Telemachus is Not a Monster

The Odyssey is somewhat preoccupied with Telemachus’ paternity and the means by which it might be established. As mentioned in an earlier post, Aristotle suggests that children who are not like their father are monstrous. The Odyssey is also preoccupied with monstrous bodies–the giant Kikones, the deformed (morally and physically) Kyklopesthe transformed sailors, the mutilated bodies of servants–and the transformation of Odysseus’ body because of trauma at sea, age, and the needs of disguise. The threat of finding a monster at home might also be implied…

Athena signals Telemachus’ positive identity from the beginning. But the boy himself is uncertain! 

Homer, Odyssey 1.207-209

“…if in fact this great child is from the same Odysseus.
For you look terribly like that man in his beautiful eyes
and his head…”

εἰ δὴ ἐξ αὐτοῖο τόσος πάϊς εἰς ᾿Οδυσῆος.
αἰνῶς μὲν κεφαλήν τε καὶ ὄμματα καλὰ ἔοικας
κείνῳ, ἐπεὶ θαμὰ τοῖον ἐμισγόμεθ’ ἀλλήλοισι

Telemachus famously quibbles over the identification, wondering in classic moody adolescent fashion if any of this is true. Some of the scholia try to support him…

Od. 1.215-216

“My mother says that I am his, but I, well, I just
Don’t know. For no one ever witnesses his own origin…”

μήτηρ μέν τέ μέ φησι τοῦ ἔμμεναι, αὐτὰρ ἐγώ γε
οὐκ οἶδ’· οὐ γάρ πώ τις ἑὸν γόνον αὐτὸς ἀνέγνω.

Schol. EM ad Od. 1.215 ex

“No one knows his own origin..” and elsewhere [we find] “they claim that that man is my father” (Od.4.387.) Similarly, Euripides says “a mother is a more dear parent than a father / for she knows the child is hers but he only thinks it” and Menander says, “no one knows from what man he is born / but we all suspect or believe it.” And some claim that Telemachus says these things because he was left when he was small.”

οὐ γάρ πώ τις ἑὸν γόνον] καὶ ἀλλαχοῦ “τόνδε τ’ ἐμὸν πατέρα φάσ’ ἔμμεναι” (Od. δ, 387.). ὁμοίως Εὐριπίδης “μήτηρ φιλότεκνος μᾶλλον πατρός· ἡ μὲν γὰρ αὐτῆς οἶδεν ὄνθ’, ὁ δ’ οἴεται.” καὶ Μένανδρος “αὑτὸν γὰρ οὐδεὶς οἶδε τοῦ ποτ’ ἐγένετο, ἀλλ’ ὑπονοοῦμεν πάντες ἢ πιστεύομεν.” τινὲς δὲ ταῦτα τὸν Τηλέμαχόν φασι λέγειν ἐπεὶ μικρὸς καταλέλειπται. E.M.

Later in the Odyssey, Nestor likens son to father (implicitly).

Od. 3.121-125

“..when shining Odysseus father was preeminent in all kinds of tricks, your father,   if truly you are his son. And wonder overtakes me as I look at you
For your speeches, at least, are really fine—no one would expect
A younger man to utter such suitable things.”

…ἐπεὶ μάλα πολλὸν ἐνίκα δῖος ᾿Οδυσσεὺς
παντοίοισι δόλοισι, πατὴρ τεός, εἰ ἐτεόν γε
κείνου ἔκγονός ἐσσι· σέβας μ’ ἔχει εἰσορόωντα.
ἦ τοι γὰρ μῦθοί γε ἐοικότες, οὐδέ κε φαίης
ἄνδρα νεώτερον ὧδε ἐοικότα μυθήσασθαι.

In Sparta, Helen notes that Telemachus looks like, well, Telemachus even though she has never seen him! Menelaos agrees. The scholia get a little frustrated.

Od. 4.138-146

“For I do not think that anyone looks so suitable,
Neither a man nor a woman, and wonder overtakes me as I look at him,
How this one looks like the son of great-hearted Odysseus,
Telemachus, the one that man left just born in his household
When the Achaeans left for the sake of dog-faced me
And went to Troy, raising their bold war.”

οὐ γάρ πώ τινά φημι ἐοικότα ὧδε ἰδέσθαι
οὔτ’ ἄνδρ’ οὔτε γυναῖκα, σέβας μ’ ἔχει εἰσορόωσαν,
ὡς ὅδ’ ᾿Οδυσσῆος μεγαλήτορος υἷι ἔοικε,
Τηλεμάχῳ, τὸν ἔλειπε νέον γεγαῶτ’ ἐνὶ οἴκῳ
κεῖνος ἀνήρ, ὅτ’ ἐμεῖο κυνώπιδος εἵνεκ’ ᾿Αχαιοὶ
ἤλθεθ’ ὑπὸ Τροίην, πόλεμον θρασὺν ὁρμαίνοντες.”

Schol. E. ad Od. 4.143

“She says these things even though she has not seen Telemachus but based instead on the character of Odysseus.”

οὐ Τηλέμαχον εἰδυῖα ταῦτα λέγει, ἀλλ’ ἐκ τοῦ χαρακτῆρος τοῦ ᾿Οδυσσέως. E.

Schol. Q ad. Od. 4.143

“She compares him to his father even though she has never seen Odysseus’ child.”

ἐξομοιοῖ δὲ αὐτὸν τῷ πατρὶ οὐχ ἑωρακυῖά ποτε ᾿Οδυσσέως παῖδα. Q.

Od. 4.147-150

“Fair Menelaos spoke to her and answered:
‘I was just thinking the same thing, wife, which you imagined.
For these are the same kind of feet and hands,
The look of the eyes and the hair on the head as that man.”

τὴν δ’ ἀπαμειβόμενος προσέφη ξανθὸς Μενέλαος·
“οὕτω νῦν καὶ ἐγὼ νοέω, γύναι, ὡς σὺ ἐΐσκεις·
κείνου γὰρ τοιοίδε πόδες τοιαίδε τε χεῖρες
ὀφθαλμῶν τε βολαὶ κεφαλή τ’ ἐφύπερθέ τε χαῖται.

Schol H. ad Od. 4.149 ex 1-4

“These sort of feet are that man’s”: For likeness in bodies especially shows through in the extremities and the gaze. And however so much grows more slowly, that much provides more precise signs of recognition over time. This is why it is said “From feet to the head.”

κείνου γὰρ τοιοίδε πόδες] ἐκ γὰρ τῶν ἄκρων καὶ τῆς ὄψεως μάλιστα αἱ ὁμοιότητες τῶν σωμάτων ἐμφαίνονται. ὅσον δὲ βράδιον ἐστοχάσατο, τοσοῦτον ἀκριβέστερον ἀπεφήνατο τὸν μεταξὺ χρόνον δηλονότι κατανοῶν. τὸ δὲ λεγόμενον, ἐκ ποδῶν εἰς κεφαλήν. H.

The threat of children not looking like fathers is central to the fall of the race of iron. But it is couched within a general social collapse. In this case, ancient scholia turn to the abstract issue. In this case, a child dissimilar to parents would be a monstrum, but in the sense of an omen or a sign of a fallen generation. From this perspective the tension latent in Telemachus’ potential dissimilarity to his father is about stability of the last generation of epic heroes. The bastard sons of Odysseus and potential infidelity of Penelope signal, perhaps, the end of the race of heroes and a premature end to heroic epic.

Hesiod, Works and Days 180–185

“Zeus will destroy this race of mortal humans
Or they will perish when they are born with temples already grey.
Then a father will not be like his children, nor children at all like parents;
A guest will not be dear to a host, a friend not to a friend
And a relative will not be dear as in years before.”

Ζεὺς δ’ ὀλέσει καὶ τοῦτο γένος μερόπων ἀνθρώπων,
εὖτ’ ἂν γεινόμενοι πολιοκρόταφοι τελέθωσιν.
οὐδὲ πατὴρ παίδεσσιν ὁμοίιος οὐδέ τι παῖδες
οὐδὲ ξεῖνος ξεινοδόκῳ καὶ ἑταῖρος ἑταίρῳ,
οὐδὲ κασίγνητος φίλος ἔσσεται, ὡς τὸ πάρος περ.
αἶψα δὲ γηράσκοντας ἀτιμήσουσι τοκῆας·

Schol. ad. Hes. Th. 182b-d ex.

b. “Similar to…” likeness, similarity, a shared voice or similarity in mind or in shape, [lost here] because of the multitude of wickedness and adulteries…”

b. ὁμοίιος: ὁμονοητικός, σύμφωνος ἢ ὅμοιος τῇ γνώμῃ ἢ τῇ ἰδέᾳ, διὰ τὸ τῶν κακιῶν πλῆθος καὶ τῶν μοιχειῶν…

“similar to”: the similarity is clearly the commonness, the conversation, and the affection. For affection (philia) develops from similarity. Altogether this expresses tragically the oncoming evils in life following this, the distrust between children and fathers, between guests and hosts, and among friends. Friendship is the third thing mentioned. Also: cognate, companionable, hospitable.”

c.ὁμοίιος: τὸ μὲν ὁμοίιος δηλοῖ τὸ κοινωνικὸν καὶ προσήγορον καὶ φίλιον· φιλία γὰρ
δι’ ὁμοιότητος ἐπιτελεῖται. πάντα δὲ ἐκτραγῳδεῖ τὰ ἐπεισελθόντα κακὰ τῷ βίῳ μετ’ αὐτόν, τὴν ἀπιστίαν τῶν παίδων καὶ πατέρων, τὴν τῶν ξένων καὶ ξενοδόχων, τὴν τῶν ἑταίρων πρὸς ἀλλήλους. τριττὴ γὰρ ἡ φιλία· συγγενική,
ἑταιρική, ξενική.

d. “Similar to”: Similarity of men, having one desire or, he means, through mixing it up with other women, the bastard sons too.”

d.<ὁμοίιος:> ὁμογνώμων, μίαν θέλησιν ἔχων ἢ διὰ τὰς ἀλληλομιξίας λέγων τῶν γυναικῶν καὶ τοὺς νόθους υἱούς.

Later, Aristotle channels some of the same cultural assumptions from a scientific perspective. Here the monstrum (greek teras) is an indication of deformity.

Aristotle, Generation of Animals, Book 4, 767b

“These causes are also of the same. Some [offspring] are born similar to their parents while others are not. Some are similar to their father; others are like their mother, applying both to the body as a whole and to each part. Offspring are more like their parents than their ancestors and more like their ancestors than passersby.

Males are more similar to their father and females are more similar to their mother. But some are not like any of their relatives, but are still akin to human beings while others are like not at all like humans in their appearance, but rather like some monster. For whoever is not like his parents is in some way a monster because nature has in these cases wandered in some way from the essential character.”

