Heal Your Body and Soul This Holiday Season: Talk with Family and Friends

In the holiday season, take some time away from madness to refresh your soul with family and friends.

From the Suda (Full Greek text available on the Scaife Viewer)

“Pharmakon [medicine]: conversation, consoling, it comes from pherein [bringing] akos [relief/cure]. But it is also said to come from flowers.

Φάρμακον: παραμυθία, ὁμιλία, εἴρηται δὲ ἀπὸ τοῦ φέρειν τὴν ἄκεσιν: εἴρηται δὲ ἀπὸ τῶν ἀνθέων

Etym. Magn.

“Medicine: consolation, conversation. This is from pherein [to bear] and akos [relief], something close to pherakon

Φάρμακον: Παραμυθία, ὁμιλία· παρὰ τὸ φέρειν τὸ ἄκος, φέρακόν τι ὄν·

Chantraine s.v. pharmakon, after surveying various approaches to its etymology (mostly reflexes of pherô and PIE *bher-) concludes “la question de l’origine de pharmakon est insoluble en l’ état present de nos connaissances.”

But it seems that the medicinal/therapeutic power of conversation was a popular trope in several contexts.

Some Proverbs from Arsenius, Paroemiographer

“Only words [reason] is medicine for grief”

Λόγος μέν ἐστι φάρμακον λύπης μόνος.

“Conversation [ or ‘reason’] is the doctor for suffering in the soul”

Λόγος ἰατρὸς τοῦ κατὰ ψυχὴν πάθους.

The palliative and or curative effect of stories and speech appears with some frequency in Euripides (and then appears in other authors as well)

Euripides, fr. 1065

“Many words of the ancients still ring true:
Their fine stories are medicine for mortal fear.”

καὶ τῶν παλαιῶν πόλλ’ ἔπη καλῶς ἔχει·
λόγοι γὰρ ἐσθλοὶ φάρμακον φόβου βροτοῖς.

Euripides, fr. 1079

“Mortals have no other medicine for pain
Like the advice of a good man, a friend
Who has experience with this sickness.
A man who troubles then calms his thoughts with drinking,
Finds immediate pleasure, but laments twice as much later on.”

Οὐκ ἔστι λύπης ἄλλο φάρμακον βροτοῖς
ὡς ἀνδρὸς ἐσθλοῦ καὶ φίλου παραίνεσις.
ὅστις δὲ ταύτῃ τῇ νόσῳ ξυνὼν ἀνὴρ
μέθῃ ταράσσει καὶ γαληνίζει φρένα,
παραυτίχ’ ἡσθεὶς ὕστερον στένει διπλᾶ.

Eur. Fr. 962

“There are different medicines for different diseases.
A kind story [muthos] from friends for a man in grief;
Advice for someone playing the fool to excess”

. . . ἄλλ᾿ ἐπ᾿ ἄλλῃ φάρμακον κεῖται νόσῳ·
λυπουμένῳ μὲν μῦθος εὐμενὴς φίλων,
ἄγαν δὲ μωραίνοντι νουθετήματα.

Menander (fr. 591 K.).

“The man who is sick in the body needs a doctor;
someone who is sick in the mind needs a friend
For a well-meaning friend knows how to treat grief.”

Τῷ μὲν τὸ σῶμα † διατεθειμένῳ κακῶς
χρεία ‘στ’ ἰατροῦ, τῷ δὲ τὴν ψυχὴν φίλου·
λύπην γὰρ εὔνους οἶδε θεραπεύειν φίλος.

Attributed to Socrates (in Stobaeus)

“The sick need doctors; the unlucky need encouragement from friends.”

Τοῖς μὲν νοσοῦσιν ἰατρούς, τοῖς δ’ ἀτυχοῦσι φίλους δεῖ παραινεῖν.

Euripides, Alcestis, 962—966 (Full text on the Scaife Viewer)

I have leapt through the Muses
And soared high but
Even though I have tried most words
I have found nothing stronger than Necessity
Not any medicine at all.

