“Know that Perictione used to carry Plato around in her arms. When Ariston, his father, was sacrificing to the Muses or the Nymphs on Hymêttos, the rest of the family was present for the worship and Perictione placed Plato in the nearby myrtles because they were thick and lush. While he slept, a swarm of bees placed some Hymêttian honey on his lips and buzzed their song around him, thus foretelling Plato’s eventual power of speech.”
“These things seem quite entertaining to me, but they are not true. I have also heard another reason for the bit, much more credible. I am happy with what is said by those who generally agree in Greece, who believe that the goddess is Hera and the work was made by Dionysus. For Dionysus went into Syria on the road that goes to Ethiopia. There are many signs left by Dionysus in the Shrine, among them are foreign clothing and Indian stones and Elephant horns which Dionysus brought from Ethiopia. There are also two really big phalluses that stand up at the entrance gates. This epigram has been inscribed upon them. ‘Dionysus dedicated these phalluses to Hera, his stepmother.’
This remains enough for me, but I will tell you of another oddity in the temple of Dionysus. The Greeks bear phalloi in honor of Dionysus, and they carry something in front of it, a little man carved out of wood which has huge genitals. These are called puppets. There is also one of these in the temple. On the right side of the temple, there is a small bronze man that has giant genitals.”
According to the Greek Anthology there was a temple to Apollônis, the mother of Attalos and Eumenes, at Cyzicos. The temple had at least nineteen epigrams inscribed on columns with accompanying relief images. All of the epigrams have mothers from myth and poetry as their subjects. The Eighth Epigram is on Odysseus’ mother Antikleia.
On the eighth tablet is the underworld visit of Odysseus. He addressed is own mother and asked her for news of his home (Greek Anthology 3.8)
“Wise-minded mother of Odysseus, Antikleia
You didn’t welcome your son home to Ithaka while alive.
Instead, he is shocked when his glance falls upon his sweet mother
Now wandering along the banks of Akheron.”
Of course, this scene plays upon book 11 of the Odyssey doubly: the image recalls Odysseus describing his mother in the Odyssey and it also plays upon the Odyssey’s catalogue of heroic mothers motif, which it in turn shares with the fragmentary Hesiodic Catalogue Of Women.
11.84-89
“Then came the spirit of my mother who had passed away,
The daughter of great-hearted Autolykos, Antikleia
Whom I left alive when I went to sacred Troy.
When I saw her I cried and pitied her in my heart,
But I could not allow her to come forward to touch
The blood before I had learned from Teiresias.”
Attalos, Eumenes and Apollônis? These were members of the Attalid clan who ruled from Pergamon during the Hellenistic period (after 241 BCE). Attalus I married Apollônis who was from Cyzicos.
I have a beautiful child: much-loved Cleis.
Her appearance brings to mind golden flowers.
Not for all of Lydia would I “<part with> her.
Greek Anthology 7.647
So, Gorgo spoke these final words to her dear mother,
Weeping, clinging to her neck:
“Stay here with father and have another child,
One with a better destiny than mine,
A helpmate in your grey old age.”
“These things seem quite entertaining to me, but they are not true. I have also heard another reason for the bit, much more credible. I am happy with what is said by those who generally agree in Greece, who believe that the goddess is Hera and the work was made by Dionysus. For Dionysus went into Syria on the road that goes to Ethiopia. There are many signs left by Dionysus in the Shrine, among them are foreign clothing and Indian stones and Elephant horns which Dionysus brought from Ethiopia. There are also two really big phalluses that stand up at the entrance gates. This epigram has been inscribed upon them. ‘Dionysus dedicated these phalluses to Hera, his stepmother.’
This remains enough for me, but I will tell you of another oddity in the temple of Dionysus. The Greeks bear phalloi in honor of Dionysus, and they carry something in front of it, a little man carved out of wood which has huge genitals. These are called puppets. There is also one of these in the temple. On the right side of the temple, there is a small bronze man that has giant genitals.”
According to the Greek Anthology there was a temple to Apollônis, the mother of Attalos and Eumenes, at Cyzicos. The temple had at least nineteen epigrams inscribed on columns with accompanying relief images. All of the epigrams have mothers from myth and poetry as their subjects. The Eighth Epigram is on Odysseus’ mother Antikleia.
