“For treatment against night terrors and fear of ghosts it is suggested that a string of big teeth will help”
contra nocturnos pavores umbrarumque terrorem unus e magnis dentibus lino alligatus succurrere narratur.
Seneca, Moral Epistle 82.16
“Death should be hated more than it is customarily. For we believe many things about death. There has been a struggle among geniuses to increase its bad reputation. The world below is depicted as a prison and the region is oppressed by eternal night where:
“The huge guardian of death / laying upon half-eaten bones in his gory cave / horrifies the bloodless ghosts with eternal barking”*
Even if you can persuade someone that these are stories and that there is nothing there for the dead to fear, another fright comes over you. For they fear going to the underworld no less than they fear going nowhere.”
Mors contemni debet magis quam solet. Multa enim de illa credidimus. Multorum ingeniis certatum est ad augendam eius infamiam. Descriptus est carcer infernus et perpetua nocte oppressa regio, in qua
Ingens ianitor Orci
Ossa super recubans antro semesa cruento,
Aeternum latrans exsangues terreat umbras.
Etiam cum persuaseris istas fabulas esse nec quicquam defunctis superesse, quod timeant, subit alius metus. Aeque enim timent, ne apud inferos sint, quam ne nusquam.
“Let the reader not be persuaded as a matter of course that everything the best authors said is perfect. For they slip at times, they give in to their burdens, and they delight in the pleasure of their own abilities. They do not always pay attention; and they often grow tired. Demosthenes seems to doze to Cicero; Homer naps for Horace. Truly, they are great, but they are still mortals and it happens that those who believe that whatever appears in these authors should be laws for speaking often imitate their lesser parts, since this is easier—and they believe they are enough like them if they emulate the faults of great authors.
Still, one must pass judgment on these men with modesty and care to avoid what often happens when people condemn what they do not understand. If it is necessary to err in either part, I would prefer readers to enjoy everything in these authors rather than dismiss much.”
Neque id statim legenti persuasum sit, omnia quae summi auctores dixerint utique esse perfecta. Nam et labuntur aliquando et oneri cedunt et indulgent ingeniorum suorum voluptati, nec semper intendunt animum, nonnumquam fatigantur, cum Ciceroni dormitare interim Demosthenes, Horatio vero etiam Homerus ipse videatur. Summi enim sunt, homines tamen, acciditque iis qui quidquid apud illos reppererunt dicendi legem putant ut deteriora imitentur (id enim est facilius), ac se abunde similes putent si vitia magnorum consequantur. Modesto tamen et circumspecto iudicio de tantis viris pronuntiandum est, ne, quod plerisque accidit, damnent quae non intellegunt. Ac si necesse est in alteram errare partem, omnia eorum legentibus placere quam multa displicere maluerim.
“I would pay more than a part of my own life to embrace you on this happiest and most anticipated anniversary of your imperial accession—a day which I consider to be the birthday of my health, dignity, and security.
But serious shoulder pain and even worse neck pain afflict me so badly that I can barely bend, straighten up, or turn because I have to keep my neck so still. But I have returned to my Lares, Penates, and Family gods and have taken up my vows and I have prayed that next year I can embrace you twice on this day, twice to kiss your chest and hands, simultaneously completing the duty of this year and next.”
| Antonino Pio Augusto Fronto.
Carius <quam> vitae meae parte adpicisci cupio ut te complecterer felicissimo et optatissimo initi imperii die, quem ego diem natalem salutis dignitatis securitatis meae existimo. Sed dolor humeri gravis, cervicis vero multo gravissimus ita me adflixit, ut adhuc usque vix inclinare me vel erigere vel convertere possim: ita immobili cervice utor. Sed apud Lares Penates deosque familiares meos et reddidi et suscepi vota, et precatus sum, uti anno insequenti bis te complecterer isto die, bis pectus tuum et manus exoscularer praeteriti simul et praesentis anni vicem perficiens.
“For treatment against night terrors and fear of ghosts it is suggested that a string of big teeth will help”
contra nocturnos pavores umbrarumque terrorem unus e magnis dentibus lino alligatus succurrere narratur.
Seneca, Moral Epistle 82.16
“Death should be hated more than it is customarily. For we believe many things about death. There has been a struggle among geniuses to increase its bad reputation. The world below is depicted as a prison and the region is oppressed by eternal night where:
“The huge guardian of death / laying upon half-eaten bones in his gory cave / horrifies the bloodless ghosts with eternal barking”*
Even if you can persuade someone that these are stories and that there is nothing there for the dead to fear, another fright comes over you. For they fear going to the underworld no less than they fear going nowhere.”
