The Dream of Love that Lingers

Anacreonta, 1

“That Teian singer, Anacreon,
saw me in a dream
as I was running to kiss and embrace him,
He spoke to me.

He was an old man, but still fine,
Fine and loving still,
His lips scented with wine.
And as he trembled, Love

Led him by the hand.
He lifted the flowers from his crown
And gave them to me–
Oh, they smelled of Anacreon!

Just like the fool I am, I took them
And placed them on my brow
And thanks to that, I never stopped loving
right up to now.”

Ἀνακρέων ἰδών με
ὁ Τήιος μελῳδὸς
ὄναρ λέγων προσεῖπεν,
κἀγὼ δραμὼν πρὸς αὐτὸν

περιπλάκην φιλήσας.
γέρων μὲν ἦν, καλὸς δέ,
καλὸς δὲ καὶ φίλευνος·
τὸ χεῖλος ὦζεν οἴνου,
τρέμοντα δ᾿ αὐτὸν ἤδη

Ἔρως ἐχειραγώγει.
ὁ δ᾿ ἐξελὼν καρήνου
ἐμοὶ στέφος δίδωσι·
τὸ δ᾿ ὦζ᾿ Ἀνακρέοντος.
ἐγὼ δ᾿ ὁ μωρὸς ἄρας

ἐδησάμην μετώπῳ·
καὶ δῆθεν ἄχρι καὶ νῦν
ἔρωτος οὐ πέπαυμαι.

Henri Rousseau. The Dream. 1910. MOMA

Goodbye Heroes!

Anacreonta 23

“I want to speak of the Atreides,
And I am willing to sing about Kadmos
But the sound of my strings
Echoes only with Love.

Just yesterday I changed my strings,
And then the whole lyre,
And I was trying to sing
The labors of Herakles.
But the lyre returned
Only the sound of Love.

So, Goodbye, heroes,
For the rest of my life.
My lyre sings only tales of Love”

θέλω λέγειν Ἀτρείδας,
θέλω δὲ Κάδμον ᾄδειν,
ἁ βάρβιτος δὲ χορδαῖς
Ἔρωτα μοῦνον ἠχεῖ.

ἤμειψα νεῦρα πρώην
καὶ τὴν λύρην ἅπασαν·
κἀγὼ μὲν ᾖδον ἄθλους
Ἡρακλέους· λύρη δὲ
Ἔρωτας ἀντεφώνει.

χαίροιτε λοιπὸν ἡμῖν,
ἥρωες· ἡ λύρη γὰρ
μόνους Ἔρωτας ᾄδει.

Pietro Perugino, “Fortitude and Temperance with Six Antique Heroes” c. 1497-1500 [fresco]
https://youtu.be/1O22YHDDAys

Don’t Stop Thinking about…Tomorrow?

Simonides, Fr. 20

“As long as any person holds on to the beloved flower of youth,
Their heart is light, because they imagine many things are endless.
No one young thinks they will grow old and die.
The healthy person doesn’t spare a thought for sickness either.

Fools have minds like this, because they don’t understand
That mortals have only a short time for youth and life too.
You, learn these things and hold on to the end of your time,
Taking pleasure in the good things in your mind.”

θνητῶ⎦ν δ’ ὄ⎣φρα τις⎦ ἄνθος ἔχη⎣ι πολυήρατον ἥβης,
κοῦφο⎦ν ἔχω⎣ν θυμ⎦ὸν πόλλ’ ἀτέλεσ⎣τα νοεῖ·
οὔ⎦τε γὰρ ἐλπ⎣ίδ’ ἔχ⎦ει γηρασέμεν ⎣οὔτε θανεῖσθαι,
οὐδ’, ὑ⎦γιὴς ὅτα⎣ν ἦι, φ⎦ροντίδ’ ἔχει κ⎣αμάτου.
νή⎦πιοι, οἷς ταύ⎣τηι⎦ κεῖται νόος, ο⎣ὐδὲ ἴσασιν
ὡς χρό⎦νος ἔ⎣σθ’ ἥβη⎦ς καὶ βιότου ὀλ⎣ίγος
θνη⎦τοῖς. ἀλλὰ ⎣σὺ⎦ ταῦτα μαθὼν ⎣βιότου ποτὶ τέρμα
ψυχῆι τῶν⎦ ἀγαθῶν τλῆθι χα⎣ριζόμενος.

