Locum funditus corruptum: Who Was Deucalion’s Mother?

Schol. Ad Hom. Od. 2.2 hypothesis

“Deukaliôn, in whose time the deluge happened, was the son of Prometheus and his mother—according to most authors—was Klymenê. But Hesiod says that his mother was Pronoê and Akousilaos claims that it was Hesione, the daughter of Okeanos and Prometheus. He married Pyrra who was the daughter of Epimêtheus and Pandôra the one who was given by Epimetheus in exchange for fire. Deukalion had two daughters, Prôtogeneia and Melantheia, and two sons, Ampiktuôn and Hellen, whom others say was actually an offspring of Zeus, but in truth he was Deucalion’s”.

Δευκαλίων, ἐφ’ οὗ ὁ κατακλυσμὸς γέγονε, Προμηθέως μὲν ἦν υἱὸς, μητρὸς δὲ, ὡς οἱ πλεῖστοι λέγουσι, Κλυμένης, ὡς δὲ ῾Ησίοδος Προνοής, ὡς δὲ ᾿Ακουσίλαος ῾Ησιόνης τῆς ᾿Ωκεανοῦ καὶ Προμηθέως. ἔγημε δὲ Πύρραν τὴν ᾿Επιμηθέως καὶ Πανδώρας τῆς ἀντὶ τοῦ πυρὸς δοθείσης τῷ ᾿Επιμηθεῖ εἰς γυναῖκα. γίνονται δὲ τῷ Δευκαλίωνι θυγατέρες μὲν δύο Πρωτογένεια καὶ Μελάνθεια, υἱοὶ δὲ ᾿Αμφικτύων καὶ ῞Ελλην. οἱ δὲ λέγουσιν ὅτι ῞Ελλην γόνῳ μὲν ἦν Διὸς, λόγῳ δὲ Δευκαλίωνος. ἐξ οὗ ῞Ελληνος Αἴολος πατὴρ Κρηθέως.

This story is a bit strange but repeats the typical connection between man and Prometheus. Here, however, mortal man is descended from Prometheus via Deucalion. He married his cousin, which was not all that uncommon, and the rest of the story proceeds somewhat as is typical (leading to the birth of Hellen, the origin of the ethnonym Hellenes).

The Schol. In Ap. Rhod. 3.1086 tells this part of the story, except, he gives us another mother:

“Deucalion was the son of Prometheus and Pandora, which is what Hesiod says in the Catalogue [Of Women] and that Hellen was the son of Deucalion and Pyrra, from whom the Hellenes and Hellas were named. He also said that Deukalion was king of Thessaly…”

ὅτι Προμηθέως καὶ Πανδώρας υἱὸς Δευκαλίων, ῾Ησίοδος ἐν α′ Καταλόγων (fg 2 Rz.2) φησί, καὶ ὅτι Δευκαλίωνος καὶ Πύρρας ῞Ελλην, ἀφ’ οὗ ῞Ελληνες καὶ ῾Ελλάς. ὅτι δὲ Δευκαλίων ἐβασίλευσε Θεσσαλίας, ῾Ελλάνικος ἐν α′ τῆς Δευκαλιωνείας (4 fg

This passage is, of course, more than a little messed up, since it makes Pandôra into Deukalion’s mother. West in the edition with Merkelbach (1967, 4) comments “locum funditus corruptum varie sanare conati sunt viri docti” (“learned men have tried to correct this deeply corrupt passage in different ways”).

The names given for Deucalion’s mothers are interesting. Hêsione is the same name as the Trojan princess rescued by Herakles but not the same figure. She appears in connection with Prometheus in Aeschylus’ Prometheus Bound. Klymene—whose name may have something to do with weeping or flowing—may be associated with Deucalion because of his relationship with the flood (κατακλυσμὸς). And the other alternative, Pronoê, is merely a parallel formation for Prometheus (both mean forethought).

The problem of Deukalion’s mother goes on: Herodotus (4.45) makes her Asia. Thought the schêoliast says that “most authors” make Klymenê Deukalion’s mother, this is a bit of a problem if we look to Hesiod’s Theogony (507-511):

“Iapetos took as wife the fine-ankled Okeanid
Klumenê and put her in his own bed.
She bore to him the strong-minded child Atlas.
She also bore overawing Menoitios and Prometheus
Fine and clever minded, and then messy-minded Epimetheus.”

κούρην δ’ ᾿Ιαπετὸς καλλίσφυρον ᾿Ωκεανίνην
ἠγάγετο Κλυμένην καὶ ὁμὸν λέχος εἰσανέβαινεν.
ἡ δέ οἱ ῎Ατλαντα κρατερόφρονα γείνατο παῖδα,
τίκτε δ’ ὑπερκύδαντα Μενοίτιον ἠδὲ Προμηθέα,
ποικίλον αἰολόμητιν, ἁμαρτίνοόν τ’ ᾿Επιμηθέα·

So, it is clear that Klumenê is not likely to have been Prometheus’ mother and his wife. This also explains why Hesiod listed a different mother for Deukalion—Hesiodic poetrymade the Okeanid Prometheus’ mother. To generate a wife, it seems to have created one based on the idea of her husband’s name. It is thoroughly possible for different genealogical traditions in Greece to attribute offspring to different parents. Deukalion, as the survivor of a flood, makes senseas a son of an Okeanid.

