories of certain Lamiai rising up from the earth in groves and glens and of amphibious Naiads rushing out of Tartaros, half-beasts swimming through the seas and then joining together in groups among humans, and producing offspring of mortals and gods, demigods—and other stories which seem extremely unbelievable and untrustworthy to us now.”
Mormô, in the genitive Mormous, declined like Sappho. There is also the form Mormôn, genitive Mormonos. Aristophanes says “I ask you, take this Mormo away from me”. This meant to dispel frightening things. For Mormo is frightening. And again in Aristophanes: “A Mormo for courage”. There is also a mormalukeion which they also call a Lamia. They were also saying frightening things like this.”
Plutarch, De Curiositate [On Being a Busybody] 516a
“Now, just as in the myth they say that Lamia sleeps at home, putting her eyes set aside in some jar, but when she goes out she puts them back in and peers around, in the same way each of us puts his curiosity, as if fitting in an eye, into meanness towards others. But we often stumble over our own mistakes and faults because of ignorance, since we fail to secure sight or light for them.
For this reason, a busybody is rather useful to his enemies, since he rebukes and emphasizes their faults and shows them what they should guard and correct, even as he overlooks most of his own issues thanks to his obsession with everyone else. This is why Odysseus did not stop to speak with his mother before he inquired from the seer about those things for which he had come to Hades. Once he had made his inquiry, he turned to his own mother and also the other women, asking who Tyro was, who beautiful Khloris was, and why Epikaste had died.”
The Iliad ends with the burial of Hektor, but the mythographical tradition would not let him lie in peace. There is a tradition for the exhumation and the reburial of his remains.
Aristodemos BNJ383 F7 [“Brill’s New Jacoby”=Schol. AB ad Il. 13.1]
“the Trojans and Hektor”: He has separated Hektor in particular from the rest of the Trojans. Following the sack of Troy, Hektor the son of Priam obtained honor from the gods after death. For the Thebans in Boiotia were beset by evils and solicited a prophecy about their deliverance. The oracle told them that they would stop the troubles if they would transfer the bones of Hektor from Ophrunion in the Troad to a place in their land called the “birthplace of Zeus”. They, once they did this and were freed from the evils, maintained the honors for Hektor and during hard times they used to call for his manifestation. This is the account in Aristodemos.
“At Thebes there is also the grave of Hektor, Priam’s son. It is next to a spring called the Oedipus Spring. The Thebans say that they brought the bones from Troy to this place because of the following oracle:
Thebans living in the in the city of Kadmos,
If you want to live in a country with blameless wealth
Bring the bones of Hektor, Priam’s son, home
From Asia to be honored as a hero in accordance with Zeus
The spring was named after Oedipus because it was the same place where Oedipus washed off the blood from his father’s murder
Lykophron in his Alexandraalludes to a strange tale of the transfer of Hektor’s remains from Troy to Thebes. Since Lykophron is virtually unreadable, here is the account from scholia (Schol. In Lykrophon 1194):
“They say that when there was a famine in Greece Apollo decreed that they should transfer the bones of Hektor, which were at the place called Ophrunos, from Troy to some city in Greece which did not take part in the expedition against Troy.* When the Greeks realized that Thebes in Boiotia had not fought against Troy, they retrieved the remains of the hero and installed them there.”
* In the Iliad, though the Boiotians (2.494-510) are named prominently in the catalogue of ships alongside the prominent city of Orchomenos (511-516), only Hypothebes is mentioned alongside recognizable topographical features of Thebes (οἵ θ’ ῾Υποθήβας εἶχον ἐϋκτίμενον πτολίεθρον, 505). One explanation for this is that “The place below Thebes” is the settlement surviving after the Epigonoi sacked the city. Diomedes, prominent in the Iliad, was instrumental in that expedition. In mythical time, then, Thebes was a ruined city for the advent of the expedition against Thebes.
