The Truth about Daedalus and Icarus

Servius Danielis,  Commentary on the Aeneid, 6, 14

“Phanodikos says that Daidalos—on account of the aforementioned reasons—went on a ship as he was fleeing and when those who were pursuing him drew near, he spread wide a piece of cloth for gaining the help of the winds and escaped them in this way. When they got back, those who were following him said he had escaped them with wings.”

Phanodicos Deliacon Daedalum propter supradictas causas fugientem navem conscendisse et, cum imminerent qui eum sequebantur, intendisse pallium ad adiuvandum ventos et sic evasisse: illos vero qui insequebantur reversos nuntiasse pinnis illum evasisse.

Palaephatus, On Unbelievable Things 12

“People claim that Minos imprisoned Daidalos and Ikaros, his son, for a certain reason, but that Daidalos, after he fashioned wings as prosthetics for both of them, flew off with Ikaros. It is impossible to think that a person flies, even one who has prosthetic wings. What it really means, then, is the following kind of thing.

Daidalos, when he was in prison, escaped through a small window and hauled down his son too; once he got on a boat, he left. When Minos found out, he sent ships to pursue him. Then they understood that they were being pursued and there was a furious and driving wind, they seemed to be flying. And while they were sailing with the Kretan wind, they flipped over into the sea. While Daidalos survived onto land, Ikaros died. This is why the sea there is named Ikarion for him. His father buried him after he was tossed up by the waves.”

[Περὶ Δαιδάλου καὶ ᾿Ικάρου.]

     Φασὶν ὅτι Μίνως Δαίδαλον καὶ ῎Ικαρον τὸν υἱὸν αὐτοῦ καθεῖρξε διά τινα αἰτίαν, Δαίδαλος δὲ  ποιήσας πτέρυγας ἀμφοτέροις προσθετάς, ἐξέπτη μετὰ τοῦ ᾿Ικάρου. νοῆσαι δὲ ἄνθρωπον πετόμενον, ἀμήχανον, καὶ ταῦτα πτέρυγας ἔχοντα προσθετάς. τὸ οὖν λεγόμενον ἦν τοιοῦτον. Δαίδαλος ὢν ἐν τῇ εἱρκτῇ, καθεὶς ἑαυτὸν διὰ θυρίδος καὶ τὸν υἱὸν κατασπάσας, σκαφίδι ἐμβάς, ἀπῄει. αἰσθόμενος

δὲ ὁ Μίνως πέμπει πλοῖα διώξοντα. οἱ δὲ ὡς ᾔσθοντο διωκόμενοι, ἀνέμου λάβρου καὶ φοροῦ ὄντος, πετόμενοι ἐφαίνοντο. εἶτα πλέοντες οὐρίῳ Κρητικῷ νότῳ ἐν τῷ πελάγει περιτρέπονται· καὶ ὁ μὲν Δαίδαλος περισῴζεται εἰς τὴν γῆν, ὁ δὲ ῎Ικαρος διαφθείρεται (ὅθεν ἀπ’ ἐκείνου ᾿Ικάριον πέλαγος ἐκλήθη), ἐκβληθέντα δὲ ὑπὸ τῶν κυμάτων ὁ πατὴρ ἔθαψεν.

Photograph of oil painting: Icarus as a thin, shirtless, adolescent with wings, bearded father behind him
Anthony Van Dyck, 1625 “Daedalus and Icarus”

In one of my favorite modern pieces, the poet Jack Gilbert explores the theme of flying and falling in “Failing And Flying” (from 2005’s wonderful Refusing Heaven) where he begins and ends with a meditation on Icarus. The sentiments seem apt (the text comes from poetryfoundation.org):

Everyone forgets that Icarus also flew.
It’s the same when love comes to an end,
or the marriage fails and people say
they knew it was a mistake, that everybody
said it would never work. That she was
old enough to know better. But anything
worth doing is worth doing badly.
Like being there by that summer ocean
on the other side of the island while
love was fading out of her, the stars
burning so extravagantly those nights that
anyone could tell you they would never last.
Every morning she was asleep in my bed
like a visitation, the gentleness in her
like antelope standing in the dawn mist.
Each afternoon I watched her coming back
through the hot stony field after swimming,
the sea light behind her and the huge sky
on the other side of that. Listened to her
while we ate lunch. How can they say
the marriage failed? Like the people who
came back from Provence (when it was Provence)
and said it was pretty but the food was greasy.
I believe Icarus was not failing as he fell,
but just coming to the end of his triumph.

A Happy Side of Madness

Aristotle, On Amazing Things Heard 832b

“The story goes that in Abydos there was a man who was afflicted with madness. He went into the theater and watched for many days as if there were actually people acting and applauded. When he had a respite from his affliction, he said that this was the most enjoyable time of his life.”

Λέγεται δέ τινα ἐν Ἀβύδῳ παρακόψαντα τῇ διανοίᾳ καὶ εἰς τὸ θέατρον ἐρχόμενον ἐπὶ πολλὰς ἡμέρας θεωρεῖν, ὡς ὑποκρινομένων τινῶν, καὶ ἐπισημαίνεσθαι· καὶ ὡς κατέστη τῆς παρακοπῆς, ἔφησεν ἐκεῖνον αὑτῷ τὸν χρόνον ἥδιστα βεβιῶσθαι.

This made me think of Thrasyllos again.

Aelian, 4.25

“Thrasyllos from the deme Aiksône endured an incredible and novel madness. For he left the city and went to the Peiraia and stayed there. He believed that all the ships that sailed in were his and he wrote down their names, checked the list when they left and rejoiced when they returned safely to the harbor again. He spent many years living with this sickness.

When his brother returned from Sicily, he took him to a doctor for treatment and he freed him from that sickness. But he often remembered the avocation of his sickness and used to say that he was never as happy as when he took pleasure at the sight of ships that weren’t his returning safely.”

Θράσυλλος ὁ Αἰξωνεὺς παράδοξον καὶ καινὴν ἐνόσησε μανίαν. ἀπολιπὼν γὰρ τὸ ἄστυ καὶ κατελθὼν ἐς τὸν Πειραιᾶ καὶ ἐνταῦθα οἰκῶν τὰ πλοῖα τὰ καταίροντα ἐν αὐτῷ πάντα ἑαυτοῦ ἐνόμιζεν εἶναι, καὶ ἀπεγράφετο αὐτὰ καὶ αὖ πάλιν ἐξέπεμπε καὶ τοῖς περισωζομένοις καὶ ἐσιοῦσιν ἐς τὸν λιμένα ὑπερέχαιρε· χρόνους δὲ διετέλεσε πολλοὺς συνοικῶν τῷ ἀρρωστήματι τούτῳ. ἐκ Σικελίας δὲ ἀναχθεὶς ὁ ἀδελφὸς αὐτοῦ παρέδωκεν αὐτὸν ἰατρῷ ἰάσασθαι, καὶ ἔπαυσεν αὐτὸν τῆς νόσου οὗτος. ἐμέμνητο δὲ πολλάκις τῆς ἐν μανίᾳ διατριβῆς, καὶ ἔλεγε μηδέποτε ἡσθῆναι τοσοῦτον, ὅσον τότε ἥδετο ἐπὶ ταῖς μηδὲν αὐτῷ προσηκούσαις ναυσὶν

Closeup from a medieval manuscript detail with a stylized cat playing a bagpipe
Cat playing a bagpipe in a Book of Hours, Paris, c. 1460

A Plague of Caspian Rats

Aelian, On the Nature of Animals 17.17

“Amyntas in his work which he named Stages writes that in the Caspian land there are many herds of cattle and horses almost beyond counting. He adds this as well, that in some seasons an unconquerable plague of rats blights the land. He continues with evidence, saying that even though the rivers flow at that of year with a huge surge, the rats swim fearlessly and they even hold on to each other’s tales, biting down on one another, to form a bridge and they they cross the strait in this way.

