Write This Down: You are the City. You Are the people

Aeschylus, Suppliants 179-180

“I suggest you safeguard my words by writing them on tablet in your minds”

αἰνῶ φυλάξαι τἄμ᾿ ἔπη δελτουμένας

Aeschylus, Suppliants, 200-204

“Don’t be too aggressive or broken in speech:
These people are really ready to be angry.
Remember to be accommodating: you are a foreign refugee in need.
To speak boldly is not a fitting move for the weak.”

καὶ μὴ πρόλεσχος μηδ᾿ ἐφολκὸς ἐν λόγῳ
γένῃ· τὸ τῇδε κάρτ᾿ ἐπίφθονον γένος.
μέμνησο δ᾿ εἴκειν· χρεῖος εἶ, ξένη, φυγάς·
θρασυστομεῖν γὰρ οὐ πρέπει τοὺς ἥσσονας.

Aeschylus, Suppliants, 370-375

“You are the city, truly. You are the people.
An unjudged chief of state rules
The altar, the city’s hearth,
With only your votes and nods,
With only your scepter on the throne
You judge every need. Be on guard against contamination!”

σύ τοι πόλις, σὺ δὲ τὸ δάμιον·
πρύτανις ἄκριτος ὢν
κρατύνεις βωμόν, ἑστίαν χθονός,
μονοψήφοισι νεύμασιν σέθεν,
μονοσκήπτροισι δ᾿ ἐν θρόνοις χρέος
πᾶν ἐπικραίνεις· ἄγος φυλάσσου.

 

original DELACROIX Eugène française Fonds des dessins et miniatures Album Delacroix Eugène -31-

Aeschylus, Suppliants 991-997

“Write this down with the many other notes
In your mind of the wisdoms from your father:
An unfamiliar mob is evaluated by time,
But everyone has an evil tongue prepared to lash out
over immigrants and speaking foully is somehow easy.
I advise you not to bring me shame
Now that you are in the age which turns mortal gazes.”

καὶ ταῦτα μὲν γράψασθε πρὸς γεγραμμένοις
πολλοῖσιν ἄλλοις σωφρονίσμασιν πατρός,
ἀγνῶθ᾿ ὅμιλον ἐξελέγχεσθαι χρόνῳ·
πᾶς δ᾿ ἐν μετοίκῳ γλῶσσαν εὔτυκον φέρει
κακήν, τό τ᾿ εἰπεῖν εὐπετὲς μύσαγμά πως.
ὑμᾶς δ᾿ ἐπαινῶ μὴ καταισχύνειν ἐμέ,
ὥραν ἐχούσας τήνδ᾿ ἐπίστρεπτον βροτοῖς

Apropos of Nothing, Achilles Calls the Commander-in-Chief a Dog[-face]

Homer, Iliad 1.158–168 [Achilles addressing Agamemnon]

“But, you great shamepot, we follow you so that you feel joy,
As we collect honor for Menelaos and you, dog-face,
From the Trojans—you don’t shudder at this, you don’t care.”

ἀλλὰ σοὶ ὦ μέγ’ ἀναιδὲς ἅμ’ ἑσπόμεθ’ ὄφρα σὺ χαίρῃς,
τιμὴν ἀρνύμενοι Μενελάῳ σοί τε κυνῶπα
πρὸς Τρώων· τῶν οὔ τι μετατρέπῃ οὐδ’ ἀλεγίζεις·

Iliad 1.224–228 [Achilles Addressing Agamemnon]

“Wine-sod! Dog-eyes! You have the heart of a deer!
You never suffer to arm yourself to enter battle with the army
Nor to set an ambush with the best of the Achaeans.
That seems like death itself to you!”

οἰνοβαρές, κυνὸς ὄμματ’ ἔχων, κραδίην δ’ ἐλάφοιο,
οὔτέ ποτ’ ἐς πόλεμον ἅμα λαῷ θωρηχθῆναι
οὔτε λόχον δ’ ἰέναι σὺν ἀριστήεσσιν ᾿Αχαιῶν
τέτληκας θυμῷ· τὸ δέ τοι κὴρ εἴδεται εἶναι.

Elsewhere in Homer, the insult is used primarily for women and it builds on basic Greek associations between women and dogs—dogs as animals of shame who are expected to be loyal.

Odyssey 4.154-146 [Helen speaking]

“…Telemachus, whom that man left when he was just born,
In his house, when the Achaeans went down to Troy
On account of dog-faced me, raising up their audacious war.”

Τηλεμάχῳ, τὸν ἔλειπε νέον γεγαῶτ’ ἐνὶ οἴκῳ
κεῖνος ἀνήρ, ὅτ’ ἐμεῖο κυνώπιδος εἵνεκ’ ᾿Αχαιοὶ
ἤλθεθ’ ὑπὸ Τροίην, πόλεμον θρασὺν ὁρμαίνοντες.”

Odyssey, 11.424-426

“…that dog-face
Went away and did not dare—even though I was on my way to Hades
To close my eyes with her hands or cover my mouth.”

… ἡ δὲ κυνῶπις
νοσφίσατ’ οὐδέ μοι ἔτλη, ἰόντι περ εἰς ᾿Αΐδαο,
χερσὶ κατ’ ὀφθαλμοὺς ἑλέειν σύν τε στόμ’ ἐρεῖσαι.

In Greek myth , the ‘dog’ nature of women comes as well from forces outside the home—a dog is a thieving creature.

Hesiod, Works and Days 67–68 [from the creation of Pandora]

“And Hermes, the slayer of Argos, that master guide,
Ordered that she possess a dog’s mind and a thief’s nature.”

ἐν δὲ θέμεν κύνεόν τε νόον καὶ ἐπίκλοπον ἦθος
῾Ερμείην ἤνωγε, διάκτορον ᾿Αργεϊφόντην.

But in the crown jewel of Greek mythology, Semonides’ “Diatribe against women”—which presents a lists of complaints about women categorized by different kinds of animals—emphasizes the inability of men to control female voices through the symbol of a dog. Note, as well, that violence is described as a regular reaction but is considered useless.

Semonides of Amorgos, fragment 7

“One women is from a dog, a sinful beast, a thorough mother—
She listens to everything and wants to know everything,
Lurking around everywhere and wandering
She barks even when she doesn’t see anyone.
She can’t stop this, not even if her husband threatens her
Nor if he is angry enough to bash her teeth
With a stone. You can’t change her by talking nicely either.
Even when she happens to be sitting among guests,
She keeps on an endless, impossible yapping.”

τὴν δ’ ἐκ κυνός, λιτοργόν, αὐτομήτορα,
ἣ πάντ’ ἀκοῦσαι, πάντα δ’ εἰδέναι θέλει,
πάντηι δὲ παπταίνουσα καὶ πλανωμένη
λέληκεν, ἢν καὶ μηδέν’ ἀνθρώπων ὁρᾶι.
παύσειε δ’ ἄν μιν οὔτ’ ἀπειλήσας ἀνήρ,
οὐδ’ εἰ χολωθεὶς ἐξαράξειεν λίθωι
ὀδόντας, οὐδ’ ἂν μειλίχως μυθεόμενος,
οὐδ’ εἰ παρὰ ξείνοισιν ἡμένη τύχηι,
ἀλλ’ ἐμπέδως ἄπρηκτον αὑονὴν ἔχει.

Franco, Cristina. 2014. Shameless: The Canine and the Feminine in Ancient Greece. Translated by Michael Fox. Berkeley and Los Angeles.

4: “In the ancient Greek imagination the figure of the dog seems, in fact, to be interwoven with the disparaging discourse on the nature of woman in afar from casual manner…Moreover, the dog appears as a paradigm for the base nature of women in two cornerstone texts of Greek misogyny” (referring to the creation of Pandora in Hesiod and Agamemnon’s comments on Clytemnestra in the Odyssey).

See also:

Graver, Margaret. 1995. “Dog-Helen and Homeric Insult.” Classical Antiquity 14: 41–61.

Pyxis with Bust of a Dog. 1931: bequeathed to Walters Art Museum by Henry Walters

 

 

A Woman’s Prudence? Letting her Body Serve the Needs of the State

The more things change…

Phintys, fr. 1, On a Woman’s Prudence by the Spartan Phintys, the daughter of Kallikrates the Pythagorean (=Stob. 4.23.61)

“It is necessary that a woman be completely good and well-ordered. Someone could never be like this without virtue. For the virtue which is proper to each thing causes the object which welcomes it to be more serious. The excellence of the eyes improves the eyes; that of hearing improves the ears; the horse’s virtue betters the horse and a man’s virtue improves the man. In the same way, a woman’s virtue ennobles a woman.

The virtue most appropriate to a woman is prudence. For through prudence a woman will be able to honor and take delight in her own husband. Many may in fact think that it is not fitting for a woman to practice philosophy, just as she should not ride a horse or speak in public. But I believe that while some things are particular to a man and others to a woman, there are some that are shared by both man and woman, even though some are more appropriate to a man than a woman and those better for a woman than a man.

