“Think, son of Tydeus, step off, don’t wish to think
Equal to the gods, since not at all similar are the races
Of immortal gods and humans who walk on the ground.”
“Then lord Apollo the far-shooter answered,
“Earthshaker, you would not think that I would be prudent
If indeed I fought with you over mortals,
Wretched men who are like the leaves now flourish
Until they grow full, eat the fruit of fields,
And then they diminish until they die…”
Artemon of Pergamon (New Jacoby: BNJ 569 F 3 [=Schol. on Pind., Pyth. 1, inscr. a])
“Golden Lyre”: The poem has been written for Hieron; Pindar allegedly said this according to the historian Artemon because Hieron promised him a golden lyre. But these kinds of things are full of superfluous detail”
περιεργαζόμαι, “to take more pains than enough about a thing, to waste one’s labor” 2. “to be a busybody”
περιεργία: “over-exactness” II. “officiousness” III. “curious arts”
περίεργος: “careful overmuch” II. “done with especial care”; “overwrought, too elaborate, superfluous”
περιεργοπένητες: “poor scholars”
Suda, Kappa 504
Kataglôttismata: “tonguing-down”: all sorts of kisses. Fabrications. All kinds of massages with sweet oils. Also, superfluous words. Or the “tonguing-down” is a rather excessive kiss. Or, it is flattery”
Artemon of Pergamon (New Jacoby: BNJ 569 F 3 [=Schol. on Pind., Pyth. 1, inscr. a])
“Golden Lyre”: The poem has been written for Hieron; Pindar allegedly said this according to the historian Artemon because Hieron promised him a golden lyre. But these kinds of things are full of superfluous detail”
περιεργαζόμαι, “to take more pains than enough about a thing, to waste one’s labor” 2. “to be a busybody”
περιεργία: “over-exactness” II. “officiousness” III. “curious arts”
περίεργος: “careful overmuch” II. “done with especial care”; “overwrought, too elaborate, superfluous”
περιεργοπένητες: “poor scholars”
Suda, Kappa 504
Kataglôttismata: “tonguing-down”: all sorts of kisses. Fabrications. All kinds of massages with sweet oils. Also, superfluous words. Or the “tonguing-down” is a rather excessive kiss. Or, it is flattery”
“Think, son of Tydeus, step off, don’t wish to think
Equal to the gods, since not at all similar are the races
Of immortal gods and humans who walk on the ground.”
“Then lord Apollo the far-shooter answered,
“Earthshaker, you would not think that I would be prudent
If indeed I fought with you over mortals,
Wretched men who are like the leaves now flourish
Until they grow full, eat the fruit of fields,
And then they diminish until they die…”
In an earlier post I talked about “threshold” theory and some of the very different beliefs Ancient Greeks and Romans had about suicide. This excerpt from Cicero touches upon some of the philosophical ideas about taking one’s own life while also reflecting in part on the group effect.While Hegesias’ arguments are extreme, they have some affinity with Epicurean doctrines against fearing death. In this formulation, however, the argument that death is preferable because it frees us from evils reaches a bit of an absurd conclusion. Diogenes Laertius provides an over of the Cyrenaic School.
Cicero, Tusculan Disputations 1.83-84
“Therefore, death removes us from evils not from goods, if we are seeking the truth. This, in fact, is argued by Hegesias the Cyrenaic so fully that it is said he was prohibited from speaking on these matters in schools because many people killed themselves after they heard him speak.
There is also an epigram attributed to Callimachus on the topic of Cleombrotus the Ambracian who, he says, even though nothing bad happened to him, he threw himself from the wall into the see after reading a book of Plato. From that book of Hegesias I mentioned—Starving to Death—there is a person who while in the process of leaving life by starvation is called back by his friends to whom he responds by listing the unpleasantries of human life.
I could do the same, although I will not go as far as he who thinks that there is no point for anyone to live at all. I am overlooking all others—is it still meaningful for me to continue on? I live deprived of the comfort and decoration of a family or of a public life and, certainly, if I had died previously, death would have saved me from evils not from good.”
A malis igitur mors abducit, non a bonis, verum si quaerimus. Et quidem hoc a Cyrenaico Hegesia sic copiose disputatur, ut is a rege Ptolemaeo prohibitus esse dicatur illa in scholis dicere, quod multi iis auditis mortem sibi ipsi consciscerent. Callimachi quidem epigramma in Ambraciotam Cleombrotum est, quem ait, cum ei nihil accidisset adversi, e muro se in mare abiecisse lecto Platonis libro. Eius autem, quem dixi, Hegesiae liber est, ᾽Αποκαρτερῶν, in quo a vita quidam per inediam discedens revocatur ab amicis, quibus respondens vitae humanae enumerat incommoda. Possem idem facere, etsi minus quam ille, qui omnino vivere expedire nemini putat. Mitto alios: etiamne nobis expedit? qui et domesticis et forensibus solaciis ornamentisque privati certe, si ante occidissemus, mors nos a malis, non a bonis abstraxisset.