Αἱ δ᾿ αὐταὶ αἰτίαι καὶ τοῦ τὰ μὲν ἐοικότα γίνεσθαι τοῖς τεκνώσασι τὰ δὲ μὴ ἐοικότα, καὶ τὰ μὲν πατρὶ τὰ δὲ μητρί, κατά τε ὅλον τὸ σῶμα καὶ κατὰ μόριον ἕκαστον, καὶ μᾶλλον αὐτοῖς ἢ τοῖς προγόνοις, καὶ τούτοις ἢ τοῖς τυχοῦσι, καὶ τὰ μὲν ἄρρενα μᾶλλον τῷ πατρὶ τὰ δὲ θήλεα τῇ μητρί, τὰ δ᾿ οὐδενὶ τῶν συγγενῶν, ὅμως δ᾿ ἀνθρώπῳ γέ τινι, τὰ δ᾿ οὐδ᾿ ἀνθρώπῳ τὴν ἰδέαν ἀλλ᾿ ἤδη τέρατι. καὶ γὰρ ὁ μὴ ἐοικὼς τοῖς γονεῦσιν ἤδη τρόπον τινὰ τέρας ἐστίν· παρεκβέβηκε γὰρ ἡ φύσις ἐν τούτοις ἐκ τοῦ γένους τρόπον τινά.

Image result for Ancient Greek Telemachus
“Look how big and beautiful I am.” Mid-4th century BC. Berlin, Staatliche Museen

Ancient Vampires 2: What’s Really Scary is Misogyny

This is the second post about ancient Greek Vampires. The first looked at the Empousa. 

Lucian, Lover of Lies 2

“…these are various and disturbing tales, able to rattle the minds of children who still fear Mormo and Lamia.”

πάνυ ἀλλόκοτα καὶ τεράστια μυθίδια παίδων ψυχὰς κηλεῖν δυνάμενα ἔτι τὴν Μορμὼ καὶ τὴν Λάμιαν δεδιότων.

The Lamia (or, just Lamia to her friends) is one of the figures from Greek myth who seems like a frightening monster but really is a particular distillation of misogyny. She is often called a Greek ‘vampire’ along with Empousa. Unlike the latter, however, Lamia is specifically associated with killing children.

Diodorus Siculus, 20.40

“At the rock’s root there was a very large cave which was roofed with ivy and bryony in which the myths say the queen Lamia, exceptional for her beauty, was born. But, because of the beastliness of her soul, they say that her appearance has become more monstrous in the time since then.

For, when all her children who were born died, she was overwhelmed by her suffering and envied all the women who were luckier with their children. So she ordered that the infants be snatched from their arms and killed immediately. For this reason, even in our lifetime, the story of that women has lingered among children and the mention of her name is most horrifying to them.

But, whenever she was getting drunk, she would allow people to do whatever pleased them without observation. Because she was not closely watching everything at that time, the people in that land imagined that she could not see. This is why the myth developed that she put her eyes into a bottle, using this story a metaphor for the carelessness she enacted in wine, since that deprived her of sight.”

 περὶ δὲ τὴν ῥίζαν αὐτῆς ἄντρον ἦν εὐμέγεθες, κιττῷ καὶ σμίλακι συνηρεφές, ἐν ᾧ μυθεύουσι γεγονέναι βασίλισσαν Λάμιαν τῷ κάλλει διαφέρουσαν· διὰ δὲ τὴν τῆς ψυχῆς ἀγριότητα διατυπῶσαί φασι τὴν ὄψιν αὐτῆς τὸν μετὰ ταῦτα χρόνον θηριώδη. τῶν γὰρ γινομένων αὐτῇ παίδων ἁπάντων τελευτώντων βαρυθυμοῦσαν ἐπὶ τῷ πάθει καὶ φθονοῦσαν ταῖς τῶν ἄλλων γυναικῶν εὐτεκνίαις κελεύειν ἐκ τῶν ἀγκαλῶν ἐξαρπάζεσθαι τὰ βρέφη καὶ παραχρῆμα ἀποκτέννειν. διὸ καὶ καθ᾿ ἡμᾶς μέχρι τοῦ νῦν βίου παρὰ τοῖς νηπίοις διαμένειν τὴν περὶ τῆς γυναικὸς ταύτης φήμην καὶ φοβερωτάτην αὐτοῖς εἶναι τὴν ταύτης προσηγορίαν. ὅτε δὲ μεθύσκοιτο, τὴν ἄδειαν διδόναι πᾶσιν ἃ βούλοιντο ποιεῖν ἀπαρατηρήτως. μὴ πολυπραγμονούσης οὖν αὐτῆς κατ᾿ ἐκεῖνον τὸν χρόνον τὰ γινόμενα τοὺς κατὰ τὴν χώραν ὑπολαμβάνειν μὴ βλέπειν αὐτήν· καὶ διὰ τοῦτ᾿ ἐμυθολόγησάν τινες ὡς εἰς ἄρσιχον ἐμβάλοι τοὺς ὀφθαλμούς, τὴν ἐν οἴνῳ συντελουμένην ὀλιγωρίαν εἰς τὸ προειρημένον μέτρον μεταφέροντες, ὡς τούτου παρῃρημένου τὴν ὅρασιν.

Euripides, fr. 472m (=Diodorus Siculus 20.41.6)

“Who does not know my name, most hateful to men,
The Lamia, a Libyan by birth?”

τίς τοὐ<μὸν ὄ>νομα τοὐπονείδιστον βροτοῖς
οὐκ οἶδε Λαμίας τῆς Λιβυστικῆς γένος;

The story of why Lamia killed children gets a little more depressing in the Fragments of the Greek Historians

Duris, BNJ 76 F17 [= Photios s.v. Lamia]

“In the second book of his Libyan History, Duris reports that Lamia was a fine looking woman but after Zeus had sex with her, Hera killed the children she bore because she was envious. As a result she was disfigured by grief and would seize and kill the children of others.”

ταύτην ἐν τῆι Λιβύηι Δοῦρις ἐν δευτέρωι Λιβυκῶν ἱστορεῖ γυναῖκα καλὴν γενέσθαι, μιχθέντος δ᾽ αὐτῆι Διὸς ὑφ᾽ ῞Ηρας ζηλοτυπουμένην ἃ ἔτικτεν ἀπολλύναι· διόπερ ἀπὸ τῆς λύπης δύσμορφον γεγονέναι καὶ τὰ τῶν ἄλλων παιδία ἀναρπάζουσαν διαφθείρειν.

Elsewhere, the evidence of narratives about Lamia are rather limited. She becomes just another negative, female monster.

Suda, Lambda 85

“Lamia: a monster. The name comes from having a gaping throat, laimia and lamia. Aristophanes: “It has the smell of a seal, the unwashed balls of a Lamia.” For testicles are active—and he is making a fantasy image of Lamia’s balls, since she is female.”

Λάμια: θηρίον. ἀπὸ τοῦ ἔχειν μέγαν λαιμόν, λαίμια καὶ λάμια. ᾿Αριστοφάνης· φώκης δ’ εἶχεν ὀσμήν, λαμίας ὄρχεις ἀπολύτους. δραστικοὶ γὰρ οἱ ὄρχεις. εἰδωλοποιεῖ δέ τινας ὄρχεις λαμίας· θῆλυ γάρ.

Unlike Empousa and some others, Lamia is interestingly integrated in some other genealogical traditions.

Schol. G ad Ap. Rhodes 4.825-831

“Stesichorus says in his Skylla, regarding her form, that Skylla is the daughter of Lamia.”

Στησίχορος δὲ ἐν τῇ Σκύλλῃ †εἶδός τινος† Λαμίας τὴν Σκύλλαν φησὶ θυγατέρα εἶναι.

Pausanias on Phocis, 12

“There is a crag rising up over the ground on which the Delphians claim that a woman stood singing oracles, named Hêrophilê but known as Sibyl. There is the earlier Sibyl, the one I have found to be equally as old as the others, whom the Greeks claim is the daughter of Zeus and Lamia, the daughter of Poseidon. She was the first woman to sing oracles and they say that she was named Sibyl by the Libyans. Hêrophilê was younger than here, but she was obviously born before the Trojan War since she predicted Helen in her oracles, that was raised up in Sparta as the destruction for Asia and Europe and that Troy would be taken by the Greeks because of her.”

XII. Πέτρα δέ ἐστιν ἀνίσχουσα ὑπὲρ τῆς γῆς· ἐπὶ ταύτῃ Δελφοὶ στᾶσάν φασιν ᾆσαι τοὺς χρησμοὺς γυναῖκα ὄνομα Ἡροφίλην, Σίβυλλαν δὲ ἐπίκλησιν. τὴν δὲ πρότερον γενομένην, ταύτην ταῖς μάλιστα ὁμοίως οὖσαν ἀρχαίαν εὕρισκον, ἣν θυγατέρα Ἕλληνες Διὸς καὶ Λαμίας τῆς Ποσειδῶνός φασιν εἶναι, καὶ χρησμούς τε αὐτὴν γυναικῶν πρώτην ᾆσαι καὶ ὑπὸ τῶν Λιβύων Σίβυλλαν λέγουσιν ὀνομασθῆναι. ἡ δὲ Ἡροφίλη νεωτέρα μὲν ἐκείνης, φαίνεται δὲ ὅμως πρὸ τοῦ πολέμου γεγονυῖα καὶ αὕτη τοῦ Τρωικοῦ, καὶ Ἑλένην τε προεδήλωσεν ἐν τοῖς χρησμοῖς, ὡς ἐπ᾿ ὀλέθρῳ τῆς Ἀσίας καὶ Εὐρώπης τραφήσοιτο ἐν Σπάρτῃ, καὶ ὡς Ἴλιον ἁλώσεται δι᾿ αὐτὴν ὑπὸ Ἑλλήνων.

Dionysus of Halicarnassus, On Thucydides 6

“Foremost he differed from previous authors in this, by which I mean how he took on a subject that was not a single thread nor one divided in many different and also disconnected parts. And then, because did not include mythical material in his work and he did not use his writing for the deception and bewitchment of many, as every author before him did when they told the stories of certain Lamiai rising up from the earth in groves and glens and of amphibious Naiads rushing out of Tartaros, half-beasts swimming through the seas and then joining together in groups among humans, and producing offspring of mortals and gods, demigods—and other stories which seem extremely unbelievable and untrustworthy to us now.”

πρῶτον μὲν δὴ κατὰ τοῦτο διήλλαξε τῶν πρὸ αὐτοῦ συγγραφέων, λέγω δὲ κατὰ τὸ λαβεῖν ὑπόθεσιν μήτε μονόκωλον παντάπασι μήτ᾿ εἰς πολλὰ μεμερισμένην καὶ ἀσυνάρτητα κεφάλαια· ἔπειτα κατὰ τὸ μηδὲν αὐτῇ μυθῶδες προσάψαι, μηδ᾿ εἰς ἀπάτην καὶ γοητείαν τῶν πολλῶν ἐκτρέψαι τὴν γραφήν, ὡς οἱ πρὸ αὐτοῦ πάντες ἐποίησαν, Λαμίας τινὰς ἱστοροῦντες ἐν ὕλαις καὶ νάπαις ἐκ γῆς ἀνιεμένας, καὶ Ναΐδας ἀμφιβίους ἐκ Ταρτάρων ἐξιούσας καὶ διὰ πελάγους νηχομένας καὶ μιξόθηρας, καὶ ταύτας εἰς ὁμιλίαν ἀνθρώποις συνερχομένας, καὶ ἐκ θνητῶν καὶ θείων συνουσιῶν γονὰς ἡμιθέους, καὶ ἄλλας τινὰς ἀπίστους τῷ καθ᾿ ἡμᾶς βίῳ καὶ πολὺ τὸ ἀνόητον ἔχειν δοκούσας ἱστορίας.