The transfer of heroic remains is reported frequently in ancient texts. For Theseus’ bones see: Plut. Vit. Cim. 8.57; Vit. Thes. 36.1–4; Paus. 1.17.6, 3.3.7. Cf. Hdt. 167-68; Paus 3.3.6 for Orestes’ bones. McCauley (1999) identifies 13 different instances of the transfer of remains in ancient Greece, with 9 of them being clearly political in motivation.
Simon Hornblower accepts that the cult of Hektor at Thebes was historical. One suggestion for this (Schachter 1981-94: 1.233-4) is that when Kassandros re-founded Thebes in 316 BCE he consciously affiliated with Hektor in response to Alexander’s earlier association with Achilles (Kassandros had a great enmity for Alexander). Hornblower (427) also posits the bone tale as an instance of rivalry between Thebes and Athens as part of Thebes establishing a connection in the Hellespont to challenge Athenian commercial interests in the region. The first suggestion places the bone transfer tale after 316 BCE; the second dates it back to 365. Hornblower suggests that there were two stages involved with an oracle being reported c. 465 BCE (428) and the bones being retrieved near the end of the century.
A. Schachter, Cults of Boeotia1–4 (London, 1981-1994).
Hornblower, Simon 203. Lykophron: Alexandra. Oxford.
McCauley, B. 1999. “Heroes and Power: The Politics of Bone Transferal.” In R. Hägg (ed.) Ancient Greek Hero Cult. Stockholm, 1999:85-98
Phillips, D. D. 2003. “The Bones of Orestes and Spartan Foreign Policy.” In Gestures: Essays in Ancient History, Literature, and Philosophy Presented to Alan L. Boegehold, edited by G. W. Bakewell and J. P. Sickinger, 301–16. Oxford.
“Beyond the theater is the shrine of Aphrodite. In front of the foundation is a stele on which Telesilla, a poet of lyric, is depicted. Her books are tossed near her feet while she looks at the helmet she holds in her hand as she is about to put it on her head. Telesilla was famous among women and especially honored for her poetry.
But a greater story about her comes from when the Argives were bested by Kleomenes the son of Alexandrides and the Lakedaimonians. Some Argives died during the battle itself and however many fled to the grove of Ares died there too—at first they left the grove under an armistice but they realized they were deceived and were burned with the rest in the grove. As a result, Kleomenes led the Spartans to an Argos bereft of men.
But Telesilla stationed on the wall of the city all the slaves who were unable to bear arms because of youth or old age and, after collecting however many weapons had been left in homes or in the shrines, she armed all the women at the strongest age and once she had armed herself they took up posts were the army was going to attack.
When the Spartans came near and the women were not awestruck by their battle-cry but waited and were fighting bravely, then the Spartans, because they reasoned that if they killed the women the victory would be ill-rumored even as their own defeat would come with great insult, yielded to the women.
The Pythian priestess had predicted this contest earlier in the prophecy relayed by Herodotus who may or may not have understood it (6.77):
But when the female conquers the male
And drives him away and wins glory for the Argives,
It will make many Argive women tear their cheeks.
These are the words of the oracle on the women’s accomplishment.”
Plutarch, On the Virtues of Women 245d-f6 reports a version of this tale; the Suda (s.v. Telesilla) likely takes its account from Pausanias.
“Telesilla, a poetess. On a stele her books are tossed around and she has placed a helmet on her head. And When the Lakedaimonians slaughtered the Argives who had fled to a shrine and were heading to the city to sack it, then Telesilla armed the women of the right age and set them against where they were marching. When the Lakedaimonians saw this, they turned back because they believed it shameful to fight against women whom it would be inglorious to conquer but a great reproached to be defeated by….” [the oracle is listed next”
The Lamia (or, just Lamia to her friends) is one of the figures from Greek myth who seems like a frightening monster but really is a particular distillation of misogyny. She is often called a Greek ‘vampire’ along with Empousa. Unlike the latter, however, Lamia is specifically associated with killing children.