For example, serving in an army or working in politics and speaking in public are proper for a man. For a woman, it is running the household, staying at home, and welcoming and serving her husband. In common I place bravery, an understanding of justice, and wisdom. For It is right that virtues of the body are proper for both a man and woman along with the virtues of the soul. And, just as having a healthy body is useful for both, so too is the health of the soul.

The virtues of the body are health, strength, good perception, and beauty. Some of these are better for a man to nourish and keep; and others are more appropriate for a woman. Courage and wisdom are certainly more proper for a man both die to the nature of his body and the power of his mind. But prudence is proper for a woman.

For this reason it is important to recognize what a woman trained in prudence is like, in particular from what number and kinds of traits this possession graces a woman. I propose that this comes from five things. The first is from respecting the sanctity and reverence of her marriage bed; the second is a sense of propriety for her body; the third is concerning the actions of those from her own household; the fourth is from not practicing the occult rites and the celebrations of the Great Mother; the fifth is in proper and moderate sacrifices to the divine.

Of these traits, the most important and vital for prudence in terms of her marriage bed is staying uncontaminated and fully separate from some other man. For, to start with, a woman who breaks this law does wrong against her ancestral gods, because she provides for her home and her family not true born allies but bastards.

The one who does this transgresses against the natural gods whose oath she took, following the practice of her forebears and relatives, “to participate in the common life and to produce offspring according to the law.” She also commits injustice against her country, because she does not stay with those who were assigned to her. Then she acts even beyond those for whom the greatest of penalties is assigned because of the excess of this injustice: this is because to commit an error or an outrage for the sake of pleasure is unlawful and the most unforgivable. Ruin is the outcome of all outrage.”

Φιντύος τᾶς Καλλικράτεος θυγατρὸς Πυθαγορείας

ἐκ τοῦ Περὶ γυναικὸς σωφροσύνας.

Τὸ μὲν ὅλον ἀγαθὰν δεῖ ἦμεν καὶ κοσμίαν· ἄνευ δ’ ἀρετᾶς οὐδέποκα γένοιτό τις τοιαύτα. ἑκάστα γὰρ ἀρετὰ περὶ ἕκαστον γινομένα τὸ αὐτᾶς δεκτικὸν ἀποδίδωτι σπουδαῖον· ἁ μὲν τῶν ὀπτίλων τὼς ὀπτίλως, ἁ δὲ τᾶς ἀκοᾶς τὰν ἀκοάν, καὶ ἁ μὲν ἵππω τὸν ἵππον, ἁ δ’ ἀνδρὸς τὸν  ἄνδρα· οὕτω δὲ καὶ <ἁ> γυναικὸς τὰν γυναῖκα. γυναικὸς δὲ μάλιστα ἀρετὰ σωφροσύνα· διὰ γὰρ ταύτας τὸν ἴδιον ἄνδρα καὶ τιμῆν καὶ ἀγαπῆν δυνασεῖται. πολλοὶ μὲν ἴσως δοξάζοντι, ὅτι οὐκ εὐάρμοστον γυναικὶ φιλοσοφέν, ὥσπερ οὐδ’ ἱππεύεν οὐδὲ δαμαγορέν· ἐγὼ δὲ τὰ μέν τινα νομίζω ἀνδρὸς ἦμεν ἴδια, τὰ δὲ γυναικός, τὰ δὲ κοινὰ ἀνδρὸς καὶ γυναικός, τὰ δὲ μᾶλλον ἀνδρὸς ἢ γυναικός, τὰ δὲ μᾶλλον γυναικὸς ἢ ἀνδρός. ἴδια μὲν ἀνδρὸς τὸ στραταγὲν καὶ πολιτεύεσθαι καὶ δαμαγορέν, ἴδια δὲ γυναικὸς τὸ οἰκουρὲν καὶ ἔνδον μένεν καὶ ἐκδέχεσθαι καὶ θεραπεύεν τὸν ἄνδρα. κοινὰ δὲ φαμὶ ἀνδρείαν καὶ δικαιοσύναν καὶ φρόνασιν· καὶ γὰρ τὰς τῶ σώματος ἀρετὰς ἔχεν πρέπον καὶ ἀνδρὶ καὶ γυναικὶ καὶ τᾶς ψυχᾶς ὁμοίως· καὶ ὡς ὑγιαίνεν τῷ σώματι ἀμφοτέροις ὠφέλιμον, οὕτως ὑγιαίνεν τᾷ ψυχᾷ· σώματος δὲ ἦμεν ἀρετὰς ὑγείαν ἰσχὺν εὐαισθησίαν κάλλος. τὰ δὲ μᾶλλον ἀνδρὶ καὶ ἀσκὲν καὶ ἔχεν οἰκῇόν ἐντι, τὰ δὲ μᾶλλον γυναικί.

ἀνδρότατα μὲν γὰρ καὶ φρόνασιν μᾶλλον ἀνδρὶ καὶ διὰ τὰν ἕξιν τῶ σώματος καὶ διὰ τὰν δύναμιν τᾶς ψυχᾶς,  σωφροσύναν δὲ γυναικί. διὸ δεῖ περὶ σωφροσύνας παιδευομέναν γνωρίζεν, ἐκ πόσων τινῶν καὶ ποίων τοῦτο τἀγαθὸν τᾷ γυναικὶ περιγίνεται. φαμὶ δὴ ἐκ πέντε τούτων· πρᾶτον μὲν ἐκ τᾶς περὶ τὰν εὐνὰν ὁσιότατός τε καὶ εὐσε-βείας· δεύτερον δὲ ἐκ τῶ κόσμω τῶ περὶ τὸ σῶμα· τρίτον <δ’> ἐκ τᾶν ἐξόδων τᾶν ἐκ τᾶς ἰδίας οἰκίας· τέταρ-τον δ’ ἐκ τῶ μὴ χρέεσθαι τοῖς ὀργιασμοῖς καὶ ματρῳασμοῖς· πέμπτον δ’ ἐν τᾷ θυσίᾳ τᾷ πρὸς τὸ θεῖον εὐλαβέα ἦμεν καὶ μετρίαν.

τούτων δὲ μέγιστον αἴτιον καὶ συνεκτικώτατον τᾶς σωφροσύνας τὸ περὶ τὰν εὐνὰν ἦμεν ἀδιάφθορον καὶ ἄμικτον θυραίω ἀνδρός. πρᾶτον μὲν γὰρ εἰς τοῦτο παρανομοῦσα ἀδικεῖ γενεθλίως θεώς, οἴκῳ καὶ συγγενείᾳ οὐ γνασίως ἐπικούρως ἀλλὰ νόθως παρεχομένα· ἀδικεῖ δὲ τὼς φύσει θεώς, ὥσπερ ἐπομόσασα μετὰ τῶν αὑτᾶς πατέρων τε καὶ συγγενῶν … συνελεύσεσθαι ἐπὶ κοινωνίᾳ βίω καὶ τέκνων γενέσει τᾷ κατὰ νόμον· ἀδικεῖ δὲ καὶ τὰν αὑτᾶς πατρίδα, μὴ ἐμμένουσα τοῖς ἐνδιατεταγμένοις. ἔπειτα ἐπὶ τούτοις ἀμβλακίσκεν, ἐφ’ οἷς τὸ μέγιστον τῶν προστίμων ὥρισται θάνατος διὰ τὰν ὑπερβολὰν τῶ ἀδικήματος, ἔκθεσμον καὶ ἀσυγγνωμονέστατον ἦμεν ἁδονᾶς ἕνεκεν ἁμαρτάνεν καὶ ὑβρίζεν· ὕβριος δὲ πάσας πέρας ὄλεθρος.

Bronze figure of a running girl, 520-500 BC. Spartan. Found in Prizren, Serbia. The short chiton baring one breast which the figure wears matches the outfit that Pausanias says was worn by athletes competing in the Heraean Games.

The Child-Killing Lamia: What’s Really Scary on Halloween is Misogyny

This is the second post about ancient Greek Vampires. The first looked at the Empousa. 

Lucian, Lover of Lies 2

“…these are various and disturbing tales, able to rattle the minds of children who still fear Mormo and Lamia.”

πάνυ ἀλλόκοτα καὶ τεράστια μυθίδια παίδων ψυχὰς κηλεῖν δυνάμενα ἔτι τὴν Μορμὼ καὶ τὴν Λάμιαν δεδιότων.

The Lamia (or, just Lamia to her friends) is one of the figures from Greek myth who seems like a frightening monster but really is a particular distillation of misogyny. She is often called a Greek ‘vampire’ along with Empousa. Unlike the latter, however, Lamia is specifically associated with killing children.

Diodorus Siculus, 20.40

“At the rock’s root there was a very large cave which was roofed with ivy and bryony in which the myths say the queen Lamia, exceptional for her beauty, was born. But, because of the beastliness of her soul, they say that her appearance has become more monstrous in the time since then.

For, when all her children who were born died, she was overwhelmed by her suffering and envied all the women who were luckier with their children. So she ordered that the infants be snatched from their arms and killed immediately. For this reason, even in our lifetime, the story of that women has lingered among children and the mention of her name is most horrifying to them.

But, whenever she was getting drunk, she would allow people to do whatever pleased them without observation. Because she was not closely watching everything at that time, the people in that land imagined that she could not see. This is why the myth developed that she put her eyes into a bottle, using this story a metaphor for the carelessness she enacted in wine, since that deprived her of sight.”