A cleaner version of the text:

θνητῶν δ’ ὄφρα τις ἄνθος ἔχῃ πολυήρατον ἥβης,
κοῦφον ἔχων θυμὸν πόλλ’ ἀτέλεστα νοεῖ.
οὔτε γὰρ ἐλπίδ’ ἔχει γηρασέμεν οὐδὲ θανεῖσθαι,
οὐδ’ ὑγιὴς ὅταν ᾖ, φροντίδ’ ἔχει καμάτου.
νήπιοι, οἷς ταύτῃ κεῖται νόος· οὐδὲ ἴσασιν
ὡς χρόνος ἔσθ’ ἥβης καὶ βιότοι’ ὀλίγος
θνητοῖς· ἀλλὰ σὺ ταῦτα μαθὼν βιότου ποτὶ τέρμα
ψυχῇ τῶν ἀγαθῶν τλῆθι χαριζόμενος.

N.B.This fragment is preserved in Stobaeus’ Extracts, under a section entitled “Concerning life, that it is brief and cheap and full of worry” ΠΕΡΙ ΤΟΥ ΒΙΟΥ, ΟΤΙ ΒΡΑΧΥΣ ΚΑΙ ΕΥΤΕΛΗΣ ΚΑΙ ΦΡΟΝΤΙΔΩΝ ΑΝΑΜΕΣΤΟΣ.

Edvard Munch, “Old age” 1908

Lyric Aging and Philosophical Relief

Mimnermus fr. 1

“What is life? What enjoyment is there without golden Aphrodite?
May I die when these things no longer interest me:
Secret sex and its moving gifts in bed,
Those blossoms of youth that tug
At men and women alike.

                                              …But then painful old age
Presses down and makes a man ugly and embarrassing.
Cruel thoughts are always wearing down his mind
And he takes no pleasure seeing the sunrise.
No, he’s disgusting to boys and a joke to women too.
That the hard old age god makes for us.”

τίς δὲ βίος, τί δὲ τερπνὸν ἄτερ χρυσῆς ᾿Αφροδίτης;
τεθναίην, ὅτε μοι μηκέτι ταῦτα μέλοι,
κρυπταδίη φιλότης καὶ μείλιχα δῶρα καὶ εὐνή,
οἷ’ ἥβης ἄνθεα γίνεται ἁρπαλέα
ἀνδράσιν ἠδὲ γυναιξίν· ἐπεὶ δ’ ὀδυνηρὸν ἐπέλθηι
γῆρας, ὅ τ’ αἰσχρὸν ὁμῶς καὶ κακὸν ἄνδρα τιθεῖ,
αἰεί μιν φρένας ἀμφὶ κακαὶ τείρουσι μέριμναι,
οὐδ’ αὐγὰς προσορῶν τέρπεται ἠελίου,
ἀλλ’ ἐχθρὸς μὲν παισίν, ἀτίμαστος δὲ γυναιξίν·
οὕτως ἀργαλέον γῆρας ἔθηκε θεός.

Counterpoint

Plato, Republic 329:

“I was once with Sophocles when someone asked him, ‘O Sophocles, how do things stand with you in the old love-making line? Can you still lie with a woman?’ Sophocles responded, ‘Ah man, you should sing a song of triumph for me – for indeed, I have most gladly fled from love as though I had gotten away from a cruel and raving master.’

It seemed to me at the time that he had spoken well on the subject, and I think so no less even today. Indeed, we are granted a certain peace and freedom from such concerns in old age. When our desires relent and finally cease to draw us out, then indeed does Sophocles’ saying come true, and we are entirely freed from many a raving master.