Diodorus Siculus, 20.40
“At the rock’s root there was a very large cave which was roofed with ivy and bryony in which the myths say the queen Lamia, exceptional for her beauty, was born. But, because of the beastliness of her soul, they say that her appearance has become more monstrous in the time since then.
For, when all her children who were born died, she was overwhelmed by her suffering and envied all the women who were luckier with their children. So she ordered that the infants be snatched from their arms and killed immediately. For this reason, even in our lifetime, the story of that women has lingered among children and the mention of her name is most horrifying to them.
But, whenever she was getting drunk, she would allow people to do whatever pleased them without observation. Because she was not closely watching everything at that time, the people in that land imagined that she could not see. This is why the myth developed that she put her eyes into a bottle, using this story a metaphor for the carelessness she enacted in wine, since that deprived her of sight.”
The story of why Lamia killed children gets a little more depressing in the Fragments of the Greek Historians
Duris, BNJ 76 F17 [= Photios s.v. Lamia]
“In the second book of his Libyan History, Duris reports that Lamia was a fine looking woman but after Zeus had sex with her, Hera killed the children she bore because she was envious. As a result she was disfigured by grief and would seize and kill the children of others.”
Elsewhere, the evidence of narratives about Lamia are rather limited. She becomes just another negative, female monster.
Suda, Lambda 85
“Lamia: a monster. The name comes from having a gaping throat, laimia and lamia. Aristophanes: “It has the smell of a seal, the unwashed balls of a Lamia.” For testicles are active—and he is making a fantasy image of Lamia’s balls, since she is female.
“There is a crag rising up over the ground on which the Delphians claim that a woman stood singing oracles, named Hêrophilê but known as Sibyl. There is the earlier Sibyl, the one I have found to be equally as old as the others, whom the Greeks claim is the daughter of Zeus and Lamia, the daughter of Poseidon. She was the first woman to sing oracles and they say that she was named Sibyl by the Libyans. Hêrophilê was younger than here, but she was obviously born before the Trojan War since she predicted Helen in her oracles, that was raised up in Sparta as the destruction for Asia and Europe and that Troy would be taken by the Greeks because of her.”
“Foremost he differed from previous authors in this, by which I mean how he took on a subject that was not a single thread nor one divided in many different and also disconnected parts. And then, because did not include mythical material in his work and he did not use his writing for the deception and bewitchment of many, as every author before him did when they told the stories of certain Lamiai rising up from the earth in groves and glens and of amphibious Naiads rushing out of Tartaros, half-beasts swimming through the seas and then joining together in groups among humans, and producing offspring of mortals and gods, demigods—and other stories which seem extremely unbelievable and untrustworthy to us now.”
Mormô, in the genitive Mormous, declined like Sappho. There is also the form Mormôn, genitive Mormonos. Aristophanes says “I ask you, take this Mormo away from me”. This meant to dispel frightening things. For Mormo is frightening. And again in Aristophanes: “A Mormo for courage”. There is also a mormalukeion which they also call a Lamia. They also frightening things this.
Plutarch, De Curiositate [On Being a Busybody] 516a
“Now, just as in the myth they say that Lamia sleeps at home, putting her eyes set aside in some jar, but when she goes out she puts them back in and peers around, in the same way each of us puts his curiosity, as if fitting in an eye, into meanness towards others. But we often stumble over our own mistakes and faults because of ignorance, since we fail to secure sight or light for them.
For this reason, a busybody is rather useful to his enemies, since he rebukes and emphasizes their faults and shows them what they should guard and correct, even as he overlooks most of his own issues thanks to his obsession with everyone else. This is why Odysseus did not stop to speak with his mother before he inquired from the seer about those things for which he had come to Hades. Once he had made his inquiry, he turned to his own mother and also the other women, asking who Tyro was, who beautiful Khloris was, and why Epikaste had died.”