After swimming into the farmland, he says, they grind down the roots of crops and swarm over trees and once they use their fruits for their meals they sever the branches too just because they are not able to eat them. For this reason, the Caspians—in order to ward off this invasion of rats and the ruin they bring—do not kill the predatory birds which come in turn, flying down from the clouds, and fulfill their nature by freeing the Caspians of this plague.

Caspian foxes are so numerous that they frequent both the sheepfolds in the country and they also appear in cities. By Zeus, a fox will show up in a house not to steal something or ruin it, but like some kind of pet. The Caspian foxes wag their tails just like pet dogs in our land.

The rats of the terrible plague afflicting the Caspians are almost the same in size when you look a them as the ikhneumenos of Egypt, but they are wild, and terrible, and they have teeth strong enough to cut and even eat metal. The rats in Teridon, Babylonia are like this too—and traders bring their skins to sell among the Persians. Indeed, these skins are soft and can be sewn together as a tunic to warm people. And they call them kandutanes, because it is dear to them.

Here is something amazing about these rats: if a pregnant female is caught and her fetus is removed, when the female fetus is dissected and examined, it also has a baby.”

᾽Αμύντας ἐν τοῖς ἐπιγραφομένοις οὕτως ὑπ᾽ αὐτοῦ Σταθμοῖς κατὰ τὴν γῆν τὴν Κασπίαν καὶ βοῶν ἀγέλας λέγει πολλὰς καὶ κρείττονας ἀριθμοῦ εἶναι καὶ ἵππων. ἐπιλέγει δὲ ἄρα καὶ ἐκεῖνο, ἐν ὡρῶν τισι περιτροπαῖς μυῶν ἐπιδημίας γίνεσθαι πλῆθος ἄμαχον· καὶ τὸ μαρτύριον ἐπάγει λέγων, τῶν ποταμῶν τῶν ἀεννάων σὺν πολλῶι τῶι ῥοίζωι φερομένων, τοὺς δὲ καὶ μάλα ἀτρέπτως ἐπινήχεσθαί τε αὐτοῖς καὶ τὰς οὐρὰς ἀλλήλων ἐνδακόντας ἕρμα τοῦτο ἴσχειν, καὶ τοῦ διαβάλλειν τὸν πόρον σύνδεσμόν σφισιν ἰσχυρότατον ἀποφαίνει τόνδε.

ἐς τὰς ἀρούρας δὲ ἀπονηξάμενοι, φησί, καὶ τὰ λήια ὑποκείρουσι καὶ διὰ τῶν δένδρων ἀνέρπουσι καὶ τὰ ὡραῖα δεῖπνον ἔχουσι καὶ τοὺς κλάδους δὲ διακόπτουσιν, οὐδὲ ἐκείνους κατατραγεῖν ἀδυνατοῦντες. οὐκοῦν ἀμυνόμενοι οἱ Κάσπιοι τὴν ἐκ τῶν μυῶν ἐπιδρομήν τε ἅμα καὶ λύμην φείδονται τῶν γαμψωνύχων, οἵπερ οὖν καὶ αὐτοὶ κατὰ νέφη πετόμενοι εἶτα αὐτοὺς ἀνασπῶσιν, καὶ ἰδίαι τινὶ φύσει τοῖς Κασπίοις ἀναστέλλουσι τὸν λιμόν. ἀλώπηκες δὲ αἱ Κάσπιαι, τὸ πλῆθος αὐτῶν τοσοῦτόν ἐστιν ὡς καὶ ἐπιφοιτᾶν οὐ μόνον τοῖς αὐλίοις τοῖς κατὰ τοὺς ἀγρούς, ἤδη γε μὴν καὶ ἐς τὰς πόλεις παριέναι. καὶ ἐν οἰκίαι ἀλώπηξ φανεῖται οὐ μὰ Δία ἐπὶ λύμηι οὐδὲ ἁρπαγῆι, ἀλλὰ οἷα τιθασός· καὶ ὑποσαίνουσί τε αἱ Κάσπιοι καὶ ὑπαικάλλουσι τῶν παρ᾽ ἡμῖν κυνιδίων <δίκην>.

οἱ δὲ μύες οἱ τοῖς Κασπίοις ἐπίδημον ὄντες κακόν, μέγεθος αὐτῶν ὅσον κατά γε τοὺς Αἰγυπτίων ἰχνεύμονας ὁρᾶσθαι, ἄγριοι δὲ καὶ δεινοὶ καὶ καρτεροὶ τοὺς ὀδόντας, καὶ διακόψαι τε καὶ διατραγεῖν οἷοί τε εἰσὶ καὶ σίδηρον. τοιοῦτοι δὲ ἄρα καὶ οἱ μύες οἱ ἐν τῆι Τερηδόνι τῆς Βαβυλωνίας (F 7) εἰσίν, ὧνπερ οὖν καὶ τὰς δορὰς οἱ τούτων κάπηλοι ἐς Πέρσας ἄγουσι φόρτον. εἰσὶ δὲ ἁπαλαί, καὶ συνερραμέναι χιτῶνές τε ἅμα γίνονται καὶ ἀλεαίνουσιν αὐτούς. καλοῦνται δὲ ἄρα οὗτοι κανδυτᾶνες, ὡς ἐκείνοις φίλον.

θαυμάσαι δὲ τῶν μυῶν τῶνδε ἄξιον ἄρα καὶ τοῦτο· ἐὰν ἁλῶι μῦς κύουσα, κἆιτα ἐξαιρεθῆι τὸ ἔμβρυον, αὐτῆς δὲ διατμηθείσης ἐκείνης εἶτα μέντοι καὶ αὐτὸ διανοιχθῆι, καὶ ἐκεῖνο ἔχει βρέφος.

Color photograph of a medieval manuscript showing rats rowing a boat

Ste-Genevieve, MS 143 (Taken from Pinterest)There are not  independent words for rat mouse in Ancient Greek.

μυόβρωτος: “mouse-eaten”

μυοδόχος: “containing mice”

μυοθήρας: “mouse-catcher”

μυοκτόνος: “mouse-killer”

μυομαχία: “a battle of mice”

μυοπάρων: “a small pirate boat”

μυόχοδον: “mouse dung”

Music Heals the Suffering of the Soul

Apollonius Paradoxographus, Historiae Mirabiles 49

“These things are worth knowing. Theophrastos has explained them in is work On Enthusiasm. For he says that music heals when suffering afflicts the soul and the body such as desperation, phobias, and the madnesses of belief which are more serious. For instrumental flute music, he continues, heals both hip pain and epilepsy.