There is another variant name–she might get her own entry some day

Suda, s.v.Μορμώ 

Mormô, in the genitive Mormous, declined like Sappho. There is also the form Mormôn, genitive Mormonos. Aristophanes says “I ask you, take this Mormo away from me”. This meant to dispel frightening things. For Mormo is frightening. And again in Aristophanes: “A Mormo for courage”. There is also a mormalukeion which they also call a Lamia. They were also saying frightening things like this.”

Μορμώ: λέγεται καὶ Μορμώ, Μορμοῦς, ὡς Σαπφώ. καὶ Μορμών, Μορμόνος. Ἀριστοφάνης: ἀντιβολῶ σ’, ἀπένεγκέ μου τὴν Μορμόνα. ἄπο τὰ φοβερά: φοβερὰ γὰρ ὑπῆρχεν ἡ Μορμώ. καὶ αὖθις Ἀριστοφάνης: Μορμὼ τοῦ θράσους. μορμολύκειον, ἣν λέγουσι Λαμίαν: ἔλεγον δὲ οὕτω καὶ τὰ φοβερά.

 In some traditions, Lamia became proverbial

Plutarch, De Curiositate [On Being a Busybod y] 516a

“Now, just as in the myth they say that Lamia sleeps at home, putting her eyes set aside in some jar, but when she goes out she puts them back in and peers around, in the same way each of us puts his curiosity, as if fitting in an eye, into meanness towards others. But we often stumble over our own mistakes and faults because of ignorance, since we fail to secure sight or light for them.

For this reason, a busybody is rather useful to his enemies, since he rebukes and emphasizes their faults and shows them what they should guard and correct, even as he overlooks most of his own issues thanks to his obsession with everyone else. This is why Odysseus did not stop to speak with his mother before he inquired from the seer about those things for which he had come to Hades. Once he had made his inquiry, he turned to his own mother and also the other women, asking who Tyro was, who beautiful Khloris was, and why Epikaste had died.”

Lamia is not well-attested in art and myth

νῦν δ’ ὥσπερ ἐν τῷ μύθῳ τὴν Λάμιαν λέγουσιν οἴκοι μὲν εὕδειν τυφλήν, ἐν ἀγγείῳ τινὶ τοὺς ὀφθαλμοὺς ἔχουσαν ἀποκειμένους, | ἔξω δὲ προϊοῦσαν ἐντίθεσθαι καὶ βλέπειν, οὕτως ἡμῶν ἕκαστος ἔξω καὶ πρὸς ἑτέρους τῇ κακονοίᾳ τὴν περιεργίαν ὥσπερ ὀφθαλμὸν ἐντίθησι, τοῖς δ’ ἑαυτῶν ἁμαρτήμασι καὶ κακοῖς πολλάκις περιπταίομεν ὑπ’ ἀγνοίας, ὄψιν ἐπ’ αὐτὰ καὶ φῶς οὐ ποριζόμενοι. διὸ καὶ τοῖς ἐχθροῖς ὠφελιμώτερός ἐστιν ὁ πολυπραγμονῶν· τὰ γὰρ ἐκείνων ἐλέγχει καὶ προφέρεται καὶ δείκνυσιν αὐτοῖς ἃ δεῖ φυλάξασθαι καὶ διορθῶσαι, τῶν δ’ οἴκοι τὰ πλεῖστα παρορᾷ διὰ τὴν περὶ τὰ ἔξω πτόησιν. ὁ μὲν γὰρ ᾿Οδυσσεὺς (λ 84 sqq.) οὐδὲ τῇ μητρὶ διαλεχθῆναι πρότε- ρον ὑπέμεινεν ἢ πυθέσθαι παρὰ τοῦ μάντεως, ὧν ἕνεκ’ ἦλθεν εἰς ῞Αιδου, πυθόμενος δὲ οὕτω πρός τε ταύτην ἔτρεψεν αὑτόν, καὶ τὰς ἄλλας γυναῖκας ἀνέκρινε, τίς ἡ Τυρὼ καὶ τίς ἡ καλὴ Χλωρὶς καὶ διὰ τί ἡ ᾿Επικάστη ἀπέθανεν…

Image result for Ancient Greek Lamia vase
Skylla, relative of Lamia. More Misogyny.

Some other misogynistic tales from myth with telling variants

The Lemnian Women and their Terrible Smell

The Privileging of Klytemnestra’s Infamy

The Terrible Tale of Asclepius’ Two Mothers

Pretty Much Everything about Medea

Kassandra’s Prophecy and Life

Kassandra’s Children

The Death of Hecuba

Helen and Iphigenia

Ancient Greek Vampires 1: Empousa

The classic Transylvanian-style vampire—male, nocturnal, fanged—is really a product of folklore and gothic horror after the middle ages (with garlic, mirrors, crosses and stakes coming at various times from various places). But human blood-eating creatures of pleasure were present in ancient folktales as well. They are not prominent, but the Lamia and the Empousa, both female creatures of death who live off the life-force of the young, are attested as early as the 5th century BCE. Our best references, however, come from later antiquity. For ease, I am just going to translate them both as ‘vampire’. (There will be a second post about Lamia.) Here are some facts about Empousa.

Vampires live in the East. They can be Frightened off with mockery.

Eusebius, Contra Hieroclem 382.11 4th Century CE 

“These things are from the first book. Let us move on to the material in the second. The story picks up and follows the journey from Persia to India—there, they experienced something surprising—he says that [Apollodorus] saw something paranormal, what he calls a vampire [empousa], on the road and that they drove it away with mockery

Καὶ ταῦτα μὲν ἀπὸ τοῦ πρώτου συγγράμματος, ἐπίωμεν δὲ καὶ τὰ ἐκ τοῦ δευτέρου. τὴν ἀπὸ Περσίδος ἐπ᾿ Ἰνδοὺς πορείαν ἄγει παραλαβὼν αὐτὸν ὁ λόγος. εἶτά τι πεπονθὼς ἀπειρόκαλον, ὥσπερ τι παράδοξον, δαιμόνιόν τι, ὃ καὶ ἔμπουσαν ὀνομάζει, κατὰ τὴν ὁδὸν ἰδόντα λοιδορίαις ἅμα τοῖς ἀμφ᾿ αὐτὸν ἀπελάσαι φησί,

Vampires are Shapeshifters

Philostratus, Apollonius of Tyana II, 4 2nd Century CE 

“After they went over the Caucasus they saw people who were four-lengths tall and who already dark-skinned. Once they crossed the river into India, they saw others who were five lengths tall. In the journey up to this river, I have picked out these things as worthy of investigation. For they were traveling in the clear moonlight when a phantom of a vampire [empousa] met them, changing into this scary thing and then another and then nothing! Apollonius understood what thing it was and mocked the vampire himself and ordered his companions—for this is the response to this kind of attack. The apparition went into flight like a ghost.”

Παραμείψαντες δὲ τὸν Καύκασον τετραπήχεις ἀνθρώπους ἰδεῖν φασιν, οὓς ἤδη μελαίνεσθαι, καὶ πεντεπήχεις δὲ ἑτέρους ὑπὲρ τὸν Ἰνδὸν ποταμὸν ἐλθόντες. ἐν δὲ τῇ μέχρι τοῦ ποταμοῦ τούτου ὁδοιπορίᾳ τάδε εὗρον ἀφηγήσεως ἄξια· ἐπορεύοντο μὲν γὰρ ἐν σελήνῃ λαμπρᾷ, φάσμα δὲ αὐτοῖς ἐμπούσης ἐνέπεσε τὸ δεῖνα γινομένη καὶ τὸ δεῖνα αὖ καὶ οὐδὲν εἶναι, ὁ δὲ Ἀπολλώνιος ξυνῆκεν, ὅ τι εἴη, καὶ αὐτός τε ἐλοιδορεῖτο τῇ ἐμπούσῃ, τοῖς τε ἀμφ᾿ αὑτὸν προσέταξε ταὐτὸ πράττειν, τουτὶ γὰρ ἄκος εἶναι τῆς προσβολῆς ταύτης· καὶ τὸ φάσμα φυγῇ ᾤχετο τετριγός ὥσπερ τὰ εἴδωλα.

Vampires like to eat the young (their blood is better)

4.5-6 “She said “be quiet and go away” and seemed to be disgusted at what she heard. And, I think, she was mocking philosophers for always talking nonsense. When, afterward, the golden bowls and what seemed to be silver was shown to be unreal—when everything flew from our eyes as the cup-bearers, the cooks, and every kind of servant disappeared as they were cross-examined by Apollonios—then the apparition seemed to be crying and was pleading that he not test her or compel her to agree what kind of thing she was. But when Apollonius laid on the pressure, she confessed that she was a vampire [empousa] who had been fattening Menippus with delights to eat on his body since she typically ate fine young bodies because their blood was more vital.

I have drawn out this tale, which happens to be the best known concerning Apollonius, out of necessity—most know that it occurred somewhere in the middle of Greece, but they have acquired only a summary account of how he once trapped a Lamia in Korinth. They don’t know what she was doing and that it was for Melanippus. The story is told by Damis and now by me from his records.”

Ἡ δὲ “εὐφήμει” ἔλεγε “καὶ ἄπαγε,” καὶ μυσάττεσθαι ἐδόκει, ἃ ἤκουε, καί που καὶ ἀπέσκωπτε τοὺς φιλοσόφους, ὡς ἀεὶ ληροῦντας. ἐπεὶ μέντοι τὰ ἐκπώματα τὰ χρυσᾶ καὶ ὁ δοκῶν ἄργυρος ἀνεμιαῖα ἠλέγχθη, καὶ διέπτη τῶν ὀφθαλμῶν ἅπαντα, οἰνοχόοι τε καὶ ὀψοποιοὶ καὶ ἡ τοιαύτη θεραπεία πᾶσα ἠφανίσθησαν, ἐλεγχόμενοι ὑπὸ τοῦ Ἀπολλωνίου, δακρύοντι ἐῴκει τὸ φάσμα καὶ ἐδεῖτο μὴ βασανίζειν αὐτό, μηδὲ ἀναγκάζειν ὁμολογεῖν, ὅ τι εἴη, ἐπικειμένου δὲ καὶ μὴ ἀνιέντος ἔμπουσά τε εἶναι ἔφη καὶ πιαίνειν ἡδοναῖς τὸν Μένιππον ἐς βρῶσιν τοῦ σώματος, τὰ γὰρ καλὰ τῶν σωμάτων καὶ νέα σιτεῖσθαι ἐνόμιζεν, ἐπειδὴ ἀκραιφνὲς αὐτοῖς τὸ αἷμα.