The Lamia (or, just Lamia to her friends) is one of the figures from Greek myth who seems like a frightening monster but really is a particular distillation of misogyny. She is often called a Greek ‘vampire’ along with Empousa. Unlike the latter, however, Lamia is specifically associated with killing children.
Diodorus Siculus, 20.40
“At the rock’s root there was a very large cave which was roofed with ivy and bryony in which the myths say the queen Lamia, exceptional for her beauty, was born. But, because of the beastliness of her soul, they say that her appearance has become more monstrous in the time since then.
For, when all her children who were born died, she was overwhelmed by her suffering and envied all the women who were luckier with their children. So she ordered that the infants be snatched from their arms and killed immediately. For this reason, even in our lifetime, the story of that women has lingered among children and the mention of her name is most horrifying to them.
But, whenever she was getting drunk, she would allow people to do whatever pleased them without observation. Because she was not closely watching everything at that time, the people in that land imagined that she could not see. This is why the myth developed that she put her eyes into a bottle, using this story a metaphor for the carelessness she enacted in wine, since that deprived her of sight.”
The story of why Lamia killed children gets a little more depressing in the Fragments of the Greek Historians
Duris, BNJ 76 F17 [= Photios s.v. Lamia]
“In the second book of his Libyan History, Duris reports that Lamia was a fine looking woman but after Zeus had sex with her, Hera killed the children she bore because she was envious. As a result she was disfigured by grief and would seize and kill the children of others.”
Elsewhere, the evidence of narratives about Lamia are rather limited. She becomes just another negative, female monster.
Suda, Lambda 85
“Lamia: a monster. The name comes from having a gaping throat, laimia and lamia. Aristophanes: “It has the smell of a seal, the unwashed balls of a Lamia.” For testicles are active—and he is making a fantasy image of Lamia’s balls, since she is female.
“There is a crag rising up over the ground on which the Delphians claim that a woman stood singing oracles, named Hêrophilê but known as Sibyl. There is the earlier Sibyl, the one I have found to be equally as old as the others, whom the Greeks claim is the daughter of Zeus and Lamia, the daughter of Poseidon. She was the first woman to sing oracles and they say that she was named Sibyl by the Libyans. Hêrophilê was younger than here, but she was obviously born before the Trojan War since she predicted Helen in her oracles, that was raised up in Sparta as the destruction for Asia and Europe and that Troy would be taken by the Greeks because of her.”
“Foremost he differed from previous authors in this, by which I mean how he took on a subject that was not a single thread nor one divided in many different and also disconnected parts. And then, because did not include mythical material in his work and he did not use his writing for the deception and bewitchment of many, as every author before him did when they told the stories of certain Lamiai rising up from the earth in groves and glens and of amphibious Naiads rushing out of Tartaros, half-beasts swimming through the seas and then joining together in groups among humans, and producing offspring of mortals and gods, demigods—and other stories which seem extremely unbelievable and untrustworthy to us now.”
Mormô, in the genitive Mormous, declined like Sappho. There is also the form Mormôn, genitive Mormonos. Aristophanes says “I ask you, take this Mormo away from me”. This meant to dispel frightening things. For Mormo is frightening. And again in Aristophanes: “A Mormo for courage”. There is also a mormalukeion which they also call a Lamia. They also frightening things this.
Plutarch, De Curiositate [On Being a Busybody] 516a
“Now, just as in the myth they say that Lamia sleeps at home, putting her eyes set aside in some jar, but when she goes out she puts them back in and peers around, in the same way each of us puts his curiosity, as if fitting in an eye, into meanness towards others. But we often stumble over our own mistakes and faults because of ignorance, since we fail to secure sight or light for them.
For this reason, a busybody is rather useful to his enemies, since he rebukes and emphasizes their faults and shows them what they should guard and correct, even as he overlooks most of his own issues thanks to his obsession with everyone else. This is why Odysseus did not stop to speak with his mother before he inquired from the seer about those things for which he had come to Hades. Once he had made his inquiry, he turned to his own mother and also the other women, asking who Tyro was, who beautiful Khloris was, and why Epikaste had died.”