Suda, pi 1471
“Hegesias is called the ‘death-persuader’
Πεισιθάνατος ὁ ῾Ηγησίας ἐλέγετο.
If you or someone you know feel alone, uncertain, depressed or for any reason cannot find enough joy and hope to think life is worth it, please reach out to someone. The suicide prevention hotline has a website, a phone number (1-800-273-8255), and a chat line. And if we can help you find some tether to the continuity of human experience through the Classics or a word, please don’t hesitate to ask.
Proclus, Commentary on Plato’s Parmenides 1025.29-37
“Our soul experiences many wanderings and turns—one comes from the imagination, another emerges in the beliefs before these, and other occurs in understanding. But the life governed by the mind is free from vagrancy and this is the mystical harbor of the soul into which the poem leads Odysseus after the great wandering of his life and where we too, if we want to be saved, may find our mooring.”
“Generally, then, if one wants to examine it carefully, you will find Odysseus’ wandering to be an allegory. Homer has positioned Odysseus as some kind of an instrument of every kind of virtue and he has used him to philosophize, since he hated the wickedness which governs human life.
The land of the Lotus-eaters, a farm of exotic temptation, represents the temptation of pleasure through which Odysseus sailed in perfect control. He snuffs out the savage anger of each of us with the advice from his words as if cauterizing it. This anger is named the Cyclops, the one who steals away [hypoklôpôn] our faculties of reason.
What of this—does it not seem that Odysseus who ‘overcame the winds’ was the first to anticipate fair sailing through his knowledge of the stars? And he was superior to Kirkê’s drugs because he discovered a cure for addictive delicacies thanks to his deep wisdom.
And his intelligence extends even to Hades so that nothing in the underworld might go unexplored. Who listens to the Sirens and learns a diverse history of all time? Charybdis is an obvious name for luxury and endless drinking. Homer has allegorized manifold shamelessness in Skylla, which is why she would logically have a belt of dogs, guardians for her rapacity, daring, and pugnacity. The cattle of the sun are about controlling your eating—for he would not even allow starvation to be a compulsion to do injustice.
These stories were told mythically for their audiences, if someone delves into the allegorized wisdom, it will be the most useful to those who apprehend it.”
“The holy cave of the Nymphs”: Some allegorize the cave as the universe, the nymphs are souls, they are also bees and the bodies are men. The two gates are the exit of souls, and one is creation, the entry point of the soul, in which no part of the body enters, but there are only souls. They are immortal. From this they call them olive—or, because of the victorious crown, or because…which is nourishing…”
“Generally, then, if one wants to examine it carefully, you will find Odysseus’ wandering to be an allegory. Homer has positioned Odysseus as some kind of an instrument of every kind of virtue and he has used him to philosophize, since he hated the wickedness which governs human life.
The land of the Lotus-eaters, a farm of exotic temptation, represents the temptation of pleasure through which Odysseus sailed in perfect control. He snuffs out the savage anger of each of us with the advice from his words as if cauterizing it. This anger is named the Cyclops, the one who steals away [hypoklôpôn] our faculties of reason.
What of this—does it not seem that Odysseus who ‘overcame the winds’ was the first to anticipate fair sailing through his knowledge of the stars? And he was superior to Kirkê’s drugs because he discovered a cure for addictive delicacies thanks to his deep wisdom.
And his intelligence extends even to Hades so that nothing in the underworld might go unexplored. Who listens to the Sirens and learns a diverse history of all time? Charybdis is an obvious name for luxury and endless drinking. Homer has allegorized manifold shamelessness in Skylla, which is why she would logically have a belt of dogs, guardians for her rapacity, daring, and pugnacity. The cattle of the sun are about controlling your eating—for he would not even allow starvation to be a compulsion to do injustice.
These stories were told mythically for their audiences, if someone delves into the allegorized wisdom, it will be the most useful to those who apprehend it.”
From Porphyry’s essay, On the Cave of the Nymphs 35
“In Plato, the water, the sea and the storm are material matter. For this reason, I think, Homer named the harbor “Phorkus’” (“and this is the harbor of Phorkus”) after the sea-god whose daughter, Thoôsa, he genealogized in the first book of the Odyssey. The Kyklôps is her son whose eye Odysseus blinded. [Homer named the harbor thus] so that right before his home [Odysseus] would receive a reminder of his mistakes. For this reason, the location under the olive tree is also fitting for Odysseus as a suppliant of the god who might win over his native deity through suppliancy.
For it would not be easy for one who has blinded [the spirit] and rushed to quell his energy to escape this life of the senses; no, the rage of the sea and the material gods pursues anyone who has dared these things. It is right first to appease these gods with sacrifices, the labors of a beggar, and endurance followed by battling through sufferings, deploying spells and enchantments and changing oneself through them in every way in order that, once he has been stripped of the rags he might restore everything. And thus one may not escape from his toils, but when he has emerged from the sea altogether that his thoughts are so untouched of the sea and material matters, that he believes that an oar is a winnowing fan because of his total inexperience of the tools and affairs of the sea.”