Of course, this means we have no universal choice for his mother. Personally, I kind of like the choice of Pandôra…even if it it comes from a locum funditus corruptum. But the sensible choice, seems a compromise. If Klumene is Prometheus’ mother, then the Okeanid Hesione can be Deukalion’s mother, giving him all that association with the ocean.

Of course, this is not the end of it: in the Works and Days 159a, Epimetheus is made the father of Deucalion and Pyrra….

Works Consulted

R. L. Fowler. Early Greek Mythography. Volume 2: Commentary. Oxford, 2013.
R. Merkelbach and M.L. West. Fragmenta Hesiodea. Oxford, 1967.

Photograph of oil painting with two clothed people picking up stones while nude figures writhe on the other side of the canvas.
Peter Paul Rubens, “Deucalion and Pyrrha” 1630

Don’t Stop Thinking about…Tomorrow?

Simonides, Fr. 20

“As long as any person holds on to the beloved flower of youth,
Their heart is light, because they imagine many things are endless.
No one young thinks they will grow old and die.
The healthy person doesn’t spare a thought for sickness either.

Fools have minds like this, because they don’t understand
That mortals have only a short time for youth and life too.
You, learn these things and hold on to the end of your time,
Taking pleasure in the good things in your mind.”

θνητῶ⎦ν δ’ ὄ⎣φρα τις⎦ ἄνθος ἔχη⎣ι πολυήρατον ἥβης,
κοῦφο⎦ν ἔχω⎣ν θυμ⎦ὸν πόλλ’ ἀτέλεσ⎣τα νοεῖ·
οὔ⎦τε γὰρ ἐλπ⎣ίδ’ ἔχ⎦ει γηρασέμεν ⎣οὔτε θανεῖσθαι,
οὐδ’, ὑ⎦γιὴς ὅτα⎣ν ἦι, φ⎦ροντίδ’ ἔχει κ⎣αμάτου.
νή⎦πιοι, οἷς ταύ⎣τηι⎦ κεῖται νόος, ο⎣ὐδὲ ἴσασιν
ὡς χρό⎦νος ἔ⎣σθ’ ἥβη⎦ς καὶ βιότου ὀλ⎣ίγος
θνη⎦τοῖς. ἀλλὰ ⎣σὺ⎦ ταῦτα μαθὼν ⎣βιότου ποτὶ τέρμα
ψυχῆι τῶν⎦ ἀγαθῶν τλῆθι χα⎣ριζόμενος.

A cleaner version of the text:

θνητῶν δ’ ὄφρα τις ἄνθος ἔχῃ πολυήρατον ἥβης,
κοῦφον ἔχων θυμὸν πόλλ’ ἀτέλεστα νοεῖ.
οὔτε γὰρ ἐλπίδ’ ἔχει γηρασέμεν οὐδὲ θανεῖσθαι,
οὐδ’ ὑγιὴς ὅταν ᾖ, φροντίδ’ ἔχει καμάτου.
νήπιοι, οἷς ταύτῃ κεῖται νόος· οὐδὲ ἴσασιν
ὡς χρόνος ἔσθ’ ἥβης καὶ βιότοι’ ὀλίγος
θνητοῖς· ἀλλὰ σὺ ταῦτα μαθὼν βιότου ποτὶ τέρμα
ψυχῇ τῶν ἀγαθῶν τλῆθι χαριζόμενος.

N.B.This fragment is preserved in Stobaeus’ Extracts, under a section entitled “Concerning life, that it is brief and cheap and full of worry” ΠΕΡΙ ΤΟΥ ΒΙΟΥ, ΟΤΙ ΒΡΑΧΥΣ ΚΑΙ ΕΥΤΕΛΗΣ ΚΑΙ ΦΡΟΝΤΙΔΩΝ ΑΝΑΜΕΣΤΟΣ.

Edvard Munch, “Old age” 1908

The Broken Hopes of a Once Prosperous Life

From “An Old Woman’s Lament” [=P. Oxy. xv. 1921, no. 1794, p. 110 = LCL 360 122] 7-21

“…My life’s hopes are shattered
My home makes a hollow sound.
Luck turns for different people at random.

Wealth’s ‘right’ is just like the fall of dice–
A toss brings people good fortune on different days.
They fall for a good man and make a poor man wealthy
And sometimes they make the rich man poor.

This is how fortune alights on turning wings
Bringing luck up and down the ranks of people.

You know that I have shared food and drink with many
And in days past I was not an outcast.
My field was deep with grain and so was the threshing floor;
We had many sheep, but this plague has destroyed it all.

And so I drag myself around this crowded city
A beggar with no one to care for me.”