“In Orkhomenos there is a [sanctuary] for Dionysus, but the most ancient shrine if for the graces. They honor the stones most especially and they say that they fell for Eteokles from the sky. In my time there were cult images dedicated, which are also made of stone. Near them, there is a fountain worthy of visiting. People go down to eat to bring back water.
And you will also find the treasure-house of Minyas, which is a wonder beneath no others in Greece. It has been fashioned in the following way. It was built up from stone; it has a circular shape but it directs upward to a peak that is not very sharp. They claim that the stone at the very top is the keystone for the entire construction.
And there are the tombs of Minyas and Hesiod. People say that the bones of Hesiod were regained in this way. When a wasting plague was afflicting men and animals they sent messengers to the gods. They reported that the Pythia answered to them that they must bring the bones of Hesiod back from Naupactus to Orknomenos, and that there was no other cure for them. When they asked in turn where they might find these bones in Naupactus, then again the Pythia told them that a crow would inform them. So, they say that as the representatives were disembarking in Naupactus a stone close to the road and a bird on the stone appeared to them. There they discovered Hesiod’s bones in a fold in the rock. And these elegiac lines were written on the marker:
Although wheat-wealthy Ascra was his home, when he died
The land of the horse-whipping Minyans holds Hesiod’s bones.
His glory will rise to be the greatest in Greece
When men are judged by the standard of wisdom.
“Hesiodic old age”: A proverb for people who are really old. Pindar’s epigram also conveys something like this: “Goodbye, Hesiod, you were twice young and twice you found a grave—you who provided for mankind a measure for wisdom”
Aristotle, fragments of the Constitution of the Orkhomenians
“Hesiodic Old Age: Aristotle says in his Constitution of the Athenians that Hesiod was buried twice and received the following epigram: “Goodbye, Hesiod, you were twice young and twice you found a grave—you who provided for mankind a measure for wisdom”
Aristotle the philosopher, I think rather than the one who gathered together the Robes, says in his Constitution of the Athenians that Stesichorus the lyric poet was the son of Hesiod who was born from Klymenê, the daughter of Amphiphanes and the sister of Ganuktôr, a daughter of Phêgeus (Cf. Schol in Hes. Op. 268: Philokhoros says that Stesichorus was a son of Klumenê and Hesiod). Pindar also has this inscription….
Io. Tzetzes (cf. A. P. p. 505 sqq.) prolegg. comm. in
“Plutarch says that this happened at that time when the Thespiens were driving out the inhabitants and the Orkhomenians had asked that they be saved. This is why the god tasked the Orkomenians with returning Hesiod’s remains and interring them among them. Aristotle says the same thing when he writes about the Constitution of the Orkhomenians.”
The Iliad ends with the burial of Hektor, but the mythographical tradition would not let him lie in peace. There is a tradition for the exhumation and the reburial of his remains.
Aristodemos BNJ383 F7 [“Brill’s New Jacoby”=Schol. AB ad Il. 13.1]
“the Trojans and Hektor”: He has separated Hektor in particular from the rest of the Trojans. Following the sack of Troy, Hektor the son of Priam obtained honor from the gods after death. For the Thebans in Boiotia were beset by evils and solicited a prophecy about their deliverance. The oracle told them that they would stop the troubles if they would transfer the bones of Hektor from Ophrunion in the Troad to a place in their land called the “birthplace of Zeus”. They, once they did this and were freed from the evils, maintained the honors for Hektor and during hard times they used to call for his manifestation. This is the account in Aristodemos.