 περὶ δὲ τὴν ῥίζαν αὐτῆς ἄντρον ἦν εὐμέγεθες, κιττῷ καὶ σμίλακι συνηρεφές, ἐν ᾧ μυθεύουσι γεγονέναι βασίλισσαν Λάμιαν τῷ κάλλει διαφέρουσαν· διὰ δὲ τὴν τῆς ψυχῆς ἀγριότητα διατυπῶσαί φασι τὴν ὄψιν αὐτῆς τὸν μετὰ ταῦτα χρόνον θηριώδη. τῶν γὰρ γινομένων αὐτῇ παίδων ἁπάντων τελευτώντων βαρυθυμοῦσαν ἐπὶ τῷ πάθει καὶ φθονοῦσαν ταῖς τῶν ἄλλων γυναικῶν εὐτεκνίαις κελεύειν ἐκ τῶν ἀγκαλῶν ἐξαρπάζεσθαι τὰ βρέφη καὶ παραχρῆμα ἀποκτέννειν. διὸ καὶ καθ᾿ ἡμᾶς μέχρι τοῦ νῦν βίου παρὰ τοῖς νηπίοις διαμένειν τὴν περὶ τῆς γυναικὸς ταύτης φήμην καὶ φοβερωτάτην αὐτοῖς εἶναι τὴν ταύτης προσηγορίαν. ὅτε δὲ μεθύσκοιτο, τὴν ἄδειαν διδόναι πᾶσιν ἃ βούλοιντο ποιεῖν ἀπαρατηρήτως. μὴ πολυπραγμονούσης οὖν αὐτῆς κατ᾿ ἐκεῖνον τὸν χρόνον τὰ γινόμενα τοὺς κατὰ τὴν χώραν ὑπολαμβάνειν μὴ βλέπειν αὐτήν· καὶ διὰ τοῦτ᾿ ἐμυθολόγησάν τινες ὡς εἰς ἄρσιχον ἐμβάλοι τοὺς ὀφθαλμούς, τὴν ἐν οἴνῳ συντελουμένην ὀλιγωρίαν εἰς τὸ προειρημένον μέτρον μεταφέροντες, ὡς τούτου παρῃρημένου τὴν ὅρασιν.

Euripides, fr. 472m (=Diodorus Siculus 20.41.6)

“Who does not know my name, most hateful to men,
The Lamia, a Libyan by birth?”

τίς τοὐ<μὸν ὄ>νομα τοὐπονείδιστον βροτοῖς
οὐκ οἶδε Λαμίας τῆς Λιβυστικῆς γένος;

The story of why Lamia killed children gets a little more depressing in the Fragments of the Greek Historians

Duris, BNJ 76 F17 [= Photios s.v. Lamia]

“In the second book of his Libyan History, Duris reports that Lamia was a fine looking woman but after Zeus had sex with her, Hera killed the children she bore because she was envious. As a result she was disfigured by grief and would seize and kill the children of others.”

ταύτην ἐν τῆι Λιβύηι Δοῦρις ἐν δευτέρωι Λιβυκῶν ἱστορεῖ γυναῖκα καλὴν γενέσθαι, μιχθέντος δ᾽ αὐτῆι Διὸς ὑφ᾽ ῞Ηρας ζηλοτυπουμένην ἃ ἔτικτεν ἀπολλύναι· διόπερ ἀπὸ τῆς λύπης δύσμορφον γεγονέναι καὶ τὰ τῶν ἄλλων παιδία ἀναρπάζουσαν διαφθείρειν.

Elsewhere, the evidence of narratives about Lamia are rather limited. She becomes just another negative, female monster.

Suda, Lambda 85

“Lamia: a monster. The name comes from having a gaping throat, laimia and lamia. Aristophanes: “It has the smell of a seal, the unwashed balls of a Lamia.” For testicles are active—and he is making a fantasy image of Lamia’s balls, since she is female.

Λάμια: θηρίον. ἀπὸ τοῦ ἔχειν μέγαν λαιμόν, λαίμια καὶ λάμια. ᾿Αριστοφάνης· φώκης δ’ εἶχεν ὀσμήν, λαμίας ὄρχεις ἀπολύτους. δραστικοὶ γὰρ οἱ ὄρχεις. εἰδωλοποιεῖ δέ τινας ὄρχεις λαμίας· θῆλυ γάρ.

Unlike Empousa and some others, Lamia is interestingly integrated in some other genealogical traditions.

Schol. G ad Ap. Rhodes 4.825-831

“Stesichorus says in his Skylla, regarding her form, that Skylla is the daughter of Lamia.”

Στησίχορος δὲ ἐν τῇ Σκύλλῃ †εἶδός τινος† Λαμίας τὴν Σκύλλαν φησὶ θυγατέρα εἶναι.

Pausanias on Phocis, 12

“There is a crag rising up over the ground on which the Delphians claim that a woman stood singing oracles, named Hêrophilê but known as Sibyl. There is the earlier Sibyl, the one I have found to be equally as old as the others, whom the Greeks claim is the daughter of Zeus and Lamia, the daughter of Poseidon. She was the first woman to sing oracles and they say that she was named Sibyl by the Libyans. Hêrophilê was younger than here, but she was obviously born before the Trojan War since she predicted Helen in her oracles, that was raised up in Sparta as the destruction for Asia and Europe and that Troy would be taken by the Greeks because of her.”

XII. Πέτρα δέ ἐστιν ἀνίσχουσα ὑπὲρ τῆς γῆς· ἐπὶ ταύτῃ Δελφοὶ στᾶσάν φασιν ᾆσαι τοὺς χρησμοὺς γυναῖκα ὄνομα Ἡροφίλην, Σίβυλλαν δὲ ἐπίκλησιν. τὴν δὲ πρότερον γενομένην, ταύτην ταῖς μάλιστα ὁμοίως οὖσαν ἀρχαίαν εὕρισκον, ἣν θυγατέρα Ἕλληνες Διὸς καὶ Λαμίας τῆς Ποσειδῶνός φασιν εἶναι, καὶ χρησμούς τε αὐτὴν γυναικῶν πρώτην ᾆσαι καὶ ὑπὸ τῶν Λιβύων Σίβυλλαν λέγουσιν ὀνομασθῆναι. ἡ δὲ Ἡροφίλη νεωτέρα μὲν ἐκείνης, φαίνεται δὲ ὅμως πρὸ τοῦ πολέμου γεγονυῖα καὶ αὕτη τοῦ Τρωικοῦ, καὶ Ἑλένην τε προεδήλωσεν ἐν τοῖς χρησμοῖς, ὡς ἐπ᾿ ὀλέθρῳ τῆς Ἀσίας καὶ Εὐρώπης τραφήσοιτο ἐν Σπάρτῃ, καὶ ὡς Ἴλιον ἁλώσεται δι᾿ αὐτὴν ὑπὸ Ἑλλήνων.

Dionysus of Halicarnassus, On Thucydides 6

“Foremost he differed from previous authors in this, by which I mean how he took on a subject that was not a single thread nor one divided in many different and also disconnected parts. And then, because did not include mythical material in his work and he did not use his writing for the deception and bewitchment of many, as every author before him did when they told the stories of certain Lamiai rising up from the earth in groves and glens and of amphibious Naiads rushing out of Tartaros, half-beasts swimming through the seas and then joining together in groups among humans, and producing offspring of mortals and gods, demigods—and other stories which seem extremely unbelievable and untrustworthy to us now.”

πρῶτον μὲν δὴ κατὰ τοῦτο διήλλαξε τῶν πρὸ αὐτοῦ συγγραφέων, λέγω δὲ κατὰ τὸ λαβεῖν ὑπόθεσιν μήτε μονόκωλον παντάπασι μήτ᾿ εἰς πολλὰ μεμερισμένην καὶ ἀσυνάρτητα κεφάλαια· ἔπειτα κατὰ τὸ μηδὲν αὐτῇ μυθῶδες προσάψαι, μηδ᾿ εἰς ἀπάτην καὶ γοητείαν τῶν πολλῶν ἐκτρέψαι τὴν γραφήν, ὡς οἱ πρὸ αὐτοῦ πάντες ἐποίησαν, Λαμίας τινὰς ἱστοροῦντες ἐν ὕλαις καὶ νάπαις ἐκ γῆς ἀνιεμένας, καὶ Ναΐδας ἀμφιβίους ἐκ Ταρτάρων ἐξιούσας καὶ διὰ πελάγους νηχομένας καὶ μιξόθηρας, καὶ ταύτας εἰς ὁμιλίαν ἀνθρώποις συνερχομένας, καὶ ἐκ θνητῶν καὶ θείων συνουσιῶν γονὰς ἡμιθέους, καὶ ἄλλας τινὰς ἀπίστους τῷ καθ᾿ ἡμᾶς βίῳ καὶ πολὺ τὸ ἀνόητον ἔχειν δοκούσας ἱστορίας.

