Pindar, Isthmian 7.40-49
“Seeking whatever pleasure each day gives
I will arrive at a peaceful old age and my allotted end.
For we all die the same, though
Our luck is unequal. If someone gazes
Too far, we are too small to reach the bronze threshold of the gods.
This is why winged Pegasos dropped his master
When he wanted to ascend the terraces of the sky.
When Bellerophon reached for Zeus’ assembly.
The bitterest end lies in wait
however sweet the injustice.”
ὅτι τερπνὸν ἐφάμερον διώκων
ἕκαλος ἔπειμι γῆρας ἔς τε τὸν μόρσιμον
αἰῶνα. θνᾴσκομεν γὰρ ὁμῶς ἅπαντες•
δαίμων δ’ ἄϊσος• τὰ μακρὰ δ’ εἴ τις
παπταίνει, βραχὺς ἐξικέσθαι χαλκόπεδον θεῶν
ἕδραν• ὅ τοι πτερόεις ἔρριψε Πάγασος
δεσπόταν ἐθέλοντ’ ἐς οὐρανοῦ σταθμούς
ἐλθεῖν μεθ’ ὁμάγυριν Βελλεροφόνταν
Ζηνός. τὸ δὲ πὰρ δίκαν
γλυκὺ πικροτάτα μένει τελευτά.
Ah, don’t overreach! Yet, methinks Robert Browning might object (Andrea Del Sarto, Called “The Faultless Painter”):
“I, painting from myself and to myself, 90
Know what I do, am unmoved by men’s blame
Or their praise either. Somebody remarks
Morello’s outline there is wrongly traced,
His hue mistaken; what of that? or else,
Rightly traced and well ordered; what of that? 95
Speak as they please, what does the mountain care?
Ah, but a man’s reach should exceed his grasp,
Or what’s a heaven for? All is silver-gray
Placid and perfect with my art: the worse!
In one of my favorite modern pieces, the poet Jack Gilbert explores the theme of flying and falling in “Failing And Flying” (from 2005’s wonderful Refusing Heaven) where he begins and ends with a meditation on Icarus. The sentiments seem apt (the text comes from poetryfoundation.org):