But respecting these things, and our relationships with our friends, my dear Socrates, there is one cause to consider – not old age, but rather the person’s character. If they have their lives well-ordered and are easily contented, then old age is a moderate burden. But to a man of the opposite character, both old age and youth happen to be burdensome affairs.

καὶ δὴ καὶ Σοφοκλεῖ ποτε τῷ ποιητῇ παρεγενόμην ἐρωτωμένῳ ὑπό τινος· “Πῶς,” ἔφη, “ὦ Σοφόκλεις, ἔχεις πρὸς τἀφροδίσια; ἔτι οἷός τε εἶ γυναικὶ συγγίγνεσθαι”; καὶ ὅς, “Εὐφήμει,” ἔφη, “ὦ ἄνθρωπε· ἁσμενέστατα μέντοι αὐτὸ ἀπέφυγον, ὥσπερ λυττῶντά τινα καὶ ἄγριον δεσπότην ἀποδράς.” εὖ οὖν μοι καὶ τότε ἔδοξεν ἐκεῖνος εἰπεῖν, καὶ νῦν οὐχ ἧττον. παντάπασι γὰρ τῶν γε τοιούτων ἐν τῷ γήρᾳ πολλὴ εἰρήνη γίγνεται καὶ ἐλευθερία· ἐπειδὰν αἱ ἐπιθυμίαι παύσωνται κατατείνουσαι καὶ χαλάσωσιν, παντάπασιν τὸ τοῦ Σοφοκλέους γίγνεται, δεσποτῶν πάνυ πολλῶν ἐστι καὶ μαινομένων ἀπηλλάχθαι. ἀλλὰ καὶ τούτων πέρι καὶ τῶν γε πρὸς τοὺς οἰκείους μία τις αἰτία ἐστίν, οὐ τὸ γῆρας, ὦ Σώκρατες, ἀλλ’ ὁ τρόπος τῶν ἀνθρώπων. ἂν μὲν γὰρ κόσμιοι καὶ εὔκολοι ὦσιν, καὶ τὸ γῆρας μετρίως ἐστὶν ἐπίπονον· εἰ δὲ μή, καὶ γῆρας, ὦ Σώκρατες, καὶ νεότης χαλεπὴ τῷ τοιούτῳ συμβαίνει.

Don’t Stop Thinking about…Tomorrow?

Simonides, Fr. 20

“As long as any person holds on to the beloved flower of youth,
Their heart is light, because they imagine many things are endless.
No one young thinks they will grow old and die.
The healthy person doesn’t spare a thought for sickness either.

Fools have minds like this, because they don’t understand
That mortals have only a short time for youth and life too.
You, learn these things and hold on to the end of your time,
Taking pleasure in the good things in your mind.”

θνητῶ⎦ν δ’ ὄ⎣φρα τις⎦ ἄνθος ἔχη⎣ι πολυήρατον ἥβης,
κοῦφο⎦ν ἔχω⎣ν θυμ⎦ὸν πόλλ’ ἀτέλεσ⎣τα νοεῖ·
οὔ⎦τε γὰρ ἐλπ⎣ίδ’ ἔχ⎦ει γηρασέμεν ⎣οὔτε θανεῖσθαι,
οὐδ’, ὑ⎦γιὴς ὅτα⎣ν ἦι, φ⎦ροντίδ’ ἔχει κ⎣αμάτου.
νή⎦πιοι, οἷς ταύ⎣τηι⎦ κεῖται νόος, ο⎣ὐδὲ ἴσασιν
ὡς χρό⎦νος ἔ⎣σθ’ ἥβη⎦ς καὶ βιότου ὀλ⎣ίγος
θνη⎦τοῖς. ἀλλὰ ⎣σὺ⎦ ταῦτα μαθὼν ⎣βιότου ποτὶ τέρμα
ψυχῆι τῶν⎦ ἀγαθῶν τλῆθι χα⎣ριζόμενος.