There is another variant name–she might get her own entry some day

Suda, s.v.Μορμώ 

Mormô, in the genitive Mormous, declined like Sappho. There is also the form Mormôn, genitive Mormonos. Aristophanes says “I ask you, take this Mormo away from me”. This meant to dispel frightening things. For Mormo is frightening. And again in Aristophanes: “A Mormo for courage”. There is also a mormalukeion which they also call a Lamia. They also frightening things this.

Μορμώ: λέγεται καὶ Μορμώ, Μορμοῦς, ὡς Σαπφώ. καὶ Μορμών, Μορμόνος. Ἀριστοφάνης: ἀντιβολῶ σ’, ἀπένεγκέ μου τὴν Μορμόνα. ἄπο τὰ φοβερά: φοβερὰ γὰρ ὑπῆρχεν ἡ Μορμώ. καὶ αὖθις Ἀριστοφάνης: Μορμὼ τοῦ θράσους. μορμολύκειον, ἣν λέγουσι Λαμίαν: ἔλεγον δὲ οὕτω καὶ τὰ φοβερά.

 In some traditions, Lamia became proverbial

Plutarch, De Curiositate [On Being a Busybod y] 516a

“Now, just as in the myth they say that Lamia sleeps at home, putting her eyes set aside in some jar, but when she goes out she puts them back in and peers around, in the same way each of us puts his curiosity, as if fitting in an eye, into meanness towards others. But we often stumble over our own mistakes and faults because of ignorance, since we fail to secure sight or light for them.

For this reason, a busybody is rather useful to his enemies, since he rebukes and emphasizes their faults and shows them what they should guard and correct, even as he overlooks most of his own issues thanks to his obsession with everyone else. This is why Odysseus did not stop to speak with his mother before he inquired from the seer about those things for which he had come to Hades. Once he had made his inquiry, he turned to his own mother and also the other women, asking who Tyro was, who beautiful Khloris was, and why Epikaste had died.”

Lamia is not well-attested in art and myth

νῦν δ’ ὥσπερ ἐν τῷ μύθῳ τὴν Λάμιαν λέγουσιν οἴκοι μὲν εὕδειν τυφλήν, ἐν ἀγγείῳ τινὶ τοὺς ὀφθαλμοὺς ἔχουσαν ἀποκειμένους, | ἔξω δὲ προϊοῦσαν ἐντίθεσθαι καὶ βλέπειν, οὕτως ἡμῶν ἕκαστος ἔξω καὶ πρὸς ἑτέρους τῇ κακονοίᾳ τὴν περιεργίαν ὥσπερ ὀφθαλμὸν ἐντίθησι, τοῖς δ’ ἑαυτῶν ἁμαρτήμασι καὶ κακοῖς πολλάκις περιπταίομεν ὑπ’ ἀγνοίας, ὄψιν ἐπ’ αὐτὰ καὶ φῶς οὐ ποριζόμενοι. διὸ καὶ τοῖς ἐχθροῖς ὠφελιμώτερός ἐστιν ὁ πολυπραγμονῶν· τὰ γὰρ ἐκείνων ἐλέγχει καὶ προφέρεται καὶ δείκνυσιν αὐτοῖς ἃ δεῖ φυλάξασθαι καὶ διορθῶσαι, τῶν δ’ οἴκοι τὰ πλεῖστα παρορᾷ διὰ τὴν περὶ τὰ ἔξω πτόησιν. ὁ μὲν γὰρ ᾿Οδυσσεὺς (λ 84 sqq.) οὐδὲ τῇ μητρὶ διαλεχθῆναι πρότε- ρον ὑπέμεινεν ἢ πυθέσθαι παρὰ τοῦ μάντεως, ὧν ἕνεκ’ ἦλθεν εἰς ῞Αιδου, πυθόμενος δὲ οὕτω πρός τε ταύτην ἔτρεψεν αὑτόν, καὶ τὰς ἄλλας γυναῖκας ἀνέκρινε, τίς ἡ Τυρὼ καὶ τίς ἡ καλὴ Χλωρὶς καὶ διὰ τί ἡ ᾿Επικάστη ἀπέθανεν…

Image result for Ancient Greek Lamia vase
Skylla, relative of Lamia. More Misogyny.

Some other misogynistic tales from myth with telling variants

The Lemnian Women and their Terrible Smell

The Privileging of Klytemnestra’s Infamy

The Terrible Tale of Asclepius’ Two Mothers

Pretty Much Everything about Medea

Kassandra’s Prophecy and Life

Kassandra’s Children

The Death of Hecuba

Helen and Iphigenia

John William Waterhouse , Lamia

Asclepius Had Two Mothers?

N.B. The following contains some severe misogyny and a debate about Asclepius’ ‘true’ mother:

Pausanias, 2.26.6

“There is also another story about [Asclepius], that when Korônis was pregnant with him she had sex with Iskhus, Elatos’ son and that she was killed by Artemis who was defending the insult to Apollo. But when the pyre had been lit, they say that Hermes plucked the child from the flam.

The third story seems to me to be the least true—it makes Asclepius the child of Arsinoê, the daughter of Leucippus. When Apollophanes the Arcadian came to Delphi and asked the god if Asclepius was the child of Arsinoê and thus a Messenian citizen, the oracle prophesied:

Asclepius, come as a great blessing to all mortals,
Whom lovely Korônis bore after having sex with me—
The daughter of Phlegyas in rugged Epidauros.

This oracle makes it abundantly clear that Asclepius is not Arsinoê’s child but that Hesiod or one of those poets who insert lines into Hesiod’s poetry added for the favor of the Messenians.”

λέγεται δὲ καὶ ἄλλος ἐπ’ αὐτῷ λόγος, Κορωνίδα κύουσαν ᾿Ασκληπιὸν ῎Ισχυι τῷ ᾿Ελάτου συγγενέσθαι, καὶ τὴν μὲν ἀποθανεῖν ὑπὸ ᾿Αρτέμιδος ἀμυνομένης τῆς ἐς τὸν ᾿Απόλλωνα ὕβρεως, ἐξημμένης δὲ ἤδη τῆς πυρᾶς ἁρπάσαι λέγεται τὸν παῖδα ῾Ερμῆς ἀπὸ τῆς φλογός. ὁ δὲ τρίτος τῶν λόγων ἥκιστα ἐμοὶ δοκεῖν ἀληθής ἐστιν, ᾿Αρσινόης ποιήσας εἶναι τῆς Λευκίππου παῖδα ᾿Ασκληπιόν. ᾿Απολλοφάνει γὰρ τῷ ᾿Αρκάδι ἐς Δελφοὺς ἐλθόντι καὶ ἐρομένῳ τὸν θεὸν εἰ γένοιτο ἐξ ᾿Αρσινόης ᾿Ασκληπιὸς καὶ Μεσσηνίοις πολίτης εἴη, ἔχρησεν ἡ Πυθία·

ὦ μέγα χάρμα βροτοῖς βλαστὼν ᾿Ασκληπιὲ πᾶσιν,
ὃν Φλεγυηὶς ἔτικτεν ἐμοὶ φιλότητι μιγεῖσα
ἱμερόεσσα Κορωνὶς ἐνὶ κραναῇ ᾿Επιδαύρῳ.

οὗτος ὁ χρησμὸς δηλοῖ μάλιστα οὐκ ὄντα ᾿Ασκληπιὸν ᾿Αρσινόης, ἀλλὰ ῾Ησίοδον ἢ τῶν τινα ἐμπεποιηκότων ἐς τὰ ῾Ησιόδου τὰ ἔπη συνθέντα ἐς τὴν Μεσσηνίων χάριν.

The standard details are reported in the Homeric Hymn to Asclepius:

“I begin to sing of the doctor of diseases, Asclepius,
The son of Apollo whom shining Korônis bore
In the Dotian plain, that daughter of king Phlegyas.
He’s a great blessing to mortal men, a bewitcher of painful troubles.
And hail to you lord. I am beseeching you with this song.”

᾿Ιητῆρα νόσων ᾿Ασκληπιὸν ἄρχομ’ ἀείδειν
υἱὸν ᾿Απόλλωνος τὸν ἐγείνατο δῖα Κορωνὶς
Δωτίῳ ἐν πεδίῳ κούρη Φλεγύου βασιλῆος,
χάρμα μέγ’ ἀνθρώποισι, κακῶν θελκτῆρ’ ὀδυνάων.
Καὶ σὺ μὲν οὕτω χαῖρε ἄναξ· λίτομαι δέ σ’ ἀοιδῇ.

Phlegyas  is the father of Ixion and Corônis.  His son Ixion was exiled as a murder and then, after Zeus cleansed him of his crime, he tried to rape Hera and was punished in Hades for eternity (spinning, crucified, on a wheel). One can easily imagine distancing Asclepius from this family…

The debate is treated by an ancient scholiast:

Schol. ad Pind. Pyth 3.14

“Some say Asklepios is the son of Arsinoê, others say he is the son of Korônis. Asclepiades claims that Arsinoê is the daughter of Leukippus the son of Periêros from whom comes Asklepios from Apollo and a daughter Eriôpis. Thus we have the line: “She bore in the halls Asklepios, marshall of men / after being subdued by Apollo, and well-tressed Eriôpis.” There is also of Arsinoê: “Arsinoê, after having sex withZeus and Leto’s son,bore Asklepios, blameless and strong.”