᾿Εγὼ καὶ διὰ Μούσας
καὶ μετάρσιος ᾖξα καὶ
πλείστων ἁψάμενος λόγων
κρεῖσσον οὐδὲν ᾿Ανάγκας
εὗρον, οὐδέ τι φάρμακον.

Sotion, About Rage

“Consolation is the greatest medicine for anger,
It counters grief, anger, and brings forgetfulness from all evils.”

῞Οτι ἡ παραμυθία φάρμακον ἀνίας ἐστὶ μέγιστον,
νηπενθές τ’ ἄχολόν τε, κακῶν ἐπίληθον ἁπάντων.

Biôn (c. XIV Herm., XVIII Ahr.).

“Love should summon the Muses; the Muses should carry love.
The Muses—I hope—give song to me always when I need it,
Sweet song, no medicine is more pleasing!”

Μοίσας ῎Ερως καλέοι, Μοῖσαι τὸν ῎Ερωτα φέροιεν·
μολπὰν ταὶ Μοῖσαί μοι ἀεὶ ποθέοντι διδοῖεν,
τὰν γλυκερὰν μολπάν, τᾶς φάρμακον ἅδιον οὐδέν.

Image result for Ancient Greek friends

All of these quotes make me rethink the following from the Odyssey (14.399-400):

“Let us take pleasure from recalling one another’s grievous pains”

κήδεσιν ἀλλήλων τερπώμεθα λευγαλέοισι / μνωομένω

Sing the Rage! Returning to the Iliad with Reading Greek Tragedy Online

Tomorrow we return to the Iliad with Reading Greek Tragedy Online, a series produced in partnership with Out of Chaos Theatre, the Center for Hellenic Studies, and the Kosmos Society. This project started at the onset of COVID19 lockdowns in the US and UK and brings together actors and researches to stage scenes from the ancient stage and talk about how they impact us to this day. We have over 45 episodes posted already and will add 5 more before the end of the year.

We return to book 1 of the Iliad, the scene of the crime.

4 PM EST, Live and Archived

Homer, Iliad 1.1-9

Μῆνιν ἄειδε θεὰ Πηληϊάδεω ᾿Αχιλῆος
οὐλομένην, ἣ μυρί’ ᾿Αχαιοῖς ἄλγε’ ἔθηκε,
πολλὰς δ’ ἰφθίμους ψυχὰς ῎Αϊδι προΐαψεν
ἡρώων, αὐτοὺς δὲ ἑλώρια τεῦχε κύνεσσιν
οἰωνοῖσί τε πᾶσι, Διὸς δ’ ἐτελείετο βουλή,
ἐξ οὗ δὴ τὰ πρῶτα διαστήτην ἐρίσαντε
᾿Ατρεΐδης τε ἄναξ ἀνδρῶν καὶ δῖος ᾿Αχιλλεύς.

“Goddess, sing the rage of Pelias’ son Achilles,
Destructive, how it gave the Achaeans endless pain
And sent many brave souls of heroes to Hades—
And it made them food for the dogs
And all the birds as Zeus plan was being fulfilled.
Start from when those two first diverged in strife,
The lord of men Atreus’ son and godly Achilles.”

Youtube Link:

Homer, Iliad 1.158–168 [Achilles addressing Agamemnon]

“But, you great shamepot, we follow you so that you feel joy,
As we collect honor for Menelaos and you, dog-face,
From the Trojans—you don’t shudder at this, you don’t care.”

ἀλλὰ σοὶ ὦ μέγ’ ἀναιδὲς ἅμ’ ἑσπόμεθ’ ὄφρα σὺ χαίρῃς,
τιμὴν ἀρνύμενοι Μενελάῳ σοί τε κυνῶπα
πρὸς Τρώων· τῶν οὔ τι μετατρέπῃ οὐδ’ ἀλεγίζεις·

Performers and Artists
Musical guest and performer: Bettina Joy de Guzman
Paul Hurley
Paul O’Mahony
Rene Thornton Jr.
Damian Jermaine Thompson
Sara Valentine
Special Guests: Jared Simrad and Maria Xanthou

Iliad 1.224–228 [Achilles Addressing Agamemnon]

“Wine-sod! Dog-eyes! You have the heart of a deer!
You never suffer to arm yourself to enter battle with the army
Nor to set an ambush with the best of the Achaeans.
That seems like death itself to you!”

