Scholarship and Superfluous Detail

Ah, pedantry. I may have had some thoughts about it….

Artemon of Pergamon (New Jacoby: BNJ 569 F 3 [=Schol. on Pind., Pyth. 1, inscr. a])

“Golden Lyre”: The poem has been written for Hieron; Pindar allegedly said this according to the historian Artemon because Hieron promised him a golden lyre. But these kinds of things are full of superfluous detail”

Χρυσέα φόρμιγξ] γέγραπται μὲν ὁ ἐπίνικος ῾Ιέρωνι, λέγεται δὲ ὁ Πίνδαρος οὕτως ἐπιβεβλῆσθαι κατὰ ᾽Αρτέμωνα τὸν ἱστορικόν, ὅτι δὴ αὐτῶι ὁ ῾Ιέρων χρυσῆν ὑπέσχετο κιθάραν . τὰ δὲ τοιαῦτα περιεργίας πεπλήρωται.

From LSJ 1902

περιεργαζόμαι, “to take more pains than enough about a thing, to waste one’s labor” 2. “to be a busybody”

περιεργία: “over-exactness” II. “officiousness” III. “curious arts”

περίεργος: “careful overmuch” II. “done with especial care”; “overwrought, too elaborate, superfluous”

περιεργοπένητες: “poor scholars”

Suda, Kappa 504

Kataglôttismata: “tonguing-down”: all sorts of kisses. Fabrications. All kinds of massages with sweet oils. Also, superfluous words. Or the “tonguing-down” is a rather excessive kiss. Or, it is flattery”

Καταγλωττίσματα: περίεργα φιλήματα. καταπλάσματα, παντοῖαι μυραλοιφίαι, ἢ περιλαλήματα. ἢ εἶδος φιλήματος περιεργότερον τὸ καταγλώττισμα: ἢ κολάκευμα.

Breviary of Renaud de Bar, France, 1302-1303: http://www.lazerhorse.org/2015/05/17/medieval-art-weird-manuscript/

Scholarship and Superfluous Detail

Ah, pedantry. I may have had some thoughts about it….

Artemon of Pergamon (New Jacoby: BNJ 569 F 3 [=Schol. on Pind., Pyth. 1, inscr. a])

“Golden Lyre”: The poem has been written for Hieron; Pindar allegedly said this according to the historian Artemon because Hieron promised him a golden lyre. But these kinds of things are full of superfluous detail”

Χρυσέα φόρμιγξ] γέγραπται μὲν ὁ ἐπίνικος ῾Ιέρωνι, λέγεται δὲ ὁ Πίνδαρος οὕτως ἐπιβεβλῆσθαι κατὰ ᾽Αρτέμωνα τὸν ἱστορικόν, ὅτι δὴ αὐτῶι ὁ ῾Ιέρων χρυσῆν ὑπέσχετο κιθάραν . τὰ δὲ τοιαῦτα περιεργίας πεπλήρωται.

From LSJ 1902

περιεργαζόμαι, “to take more pains than enough about a thing, to waste one’s labor” 2. “to be a busybody”

περιεργία: “over-exactness” II. “officiousness” III. “curious arts”

περίεργος: “careful overmuch” II. “done with especial care”; “overwrought, too elaborate, superfluous”

περιεργοπένητες: “poor scholars”

Suda, Kappa 504

Kataglôttismata: “tonguing-down”: all sorts of kisses. Fabrications. All kinds of massages with sweet oils. Also, superfluous words. Or the “tonguing-down” is a rather excessive kiss. Or, it is flattery”

Καταγλωττίσματα: περίεργα φιλήματα. καταπλάσματα, παντοῖαι μυραλοιφίαι, ἢ περιλαλήματα. ἢ εἶδος φιλήματος περιεργότερον τὸ καταγλώττισμα: ἢ κολάκευμα.

Breviary of Renaud de Bar, France, 1302-1303: http://www.lazerhorse.org/2015/05/17/medieval-art-weird-manuscript/

Apollo’s Esteem for Human Beings

Schol. BT ad. Il. 21.465

“Whenever the poet turns his gaze to divine nature, then he holds human affairs in contempt.”

ὅταν δὲ ἀποβλέψῃ εἰς τὴν θείαν φύσιν ὁ ποιητής, τότε τὰ ἀνθρώπινα πράγματα ἐξευτελίζει. b(BCE3)T

Iliad 5.440-442

“Think, son of Tydeus, step off, don’t wish to think
Equal to the gods, since not at all similar are the races
Of immortal gods and humans who walk on the ground.”