Socrates also claims that Asklepios is the offspring of Arsinoê and has been interpolated as the child of Korônis. The matters about Korônis have been reported in lines that were added into Hesiodic poetry….”

τὸν μὲν εὐίππου θυγάτηρ: τὸν ᾿Ασκληπιὸν οἱ μὲν ᾿Αρσινόης, οἱ δὲ Κορωνίδος φασὶν εἶναι. ᾿Ασκληπιάδης δέ φησι τὴν ᾿Αρσινόην Λευκίππου εἶναι τοῦ Περιήρους, ἧς καὶ ᾿Απόλλωνος ᾿Ασκληπιὸς καὶ θυγάτηρ ᾿Εριῶπις·

  ἡ δ’ ἔτεκ’ ἐν μεγάροις ᾿Ασκληπιὸν ὄρχαμον ἀνδρῶν,
Φοίβῳ ὑποδμηθεῖσα, ἐϋπλόκαμόν τ’ ᾿Εριῶπιν.
καὶ ᾿Αρσινόης ὁμοίως·

᾿Αρσινόη δὲ μιγεῖσα Διὸς καὶ Λητοῦς υἱῷ
τίκτ’ ᾿Ασκληπιὸν υἱὸν ἀμύμονά τε κρατερόν τε.

καὶ Σωκράτης (FHG IV p. 496) γόνον ᾿Αρσινόης τὸν ᾿Ασκληπιὸν  ἀποφαίνει, παῖδα δὲ Κορωνίδος εἰσποίητον. ἐν δὲ τοῖς εἰς ῾Ησίοδον ἀναφερομένοις ἔπεσι (fr. 123) φέρεται ταῦτα περὶ τῆς Κορωνίδος·

Later, the same scholion presents an attempt by a Greek historian to resolve the two narratives.

“Aristeidês in the text on the founding of Knidos reports this: Asclepios is the child of Apollo and Arsinoê but she was called Korônis when she was a maiden. She was the daughter of Leukippus of Amykla in Lakedaimon.”

᾿Αριστείδης δὲ ἐν τῷ περὶ Κνίδου κτίσεως συγγράμματί (FHG IV 324) φησιν οὕτως· ᾿Ασκληπιὸς ᾿Απόλλωνος παῖς καὶ ᾿Αρσι-νόης. αὕτη δὲ παρθένος οὖσα ὠνομάζετο Κορωνὶς, Λευκίππου δὲ θυγάτηρ ἦν τοῦ ᾿Αμύκλα τοῦ Λακεδαίμονος·

In this debate, we are likely witnessing a later comment (e.g. Pausanias) on an early divergence with roots in local (epichoric) traditions about the genealogy of Asclepius. The Panhellenic account (more Athenocentric in this case) is championed by Pausanias.

Asclepiys

Reputable Tales about Ariadne; And Weird Ones Too

The following account is interesting for the variations in the story of Ariadne and Theseus but also for the strange detail of the ritual where young men imitate a woman in childbirth. Also, the counterfeit letters bit is precious. What would they say?.

Other tales about Ariadne, According to Plutarch (Theseus 20)

“There are many other versions circulated about these matters still and also about Ariadne, none of which agree. For some say that she hanged herself after she was abandoned by Theseus. Others claim that after she was taken to Naxos by sailors she lived with Oinaros a priest of Dionysus and that she was abandoned by Theseus because he loved another.

“A terrible lust for Aiglê the daughter of Panopeus ate at him” [fr. 105]—this is a line Hereas the Megarean claims Peisistratus deleted from the poems of Hesiod, just as again he says that he inserted into the Homeric catalogue of dead “Theseus and Perithoos, famous children of the gods” [Od. 11.631] to please the Athenans. There are some who say that Ariadne gave birth to Oinipiôn and Staphulos with Theseus. One of these is Ion of  Khios who has sung about his own city “Oinopiôn, Theseus’ son, founded this city once.” [fr. 4D]

The most reputable of the myths told are those which, as the saying goes, all people have in their mouths. But Paiôn the Amathousian has handed down a particular tale about these events. For he says that Theseus was driven by a storm, to Cyprus and that he had Ariadne with him, who was pregnant and doing quite badly because of the sea and the rough sailing. So he set her out alone and he was carried back into the sea from the land while he was tending to the ship. The native women, then, received Ariadne and they tried to ease her depression because of her loneliness by offering her a counterfeit letter written to her by Theseus and helping her and supporting her during childbirth. They buried her when she died before giving birth.

Paiôn claims that when Theseus returned he was overcome with grief and he left money to the island’s inhabitants, charging them to sacrifice to Ariadne and to have two small statues made for her—one of silver and one of bronze. During the second day of the month of Gorpiaon at the sacrifice, one of the young men lies down and mouns and acts as women do during childbirth. They call the grove in which they claim her tomb is that of Ariadne Aphrodite.

Some of the Naxians claim peculiarly that there were two Minoses and two Ariadnes. They claim one was married to Dionysus on Naxos and bore the child Staphulos, and the young one was taken by Theseus and left when he came to Naxos with a nurse named Korkunê—whose tomb they put on display. They claim that Ariadne died there and has honors unequal to those of the earlier one. The first has a festival of singing and play; the second has one where sacrifices are performed with grief and mourning.”

Πολλοὶ δὲ λόγοι καὶ περὶ τούτων ἔτι λέγονται καὶ περὶ τῆς Ἀριάδνης, οὐδὲν ὁμολογούμενον ἔχοντες. οἱ μὲν γὰρ ἀπάγξασθαί φασιν αὐτὴν ἀπολειφθεῖσαν ὑπὸ τοῦ Θησέως, οἱ δὲ εἰς Νάξον ὑπὸ ναυτῶν κομισθεῖσαν Οἰνάρῳ τῷ ἱερεῖ τοῦ Διονύσου συνοικεῖν, ἀπολειφθῆναι δὲ τοῦ Θησέως ἐρῶντος ἑτέρας· Δεινὸς γάρ μιν ἔτειρεν ἔρως Πανοπηΐδος Αἴγλης. τοῦτο γὰρ τὸ ἔπος ἐκ τῶν Ἡσιόδου Πεισίστρατον ἐξελεῖν φησιν Ἡρέας ὁ Μεγαρεύς, ὥσπερ αὖ πάλιν ἐμβαλεῖν εἰς τὴν Ὁμήρου νέκυιαν τὸ Θησέα Πειρίθοόν τε θεῶν ἀριδείκετα τέκνα,χαριζόμενον Ἀθηναίοις· ἔνιοι δὲ καὶ τεκεῖν ἐκ Θησέως Ἀριάδνην Οἰνοπίωνα καὶ Στάφυλον· ὧν καὶ ὁ Χῖος Ἴων ἐστὶ περὶ τῆς ἑαυτοῦ πατρίδος λέγων· Τήν ποτε Θησείδης ἔκτισεν Οἰνοπίων.

Ἃ δ᾿ ἐστὶν εὐφημότατα τῶν μυθολογουμένων, πάντες ὡς ἔπος εἰπεῖν διὰ στόματος ἔχουσιν. ἴδιον δέ τινα περὶ τούτων λόγον ἐκδέδωκε Παίων ὁ Ἀμαθούσιος. τὸν γὰρ Θησέα φησὶν ὑπὸ χειμῶνος εἰς Κύπρον ἐξενεχθέντα καὶ τὴν Ἀριάδνην ἔγκυον ἔχοντα, φαύλως δὲ διακειμένην ὑπὸ τοῦ σάλου καὶ δυσφοροῦσαν, ἐκβιβάσαι μόνην, αὐτὸν δὲ τῷ πλοίῳ βοηθοῦντα πάλιν εἰς τὸ πέλαγος ἀπὸ τῆς γῆς φέρεσθαι. τὰς οὖν ἐγχωρίους γυναῖκας τὴν Ἀριάδνην ἀναλαβεῖν καὶ περιέπειν ἀθυμοῦσαν ἐπὶ τῇ μονώσει, καὶ γράμματα πλαστὰ προσφέρειν, ὡς τοῦ Θησέως γράφοντος αὐτῇ, καὶ περὶ τὴν ὠδῖνα συμπονεῖν καὶ βοηθεῖν· ἀποθανοῦσαν δὲ θάψαι μὴ τεκοῦσαν. ἐπελθόντα δὲ τὸν Θησέα καὶ περίλυπον γενόμενον τοῖς μὲν ἐγχωρίοις ἀπολιπεῖν χρήματα, συντάξαντα θύειν τῇ Ἀριάδνῃ, δύο δὲ μικροὺς ἀνδριαντίσκους ἱδρύσασθαι, τὸν μὲν ἀργυροῦν, τὸν δὲ χαλκοῦν. ἐν δὲ τῇ θυσίᾳ τοῦ Γορπιαίου μηνὸς ἱσταμένου δευτέρᾳ κατακλινόμενόν τινα τῶν νεανίσκων φθέγγεσθαι καὶ ποιεῖν ἅπερ ὠδίνουσαι γυναῖκες· καλεῖν δὲ τὸ ἄλσος Ἀμαθουσίους, ἐν ᾧ τὸν τάφον δεικνύουσιν, Ἀριάδνης Ἀφροδίτης.