οἰνοβαρές, κυνὸς ὄμματ’ ἔχων, κραδίην δ’ ἐλάφοιο,
οὔτέ ποτ’ ἐς πόλεμον ἅμα λαῷ θωρηχθῆναι
οὔτε λόχον δ’ ἰέναι σὺν ἀριστήεσσιν ᾿Αχαιῶν
τέτληκας θυμῷ· τὸ δέ τοι κὴρ εἴδεται εἶναι.

Crew and Amazing People
Artistic Director: Paul O’Mahony (Out of Chaos Theatre)
Host and Faculty Consultant: Joel Christensen (Brandeis University)
Executive Producer: Lanah Koelle (Center for Hellenic Studies)
Producers: Keith DeStone (Center for Hellenic Studies), Hélène Emeriaud, Janet Ozsolak, and Sarah Scott (Kosmos Society)
Director of Outreach: Amy Pistone (Gonzaga University)
Poster Designer: Allie Marbry (Center for Hellenic Studies)
Poster Illustration Artist: John Koelle

Eustathius, Commentary to Homer’s Iliad, 1.14

“That Homer was an Achilles-lover will appear in thousands of ways. Homer would have readily named the Iliad the Achillea, just as he named the Odysseia (Odyssey) after Odysseus, if it were not for the fact that he would thus slight and insult the rest of the Greek nobility by naming the poem after one person.”

῞Οτι δὲ φιλοαχιλλεὺς ὁ ποιητής, μυριαχοῦ φανήσεται, ὃς τάχα, ὥσπερ ἐξ ᾿Οδυσσέως τὴν ᾿Οδύσσειαν, οὕτω καὶ τὴν ᾿Ιλιάδα ἐξ ᾿Αχιλλέως ᾿Αχίλλειαν ἐπέγραψεν ἄν, εἰ μὴ τὸ πρεσβεῖον τῆς ῾Ελλάδος οὕτως ἤμελλε καταβαλεῖν  καὶ ταπεινῶσαι τῇ ἐξ ἑνός τινος ἐπιγραφῇ.

Future episodes

All start times are 3pm ET unless otherwise noted. Live stream available at chs.harvard.edu and on YouTube.

November 17 Goddess and The Women of Gods, conceived and directed by LeeAnet Noble, with Suzanne Lye (University of North Carolina, Chapel Hill) and Jackie Murray (University of Kentucky)

December 1 The Laodamiad by Chas LiBretto

December 15 An Ancient Cabaret

Media preview

Mayhem, Murder, AND Music: Returning to Euripides’ Bacchae!

Today we return to Reading Greek Tragedy Online, a series produced in partnership with Out of Chaos Theatre, the Center for Hellenic Studies, and the Kosmos Society. This project started at the onset of COVID19 lockdowns in the US and UK and brings together actors and researches to stage scenes from the ancient stage and talk about how they impact us to this day. We have over 40 episodes posted already and will add 5 more before the end of the year.

We return to that most mysterious and maddening tragedy, Euripides’ Bacchae. Today’s performance is a The Bacchae, a musical adaptation by J. Landon Marcus and Johanna Warren, with special guest Emma Cole (University of Bristol).

Here’s a sneak peak

Eur. Bacchae 196

“We alone are right-minded; everyone else is wrong.”

μόνοι γὰρ εὖ φρονοῦμεν, οἱ δ᾽ ἄλλοι κακῶς.

Amazing artwork by John Koelle and design by Allie Marby

Youtube Link:

Euripides, Bacchae 386–401

The fate for unbridled mouths
And lawless foolishness
Is misfortune.
The life of peace
And prudence
Is unshaken and cements together
Human homes. For even though
They live far off in the sky
The gods gaze at human affairs.
Wisdom is not wit;
Nor is thinking thoughts which belong not to mortals.

Life is brief. And because of this
Whoever seeks out great accomplishments
May not grasp the things at hand.
These are the ways of madmen
And wicked fools, I think.

