“If someone stumbles into good fortune without hard work,
Then many think he is a wise man among fools,
And that he has outfitted his life with well-planned schemes.
But these things aren’t up to men: god controls them.
Sometimes he raises one person up and then brings another down.”
“Valor comes to people from the gods.
Indeed, only two things nurture a lifetime’s sweetness
With healthy happiness.
When someone succeeds and hears a good report too.
Don’t try to become Zeus.
You have everything,
If a share of good comes to you.
Mortal things are proper for mortal beings.”
“Human knowledge has countless forms— whether learned in some prophetic art or allotted the Graces’ honor, the wise man certainly flourishes with golden hope.
Another man aims his dabbled bow at boys. Others fortify their hearts in the field Or with herds of cattle. But the future bears ends that make the path of fortune unmeasurable.
This thing is best: to be a noble man envied by many men.
I know something about wealth’s great power: It makes even the most useless man useful.
But why do I pilot my great tongue so and drive off the road? When the moment of victory is appointed for mortals, only then the wise man must…[ ] With flutes [pay back the favor of the gods] And mingle [among those who may envy]
The last few lines of this poem are completely fragmentary. In italics I put in something just to complete the sentence. I think that the reference to flutes probably indicates some ritual celebration, but I also wanted the end to repeat the note of warning about the mutability of fortune.
“Any mortal is a fool who takes some pleasure
From imagining their good luck is safe: in its turns
Fortune’s like a crazed person leaping this way one day
And then another, no one ever keeps the same good luck.”
“Neither Aiakos’s son Peleus
Nor godlike Kadmos had a secure life
For of all mortals they are said to have
Have received the highest blessing of mortals
Since they listened to the Muses with golden-headbands
Singing on the mountain and in seven-gated Thebes
When one married ox-eyed Harmonia
And the other married Thetis, the famous child of wise-counseled Nereus.
The gods feasted with both of them
And they say the kingly sons of Kronos
On golden seats, and accepted from theme
Bride-gifts. Thanks to Zeus,
They made their hearts straight again
From their previous suffering.
In time, however, [Kadmos’] three daughters
Stripped him of his share of joy
with piercing pains—
even though father Zeus went to the desirable bed
of white-armed Thuonê.
And Peleus’s child, the only one immortal Thetis
Bore in Phthia, raised the mourning cry
From the Danaans as he was burned
On the pyre, after he lost his life
To war’s arrows.
If any mortal keeps
The road of truth in mind
He must suffer and obtain well
From the gods. But from the high winds
Different breaths blow different ways.
Human happiness does not last long
safe, when it turns after bringing great abundance.
I will be small in small times and then great
In great ones. I will work out the fate
That comes to me always in my thoughts, ministering to it with my own devices.
But if god were to grant me great wealth,
I have hope that I would find the highest fame afterwards.
Nestor and Lycian Sarpedon, we know from the stories of men
From honeyed words which skilled artisans
Fit together. Virtue grows eternal through famous songs.
But few find this easy to do.”
“Shit.
Nothing is credible, not a good reputation
Nor that one who is lucky will not do badly in the end.
The gods churn these waters up back and forth
Mixing in confusion so that we worship them
In our ignorance. But why mourn at all?
It has no effect on our sufferings to come.”
“You haven’t paid up, but perhaps you’ll pay soon.
Like a man who has fallen into water with no harbor
You’ll fall far from your heart’s desire
And lose your life. The meeting place
Of debt to Justice and to the gods
Is a terrible, terrible place.”
“Agamemnon, it’s not right for people
To possess tongues stronger than deeds.
If someone has done good things, then they ought to speak well
If they do evil things, well, their words are rotten too,
And they are incapable of ever speaking of injustice well.
Wise are those who have become masters of precise speech!
But even they cannot be wise all the way to the end.
They all die terribly. There’s no escape from that.”
“Will I ever lift my white foot
As I dance along
In the all night chorus—
Shaking my head at the dewy sky
Like the fawn who plays
In a meadow’s pale pleasures
When she has fled the frightful hunt
Beyond the well-woven nets of the guard—
With a holler, the hunter
Recalls the rush of his hounds
And she leaps
With the swift-raced lust of the winds
Across the riverbounded plain,
Taking pleasure in the places free
Of mortals and in the tender shoots
Of the shadow grove?
What’s cleverness for? Is there any nobler prize
Mortals can receive from the gods
Than to hold your hand over the heads
Of your enemies?
Whatever is noble is always dear.
Scarcely, but still surely,
The divine moves its strength
It brings mortals low
When they honor foolishness
And do not worship the gods
Because of some insane belief
They skillfully hide
The long step of time
As they hunt down the irreverent.
For it is never right
To think or practice stronger
Than the laws.
For it is a light price
To believe that these have strength—
Whatever the divine force truly is
And whatever has been customary for so long,
This will always be, by nature.
What’s cleverness for? Is there any nobler prize
Mortals can receive from the gods
Than to hold your hand over the heads
Of your enemies?
Whatever is noble is always dear.
Fortunate is the one who flees
The swell of the sea and returns to harbor.
Fortunate is the one who survives through troubles
One is greater than another in different things,
He surpasses in fortune and power—
But in numberless hearts still
Are numberless hopes: some result
In good fortune, but other mortal dreams
Just disappear.
Whoever has a happy life to-day,
I consider fortunate.
“Any mortal is a fool who takes some pleasure
From imagining their good luck is safe: in its turns
Fortune’s like a crazed person leaping this way one day
And then another, no one ever keeps the same good luck.”
“Human knowledge has countless forms— whether learned in some prophetic art or allotted the Graces’ honor, the wise man certainly flourishes with golden hope.
Another man aims his dabbled bow at boys. Others fortify their hearts in the field Or with herds of cattle. But the future bears ends that make the path of fortune unmeasurable.
This thing is best: to be a noble man envied by many men.
I know something about wealth’s great power: It makes even the most useless man useful.
But why do I pilot my great tongue so and drive off the road? When the moment of victory is appointed for mortals, only then the wise man must…[ ] With flutes [pay back the favor of the gods] And mingle [among those who may envy]
The last few lines of this poem are completely fragmentary. In italics I put in something just to complete the sentence. I think that the reference to flutes probably indicates some ritual celebration, but I also wanted the end to repeat the note of warning about the mutability of fortune. Any other suggestions?
“Shit.
Nothing is credible, not a good reputation
Nor that one who is lucky will not do badly in the end.
The gods churn these waters up back and forth
Mixing in confusion so that we worship them
In our ignorance. But why mourn at all?
It has no effect on our sufferings to come.”
“You haven’t paid up, but perhaps you’ll pay soon.
Like a man who has fallen into water with no harbor
You’ll fall far from your heart’s desire
And lose your life. The meeting place
Of debt to Justice and to the gods
Is a terrible, terrible place.”
“Agamemnon, it’s not right for people
To possess tongues stronger than deeds.
If someone has done good things, then they ought to speak well
If they do evil things, well, their words are rotten too,
And they are incapable of ever speaking of injustice well.
Wise are those who have become masters of precise speech!
But even they cannot be wise all the way to the end.
They all die terribly. There’s no escape from that.”