φράζεο Τυδεΐδη καὶ χάζεο, μηδὲ θεοῖσιν
ἶσ’ ἔθελε φρονέειν, ἐπεὶ οὔ ποτε φῦλον ὁμοῖον
ἀθανάτων τε θεῶν χαμαὶ ἐρχομένων τ’ ἀνθρώπων.

Iliad 21.461-465

“Then lord Apollo the far-shooter answered,
“Earthshaker, you would not think that I would be prudent
If indeed I fought with you over mortals,
Wretched men who are like the leaves now flourish
Until they grow full, eat the fruit of fields,
And then they diminish until they die…”

Τὸν δ’ αὖτε προσέειπεν ἄναξ ἑκάεργος ᾿Απόλλων·
ἐννοσίγαι’ οὐκ ἄν με σαόφρονα μυθήσαιο
ἔμμεναι, εἰ δὴ σοί γε βροτῶν ἕνεκα πτολεμίξω
δειλῶν, οἳ φύλλοισιν ἐοικότες ἄλλοτε μέν τε
ζαφλεγέες τελέθουσιν ἀρούρης καρπὸν ἔδοντες,
ἄλλοτε δὲ φθινύθουσιν ἀκήριοι…

 

Image result for Ancient greek vase apollo

Hegesias, The Death-Persuader

In an earlier post I talked about “threshold” theory and some of the very different beliefs Ancient Greeks and Romans had about suicide. This excerpt from Cicero touches upon some of the philosophical ideas about taking one’s own life while also reflecting in part on the group effect. While Hegesias’ arguments are extreme, they have some affinity with Epicurean doctrines against fearing death. In this formulation, however, the argument that death is preferable because it frees us from evils reaches a bit of an absurd conclusion. Diogenes Laertius provides an over of the Cyrenaic School.

Cicero, Tusculan Disputations 1.83-84

“Therefore, death removes us from evils not from goods, if we are seeking the truth. This, in fact, is argued by Hegesias the Cyrenaic so fully that it is said he was prohibited from speaking on these matters in schools because many people killed themselves after they heard him speak.

There is also an epigram attributed to Callimachus on the topic of Cleombrotus the Ambracian who, he says, even though nothing bad happened to him, he threw himself from the wall into the see after reading a book of Plato. From that book of Hegesias I mentioned—Starving to Death—there is a person who while in the process of leaving life by starvation is called back by his friends to whom he responds by listing the unpleasantries of human life.

I could do the same, although I will not go as far as he who thinks that there is no point for anyone to live at all. I am overlooking all others—is it still meaningful for me to continue on? I live deprived of the comfort and decoration of a family or of a public life and, certainly, if I had died previously, death would have saved me from evils not from good.”

A malis igitur mors abducit, non a bonis, verum si quaerimus. Et quidem hoc a Cyrenaico Hegesia sic copiose disputatur, ut is a rege Ptolemaeo prohibitus esse dicatur illa in scholis dicere, quod multi iis auditis mortem sibi ipsi consciscerent. Callimachi quidem epigramma in Ambraciotam Cleombrotum est, quem ait, cum ei nihil accidisset adversi, e muro se in mare abiecisse lecto Platonis libro. Eius autem, quem dixi, Hegesiae liber est, ᾽Αποκαρτερῶν, in quo a vita quidam per inediam discedens revocatur ab amicis, quibus respondens vitae humanae enumerat incommoda. Possem idem facere, etsi minus quam ille, qui omnino vivere expedire nemini putat. Mitto alios: etiamne nobis expedit? qui et domesticis et forensibus solaciis ornamentisque privati certe, si ante occidissemus, mors nos a malis, non a bonis abstraxisset.

Suda, pi 1471

“Hegesias is called the ‘death-persuader’

Πεισιθάνατος ὁ ῾Ηγησίας ἐλέγετο.

If you or someone you know feel alone, uncertain, depressed or for any reason cannot find enough joy and hope to think life is worth it, please reach out to someone. The suicide prevention hotline has a website, a phone number (1-800-273-8255), and a chat line. And if we can help you find some tether to the continuity of human experience through the Classics or a word, please don’t hesitate to ask.

The Odyssey and the Life Governed by the Mind

Philo, On Dreams 1.233

“Perhaps this is not sung truly, but it is wholly profitable and advantageous”

καὶ τάχα μὲν οὺκ ἀληθῶς, πάντως δὲ λυσιτελῶς καὶ συμφερόντως ᾄδεται

Proclus, Commentary on Plato’s Parmenides 1025.29-37

“Our soul experiences many wanderings and turns—one comes from the imagination, another emerges in the beliefs before these, and other occurs in understanding. But the life governed by the mind is free from vagrancy and this is the mystical harbor of the soul into which the poem leads Odysseus after the great wandering of his life and where we too, if we want to be saved, may find our mooring.”