] ἐλπωραὶ δ᾿ ἐάγησαν
ἡμετέρης βιοτῆ[ς, αὖ]ον δέ μοι οἶκος ἀυτεῖ.
ἄλλοτε γὰρ ἄλλο[ι]ς ὄλβ[ο]υ λάχος ἀνθρώποισιν·
οἵη τοι πεσσοῖο δίκη, το[ι]ήδε καὶ ὄλβου·
πεσσ[ὸ]ς ἀμειβόμενος [π]οτὲ μὲν το[ῖς, ἄ]λλοτετοῖσι[ν
εἰς ἀγαθὸν πίπ[τει] καὶ ἀφνεὸν αἶψα τίθησι
πρόσθεν ἀνολβείοντ᾿, εὐηφενεόντ[α] δ᾿ ἄνολβον·
τοῖος διν(η)τῆσι περ[ιστ]ρέφεται πτερύγεσσιν
ὄ]λβος ἐπ᾿ ἀνθρώπους [ἄλ]λον δ᾿ ἐξ ἄλ[λο]υ ὀφέλλει.
ἡ δ᾿ αὐ[τ]ὴ πολέεσσι π[οτὸ]ν καὶ σῖτον ὄρεξα
τὴν ὁράας, ἐπεὶ οὔτι λιπ[ερ]νῆτις πάρος ἦα,
ἔσκε δέ μοι νειὸς βαθυλ[ή]ιος, ἔσκεν ἀ[λ]ωή,
πολλὰ δέ μοι μῆλ᾿ ἔσκε, [τ]ὰ μὲν διὰ πάντα κέδασσεν
ἥδ᾿ ὀλοὴ βούβρωστις, ἐγὼ δ᾿ ἀκόμιστο[ς ἀ]λῆτις
ὧ]δέ ποθι πλήθουσαν ἀνὰ πτόλιν ε[. . . ἕ]ρπω

“The story of a fallen woman. IV.” Christoffer Vilhelm Eckersberg 1808

Hipponax’s Curse for a Former Friend and Other Fragments

Hipponax fr. 115 (P. Argent. 3 fr. 1.16, ed. Reitzenstein)

“Once he is struck by the wave,
And [comes] naked to a kind reception at Salmydessos
Where the top-knotted Thracians
Grab him—where he will suffer many evils
Eating the bread of slavery
He will shiver struck by the cold. When he emerges from the foam
May he puke up much seaweed
And let his teeth chatter, as he lies on his face
Like a dog in his weakness
At the farthest end of the sea…
I want him to see all of these things
Because he wronged me and broke his oath,
Even though he was once my friend before.”

κύμ[ατι] πλα[ζόμ]ενος̣·
κἀν Σαλμυδ[ησσ]ῶ̣ι̣ γυμνὸν εὐφρονε̣.[
Θρήϊκες ἀκρό[κ]ομοι
λάβοιεν—ἔνθα πόλλ’ ἀναπλήσαι κακὰ
δούλιον ἄρτον ἔδων—
ῥίγει πεπηγότ’ αὐτόν· ἐκ δὲ τοῦ χνόου
φυκία πόλλ’ ἐπέ̣χοι,
κροτέοι δ’ ὀδόντας, ὡς [κ]ύ̣ων ἐπὶ στόμα
κείμενος ἀκρασίηι
ἄκρον παρὰ ῥηγμῖνα κυμα….δ̣ο̣υ̣·
ταῦτ’ ἐθέλοιμ’ ἂ̣ν ἰδεῖ̣ν,
ὅς μ’ ἠδίκησε, λ̣[ὰ]ξ δ’ ἐπ’ ὁρκίοις ἔβη,
τὸ πρὶν ἑταῖρος [ἐ]ών.

I have placed in bold just a few of the fragments that remind me of Odyssean language. Although the phrase δούλιον ἄρτον does not appear in Homer, it does recall for me the phrase “day of slavery” (δούλιον ἦμαρ).

Athenaeus 15.698b

“Polemon in the 12th book of his Essay to Timaios writes on his inquiry into composers of parody:’ I would say that the parodists Boiotos and Euboios are clever because they toy with double meanings and surpass previous poets even though they are later born. Still, it needs to be said that the iambic poet Hipponax created the genre. He speaks in Hexameters:

Muse, tell me about the stomach slicing, sea-swallowing
Eurymedontes who was eating out of order so that
He was allotted a terrible death by the vote
Of all the people along the strand of the tireless sea.”

Πολέμων δ᾿ ἐν τῷ δωδεκάτῳ τῶν πρὸς Τίμαιον περὶ τῶν τὰς παρῳδίας γεγραφότων ἱστορῶν τάδε γράφει· “καὶ τὸν Βοιωτὸν δὲ καὶ τὸν Εὔβοιον τοὺς τὰς παρῳδίας γράψαντας λογίους ἂν φήσαιμι διὰ τὸ παίζειν ἀμφιδεξίως καὶ τῶν προγενεστέρων ποιητῶν ὑπερέχειν ἐπιγεγονότας. εὑρετὴν μὲν οὖν τοῦ γένους Ἱππώνακτα φατέον τὸν ἰαμβοποιόν. λέγει γὰρ οὗτος ἐν τοῖς ἑξαμέτροις·
Μοῦσά μοι Εὐρυμεδοντιάδεω τὴν ποντοχάρυβδιν,
τὴν ἐγγαστριμάχαιραν, ὃς ἐσθίει οὐ κατὰ κόσμον,
ἔννεφ᾿, ὅπως ψηφῖδι <κακῇ> κακὸν οἶτον ὄληται
βουλῇ δημοσίῃ παρὰ θῖν᾿ ἁλὸς ἀτρυγέτοιο.

Demetrius, On Style 301.

“Because he wanted to slander his enemies, [Hipponax] broke his meter and made it stumble instead of straight: he made the rhythm irregular. This is appropriate for surprise and attack. For rhythmic and smooth composition is more appropriate for praise than for blame. This is all I have to say about hiatus.”