A cleaner version of the text:

θνητῶν δ’ ὄφρα τις ἄνθος ἔχῃ πολυήρατον ἥβης,
κοῦφον ἔχων θυμὸν πόλλ’ ἀτέλεστα νοεῖ.
οὔτε γὰρ ἐλπίδ’ ἔχει γηρασέμεν οὐδὲ θανεῖσθαι,
οὐδ’ ὑγιὴς ὅταν ᾖ, φροντίδ’ ἔχει καμάτου.
νήπιοι, οἷς ταύτῃ κεῖται νόος· οὐδὲ ἴσασιν
ὡς χρόνος ἔσθ’ ἥβης καὶ βιότοι’ ὀλίγος
θνητοῖς· ἀλλὰ σὺ ταῦτα μαθὼν βιότου ποτὶ τέρμα
ψυχῇ τῶν ἀγαθῶν τλῆθι χαριζόμενος.

N.B.This fragment is preserved in Stobaeus’ Extracts, under a section entitled “Concerning life, that it is brief and cheap and full of worry” ΠΕΡΙ ΤΟΥ ΒΙΟΥ, ΟΤΙ ΒΡΑΧΥΣ ΚΑΙ ΕΥΤΕΛΗΣ ΚΑΙ ΦΡΟΝΤΙΔΩΝ ΑΝΑΜΕΣΤΟΣ.

Edvard Munch, “Old age” 1908

Martial on His Summer Sleep Schedule

Epigrams 12.68

“Morning appointment–my reason for leaving the city–
If you knew better, you would visit more ambitious homes.
I am no lawyer, no man prepared for harsh suits,
I am a lazy and aging friend of the Muses.
Sleep and leisure make me happy—the very things
Which Rome denied me. But I’ll go back if I can’t sleep here.”

Matutine cliens, urbis mihi causa relictae,
atria, si sapias, ambitiosa colas.
non sum ego causidicus nec amaris litibus aptus,
sed piger et senior Pieridumque comes;
otia me somnusque iuvant, quae magna negavit
Roma mihi: redeo, si vigilatur et hic.

12.80

“Callistratus praises everyone so he may not praise the worthy.
What good can he be when he doesn’t think anyone’s bad?

Ne laudet dignos, laudat Callistratus omnes.
cui malus est nemo, quis bonus esse potest?

Image result for medieval manuscript summertime
St. Mark with a lion, BL Add MS 18852 

Will Our Story Shine?

“I’ve done what I came here to do.”
-Tina Turner, 2013 interview with Oprah Winfrey

Bacchylides.3.85-92

To the wise person I say wise things:
The deep heavens are undefiled;
The waters of the sea are not moldering;
And gold is happiness!

But it is not in the nature of things
For gray old age to let a person revive
Her vibrant youth. And yet—

The luster of a mortal’s greatest hits
Does not fade with her body.
On the contrary, the Muse sustains it.

φρονέοντι συνετὰ γαρύω: βαθὺς μὲν
αἰθὴρ ἀμίαντος: ὕδωρ δὲ πόντου
οὐ σάπεται: εὐφροσύνα δ᾽ ὁ χρυσός:
ἀνδρὶ δ᾽ οὐ θέμις, πολιὸν παρέντα
γῆρας, θάλειαν αὖτις ἀγκομίσσαι
ἥβαν. ἀρετᾶς γε μὲν οὐ μινύθει
βροτῶν ἅμα σώματι φέγγος, ἀλλὰ
Μοῦσά νιν τρέφει.

Black and white photograph of Tina Turner on stage singing in the 1970s
Tina Turner, 1939-2023

Larry Benn has a B.A. in English Literature from Harvard College, an M.Phil in English Literature from Oxford University, and a J.D. from Yale Law School. Making amends for a working life misspent in finance, he’s now a hobbyist in ancient languages and blogs at featsofgreek.blogspot.com.