Mors contemni debet magis quam solet. Multa enim de illa credidimus. Multorum ingeniis certatum est ad augendam eius infamiam. Descriptus est carcer infernus et perpetua nocte oppressa regio, in qua
Ingens ianitor Orci
Ossa super recubans antro semesa cruento,
Aeternum latrans exsangues terreat umbras.
Etiam cum persuaseris istas fabulas esse nec quicquam defunctis superesse, quod timeant, subit alius metus. Aeque enim timent, ne apud inferos sint, quam ne nusquam.
“It would be wrong to ignore the new invention in which, if not from gold then surely from bronze, images of those immortal spirits are set up in libraries, or even more those who did not exist are given shape and they produce glances which are not traditional, as has happened with Homer.
As it goes though, I believe that there is no greater kind of happiness that if everyone should forever desire to know what kind of person someone was. In Rome this was the innovation of Asinius Pollio who first established a library by declaring works of genius a public good. Whether they kinds of Alexandria or Pergamum began this earlier—those men who built their libraries in a great contest—I couldn’t decide easily. But that friend of Cicero, Atticus, is a witness that a certain passion for images burned in earlier days in the volume he published on the topic…
Non est praetereundum et novicium inventum, siquidem non ex auro argentove, at certe ex aere in bibliothecis dicantur illis, quorum immortales animae in locis iisdem loquuntur, quin immo etiam quae non sunt finguntur, pariuntque desideria non traditos vultus, sicut in Homero evenit. utique maius, ut equidem arbitror, nullum est felicitatis specimen quam semper omnes scire cupere, qualis fuerit aliquis. Asini Pollionis hoc Romae inventum, qui primus bibliothecam dicando ingenia hominum rem publicam fecit. an priores coeperint Alexandreae et Pergami reges, qui bibliothecas magno certamine instituere, non facile dixerim. imaginum amorem flagrasse quondam testes sunt Atticus ille Ciceronis edito de iis volumine…
“I used to tell you that Cestius, because he was Greek, suffered because of a lack of Latin words though he had an abundance of ideas. Thus, whenever he dared to describe something more broadly, he often stalled especially when he attempted to imitate some great genius.
This is the issue in this controversy. For, in his story, when he was telling about how his brother was given to him, he was pleased by this lonely and sad description: “night was laid out, and everything, judges, was singing under silent stars.” Julius Montanus, who was a companion of Tiberius and an exceptional poet, was claiming that he wanted to imitate Vergil’s line: ‘it was night and all the tired animals over the earth, the races of birds and beasts, were held by a deep sleep.’ “
Soleo dicere vobis Cestium Latinorum verborum inopia hominem Graecum laborasse, sensibus abundasse; itaque, quotiens latius aliquid describere ausus est, totiens substitit, utique cum se ad imitationem magni alicuius ingeni derexerat, sicut in hac controversia fecit. Nam in narratione, cum fratrem traditum sibi describeret, placuit sibi in hac explicatione una et infelici: nox erat concubia, et omnia, iudices, canentia sideribus muta erant. Montanus Iulius, qui comes fuit , egregius poeta, aiebat illum imitari voluisse Vergili descriptionem:
nox erat et terras animalia fessa per omnis,alituum pecudumque genus, sopor altus habebat
“Morning appointment–my reason for leaving the city–
If you knew better, you would visit more ambitious homes.
I am no lawyer, no man prepared for harsh suits,
I am a lazy and aging friend of the Muses.
Sleep and leisure make me happy—the very things
Which Rome denied me. But I’ll go back if I can’t sleep here.”
Matutine cliens, urbis mihi causa relictae,
atria, si sapias, ambitiosa colas.
non sum ego causidicus nec amaris litibus aptus,
sed piger et senior Pieridumque comes;
otia me somnusque iuvant, quae magna negavit
Roma mihi: redeo, si vigilatur et hic.
12.80
“Callistratus praises everyone so he may not praise the worthy.
What good can he be when he doesn’t think anyone’s bad?
Ne laudet dignos, laudat Callistratus omnes.
cui malus est nemo, quis bonus esse potest?