Similarly is the power attributed to Aristoxenos the musician when he came—for he was getting a prophecy from the prophet of his sister Pasiphilê—for resuscitated a person in Thebes who was bewitched by the sound of a trumpet. For when he heard it he yelled out so much that he behaved indecently. If someone at any point even in war should blow the trumpet, then he should suffer much worse in his madness. So, he exposed him bit by bit to the flute—and, as one might say, he used this as an introduction for him to endure the trumpet as well.

The flute heals even if some part of the body is in pain. When the body is subject to flute music, let the instrumental music persist for five days at least. The toil will be surprisingly less on the first day and the second. This application of the flute treatment is common even elsewhere, but especially so in Thebes up to this day.”

49 ῎Αξια δ’ ἐστὶν ἐπιστάσεως [τὰ εἰρημένα.] <ἃ> Θεόφραστος ἐν τῷ περὶ ἐνθουσιασμοῦ ἐξεῖπεν. φησὶ γὰρ ἐκεῖνος τὴν μουσικὴν πολλὰ τῶν ἐπὶ ψυχὴν καὶ τὸ σῶμα γιγνομένων παθῶν ἰατρεύειν, καθάπερ λιποθυμίαν, φόβους καὶ τὰἐπὶ μακρὸν γιγνομένας τῆς διανοίας ἐκστάσεις. ἰᾶται γάρ, φησίν, ἡ καταύλησις καὶ ἰσχιάδα καὶ ἐπιληψίαν·

καθάπερ πρὸς ᾿Αριστόξενον τὸν μουσικὸν ἐλθόντα—χρήσασθαι αὐτὸν† τοῦ μαντίου τοῦ τῆς Πασιφίλης δαμωτι ἀδελφῆς † —λέγεται [τὸν μουσικὸν] καταστῆναί τινα ἐξιστάμενον ἐν Θήβαις ὑπὸ τὴν τῆς σάλπιγγος φωνήν· ἐπὶ τοσοῦτον γὰρ ἐβόησεν ἀκούων, ὥστε ἀσχημονεῖν· εἰ δέ ποτε καὶ πολεμικὸν σαλπίσειέ τις, πολὺ χεῖρον πάσχειν μαινόμενον. τοῦτον οὖν κατὰ μικρὸν  τῷ αὐλῷ προσάγειν, καὶ ὡς ἄν τις εἴποι ἐκ προσαγωγῆς ἐποίησεν καὶ τὴν σάλπιγγος φωνὴν ὑπομένειν.

θεραπεύει δὲ ἡ καταύλησις καὶ ἐάν τι μέρος τοῦ σώματος ἐν ἀλγήματι ὑπάρχῃ· καταυλουμένου τοῦ σώματος καταύλησις γιγνέσθω ἡμέρας ε′ ὡς ἐλάχιστα, καὶ εὐθέως τῇ πρώτῃ ἡμέρᾳ ἐλάττων ὁ πόνος γενήσεται καὶ τῇ δευτέρᾳ. τὸ δὲ γιγνόμενον διὰ τῆς καταυλήσεως ἐπιχωριάζει καὶ ἀλλαχῇ, μάλιστα δὲ ἐνΘήβαις μέχρι τῶν νῦν χρόνων.

There are similar accounts from Pythagorean Traditions

Porphyry, On the Life of Pythagoras

30. “[Pythagoras] healed psychic and bodily sufferings with rhythm, songs, and incantations. He adapted these treatments to his companions, while he himself heard the harmony of everything because he could understand the unity of the spheres and the harmonies of the stars moving with them. It is not our nature to hear this in the least.”

30. κατεκήλει δὲ ῥυθμοῖς καὶ μέλεσι καὶ ἐπῳδαῖς τὰ ψυχικὰ πάθη καὶ τὰ σωματικά. καὶ τοῖς μὲν ἑταίροις ἡρμόζετο ταῦτα, αὐτὸς δὲ τῆς τοῦ παντὸς ἁρμονίας ἠκροᾶτο συνιεὶς τῆς καθολικῆς τῶν σφαιρῶν καὶ τῶν κατ’ αὐτὰς κινουμένων ἀστέρων ἁρμονίας, ἧς ἡμᾶς μὴ ἀκούειν διὰ σμικρότητα τῆς φύσεως.

32. “Diogenes says that Pythagoras encouraged all men to avoid ambition and lust for fame, because they especially inculcate envy, and also to stay away from large crowds. He used to convene gatherings at his house at dawn himself, accompanying his singing to the lyre and singing some ancient songs of Thales. And he also sang the songs of Hesiod and Homer, as many as appeared to calm his spirit. He would also dance some dances which he believed brought good mobility and health to the body. He used to take walks himself but not with a crowd, taking only two or three companions to shrines or groves, finding the most peaceful and beautiful places.”

32. Διογένης φησὶν ὡς ἅπασι μὲν παρηγγύα φιλοτιμίαν φεύγειν καὶ φιλοδοξίαν, ὥπερ μάλιστα φθόνον ἐργάζεσθαι, ἐκτρέπεσθαι δὲ τὰς μετὰ τῶν πολλῶν ὁμιλίας. τὰς γοῦν διατριβὰς καὶ αὐτὸς ἕωθεν μὲν ἐπὶ τῆς οἰκίας ἐποιεῖτο, ἁρμοζόμενος πρὸς λύραν τὴν ἑαυτοῦ φωνὴν καὶ ᾄδων παιᾶνας ἀρχαίους τινὰς τῶν Θάλητος. καὶ ἐπῇδε τῶν ῾Ομήρου καὶ ῾Ησιόδου ὅσα καθημεροῦν τὴν ψυχὴν ἐδόξαζε. καὶ ὀρχήσεις δέ τινας ὑπωρχεῖτο ὁπόσας εὐκινησίαν καὶ ὑγείαν τῷ σώματι παρασκευάζειν ᾤετο. τοὺς δὲ περιπάτους οὐδ’ αὐτὸς ἐπιφθόνως μετὰ πολλῶν ἐποιεῖτο, ἀλλὰ δεύτερος ἢ τρίτος ἐν ἱεροῖς ἢ ἄλσεσιν, ἐπιλεγόμενος τῶν χωρίων τὰ ἡσυχαίτατα καὶ περικαλλέστατα.

33. “He loved his friends overmuch and was the first to declare that friends possessions are common and that a friend is another self. When they were healthy, he always talked to them; when they were sick, he took care of their bodies. If they were mentally ill, he consoled them, as we said before, some with incantations and spells, others by music. He had songs and paeans for physical ailments: when he sang them, he relieved fatigue. He also could cause forgetfulness of grief, calming of anger, and redirection of desire.”

33.τοὺς δὲ φίλους ὑπερηγάπα, κοινὰ μὲν τὰ τῶν φίλων εἶναι πρῶτος ἀποφηνάμενος, τὸν δὲ φίλον ἄλλον ἑαυτόν. καὶ ὑγιαίνουσι μὲν αὐτοῖς ἀεὶ συνδιέτριβεν, κάμνοντας δὲ τὰ σώματα ἐθεράπευεν, καὶ τὰς ψυχὰς δὲ νοσοῦντας παρεμυθεῖτο, καθάπερ ἔφαμεν, τοὺς μὲν ἐπῳδαῖς καὶ μαγείαις τοὺς δὲ μουσικῇ. ἦν γὰρ αὐτῷ μέλη καὶ πρὸς νόσους σωμάτων παιώνια, ἃ ἐπᾴδων ἀνίστη τοὺς κάμνοντας. ἦν <δ’> ἃ καὶ λύπης λήθην εἰργάζετο καὶ ὀργὰς ἐπράυνε καὶ ἐπιθυμίας ἀτόπους ἐξῄρει.

