“I will not be so bold as to defend my lying ways
or to lift false weapons for the sake of my sins.
I admit it—if there’s any advantage to confessing;
Insane now I confront the crimes I’ve confessed:
I hate, and though I want to, I can’t stop being what I hate.
Alas, how it hurts to carry something you long to drop!”
Non ego mendosos ausim defendere mores
falsaque pro vitiis arma movere meis.
confiteor—siquid prodest delicta fateri;
in mea nunc demens crimina fassus eo.
odi, nec possum, cupiens, non esse quod odi;
heu, quam quae studeas ponere ferre grave est!
I cannot read this poem without thinking of this one (Carm. 85):
“I hate and I love: you might ask why I do this–
I don’t know, but I see it happen and it’s killing me.
Odi et amo. quare id faciam, fortasse requiris.
nescio, sed fieri sentio et excrucior.
“I don’t beg you not to mess around because you’re pretty,
But to spare miserable me the need of knowing about it.
I am not some censor who orders you to be a prude,
But only someone who asks you to try to be discreet.
Whoever can deny her mistakes, hasn’t messed up at all.
Only the admitted fault brings dishonor.
What madness it is to confess in light things done at night?
And to report openly deeds performed in secret?”
Non ego, ne pecces, cum sis formosa, recuso,
sed ne sit misero scire necesse mihi;
nec te nostra iubet fieri censura pudicam,
sed tamen, ut temptes dissimulare, rogat.
non peccat, quaecumque potest peccasse negare,
solaque famosam culpa professa facit.
quis furor est, quae nocte latent, in luce fateri,
et quae clam facias facta referre palam?
“I will not be so bold as to defend my lying ways
or to lift false weapons for the sake of my sins.
I admit it—if there’s any advantage to confessing;
Insane now I confront the crimes I’ve confessed:
I hate, and though I want to, I can’t stop being what I hate.
Alas, how it hurts to carry something you long to drop!”
Non ego mendosos ausim defendere mores
falsaque pro vitiis arma movere meis.
confiteor—siquid prodest delicta fateri;
in mea nunc demens crimina fassus eo.
odi, nec possum, cupiens, non esse quod odi;
heu, quam quae studeas ponere ferre grave est!
I cannot read this poem without thinking of this one (Carm. 85):
“I hate and I love: you might ask why I do this–
I don’t know, but I see it happen and it’s killing me.
Odi et amo. quare id faciam, fortasse requiris.
nescio, sed fieri sentio et excrucior.
“I will not be so bold as to defend my lying ways
or to lift false weapons for the sake of my sins.
I admit it—if there’s any advantage to confessing;
Insane now I confront the crimes I’ve confessed:
I hate, and though I want to, I can’t stop being what I hate.
Alas, how it hurts to carry something you long to drop!”
Non ego mendosos ausim defendere mores
falsaque pro vitiis arma movere meis.
confiteor—siquid prodest delicta fateri;
in mea nunc demens crimina fassus eo.
odi, nec possum, cupiens, non esse quod odi;
heu, quam quae studeas ponere ferre grave est!
I cannot read this poem without thinking of this one (Carm. 85):
“I hate and I love: you might ask why I do this–
I don’t know, but I see it happen and it’s killing me.
Odi et amo. quare id faciam, fortasse requiris.
nescio, sed fieri sentio et excrucior.
Anacreon, Fr. 428 (Hephaestion, Handbook on Meters)
“I love and again do not love
I am insane and yet sane too”
“The charge of participation in that conspiracy was defended by the very man who was part of it, who investigated it, and was a partner in your plans and your fear.”
Ergo istius coniurationis crimen defensum ab eo est qui interfuit, qui cognovit, qui particeps et consili vestri fuit et timoris;
Pseudo-Sallust, Against Cicero 3
“[A man who] counts the pain of the state as his own glory; as if, indeed, your consulate were not the reason for that conspiracy and through which the republic was torn apart when it possessed you as its protector.”
qui civitatis incommodum in gloriam suam ponit. quasi vero non illius coniurationis causa fuerit consulatus tuus et idcirco res publica disiecta eo tempore quo6 te custodem habebat.
Tacitus, Annales 1.2 (Suggested by S. A. Guerriero )
“After the public was disarmed by the murders of Brutus and Cassius, when Pompey had been defeated in Sicily, Lepidus discarded, and Antony had been killed, even the Julian party had Caesar as the remaining leader. Once he gave up the name of triumvir and was declaring himself a consul, happy to safeguard the common people with tribunal powers, he won over the army with payments, the people with food grants, and everyone else with pleasing peace. Then, bit by bit, he began to arrogate to himself the duties of the senate, the executive offices, and the law because there was no one opposing him since the boldest men had died either in battle or by proscription. The remaining nobles discovered themselves increased by honors and wealth as soon as they accepted servitude: they preferred the present safety to ancient dangers. The provinces too were not opposed to this state of affairs because the rule of the Senate and People there had been undermined by the struggles of the powerful and avarice of the officers against which there was the weak defense of laws which were corrupted by force, by nepotism and, finally, bribery.”