“Regret for work only begun grips them and then fear of starting again and then the anxiety of a mind that can find no end—because they can neither control their desires nor serve them, the hesitation of a life which cannot make its own way and the stillness of a soul growing dull among failed schemes. These traits grow worse when people flee toward leisure because of hatred of unsuccessful work, or they flee to private studies which a mind set on more public achievement cannot tolerate because it desires accomplishment and is restless by nature since it certainly has too little comfort in itself. Therefore, once the distractions are removed which vocations themselves offer those who run to them, the mind cannot endure home, quiet, or the walls of a room as it recoils unwillingly at being left to itself.
From this arises that boredom and displeasure and the volatility of mind that can rest nowhere—the sad and sickly tolerance of one’s own leisure. This especially is true when it is a matter of shame to admit the causes and embarrassment suppresses the torments deeper. Desires compressed in a narrow space without escape choke on one another.
This is the origin of mourning and depression and the endless fluctuations of an uncertain mind which hopes for work begun keep in suspense and the failure makes sorrowful. This is where that feeling that makes people despise their own leisure comes from and why they complain they have nothing to do; this also prompts their hateful envy of other’s success. Their sad lack of motion feeds jealousy and they want everyone to fail because they could not succeed themselves. Then from this dismissal of the success of others and their own despair, their mind is enraged against fortune—it complains of the era, and they retreat and ruminates over its trouble until it bores and shames itself. For the human mind is naturally agile and prone to motion. It welcomes every cause of excitement and for being distracting from itself—even more welcome to those worse types who are worn out more freely in pursuing them.”
Tunc illos et paenitentia coepti tenet et incipiendi timor subrepitque illa animi iactatio non invenientis exitum, quia nec imperare cupiditatibus suis nec obsequi possunt, et cunctatio vitae parum se explicantis et inter destituta vota torpentis animi situs. Quae omnia graviora sunt, ubi odio infelicitatis operosae ad otium perfugerunt, ad secreta studia, quae pati non potest animus ad civilia erectus agendique cupidus et natura inquies, parum scilicet in se solaciorum habens; ideo detractis oblectationibus, quas ipsae occupationes discurrentibus praebent, domum, solitudinem, parietes non fert, invitus aspicit se sibi relictum.
Hinc illud est taedium et displicentia sui et nusquam residentis animi volutatio et otii sui tristis atque aegra patientia; utique ubi causas fateri pudet et tormenta introsus egit verecundia, in angusto inclusae cupiditates sine exitu se ipsae strangulant. Inde maeror marcorque et mille fluctus mentis incertae, quam spes inchoatae suspensam habent, deploratae tristem; inde ille adfectus otium suum detestantium querentiumque nihil ipsos habere, quod agant et alienis incrementis inimicissima invidia. Alit enim livorem infelix inertia et omnes destrui cupiunt, quia se non potuere provehere; ex hac deinde aversatione alienorum processuum et suorum desperatione obirascens fortunae animus et de saeculo querens et in angulos se retrahens et poenae incubans suae, dum illum taedet sui pigetque. Natura enim humanus animus agilis est et pronus ad motus. Grata omnis illi excitandi se abstrahendique materia est, gratior pessimis quibusque ingeniis, quae occupationibus libenter deteruntur.
“For treatment against night terrors and fear of ghosts it is suggested that a string of big teeth will help”
contra nocturnos pavores umbrarumque terrorem unus e magnis dentibus lino alligatus succurrere narratur.
Seneca, Moral Epistle 82.16
“Death should be hated more than it is customarily. For we believe many things about death. There has been a struggle among geniuses to increase its bad reputation. The world below is depicted as a prison and the region is oppressed by eternal night where:
“The huge guardian of death / laying upon half-eaten bones in his gory cave / horrifies the bloodless ghosts with eternal barking”*
Even if you can persuade someone that these are stories and that there is nothing there for the dead to fear, another fright comes over you. For they fear going to the underworld no less than they fear going nowhere.”
Mors contemni debet magis quam solet. Multa enim de illa credidimus. Multorum ingeniis certatum est ad augendam eius infamiam. Descriptus est carcer infernus et perpetua nocte oppressa regio, in qua
Ingens ianitor Orci
Ossa super recubans antro semesa cruento,
Aeternum latrans exsangues terreat umbras.
Etiam cum persuaseris istas fabulas esse nec quicquam defunctis superesse, quod timeant, subit alius metus. Aeque enim timent, ne apud inferos sint, quam ne nusquam.
Fronto LaudesFumi et Pulveris [Ambr 249 Caesari suo Fronto. [139 a.d.]]