 

Iamblichus, Life of Pythagoras 111–112

“Pythagoras believed that music produced great benefits for health, should someone apply it in the appropriate manner. For he was known to use this kind of cleansing and not carelessly. And he also called the healing from music that very thing, a purification. And he used a melody as follows during the spring season. He sat in the middle someone who could play the lyre and settled around him in a circle people who could sing. They would sing certain paeans as he played and through this they seemed to become happy, unified, and directed.

At another time they used music in the place of medicine, and there were certain songs composed against sufferings of the mind, especially despair and bitterness—songs which were created as the greatest aids. He also composed others against rage, desires, and every type of wandering of the soul. There was also another kind of performance he discovered for troubles: he also used dancing.

He used the lyre as an instrument since he considered flutes to induce arrogance as a dramatic sound which had no type of freeing resonance. He also used selected words from Homer and Hesiod for the correction of the soul.”

     ῾Υπελάμβανε δὲ καὶ τὴν μουσικὴν μεγάλα συμβάλλεσθαι πρὸς ὑγείαν, ἄν τις αὐτῇ χρῆται κατὰ τοὺς προσήκοντας τρόπους. εἰώθει γὰρ οὐ παρέργως τῇ τοιαύτῃ χρῆσθαι καθάρσει· τοῦτο γὰρ δὴ καὶ προσηγόρευε τὴν διὰ τῆς μουσικῆς ἰατρείαν. ἥπτετο δὲ περὶ τὴν ἐαρινὴν ὥραν τῆς  τοιαύτης μελῳδίας· ἐκάθιζε γὰρ ἐν μέσῳ τινὰ λύρας ἐφαπτόμενον, καὶ κύκλῳ ἐκαθέζοντο οἱ μελῳδεῖν δυνατοί, καὶ οὕτως ἐκείνου κρούοντος συνῇδον παιῶνάς τινας, δι’ ὧν εὐφραίνεσθαι καὶ ἐμμελεῖς καὶ ἔνρυθμοι γίνεσθαι ἐδόκουν. χρῆσθαι δ’ αὐτοὺς καὶ κατὰ τὸν ἄλλον χρόνον τῇ μουσικῇ ἐν ἰατρείας τάξει, καὶ εἶναί τινα μέλη πρὸς τὰ ψυχῆς πεποιημένα πάθη, πρός τε ἀθυμίας καὶ δηγμούς, ἃ δὴ βοηθητικώτατα ἐπινενόητο, καὶ πάλιν αὖ ἕτερα πρός τε τὰς ὀργὰς καὶ πρὸς τοὺς θυμοὺς καὶ πρὸς πᾶσαν παραλλαγὴν τῆς τοιαύτης ψυχῆς, εἶναι δὲ καὶ πρὸς τὰς ἐπιθυμίας ἄλλο γένος μελοποιίας ἐξευρημένον. χρῆσθαι δὲ καὶ ὀρχήσεσιν. ὀργάνῳ δὲ χρῆσθαι λύρᾳ· τοὺς γὰρ αὐλοὺς ὑπε-λάμβανεν ὑβριστικόν τε καὶ πανηγυρικὸν καὶ οὐδαμῶς ἐλευθέριον τὸν ἦχον ἔχειν. χρῆσθαι δὲ καὶ ῾Ομήρου καὶ ῾Ησιόδου λέξεσιν ἐξειλεγμέναις πρὸς ἐπανόρθωσιν ψυχῆς.

Closeup from a medieval manuscript detail with a stylized cat playing a bagpipe
Cat playing a bagpipe in a Book of Hours, Paris, c. 1460

 

 

Festivals for Women and Different Marriage Customs

Paradoxographus Vaticanus, 25-28, 45

25 “Among the Iberians there is a tribe [and] and in a certain festival they honor women with gifts, however so many demonstrate at that time that they can weave the most numerous and beautiful cloaks.”

Παρὰ τοῖς ῎Ιβηρσιν ἔθνος ἐστὶ ἐν ἑορτῇ τινι τὰς γυναῖκας τιμῶν δώροις, ὅσαι ἂν πλεῖστα καὶ κάλλιστα ἱμάτια ὑφήνασαι τότε ἐπιδείξωσιν.

26 “Among the Krobuzoi it is the custom to mourn when an infant is born and consider the one who dies lucky”

Παρὰ Κροβύζοις ἔθος ἐστὶ τὸ μὲν γεννώμενον βρέφος θρηνεῖν, τὸν δὲ θανόντα εὐδαιμονίζειν.

27 “Among the Nasamoi in Libya it is the custom that on the first day a woman is married that she has sex with everyone who is present and then take gifts from them. After that, she has sex only with the one who marries her.”

Παρὰ Νασαμῶσι τοῖς ἐν Λιβύῃ νόμος ἐστὶ τὴν γαμουμένην τῇ πρώτῃ ἡμέρᾳ συγγίνεσθαι πᾶσι τοῖς παροῦσι καὶ παρ’ αὐτῶν δῶρα λαμβάνειν καὶ μετὰ τοῦτο τῷ γήμαντι μόνῳ μίγνυσθαι.

28 “The women of the Sauromatoi do not get married unless they kill an enemy man.”

Αἱ τῶν Σαυροματῶν γυναῖκες οὐ πρότερον γαμοῦνται, ἂν μὴ ἄνδρα κτάνωσι πολέμιον.

45 “The Liburnians have shared wives and they raise their children in common for five years. When they make it to the eighth year, they compare the children for their similarity to the men and they distribute to each one who is similar. And that one keeps him as a son.”

Λιβύρνιοι κοινὰς τὰς γυναῖκας ἔχουσι καὶ τὰ τέκνα ἐν κοινῷ τρέφουσι μέχρι ἐτῶν πέντε· εἶτα τῷ ἔκτῳ συνενέγκαντες ἅπαντα τὰ παιδία τὰς ὁμοιότητας πρὸς τοὺς ἄνδρας εἰκάζουσι, καὶ ἑκάστῳ τὸν ὅμοιον ἀποδιδόασι, καὶ λοιπὸν ἐκεῖνος ὡς υἱὸν ἔχει.

51 “The Assyrians sell their daughters in the marketplace to whoever wants to settle down with them. First the most well-born and most beautiful and then the rest in order. Whenever they get to the least attractive, they announce how much someone is willing to take to live with them and they add this consolation price from the fee charged for the desirable girls to these [last ones].”

᾿Ασσύριοι τὰς παρθένους ἐν ἀγορᾷ πωλοῦσι τοῖς θέλουσι συνοικεῖν, πρῶτον μὲν τὰς εὐγενεστάτας καὶ καλλίστας, εἶτα τὰς λοιπὰς ἐφεξῆς· ὅταν δὲ ἔλθωσι ἐπὶ τὰς φαυλοτάτας, κηρύττουσι πόσον τις θέλει προσλαβὼν ταύταις συνοικεῖν, καὶ τὸ συναχθὲν ἐκ τῆς τῶν εὐπρεπῶν τιμῆς ταύταις προστίθενται [ταῖς παρθένοις].

