“Why does this woman abuse the god with words
And twist him up with constant riddles?
Is it because she loves the women she gets oracles for?
Is she keeping something silent because she needs to?
But why does Erekhtheus’ daughter matter to me?
She’s nothing to me! I will go to fill
The purificatory vessels with golden cups of water
I need to criticize Apollo. What’s he thinking?
He keeps ruining girls for marriage with rape
And producing children in secret only to ignore them
As they die. Don’t act this way, but since you can,
Pursue excellence. The gods punish any mortal
Who does wrong. How is it right for those who write
The laws for mortals to lead lawless lives?”
“Play your pipe, Pan
In your caves
Where some pitiful girl
Gave birth to a child with Apollo
And then exposed it as a feast
For the birds and beasts
The insult of their bitter ‘marriage’.
Never at the loom or in tales have I heard of
Mortal women having divine children and good fortune.”
“Why does this woman abuse the god with words
And twist him up with constant riddles?
Is it because she loves the women she gets oracles for?
Is she keeping something silent because she needs to?
But why does Erekhtheus’ daughter matter to me?
She’s nothing to me! I will go to fill
The purificatory vessels with golden cups of water
I need to criticize Apollo. What’s he thinking?
He keeps ruining girls for marriage with rape
And producing children in secret only to ignore them
As they die. Don’t act this way, but since you can,
Pursue excellence. The gods punish any mortal
Who does wrong. How is it right for those who write
The laws for mortals to lead lawless lives?”
“Play your pipe, Pan
In your caves
Where some pitiful girl
Gave birth to a child with Apollo
And then exposed it as a feast
For the birds and beasts
The insult of their bitter ‘marriage’.
Never at the loom or in tales have I heard of
Mortal women having divine children and good fortune.”
Kragaleus: Nikander reports this in his Metamorphoses as Athanadas does in his Ambrakian Issues. Kragaleus the son of Dryops inhabited Dryopis near the Baths of Herakles, springs which the stories claim Herakles created when he clubbed the side of the moountain. Kragaleus was already old and judged to be just and far by his neighbors. When he was grazing his cattle, Apollo, Artemis, and Herakles came to him for a judgment about Ambrakia in Epiros.
Apollo was insisting that the city was his because his son Melaneus, the king of the Dryopes, had conquered all of Epiros and then had two children himself, Eurutos and Ambrakia, where the city got its name. Besides, he had done a lot of great things for the city. For the Sisyphidai, commanded by him, went to the city to correct the Ambrakians for the war they had waged against the Epirotes and Gorgon, the brother of Kupselos took a colony army against Ambrakia from Korinth to follow his own oracle. In addition, also in accordance with his oracle, the Abrakians had revolted against the tyrant Phalaikos and, thanks to this, the masses destroyed him. Altogether, Apollo was often the one who brought an end to civil way, strife, and conflict and he promoted fair laws, order, and justice instead, which is why to this day he is respected as the Pythian Savior at feasts and festivals.
Artemis was stopping the quarrel with Apollo because she believed that she held Ambrakia with his blessing. She claimed the city according this argument. When Phalaikos was the tyrant of the city and no one could get rid of him because of fear, she had a lion cub appear to him when he was hunting. He accepted the cub into his hands and its mother jumped out of the woods, leapt upon him, and ripped his chest wide open. In this way, The Ambrakians escaped slavery and were hailed Artemis Leader. They had a bronze statue of the Huntress made and placed the animal beside it.
But the Herakles was demonstrating that Ambrakia belonged to him along with all of Epiros. For when the Kelts, Khaones, Thesprotians, and all the Epirotes attacked him, he overpowered them at the time when they joined him in the plot to steal Geryon’s cattle. At a later time, a group came from Korinth to found a colony and once they uprooted the earlier inhabitants took up the settlement of Ambrakia. All the Korinthians come from Herakles.
Once Kragaleus listened thoroughly to all these arguments, he decided that the city was Herakles’. Apollo touched him with his hand out of anger and turned him to a rock where he stood. So the Ambrakians sacrifice to Apollo the Savior, but they judge that their city belongs to Herakles and his descendants and they offer sacrificial rites to Kragaleus the hero even today, following a festival to Herakles.”
After Athena reveals herself to Odysseus when he has arrived in Ithaka, he takes a moment to imply that she wasn’t very helpful during a period of his life. Oh, and he questions whether or not she’s just messing with him about the whole Ithaka thing. A scholiast takes issue with the authenticity of the passage. Modern editions retain it.
Odyssey, 13.316-328
“But after we sacked Priam’s high city
And went in our ships, a god scattered the Achaians,
And I no longer saw you, daughter of Zeus, I did not notice
You coming aboard my ship so you might ward some pain from me.