Πολλαὶ οὖν αἱ πλάναι καὶ αἱ δινεύσεις τῆς ψυχῆς· ἄλλη γὰρ ἡ ἐν ταῖς φαντασίαις, ἄλλη πρὸ τούτων ἡ ἐν δόξαις, ἄλλη ἡ ἐν αὐτῇ τῇ διανοίᾳ· μόνη δὲ ἡ κατὰ νοῦν ζωὴ τὸ ἀπλανὲς ἔχει, καὶ οὗτος ὁ μυστικὸς ὅρμος τῆς ψυχῆς, εἰς ὃν καὶ ἡ ποίησις ἄγει τὸν ᾿Οδυσσέα μετὰ τὴν πολλὴν πλάνην τῆς ζωῆς, καὶ ἡμεῖς, ἐὰν ἄρα σώζεσθαι θέλωμεν, μᾶλλον ἑαυτοὺς ἀνάξομεν.

Heraclitus, Homeric Problems 70

“Generally, then, if one wants to examine it carefully, you will find Odysseus’ wandering to be an allegory. Homer has positioned Odysseus as some kind of an instrument of every kind of virtue and he has used him to philosophize, since he hated the wickedness which governs human life.

The land of the Lotus-eaters, a farm of exotic temptation, represents the temptation of pleasure through which Odysseus sailed in perfect control. He snuffs out the savage anger of each of us with the advice from his words as if cauterizing it. This anger is named the Cyclops, the one who steals away [hypoklôpôn] our faculties of reason.

What of this—does it not seem that Odysseus who ‘overcame the winds’ was the first to anticipate fair sailing through his knowledge of the stars? And he was superior to Kirkê’s drugs because he discovered a cure for addictive delicacies thanks to his deep wisdom.

And his intelligence extends even to Hades so that nothing in the underworld might go unexplored. Who listens to the Sirens and learns a diverse history of all time? Charybdis is an obvious name for luxury and endless drinking. Homer has allegorized manifold shamelessness in Skylla, which is why she would logically have a belt of dogs, guardians for her rapacity, daring, and pugnacity. The cattle of the sun are about controlling your eating—for he would not even allow starvation to be a compulsion to do injustice.

These stories were told mythically for their audiences, if someone delves into the allegorized wisdom, it will be the most useful to those who apprehend it.”

Καθόλου δὲ τὴν ᾿Οδυσσέως πλάνην, εἴ τις ἀκριβῶς ἐθέλει σκοπεῖν, ἠλληγορημένην εὑρήσει·

 πάσης γὰρ ἀρετῆς καθάπερ ὄργανόν τι τὸν ᾿Οδυσσέα παραστησάμενος ἑαυτῷ διὰ τοῦτο πεφιλοσόφηκεν, ἐπειδὴ τὰς ἐκνεμομένας τὸν ἀνθρώπινον βίον ἤχθηρε κακίας.

 ῾Ηδονὴν μέν γε, τὸ Λωτοφάγον χωρίον, ξένης γεωργὸν ἀπολαύσεως, ἣν ᾿Οδυσσεὺς ἐγκρατῶς παρέπλευσεν·  τὸν δ’ ἄγριον ἑκάστου θυμὸν ὡσπερεὶ καυτηρίῳ τῇ παραινέσει τῶν λόγων ἐπήρωσε.  Κύκλωψ δὲ οὗτος ὠνόμασται, ὁ τοὺς λογισμοὺς ὑποκλωπῶν.

     Τί δ’; οὐχὶ πρῶτος εὔδιον πλοῦν δι’ ἐπιστήμης ἀστρονόμου τεκμηράμενος ἔδοξεν ἀνέμους δεδωκέναι; Φαρμάκων τε τῶν παρὰ Κίρκης γέγονε κρείττων, ὑπὸ πολλῆς σοφίας πεμμάτων ἐπεισάκτων κακῶν λύσιν εὑρόμενος.

     ῾Η δὲ φρόνησις ἕως ῞Αιδου καταβέβηκεν, ἵνα μηδὲ τῶν νέρθεν ἀδιερεύνητον ᾖ.  Τίς δὲ Σειρήνων ἀκούει, τὰς πολυπείρους ἱστορίας παντὸς αἰῶνος ἐκμαθών;  Καὶ Χάρυβδις μὲν ἡ δάπανος ἀσωτία καὶ περὶ πότους ἄπληστος  εὐλόγως ὠνόμασται·  Σκύλλαν δὲ τὴν πολύμορφον ἀναίδειαν ἠλληγόρησε, διὸ δὴ κύνας οὐκ ἀλόγως ὑπέζωσται προτομαῖς ἁρπαγῇ, τόλμῃ καὶ πλεονεξίᾳ πεφραγμέναις·

 αἱ δ’ ἡλίου βόες ἐγκράτεια γαστρός εἰσιν, εἰ μηδὲ λιμὸν ἔσχεν ἀδικίας ἀνάγκην.