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The Truth about Daedalus and Icarus

Servius Danielis,  Commentary on the Aeneid, 6, 14

“Phanodikos says that Daidalos—on account of the aforementioned reasons—went on a ship as he was fleeing and when those who were pursuing him drew near, he spread wide a piece of cloth for gaining the help of the winds and escaped them in this way. When they got back, those who were following him said he had escaped them with wings.”

Phanodicos Deliacon Daedalum propter supradictas causas fugientem navem conscendisse et, cum imminerent qui eum sequebantur, intendisse pallium ad adiuvandum ventos et sic evasisse: illos vero qui insequebantur reversos nuntiasse pinnis illum evasisse.

Palaephatus, On Unbelievable Things 12

“People claim that Minos imprisoned Daidalos and Ikaros, his son, for a certain reason, but that Daidalos, after he fashioned wings as prosthetics for both of them, flew off with Ikaros. It is impossible to think that a person flies, even one who has prosthetic wings. What it really means, then, is the following kind of thing.

Daidalos, when he was in prison, escaped through a small window and hauled down his son too; once he got on a boat, he left. When Minos found out, he sent ships to pursue him. Then they understood that they were being pursued and there was a furious and driving wind, they seemed to be flying. And while they were sailing with the Kretan wind, they flipped over into the sea. While Daidalos survived onto land, Ikaros died. This is why the sea there is named Ikarion for him. His father buried him after he was tossed up by the waves.”

[Περὶ Δαιδάλου καὶ ᾿Ικάρου.]

     Φασὶν ὅτι Μίνως Δαίδαλον καὶ ῎Ικαρον τὸν υἱὸν αὐτοῦ καθεῖρξε διά τινα αἰτίαν, Δαίδαλος δὲ  ποιήσας πτέρυγας ἀμφοτέροις προσθετάς, ἐξέπτη μετὰ τοῦ ᾿Ικάρου. νοῆσαι δὲ ἄνθρωπον πετόμενον, ἀμήχανον, καὶ ταῦτα πτέρυγας ἔχοντα προσθετάς. τὸ οὖν λεγόμενον ἦν τοιοῦτον. Δαίδαλος ὢν ἐν τῇ εἱρκτῇ, καθεὶς ἑαυτὸν διὰ θυρίδος καὶ τὸν υἱὸν κατασπάσας, σκαφίδι ἐμβάς, ἀπῄει. αἰσθόμενος

δὲ ὁ Μίνως πέμπει πλοῖα διώξοντα. οἱ δὲ ὡς ᾔσθοντο διωκόμενοι, ἀνέμου λάβρου καὶ φοροῦ ὄντος, πετόμενοι ἐφαίνοντο. εἶτα πλέοντες οὐρίῳ Κρητικῷ νότῳ ἐν τῷ πελάγει περιτρέπονται· καὶ ὁ μὲν Δαίδαλος περισῴζεται εἰς τὴν γῆν, ὁ δὲ ῎Ικαρος διαφθείρεται (ὅθεν ἀπ’ ἐκείνου ᾿Ικάριον πέλαγος ἐκλήθη), ἐκβληθέντα δὲ ὑπὸ τῶν κυμάτων ὁ πατὴρ ἔθαψεν.

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Anthony Van Dyck, 1625 “Daedalus and Icarus”

In one of my favorite modern pieces, the poet Jack Gilbert explores the theme of flying and falling in “Failing And Flying” (from 2005’s wonderful Refusing Heaven) where he begins and ends with a meditation on Icarus. The sentiments seem apt (the text comes from poetryfoundation.org):

Everyone forgets that Icarus also flew.
It’s the same when love comes to an end,
or the marriage fails and people say
they knew it was a mistake, that everybody
said it would never work. That she was
old enough to know better. But anything
worth doing is worth doing badly.
Like being there by that summer ocean
on the other side of the island while
love was fading out of her, the stars
burning so extravagantly those nights that
anyone could tell you they would never last.
Every morning she was asleep in my bed
like a visitation, the gentleness in her
like antelope standing in the dawn mist.
Each afternoon I watched her coming back
through the hot stony field after swimming,
the sea light behind her and the huge sky
on the other side of that. Listened to her
while we ate lunch. How can they say
the marriage failed? Like the people who
came back from Provence (when it was Provence)
and said it was pretty but the food was greasy.
I believe Icarus was not failing as he fell,
but just coming to the end of his triumph.

Krokotta: A Beast Worthy of October

Paradoxographus Vaticanus 2

2 “Daliôn says in the first book of his Ethiopian Matters that there is an animal in Ethiopia called a krokotta. When that creature goes near backyards it hears people chattering, and especially the words/names of children. But when it goes out at night, it speaks words/names and the children who come out are devoured by it”

Δαλίων φησίν, ἐν τῇ πρώτῃ τῶν Αἰθιοπικῶν ἐν τῇ Αἰθιοπίᾳ θηρίον γίνεσθαι κροκότταν καλούμενον· τοῦτο ἐρχόμενον πρὸς τὰς ἐπαύλεις κατακούειν τῶν λαλουμένων, καὶ μάλιστα τὰ ὀνόματα τῶν παιδίων. νυκτὸς δὲ ἐρχόμενον λαλεῖ τὰ ὀνόματα καὶ ἐξερχόμενα τὰ παιδία καταβιβρώσκονται ὑπ’ αὐτοῦ.

Photios adds the following horror:

“[We should note the fact that] there is a creature in Ethiopia which is named krokottas which is like a combination of wolf and a dog, but it is more savage than both and is heavier in its face and at the end of its feet. It is also amazing for its boldness, and it is extremely capable compared to the rest in its teeth and its belly. For they also tear to pieces easily every type of bone and whatever they take up is consumed easily and their digestion is indescribable. In addition, while some of them have been described as imitating human language, we don’t believe it. Nevertheless, some have added that they call out people by name at night—and that they try to use a human voice in doing this—and then they gobble up whoever comes out as they fall upon them.”

     ῞Οτι ὁ κατὰ τὴν Αἰθιοπίαν ὀνομαζόμενος κροκόττας ἐστὶ μὲν ὡς ἐκ λύκου καὶ κυνὸς σύνθετον, ἀμφοῖν δὲ ἀγριώτερον καὶ πολλῷ βαρύτερον ἀπό τε τοῦ προσώπου καὶ τῶν ἄκρων ποδῶν, ἀλκῇ δὲ θαυμαστόν, ὀδοῦσι δὲ καὶ κοιλίᾳ δυνατώτατον τῶν ἄλλων. Καὶ γὰρ κατάγνυσιν εὐπόρως πᾶν ὀστοῦ γένος, καὶ τὸ διαιρεθὲν εὐθέως δεδαπάνηται, καὶ περὶ τὰς πέψεις ἀδιήγητον. Τοῦτο δὲ καὶ μιμεῖσθαί τινες τὴν ἀνθρωπίνην διάλεκτον διηγούμενοι ἡμᾶς μὲν οὐ πείθουσιν· ἐκεῖνοι δὲ καὶ τοῦτο προστιθέασιν, ὡς καὶ ἐξ ὀνόματος κατὰ τὰς νύκτας καλοῦντες, τοὺς δὲ ὡς ἐπ’ ἀνθρώπου φωνῇ προσιόντας, οἱ δὲ ἀθρόον ἐπεισπίπτοντες κατεσθίουσιν.