But always as I wandered I kept an expectant heart
That the gods would release me from evil—
Until that day when in the rich land of the Phaeacian people
You encouraged me with words and led me into the city yourself.
Now I beg you by your father—for I do not think
I have come to beautiful Ithaca, but I have turned up
In some other land. I think you are mocking me
When you say this so you might deceive my mind.”
“These lines are inauthentic. First, instead of “my thoughts” it has “his thoughts”, which is third person and the poet always pays attention to the difference in these things. The second problem is that [Odysseus] attributes his rescue to the gods when Athena is present. The third and fourth are because he did not know that the goddess appeared to him among the Phaeacians and that she has not encouraged him, but rather the opposite.”
“Hope is the only noble god left among mortals:
The rest of have abandoned us to go to Olympos.
Trust, a great god, left; Prudence has left men.
The Graces, my friend, have surrendered the earth.
Oaths in a court of law can no longer be trusted;
And no one fears shame before the immortal gods
As the race of righteous men has disappeared.
People no longer recognize precedents or sacred duties.
But as long as someone lives and sees the light of the sun,
Let him foster Hope and act righteously before the gods.
Let him pray to the gods and, while burning shining thigh bones,
Sacrifice to Hope first and last.
And let each person always look out for the crooked word of unjust men:
Those men who do not fear the rage of the gods at all,
Who forever conspire in their thoughts against others’ property,
Men who make shameful agreements for future evil deeds.”
After Athena reveals herself to Odysseus when he has arrived in Ithaka, he takes a moment to imply that she wasn’t very helpful during a period of his life. Oh, and he questions whether or not she’s just messing with him about the whole Ithaka thing. A scholiast takes issue with the authenticity of the passage. Modern editions retain it.
Odyssey, 13.316-328
“But after we sacked Priam’s high city
And went in our ships, a god scattered the Achaians,
And I no longer saw you, daughter of Zeus, I did not notice
You coming aboard my ship so you might ward some pain from me.
But always as I wandered I kept an expectant heart
That the gods would release me from evil—
Until that day when in the rich land of the Phaeacian people
You encouraged me with words and led me into the city yourself.
Now I beg you by your father—for I do not think
I have come to beautiful Ithaca, but I have turned up
In some other land. I think you are mocking me
When you say this so you might deceive my mind.”
“These lines are inauthentic. First, instead of “my thoughts” it has “his thoughts”, which is third person and the poet always pays attention to the difference in these things. The second problem is that [Odysseus] attributes his rescue to the gods when Athena is present. The third and fourth are because he did not know that the goddess appeared to him among the Phaeacians and that she has not encouraged him, but rather the opposite.”
“he would not heal your eye”: [this is because] he does not want to, not because he is not capable. For Poseidon did not want to help his own son because he believed that it is right for him to be paid back for his wickedness. So the thought is ‘Poseidon will not heal you because you are evil’
Why did Odysseus so thoughtlessly demean Poseidon in saying “not even the earth-shaker will heal your eye?” Is it because he knowns that Poseidon is not a healer, but Apollo is? Or is it because he will not help him because of his wickedness?”
Why did Odysseus so thoughtlessly demean Poseidon when he said to the Kyklôps “not even the earth-shaker will heal your eye”? Antisthenes says that it is because he knows that Poseidon is not a doctor, but Apollo is; Aristotle says that it is not because he is not capable but because he is not willing, due to the Kyklôps’ wickedness.
Then why was Poseidon angry? Surely he is not upset because of the statement but because of the blinding, as the epic says “He was angry over the Kyklôps, because he had put out his eye” (Od. 1.69) even though he was completely wretched and had eaten Odysseus’ companions? Aristotle solves this problem in saying that [in terms of behavior] [responsibilities] are not the same for a free man toward a slave or for a slave toward a free man, nor again for those near to the gods toward those far away. Therefore, the Kyklôps deserved a penalty, but he didn’t need to be chastised by Odysseus, but by Poseidon, if he had any thought to help his son as he was harmed—it was the companions who started the wrongdoing.”
Archilochus declares his lack of concern for most things in one fragment:
“Wealthy Gyges’ stuff doesn’t matter to me.
Jealousy never holds me and I don’t wonder
at the works of the gods. I don’t seek some great tyranny.
These things are far from my eyes.”
Bellerophon is an interesting figure to consider from Greek myth because his story changes over time (and because we have mostly only fragments and hints about his narrative). In early accounts he is clearly a classic beast-slayer who kills a princess, but he is also an over-reacher who suffers for hubris.
The most famous account of Bellerophon (typically called the first as well) is in the Iliad (6.152-206) where Glaukos describes his grandfather’s flight from Proitos the ruler of the Argives whose wife accused Bellerophon of rape. Bellerophon goes to Lykia and defeats three challenges (the Khimaira, Amazons and Solymoi) and also evades an ambush. Bellerophon wins a princess and a kingdom. Cryptically, Glaukos describes Bellerophon as falling out of favor with the gods and wandering alone.