Τοῦτον τὸν λόγον γνωριμώτατον τῶν Ἀπολλωνίου τυγχάνοντα ἐξ ἀνάγκης ἐμήκυνα, γιγνώσκουσι μὲν γὰρ πλείους αὐτόν, ἅτε καθ᾿ Ἑλλάδα μέσην πραχθέντα, ξυλλήβδην δὲ αὐτὸν παρειλήφασιν, ὅτι ἕλοι ποτὲ ἐν Κορίνθῳ λάμιαν, ὅ τι μέντοι πράττουσαν καὶ ὅτι ὑπὲρ Μενίππου, οὔπω γιγνώσκουσιν, ἀλλὰ Δάμιδί τε καὶ ἐκ τῶν ἐκείνου λόγων ἐμοὶ εἴρηται.

Vampires like to have sex with mortals and then eat them

4.4 “What I was saying is that this woman is one of the vampires [empousai], whom most people think are the same as Lamiae or werewolves. Vampires feel desire, but they long for human sex and flesh most of all. They use sex to catch the ones they want to eat.”

ὃ λέγω, ἡ χρηστὴ νύμφη μία τῶν ἐμπουσῶν ἐστιν, ἃς λαμίας τε καὶ μορμολυκεῖα οἱ πολλοὶ ἡγοῦνται. ἐρῶσι δ᾿ αὗται καὶ ἀφροδισίων μέν, σαρκῶν δὲ μάλιστα ἀνθρωπείων ἐρῶσι καὶ παλεύουσι τοῖς ἀφροδισίοις, οὓς ἂν ἐθέλωσι δαίσασθαι.”

7.29 “King, would someone who is covetous enough of honor to appear to be a sorcerer seem to credit to a god what he had done himself? What awestruck audiences for his skill would there be if he were to hand the wonder to a god? What kind of a sorcerer would pray to Herakles? These wicked devils credit their kinds of acts to ditches and underworld gods from whom Herakles must be separated since he is cleansed and it good to people. I prayed to him at some point in the Peloponnese for there was some apparition of a vampire [lamia] there too eating the fine forms of young men….”

“Τίς ἂν οὖν σοι, βασιλεῦ, δοκεῖ φιλοτιμούμενος γόης φαίνεσθαι θεῷ ἀναθεῖναι, ὃ αὐτὸς εἴργαστο; τίνας δ᾿ ἂν κτήσασθαι θαυμαστὰς τῆς τέχνης θεῷ παρεὶς τὸ θαυμάζεσθαι; τίς δ᾿ ἂν Ἡρακλεῖ εὔξασθαι γόης ὤν; τὰ γὰρ τοιαῦτα οἱ κακοδαίμονες βόθροις ἀνατιθέασι καὶ χθονίοις θεοῖς, ὧν τὸν Ἡρακλέα ἀποτακτέον, καθαρὸς γὰρ καὶ τοῖς ἀνθρώποις εὔνους. ηὐξάμην αὐτῷ καὶ ἐν Πελοποννήσῳ ποτέ, λαμίας γάρ τι φάσμα κἀκεῖ περὶ τὴν Κόρινθον ἤλυε σιτούμενον τῶν νέων τοὺς καλούς…”

 

Suda, Epsilon 1049 [=Hesychius in the beginning]

Empousa: A devilish apparition sent by Hekate and appearing to the unlucky. It seems to take on many different forms. In the Frogs, Aristophanes [mentions this]. The name Empousa comes from that fact that it goes on one leg [hen podizein]—for people think that the other one is bronze. Or, because she used to appear [eph-aineto] to the those initiated in the mysteries [muomenois]. She was also named Oinopôlê. But some say that she changed her form [to get this name]. She seems to appear in the middle of the day as people offer sacrifices to those who have died. Others claim that she is Hekate. There is also the name Onokôle because she has a donkey leg which they refer to as bolitinon because that is donkey-manure. Bolitos is the specific name for donkey feces.

Ἔμπουσα: φάντασμα δαιμονιῶδες ὑπὸ τῆς Ἑκάτης ἐπιπεμπόμενον καὶ φαινόμενον τοῖς δυστυχοῦσιν. ὃ δοκεῖ πολλὰς μορφὰς ἀλλάσσειν. Ἀριστοφάνης Βατράχοις. Ἔμπουσα δὲ παρὰ τὸ ἑνὶ ποδίζειν, ἤγουν τοῦ τὸν ἕτερον πόδα χαλκοῦν ἔχειν. ἢ ὅτι ἀπὸ σκοτεινῶν τόπων ἐφαίνετο τοῖς μυουμένοις. ἐκαλεῖτο δὲ αὕτη καὶ Οἰνοπώλη. οἱ δέ, ὅτι ἐξηλλάττετο τὴν μορφήν. δοκεῖ δὲ καὶ ταῖς μεσημβρίαις φαντάζεσθαι, ὅταν τοῖς κατοιχομένοις ἐναγίζωσιν. ἔνιοι δὲ τὴν αὐτὴν τῇ Ἑκάτῃ. Ὀνοκώλη δέ, ὅτι ὄνου πόδα ἔχει: ὃ λέγουσι βολίτινον, τουτέστιν ὄνειον. βόλιτος γὰρ κυρίως τῶν ὄνων τὸ ἀποπάτημα.

Cf. Aristoph. Frogs 285-295; Assemblywomen 1056.

Beekes on the uncertain etymology of both Empousa and Lamia:

Empousa

Lamia is associated more frequently with attacking children. This, of course, merits a separate post.

Lamia

Image result for Ancient Greek Lamia
Lamia, carrying off infant

We get by with a little help from our friends

Krokotta: A Classics Beast Costume Inspiration

Paradoxographus Vaticanus 2

2 “Daliôn says in the first book of his Ethiopian Matters that there is an animal in Ethiopia called a krokotta. When that creature goes near backyards it hears people chattering, and especially the words/names of children. But when it goes out at night, it speaks words/names and the children who come out are devoured by it”

Δαλίων φησίν, ἐν τῇ πρώτῃ τῶν Αἰθιοπικῶν ἐν τῇ Αἰθιοπίᾳ θηρίον γίνεσθαι κροκότταν καλούμενον· τοῦτο ἐρχόμενον πρὸς τὰς ἐπαύλεις κατακούειν τῶν λαλουμένων, καὶ μάλιστα τὰ ὀνόματα τῶν παιδίων. νυκτὸς δὲ ἐρχόμενον λαλεῖ τὰ ὀνόματα καὶ ἐξερχόμενα τὰ παιδία καταβιβρώσκονται ὑπ’ αὐτοῦ.

Photios adds the following horror:

“[We should note the fact that] there is a creature in Ethiopia which is named krokottas which is like a combination of wolf and a dog, but it is more savage than both and is heavier in its face and at the end of its feet. It is also amazing for its boldness, and it is extremely capable compared to the rest in its teeth and its belly. For they also tear to pieces easily every type of bone and whatever they take up is consumed easily and their digestion is indescribable.

In addition, while some of them have been described as imitating human language, we don’t believe it. Nevertheless, some have added that they call out people by name at night—and that they try to use a human voice in doing this—and then they gobble up whoever comes out as they fall upon them.”

     ῞Οτι ὁ κατὰ τὴν Αἰθιοπίαν ὀνομαζόμενος κροκόττας ἐστὶ μὲν ὡς ἐκ λύκου καὶ κυνὸς σύνθετον, ἀμφοῖν δὲ ἀγριώτερον καὶ πολλῷ βαρύτερον ἀπό τε τοῦ προσώπου καὶ τῶν ἄκρων ποδῶν, ἀλκῇ δὲ θαυμαστόν, ὀδοῦσι δὲ καὶ κοιλίᾳ δυνατώτατον τῶν ἄλλων. Καὶ γὰρ κατάγνυσιν εὐπόρως πᾶν ὀστοῦ γένος, καὶ τὸ διαιρεθὲν εὐθέως δεδαπάνηται, καὶ περὶ τὰς πέψεις ἀδιήγητον. Τοῦτο δὲ καὶ μιμεῖσθαί τινες τὴν ἀνθρωπίνην διάλεκτον διηγούμενοι ἡμᾶς μὲν οὐ πείθουσιν· ἐκεῖνοι δὲ καὶ τοῦτο προστιθέασιν, ὡς καὶ ἐξ ὀνόματος κατὰ τὰς νύκτας καλοῦντες, τοὺς δὲ ὡς ἐπ’ ἀνθρώπου φωνῇ προσιόντας, οἱ δὲ ἀθρόον ἐπεισπίπτοντες κατεσθίουσιν.

The crocotta shows up elsewhere as well (Pliny, Aelian, etc).

Outidanoi: Not Even People (Unless you Vote!)

“I’ve never seen hatred like this,” he said. “To me, they’re not even people. It’s so, so sad. Morality’s just gone, morals have flown out the window and we deserve so much better than this as a country.” — Eric Trump

1.231 (Achilles to Agamemnon)

“You are a people eating king who rules over nobodies”

δημοβόρος βασιλεὺς ἐπεὶ οὐτιδανοῖσιν ἀνάσσεις·

Suda, s.v. outidanos

Outidanos: worth nothing”

Οὐτιδανός: οὐδενὸς ἄξιος.

Il. 1.294-5 (Achilles to Agamemnon)

“Really, may I be called both a coward and a nobody
If I yield every fact to you, whatever thing you ask”

ἦ γάρ κεν δειλός τε καὶ οὐτιδανὸς καλεοίμην
εἰ δὴ σοὶ πᾶν ἔργον ὑπείξομαι ὅττί κεν εἴπῃς·

Etymologicum Magnum

Outidanos: Worthy of no account, the least.”
Οὐτιδανός: Οὐδενὸς λόγου ἄξιος, ἐλάχιστος.

Od. 9.458-460 (Polyphemos, the Cyclops, to his favorite sheep)

“Then once he was murdered his brains would be spattered
All over the cave to the ground and my heart would be lightened
Of the evils which this worthless nobody brought me.”

τῶ κέ οἱ ἐγκέφαλός γε διὰ σπέος ἄλλυδις ἄλλῃ
θεινομένου ῥαίοιτο πρὸς οὔδεϊ, κὰδ δέ τ’ ἐμὸν κῆρ
λωφήσειε κακῶν, τά μοι οὐτιδανὸς πόρεν Οὖτις.’

Hesychius

Outidanos: nobody. A weakling, a coward. Worthy of nothing, not even of speech.”

οὐτιδανός· οὐδαμινός v. ἀσθενής p. ἄψυχος. οὐδενὸς ἄξιος οὐδὲ λόγου

Od. 9.516-517 (Polyphemos, again)

“But now, even though he is small, and a worthless puny man,
He blinded my eye once he subdued me with wine!”

νῦν δέ μ’ ἐὼν ὀλίγος τε καὶ οὐτιδανὸς καὶ ἄκικυς
ὀφθαλμοῦ ἀλάωσεν, ἐπεί μ’ ἐδαμάσσατο οἴνῳ.

 

Image result for Cyclops blinded ancient

The Child-Killing Lamia: What’s Really Scary on Halloween is Misogyny

This is the second post about ancient Greek Vampires. The first looked at the Empousa. 

Lucian, Lover of Lies 2

“…these are various and disturbing tales, able to rattle the minds of children who still fear Mormo and Lamia.”