The crocotta shows up elsewhere as well (Pliny, Aelian, etc).

Flammable Bones and Renewable Eyes: Some Amazing Animal Facts

Paradoxographus Vaticanus, 4-8

4 “Aristotle says in his work On Animals that all land animals have respiration—as many as have lungs—except for the wasp and bee which do not breathe. However many animals have a bladder also have bowels. But not all animals who have bowels also have a bladder.”

᾿Αριστοτέλης φησὶν ἐν τοῖς περὶ ζῴων τὰ χερσαῖα πάντα ἀναπνεῖν, ὅσα πνεύμονας ἔχει, σφῆκαν δὲ καὶ μέλισσαν οὐκ ἀναπνεῖν. ὅσα τε κύστιν ἔχει, πάντα καὶ κοιλίαν· οὐχ ὅσα δὲ κοιλίαν καὶ κύστιν.

5 “Many of the animals are bloodless, and and, in general they are animals who have more than four feet.”

῎Αναιμα πολλὰ τῶν ζῴων, καθόλου δὲ ὅσα πλείους πόδας ἔχουσι τῶν τεσσάρων.

6 “Fish do not have a throat[?]. For this reason, if a smaller fish is pursued by a bigger one, it pushes the stomach under the mouth [?]”

Οἱ ἰχθύες οὐκ ἔχουσι στόμαχον· διό, ἐὰν διώκηται ὁ ἐλάττων ὑπὸ μείζονος, ἄγει τὴν κοιλίαν ὑπὸ τὸ στόμα.

7 “Snakes have thirty ribs, and their eyes, if anyone strikes them, grow back again. The swallow’s qualities are similar.”

Οἱ ὄφεις πλευρὰς ἔχουσι τριάκοντα. καὶ τὰ ὄμματα αὐτῶν, ἐάν τις ἐκκεντήσῃ, πάλιν γίνονται, καθὰ καὶ τὰ τῶν χελιδόνων.

8 “The bones of a lion are so stiff that when they are struck often they burst into fire.”

Τοῦ λέοντος τὰ ὀστᾶ οὕτως εἰσὶ στερεά, ὥστε πολλάκις κοπτόμενα πῦρ ἐκλάμπειν.

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British Library, Royal MS 12 C. xix, Folio 6r. Lion

Pliny’s Slightly Less Stupid Treatments for Sickness

Pliny the Elder Natural History, 28.33

“The treatment is for their hands to be washed in water first and then for that water to be sprinkled on patients. However, those who are struck at some point by a scorpion are never attacked again by wasps and bees. Someone who knows that clothes worn at a funeral are never touched by moths or that snakes are only with great labor pulled out out of their holes except by the left hand will not be shocked by this.

Of the discoveries of Pythagoras, this will not prove false: an unequal number of vowels foretells lameness, blindness, or some similar disability on the right side; an even number predicts this on the left. People claim that a difficult birth labor will result in an immediate delivery if a stone or a missile which has killed three animals with a single strike (a human, a boar and a bear) is thrown over the home containing the pregnant woman. This is done with more success with a spear that has been pulled from a human body and has not touched the ground. This works the same if the spear is carried inside.”

remedio est ablui prius manus eorum aquaque illa eos quibus medearis inspergi. rursus a scorpione aliquando percussi numquam postea a crabronibus, vespis apibusve feriuntur. minus miretur hoc qui sciat vestem a tineis non attingi quae fuerit in funere, serpentes aegre praeterquam laeva manu extrahi. e Pythagorae inventis non temere fallere, inpositivorum nominum inparem vocalium numerum clauditates oculive orbitatem ac similes casus dextris adsignare partibus, parem laevis. ferunt difficiles partus statim solvi, cum quis tectum in quo sit gravida transmiserit lapide vel missili ex his qui tria animalia singulis ictibus interfecerint, hominem, aprum,  ursum. probabilius id facit hasta velitaris evulsa corpori hominis, si terram non attigerit. eosdem enim inlata effectus habet.

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From Arundel_ms_98_f085v

Forgetfulness, Cures, and Growing Concerns: Some Ancient Greek Drugs

From the Suda

“The oblivion of dogs”: [This is a proverb] for drugs that bring forgetfulness

Λήθην κυνῶν: λήθην ἐμποιούντων φαρμάκων.

Drug [Pharmakon]: this can mean persuasion, conversation: the etymology is said to be from bearing [pherein] the cure [akos]. Others claim that it comes from flowers.

Φάρμακον: παραμυθία, ὁμιλία, εἴρηται δὲ ἀπὸ τοῦ φέρειν τὴν ἄκεσιν: εἴρηται δὲ ἀπὸ τῶν ἀνθέων.

The Sea-horse, a natural high

Aelian, De Natura Animalium 14.20

“Some people who know a lot about fishing claim that the stomach of a sea-horse—if someone dissolves it in wine after boiling it and gives it to someone to drink—is an extraordinary potion combined with wine, when compared to other medicines. For, at first, the most severe retching overcomes anyone who drinks it and then a dry coughing fit takes over even though he vomits nothing at all, and then: the upper part of his stomach grows and swells; warm spells roll over his head; and, finally, snot pours from his nose and releases a fishy smell. Then his eyes turn blood-red and heated while his eye-lids swell up.

They claim that a desire to vomit overwhelms him but that he can bring nothing up. If nature wins, then he evades death and slips away into forgetfulness and insanity. But if the wine permeates his lower stomach, there is nothing to be done, and the individual dies eventually. Those who do survive, once they have wandered into insanity, are gripped by a great desire for water: they thirst to see water and hear it splashing. And this, at least, soothes them and makes them sleep. Then they like to spend their time either by endlessly flowing rivers or near seashores or next to streams or some lakes. And even though they don’t want to drink, they love to swim, to put their feet in the water, and to wash their hands.”

  1. Λέγουσι δὲ ἄνδρες ἁλιείας ἐπιστήμονες, τὴν τοῦ ἱπποκάμπου γαστέρα εἴ τις ἐν οἴνῳ κατατήξειενἕψων καὶ τοῦτον δοίη τινὶ πιεῖν, φάρμακον εἶναι τὸν οἶνον ἄηθες ὡς πρὸς τὰ ἄλλα φάρμακα ἀντικρινόμενον· τὸν γάρ τοι πιόντα αὐτοῦ πρῶτον μὲν καταλαμβάνεσθαι λυγγὶ σφοδροτάτῃ, εἶτα βήττειν ξηρὰν βῆχα, καὶ στρεβλοῦσθαι μέν, ἀναπλεῖν δὲ αὐτῷ οὐδὲ ἕν, διογκοῦσθαι δὲ καὶ διοιδάνειν τὴν ἄνω γαστέρα, θερμά τε τῇ κεφαλῇ ἐπιπολάζειν ῥεύματα, καὶ διὰ τῆς ῥινὸς κατιέναι φλέγμα καὶ ἰχθυηρᾶς ὀσμῆς προσβάλλειν· τοὺς δὲ ὀφθαλμοὺς ὑφαίμους αὐτῷ γίνεσθαι καὶ πυρώδεις, τὰ βλέφαρα δὲ διογκοῦσθαι. ἐμέτων δὲ ἐπιθυμίαι ἐξάπτονταί φασιν, ἀναπλεῖ δὲ οὐδὲ ἕν. εἰ δὲ ἐκνικήσειεν ἡ φύσις, τὸν μὲν <τὸ> ἐς θάνατον σφαλερὸν παριέναι, ἐς λήθην δὲ ὑπολισθαίνειν καὶ παράνοιαν. ἐὰν δὲ ἐς τὴν κάτω γαστέρα διολίσθῃ, μηδὲν ἔτι εἶναι, πάντως δὲ ἀποθνήσκειν τὸν ἑαλωκότα. οἱ δὲ περιγενόμενοι ἐς παράνοια ἐξοκείλαντες ὕδατος ἱμέρῳ πολλῷ καταλαμβάνονται, καὶ ὁρᾶν διψῶσιν ὕδωρ καὶ ἀκούειν λειβομένου· καὶ τοῦτό γε αὐτοὺς καταβαυκαλᾷ καὶ κατευνάζει. καὶ διατρίβειν φιλοῦσιν ἢ παρὰ τοῖς ἀενάοις ποταμοῖς ἢ αἰγιαλῶν πλησίον ἢ παρὰ κρήναις ἢ λίμναις τισί, καὶ πιεῖν μὲν οὐ πάνυ <τι>7 γλίχονται, ἐρῶσι δὲ νήχεσθαι καὶ τέγγειν τὼ πόδε ἢ ἀπονίπτειν τὼ χεῖρε.