Καὶ Ναξίων δέ τινες ἰδίως ἱστοροῦσι δύο Μίνωας γενέσθαι καὶ δύο Ἀριάδνας, ὧν τὴν μὲν Διονύσῳ γαμηθῆναί φασιν ἐν Νάξῳ καὶ τοὺς περὶ Στάφυλον τεκεῖν, τὴν δὲ νεωτέραν ἁρπασθεῖσαν ὑπὸ τοῦ Θησέως καὶ ἀπολειφθεῖσαν εἰς Νάξον ἐλθεῖν, καὶ τροφὸν μετ᾿ αὐτῆς ὄνομα Κορκύνην, ἧς δείκνυσθαι τάφον. ἀποθανεῖν δὲ καὶ τὴν Ἀριάδνην αὐτόθι καὶ τιμὰς ἔχειν οὐχ ὁμοίας τῇ προτέρᾳ. τῇ μὲν γὰρ ἡδομένους καὶ παίζοντας ἑορτάζειν, τὰς δὲ ταύτῃ δρωμένας θυσίας εἶναι πένθει τινὶ καὶ στυγνότητι μεμιγμένας.

heseus and Ariadne, painting by Antoinette Béfort, Salon of 1812 and 1814. Formerly in the Walter P. Chrysler Jr. collection as a work by Anne-Louis Girodet. Attributed to Béfort by Margaret A. Oppenheimer (Four 'Davids,' a 'Regnault,' and a 'Girodet' reattributed : female artists at the Paris salons, Apollo, 145, 424,‎ 1997, p. 38-44).

“Theseus and Ariadne”, painting by Antoinette Béfort, Salon of 1812

Why Wives Should Learn Geometry and Plato. And, an Eclipse

Plutarch, Advice to Bride and Groom (Moralia138a-146a : Conjugalia Praecepta)

“These kinds of studies, foremost, distract woman from inappropriate matters. For, a wife will be ashamed to dance when she is learning geometry. And she will not receive spells of medicine if she is charmed by Platonic dialogues and the works of Xenophon. And if anyone claims she can pull down the moon, she will laugh at the ignorance and simplicity of the women who believe these things because she herself is not ignorant of astronomy and she has read about Aglaonikê. She was the daughter of Hêgêtor of Thessaly because she knew all about the periods of the moon and eclipses knew before everyone about the time when the moon would be taken by the shadow of the earth. She tricked the other women and persuaded them that she herself was causing the lunar eclipse.”

τὰ δὲ τοιαῦτα μαθήματα πρῶτον ἀφίστησι τῶν ἀτόπων τὰς γυναῖκας· αἰσχυνθήσεται γὰρ ὀρχεῖσθαι γυνὴ γεωμετρεῖν μανθάνουσα, καὶ φαρμάκων ἐπῳδὰς οὐ προσδέξεται τοῖς Πλάτωνος ἐπᾳδομένη λόγοις καὶ τοῖς Ξενοφῶντος. ἂν δέ τις ἐπαγγέλληται καθαιρεῖν τὴν σελήνην, γελάσεται τὴν ἀμαθίαν καὶ τὴν ἀβελτερίαν τῶν ταῦτα πειθομένων γυναικῶν, ἀστρολογίας μὴ ἀνηκόως ἔχουσα καὶ περὶ Ἀγλαονίκης ἀκηκουῖα τῆς Ἡγήτορος τοῦ Θετταλοῦ θυγατρὸς ὅτι τῶν ἐκλειπτικῶν ἔμπειρος οὖσα πανσελήνων καὶ προειδυῖα τὸν χρόνον, ἐν ᾧ συμβαίνει τὴν σελήνην ὑπὸ γῆς σκιᾶς ἁλίσκεσθαι, παρεκρούετο καὶ συνέπειθε τὰς γυναῖκας ὡς αὐτὴ καθαιροῦσα τὴν σελήνην.

 

Miniature of Alexander the Great consulting his astrologers about an eclipse of the sun after the battle of Arbela: British Library Burney MS 169, f. 69r

Ancient Vampires 2: What’s Really Scary is Misogyny

This is the second post about ancient Greek Vampires. The first looked at the Empousa. 

Lucian, Lover of Lies 2

“…these are various and disturbing tales, able to rattle the minds of children who still fear Mormo and Lamia.”

πάνυ ἀλλόκοτα καὶ τεράστια μυθίδια παίδων ψυχὰς κηλεῖν δυνάμενα ἔτι τὴν Μορμὼ καὶ τὴν Λάμιαν δεδιότων.

The Lamia (or, just Lamia to her friends) is one of the figures from Greek myth who seems like a frightening monster but really is a particular distillation of misogyny. She is often called a Greek ‘vampire’ along with Empousa. Unlike the latter, however, Lamia is specifically associated with killing children.

Diodorus Siculus, 20.40

“At the rock’s root there was a very large cave which was roofed with ivy and bryony in which the myths say the queen Lamia, exceptional for her beauty, was born. But, because of the beastliness of her soul, they say that her appearance has become more monstrous in the time since then.

For, when all her children who were born died, she was overwhelmed by her suffering and envied all the women who were luckier with their children. So she ordered that the infants be snatched from their arms and killed immediately. For this reason, even in our lifetime, the story of that women has lingered among children and the mention of her name is most horrifying to them.

But, whenever she was getting drunk, she would allow people to do whatever pleased them without observation. Because she was not closely watching everything at that time, the people in that land imagined that she could not see. This is why the myth developed that she put her eyes into a bottle, using this story a metaphor for the carelessness she enacted in wine, since that deprived her of sight.”

 περὶ δὲ τὴν ῥίζαν αὐτῆς ἄντρον ἦν εὐμέγεθες, κιττῷ καὶ σμίλακι συνηρεφές, ἐν ᾧ μυθεύουσι γεγονέναι βασίλισσαν Λάμιαν τῷ κάλλει διαφέρουσαν· διὰ δὲ τὴν τῆς ψυχῆς ἀγριότητα διατυπῶσαί φασι τὴν ὄψιν αὐτῆς τὸν μετὰ ταῦτα χρόνον θηριώδη. τῶν γὰρ γινομένων αὐτῇ παίδων ἁπάντων τελευτώντων βαρυθυμοῦσαν ἐπὶ τῷ πάθει καὶ φθονοῦσαν ταῖς τῶν ἄλλων γυναικῶν εὐτεκνίαις κελεύειν ἐκ τῶν ἀγκαλῶν ἐξαρπάζεσθαι τὰ βρέφη καὶ παραχρῆμα ἀποκτέννειν. διὸ καὶ καθ᾿ ἡμᾶς μέχρι τοῦ νῦν βίου παρὰ τοῖς νηπίοις διαμένειν τὴν περὶ τῆς γυναικὸς ταύτης φήμην καὶ φοβερωτάτην αὐτοῖς εἶναι τὴν ταύτης προσηγορίαν. ὅτε δὲ μεθύσκοιτο, τὴν ἄδειαν διδόναι πᾶσιν ἃ βούλοιντο ποιεῖν ἀπαρατηρήτως. μὴ πολυπραγμονούσης οὖν αὐτῆς κατ᾿ ἐκεῖνον τὸν χρόνον τὰ γινόμενα τοὺς κατὰ τὴν χώραν ὑπολαμβάνειν μὴ βλέπειν αὐτήν· καὶ διὰ τοῦτ᾿ ἐμυθολόγησάν τινες ὡς εἰς ἄρσιχον ἐμβάλοι τοὺς ὀφθαλμούς, τὴν ἐν οἴνῳ συντελουμένην ὀλιγωρίαν εἰς τὸ προειρημένον μέτρον μεταφέροντες, ὡς τούτου παρῃρημένου τὴν ὅρασιν.

Euripides, fr. 472m (=Diodorus Siculus 20.41.6)

“Who does not know my name, most hateful to men,
The Lamia, a Libyan by birth?”

τίς τοὐ<μὸν ὄ>νομα τοὐπονείδιστον βροτοῖς
οὐκ οἶδε Λαμίας τῆς Λιβυστικῆς γένος;

The story of why Lamia killed children gets a little more depressing in the Fragments of the Greek Historians

Duris, BNJ 76 F17 [= Photios s.v. Lamia]

“In the second book of his Libyan History, Duris reports that Lamia was a fine looking woman but after Zeus had sex with her, Hera killed the children she bore because she was envious. As a result she was disfigured by grief and would seize and kill the children of others.”

ταύτην ἐν τῆι Λιβύηι Δοῦρις ἐν δευτέρωι Λιβυκῶν ἱστορεῖ γυναῖκα καλὴν γενέσθαι, μιχθέντος δ᾽ αὐτῆι Διὸς ὑφ᾽ ῞Ηρας ζηλοτυπουμένην ἃ ἔτικτεν ἀπολλύναι· διόπερ ἀπὸ τῆς λύπης δύσμορφον γεγονέναι καὶ τὰ τῶν ἄλλων παιδία ἀναρπάζουσαν διαφθείρειν.