On the eighth tablet is the underworld visit of Odysseus. He addressed is own mother and asked her for news of his home (Greek Anthology 3.8)
“Wise-minded mother of Odysseus, Antikleia
You didn’t welcome your son home to Ithaka while alive.
Instead, he is shocked when his glance falls upon his sweet mother
Now wandering along the banks of Akheron.”
Of course, this scene plays upon book 11 of the Odyssey doubly: the image recalls Odysseus describing his mother in the Odyssey and it also plays upon the Odyssey’s catalogue of heroic mothers motif, which it in turn shares with the fragmentary Hesiodic Catalogue Of Women.
11.84-89
“Then came the spirit of my mother who had passed away,
The daughter of great-hearted Autolykos, Antikleia
Whom I left alive when I went to sacred Troy.
When I saw her I cried and pitied her in my heart,
But I could not allow her to come forward to touch
The blood before I had learned from Teiresias.”
Attalos, Eumenes and Apollônis? These were members of the Attalid clan who ruled from Pergamon during the Hellenistic period (after 241 BCE). Attalus I married Apollônis who was from Cyzicos.
“The first place in explaining someone’s heritage is usually given to the father’s line, but we still owe much to our mothers. So it is not right that we give some smaller honor to the fact that we were our mothers’ burdens than that we were our father’s seeds.”
Est quidem princeps in genere monstrando partis paternae praerogativa, sed tamen multum est,quod debemus et matribus. non enim a nobis aliquid exilius fas honorari quod pondera illarum quam quod istorum semina sumus.
Vergil, Aeneid 2.796-798
“And here, I was shocked to find an overwhelming
Flood of new companions, mothers and men,
A band assembled for exile, a pitiable crowd.”
In honor of mother’s day, our separation from each other, and missed parents everywhere, a re-post inspired by Paul’s Mom. I keep these words in mind all the time now when I reconnected with friends: we all have stories, we all want to be heard. As Arsenius records the proverb, “Conversation [ or ‘reason’] is the doctor for suffering in the soul” (Λόγος ἰατρὸς τοῦ κατὰ ψυχὴν πάθους.) To listen to another–and hear them– is a sacred act.
“To a youth talking nonsense, he said “We have two ears, but one mouth so that we may hear more but speak less.”
A few years ago now I noticed the Paul Holdengraber‘s 7-word autobiography from brainpickings.org.: “Mother always said: Two Ears, One mouth.” The phrase bounced around in my head a bit–it has that aphoristic perfection of brevity and familiarity. So, I reached out to Paul over twitter and told him it sounded like something from a Greek philosopher like Heraclitus.
Proverbs have a special place in language and society cross-culturally–they strike a promise of insight that demands contemplation or explanation. They also have an air of authority and antiquity, even when they actually possess neither. And, unlike longer, less anonymized forms of language, they are repeated, borrowed, and stolen without end.
My late father was a great aphorist–perhaps missing him is part of why Paul’s tweet stuck with me. Most of my father’s words, however, were far more Archie Bunker than Aristotle. Those I can repeat were likely taken from his own father, a Master Sargent in WW2 who died a decade before I was born. The tendency to inherit and pass down proverbs is something I only really noticed when I had children and found myself ‘quoting’ (or becoming?) my father (“if you take care of your equipment it will take care of you”) or my grandmother (cribbing Oscar Wilde: “Only boring people get bored”).
So, when Paul thought it would be a gas if we actually translated his mother’s words into ancient Greek (and eventually Latin), I was ready. I got help from some great Classicists too. We came up with a few versions.
First, I went with classical rhetoric, a close antithesis: μήτηρ ἀεὶ ἔφη ὦτα μὲν δύο, ἕν δὲ στόμα. But our friend the Fantastic Festus argued that Heraclitus or Hesiod would not use use μὲν and δὲ so, so he suggested losing them for something like this:
μήτηρ ἀεὶ ἔφη ὦτα δύο, ἕν στόμα [“mother always used to say two ears, one mouth”]
This gave us Paul’s mother’s advice in seven Greek words and his mother’s advice. But this didn’t get us out of trouble. The critic, author and Classicist Daniel Mendelsohn suggested hexameters and from across the Atlantic the extraordinary Armand D’Angour obliged with a composition of his own:
At this point, I felt like I had entertained myself on a Saturday morning, involved my internet friends in a silly, though somewhat academic caper, and done a favor for a new friend to please the spirits of parents no longer with us. But the world wide web had a a plot twist I should have thought of.