“At Thebes there is also the grave of Hektor, Priam’s son. It is next to a spring called the Oedipus Spring. The Thebans say that they brought the bones from Troy to this place because of the following oracle:
Thebans living in the in the city of Kadmos,
If you want to live in a country with blameless wealth
Bring the bones of Hektor, Priam’s son, home
From Asia to be honored as a hero in accordance with Zeus
The spring was named after Oedipus because it was the same place where Oedipus washed off the blood from his father’s murder
Lykophron in his Alexandraalludes to a strange tale of the transfer of Hektor’s remains from Troy to Thebes. Since Lykophron is virtually unreadable, here is the account from scholia (Schol. In Lykrophon 1194):
“They say that when there was a famine in Greece Apollo decreed that they should transfer the bones of Hektor, which were at the place called Ophrunos, from Troy to some city in Greece which did not take part in the expedition against Troy.* When the Greeks realized that Thebes in Boiotia had not fought against Troy, they retrieved the remains of the hero and installed them there.”
* In the Iliad, though the Boiotians (2.494-510) are named prominently in the catalogue of ships alongside the prominent city of Orchomenos (511-516), only Hypothebes is mentioned alongside recognizable topographical features of Thebes (οἵ θ’ ῾Υποθήβας εἶχον ἐϋκτίμενον πτολίεθρον, 505). One explanation for this is that “The place below Thebes” is the settlement surviving after the Epigonoi sacked the city. Diomedes, prominent in the Iliad, was instrumental in that expedition. In mythical time, then, Thebes was a ruined city for the advent of the expedition against Thebes.
The transfer of heroic remains is reported frequently in ancient texts. For Theseus’ bones see: Plut. Vit. Cim. 8.57; Vit. Thes. 36.1–4; Paus. 1.17.6, 3.3.7. Cf. Hdt. 167-68; Paus 3.3.6 for Orestes’ bones. McCauley (1999) identifies 13 different instances of the transfer of remains in ancient Greece, with 9 of them being clearly political in motivation.
Simon Hornblower accepts that the cult of Hektor at Thebes was historical. One suggestion for this (Schachter 1981-94: 1.233-4) is that when Kassandros re-founded Thebes in 316 BCE he consciously affiliated with Hektor in response to Alexander’s earlier association with Achilles (Kassandros had a great enmity for Alexander). Hornblower (427) also posits the bone tale as an instance of rivalry between Thebes and Athens as part of Thebes establishing a connection in the Hellespont to challenge Athenian commercial interests in the region. The first suggestion places the bone transfer tale after 316 BCE; the second dates it back to 365. Hornblower suggests that there were two stages involved with an oracle being reported c. 465 BCE (428) and the bones being retrieved near the end of the century.
A. Schachter, Cults of Boeotia1–4 (London, 1981-1994).
Hornblower, Simon 203. Lykophron: Alexandra. Oxford.
McCauley, B. 1999. “Heroes and Power: The Politics of Bone Transferal.” In R. Hägg (ed.) Ancient Greek Hero Cult. Stockholm, 1999:85-98
Phillips, D. D. 2003. “The Bones of Orestes and Spartan Foreign Policy.” In Gestures: Essays in Ancient History, Literature, and Philosophy Presented to Alan L. Boegehold, edited by G. W. Bakewell and J. P. Sickinger, 301–16. Oxford.
In the second century CE, Pausanias composed ten books on the sights and wonders of ancient Greece. His text provides some of the only accounts of architecture, art and culture that have been lost in intervening centuries. In his eighth book, he turns to Arcadia and starts by discussing the rituals performed in honor of Lykian Zeus.
The story, mentioned by Plato too, is one of those ‘original sin’ tales from Greek myth–like the story of Tantalos and Pelops, it hearkens back to a golden age when gods and men hung out together. Its details about werewolves are similar to those offered by Pliny (especially the 9-10 year period as a wolf).
“Cecrops was the first to declare Zeus the Highest god and he thought it wrong to sacrifice anything that breathed, so he burned on the altar the local cakes which the Athenians call pelanoi even today. But Lykaon brought a human infant to the altar of Lykaian Zeus, sacrificed it, spread its blood on the altar, and then, according to the tale, turned immediately from a man into a wolf.