ἀχαλίνων στομάτων
ἀνόμου τ’ ἀφροσύνας
τὸ τέλος δυστυχία·
ὁ δὲ τᾶς ἡσυχίας
βίοτος καὶ τὸ φρονεῖν
ἀσάλευτόν τε μένει καὶ
ξυνέχει δώματα· πόρσω
γὰρ ὅμως αἰθέρα ναίον-
τες ὁρῶσιν τὰ βροτῶν οὐρανίδαι.
τὸ σοφὸν δ’ οὐ σοφία,
τό τε μὴ θνατὰ φρονεῖν
βραχὺς αἰών· ἐπὶ τούτωι
δὲ τίς ἂν μεγάλα διώκων
τὰ παρόντ’ οὐχὶ φέροι; μαι

νομένων οἵδε τρόποι καὶ
κακοβούλων παρ’ ἔμοιγε φωτῶν.

Performers and Artists
Dionysus – J Landon Marcus
Agave – Johanna Warren
Pentheus – Johanna Warren / Sung by J Landon Marcus
Maenads – Aimée Cornwell, Gracel Delos Santos, Imogen Alice Grace, Jane Lu, Avery Rabbitt, Claire Rhiannon
Bacchae – Helen Campbell, Sophie Ferrier, Hannah Padgett
Guards – Owen Harris, Dan Lee
Lyrics by J. Landon Marcus
Music by Johanna Warren and J. Landon
Director of Photography – Ren Faulkner
Director – Johanna Warren
Dionysus Director – Madeleine Hamer
Dionysus filmed on location at Epiphany Sanctuary
Music recorded by J Landon Marcus and Johanna Warren
Mixed by Eric Crespo
Props and masks handmade by: Kate Cornish
Costumes by Kate Cornish, Hannah Padgett, Johanna Warren and the Maenads
Makeup by Johanna Warren
Cadmus’ hands – Richey Beckett
Production Assistant – Ryan James
Title Screen Art by Scarlett Cussel (scarlettcussell.com)
“Enemy of Obscenity” Projections – Mohammad Fakhori
Scenes
The Primal Drum: Maenad gathering and ritual invoking Dionysus
I Am: Dionysus appears and delivers his opening monologue.
The Enemy of Obscenity: Pentheus’ manifesto against Dionysus
Justice: Maenads and Bacchae on the mountain, Pentheus discovers them and is dismembered
Exceptional Kill: Agave with the chorus, returning to Thebes with the head of Pentheus
Funeral Hymn: The lacuna of The Bacchae, Agave comes out of the spell and grapples with saying a funeral prayer for Pentheus
Crew and Amazing People
Artistic Director: Paul O’Mahony (Out of Chaos Theatre)
Host and Faculty Consultant: Joel Christensen (Brandeis University)
Executive Producer: Lanah Koelle (Center for Hellenic Studies)
Producers: Keith DeStone (Center for Hellenic Studies), Hélène Emeriaud, Janet Ozsolak, and Sarah Scott (Kosmos Society)
Director of Outreach: Amy Pistone (Gonzaga University)
Poster Designer: Allie Marbry (Center for Hellenic Studies)
Poster Illustration Artist: John Koelle

Euripides Bacchae, Fourth Chorus (862-912)

“Will I ever lift my white foot
As I dance along
In the all night chorus—
Shaking my head at the dewy sky
Like the fawn who plays
In a meadow’s pale pleasures
When she has fled the frightful hunt
Beyond the well-woven nets of the guard—
With a holler, the hunter
Recalls the rush of his hounds
And she leaps
With the swift-raced lust of the winds
Across the riverbounded plain,
Taking pleasure in the places free
Of mortals and in the tender shoots
Of the shadow grove?

What’s cleverness for? Is there any nobler prize
Mortals can receive from the gods
Than to hold your hand over the heads
Of your enemies?
Whatever is noble is always dear.