πάνυ ἀλλόκοτα καὶ τεράστια μυθίδια παίδων ψυχὰς κηλεῖν δυνάμενα ἔτι τὴν Μορμὼ καὶ τὴν Λάμιαν δεδιότων.

The Lamia (or, just Lamia to her friends) is one of the figures from Greek myth who seems like a frightening monster but really is a particular distillation of misogyny. She is often called a Greek ‘vampire’ along with Empousa. Unlike the latter, however, Lamia is specifically associated with killing children.

Diodorus Siculus, 20.40

“At the rock’s root there was a very large cave which was roofed with ivy and bryony in which the myths say the queen Lamia, exceptional for her beauty, was born. But, because of the beastliness of her soul, they say that her appearance has become more monstrous in the time since then.

For, when all her children who were born died, she was overwhelmed by her suffering and envied all the women who were luckier with their children. So she ordered that the infants be snatched from their arms and killed immediately. For this reason, even in our lifetime, the story of that women has lingered among children and the mention of her name is most horrifying to them.

But, whenever she was getting drunk, she would allow people to do whatever pleased them without observation. Because she was not closely watching everything at that time, the people in that land imagined that she could not see. This is why the myth developed that she put her eyes into a bottle, using this story a metaphor for the carelessness she enacted in wine, since that deprived her of sight.”

 περὶ δὲ τὴν ῥίζαν αὐτῆς ἄντρον ἦν εὐμέγεθες, κιττῷ καὶ σμίλακι συνηρεφές, ἐν ᾧ μυθεύουσι γεγονέναι βασίλισσαν Λάμιαν τῷ κάλλει διαφέρουσαν· διὰ δὲ τὴν τῆς ψυχῆς ἀγριότητα διατυπῶσαί φασι τὴν ὄψιν αὐτῆς τὸν μετὰ ταῦτα χρόνον θηριώδη. τῶν γὰρ γινομένων αὐτῇ παίδων ἁπάντων τελευτώντων βαρυθυμοῦσαν ἐπὶ τῷ πάθει καὶ φθονοῦσαν ταῖς τῶν ἄλλων γυναικῶν εὐτεκνίαις κελεύειν ἐκ τῶν ἀγκαλῶν ἐξαρπάζεσθαι τὰ βρέφη καὶ παραχρῆμα ἀποκτέννειν. διὸ καὶ καθ᾿ ἡμᾶς μέχρι τοῦ νῦν βίου παρὰ τοῖς νηπίοις διαμένειν τὴν περὶ τῆς γυναικὸς ταύτης φήμην καὶ φοβερωτάτην αὐτοῖς εἶναι τὴν ταύτης προσηγορίαν. ὅτε δὲ μεθύσκοιτο, τὴν ἄδειαν διδόναι πᾶσιν ἃ βούλοιντο ποιεῖν ἀπαρατηρήτως. μὴ πολυπραγμονούσης οὖν αὐτῆς κατ᾿ ἐκεῖνον τὸν χρόνον τὰ γινόμενα τοὺς κατὰ τὴν χώραν ὑπολαμβάνειν μὴ βλέπειν αὐτήν· καὶ διὰ τοῦτ᾿ ἐμυθολόγησάν τινες ὡς εἰς ἄρσιχον ἐμβάλοι τοὺς ὀφθαλμούς, τὴν ἐν οἴνῳ συντελουμένην ὀλιγωρίαν εἰς τὸ προειρημένον μέτρον μεταφέροντες, ὡς τούτου παρῃρημένου τὴν ὅρασιν.

Euripides, fr. 472m (=Diodorus Siculus 20.41.6)

“Who does not know my name, most hateful to men,
The Lamia, a Libyan by birth?”

τίς τοὐ<μὸν ὄ>νομα τοὐπονείδιστον βροτοῖς
οὐκ οἶδε Λαμίας τῆς Λιβυστικῆς γένος;

The story of why Lamia killed children gets a little more depressing in the Fragments of the Greek Historians

Duris, BNJ 76 F17 [= Photios s.v. Lamia]

“In the second book of his Libyan History, Duris reports that Lamia was a fine looking woman but after Zeus had sex with her, Hera killed the children she bore because she was envious. As a result she was disfigured by grief and would seize and kill the children of others.”

ταύτην ἐν τῆι Λιβύηι Δοῦρις ἐν δευτέρωι Λιβυκῶν ἱστορεῖ γυναῖκα καλὴν γενέσθαι, μιχθέντος δ᾽ αὐτῆι Διὸς ὑφ᾽ ῞Ηρας ζηλοτυπουμένην ἃ ἔτικτεν ἀπολλύναι· διόπερ ἀπὸ τῆς λύπης δύσμορφον γεγονέναι καὶ τὰ τῶν ἄλλων παιδία ἀναρπάζουσαν διαφθείρειν.

Elsewhere, the evidence of narratives about Lamia are rather limited. She becomes just another negative, female monster.

Suda, Lambda 85

“Lamia: a monster. The name comes from having a gaping throat, laimia and lamia. Aristophanes: “It has the smell of a seal, the unwashed balls of a Lamia.” For testicles are active—and he is making a fantasy image of Lamia’s balls, since she is female.

Λάμια: θηρίον. ἀπὸ τοῦ ἔχειν μέγαν λαιμόν, λαίμια καὶ λάμια. ᾿Αριστοφάνης· φώκης δ’ εἶχεν ὀσμήν, λαμίας ὄρχεις ἀπολύτους. δραστικοὶ γὰρ οἱ ὄρχεις. εἰδωλοποιεῖ δέ τινας ὄρχεις λαμίας· θῆλυ γάρ.

Unlike Empousa and some others, Lamia is interestingly integrated in some other genealogical traditions.

Schol. G ad Ap. Rhodes 4.825-831

“Stesichorus says in his Skylla, regarding her form, that Skylla is the daughter of Lamia.”

Στησίχορος δὲ ἐν τῇ Σκύλλῃ †εἶδός τινος† Λαμίας τὴν Σκύλλαν φησὶ θυγατέρα εἶναι.

Pausanias on Phocis, 12

“There is a crag rising up over the ground on which the Delphians claim that a woman stood singing oracles, named Hêrophilê but known as Sibyl. There is the earlier Sibyl, the one I have found to be equally as old as the others, whom the Greeks claim is the daughter of Zeus and Lamia, the daughter of Poseidon. She was the first woman to sing oracles and they say that she was named Sibyl by the Libyans. Hêrophilê was younger than here, but she was obviously born before the Trojan War since she predicted Helen in her oracles, that was raised up in Sparta as the destruction for Asia and Europe and that Troy would be taken by the Greeks because of her.”

XII. Πέτρα δέ ἐστιν ἀνίσχουσα ὑπὲρ τῆς γῆς· ἐπὶ ταύτῃ Δελφοὶ στᾶσάν φασιν ᾆσαι τοὺς χρησμοὺς γυναῖκα ὄνομα Ἡροφίλην, Σίβυλλαν δὲ ἐπίκλησιν. τὴν δὲ πρότερον γενομένην, ταύτην ταῖς μάλιστα ὁμοίως οὖσαν ἀρχαίαν εὕρισκον, ἣν θυγατέρα Ἕλληνες Διὸς καὶ Λαμίας τῆς Ποσειδῶνός φασιν εἶναι, καὶ χρησμούς τε αὐτὴν γυναικῶν πρώτην ᾆσαι καὶ ὑπὸ τῶν Λιβύων Σίβυλλαν λέγουσιν ὀνομασθῆναι. ἡ δὲ Ἡροφίλη νεωτέρα μὲν ἐκείνης, φαίνεται δὲ ὅμως πρὸ τοῦ πολέμου γεγονυῖα καὶ αὕτη τοῦ Τρωικοῦ, καὶ Ἑλένην τε προεδήλωσεν ἐν τοῖς χρησμοῖς, ὡς ἐπ᾿ ὀλέθρῳ τῆς Ἀσίας καὶ Εὐρώπης τραφήσοιτο ἐν Σπάρτῃ, καὶ ὡς Ἴλιον ἁλώσεται δι᾿ αὐτὴν ὑπὸ Ἑλλήνων.

Dionysus of Halicarnassus, On Thucydides 6

“Foremost he differed from previous authors in this, by which I mean how he took on a subject that was not a single thread nor one divided in many different and also disconnected parts. And then, because did not include mythical material in his work and he did not use his writing for the deception and bewitchment of many, as every author before him did when they told the stories of certain Lamiai rising up from the earth in groves and glens and of amphibious Naiads rushing out of Tartaros, half-beasts swimming through the seas and then joining together in groups among humans, and producing offspring of mortals and gods, demigods—and other stories which seem extremely unbelievable and untrustworthy to us now.”

πρῶτον μὲν δὴ κατὰ τοῦτο διήλλαξε τῶν πρὸ αὐτοῦ συγγραφέων, λέγω δὲ κατὰ τὸ λαβεῖν ὑπόθεσιν μήτε μονόκωλον παντάπασι μήτ᾿ εἰς πολλὰ μεμερισμένην καὶ ἀσυνάρτητα κεφάλαια· ἔπειτα κατὰ τὸ μηδὲν αὐτῇ μυθῶδες προσάψαι, μηδ᾿ εἰς ἀπάτην καὶ γοητείαν τῶν πολλῶν ἐκτρέψαι τὴν γραφήν, ὡς οἱ πρὸ αὐτοῦ πάντες ἐποίησαν, Λαμίας τινὰς ἱστοροῦντες ἐν ὕλαις καὶ νάπαις ἐκ γῆς ἀνιεμένας, καὶ Ναΐδας ἀμφιβίους ἐκ Ταρτάρων ἐξιούσας καὶ διὰ πελάγους νηχομένας καὶ μιξόθηρας, καὶ ταύτας εἰς ὁμιλίαν ἀνθρώποις συνερχομένας, καὶ ἐκ θνητῶν καὶ θείων συνουσιῶν γονὰς ἡμιθέους, καὶ ἄλλας τινὰς ἀπίστους τῷ καθ᾿ ἡμᾶς βίῳ καὶ πολὺ τὸ ἀνόητον ἔχειν δοκούσας ἱστορίας.

There is another variant name–she might get her own entry some day

Suda, s.v.Μορμώ 

Mormô, in the genitive Mormous, declined like Sappho. There is also the form Mormôn, genitive Mormonos. Aristophanes says “I ask you, take this Mormo away from me”. This meant to dispel frightening things. For Mormo is frightening. And again in Aristophanes: “A Mormo for courage”. There is also a mormalukeion which they also call a Lamia. They also frightening things this.

Μορμώ: λέγεται καὶ Μορμώ, Μορμοῦς, ὡς Σαπφώ. καὶ Μορμών, Μορμόνος. Ἀριστοφάνης: ἀντιβολῶ σ’, ἀπένεγκέ μου τὴν Μορμόνα. ἄπο τὰ φοβερά: φοβερὰ γὰρ ὑπῆρχεν ἡ Μορμώ. καὶ αὖθις Ἀριστοφάνης: Μορμὼ τοῦ θράσους. μορμολύκειον, ἣν λέγουσι Λαμίαν: ἔλεγον δὲ οὕτω καὶ τὰ φοβερά.