Postquam Bruto et Cassio caesis nulla iam publica arma, Pompeius apud Siciliam oppressus, exutoque Lepido, interfecto Antonio, ne Iulianis quidem partibus nisi Caesar dux reliquus, posito triumviri nomine, consulem se ferens et ad tuendam plebem tribunicio iure contentum, ubi militem donis, populum annona, cunctos dulcedine otii pellexit, insurgere paulatim, munia senatus, magistratuum, legum in se trahere, nullo adversante, cum ferocissimi per acies aut proscriptione cecidissent, ceteri nobilium, quanto quis servitio promptior, opibus et honoribus extollerentur ac novis ex rebus aucti, tuta et praesentia quam vetera et periculosa mallent. Neque provinciae illum rerum statum abnuebant, suspecto senatus populique imperio ob certamina potentium et avaritiam magistratuum, invalido legum auxilio, quae vi, ambitu, postremo pecunia turbabantur.
Some lighter fare Horace Satire 1.9. 75-79 (Suggested by L. Manning)
“By chance I met up with my opponent And he shouted loudly “Where are you going, criminal? And also “May I call you to testify?” Then I Incline my little ear and he rushes the man to court. There is shouting and running about. And that’s how Apollo saved me.”
casu venit obvius illi adversarius et ‘quo tu, turpissime?’ magna inclamat voce, et ‘licet antestari?’ ego vero oppono auriculam. rapit in ius; clamor utrimque, undique concursus. sic me servavit Apollo.
Ovid, Tristia 2. 207-210 (Suggested by K. Durkin)
“Though two crimes—a song and a mistake—have destroyed me I must be silent of my responsibility in the second Since I am not worth enough to renew your wounds, Caesar, And it is already too much that you’ve been hurt once,”
perdiderint cum me duo crimina, carmen et error, alterius facti culpa silenda mihi: nam non sum tanti, renovem ut tua vulnera, Caesar, quem nimio plus est indoluisse semel.
“I don’t beg you not to mess around because you’re pretty,
But to spare miserable me the need of knowing about it.
I am not some censor who orders you to be a prude,
But only someone who asks you to try to be discreet.
Whoever can deny her mistakes, hasn’t messed up at all.
Only the admitted fault brings dishonor.
What madness it is to confess in light things done at night?
And to report openly deeds performed in secret?”
Non ego, ne pecces, cum sis formosa, recuso,
sed ne sit misero scire necesse mihi;
nec te nostra iubet fieri censura pudicam,
sed tamen, ut temptes dissimulare, rogat.
non peccat, quaecumque potest peccasse negare,
solaque famosam culpa professa facit.
quis furor est, quae nocte latent, in luce fateri,
et quae clam facias facta referre palam?
This is a much needed companion piece to our post on the same topic in Greek. Note that many of lexical metaphors for masturbation are shared by the two languages. Much of the following material is drawn from J.N. Adams. The Latin Sexual Vocabulary. 1982. Note, however, that many of the examples are not truly masturbatory.
As an important prefatory note, the Latin word masturbor (whence modern “masturbate”) has unclear and irregular use in Latin (discussed by Adams 209-211 with some rather strong attacks on J. P. Hallet’s 1976 “Masturbator, Mascarpio.” Glotta, vol. 54: 292–308.) The word occurs most prominently in an agentive form in Martial (translated here with considerable license):
Martial, 14.203 Puella Gaditana
“She sways with such curves and oozes sex so deep
That she’d turn Hippolytus himself into a masturbating creep.”
Tam tremulum crisat, tam blandum prurit, ut ipsum
masturbatorem fecerit Hippolytum.
Other words and terms
Frico, “to rub, chafe”, cf. cont. vulg: “rub one out”
Petronius 91.11
“it is that much more advantageous to rub your groin rather than your genius”
tanto magis expedit inguina quam ingenia fricare
Sollicito, “to shake, stir, rouse, agitate, excite, urge” etc.
Despite Adam’s assertion, the primary examples he cites are about the manipulation of genitals by another party.
Ovid, Amores 3.7.73-4
“Despite this, my girl was not reluctant
To stroke me gently once she moved her hand down…”
Hanc etiam non est mea dedignata puella
molliter admota sollicitare manu;
Martial, 11.22.4
“Who denies this? This is too much. But let it be enough
Stop urging on their groins with that fucker of a hand.”
quis negat?—hoc nimium est. sed sit satis; inguina saltem
parce fututrici sollicitare manu.
Petronius 20.2
“She stirred up my groin which was cold already because of a thousand deaths.”
Sollicitavit inguina mea mille iam mortibus frigida
Cf. Maximianus 5.58 “she began to handle my dirty parts with her hand / and to excite me too with her fingers.” contrectare manu coepit flagrantia membra / meque etiam digitis sollicitare suis
“I don’t need a finger: handle me like this, Phyllis”
nil opus est digitis: sic mihi, Phylli, frica
Priapea 80.1-2
“But this limp dick is not long enough nor does it stand up strong enough,
Even if you play with it, do you think it can grow?”