 

Judicious use of medicinal drugs

Galen, Method of Medicine 816k

“There is, therefore, a safe limit of medical treatment for one struggling admirably according to the practice of medicine against a sickness—and it is also the safeguard of ability for the one who is trying to soothe the pain. Beyond this is the work of a poor doctor, resulting in the end of the patient’s life with the sickness.

It is a flatterer’s act to try to please the patient, because this places pleasure not health as the primary aim. Practitioners descend into these kinds of extremes in many ways but especially in different types of treatments among which are chiefly the so-called anodyne medicines which are made from the poppy or seed of henbane, the root of mandrake, the storax or any other kind of thing.

Doctors who yield to the sick and use too much of these sorts of drugs destroy their patients with the pains as much as those who give them at the wrong time, in the wrong measure, or not at all.

Therefore, just as in everything else in life—in habits and actions—here the appropriate guideline to take is “nothing in excess”. The appropriate marker is the health of the sick…”

ὅρος οὖν ἐπὶ καμνόντων τῷ κατὰ τὸν λόγον τῆς τέχνης ἀγωνιζομένῳ γενναίως πρὸς τὸ νόσημα τὸ τῆς Kἰάσεως | ἀσφαλές· ὥσπερ γε καὶ τῷ πραΰνοντι τὰς ὀδύνας ἡ τῆς δυνάμεως φυλακή. τὸ δ᾿ ἐπέκεινα τῶνδε σκαιοῦ μὲν ἀνδρὸς ἔργον ἐστίν, ἅμα τῷ νοσήματι καὶ τὴν ζωὴν ἀφελέσθαι τὸν ἄνθρωπον· κόλακος δὲ τὸ χαρίζεσθαι τῷ νοσοῦντι, σκοπὸν ὧν πράττει θέμενον ἡδονήν, οὐχ ὑγείαν. ἐμπίπτουσι δ᾿ εἰς τὰς τοιαύτας ὑπερβολὰς ἐν πολλαῖς μὲν καὶ ἄλλαις ὕλαις βοηθημάτων οἱ ἰατροί, μάλιστα δ᾿ ἐν τοῖς καλουμένοις ἀνωδύνοις φαρμάκοις, ὅσα δι᾿ ὀποῦ μήκωνος, ἢ ὑοσκυάμουσπέρματος, ἢ μανδραγόρου ῥίζης, ἢ στύρακος, ἤ τινος τοιούτου συντιθέασιν. οἵ τε γὰρ χαριζόμενοι τοῖς νοσοῦσι πλεονάζουσιν ἐν τῇ χρήσει τῶν τοιούτων φαρμάκων, οἵ τ᾿ ἀκαίρως καὶ ἀμέτρως γενναῖοι μηδ᾿ ὅλως χρώμενοι διαφθείρουσιν ὀδύναις τοὺς κάμνοντας. ὥσπερ οὖν ἐν ἁπάσαις ταῖς καθ᾿ ὅλον τὸν βίον ἕξεσί τε καὶ πράξεσιν, οὕτω κἀνταῦθα τὸ μηδὲν ἄγαν αἱρετέον, ὅρον ἔχοντα τὴν ὠφέλειαν τοῦ κάμνοντος.

Drugs as therapy for pain

Morphine, “Cure for Pain” (1993)
“Where is the ritual
And tell me where where is the taste
Where is the sacrifice
And tell me where where is the faith
Someday there’ll be a cure for pain
That’s the day I throw my drugs away…”

 

Homer, Odyssey 4.219–232

“But then Zeus’ daughter Helen had different plans.
She immediately cast into the wine they were drinking a drug,
A pain neutralizer and anger reducer, an eraser of all evils.
Whoever consumes this drug once it is mixed in the wine,
Could not let a single tear loose upon their cheeks for a whole day.
Not even if their mother or father died,
Nor again if they lost their brother and dear son,
Cut down by bronze right their in front of their own eyes.
These are the kinds of complex drugs, good ones, Zeus’s daughter
Possesses. Polydamna, the wife of Thôn, gave them to her
In Egypt where the fertile land grows the most drugs—
Many there are mixed fine; but many cause pain too.
Each man there is a doctor whose knowledge surpasses most men,
For they are the offspring of Paieon.”

ἔνθ’ αὖτ’ ἄλλ’ ἐνόησ’ ῾Ελένη Διὸς ἐκγεγαυῖα·
αὐτίκ’ ἄρ’ εἰς οἶνον βάλε φάρμακον, ἔνθεν ἔπινον,
νηπενθές τ’ ἄχολόν τε, κακῶν ἐπίληθον ἁπάντων.
ὃς τὸ καταβρόξειεν, ἐπὴν κρητῆρι μιγείη,
οὔ κεν ἐφημέριός γε βάλοι κατὰ δάκρυ παρειῶν,
οὐδ’ εἴ οἱ κατατεθναίη μήτηρ τε πατήρ τε,
οὐδ’ εἴ οἱ προπάροιθεν ἀδελφεὸν ἢ φίλον υἱὸν
χαλκῷ δηϊόῳεν, ὁ δ’ ὀφθαλμοῖσιν ὁρῷτο.
τοῖα Διὸς θυγάτηρ ἔχε φάρμακα μητιόεντα,
ἐσθλά, τά οἱ Πολύδαμνα πόρεν, Θῶνος παράκοιτις,
Αἰγυπτίη, τῇ πλεῖστα φέρει ζείδωρος ἄρουρα
φάρμακα, πολλὰ μὲν ἐσθλὰ μεμιγμένα, πολλὰ δὲ λυγρά,
ἰητρὸς δὲ ἕκαστος ἐπιστάμενος περὶ πάντων
ἀνθρώπων· ἦ γὰρ Παιήονός εἰσι γενέθλης.

rhyme

Drugs for and by Animals

Aelian, Varia Historia 1.7

“There are boars in the wild who are also not uninformed about the art of medicine. These animals, as it seems, whenever they forget themselves and eat henbane, they drag themselves backwards in their weakness. Even though they are experiencing spasms, they still make it to the water and there they grab crabs and eat them eagerly. These creatures are the antidote for their suffering and they make themselves healthy again.”