     ῝Α δὴ μυθικῶς μέν ἐστιν εἰρημένα περὶ τοὺς ἀκούοντας, εἰ δ’ ἐπὶ τὴν ἠλληγορημένην σοφίαν καταβέβηκεν, ὠφελιμώτατα τοῖς μιμουμένοις γενήσεται.

Schol. B ad Od. 13.103

“The holy cave of the Nymphs”: Some allegorize the cave as the universe, the nymphs are souls, they are also bees and the bodies are men. The two gates are the exit of souls, and one is creation, the entry point of the soul, in which no part of the body enters, but there are only souls. They are immortal. From this they call them olive—or, because of the victorious crown, or because…which is nourishing…”

ἄντρον ἱρὸν Νυμφάων] ἀλληγορικῶς λέγει ἄντρον τὸν κόσμον, νύμφας τὰς ψυχὰς, τὰς αὐτὰς καὶ μελίσσας, καὶ ἄνδρας τὰ σώματα. δύο δὲ θύρας τὴν τῶν σωμάτων ἔξοδον, ἤτοι τὴν γένεσιν, καὶ τὴν τῶν ψυχῶν εἴσοδον, ἐν ᾗ οὐδὲν τῶν σωμάτων εἰσέρχεται, μόναι δὲ αἱ ψυχαί. ἀθάνατοι γάρ εἰσι. ὅθεν καὶ ἐλαίαν φησὶν, ἢ διὰ τὸν νικητικὸν στέφανον, ἢ διὰ τὸ … ὅ ἐστι τὴν τροφὴν … B.

Image result for Ancient Greek Odysseus mind song
National Archaeological Museum, Athens 1130

The Odyssey Within the Epic: Allegory and the Making of Meaning

In response to yesterday’s anecdote about the absurdity of the Odyssey a reminder: generations of readers believed that the epic is a crypto-text conveying many deeper meanings.

Heraclitus, Homeric Problems 70

“Generally, then, if one wants to examine it carefully, you will find Odysseus’ wandering to be an allegory. Homer has positioned Odysseus as some kind of an instrument of every kind of virtue and he has used him to philosophize, since he hated the wickedness which governs human life.

The land of the Lotus-eaters, a farm of exotic temptation, represents the temptation of pleasure through which Odysseus sailed in perfect control. He snuffs out the savage anger of each of us with the advice from his words as if cauterizing it. This anger is named the Cyclops, the one who steals away [hypoklôpôn] our faculties of reason.

What of this—does it not seem that Odysseus who ‘overcame the winds’ was the first to anticipate fair sailing through his knowledge of the stars? And he was superior to Kirkê’s drugs because he discovered a cure for addictive delicacies thanks to his deep wisdom.

And his intelligence extends even to Hades so that nothing in the underworld might go unexplored. Who listens to the Sirens and learns a diverse history of all time? Charybdis is an obvious name for luxury and endless drinking. Homer has allegorized manifold shamelessness in Skylla, which is why she would logically have a belt of dogs, guardians for her rapacity, daring, and pugnacity. The cattle of the sun are about controlling your eating—for he would not even allow starvation to be a compulsion to do injustice.

These stories were told mythically for their audiences, if someone delves into the allegorized wisdom, it will be the most useful to those who apprehend it.”

Καθόλου δὲ τὴν ᾿Οδυσσέως πλάνην, εἴ τις ἀκριβῶς ἐθέλει σκοπεῖν, ἠλληγορημένην εὑρήσει·

 πάσης γὰρ ἀρετῆς καθάπερ ὄργανόν τι τὸν ᾿Οδυσσέα παραστησάμενος ἑαυτῷ διὰ τοῦτο πεφιλοσόφηκεν, ἐπειδὴ τὰς ἐκνεμομένας τὸν ἀνθρώπινον βίον ἤχθηρε κακίας.

 ῾Ηδονὴν μέν γε, τὸ Λωτοφάγον χωρίον, ξένης γεωργὸν ἀπολαύσεως, ἣν ᾿Οδυσσεὺς ἐγκρατῶς παρέπλευσεν·  τὸν δ’ ἄγριον ἑκάστου θυμὸν ὡσπερεὶ καυτηρίῳ τῇ παραινέσει τῶν λόγων ἐπήρωσε.  Κύκλωψ δὲ οὗτος ὠνόμασται, ὁ τοὺς λογισμοὺς ὑποκλωπῶν.