At non longa bene est, non stat bene mentula crassa
et quam si tractes, crescere posse putes?
Adams 1982, 208:
(de)glubo: “to skin, flay, peel” cf. “skin off”
Ausonius, Epigram 79 “Inscribed Beneath the Picture of a Lusty Lady”
Beyond the genial joining of authorized sex
Sinful lust has discovered unnatural modes of love:
What the Lemnian lack posited to the heir of Herakles,
Or what the plays of Afranius in Roman garb presented
Or the total depravity that marked the Nolan people.
Somehow, in a single body, Crispa practices all three!
She masturbates, fellates, and rides with either hole—
So that she might not die frustrated, leaving anything untried.
LXXIX.—Subscriptum Picturae Mulieris impudicae
Praeter legitimi genialia foedera coetus
repperit obscenas veneres vitiosa libido:
Herculis heredi quam Lemnia suasit egestas,
quam toga facundi scaenis agitavit Afrani
et quam Nolanis capitalis luxus inussit.
Crispa tamen cunctas exercet corpore in uno:
deglubit, fellat, molitur per utramque cavernam,
ne quid inexpertum frustra moritura relinquat.
“Ovid rarely gave declamations on controversies, and those always of the ethical (character) variety. He was happier to declaim suasoriae (persuasion speeches). He hated to adduce proofs of any kind. In oratory, he did not choose his words with the same careless lack of restraint which he used in his poems, the faults of which he was not ignorant of – nay, he loved them! The surest proof of this is the fact that once, when he was asked by his friends if he would remove three verses from his poems, he asked in turn that he could make an exception for three verses, against which their request would not stand.
The proposal seemed fair, so they wrote in secret the three which they wanted to see removed, and he wrote down the ones which he wished preserved. In both pieces of paper there were the same three verses, of which the first was (as told by Albinovanus Pedo, who was among the judges):
et gelidum Borean egelidumque Notum. (Cold Boreas, and not-cold Notus.)
From which it is clear that this man of remarkable talent was not lacking the judgment to hold back the licentiousness of his poems, but rather, he lacked the will to do so. He would occasionally remark that that face was prettier which had a mole upon it.”
Declamabat autem Naso raro controversias et non nisi ethicas. libentius dicebat suasorias. molesta illi erat omnis argumentatio. verbis minime licenter usus est, non (ut) in carminibus, in quibus non ignoravit vitia sua sed amavit. manifestum potest esse (ex eo), quod rogatus aliquando ab amicis suis, ut tolleret tres versus, invicem petit, ut ipse tres exciperet, in quos nihil illis liceret. aequa lex visa est: scripserunt illi quos tolli vellent secreto, hic quos tutos esse vellet. in utrisque codicillis idem versus erant, ex quibus primum fuisse narrabat Albinovanus Pedo, qui inter arbitros fuit:
semibovemque virum semivirumque bovem;
secundum:
et gelidum Borean egelidumque Notum.
ex quo apparet summi ingenii viro non iudicium defuisse ad compescendam licentiam carminum suorum sed animum. aiebat interim decentiorem faciem esse, in qua aliquis naevus fuisset.
“I will not be so bold as to defend my lying ways
or to lift false weapons for the sake of my sins.
I admit it—if there’s any advantage to confessing;
Insane now I confront the crimes I’ve confessed:
I hate, and though I want to, I can’t stop being what I hate.
Alas, how it hurts to carry something you long to drop!”
Non ego mendosos ausim defendere mores
falsaque pro vitiis arma movere meis.
confiteor—siquid prodest delicta fateri;
in mea nunc demens crimina fassus eo.
odi, nec possum, cupiens, non esse quod odi;
heu, quam quae studeas ponere ferre grave est!
I cannot read this poem without thinking of this one (Carm. 85):
“I hate and I love: you might ask why I do this–
I don’t know, but I see it happen and it’s killing me.
Odi et amo. quare id faciam, fortasse requiris.
nescio, sed fieri sentio et excrucior.
“I will not be so bold as to defend my lying ways
or to lift false weapons for the sake of my sins.
I admit it—if there’s any advantage to confessing;
Insane now I confront the crimes I’ve confessed:
I hate, and though I want to, I can’t stop being what I hate.
Alas, how it hurts to carry something you long to drop!”
Non ego mendosos ausim defendere mores
falsaque pro vitiis arma movere meis.
confiteor—siquid prodest delicta fateri;
in mea nunc demens crimina fassus eo.
odi, nec possum, cupiens, non esse quod odi;
heu, quam quae studeas ponere ferre grave est!
I cannot read this poem without thinking of this one (Carm. 85):
“I hate and I love: you might ask why I do this–
I don’t know, but I see it happen and it’s killing me.
Odi et amo. quare id faciam, fortasse requiris.
nescio, sed fieri sentio et excrucior.
Anacreon, Fr. 428 (Hephaestion, Handbook on Meters)
“I love and again do not love
I am insane and yet sane too”