 (301) καὶ ὥσπερ τὸ διαλελυμένον σχῆμα δεινότητα ποιεῖ, ὡς προλέλεκται, οὕτω ποιήσει ἡ διαλελυμένη ὅλως σύνθεσις. σημεῖον δὲ καὶ τὸ Ἱππώνακτος· λοιδορῆσαι γὰρ βουλόμενος τοὺς ἐχθροὺς ἔθραυσεν τὸ μέτρον, καὶ ἐποίησεν χωλὸν ἀντὶ εὐθέος καὶ ἄρυθμον, τουτέστι δεινότητι πρέπον καὶ λοιδορίᾳ· τὸ γὰρ ἔρρυθμον καὶ εὐήκοον ἐγκωμίοις ἂν πρέποι μᾶλλον ἢ ψόγοις. τοσαῦτα καὶ περὶ συγκρούσεως.

Hipponax, fr. 12 [Tzetz. ad Posthom. 687, “θήπεον”]

“The mother-fucker Boupalos
Was taunting the children of the Eruthraians with these words
While he was about to pull back his accursed foreskin.”

τούτοισι θηπέων τοὺς Ἐρυθραίων παῖδας
ὁ μητροκοίτης Βούπαλος σὺν Ἀρήτῃ
†καὶ ὑφέλξων τὸν δυσώνυμον ἄρτον.†

Most people who know ancient Greek will probably associate ἄρτον with its more typical definition (“bread”) than with foreskin. I think that the explanation for this homonym may have to do with the latter definition developing from τὸ αἴρειν:

Etym. Sym.

ἄρτος: παρὰ τὸ αἴρειν, ὅ ἐστι καθ’ ἑκάστην προσφέρειν

Fragments. 135, 135a, 135b

“Cock-shaker”

“Exhibitionist”

“Opening of filth”

ἀνασεισίφαλλος

     ἀνασυρτόλις

     βορβορόπη

 

Hipponax fr. 144

“Sister of bullshit”

βολβίτου κασιγνήτην.

Photograph of a terracotta penis with foreskin
Terracotta Vase, Metropolitan Museum of Art (c. 5th Century BCE; 1999.78)

Antigone, Dragging

Pausanias, Description of Greece: Boeotia 25

“Not too far off from Menoeceus’ grave is where people claim that Oedipus’ sons fought each other in single combat and died at each other’s hands. The battle is commemorated by a pillar on top of which is a stone shield. They also mark out the place where the Thebans claim Hera was tricked by Zeus into nursing Herakles as a child.

The whole area is called Antigone’s Drag. When she realized that she did not have the strength to carry her brother’s body, even though she wanted to, she came up with the back-up plan of dragging him. So she hauled him right up to Eteokles’ burning pure and pushed him on top.”

 τοῦ δὲ Μενοικέως οὐ πόρρω τάφου τοὺς παῖδας λέγουσιν Οἰδίποδος μονομαχήσαντας ἀποθανεῖν ὑπὸ ἀλλήλων· σημεῖον δὲ τῆς μάχης αὐτῶν κίων, καὶ ἀσπὶς ἔπεστιν ἐπ᾿ αὐτῷ λίθου. δείκνυται δέ τι χωρίον ἔνθα Ἥραν Θηβαῖοί φασιν Ἡρακλεῖ παιδὶ ἔτι ἐπισχεῖν γάλα κατὰ δή τινα ἀπάτην ἐκ Διός· καλεῖται δὲ ὁ σύμπας οὗτος τόπος1 Σῦρμα Ἀντιγόνης· ὡς γὰρ τὸν τοῦ Πολυνείκους ἄρασθαί οἱ προθυμουμένῃ νεκρὸν οὐδεμία ἐφαίνετο ῥᾳστώνη, δεύτερα ἐπενόησεν ἕλκειν αὐτόν, ἐς ὃ εἵλκυσέ τε καὶ ἐπέβαλεν ἐπὶ τοῦ Ἐτεοκλέους ἐξημμένην τὴν πυράν.

Juvenal, Satire 8 227-230

“Have the ancestors’ statues wear the prizes from your voice.
Put on your long Thyestes outfit in front of Domitius’ feet
Or maybe the mask of Antigone or Melanippe
And hang your lyre from a marble colossus.”

maiorum effigies habeant insignia vocis,
ante pedes Domiti longum tu pone Thyestae
syrma vel Antigones aut personam Melanippes,
et de marmoreo citharam suspende colosso.

Greek Anthology, 8.37.5-8

“You have obtained a blessed station! What about the mask
Of the girl in your hand, what play is she from?

Call her Antigone if you want or Electra–you’re not wrong either way
For both are at the peak of the playwright’s achievement.”

Ὄλβιος, ὡς ἁγνὴν ἔλαχες στάσιν· ἡ δ᾿ ἐνὶ χερσὶν
κούριμος, ἐκ ποίης ἥδε διδασκαλίης;
α. Εἴτε σοι Ἀντιγόνην εἰπεῖν φίλον, οὐκ ἂν ἁμάρτοις,
εἴτε καὶ Ἠλέκτραν· ἀμφότεραι γὰρ ἄκρον.

Sallustius, Arg, in Soph Ant ii.

‘There’s some conflict in the stories about the heroine Antigone and her sister Ismene. For example, Ion claims in his dithyrambs that both sisters were burned to death in the temple of Hera by Laodamas, Eteocles’ son. Mimnermus, however, insists that Ismene was killed by Tydeus at Athena’s direction as she had sex with Periklymenos. These are the strange stories recorded about the heroines.”