     Τί δ’; οὐχὶ πρῶτος εὔδιον πλοῦν δι’ ἐπιστήμης ἀστρονόμου τεκμηράμενος ἔδοξεν ἀνέμους δεδωκέναι; Φαρμάκων τε τῶν παρὰ Κίρκης γέγονε κρείττων, ὑπὸ πολλῆς σοφίας πεμμάτων ἐπεισάκτων κακῶν λύσιν εὑρόμενος.

     ῾Η δὲ φρόνησις ἕως ῞Αιδου καταβέβηκεν, ἵνα μηδὲ τῶν νέρθεν ἀδιερεύνητον ᾖ.  Τίς δὲ Σειρήνων ἀκούει, τὰς πολυπείρους ἱστορίας παντὸς αἰῶνος ἐκμαθών;  Καὶ Χάρυβδις μὲν ἡ δάπανος ἀσωτία καὶ περὶ πότους ἄπληστος  εὐλόγως ὠνόμασται·  Σκύλλαν δὲ τὴν πολύμορφον ἀναίδειαν ἠλληγόρησε, διὸ δὴ κύνας οὐκ ἀλόγως ὑπέζωσται προτομαῖς ἁρπαγῇ, τόλμῃ καὶ πλεονεξίᾳ πεφραγμέναις·

 αἱ δ’ ἡλίου βόες ἐγκράτεια γαστρός εἰσιν, εἰ μηδὲ λιμὸν ἔσχεν ἀδικίας ἀνάγκην.

     ῝Α δὴ μυθικῶς μέν ἐστιν εἰρημένα περὶ τοὺς ἀκούοντας, εἰ δ’ ἐπὶ τὴν ἠλληγορημένην σοφίαν καταβέβηκεν, ὠφελιμώτατα τοῖς μιμουμένοις γενήσεται.

From Porphyry’s essay, On the Cave of the Nymphs 35

“In Plato, the water, the sea and the storm are material matter. For this reason, I think, Homer named the harbor “Phorkus’” (“and this is the harbor of Phorkus”) after the sea-god whose daughter, Thoôsa, he genealogized in the first book of the Odyssey. The Kyklôps is her son whose eye Odysseus blinded. [Homer named the harbor thus] so that right before his home [Odysseus] would receive a reminder of his mistakes. For this reason, the location under the olive tree is also fitting for Odysseus as a suppliant of the god who might win over his native deity through suppliancy.

For it would not be easy for one who has blinded [the spirit] and rushed to quell his energy to escape this life of the senses; no, the rage of the sea and the material gods pursues anyone who has dared these things. It is right first to appease these gods with sacrifices, the labors of a beggar, and endurance followed by battling through sufferings, deploying spells and enchantments and changing oneself through them in every way in order that, once he has been stripped of the rags he might restore everything. And thus one may not escape from his toils, but when he has emerged from the sea altogether that his thoughts are so untouched of the sea and material matters, that he believes that an oar is a winnowing fan because of his total inexperience of the tools and affairs of the sea.”

πόντος δὲ καὶ θάλασσα καὶ κλύδων καὶ παρὰ Πλάτωνι ἡ ὑλικὴ σύστασις. διὰ τοῦτ’, οἶμαι, καὶ τοῦ Φόρκυνος ἐπωνόμασε τὸν λιμένα·

                    ‘Φόρκυνος δέ τίς ἐστι λιμήν,’

ἐναλίου θεοῦ, οὗ δὴ καὶ θυγατέρα ἐν ἀρχῇ τῆς ᾿Οδυσσείας τὴν Θόωσαν ἐγενεαλόγησεν, ἀφ’ ἧς ὁ Κύκλωψ, ὃν ὀφθαλμοῦ ᾿Οδυσσεὺς ἀλάωσεν, ἵνα καὶ ἄχρι τῆς πατρίδος ὑπῇ τι τῶν ἁμαρτημάτων μνημόσυνον. ἔνθεν αὐτῷ καὶ ἡ ὑπὸ τὴν ἐλαίαν καθέδρα οἰκεία ὡς ἱκέτῃ τοῦ θεοῦ καὶ ὑπὸ τὴν ἱκετηρίαν ἀπομειλισσομένῳ τὸν γενέθλιον δαίμονα. οὐ γὰρ ἦν ἁπλῶς τῆς αἰσθητικῆς ταύτης ἀπαλλαγῆναι ζωῆς τυφλώσαντα αὐτὴν καὶ καταργῆσαι συντόμως σπουδάσαντα, ἀλλ’ εἵπετο τῷ