“Many of my readers may perhaps hate my subject from the title because it is impossible for anything serious to be made of smoke and dust. But you, thanks to your outstanding intelligence, will judge whether these words are wasted or put well.
The subject does, however, seem to ask for a few things to be written about the logic of its composition, since nothing written of this kind of thing noble enough in the Roman tongue exists except for what poets touch in comedies or farces. Anyone who tests himself at writing of this kind will select a mass of ideas and put them together closely, joining them cleverly, but without including many useless and doubled words and then make sure to end each sentence with clarity and skill.
In legal speeches, however, it goes differently because we often pay special attention to sentences ending harshly and artlessly. In this matter, we must labor differently so that nothing is left rude and out of place, instead making sure that everything is interconnected as in a robe with clear borders and ornate edges. Finally, just as the final verses in epigrams should have some kind of shine to them, a sentence should be ended with some kind of a clasp or brooch.
Pleasing the audience, however, should pursued among the first goals. For this kind of address is not composed for defense in a capital trial nor to advocate for the passing of a law, nor to exhort an army, nor to enrage a mass of people, but for delights and pleasure. Nevertheless, we must speeches we do about serious and wonderful things—the small matters must be compared and equaled to great ones. And, finally, the greatest virtue in this kind of speech is the conceit of seriousness. Stories of the gods or heroes should be interwoven where they fit. At he same time, lines of poetry which pertain applicable proverbs, and even clever fictions, as long as the fiction is added by some kind of clever argument.
The chief challenge, then, is to order the materials so that their presentation has a logical connection. This is what Plato faults Lysias for in the Phaedrus, that he has combined his thoughts so carelessly that the first one could be exchanged with the last without any kind of loss. We can only escape this danger if we organize our thoughts in categories so that we do not mix them in an indiscriminate and disordered way like those mixed dishes, but instead arrange it so that the preceding idea reaches into the next one and then shares its boundary, where the second thought begins where the first one has ended, and a sequence emerges in this way, so that we seem to step rather than jump along our way.”
Plerique legentium forsan rem de titulo contemnant, nihil <enim> serium , potuisse fieri de fumo et pulvere: tu pro tuo excellenti ingenio profecto existimabis lusa sit opera4ista an locata. 2. Sed res poscere videtur de ratione scribendi pauca praefari, quod nullum huiuscemodi scriptum Romana lingua extat satis nobile, nisi quod poetae in comoediis vel atellanis adtigerunt. Qui se eiusmodi rebus scribendis exercebit, crebras sententias conquiret, easque dense conlocabit et subtiliter coniunget, Ambr. neque verba multa geminata supervacanea | in-ferciet; tum omnem sententiam breviter et scite concludet. Aliter in orationibus iudiciariis, ubi sedulo curamus ut pleraeque sententiae durius interdum et incautius1finiantur. Sed contra istic laborandum est, ne quid inconcinnum et hiulcum relinquatur, quin omnia ut in tenui veste oris detexta et revimentis sint cincta. Postremo, ut novissimos in epigrammatis versus habere oportet aliquid luminis, sententia clavo aliquo vel fibula terminanda est.
In primis autem sectanda est suavitas. Namque hoc genus orationis non capitis defendendi nec suadendae legis nec exercitus hortandi nec inflammandae contionis scribitur, sed facetiarum et voluptatis.Ubique vero ut de re ampla et magnifica loquendum, parvaeque res magnis adsimilandae comparandaeque. Summa denique in hoc genere orationis virtus est adseveratio. Fabulae deum vel heroum tempestive inserendae; item versus congruenteset proverbia accommodata et non inficete conficta mendacia, dum id mendacium argumento aliquo lepido iuvetur.
Ambr 247 4. Cum primis autem difficile est argumenta ita disponere ut sit ordo eorum rite connexus. Quod Ambr.ille | Plato Lysiam culpat in Phaedro, sententiarum ordinem ab eo ita temere permixtum, ut sine ullo detrimento prima in novissimum locum transferantur, et novissima in primum, eam culpam ita devitabimus, si divisa generatim argumenta nectemus, non sparsa nec sine discrimine aggerata, ut ea quae per saturam feruntur, sed ut praecedens sententia in sequentem laciniam aliquam porrigat et oram praetendat; ubi prior sit finita sententia, inde ut sequens ordiatur; ita enim transgredi potius videmur quam transilire.