στασιάζεται δὲ τὰ περὶ τὴν ἡρωίδα ἱστορούμενα καὶ τὴν ἀδελφὴν αὐτῆς Ἰσμήνην. ὁ μὲν γὰρ Ἴων ἐν τοῖς διθυράμβοις) καταπρησθῆναί φησιν ἀμφοτέρας ἐν τῷ ἱερῷ τῆς Ἥρας ὑπὸ Λαοδάμαντος τοῦ Ἐτεοκλέους· Μίμνερμος δέ φησι τὴν μὲν Ἰσμήνην προσομιλοῦσαν Περικλυμένῳ ὑπὸ Τυδέως κατὰ Ἀθηνᾶς ἐγκέλευσιν τελευτῆσαι. ταῦτα μὲν οὖν ἐστιν τὰ ξένως περὶ τῶν ἡρωίδων ἱστορούμενα.

Nikiforos Lyrtras, “Antigone in front of the dead Polynices” 1865

A Petronian Commencement Valediction

Petronius, fr. 31 [Anth. Lat. 468 R. = 466 SB = fr. 34 B.=]

“Youth, depart your home for foreign shores–
You are meant for greater things.

Endure misfortunes! Then distant springs
The North wind, Egypt’s eternal lands
And those who see the sun rise and fall
will come to recognize you for who you are.

Be a greater Ithakan on unknown sands.”

linque tuas sedes alienaque litora quaere,
iuvenis; maior rerum tibi nascitur ordo.
ne succumbe malis; te noverit ultimus Hister,
te Boreas gelidus securaque regna Canopi
quique renascentem Phoebum cernuntque cadentem.
maior in externas Ithacus descendat harenas.

A Hodgepodge of Myths for a Song

Suda, K 2087

“Korinna was the daughter of Akheloodoros and Prokatia. She was from Thebes or Tanagra. She was a student of Myrtis and was nicknamed “Fly”. She was a lyric poet who is said to have defeated Pindar five times. She wrote five books along with epigrams and lyric nomes.”

Κόριννα, Ἀχελῳοδώρου καὶ Προκατίας, Θηβαία ἢ Ταναγραία, μαθήτρια Μύρτιδος· ἐπωνόμαστο δὲ Μυῖα· λυρική. ἐνίκησε δὲ πεντάκις ὡς λόγος Πίνδαρον. ἔγραψε βιβλία ε΄ καὶ ἐπιγράμματα καὶ νόμους λυρικούς.

Plutarch, On the Glory of Athens 4. 347f–348a 

“When Pindar was young and still flashing his wit all around, Korinna warned him that he was uninspired because he didn’t compose with myth, which was the proper focus of poetry, but instead relied on strange diction, metaphors, songs and rhythms, and all kinds of decorations for his work. Pindar took her seriously and composed his famous song:

“Shall we sing of Ismenos or gold-staffed Melia
Or Kadmos, or the sacred race of the Sown-Men
Or Dark-cowled Thebe
Or the super-bold strength of Herakles
Or the many-pained honor of Dionysus.”

When he showed the song to Korinna, she laughed and said that he needed to sow with one hand not the whole bag! In truth, Pindar had mixed up and bundled together a hodgepodge of myths and poured it into a song.”

ἡ δὲ Κόριννα τὸν Πίνδαρον, ὄντα νέον ἔτι καὶ τῇ λογιότητι σοβαρῶς χρώμενον, ἐνουθέτησεν ὡς ἄμουσον ὄντα μὴ ποιοῦντα μύθου ὃ τῆς ποιητικῆς ἔργον εἶναι συμβέβηκε, γλώσσας δὲ καὶ καταχρήσεις καὶ μεταφορὰς καὶ μέλη καὶ ῥυθμοὺς ἡδύσματα τοῖς πράγμασιν ὑποτιθέντα. σφόδρ᾿ οὖν ὁ Πίνδαρος ἐπιστήσας τοῖς λεγομένοις ἐποίησεν ἐκεῖνο τὸ μέλος (fr. 29 Snell)·
Ἰσμηνὸν ἢ χρυσαλάκατον Μελίαν
ἢ Κάδμον ἢ Σπαρτῶν ἱερὸν γένος ἀνδρῶν
<ἢ τὰν κυανάμπυκα Θήβαν>
ἢ τὸ πάντολμον σθένος Ἡρακλέος
ἢ τὰν <Διωνύσου πολυγαθέα τιμὰν> . . .
δειξαμένου δὲ τῇ Κορίννῃ γελάσασα ἐκείνη τῇ χειρὶ δεῖν ἔφη σπείρειν ἀλλὰ μὴ ὅλῳ τῷ θυλάκῳ. τῷ γὰρ ὄντι συγκεράσας καὶ συμφορήσας πανσπερμίαν τινὰ μύθων ὁ Πίνδαρος εἰς τὸ μέλος ἐξέχεεν.

Aelian, Varia Historia 13.25

“When Pindar was competing in Thebes he encountered unlearned audiences and was defeated by Korinna five times. When he was trying to refute his own lack of poetic ability [amousia], he used to call Korinna a pig.”

Πίνδαρος ὁ ποιητὴς ἀγωνιζόμενος ἐν Θήβαις ἀμαθέσι περιπεσὼν ἀκροαταῖς ἡττήθη Κορίννης πεντάκις. ἐλέγχων δὲ τὴν ἀμουσίαν αὐτῶν ὁ Πίνδαρος σῦν ἐκάλει τὴν Κόρινναν.

in the middle is a ‘Twist and Twirl’ coleus, surrounded by six ‘Figaro Yellow Shades’ dahlias. On the edges are two ‘Silver Sand’ silver bushes, two ‘Nicoletta’ plectranthus and two ‘Silver Falls’ dichondra.