Robert Lamberton 1986, 131 [Homer the Theologian]: “The bungling, dimwitted, sensual giant of book 9 is, then, a projection into the myth of the life of the senses—specifically Odysseus’ own life in this physical universe. The blinding of Polyphemus is a metaphor for suicide…The cyclops becomes a part of Odysseus—a part he wants desperately to escape—but his ineptitude in handling his escape at that early point in his career involves him in an arduous spiritual journey.”
Some Allegorical Readings from the Scholia Vetera to the Odyssey (Dindorf)
Schol. E. ad Od. 1.38
“Allegorically, an uttered speech is called Hermes because of his hermeneutic nature and he is the director because he manages the soul’s thoughts and the mind’s reflections. He is Argeiphontes because he is bright and pure of murder. For he teaches, and evens out and calms the emotional part of the soul. Or, it is because he killed the dog Argos, which stands for madness and disordered thoughts. He is the one who makes the reflections of the mind appear bright and clean.
*Heraclitus the Obscure claims that Hermes is a representation of Odysseus’ rational mind (Homeric Problems 72-73)
Schol. EM ad Od. 4.384
“The winds and every sort of breeze”: Some allegorize Proteus as matter itself. For without matter, they claim that the creator [could not] have made everything distinct. For, although matter is never clear to us, men, trees, water and all things come from it. Eidothea, you see, is thought. Matter produces thought once it is condensed. Others allegorize Proteus as the right part of the spring when the earth first begins to make the shapes of grapes and offspring. Menelaos, since it was not the right time for sailing and he missed the spring, sailed in the wrong direction. The name Proteus is suitable for allegory.”
“Tithonos is the son of Laomedon, Priam’s brother. He is a husband of Dawn [Eos]. Endumiôn is said to have married Selenê and Tithonos, the Day. The allegory works like this. Endumiôn is concerned with hunting man, and he goes to bed at night, but not so much at day because he is occupying his time with hunting affairs. Tithonos is appropriate for those interested in the stars and who take to bed at day but stay awake at night because they are occupying themselves with the stars.”
There are other interpretations. Some allegorize Aiolos as the year and his children as the twelve months. Some say that he that he paid special attention, because he was knowledgeable of astrology, of when the sun was blowing in the west in the bull position. Some winds blow sometimes and then move against themselves, as many do….
“Allegory, which we translate into Latin as inversion, either communicates different things in words or meaning or something completely contrary. The first type emerges from continued metaphor as in “Ship, new waves will return you to this sea—What can you do? Make bravely for the harbor!” And that whole passage in which the ship stands for the state, the waves and storms stand for civil war and he makes the harbor stand for peace and agreement.”
[44] allegoria, quam inversionem interpretantur, aut aliud verbis aliud sensu ostendit aut etiam interim contrarium. prius fit genus plerumque continuatis translationibus, ut
O navis, referent id mare te novi
fluctus; o quid agis? fortiter occupa
portum,
totusque ille Horatii locus, quo navem pro re publica, fluctus et tempestates pro bellis civilibus, portum pro pace atque concordia dicit.
“Think, son of Tydeus, step off, don’t wish to think
Equal to the gods, since not at all similar are the races
Of immortal gods and humans who walk on the ground.”
“Then lord Apollo the far-shooter answered,
“Earthshaker, you would not think that I would be prudent
If indeed I fought with you over mortals,
Wretched men who are like the leaves now flourish
Until they grow full, eat the fruit of fields,
And then they diminish until they die…”
Artemon of Pergamon (New Jacoby: BNJ 569 F 3 [=Schol. on Pind., Pyth. 1, inscr. a])
“Golden Lyre”: The poem has been written for Hieron; Pindar allegedly said this according to the historian Artemon because Hieron promised him a golden lyre. But these kinds of things are full of superfluous detail”
περιεργαζόμαι, “to take more pains than enough about a thing, to waste one’s labor” 2. “to be a busybody”
περιεργία: “over-exactness” II. “officiousness” III. “curious arts”
περίεργος: “careful overmuch” II. “done with especial care”; “overwrought, too elaborate, superfluous”
περιεργοπένητες: “poor scholars”
Suda, Kappa 504
Kataglôttismata: “tonguing-down”: all sorts of kisses. Fabrications. All kinds of massages with sweet oils. Also, superfluous words. Or the “tonguing-down” is a rather excessive kiss. Or, it is flattery”
“Men have one milestone, a single path for fortune:
To make it to life’s end with an unaggrieved heart.
And whoever harbors countless concerns in his thoughts
and wears down his spirit night and day over what’s to come
has a toil that bears no fruit.
What help is there for a man who drowns his heart
By grieving over the things he cannot change?”