Elsewhere, the evidence of narratives about Lamia are rather limited. She becomes just another negative, female monster.

Suda, Lambda 85

“Lamia: a monster. The name comes from having a gaping throat, laimia and lamia. Aristophanes: “It has the smell of a seal, the unwashed balls of a Lamia.” For testicles are active—and he is making a fantasy image of Lamia’s balls, since she is female.”

Λάμια: θηρίον. ἀπὸ τοῦ ἔχειν μέγαν λαιμόν, λαίμια καὶ λάμια. ᾿Αριστοφάνης· φώκης δ’ εἶχεν ὀσμήν, λαμίας ὄρχεις ἀπολύτους. δραστικοὶ γὰρ οἱ ὄρχεις. εἰδωλοποιεῖ δέ τινας ὄρχεις λαμίας· θῆλυ γάρ.

Unlike Empousa and some others, Lamia is interestingly integrated in some other genealogical traditions.

Schol. G ad Ap. Rhodes 4.825-831

“Stesichorus says in his Skylla, regarding her form, that Skylla is the daughter of Lamia.”

Στησίχορος δὲ ἐν τῇ Σκύλλῃ †εἶδός τινος† Λαμίας τὴν Σκύλλαν φησὶ θυγατέρα εἶναι.

Pausanias on Phocis, 12

“There is a crag rising up over the ground on which the Delphians claim that a woman stood singing oracles, named Hêrophilê but known as Sibyl. There is the earlier Sibyl, the one I have found to be equally as old as the others, whom the Greeks claim is the daughter of Zeus and Lamia, the daughter of Poseidon. She was the first woman to sing oracles and they say that she was named Sibyl by the Libyans. Hêrophilê was younger than here, but she was obviously born before the Trojan War since she predicted Helen in her oracles, that was raised up in Sparta as the destruction for Asia and Europe and that Troy would be taken by the Greeks because of her.”

XII. Πέτρα δέ ἐστιν ἀνίσχουσα ὑπὲρ τῆς γῆς· ἐπὶ ταύτῃ Δελφοὶ στᾶσάν φασιν ᾆσαι τοὺς χρησμοὺς γυναῖκα ὄνομα Ἡροφίλην, Σίβυλλαν δὲ ἐπίκλησιν. τὴν δὲ πρότερον γενομένην, ταύτην ταῖς μάλιστα ὁμοίως οὖσαν ἀρχαίαν εὕρισκον, ἣν θυγατέρα Ἕλληνες Διὸς καὶ Λαμίας τῆς Ποσειδῶνός φασιν εἶναι, καὶ χρησμούς τε αὐτὴν γυναικῶν πρώτην ᾆσαι καὶ ὑπὸ τῶν Λιβύων Σίβυλλαν λέγουσιν ὀνομασθῆναι. ἡ δὲ Ἡροφίλη νεωτέρα μὲν ἐκείνης, φαίνεται δὲ ὅμως πρὸ τοῦ πολέμου γεγονυῖα καὶ αὕτη τοῦ Τρωικοῦ, καὶ Ἑλένην τε προεδήλωσεν ἐν τοῖς χρησμοῖς, ὡς ἐπ᾿ ὀλέθρῳ τῆς Ἀσίας καὶ Εὐρώπης τραφήσοιτο ἐν Σπάρτῃ, καὶ ὡς Ἴλιον ἁλώσεται δι᾿ αὐτὴν ὑπὸ Ἑλλήνων.

Dionysus of Halicarnassus, On Thucydides 6

“Foremost he differed from previous authors in this, by which I mean how he took on a subject that was not a single thread nor one divided in many different and also disconnected parts. And then, because did not include mythical material in his work and he did not use his writing for the deception and bewitchment of many, as every author before him did when they told the stories of certain Lamiai rising up from the earth in groves and glens and of amphibious Naiads rushing out of Tartaros, half-beasts swimming through the seas and then joining together in groups among humans, and producing offspring of mortals and gods, demigods—and other stories which seem extremely unbelievable and untrustworthy to us now.”

πρῶτον μὲν δὴ κατὰ τοῦτο διήλλαξε τῶν πρὸ αὐτοῦ συγγραφέων, λέγω δὲ κατὰ τὸ λαβεῖν ὑπόθεσιν μήτε μονόκωλον παντάπασι μήτ᾿ εἰς πολλὰ μεμερισμένην καὶ ἀσυνάρτητα κεφάλαια· ἔπειτα κατὰ τὸ μηδὲν αὐτῇ μυθῶδες προσάψαι, μηδ᾿ εἰς ἀπάτην καὶ γοητείαν τῶν πολλῶν ἐκτρέψαι τὴν γραφήν, ὡς οἱ πρὸ αὐτοῦ πάντες ἐποίησαν, Λαμίας τινὰς ἱστοροῦντες ἐν ὕλαις καὶ νάπαις ἐκ γῆς ἀνιεμένας, καὶ Ναΐδας ἀμφιβίους ἐκ Ταρτάρων ἐξιούσας καὶ διὰ πελάγους νηχομένας καὶ μιξόθηρας, καὶ ταύτας εἰς ὁμιλίαν ἀνθρώποις συνερχομένας, καὶ ἐκ θνητῶν καὶ θείων συνουσιῶν γονὰς ἡμιθέους, καὶ ἄλλας τινὰς ἀπίστους τῷ καθ᾿ ἡμᾶς βίῳ καὶ πολὺ τὸ ἀνόητον ἔχειν δοκούσας ἱστορίας.

There is another variant name–she might get her own entry some day

Suda, s.v.Μορμώ 

Mormô, in the genitive Mormous, declined like Sappho. There is also the form Mormôn, genitive Mormonos. Aristophanes says “I ask you, take this Mormo away from me”. This meant to dispel frightening things. For Mormo is frightening. And again in Aristophanes: “A Mormo for courage”. There is also a mormalukeion which they also call a Lamia. They were also saying frightening things like this.”

Μορμώ: λέγεται καὶ Μορμώ, Μορμοῦς, ὡς Σαπφώ. καὶ Μορμών, Μορμόνος. Ἀριστοφάνης: ἀντιβολῶ σ’, ἀπένεγκέ μου τὴν Μορμόνα. ἄπο τὰ φοβερά: φοβερὰ γὰρ ὑπῆρχεν ἡ Μορμώ. καὶ αὖθις Ἀριστοφάνης: Μορμὼ τοῦ θράσους. μορμολύκειον, ἣν λέγουσι Λαμίαν: ἔλεγον δὲ οὕτω καὶ τὰ φοβερά.

 In some traditions, Lamia became proverbial

Plutarch, De Curiositate [On Being a Busybod y] 516a

“Now, just as in the myth they say that Lamia sleeps at home, putting her eyes set aside in some jar, but when she goes out she puts them back in and peers around, in the same way each of us puts his curiosity, as if fitting in an eye, into meanness towards others. But we often stumble over our own mistakes and faults because of ignorance, since we fail to secure sight or light for them.

For this reason, a busybody is rather useful to his enemies, since he rebukes and emphasizes their faults and shows them what they should guard and correct, even as he overlooks most of his own issues thanks to his obsession with everyone else. This is why Odysseus did not stop to speak with his mother before he inquired from the seer about those things for which he had come to Hades. Once he had made his inquiry, he turned to his own mother and also the other women, asking who Tyro was, who beautiful Khloris was, and why Epikaste had died.”

Lamia is not well-attested in art and myth

νῦν δ’ ὥσπερ ἐν τῷ μύθῳ τὴν Λάμιαν λέγουσιν οἴκοι μὲν εὕδειν τυφλήν, ἐν ἀγγείῳ τινὶ τοὺς ὀφθαλμοὺς ἔχουσαν ἀποκειμένους, | ἔξω δὲ προϊοῦσαν ἐντίθεσθαι καὶ βλέπειν, οὕτως ἡμῶν ἕκαστος ἔξω καὶ πρὸς ἑτέρους τῇ κακονοίᾳ τὴν περιεργίαν ὥσπερ ὀφθαλμὸν ἐντίθησι, τοῖς δ’ ἑαυτῶν ἁμαρτήμασι καὶ κακοῖς πολλάκις περιπταίομεν ὑπ’ ἀγνοίας, ὄψιν ἐπ’ αὐτὰ καὶ φῶς οὐ ποριζόμενοι. διὸ καὶ τοῖς ἐχθροῖς ὠφελιμώτερός ἐστιν ὁ πολυπραγμονῶν· τὰ γὰρ ἐκείνων ἐλέγχει καὶ προφέρεται καὶ δείκνυσιν αὐτοῖς ἃ δεῖ φυλάξασθαι καὶ διορθῶσαι, τῶν δ’ οἴκοι τὰ πλεῖστα παρορᾷ διὰ τὴν περὶ τὰ ἔξω πτόησιν. ὁ μὲν γὰρ ᾿Οδυσσεὺς (λ 84 sqq.) οὐδὲ τῇ μητρὶ διαλεχθῆναι πρότε- ρον ὑπέμεινεν ἢ πυθέσθαι παρὰ τοῦ μάντεως, ὧν ἕνεκ’ ἦλθεν εἰς ῞Αιδου, πυθόμενος δὲ οὕτω πρός τε ταύτην ἔτρεψεν αὑτόν, καὶ τὰς ἄλλας γυναῖκας ἀνέκρινε, τίς ἡ Τυρὼ καὶ τίς ἡ καλὴ Χλωρὶς καὶ διὰ τί ἡ ᾿Επικάστη ἀπέθανεν…

Image result for Ancient Greek Lamia vase
Skylla, relative of Lamia. More Misogyny.