ταῦτα τολμήσαντι μῆνις ἁλίων καὶ ὑλικῶν θεῶν, οὓς χρὴ πρότερον ἀπομειλίξασθαι θυσίαις τε καὶ πτωχοῦ πόνοις καὶ καρτερίαις, ποτὲ μὲν διαμαχόμενον τοῖς πάθεσι, ποτὲ δὲ γοητεύοντα καὶ ἀπατῶντα καὶ παντοίως πρὸς αὐτὰ μεταβαλλόμενον, ἵνα γυμνωθεὶς τῶν ῥακέων καθέλῃ πάντα καὶ οὐδ’ οὕτως ἀπαλλαγῇ τῶν πόνων, ἀλλ’ ὅταν παντελῶς ἔξαλος γένηται καὶ ἐν ψυχαῖς ἀπείροις θαλασσίων καὶ ἐνύλων ἔργων, ὡς πτύον εἶναι ἡγεῖσθαι τὴν κώπην διὰ τὴν τῶν ἐναλίων ὀργάνων καὶ ἔργων παντελῆ ἀπειρίαν.

Robert Lamberton 1986, 131 [Homer the Theologian]: “The bungling, dimwitted, sensual giant of book 9 is, then, a projection into the myth of the life of the senses—specifically Odysseus’ own life in this physical universe. The blinding of Polyphemus is a metaphor for suicide…The cyclops becomes a part of Odysseus—a part he wants desperately to escape—but his ineptitude in handling his escape at that early point in his career involves him in an arduous spiritual journey.”

 

Some Allegorical Readings from the Scholia Vetera to the Odyssey (Dindorf)

Schol. E. ad Od. 1.38

“Allegorically, an uttered speech is called Hermes because of his hermeneutic nature and he is the director because he manages the soul’s thoughts and the mind’s reflections. He is Argeiphontes because he is bright and pure of murder. For he teaches, and evens out and calms the emotional part of the soul. Or, it is because he killed the dog Argos, which stands for madness and disordered thoughts. He is the one who makes the reflections of the mind appear bright and clean.

ἀλληγορικῶς δὲ ὁ προφορικὸς λόγος ῾Ερμῆς λέγεται παρὰ τὸ ἑρμηνευτικὸς εἶναι, καὶ διάκτορος ὅτι διεξάγει τὰ τῆς ψυχῆς καὶ νοῦ ἐνθυμήματα, ᾿Αργειφόντης δὲ ὡς ἀργὸς καὶ καθαρὸς φόνου. παιδεύει γὰρ καὶ ῥυθμίζει καὶ πραΰνει τὸ θυμικὸν τῆς ψυχῆς. ἢ ὅτι τὸν ῎Αργον κύνα ἀναιρεῖ, τουτέστι τὰ λυσσώδη καὶ ἄτακτα ἐνθυμήματα. καὶ παρὰ τὸ ἀργεννὰ ἤτοι καθαρὰ φαίνειν τὰ τῆς ψυχῆς ἐνθυμήματα. E.

*Heraclitus the Obscure claims that Hermes is a representation of Odysseus’ rational mind (Homeric Problems 72-73)

Schol. EM ad Od. 4.384

“The winds and every sort of breeze”: Some allegorize Proteus as matter itself. For without matter, they claim that the creator [could not] have made everything distinct. For, although matter is never clear to us, men, trees, water and all things come from it. Eidothea, you see, is thought. Matter produces thought once it is condensed. Others allegorize Proteus as the right part of the spring when the earth first begins to make the shapes of grapes and offspring. Menelaos, since it was not the right time for sailing and he missed the spring, sailed in the wrong direction. The name Proteus is suitable for allegory.”

ἀνέμων καὶ παντελοῦς ἀπνοίας. τινὲς δὲ καὶ ἀλληγορικῶς Πρωτέα τὴν ὕλην. ἄνευ γὰρ ὕλης φασὶ τὸν δημιουργὸν πάντα τὰ ὁρώμενα **** ὕλης δὲ τῆς μὴ φαινομένης ἡμῖν, ἐξ ἧς ἄνθρωποι, δένδρα, ὕδατα καὶ πάντα τἄλλα. Εἰδοθέη γὰρ τὸ εἶδος. ὕλη γὰρ ἀποτελεῖ εἶδος κατεργασθεῖσα. ἄλλοι δὲ Πρωτέα φασὶν ἀλληγορικῶς τὸν πρὸ τοῦ ἔαρος καιρὸν, μεθ’ ὃν ἄρχεται ἡ γῆ εἴδη ποιεῖν βοτανῶν καὶ γενῶν. ὁ δὲ Μενέλαος μὴ ὄντος καιροῦ ἐπιτηδείου πρὸς τὸ πλεῖν φθάσαντος τοῦ ἔαρος ἀπέπλευσε. τὸ δὲ Πρωτέως ὄνομα εἰς τὴν ἀλληγορίαν ἐπιτήδειον. E.M.