Happy Birthday Rome–You Were Almost Remora!

Traditional founding of Rome: April 21, 753 BCE

This passage from Ennius is preserved in Cicero’s De Divinatione 1.48

“They were struggling over whether the city would be called Roma or Remora.
And worry about which one of them would rule infected all men.
They were awaiting the word as when the consul wishes to give the signal
And all men eagerly look to the wall’s border to see
How soon he will send out the chariots from the painted mouths—
This is the way the people were watching and holding their mouths
For which man the victory would elevate to a great kingdom.
Meanwhile, the white sun receded into the darkness of night.
When suddenly a white light struck the sky with its rays.
At the same time there came flying straight down the most beautiful
Bird from the left and then the golden sun rose.
Three times, four sacred forms of birds descended from the sky
And settled themselves in propitious and noble positions.
In this, Romulus recognized that the first place was granted to him,
A kingdom and place made certain by the signs of birds.”

Certabant urbem Romam Remoramne vocarent.
Omnibus cura viris uter esset induperator.
Expectant vel uti, consul cum mittere signum
Volt, omnes avidi spectant ad carceris oras,
Quam mox emittat pictis e faucibus currus:
Sic expectabat populus atque ora tenebat
Rebus, utri magni victoria sit data regni.
Interea sol albus recessit in infera noctis.
Exin candida se radiis dedit icta foras lux.
Et simul ex alto longe pulcherruma praepes
Laeva volavit avis: simul aureus exoritur sol.
Cedunt de caelo ter quattor corpora sancta
Avium, praepetibus sese pulchrisque locis dant.
Conspicit inde sibi data Romulus esse priora,
Auspicio regni stabilita scamna locumque.

Festus, Sextus Pompeius, On the Meaning of Words, p. 266 M. (= p. 326, 35 L.)

“Alcimus says that Romulus was the son born to Tyrrhenia and Aeneas and that Alba was Aeneas’ granddaughter from her, whose son, named Rhodius, founded the city of Rome.”

Alcimus ait, Tyrrhenia Aeneae natum filium Romulum fuisse, atque eo ortam Albam Aeneae neptem, cuius filius nomine Rhodius condiderit urbem Romam.

Servius Danielis, Aeneid, 1, 373

“The Annals were gathered in this way: the pontifex had a whitened tablet for each year on which he kept written the names of the consul and the rest of the magistrates and below which he typically kept notes of anything worthy of remembering which happened at home or abroad and at sea or on land on a daily basis. Ancient authorities edited the annual records kept with this care and they named them after the pontifices who assembled them, the Annales Maximi.”

ita autem annales conficiebantur: tabulam dealbatam quotannis pontifex maximus habuit, in qua praescriptis consulum nominibus et aliorum magistratuum digna memoratu notare consueverat domi militiaeque terra marique gesta per singulos dies. cuius diligentiae annuos commentarios in octoginta libros veteres rettulerunt eosque a pontificibus maximis, a quibus fiebant, Annales Maximos appellarunt.

Aulus Gellius, Attic Nights 11 .14

The most noble and chaste response of King Romulus on the use of wine

Lucius Piso Frugi displays the simplest elegance of phrase and style in the first book of his Annales when he writes concerning the lifestyle and diet of King Romulus. These are the words who he has written: “They say that when Romulus was invited to dinner he didn’t drink much because he had business the next day. His fellow dinners remarked, “Romulus, if all men acted like you, wine would be cheaper.” And Romulus replied, “No, it would be more dear: if each man drank as he much as he desired: for I drank what I wanted.”

Sobria et pulcherrima Romuli regis responsio circa vini usum.

1 Simplicissima suavitate et rei et orationis L. Piso Frugi usus est in primo annali, cum de Romuli regis vita atque victu scriberet. 2 Ea verba, quae scripsit, haec sunt: “Eundem Romulum dicunt ad cenam vocatum ibi non multum bibisse, quia postridie negotium haberet. Ei dicunt: “Romule, si istuc omnes homines faciant, vinum vilius sit”. His respondit: “immo vero carum, si, quantum quisque volet, bibat; nam ego bibi quantum volui”.

Plutarch, Theseus and Romulus 2

“A ruler’s first duty is to save the state itself. This is saved no less in refraining from what is not fitting than from pursuing what is fitting. But the one who shirks or overreaches is no longer a king or a ruler, but in fact becomes a demagogue or a despot. He fills the subjects with hatred and contempt. While the first problem seems to come from being too lenient or a concern for humanity, the second comes from self-regard and harshness.”

δεῖ γὰρ τὸν ἄρχοντα σώζειν πρῶτον αὐτὴν τὴν ἀρχήν· σώζεται δ᾿ οὐχ ἧττον ἀπεχομένη τοῦ μὴ προσήκοντος ἢ περιεχομένη τοῦ προσήκοντος. ὁ δ᾿ ἐνδιδοὺς ἢ ἐπιτείνων οὐ μένει βασιλεὺς οὐδὲ ἄρχων, ἀλλ᾿ ἢ δημαγωγὸς ἢ δεσπότης γιγνόμενος, ἐμποιεῖ τὸ μισεῖν ἢ καταφρονεῖν τοῖς ἀρχομένοις. οὐ μὴν ἀλλ᾿ ἐκεῖνο μὲν ἐπιεικείας δοκεῖ καὶ φιλανθρωπίας εἶναι, τοῦτο δὲ φιλαυτίας ἁμάρτημα καὶ χαλεπότητος.