Praise for the Runner

Pindar. Olympian Ode 13.24-34.

Olympia’s most-high, wide-ruling one,
May you, father Zeus, for all time
Hold nothing against my words,
And while you keep this people safe from harm,
Pilot the winds of Xenephon’s fortunes.

Accept from him this ritual praise
For the garlands he brings from Pisa’s plains:
He won the pentathlon and stadion race.
No mortal man has done that before.

Two parsley wreaths also crowned him
When he appeared at the Isthmian festival.
And in Nemea it was no different.

ὕπατʼ εὐρὺ ἀνάσσων
Ὀλυμπίας, ἀφθόνητος ἔπεσσιν
γένοιο χρόνον ἅπαντα, Ζεῦ πάτερ,
καὶ τόνδε λαὸν ἀβλαβῆ νέμων
Ξενοφῶντος εὔθυνε δαίμονος οὖρον·

δέξαι τέ οἱ στεφάνων ἐγκώμιον τεθμόν, τὸν ἄγει πεδίων ἐκ Πίσας,
πεντάθλῳ ἅμα σταδίου νικῶν δρόμον· ἀντεβόλησεν
τῶν ἀνὴρ θνατὸς οὔπω τις πρότερον.

δύο δʼ αὐτὸν ἔρεψαν
πλόκοι σελίνων ἐν Ἰσθμιάδεσσιν
φανέντα· Νέμεά τʼ οὐκ ἀντιξοεῖ.

screenshot of a map of a marathon run in Brooklyn
The translator ran the Brooklyn ½ Marathonon Saturday in 1:35. He received no garlands.

Larry Benn has a B.A. in English Literature from Harvard College, an M.Phil in English Literature from Oxford University, and a J.D. from Yale Law School. Making amends for a working life misspent in finance, he’s now a hobbyist in ancient languages and blogs at featsofgreek.blogspot.com.

Sappho, Mother & Daughter

Sappho Fr. 98A

My mother me
It was stylish in her day
To pin back your hair
With a purple headband.
That was the style.
But if a woman’s hair
Was more fair than fire
She fastened it with garlands
Made of blooming flowers.

Sappho Fr. 132

I have a lovely daughter
Who looks like golden flowers.
The beloved girl is Kleis.
I would not her
For all of Lydia . . .

Fr. 98A
.

. ] . θος· ἀ γάρ με γέννα[τ

σ]φ̣ᾶς ἐπ’ ἀλικίας μέγ[αν
κ]όσμον, αἴ τις ἔχη φόβα⟨ι⟩ς̣[
π̣ορφύρ̣ῳ κατελιξαμέ[να πλόκῳ,

ἔ̣μμεναι μά̣λα τοῦτο δ̣[ή·
ἀ̣λλ’ ἀ ξανθοτέραις ἔχη[
τ̣αὶς κόμαις δάϊδος προ[

σ]τεφάνοισιν ἐπαρτία[ις
ἀ̣νθέων ἐριθαλέων·

Fr. 132

ἔστι μοι κάλα πάις χρυσίοισιν ἀνθέμοισιν
ἐμφέρην ἔχοισα μόρφαν Κλέις ἀγαπάτα,
ἀντὶ τᾶς ἔγωὐδὲ Λυδίαν παῖσαν οὐδ’ ἐράνναν . . .

Stylized oil painting of a mother and daughter, somewhat abstract. One woman looks out at the viewer, the other turns to look at her
Max Beckmann. Mother and Daughter.
1946. Art Gallery of New South Wales.

Larry Benn has a B.A. in English Literature from Harvard College, an M.Phil in English Literature from Oxford University, and a J.D. from Yale Law School. Making amends for a working life misspent in finance, he’s now a hobbyist in ancient languages and blogs at featsofgreek.blogspot.com.

The Short Dream and the Sudden Darkness

Athenaeus, Deipnosophists 14.620c

“Chameleon claims in his book On Stesichorus that it wasn’t only Homer’s poetry that was accompanied by music but also Archilochus’ and Hesiod’s too He adds the work of Mimnermus and Phocylides.”