Homer, however, does not mention Pegasos. In Hesiod, there is a close connection between the monster, the flying horse, and the Hero:
Theogony, 319-325
“She gave birth to the Khimaira who breathes unquenchable fire,
A terrible, large beast who is swift and strong.
She has three heads: one from a sharp-toothed lion,
The other of a goat, and the third is from a powerful serpent.
The lion is in front, the snake at the end, with the goat in the middle:
She exhales the terrible fury of burning fire.
Pegasos and noble Bellerophon killed her.”
This fragment does not tell a significant part of this heroic narrative witnessed elsewhere by Hesiod, Bellerophon’s magical birth. This is recounted in the fragmentary Catalogue of Women (Hes. Fr. 43a 81-91).
“She [Eurynomê, daughter of Nisus] after having sex in Poseidon’s embrace
Gave birth to Glaukos blameless Bellerophon
Who excelled all men on the boundless earth in virtue.
His father […] gave him the horse Pegasos,
The swiftest one […]
Everywhere […]
With him he [overcame the] fire [of the Khimaira]
And he married the child […]
Of the revered king […]
The master […]
She gave birth to […]”
In this fragment we find the core elements of his story (Pegasos and the killing of the Khimaira) combined with two typical elements of the heroic narrative (divine parent, winning of princess) but without the elaborations of the Homeric narrative where Bellerophon is an exile and eventually falls out of divine favor.
Bellerophon’s fall from grace becomes a major aspect of his narrative presentation in the fifth century. The Epinician poet Pindar from Thebes presents him as an example to be avoided:
Pindar, Isthmian 7.40-49
“In seeking whatever pleasure each day gives
I will arrive at a peaceful old age and my allotted end,
For we all die the same, though
Our luck is unequal. If someone gazes
Too far, he is too brief himself to reach the bronze threshold of the gods.
This is why winged Pegasos threw his master
When he wanted to ascend the terraces of the sky.
When Bellerophon reached for Zeus’ assembly.
The bitterest end lies in wait
for injustice however sweet.”
This passage assumes some basic knowledge on the part of its audience, for instance: the connection between Bellerophon and Pegasos and how the former was in a position to fall from the latter. It is clear from the use of the figure as a negative example that the story had both broad currency and a typical understanding. A Scholiast in writing on Pindar’s 13th Olympian ode elaborates on the details of the fall (Schol. In Pindar Ol. 13.130c)
“For it is reported that when he planned to fly up on Pegasos and put himself in danger on high, he fell when Pegasos was bitten by a fly according to Zeus’ plan and he was crippled. So Homer says that he wandered crippled on the Alêion plain (Il. 6.201).
The story of Bellerophon’s exile, told in Homer, is clarified or re-envisioned with the story of his downfall as articulated as a moral in Pindar. In Athenian Tragedy, Bellerophon became a popular figure (we have fragmentary plays by Sophocles and Euripides). Bellerophon’s eventual vengeance upon Sthenboia (an alternative for Anteia, Proitios’ wife) is the man story in Euripides’ play of that name that starts with a rumination on the trouble women cause for men:
Euripides, Stheneboia Fr. 661-662
“There is no man who is lucky in all things.
Either a man born noble has no livelihood
Or the baseborn ploughs fertile fields.
And many who boast of their wealth or birth
Are shamed by a foolish woman in their homes.”
Just as Pindar uses Bellerophon as a vehicle to deliver a moralizing message, so too Euripides uses the hero to voice general concerns. In a second play on Bellerophon, Euripides returns to the moral content of Pindar’s complaint but, rather than simply portraying an instance of hubris, he offers a hero challenging the nature of divinity.
Here are two fragments from the lost Euripidean Bellerophon in which the eponymous hero denies that the gods exist. He does not seem to say that there are no gods at all, but his complaints are like those of Xenophanes who complains about the misbehavior of Homer’s gods.
Instead, Bellerophon’s complaints are based on the fact that since the world seems unjust and the gods are supposed to ensure justice, therefore they must not exist (either totally or in the form man makes them).
Euripides, fr.286.1-7 (Bellerophon)
“Is there anyone who thinks there are gods in heaven?
There are not. There are not, for any man who wishes
Not to be a fool and trust some ancient story.
Look at it yourselves, don’t make up your mind
Because of my words. I think that tyranny
Kills so many men and steals their possessions
And that men break their oaths by sacking cities.
But the men who do such things are more fortunate
Than those who live each die piously, at peace.
I know that small cities honor the gods,
Cities that obey stronger more impious men
Because they are overpowered by the strength of their arms.”