Scarcely, but still surely,
The divine moves its strength
It brings mortals low
When they honor foolishness
And do not worship the gods
Because of some insane belief
They skillfully hide
The long step of time
As they hunt down the irreverent.
For it is never right
To think or practice stronger
Than the laws.
For it is a light price
To believe that these have strength—
Whatever the divine force truly is
And whatever has been customary for so long,
This will always be, by nature.

What’s cleverness for? Is there any nobler prize
Mortals can receive from the gods
Than to hold your hand over the heads
Of your enemies?
Whatever is noble is always dear.

Fortunate is the one who flees
The swell of the sea and returns to harbor.
Fortunate is the one who survives through troubles
One is greater than another in different things,
He surpasses in fortune and power—
But in numberless hearts still
Are numberless hopes: some result
In good fortune, but other mortal dreams
Just disappear.

Whoever has a happy life to-day,
I consider fortunate.

Χο. ἆρ’ ἐν παννυχίοις χοροῖς
θήσω ποτὲ λευκὸν
πόδ’ ἀναβακχεύουσα, δέραν
αἰθέρ’ ἐς δροσερὸν ῥίπτουσ’,
ὡς νεβρὸς χλοεραῖς ἐμπαί-
ζουσα λείμακος ἡδοναῖς,
ἁνίκ’ ἂν φοβερὰν φύγηι
θήραν ἔξω φυλακᾶς
εὐπλέκτων ὑπὲρ ἀρκύων,
θωύσσων δὲ κυναγέτας
συντείνηι δράμημα κυνῶν,
μόχθοις δ’ ὠκυδρόμοις ἀελ-
λὰς θρώισκηι πεδίον
παραποτάμιον, ἡδομένα
βροτῶν ἐρημίαις σκιαρο-
κόμοιό τ’ ἔρνεσιν ὕλας;
†τί τὸ σοφόν, ἢ τί τὸ κάλλιον†
παρὰ θεῶν γέρας ἐν βροτοῖς
ἢ χεῖρ’ ὑπὲρ κορυφᾶς
τῶν ἐχθρῶν κρείσσω κατέχειν;
ὅτι καλὸν φίλον αἰεί.
ὁρμᾶται μόλις, ἀλλ’ ὅμως
πιστόν <τι> τὸ θεῖον
σθένος· ἀπευθύνει δὲ βροτῶν
τούς τ’ ἀγνωμοσύναν τιμῶν-
τας καὶ μὴ τὰ θεῶν αὔξον-
τας σὺν μαινομέναι δόξαι.
κρυπτεύουσι δὲ ποικίλως
δαρὸν χρόνου πόδα καὶ
θηρῶσιν τὸν ἄσεπτον· οὐ
γὰρ κρεῖσσόν ποτε τῶν νόμων
γιγνώσκειν χρὴ καὶ μελετᾶν.
κούφα γὰρ δαπάνα νομί-
ζειν ἰσχὺν τόδ’ ἔχειν,
ὅτι ποτ’ ἄρα τὸ δαιμόνιον,
τό τ’ ἐν χρόνωι μακρῶι νόμιμον
ἀεὶ φύσει τε πεφυκός.
†τί τὸ σοφόν, ἢ τί τὸ κάλλιον†
παρὰ θεῶν γέρας ἐν βροτοῖς
ἢ χεῖρ’ ὑπὲρ κορυφᾶς
τῶν ἐχθρῶν κρείσσω κατέχειν;
ὅτι καλὸν φίλον αἰεί.
εὐδαίμων μὲν ὃς ἐκ θαλάσσας
ἔφυγε χεῖμα, λιμένα δ’ ἔκιχεν·
εὐδαίμων δ’ ὃς ὕπερθε μόχθων
ἐγένεθ’· ἕτερα δ’ ἕτερος ἕτερον
ὄλβωι καὶ δυνάμει παρῆλθεν.
μυρίαι δ’ ἔτι μυρίοις
εἰσὶν ἐλπίδες· αἱ μὲν
τελευτῶσιν ἐν ὄλβωι
βροτοῖς, αἱ δ’ ἀπέβασαν·
τὸ δὲ κατ’ ἦμαρ ὅτωι βίοτος
εὐδαίμων, μακαρίζω.