Χαμαιλέων δὲ ἐν τῷ περὶ Στησιχόρου (fr. 28 Wehrli) καὶ μελῳδηθῆναί φησιν οὐ μόνον τὰ Ὁμήρου ἀλλὰ καὶ τὰ Ἡσιόδου καὶ Ἀρχιλόχου, ἔτι δὲ Μιμνέρμου καὶ Φωκυλίδου.

Athenaeus, fr. 13.5.567f= Hermesian fr. 7.35-40

“Then Mimnermos, who discovered the sweet sound
And breath of gentle pentameter, after he suffered terribly,
Was burning for Nanno. With his lips often on the grey lotus
Pipe, he partied with Examyes.
But he was hateful to serious Hermobios and Pherekles.”

Μίμνερμος δέ, τὸν ἡδὺν ὃς εὕρετο πολλὸν ἀνατλὰς
ἦχον καὶ μαλακοῦ πνεῦμ᾿ ἀπὸ πενταμέτρου,
καίετο μὲν Ναννοῦς, πολιῷ δ᾿ ἐπὶ πολλάκι λωτῷ
κνημωθεὶς κώμους εἶχε σὺν Ἐξαμύῃ·
†ἠδ᾿ ἠχθεε† δ᾿ Ἑρμόβιον τὸν ἀεὶ βαρὺν ἠδὲ Φερεκλῆν

Suda, Mu 1077 (iii.397.20 Adler)

“Mimnermos, the son of Ligurtuades, from Kolophon or Smurnos or Astupalaios. An elegiac poet. He lived during the 37th Olympiad [ c. 632-629 BCE) and so lived before the Seven Sages. Some people say that he lived at the same time they did. He used to be called Liguastades because of his harmony and clarity. He wrote…those many books.”

Μίμνερμος Λιγυρτυάδου, Κολοφώνιος ἢ Σμυρναῖος ἢ Ἀστυπαλαιεύς, ἐλεγειοποιός. γέγονε δ᾿ ἐπὶ τῆς λζ΄ ὀλυμπιάδος, ὡς προτερεύειν τῶν ζ΄ σοφῶν· τινὲς δὲ αὐτοῖς καὶ συγχρονεῖν λέγουσιν. ἐκαλεῖτο δὲ καὶ Λιγυᾳστάδης διὰ τὸ ἐμμελὲς καὶ λιγύ. ἔγραψε βιβλία †ταῦτα πολλά.

Mimnermus, fr. 5 = Stobaeus 4.50.69

[missing line of dactylic hexameter]

“….but dear youth is like a short dream
Then suddenly hard and ugly old age
Drapes down over your head.
It makes a man hateful and unloved, even unknown
As it weakens his eyes and clouds his mind.”

ἀλλ᾿ ὀλιγοχρόνιον γίνεται ὥσπερ ὄναρ
ἥβη τιμήεσσα· τὸ δ᾿ ἀργαλέον καί ἄμορφον
γῆρας ὑπὲρ κεφαλῆς αὐτίχ᾿ ὑπερκρέμεται,
ἐχθρὸν ὁμῶς καὶ ἄτιμον, ὅ τ᾿ ἄγνωστον τιθεῖ ἄνδρα,
βλάπτει δ᾿ ὀφθαλμοὺς καὶ νόον ἀμφιχυθέν.

Nick Drake, “Black Eyed Dog”

Black eyed dog he called at my door
The black eyed dog he called for more

A black eyed dog he knew my name
A black eyed dog he knew my name
A black eyed dog
A black eyed dog

I’m growing old and I wanna go home, I’m growing old and I dont wanna know
I’m growing old and I wanna go home

Black eyed dog he called at my door
The black eyed dog he called for more

Ditlev Blunck, Old Age. From the series: The Four Ages of Man (1840-1845) Statens Museum fur Kunst