 In some traditions, Lamia became proverbial

Plutarch, De Curiositate [On Being a Busybod y] 516a

“Now, just as in the myth they say that Lamia sleeps at home, putting her eyes set aside in some jar, but when she goes out she puts them back in and peers around, in the same way each of us puts his curiosity, as if fitting in an eye, into meanness towards others. But we often stumble over our own mistakes and faults because of ignorance, since we fail to secure sight or light for them.

For this reason, a busybody is rather useful to his enemies, since he rebukes and emphasizes their faults and shows them what they should guard and correct, even as he overlooks most of his own issues thanks to his obsession with everyone else. This is why Odysseus did not stop to speak with his mother before he inquired from the seer about those things for which he had come to Hades. Once he had made his inquiry, he turned to his own mother and also the other women, asking who Tyro was, who beautiful Khloris was, and why Epikaste had died.”

Lamia is not well-attested in art and myth

νῦν δ’ ὥσπερ ἐν τῷ μύθῳ τὴν Λάμιαν λέγουσιν οἴκοι μὲν εὕδειν τυφλήν, ἐν ἀγγείῳ τινὶ τοὺς ὀφθαλμοὺς ἔχουσαν ἀποκειμένους, | ἔξω δὲ προϊοῦσαν ἐντίθεσθαι καὶ βλέπειν, οὕτως ἡμῶν ἕκαστος ἔξω καὶ πρὸς ἑτέρους τῇ κακονοίᾳ τὴν περιεργίαν ὥσπερ ὀφθαλμὸν ἐντίθησι, τοῖς δ’ ἑαυτῶν ἁμαρτήμασι καὶ κακοῖς πολλάκις περιπταίομεν ὑπ’ ἀγνοίας, ὄψιν ἐπ’ αὐτὰ καὶ φῶς οὐ ποριζόμενοι. διὸ καὶ τοῖς ἐχθροῖς ὠφελιμώτερός ἐστιν ὁ πολυπραγμονῶν· τὰ γὰρ ἐκείνων ἐλέγχει καὶ προφέρεται καὶ δείκνυσιν αὐτοῖς ἃ δεῖ φυλάξασθαι καὶ διορθῶσαι, τῶν δ’ οἴκοι τὰ πλεῖστα παρορᾷ διὰ τὴν περὶ τὰ ἔξω πτόησιν. ὁ μὲν γὰρ ᾿Οδυσσεὺς (λ 84 sqq.) οὐδὲ τῇ μητρὶ διαλεχθῆναι πρότε- ρον ὑπέμεινεν ἢ πυθέσθαι παρὰ τοῦ μάντεως, ὧν ἕνεκ’ ἦλθεν εἰς ῞Αιδου, πυθόμενος δὲ οὕτω πρός τε ταύτην ἔτρεψεν αὑτόν, καὶ τὰς ἄλλας γυναῖκας ἀνέκρινε, τίς ἡ Τυρὼ καὶ τίς ἡ καλὴ Χλωρὶς καὶ διὰ τί ἡ ᾿Επικάστη ἀπέθανεν…

Image result for Ancient Greek Lamia vase
Skylla, relative of Lamia. More Misogyny.

Some other misogynistic tales from myth with telling variants

The Lemnian Women and their Terrible Smell

The Privileging of Klytemnestra’s Infamy

The Terrible Tale of Asclepius’ Two Mothers

Pretty Much Everything about Medea

Kassandra’s Prophecy and Life

Kassandra’s Children

The Death of Hecuba

Helen and Iphigenia

Ancient Greek Vampires 1: Empousa

The classic Transylvanian-style vampire—male, nocturnal, fanged—is really a product of folklore and gothic horror after the middle ages (with garlic, mirrors, crosses and stakes coming at various times from various places). But human blood-eating creatures of pleasure were present in ancient folktales as well. They are not prominent, but the Lamia and the Empousa, both female creatures of death who live off the life-force of the young, are attested as early as the 5th century BCE. Our best references, however, come from later antiquity. For ease, I am just going to translate them both as ‘vampire’. (There will be a second post about Lamia.) Here are some facts about Empousa.

Vampires live in the East. They can be Frightened off with mockery.

Eusebius, Contra Hieroclem 382.11 4th Century CE 

“These things are from the first book. Let us move on to the material in the second. The story picks up and follows the journey from Persia to India—there, they experienced something surprising—he says that [Apollodorus] saw something paranormal, what he calls a vampire [empousa], on the road and that they drove it away with mockery

Καὶ ταῦτα μὲν ἀπὸ τοῦ πρώτου συγγράμματος, ἐπίωμεν δὲ καὶ τὰ ἐκ τοῦ δευτέρου. τὴν ἀπὸ Περσίδος ἐπ᾿ Ἰνδοὺς πορείαν ἄγει παραλαβὼν αὐτὸν ὁ λόγος. εἶτά τι πεπονθὼς ἀπειρόκαλον, ὥσπερ τι παράδοξον, δαιμόνιόν τι, ὃ καὶ ἔμπουσαν ὀνομάζει, κατὰ τὴν ὁδὸν ἰδόντα λοιδορίαις ἅμα τοῖς ἀμφ᾿ αὐτὸν ἀπελάσαι φησί,

Vampires are Shapeshifters

Philostratus, Apollonius of Tyana II, 4 2nd Century CE 

“After they went over the Caucasus they saw people who were four-lengths tall and who already dark-skinned. Once they crossed the river into India, they saw others who were five lengths tall. In the journey up to this river, I have picked out these things as worthy of investigation. For they were traveling in the clear moonlight when a phantom of a vampire [empousa] met them, changing into this scary thing and then another and then nothing! Apollonius understood what thing it was and mocked the vampire himself and ordered his companions—for this is the response to this kind of attack. The apparition went into flight like a ghost.”

Παραμείψαντες δὲ τὸν Καύκασον τετραπήχεις ἀνθρώπους ἰδεῖν φασιν, οὓς ἤδη μελαίνεσθαι, καὶ πεντεπήχεις δὲ ἑτέρους ὑπὲρ τὸν Ἰνδὸν ποταμὸν ἐλθόντες. ἐν δὲ τῇ μέχρι τοῦ ποταμοῦ τούτου ὁδοιπορίᾳ τάδε εὗρον ἀφηγήσεως ἄξια· ἐπορεύοντο μὲν γὰρ ἐν σελήνῃ λαμπρᾷ, φάσμα δὲ αὐτοῖς ἐμπούσης ἐνέπεσε τὸ δεῖνα γινομένη καὶ τὸ δεῖνα αὖ καὶ οὐδὲν εἶναι, ὁ δὲ Ἀπολλώνιος ξυνῆκεν, ὅ τι εἴη, καὶ αὐτός τε ἐλοιδορεῖτο τῇ ἐμπούσῃ, τοῖς τε ἀμφ᾿ αὑτὸν προσέταξε ταὐτὸ πράττειν, τουτὶ γὰρ ἄκος εἶναι τῆς προσβολῆς ταύτης· καὶ τὸ φάσμα φυγῇ ᾤχετο τετριγός ὥσπερ τὰ εἴδωλα.

Vampires like to eat the young (their blood is better)

4.5-6 “She said “be quiet and go away” and seemed to be disgusted at what she heard. And, I think, she was mocking philosophers for always talking nonsense. When, afterward, the golden bowls and what seemed to be silver was shown to be unreal—when everything flew from our eyes as the cup-bearers, the cooks, and every kind of servant disappeared as they were cross-examined by Apollonios—then the apparition seemed to be crying and was pleading that he not test her or compel her to agree what kind of thing she was. But when Apollonius laid on the pressure, she confessed that she was a vampire [empousa] who had been fattening Menippus with delights to eat on his body since she typically ate fine young bodies because their blood was more vital.

I have drawn out this tale, which happens to be the best known concerning Apollonius, out of necessity—most know that it occurred somewhere in the middle of Greece, but they have acquired only a summary account of how he once trapped a Lamia in Korinth. They don’t know what she was doing and that it was for Melanippus. The story is told by Damis and now by me from his records.”

Ἡ δὲ “εὐφήμει” ἔλεγε “καὶ ἄπαγε,” καὶ μυσάττεσθαι ἐδόκει, ἃ ἤκουε, καί που καὶ ἀπέσκωπτε τοὺς φιλοσόφους, ὡς ἀεὶ ληροῦντας. ἐπεὶ μέντοι τὰ ἐκπώματα τὰ χρυσᾶ καὶ ὁ δοκῶν ἄργυρος ἀνεμιαῖα ἠλέγχθη, καὶ διέπτη τῶν ὀφθαλμῶν ἅπαντα, οἰνοχόοι τε καὶ ὀψοποιοὶ καὶ ἡ τοιαύτη θεραπεία πᾶσα ἠφανίσθησαν, ἐλεγχόμενοι ὑπὸ τοῦ Ἀπολλωνίου, δακρύοντι ἐῴκει τὸ φάσμα καὶ ἐδεῖτο μὴ βασανίζειν αὐτό, μηδὲ ἀναγκάζειν ὁμολογεῖν, ὅ τι εἴη, ἐπικειμένου δὲ καὶ μὴ ἀνιέντος ἔμπουσά τε εἶναι ἔφη καὶ πιαίνειν ἡδοναῖς τὸν Μένιππον ἐς βρῶσιν τοῦ σώματος, τὰ γὰρ καλὰ τῶν σωμάτων καὶ νέα σιτεῖσθαι ἐνόμιζεν, ἐπειδὴ ἀκραιφνὲς αὐτοῖς τὸ αἷμα.

Τοῦτον τὸν λόγον γνωριμώτατον τῶν Ἀπολλωνίου τυγχάνοντα ἐξ ἀνάγκης ἐμήκυνα, γιγνώσκουσι μὲν γὰρ πλείους αὐτόν, ἅτε καθ᾿ Ἑλλάδα μέσην πραχθέντα, ξυλλήβδην δὲ αὐτὸν παρειλήφασιν, ὅτι ἕλοι ποτὲ ἐν Κορίνθῳ λάμιαν, ὅ τι μέντοι πράττουσαν καὶ ὅτι ὑπὲρ Μενίππου, οὔπω γιγνώσκουσιν, ἀλλὰ Δάμιδί τε καὶ ἐκ τῶν ἐκείνου λόγων ἐμοὶ εἴρηται.

Vampires like to have sex with mortals and then eat them

4.4 “What I was saying is that this woman is one of the vampires [empousai], whom most people think are the same as Lamiae or werewolves. Vampires feel desire, but they long for human sex and flesh most of all. They use sex to catch the ones they want to eat.”

ὃ λέγω, ἡ χρηστὴ νύμφη μία τῶν ἐμπουσῶν ἐστιν, ἃς λαμίας τε καὶ μορμολυκεῖα οἱ πολλοὶ ἡγοῦνται. ἐρῶσι δ᾿ αὗται καὶ ἀφροδισίων μέν, σαρκῶν δὲ μάλιστα ἀνθρωπείων ἐρῶσι καὶ παλεύουσι τοῖς ἀφροδισίοις, οὓς ἂν ἐθέλωσι δαίσασθαι.”