 

Schol V ad Od. 5.1

“Tithonos is the son of Laomedon, Priam’s brother. He is a husband of Dawn [Eos]. Endumiôn is said to have married Selenê and Tithonos, the Day. The allegory works like this. Endumiôn is concerned with hunting man, and he goes to bed at night, but not so much at day because he is occupying his time with hunting affairs. Tithonos is appropriate for those interested in the stars and who take to bed at day but stay awake at night because they are occupying themselves with the stars.”

Τιθωνοῖο] Τιθωνὸς Λαομέδοντος παῖς, Πριάμου ἀδελφὸς, ᾿Ηοῦς ἀνήρ. ὁ ᾿Ενδυμίων λέγεται συνευνᾶσθαι τῇ Σελήνῃ καὶ ὁ Τιθωνὸς τῇ ῾Ημέρᾳ. ἀλληγορεῖται δὲ οὕτως. ὁ ᾿Ενδυμίων εἰς ἄνδρα κυνηγέτην, καὶ τῇ μὲν νυκτὶ κοιμώμενον, τῇ δὲ ἡμέρᾳ οὐδὲ ποσῶς, διὰ τὸ ἠσχολῆσθαι περὶ τὰ κυνηγέσια· ὁ δὲ Τιθωνὸς εἰς ἀστρονόμον καὶ τῇ μὲν ἡμέρᾳ κοιμώμενον, τῇ δὲ νυκτὶ ἐπαγρυπνοῦντα, διὰ τὸ ἠσχολῆσθαι περὶ τὰ ἄστρα. V.

Schol. HQV ad Od. 10.6

There are other interpretations. Some allegorize Aiolos as the year and his children as the twelve months. Some say that he that he paid special attention, because he was knowledgeable of astrology, of when the sun was blowing in the west in the bull position. Some winds blow sometimes and then move against themselves, as many do….

῎Αλλως. τινὲς ἀλληγοροῦντες Αἴολον μὲν λέγουσι τὸν ἐνιαυτὸν, δώδεκα δὲ παῖδας τοὺς μῆνας. τινὲς δὲ ὅτι παρετήρησεν, ἀστρολογίας ἔμπειρος ὢν, ἡλίου ὄντος ἐν ταύρῳ ζέφυρον πνεῦσαι. οἱ δὲ ἄνεμοι πνέουσιν ἐνίοτε καὶ καθ’ ἑαυτοὺς, ὡς καὶ πολλοί· καὶ γὰρ ἡμεῖς δίχα βασιλικοῦ προστασσόμενοι προστάγματος. H.Q.V.

Quintilian 8.6.44

“Allegory, which we translate into Latin as inversion, either communicates different things in words or meaning or something completely contrary. The first type emerges from continued metaphor as in “Ship, new waves will return you to this sea—What can you do? Make bravely for the harbor!” And that whole passage in which the ship stands for the state, the waves and storms stand for civil war and he makes the harbor stand for peace and agreement.”

[44] allegoria, quam inversionem interpretantur, aut aliud verbis aliud sensu ostendit aut etiam interim contrarium. prius fit genus plerumque continuatis translationibus, ut

O navis, referent id mare te novi
fluctus; o quid agis? fortiter occupa
portum,

totusque ille Horatii locus, quo navem pro re publica, fluctus et tempestates pro bellis civilibus, portum pro pace atque concordia dicit.

Image result for ancient greek odysseus

Apollo’s Esteem for Human Beings

Schol. BT ad. Il. 21.465

“Whenever the poet turns his gaze to divine nature, then he holds human affairs in contempt.”

ὅταν δὲ ἀποβλέψῃ εἰς τὴν θείαν φύσιν ὁ ποιητής, τότε τὰ ἀνθρώπινα πράγματα ἐξευτελίζει. b(BCE3)T

Iliad 5.440-442

“Think, son of Tydeus, step off, don’t wish to think
Equal to the gods, since not at all similar are the races
Of immortal gods and humans who walk on the ground.”

φράζεο Τυδεΐδη καὶ χάζεο, μηδὲ θεοῖσιν
ἶσ’ ἔθελε φρονέειν, ἐπεὶ οὔ ποτε φῦλον ὁμοῖον
ἀθανάτων τε θεῶν χαμαὶ ἐρχομένων τ’ ἀνθρώπων.