The Short Dream and the Sudden Darkness

Athenaeus, Deipnosophists 14.620c

“Chamaeleon claims in his book On Stesichorus that it wasn’t only Homer’s poetry that was accompanied by music but also Archilochus’ and Hesiod’s too. He adds the work of Mimnermus and Phocylides to this as well.”

Χαμαιλέων δὲ ἐν τῷ περὶ Στησιχόρου (fr. 28 Wehrli) καὶ μελῳδηθῆναί φησιν οὐ μόνον τὰ Ὁμήρου ἀλλὰ καὶ τὰ Ἡσιόδου καὶ Ἀρχιλόχου, ἔτι δὲ Μιμνέρμου καὶ Φωκυλίδου.

Athenaeus, fr. 13.5.567f= Hermesian fr. 7.35-40

“Then Mimnermos, who discovered the sweet sound
And breath of gentle pentameter, after he suffered terribly,
Was burning for Nanno. With his lips often on the grey lotus
Pipe, he partied with Examyes.
But he was hateful to serious Hermobios and Pherekles.”

Μίμνερμος δέ, τὸν ἡδὺν ὃς εὕρετο πολλὸν ἀνατλὰς
ἦχον καὶ μαλακοῦ πνεῦμ᾿ ἀπὸ πενταμέτρου,
καίετο μὲν Ναννοῦς, πολιῷ δ᾿ ἐπὶ πολλάκι λωτῷ
κνημωθεὶς κώμους εἶχε σὺν Ἐξαμύῃ·
†ἠδ᾿ ἠχθεε† δ᾿ Ἑρμόβιον τὸν ἀεὶ βαρὺν ἠδὲ Φερεκλῆν

Suda, Mu 1077 (iii.397.20 Adler)

“Mimnermos, the son of Ligurtuades, from Kolophon or Smurnos or Astupalaios. An elegiac poet. He lived during the 37th Olympiad [ c. 632-629 BCE) and so lived before the Seven Sages. Some people say that he lived at the same time they did. He used to be called Liguastades because of his harmony and clarity. He wrote…those many books.”

Μίμνερμος Λιγυρτυάδου, Κολοφώνιος ἢ Σμυρναῖος ἢ Ἀστυπαλαιεύς, ἐλεγειοποιός. γέγονε δ᾿ ἐπὶ τῆς λζ΄ ὀλυμπιάδος, ὡς προτερεύειν τῶν ζ΄ σοφῶν· τινὲς δὲ αὐτοῖς καὶ συγχρονεῖν λέγουσιν. ἐκαλεῖτο δὲ καὶ Λιγυᾳστάδης διὰ τὸ ἐμμελὲς καὶ λιγύ. ἔγραψε βιβλία †ταῦτα πολλά.

Mimnermus, fr. 5 = Stobaeus 4.50.69

[missing line of dactylic hexameter]

“….but dear youth is like a short dream
Then suddenly hard and ugly old age
Drapes down over your head.
It makes a man hateful and unloved, even unknown
As it weakens his eyes and clouds his mind.”

ἀλλ᾿ ὀλιγοχρόνιον γίνεται ὥσπερ ὄναρ
ἥβη τιμήεσσα· τὸ δ᾿ ἀργαλέον καί ἄμορφον
γῆρας ὑπὲρ κεφαλῆς αὐτίχ᾿ ὑπερκρέμεται,
ἐχθρὸν ὁμῶς καὶ ἄτιμον, ὅ τ᾿ ἄγνωστον τιθεῖ ἄνδρα,
βλάπτει δ᾿ ὀφθαλμοὺς καὶ νόον ἀμφιχυθέν.

Nick Drake, “Black Eyed Dog”

Black eyed dog he called at my door
The black eyed dog he called for more

A black eyed dog he knew my name
A black eyed dog he knew my name
A black eyed dog
A black eyed dog

I’m growing old and I wanna go home, I’m growing old and I dont wanna know
I’m growing old and I wanna go home

Black eyed dog he called at my door
The black eyed dog he called for more

Ditlev Blunck, Old Age. From the series: The Four Ages of Man (1840-1845) Statens Museum fur Kunst

Science This! Some Ancient Theories on Eclipses

N.B. This selection is by no means exhaustive.

Xenophanes, fr.  D34

“Xenophanes [says eclipses] come from flames going out and that a different one happens again in the east. He reports in addition that there was an eclipse for an entire month and also a total eclipse that made the day seem like night.”

D34 (A41) Aët. 2.24.4 (Ps.-Plut.) [περὶ ἐκλείψεως ἡλίου]

Ξενοφάνης κατὰ σβέσιν· ἕτερον δὲ πάλιν πρὸς ταῖς ἀνατολαῖς γίνεσθαι· παριστόρηκε δὲ καὶ ἔκλειψιν ἡλίου ἐφ᾽ ὅλον μῆνα καὶ πάλιν ἔκλειψιν ἐντελῆ, ὥστε τὴν ἡμέραν νύκτα φανῆναι.

Xenophanes fr. D35

“Xenophanes says that there are many suns and moons arrayed along the earth’s latitudes, segments and zones. At certain times, he says, the disk falls out of the sky to some uninhabited place of the earth and an eclipse appears because it left empty space.”