7.29 “King, would someone who is covetous enough of honor to appear to be a sorcerer seem to credit to a god what he had done himself? What awestruck audiences for his skill would there be if he were to hand the wonder to a god? What kind of a sorcerer would pray to Herakles? These wicked devils credit their kinds of acts to ditches and underworld gods from whom Herakles must be separated since he is cleansed and it good to people. I prayed to him at some point in the Peloponnese for there was some apparition of a vampire [lamia] there too eating the fine forms of young men….”

“Τίς ἂν οὖν σοι, βασιλεῦ, δοκεῖ φιλοτιμούμενος γόης φαίνεσθαι θεῷ ἀναθεῖναι, ὃ αὐτὸς εἴργαστο; τίνας δ᾿ ἂν κτήσασθαι θαυμαστὰς τῆς τέχνης θεῷ παρεὶς τὸ θαυμάζεσθαι; τίς δ᾿ ἂν Ἡρακλεῖ εὔξασθαι γόης ὤν; τὰ γὰρ τοιαῦτα οἱ κακοδαίμονες βόθροις ἀνατιθέασι καὶ χθονίοις θεοῖς, ὧν τὸν Ἡρακλέα ἀποτακτέον, καθαρὸς γὰρ καὶ τοῖς ἀνθρώποις εὔνους. ηὐξάμην αὐτῷ καὶ ἐν Πελοποννήσῳ ποτέ, λαμίας γάρ τι φάσμα κἀκεῖ περὶ τὴν Κόρινθον ἤλυε σιτούμενον τῶν νέων τοὺς καλούς…”

 

Suda, Epsilon 1049 [=Hesychius in the beginning]

Empousa: A devilish apparition sent by Hekate and appearing to the unlucky. It seems to take on many different forms. In the Frogs, Aristophanes [mentions this]. The name Empousa comes from that fact that it goes on one leg [hen podizein]—for people think that the other one is bronze. Or, because she used to appear [eph-aineto] to the those initiated in the mysteries [muomenois]. She was also named Oinopôlê. But some say that she changed her form [to get this name]. She seems to appear in the middle of the day as people offer sacrifices to those who have died. Others claim that she is Hekate. There is also the name Onokôle because she has a donkey leg which they refer to as bolitinon because that is donkey-manure. Bolitos is the specific name for donkey feces.

Ἔμπουσα: φάντασμα δαιμονιῶδες ὑπὸ τῆς Ἑκάτης ἐπιπεμπόμενον καὶ φαινόμενον τοῖς δυστυχοῦσιν. ὃ δοκεῖ πολλὰς μορφὰς ἀλλάσσειν. Ἀριστοφάνης Βατράχοις. Ἔμπουσα δὲ παρὰ τὸ ἑνὶ ποδίζειν, ἤγουν τοῦ τὸν ἕτερον πόδα χαλκοῦν ἔχειν. ἢ ὅτι ἀπὸ σκοτεινῶν τόπων ἐφαίνετο τοῖς μυουμένοις. ἐκαλεῖτο δὲ αὕτη καὶ Οἰνοπώλη. οἱ δέ, ὅτι ἐξηλλάττετο τὴν μορφήν. δοκεῖ δὲ καὶ ταῖς μεσημβρίαις φαντάζεσθαι, ὅταν τοῖς κατοιχομένοις ἐναγίζωσιν. ἔνιοι δὲ τὴν αὐτὴν τῇ Ἑκάτῃ. Ὀνοκώλη δέ, ὅτι ὄνου πόδα ἔχει: ὃ λέγουσι βολίτινον, τουτέστιν ὄνειον. βόλιτος γὰρ κυρίως τῶν ὄνων τὸ ἀποπάτημα.

Cf. Aristoph. Frogs 285-295; Assemblywomen 1056.

Beekes on the uncertain etymology of both Empousa and Lamia:

Empousa

Lamia is associated more frequently with attacking children. This, of course, merits a separate post.

Lamia

Image result for Ancient Greek Lamia
Lamia, carrying off infant

We get by with a little help from our friends

Krokotta: A Beast Worthy of October

Paradoxographus Vaticanus 2

2 “Daliôn says in the first book of his Ethiopian Matters that there is an animal in Ethiopia called a krokotta. When that creature goes near backyards it hears people chattering, and especially the words/names of children. But when it goes out at night, it speaks words/names and the children who come out are devoured by it”

Δαλίων φησίν, ἐν τῇ πρώτῃ τῶν Αἰθιοπικῶν ἐν τῇ Αἰθιοπίᾳ θηρίον γίνεσθαι κροκότταν καλούμενον· τοῦτο ἐρχόμενον πρὸς τὰς ἐπαύλεις κατακούειν τῶν λαλουμένων, καὶ μάλιστα τὰ ὀνόματα τῶν παιδίων. νυκτὸς δὲ ἐρχόμενον λαλεῖ τὰ ὀνόματα καὶ ἐξερχόμενα τὰ παιδία καταβιβρώσκονται ὑπ’ αὐτοῦ.

Photios adds the following horror:

“[We should note the fact that] there is a creature in Ethiopia which is named krokottas which is like a combination of wolf and a dog, but it is more savage than both and is heavier in its face and at the end of its feet. It is also amazing for its boldness, and it is extremely capable compared to the rest in its teeth and its belly. For they also tear to pieces easily every type of bone and whatever they take up is consumed easily and their digestion is indescribable. In addition, while some of them have been described as imitating human language, we don’t believe it. Nevertheless, some have added that they call out people by name at night—and that they try to use a human voice in doing this—and then they gobble up whoever comes out as they fall upon them.”

     ῞Οτι ὁ κατὰ τὴν Αἰθιοπίαν ὀνομαζόμενος κροκόττας ἐστὶ μὲν ὡς ἐκ λύκου καὶ κυνὸς σύνθετον, ἀμφοῖν δὲ ἀγριώτερον καὶ πολλῷ βαρύτερον ἀπό τε τοῦ προσώπου καὶ τῶν ἄκρων ποδῶν, ἀλκῇ δὲ θαυμαστόν, ὀδοῦσι δὲ καὶ κοιλίᾳ δυνατώτατον τῶν ἄλλων. Καὶ γὰρ κατάγνυσιν εὐπόρως πᾶν ὀστοῦ γένος, καὶ τὸ διαιρεθὲν εὐθέως δεδαπάνηται, καὶ περὶ τὰς πέψεις ἀδιήγητον. Τοῦτο δὲ καὶ μιμεῖσθαί τινες τὴν ἀνθρωπίνην διάλεκτον διηγούμενοι ἡμᾶς μὲν οὐ πείθουσιν· ἐκεῖνοι δὲ καὶ τοῦτο προστιθέασιν, ὡς καὶ ἐξ ὀνόματος κατὰ τὰς νύκτας καλοῦντες, τοὺς δὲ ὡς ἐπ’ ἀνθρώπου φωνῇ προσιόντας, οἱ δὲ ἀθρόον ἐπεισπίπτοντες κατεσθίουσιν.

The crocotta shows up elsewhere as well (Pliny, Aelian, etc).

Monstrous Monday: Another Horror to Fear from Antiquity

Paradoxographus Vaticanus 2

2 “Daliôn says in the first book of his Ethiopian Matters that there is an animal in Ethiopia called a krokotta. When that creature goes near backyards it hears people chattering, and especially the words/names of children. But when it goes out at night, it speaks words/names and the children who come out are devoured by it”

Δαλίων φησίν, ἐν τῇ πρώτῃ τῶν Αἰθιοπικῶν ἐν τῇ Αἰθιοπίᾳ θηρίον γίνεσθαι κροκότταν καλούμενον· τοῦτο ἐρχόμενον πρὸς τὰς ἐπαύλεις κατακούειν τῶν λαλουμένων, καὶ μάλιστα τὰ ὀνόματα τῶν παιδίων. νυκτὸς δὲ ἐρχόμενον λαλεῖ τὰ ὀνόματα καὶ ἐξερχόμενα τὰ παιδία καταβιβρώσκονται ὑπ’ αὐτοῦ.

Photios adds the following horror:

“[We should note the fact that] there is a creature in Ethiopia which is named krokottas which is like a combination of wolf and a dog, but it is more savage than both and is heavier in its face and at the end of its feet. It is also amazing for its boldness, and it is extremely capable compared to the rest in its teeth and its belly. For they also tear to pieces easily every type of bone and whatever they take up is consumed easily and their digestion is indescribable. In addition, while some of them have been described as imitating human language, we don’t believe it. Nevertheless, some have added that they call out people by name at night—and that they try to use a human voice in doing this—and then they gobble up whoever comes out as they fall upon them.”

     ῞Οτι ὁ κατὰ τὴν Αἰθιοπίαν ὀνομαζόμενος κροκόττας ἐστὶ μὲν ὡς ἐκ λύκου καὶ κυνὸς σύνθετον, ἀμφοῖν δὲ ἀγριώτερον καὶ πολλῷ βαρύτερον ἀπό τε τοῦ προσώπου καὶ τῶν ἄκρων ποδῶν, ἀλκῇ δὲ θαυμαστόν, ὀδοῦσι δὲ καὶ κοιλίᾳ δυνατώτατον τῶν ἄλλων. Καὶ γὰρ κατάγνυσιν εὐπόρως πᾶν ὀστοῦ γένος, καὶ τὸ διαιρεθὲν εὐθέως δεδαπάνηται, καὶ περὶ τὰς πέψεις ἀδιήγητον. Τοῦτο δὲ καὶ μιμεῖσθαί τινες τὴν ἀνθρωπίνην διάλεκτον διηγούμενοι ἡμᾶς μὲν οὐ πείθουσιν· ἐκεῖνοι δὲ καὶ τοῦτο προστιθέασιν, ὡς καὶ ἐξ ὀνόματος κατὰ τὰς νύκτας καλοῦντες, τοὺς δὲ ὡς ἐπ’ ἀνθρώπου φωνῇ προσιόντας, οἱ δὲ ἀθρόον ἐπεισπίπτοντες κατεσθίουσιν.

The crocotta shows up elsewhere as well (Pliny, Aelian, etc).

Telemachus is Not a Monster

The Odyssey is somewhat preoccupied with Telemachus’ paternity and the means by which it might be established. As mentioned in an earlier post, Aristotle suggests that children who are not like their father are monstrous. The Odyssey is also preoccupied with monstrous bodies–the giant Kikones, the deformed (morally and physically) Kyklopesthe transformed sailors, the mutilated bodies of servants–and the transformation of Odysseus’ body because of trauma at sea, age, and the needs of disguise. The threat of finding a monster at home might also be implied…

Athena signals Telemachus’ positive identity from the beginning. But the boy himself is uncertain! 