Ancient Greek and Roman authors and scholars loved proverbs. Writers like Zenobius and Photius made collections and interpretations of them. The Byzantine Encyclopedia, the Suda, uses the word for proverb (in Greek paroimia) over 600 times and presents nearly as many distinct proverbs. (Many of which are wonderful.) And in the modern world, we have an entire academic field dedicated to the study of proverbial sayings: paroemiology. Let me tell you, we could have used en expert last fall.
While we were playing around with translations, one of our ‘players’, the grand Gerrit Kloss, let us know we were, to use a proverbial saying, reinventing the wheel. Zeno, the Cynic philosopher, was credited with this saying over two thousand years ago:
“These things seem quite entertaining to me, but they are not true. I have also heard another reason for the bit, much more credible. I am happy with what is said by those who generally agree in Greece, who believe that the goddess is Hera and the work was made by Dionysus. For Dionysus went into Syria on the road that goes to Ethiopia. There are many signs left by Dionysus in the Shrine, among them are foreign clothing and Indian stones and Elephant horns which Dionysus brought from Ethiopia. There are also two really big phalluses that stand up at the entrance gates. This epigram has been inscribed upon them. ‘Dionysus dedicated these phalluses to Hera, his stepmother.’
This remains enough for me, but I will tell you of another oddity in the temple of Dionysus. The Greeks bear phalloi in honor of Dionysus, and they carry something in front of it, a little man carved out of wood which has huge genitals. These are called puppets. There is also one of these in the temple. On the right side of the temple, there is a small bronze man that has giant genitals.”
According to the Greek Anthology there was a temple to Apollônis, the mother of Attalos and Eumenes, at Cyzicos. The temple had at least nineteen epigrams inscribed on columns with accompanying relief images. All of the epigrams have mothers from myth and poetry as their subjects. The Eighth Epigram is on Odysseus’ mother Antikleia.
On the eighth tablet is the underworld visit of Odysseus. He addressed is own mother and asked her for news of his home (Greek Anthology 3.8)
“Wise-minded mother of Odysseus, Antikleia
You didn’t welcome your son home to Ithaka while alive.
Instead, he is shocked when his glance falls upon his sweet mother
Now wandering along the banks of Akheron.”
Of course, this scene plays upon book 11 of the Odyssey doubly: the image recalls Odysseus describing his mother in the Odyssey and it also plays upon the Odyssey’s catalogue of heroic mothers motif, which it in turn shares with the fragmentary Hesiodic Catalogue Of Women.
11.84-89
“Then came the spirit of my mother who had passed away,
The daughter of great-hearted Autolykos, Antikleia
Whom I left alive when I went to sacred Troy.
When I saw her I cried and pitied her in my heart,
But I could not allow her to come forward to touch
The blood before I had learned from Teiresias.”
Attalos, Eumenes and Apollônis? These were members of the Attalid clan who ruled from Pergamon during the Hellenistic period (after 241 BCE). Attalus I married Apollônis who was from Cyzicos.
A few years ago now I noticed the Paul Holdengraber‘s 7-word autobiography from brainpickings.org.: “Mother always said: Two Ears, One mouth.” The phrase bounced around in my head a bit–it has that aphoristic perfection of brevity and familiarity. So, I reached out to Paul over twitter and told him it sounded like something from a Greek philosopher like Heraclitus.
Proverbs have a special place in language and society cross-culturally–they strike a promise of insight that demands contemplation or explanation. They also have an air of authority and antiquity, even when they actually possess neither. And, unlike longer, less anonymized forms of language, they are repeated, borrowed, and stolen without end.
My late father was a great aphorist–perhaps missing him is part of why Paul’s tweet stuck with me. Most of my father’s words, however, were far more Archie Bunker than Aristotle. Those I can repeat were likely taken from his own father, a Master Sargent in WW2 who died a decade before I was born. The tendency to inherit and pass down proverbs is something I only really noticed when I had children and found myself ‘quoting’ (or becoming?) my father (“if you take care of your equipment it will take care of you”) or my grandmother (cribbing Oscar Wilde: “Only boring people get bored”).
So, when Paul thought it would be a gas if we actually translated his mother’s words into ancient Greek (and eventually Latin), I was ready. I got help from some great Classicists too. We came up with a few versions.