This tale convinces me for the following reasons: it has circulated among the Arcadians since antiquity and it also seems probable. For in those days men were guests and tablemates of the gods because of their just behavior and reverence. Those who were good received honor openly from the gods; divine rage fell upon the unjust—then, truly, gods were created from men, gods who have rites even today such as Aristaios, Britomartis the Cretan, Herakles the son of Alkmene, Amphiaros the son of Oicles and, finally, Kastor and Polydeukes.
For this reason we should entertain that Lykaon was turned into a beast and that Niobe became a stone. In our time, when wickedness has swelled to its greatest size and looms over every land and city, no god can come from men, except in the blandishment offered to rulers. Today, divine rage lies in wait for the wicked when they leave for the lower world.
In every age many ancient events—and even those that are current—end up disbelieved because of those who create lies by using the truth. Men report that since the time of Lykaon a man always transforms from a human into a wolf at the sacrifice of Lykaian Zeus, but that he doesn’t remain a wolf his whole life. Whenever someone turns into a wolf, if he refrains from human flesh, people say he can become a man again ten years later. But if he does taste it, he will always remain a beast.”
Current events which have my young children asking me why the news keeps talking about people grabbing cats (!), has made me return to Greek myths I was thinking about last semester. In recent years, myth courses have been the subject of musing about trigger warnings for their depiction of sexual violence (among other things). And while many classicists, including myself, often chortle at the idea, the campaign discourse and public discussion has made me rethink the way we talk about sexual violence and myth.
Let’s be clear: in the ancient world, mythical discourse emerged from and helped to reinforce a world that normalized sexual violence. If we teach myth in any way that does not make this clear almost every day, we are simply engaging in rarified “locker room” talk. Such ‘male’ discourse, as the following retelling of Medusa implies, leads to sexual violence. Period.
(from Pausanias, 2.21.6)
“A mound of earth is not far from a building in the Argive marketplace. People claim the head of the Gorgon Medusa lies here. Leaving aside the myth, here are the other things said about her. She was a daughter of Phorkos and, after her father died, she ruled those who lived near Lake Tritôn, going forth to hunt and leading the Libyans in war. When she was in camp with the army against Perseus who was followed by selected troops from the Peloponnese, she was deviously murdered at night. Perseus, who was amazed at her beauty, even in a corpse, cut off her head and took it to display to the Greeks.”
The Byzantine Suda has its own take on the legend. It is not less misogynistic:
“Medousa: She is also called Gorgonê. Perseus, the son of Danae and Pêkos, after learning every kind of magical display, because he wanted to establish his own kingdom, made plans against the realm of the Medes. And so, after he travelled over much land, he saw a maiden who was intelligent and ugly and, as he looked away from her, he asked “who are you” and she said, “Medousa”. He cut off her head and prepared it as he had been taught and held it up. He made everyone panic and killed those who witnessed it. He called this head the Gorgonê because of the sharpness of its power.
From there, he went to the land ruled by Kêpheus and found a virgin girl in a temple who was named Andromeda and whom he married. He founded a city in this country called Amandra and set up a pillar which held the Gorgonê. This was called the Ikonion and, because of the object, the Gorgonê. He then made war against the Isaurians, the Kilikians and he founded a city which he called Tarsos, which before was called Andrasos. He had received a prophecy that after the victory he should found a city and name it Tarsos in thanks for the victory in the place where he put the flat of his foot [tarsos] in when he got off his horse.
After conquering the Medes, he changed the name of their country and called it Persis. He taught some of the Persians whom he named Magi the mystery rite which he had performed with the Gorgonê. At that time, a ball of fire whirled from the heaven. Perseus took some of it and gave it to some of the tribe to guard and honor because it had been hurled from heaven.
Then he waged war on Kêpheus, whom old age left blind and dull in the dead, because he thought the Gorgonê was now useless But when Perseus campaigned against him and saw [Medousa’s head] he died. Later on, Merros, Perseus’ son, burned the head.”