Ἦσαν ἄρα οἱ σῦς οἱ ἄγριοι καὶ θεραπείας ἅμα καὶ ἰατρικῆς οὐκ ἀπαίδευτοι. οὗτοι γοῦν ὅταν αὑτοὺς λαθόντες ὑοσκυάμου φάγωσι, τὰ ἐξόπισθεν ἐφέλκουσι, παρειμένως ἔχοντες [οὕτως] αὐτῶν. εἶτα σπώμενοι ὅμως ἐπὶ τὰ ὕδατα παραγίνονται, καὶ ἐνταῦθα τῶν καρκίνων ἀναλέγουσι καὶ ἐσθίουσι προθυμότατα. γίνονται δὲ αὐτοῖς οὗτοι τοῦ πάθους φάρμακον καὶ ἐργάζονται ὑγιεῖς αὐτοὺς αὖθις.

 

Drugs and Sex Magic

Magical Papyri, 7.185

“To be able to fuck a lot: mix fifty [pine nuts] with two measures of honey and seeds of pepper and drink it. To have an erection whenever you want: mix pepper with honey and rub it on your thing.”

Πολλὰ βι[ν]εῖν δύνασθαι· στροβίλια πεντήκοντα μετὰ δύο κυά[θ]ων γλυκέος καὶ κόκκους πεπέρεως τρίψας πίε. Στ[ύ]ειν, ὅτε θέλεις· πέπερι μετὰ μέλιτος τρίψας χρῖέ σου τὸ πρᾶ̣γ̣μ̣α.

Apollonios Paradoxographus, Historiae Mirabiles

14“Phylarkhos writes in the eighth book of his Histories that there is a spring of water  near the Gulf of Arabia from which if anyone ever anoints their feet what transpires miraculously is that their genitals extend pretty far. And for some they do not contract completely, and for others they are put back to shape with great suffering and medical attention.”

14 Φύλαρχος ἐν τῇ η′ τῶν ἱστοριῶν [καὶ] κατὰ τὸν ᾿Αράβιόν φησι κόλπον πηγὴν εἶναι ὕδατος, ἐξ οὗ εἴ τις τοὺς πόδας χρίσειεν, συμβαίνειν εὐθέως ἐντείνεσθαι ἐπὶ πολὺ τὸ αἰδοῖον, καί τινων μὲν μηδ’ ὅλως συστέλλεσθαι, τινῶν δὲ μετὰ μεγάλης κακοπαθείας καὶ θεραπείας ἀποκαθίστασθαι.

Aelian, Nature of the Animals  9.48

“Guardians who want the reproduction of their animals to increase when it is time to mate take handfuls of salt and sodium carbonate and rub them on the genitals of female sheep, and goats and horses. From these [animals] get more eager for sex. Others rub them down with pepper and honey; and others with sodium carbonate and nettle-seed. Some even rub them down with myrrh. From this kind of stimulation the females lose control and go crazy for the males.”

  1. ‘Υπὲρ τοῦ πλείονα τὴν ἐπιγονὴν τῶν ζῴων σφίσι γίνεσθαι οἱ τούτων μελεδωνοὶ τὰ ἄρθρα τῶν θηλειῶν καὶ οἰῶν καὶ αἰγῶν καὶ ἵππων ἀνατρίβουσι κατὰ τὸν τῆς ὀχείας καιρὸν ἁλῶν καὶ λίτρουτὰς χεῖρας ἀναπλήσαντες. ἐκ τούτων ὄρεξις αὐτοῖς γίνεται περὶ τὴν ἀφροδίτην μᾶλλον. ἕτεροι δὲ πεπέριδι καὶ μέλιτι τὰ αὐτὰ χρίουσι, λίτρῳ δὲ ἄλλοι καὶ κνίδης καρπῷ· σμυρνίῳ δὲ ἤδη τινὲς ἔχρισαν καὶ λίτρῳ. ἐκ δὴ τοῦδε τοῦ ὀδαξησμοῦ ἀκράτορες ἑαυτῶν γίνονται αἱ θήλειαι ποῖμναι, καὶ ἐπιμαίνονται τοῖς ἄρρεσιν.

 

Drugs in Warfare

Suda, sigma 777

Solon: They [the Amphiktyones] selected this man to be their adviser for war against the Kirrhaians. When they were consulting the oracle about victory, the Pythia said: “you will not capture and raze the tower of this city before the wave of dark-eyed Amphitritê washes onto my precinct as it echoes over the wine-faced sea.”

Solon persuaded them to make Kirrhaia sacred to the god so that the sea would become a neighbor to Apollo’s precinct. And another strategy was devised by Solon against the Kirrhaians. For he turned a river’s water which used to flow in its channel into the city elsewhere.

The Kirrhaians withstood the besiegers by drinking water from wells and from rain. But [Solon] filled the river with hellebore roots and when he believed the water had enough of the drug, he returned it to its course. Then the Kirrhaians took a full portion of this water. And when they went AWOL because of diarrhea, the Amphiktyones who were stationed near the wall took it and then the city.”

Σόλων: τοῦτον εἵλοντο οἱ Κιρραίοις πολεμεῖν ᾑρημένοι σύμβουλον. χρωμένοις δὲ σφίσι περὶ νίκης ἀνεῖπεν ἡ Πυθώ: οὐ πρὶν τῆσδε πόληος ἐρείψετε πύργον ἑλόντες, πρίν κεν ἐμῷ τεμένει κυανώπιδος Ἀμφιτρίτης κῦμα ποτικλύζοι, κελαδοῦν ἐπὶ οἴνοπα πόντον. ἔπεισεν οὖν ὁ Σόλων καθιερῶσαι τῷ θεῷ τὴν Κίρραιαν, ἵνα δὴ τῷ τεμένει τοῦ Ἀπόλλωνος γένηται γείτων ἡ θάλαττα. εὑρέθη δὲ καὶ ἕτερον τῷ Σόλωνι σόφισμα ἐς τοὺς Κιρραίους: τοῦ γὰρ ποταμοῦ τὸ ὕδωρ ῥέον δι’ ὀχετοῦ ἐς τὴν πόλιν ἀπέστρεψεν ἀλλαχόσε. καὶ οἱ μὲν πρὸς τοὺς πολιορκοῦντας ἔτι ἀντεῖχον ἔκ τε φρεάτων καὶ τὸ ὕδωρ τὸ ἐκ θεοῦ πίνοντες. ὁ δὲ τοῦ ἑλλεβόρου τὰς ῥίζας ἐμβαλὼν ἐς τὸν ποταμόν, ἐπειδὴ ἱκανῶς τοῦ φαρμάκου τὸ ὕδωρ ᾔσθετο ἔχον, ἀντέστρεψεν αὖθις ἐς τὸν ὀχετόν, καὶ ἐνεφορήσαντο ἀνέδην οἱ Κιρραῖοι τοῦ ὕδατος. καὶ οἱ μὲν ὑπὸ τῆς διαρροίας ἐξέλιπον, οἱ δὲ ἐπὶ τοῦ τείχους τῆς φρουρᾶς Ἀμφικτύονες εἷλον τὴν φρουρὰν καὶ τὴν πόλιν.

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