D35 =(Stob.; cf. Ps.-Plut.) [περὶ ἐκλείψεως ἡλίου]

Ξενοφάνης· πολλοὺς εἶναι ἡλίους καὶ σελήνας κατὰ τὰ κλίματα τῆς γῆς καὶ ἀποτομὰς καὶ ζώνας. κατὰ δέ τινα καιρὸν ἐκπίπτειν τὸν δίσκον εἴς τινα ἀποτομὴν τῆς γῆς οὐκ οἰκουμένην ὑφ’ ἡμῶν καὶ οὕτως ὡσπερεὶ κενεμβατοῦντα ἔκλειψιν ὑποφαίνειν [. . . = D31].

Anaximander, Fr. 26

“Anaximander says that the [moon] is a wheel nineteen times larger than the earth, like the wheel of a chariot it has a hollow rim filled with fire similar to that of the sun, situated at an angle, like that one. It has a single exhalation point like the mouth of bellows. An eclipse happens when the wheel turns.”

Aët. 2.25.1 (Stob., cf. Ps.-Plut.)

Ἀναξίμανδρος κύκλον εἶναι ἐννεακαιδεκαπλασίονα τῆς γῆς, ὅμοιον ἁρματείῳ τροχῷ κοίλην ἔχοντι τὴν ἁψῖδα καὶ πυρὸς πλήρη καθάπερ τὸν τοῦ ἡλίου, κείμενον λοξόν, ὡς κἀκεῖνον, ἔχοντα μίαν ἐκπνοὴν οἷον πρηστῆρος αὐλόν. ἐκλείπειν δὲ κατὰ τὰς ἐπιστροφὰς τοῦ τροχοῦ.

Heraclitus Fr. 20 (=Stob)

“Herakleitos and Hekateios say that the sun is a burning specter from the sea and that it is bowl-shaped and curved on one-side. They say an eclipse happens because of the turn of the bowl shape so that the hollow side turns up and the curved side turns down to our vision.”

     ῾Ηράκλειτος καὶ ῾Εκαταῖος ἄναμμα νοερὸν τὸ ἐκ θαλάττης εἶναι τὸν ἥλιον. —Σκαφοειδῆ δ’ εἶναι, ὑπόκυρτον. —Γίνεσθαι δὲ τὴν ἔκλειψιν κατὰ τὴν τοῦ σκαφοειδοῦς στροφήν, ὥστε τὸ μὲν κοῖλον ἄνω γίγνεσθαι, τὸ δὲ κυρτὸν κάτω πρὸς τὴν ἡμετέραν ὄψιν.

Empedocles, Fr. D133

“Empedocles says that an eclipse happens when the moon moves under the sun”

D133 = Aët. 2.24.7 (Stob.) [περὶ ἐκλείψεως ἡλίου]

ἔκλειψιν δὲ γίνεσθαι σελήνης αὐτὸν ὑπερχομένης.

Antiphon fr. D21 and D24

 “Antiphon says that [the sun] is made of fire that feeds on the wet mist around the earth and that its rising and setting come from it leaving air that has been consumed as it attaches to air with moisture.”

     ᾿Αντιφῶν πῦρ ἐπινεμόμενον μὲν τὸν περὶ τὴν γῆν ὑγρὸν ἀέρα, ἀνατολὰς δὲ καὶ δύσεις ποιούμενον, τῷ τὸν  μὲν ἐπικαιόμενον αἰεὶ προλείπειν, τοῦ δ’ ὑπονοτιζομένου πάλιν ἀντέχεσθαι.

 “And Antiphon says [lunar eclipses] happen because of the turn of the bowl-like celestial body and its angles.”

 Ἀντιφῶν κατὰ τὴν τοῦ σκαφοειδοῦς στροφὴν καὶ τὰς περικλίσεις

Anaxagoras, fr. D4.7

“Anaxagoras says that the moon eclipses when the earth is in the way and sometimes because of the celestial bodies below the moon; the sun eclipses because the moon gets in the way during its new phase.”

D4 (< A42) Ps.-Hippolytus, Refutation of All Heresies

ἐκλείπειν δὲ τὴν σελήνην γῆς ἀντιφραττούσης, ἐνίοτε δὲ καὶ τῶν ὑποκάτω τῆς σελήνης, τὸν δὲ ἥλιον ταῖς νουμηνίαις σελήνης ἀντιφραττούσης.

Aristotle, Posterior Analytics, II 90a (On Lunar Eclipses)

“What is an eclipse? The stealing of light from the moon by the superposition of the earth. Saying “what is an eclipse” is the same thing as saying “why does the moon eclipse”. Because the light of the sun leaves it when the earth gets in the way.”

τί ἐστιν ἔκλειψις; στέρησις φωτὸς ἀπὸ σελήνης ὑπὸ γῆς ἀντιφράξεως. διὰ τί ἔστιν ἔκλειψις, ἢ διὰ τί ἐκλείπει ἡ σελήνη; διὰ τὸ ἀπολείπειν τὸ φῶς ἀντιφραττούσης τῆς γῆς.

Seneca the Younger, Natural Questions 7

“The sun has no audience unless it starts to disappear. No one looks at the moon unless it is eclipsing. Then, cities scream together and everyone makes a ruckus because of silly superstition.”

Sol spectatorem, nisi deficit, non habet. Nemo observat lunam nisi laborantem; tunc urbes conclamant, tunc pro se quisque superstitione vana strepitat.