Some other misogynistic tales from myth with telling variants

The Lemnian Women and their Terrible Smell

The Privileging of Klytemnestra’s Infamy

The Terrible Tale of Asclepius’ Two Mothers

Pretty Much Everything about Medea

Kassandra’s Prophecy and Life

Kassandra’s Children

The Death of Hecuba

Helen and Iphigenia

Prometheus, Philosopher King and the Invention of Marriage

Suda Pi 2506

“Prometheus: Know that during the period of the Judean Judges, Prometheus was known among the Greeks as the one who invented academic philosophy. People say that he crafted human beings because he rendered those who were idiots capable of understanding philosophy.

And there was also Epimetheus, who invented the art of music and, in addition, Atlas, who first interpreted astronomy which is why they claim he “holds up the sky”. There is also Argos of many eyes because he was seen by many people, when he was really the one who first established technical knowledge. Then there was also a prophetess named the Sibyl.

When Pharaoh, who is also called Parakhô, was king in Egypt, then Kekrops was king in Athens among the Greeks. He was called Diphyes [“double-formed”] due to the size or because he established a law that women who were still virgins should be given in marriage to a single man, after he named them brides. Previously women of the land had sex like animals. For a woman was no man’s, but gave herself like a prostitute to anyone.  No one knew whose son or daughter a child was—instead the mother used to claim and give the child to which ever man it seemed best to her to claim.

Kekrops did this because he came from Egypt and was ignorant of the law which Hephaestus had made when he ruled there before. For he claimed that it was because of this sinful intercourse that Athens was destroyed by the flood. After that point, the people who lived in Greece lived more prudently. Kekrops ruled for 40 years.”

Προμηθεύς· ὅτι ἐπὶ τῶν Κριτῶν τῶν ᾿Ιουδαίων παρ’ ῞Ελλησιν ἐγνωρίζετο Προμηθεύς, ὃς εὗρε πρῶτος τὴν γραμματικὴν φιλοσοφίαν. περὶ οὗ λέγουσιν, ὅτι ἀνθρώπους ἔπλασε, καθό τινας ἰδιώτας ὄντας ἐποίησεν ἐπιγινώσκειν σοφίαν. καὶ ᾿Επιμηθεύς, ὃς ἐξεῦρε τὴν μουσικήν· καὶ ῎Ατλας, ὃς τὴν ἀστρονομίαν ἡρμήνευσε· διὸ λέγουσιν, ὅτι τὸν οὐρανὸν βαστάζει. καὶ ὁ πολυόμματος ῎Αργος, διὸ περίβλεπτος ἦν, καθότι τὴν τεχνικὴν ἐπιστήμην αὐτὸς ἐπενόησε πρῶτος. ἦν δὲ τότε

καὶ μάντις Σιβύλλα. βασιλεύοντος παρ’ Αἰγυπτίοις Φαραὼ τοῦ καὶ Παραχώ, παρ’ ῞Ελλησιν ἐν ᾿Αθήναις ἐβασίλευε Κέκροψ, ὃς ἐκλήθη Διφυὴς διὰ τὸ τοῦ σώματος μέγεθος, ἢ ὅτι νόμον ἐξέθετο, ὥστε τὰς γυναῖκας παρθένους ἔτι οὔσας ἑνὶ ἐκδίδοσθαι ἀνδρί, καλέσας αὐτὰς νύμφας· πρότερον γὰρ αἱ τῆς χώρας ἐκείνης γυναῖκες θηριώδη μίξιν ἐμίγνυντο· οὐδενὸς γὰρ ἦν γυνή, ἀλλὰ ἐδίδου ἑαυτὴν εἰς πορνείαν ἑκάστῳ. οὐδεὶς οὖν ᾔδει, τίνος ἦν υἱὸς ἢ θυγάτηρ, ἀλλ’ ὡς ἂν ἔδοξε

τῇ μητρί, ἔλεγε καὶ ἐδίδου τὸ τεχθὲν ᾧ ἐβούλετο ἀνδρί. τοῦτο δὲ ἐποίησεν ὁ Κέκροψ, ὡς ἐξ Αἰγύπτου καταγόμενος καὶ τὴν νομοθεσίαν ῾Ηφαίστου τοῦ βασιλεύσαντος ἐκεῖ οὐκ ἀγνοήσας. ἔλεγε γάρ, ὅτι διὰ τὴν τοιαύτην τῆς ἀσελγείας συνήθειαν κατεκλύσθη ἡ ᾿Αττική. ἀπὸ τότε οὖν ἐσωφρονίσθησαν οἱ κατοικοῦντες τὴν τῶν ῾Ελλήνων χώραν. ἐβασίλευσε δὲ Κέκροψ ἔτη ν′.

Color photograph of a lead sculpture of prometheus, nude and bent with his arm thrown back as an eagle eats his liver

An Improper Proposal? No Bridegifts for Kassandra

Schol. bT ad Il. 13 365-6 ex

“He was asking to marry the most beautiful of Priam’s daughters without a bridegift”

This is also foreign. For we can find no place in Greece where they go to war for pay and posit before that they will not be allies without a contract. Also, consider the payment. For he came, asking for the girl, not because she was royal, but because she was the most beautiful. Certainly the most intemperate suitors among the Greeks “strive because of [her] excellence” [Od 2.366] But “without bridegifts” [Il.13.366] is cheap: even the most unjust suitors offer bridegifts to Penelope.”

ex. ᾔτεε δὲ Πριάμοιο <θυγατρῶν εἶδος ἀρίστην / Κασσάνδρην ἀνάεδνον>: βαρβαρικὸν καὶ τοῦτο· οὐδέποτε γὰρ εὑρήσομεν παρ’ ῞Ελλησι τὸ ἐπὶ μισθῷ στρατεύειν καὶ πρότερον αἰτεῖν καὶ χωρὶς ὑποσχέσεως μὴ συμμαχεῖν. ὅρα δὲ καὶ τὸν μισθόν· κόρης γὰρ ἐρῶν ἧκεν, οὐχ ὅτι βασιλική, ἀλλ’ ὅτι εἶδος ἀρίστη. καίτοι παρ’ ῞Ελλησιν οἱ ἀκολαστότατοι μνηστῆρές φασιν „εἵνεκα τῆς ἀρετῆς ἐριδαίνομεν” (β 206). καὶ τὸ ἀνάεδνον (366) γλίσχρον, ὅπου γε οἱ ἀδικώτατοι μνηστῆρες ἕδνα τῇ Πηνελόπῃ προσφέρουσιν.

Iliad 13 (361–369):

“There, though his hair was partly grey, Idomeneus called
Out to the Danaans and drove the Trojans to retreat as he leapt.
For he killed Othryoneus who was there from Kabesos—
He had just arrived in search of the fame of war.
He asked for the most beautiful of Priam’s daughter’s
Kassandra, without a marriage-price, and he promised a great deed,
That he would drive the sons of the Achaians from Troy unwilling.
Old Priam promised this to him and nodded his head
That he would do this. Confident in these promises, he rushed forth.”

῎Ενθα μεσαιπόλιός περ ἐὼν Δαναοῖσι κελεύσας
᾿Ιδομενεὺς Τρώεσσι μετάλμενος ἐν φόβον ὦρσε.
πέφνε γὰρ ᾿Οθρυονῆα Καβησόθεν ἔνδον ἐόντα,
ὅς ῥα νέον πολέμοιο μετὰ κλέος εἰληλούθει,
ᾔτεε δὲ Πριάμοιο θυγατρῶν εἶδος ἀρίστην
Κασσάνδρην ἀνάεδνον, ὑπέσχετο δὲ μέγα ἔργον,
ἐκ Τροίης ἀέκοντας ἀπωσέμεν υἷας ᾿Αχαιῶν.
τῷ δ’ ὁ γέρων Πρίαμος ὑπό τ’ ἔσχετο καὶ κατένευσε
δωσέμεναι· ὃ δὲ μάρναθ’ ὑποσχεσίῃσι πιθήσας.

Image result for Ancient Greek Cassandra vase

Agamemnon makes a similar promise to Achilles in book 9.145–6=287–8 (Χρυσόθεμις καὶ Λαοδίκη καὶ ᾿Ιφιάνασσα, / τάων ἥν κ’ ἐθέλῃσι φίλην ἀνάεδνον ἀγέσθω; offering any of three daughters without a bride gift). When Apollo is described as taking Stratonikê thus at Hes. Fr. 26.23 (βῆ δὲ φέ[ρ]ων ἀνάε̣[δ]ν̣[ον ἐύζωνον ]Στ[ρ]α̣[τ]ον̣ί̣κ̣ην) it would be fair to say that the ‘extra-ritual’ act is clearly rape.

Here’s Beekes:

hedna