Iliad 21.461-465

“Then lord Apollo the far-shooter answered,
“Earthshaker, you would not think that I would be prudent
If indeed I fought with you over mortals,
Wretched men who are like the leaves now flourish
Until they grow full, eat the fruit of fields,
And then they diminish until they die…”

Τὸν δ’ αὖτε προσέειπεν ἄναξ ἑκάεργος ᾿Απόλλων·
ἐννοσίγαι’ οὐκ ἄν με σαόφρονα μυθήσαιο
ἔμμεναι, εἰ δὴ σοί γε βροτῶν ἕνεκα πτολεμίξω
δειλῶν, οἳ φύλλοισιν ἐοικότες ἄλλοτε μέν τε
ζαφλεγέες τελέθουσιν ἀρούρης καρπὸν ἔδοντες,
ἄλλοτε δὲ φθινύθουσιν ἀκήριοι…

 

Image result for Ancient greek vase apollo

Periergia: Scholarship and Superfluous Detail

Artemon of Pergamon (New Jacoby: BNJ 569 F 3 [=Schol. on Pind., Pyth. 1, inscr. a])

“Golden Lyre”: The poem has been written for Hieron; Pindar allegedly said this according to the historian Artemon because Hieron promised him a golden lyre. But these kinds of things are full of superfluous detail”

Χρυσέα φόρμιγξ] γέγραπται μὲν ὁ ἐπίνικος ῾Ιέρωνι, λέγεται δὲ ὁ Πίνδαρος οὕτως ἐπιβεβλῆσθαι κατὰ ᾽Αρτέμωνα τὸν ἱστορικόν, ὅτι δὴ αὐτῶι ὁ ῾Ιέρων χρυσῆν ὑπέσχετο κιθάραν . τὰ δὲ τοιαῦτα περιεργίας πεπλήρωται.

From LSJ 1902

περιεργαζόμαι, “to take more pains than enough about a thing, to waste one’s labor” 2. “to be a busybody”

περιεργία: “over-exactness” II. “officiousness” III. “curious arts”

περίεργος: “careful overmuch” II. “done with especial care”; “overwrought, too elaborate, superfluous”

περιεργοπένητες: “poor scholars”

 

Suda, Kappa 504

Kataglôttismata: “tonguing-down”: all sorts of kisses. Fabrications. All kinds of massages with sweet oils. Also, superfluous words. Or the “tonguing-down” is a rather excessive kiss. Or, it is flattery”

Καταγλωττίσματα: περίεργα φιλήματα. καταπλάσματα, παντοῖαι μυραλοιφίαι, ἢ περιλαλήματα. ἢ εἶδος φιλήματος περιεργότερον τὸ καταγλώττισμα: ἢ κολάκευμα.

Breviary of Renaud de Bar, France, 1302-1303: http://www.lazerhorse.org/2015/05/17/medieval-art-weird-manuscript/

“No Help For the Man Who Grieves over What he Cannot Change” Bacchylides, Processions 1

“Men have one milestone, a single path for fortune:
To make it to life’s end with an unaggrieved heart.
And whoever harbors countless concerns in his thoughts
and wears down his spirit night and day over what’s to come
has a toil that bears no fruit.
What help is there for a man who drowns his heart
By grieving over the things he cannot change?”

 

Εἷς ὅρος, μία βροτοῖσίν ἐστιν εὐτυχίας ὁδός,
θυμὸν εἴ τις ἔχων ἀπενθῆ δύναται
διατελεῖν βίον· ὃς δὲ μυ-
ρία μὲν ἀμφιπολεῖ φρενί,
τὸ δὲ παρ’ ἆμάρ τε <καὶ> νύκτα μελλόντων
χάριν αἰὲν ἰάπτεται
κέαρ, ἄκαρπον ἔχει πόνον
τί γὰρ ἐλαφρὸν ἔτ’ ἐστὶν ἄ-
πρακτ’ ὀδυρόμενον δονεῖν
καρδίαν;

Homer, Odyssey 8.147-8

“For as long as he lives, a man has no greater glory

than that which he wins with his own hands and feet”

 

οὐ μὲν γὰρ μεῖζον κλέος ἀνέρος, ὄφρα κεν ᾖσιν,

ἢ ὅ τι ποσσίν τε ῥέξῃ καὶ χερσὶν ἑῇσιν.

 

Or so a Prince Dandy says to the long-suffering war veteran Odysseus. Sports and games are ritual substitutes for war and distractions from the fact that the soldier faces far higher stakes than the sportsman. It is no accident that this scene happens among the Phaeacians who live a charmed life far from all other men…until Poseidon drops a mountain on them.

(Does this prompt the type of strife Horace talks about?)