First, I went with classical rhetoric, a close antithesis: μήτηρ ἀεὶ ἔφη ὦτα μὲν δύο, ἕν δὲ στόμα. But our friend the Fantastic Festus argued that Heraclitus or Hesiod would not use use μὲν and δὲ so, so he suggested losing them for something like this:
μήτηρ ἀεὶ ἔφη ὦτα δύο, ἕν στόμα [“mother always used to say two ears, one mouth”]
This gave us Paul’s mother’s advice in seven Greek words and his mother’s advice. But this didn’t get us out of trouble. The critic, author and Classicist Daniel Mendelsohn suggested hexameters and from across the Atlantic the extraordinary Armand D’Angour obliged with a composition of his own:
At this point, I felt like I had entertained myself on a Saturday morning, involved my internet friends in a silly, though somewhat academic caper, and done a favor for a new friend to please the spirits of parents no longer with us. But the world wide web had a a plot twist I should have thought of.
Ancient Greek and Roman authors and scholars loved proverbs. Writers like Zenobius and Photius made collections and interpretations of them. The Byzantine Encyclopedia, the Suda, uses the word for proverb (in Greek paroimia) over 600 times and presents nearly as many distinct proverbs. (Many of which are wonderful.) And in the modern world, we have an entire academic field dedicated to the study of proverbial sayings: paroemiology. Let me tell you, we could have used en expert last fall.
While we were playing around with translations, one of our ‘players’, the grand Gerrit Kloss, let us know we were, to use a proverbial saying, reinventing the wheel. Zeno, the Cynic philosopher, was credited with this saying over two thousand years ago:
“These things seem quite entertaining to me, but they are not true. I have also heard another reason for the bit, much more credible. I am happy with what is said by those who generally agree in Greece, who believe that the goddess is Hera and the work was made by Dionysus. For Dionysus went into Syria on the road that goes to Ethiopia. There are many signs left by Dionysus in the Shrine, among them are foreign clothing and Indian stones and Elephant horns which Dionysus brought from Ethiopia. There are also two really big phalluses that stand up at the entrance gates. This epigram has been inscribed upon them. ‘Dionysus dedicated these phalluses to Hera, his stepmother.’
This remains enough for me, but I will tell you of another oddity in the temple of Dionysus. The Greeks bear phalloi in honor of Dionysus, and they carry something in front of it, a little man carved out of wood which has huge genitals. These are called puppets. There is also one of these in the temple. On the right side of the temple, there is a small bronze man that has giant genitals.”
According to the Greek Anthology there was a temple to Apollônis, the mother of Attalos and Eumenes, at Cyzicos. The temple had at least nineteen epigrams inscribed on columns with accompanying relief images. All of the epigrams have mothers from myth and poetry as their subjects. The Eighth Epigram is on Odysseus’ mother Antikleia.
On the eighth tablet is the underworld visit of Odysseus. He addressed is own mother and asked her for news of his home (Greek Anthology 3.8)
“Wise-minded mother of Odysseus, Antikleia
You didn’t welcome your son home to Ithaka while alive.
Instead, he is shocked when his glance falls upon his sweet mother
Now wandering along the banks of Akheron.”
Of course, this scene plays upon book 11 of the Odyssey doubly: the image recalls Odysseus describing his mother in the Odyssey and it also plays upon the Odyssey’s catalogue of heroic mothers motif, which it in turn shares with the fragmentary Hesiodic Catalogue Of Women.
11.84-89
“Then came the spirit of my mother who had passed away,
The daughter of great-hearted Autolykos, Antikleia
Whom I left alive when I went to sacred Troy.
When I saw her I cried and pitied her in my heart,
But I could not allow her to come forward to touch
The blood before I had learned from Teiresias.”
Attalos, Eumenes and Apollônis? These were members of the Attalid clan who ruled from Pergamon during the Hellenistic period (after 241 BCE). Attalus I married Apollônis who was from Cyzicos.
“Know that Perictione used to carry Plato around in her arms. When Ariston, his father, was sacrificing to the Muses or the Nymphs on Hymêttos, the rest of the family was present for the worship and Perictione placed Plato in the nearby myrtles because they were thick and lush. While he slept, a swarm of bees placed some Hymêttian honey on his lips and buzzed their song around him, thus foretelling Plato’s eventual power of speech.”