Homer, Odyssey 1.207-209

“…if in fact this great child is from the same Odysseus.
For you look terribly like that man in his beautiful eyes
and his head…”

εἰ δὴ ἐξ αὐτοῖο τόσος πάϊς εἰς ᾿Οδυσῆος.
αἰνῶς μὲν κεφαλήν τε καὶ ὄμματα καλὰ ἔοικας
κείνῳ, ἐπεὶ θαμὰ τοῖον ἐμισγόμεθ’ ἀλλήλοισι

Telemachus famously quibbles over the identification, wondering in classic moody adolescent fashion if any of this is true. Some of the scholia try to support him…

Od. 1.215-216

“My mother says that I am his, but I, well, I just
Don’t know. For no one ever witnesses his own origin…”

μήτηρ μέν τέ μέ φησι τοῦ ἔμμεναι, αὐτὰρ ἐγώ γε
οὐκ οἶδ’· οὐ γάρ πώ τις ἑὸν γόνον αὐτὸς ἀνέγνω.

Schol. EM ad Od. 1.215 ex

“No one knows his own origin..” and elsewhere [we find] “they claim that that man is my father” (Od.4.387.) Similarly, Euripides says “a mother is a more dear parent than a father / for she knows the child is hers but he only thinks it” and Menander says, “no one knows from what man he is born / but we all suspect or believe it.” And some claim that Telemachus says these things because he was left when he was small.”

οὐ γάρ πώ τις ἑὸν γόνον] καὶ ἀλλαχοῦ “τόνδε τ’ ἐμὸν πατέρα φάσ’ ἔμμεναι” (Od. δ, 387.). ὁμοίως Εὐριπίδης “μήτηρ φιλότεκνος μᾶλλον πατρός· ἡ μὲν γὰρ αὐτῆς οἶδεν ὄνθ’, ὁ δ’ οἴεται.” καὶ Μένανδρος “αὑτὸν γὰρ οὐδεὶς οἶδε τοῦ ποτ’ ἐγένετο, ἀλλ’ ὑπονοοῦμεν πάντες ἢ πιστεύομεν.” τινὲς δὲ ταῦτα τὸν Τηλέμαχόν φασι λέγειν ἐπεὶ μικρὸς καταλέλειπται. E.M.

Later in the Odyssey, Nestor likens son to father (implicitly).

Od. 3.121-125

“..when shining Odysseus father was preeminent in all kinds of tricks, your father,   if truly you are his son. And wonder overtakes me as I look at you
For your speeches, at least, are really fine—no one would expect
A younger man to utter such suitable things.”

…ἐπεὶ μάλα πολλὸν ἐνίκα δῖος ᾿Οδυσσεὺς
παντοίοισι δόλοισι, πατὴρ τεός, εἰ ἐτεόν γε
κείνου ἔκγονός ἐσσι· σέβας μ’ ἔχει εἰσορόωντα.
ἦ τοι γὰρ μῦθοί γε ἐοικότες, οὐδέ κε φαίης
ἄνδρα νεώτερον ὧδε ἐοικότα μυθήσασθαι.

In Sparta, Helen notes that Telemachus looks like, well, Telemachus even though she has never seen him! Menelaos agrees. The scholia get a little frustrated.

Od. 4.138-146

“For I do not think that anyone looks so suitable,
Neither a man nor a woman, and wonder overtakes me as I look at him,
How this one looks like the son of great-hearted Odysseus,
Telemachus, the one that man left just born in his household
When the Achaeans left for the sake of dog-faced me
And went to Troy, raising their bold war.”

οὐ γάρ πώ τινά φημι ἐοικότα ὧδε ἰδέσθαι
οὔτ’ ἄνδρ’ οὔτε γυναῖκα, σέβας μ’ ἔχει εἰσορόωσαν,
ὡς ὅδ’ ᾿Οδυσσῆος μεγαλήτορος υἷι ἔοικε,
Τηλεμάχῳ, τὸν ἔλειπε νέον γεγαῶτ’ ἐνὶ οἴκῳ
κεῖνος ἀνήρ, ὅτ’ ἐμεῖο κυνώπιδος εἵνεκ’ ᾿Αχαιοὶ
ἤλθεθ’ ὑπὸ Τροίην, πόλεμον θρασὺν ὁρμαίνοντες.”

Schol. E. ad Od. 4.143

“She says these things even though she has not seen Telemachus but based instead on the character of Odysseus.”

οὐ Τηλέμαχον εἰδυῖα ταῦτα λέγει, ἀλλ’ ἐκ τοῦ χαρακτῆρος τοῦ ᾿Οδυσσέως. E.

Schol. Q ad. Od. 4.143

“She compares him to his father even though she has never seen Odysseus’ child.”

ἐξομοιοῖ δὲ αὐτὸν τῷ πατρὶ οὐχ ἑωρακυῖά ποτε ᾿Οδυσσέως παῖδα. Q.

Od. 4.147-150

“Fair Menelaos spoke to her and answered:
‘I was just thinking the same thing, wife, which you imagined.
For these are the same kind of feet and hands,
The look of the eyes and the hair on the head as that man.”

τὴν δ’ ἀπαμειβόμενος προσέφη ξανθὸς Μενέλαος·
“οὕτω νῦν καὶ ἐγὼ νοέω, γύναι, ὡς σὺ ἐΐσκεις·
κείνου γὰρ τοιοίδε πόδες τοιαίδε τε χεῖρες
ὀφθαλμῶν τε βολαὶ κεφαλή τ’ ἐφύπερθέ τε χαῖται.

Schol H. ad Od. 4.149 ex 1-4

“These sort of feet are that man’s”: For likeness in bodies especially shows through in the extremities and the gaze. And however so much grows more slowly, that much provides more precise signs of recognition over time. This is why it is said “From feet to the head.”

κείνου γὰρ τοιοίδε πόδες] ἐκ γὰρ τῶν ἄκρων καὶ τῆς ὄψεως μάλιστα αἱ ὁμοιότητες τῶν σωμάτων ἐμφαίνονται. ὅσον δὲ βράδιον ἐστοχάσατο, τοσοῦτον ἀκριβέστερον ἀπεφήνατο τὸν μεταξὺ χρόνον δηλονότι κατανοῶν. τὸ δὲ λεγόμενον, ἐκ ποδῶν εἰς κεφαλήν. H.

The threat of children not looking like fathers is central to the fall of the race of iron. But it is couched within a general social collapse. In this case, ancient scholia turn to the abstract issue. In this case, a child dissimilar to parents would be a monstrum, but in the sense of an omen or a sign of a fallen generation. From this perspective the tension latent in Telemachus’ potential dissimilarity to his father is about stability of the last generation of epic heroes. The bastard sons of Odysseus and potential infidelity of Penelope signal, perhaps, the end of the race of heroes and a premature end to heroic epic.

Hesiod, Works and Days 180–185

“Zeus will destroy this race of mortal humans
Or they will perish when they are born with temples already grey.
Then a father will not be like his children, nor children at all like parents;
A guest will not be dear to a host, a friend not to a friend
And a relative will not be dear as in years before.”

Ζεὺς δ’ ὀλέσει καὶ τοῦτο γένος μερόπων ἀνθρώπων,
εὖτ’ ἂν γεινόμενοι πολιοκρόταφοι τελέθωσιν.
οὐδὲ πατὴρ παίδεσσιν ὁμοίιος οὐδέ τι παῖδες
οὐδὲ ξεῖνος ξεινοδόκῳ καὶ ἑταῖρος ἑταίρῳ,
οὐδὲ κασίγνητος φίλος ἔσσεται, ὡς τὸ πάρος περ.
αἶψα δὲ γηράσκοντας ἀτιμήσουσι τοκῆας·

Schol. ad. Hes. Th. 182b-d ex.

b. “Similar to…” likeness, similarity, a shared voice or similarity in mind or in shape, [lost here] because of the multitude of wickedness and adulteries…”

b. ὁμοίιος: ὁμονοητικός, σύμφωνος ἢ ὅμοιος τῇ γνώμῃ ἢ τῇ ἰδέᾳ, διὰ τὸ τῶν κακιῶν πλῆθος καὶ τῶν μοιχειῶν…

“similar to”: the similarity is clearly the commonness, the conversation, and the affection. For affection (philia) develops from similarity. Altogether this expresses tragically the oncoming evils in life following this, the distrust between children and fathers, between guests and hosts, and among friends. Friendship is the third thing mentioned. Also: cognate, companionable, hospitable.”

c.ὁμοίιος: τὸ μὲν ὁμοίιος δηλοῖ τὸ κοινωνικὸν καὶ προσήγορον καὶ φίλιον· φιλία γὰρ
δι’ ὁμοιότητος ἐπιτελεῖται. πάντα δὲ ἐκτραγῳδεῖ τὰ ἐπεισελθόντα κακὰ τῷ βίῳ μετ’ αὐτόν, τὴν ἀπιστίαν τῶν παίδων καὶ πατέρων, τὴν τῶν ξένων καὶ ξενοδόχων, τὴν τῶν ἑταίρων πρὸς ἀλλήλους. τριττὴ γὰρ ἡ φιλία· συγγενική,
ἑταιρική, ξενική.

d. “Similar to”: Similarity of men, having one desire or, he means, through mixing it up with other women, the bastard sons too.”

d.<ὁμοίιος:> ὁμογνώμων, μίαν θέλησιν ἔχων ἢ διὰ τὰς ἀλληλομιξίας λέγων τῶν γυναικῶν καὶ τοὺς νόθους υἱούς.

Later, Aristotle channels some of the same cultural assumptions from a scientific perspective. Here the monstrum (greek teras) is an indication of deformity.

Aristotle, Generation of Animals, Book 4, 767b

“These causes are also of the same. Some [offspring] are born similar to their parents while others are not. Some are similar to their father; others are like their mother, applying both to the body as a whole and to each part. Offspring are more like their parents than their ancestors and more like their ancestors than passersby.

Males are more similar to their father and females are more similar to their mother. But some are not like any of their relatives, but are still akin to human beings while others are like not at all like humans in their appearance, but rather like some monster. For whoever is not like his parents is in some way a monster because nature has in these cases wandered in some way from the essential character.”

Αἱ δ᾿ αὐταὶ αἰτίαι καὶ τοῦ τὰ μὲν ἐοικότα γίνεσθαι τοῖς τεκνώσασι τὰ δὲ μὴ ἐοικότα, καὶ τὰ μὲν πατρὶ τὰ δὲ μητρί, κατά τε ὅλον τὸ σῶμα καὶ κατὰ μόριον ἕκαστον, καὶ μᾶλλον αὐτοῖς ἢ τοῖς προγόνοις, καὶ τούτοις ἢ τοῖς τυχοῦσι, καὶ τὰ μὲν ἄρρενα μᾶλλον τῷ πατρὶ τὰ δὲ θήλεα τῇ μητρί, τὰ δ᾿ οὐδενὶ τῶν συγγενῶν, ὅμως δ᾿ ἀνθρώπῳ γέ τινι, τὰ δ᾿ οὐδ᾿ ἀνθρώπῳ τὴν ἰδέαν ἀλλ᾿ ἤδη τέρατι. καὶ γὰρ ὁ μὴ ἐοικὼς τοῖς γονεῦσιν ἤδη τρόπον τινὰ τέρας ἐστίν· παρεκβέβηκε γὰρ ἡ φύσις ἐν τούτοις ἐκ τοῦ γένους τρόπον τινά.

Image result for Ancient Greek Telemachus
“Look how big and beautiful I am.” Mid-4th century BC. Berlin, Staatliche Museen