Euripides, Bacchae 1388-1392

Many are the forms of divine powers
Many are the acts the gods unexpectedly make.
The very things which seemed likely did not happen
but for the unlikely, some god found a way.
This turned out to be that kind of story.

πολλαὶ μορφαὶ τῶν δαιμονίων,
πολλὰ δ᾿ ἀέλπτως κραίνουσι θεοί·
καὶ τὰ δοκηθέντ᾿ οὐκ ἐτελέσθη,
τῶν δ᾿ ἀδοκήτων πόρον ηὗρε θεός.
τοιόνδ᾿ ἀπέβη τόδε πρᾶγμα.

Image result for agave pentheus vase

Future episodes

All start times are 3pm ET unless otherwise noted. Live stream available at chs.harvard.edu and on YouTube.

October 13 The Bacchae, a musical adaptation by J. Landon Marcus and Johanna Warren, with Emma Cole (University of Bristol)

November 3 The Iliad, Scroll 1, with Jared Simard (New York University) and Maria Xanthou (University of Leeds)

November 17 Goddess and The Women of Gods, conceived and directed by LeeAnet Noble, with Suzanne Lye (University of North Carolina, Chapel Hill) and Jackie Murray (University of Kentucky)

December 1 The Laodamiad by Chas LiBretto

December 15 An Ancient Cabaret

Last Year’s version of the Bacchae

Heal Your Body and Soul This Holiday Season: Talk with Family and Friends

In the holiday season, take some time away from madness to refresh your soul with family and friends.

From the Suda (Full Greek text available on the Scaife Viewer)

“Pharmakon [medicine]: conversation, consoling, it comes from pherein [bringing] akos [relief/cure]. But it is also said to come from flowers.

Φάρμακον: παραμυθία, ὁμιλία, εἴρηται δὲ ἀπὸ τοῦ φέρειν τὴν ἄκεσιν: εἴρηται δὲ ἀπὸ τῶν ἀνθέων

Etym. Magn.

“Medicine: consolation, conversation. This is from pherein [to bear] and akos [relief], something close to pherakon

Φάρμακον: Παραμυθία, ὁμιλία· παρὰ τὸ φέρειν τὸ ἄκος, φέρακόν τι ὄν·

Chantraine s.v. pharmakon, after surveying various approaches to its etymology (mostly reflexes of pherô and PIE *bher-) concludes “la question de l’origine de pharmakon est insoluble en l’ état present de nos connaissances.”

But it seems that the medicinal/therapeutic power of conversation was a popular trope in several contexts.

Some Proverbs from Arsenius, Paroemiographer

“Only words [reason] is medicine for grief”

Λόγος μέν ἐστι φάρμακον λύπης μόνος.

“Conversation [ or ‘reason’] is the doctor for suffering in the soul”

Λόγος ἰατρὸς τοῦ κατὰ ψυχὴν πάθους.

The palliative and or curative effect of stories and speech appears with some frequency in Euripides (and then appears in other authors as well)

Euripides, fr. 1065

“Many words of the ancients still ring true:
Their fine stories are medicine for mortal fear.”

καὶ τῶν παλαιῶν πόλλ’ ἔπη καλῶς ἔχει·
λόγοι γὰρ ἐσθλοὶ φάρμακον φόβου βροτοῖς.

Euripides, fr. 1079

“Mortals have no other medicine for pain
Like the advice of a good man, a friend
Who has experience with this sickness.
A man who troubles then calms his thoughts with drinking,
Finds immediate pleasure, but laments twice as much later on.”

Οὐκ ἔστι λύπης ἄλλο φάρμακον βροτοῖς
ὡς ἀνδρὸς ἐσθλοῦ καὶ φίλου παραίνεσις.
ὅστις δὲ ταύτῃ τῇ νόσῳ ξυνὼν ἀνὴρ
μέθῃ ταράσσει καὶ γαληνίζει φρένα,
παραυτίχ’ ἡσθεὶς ὕστερον στένει διπλᾶ.

Eur. Fr. 962

“There are different medicines for different diseases.
A kind story [muthos] from friends for a man in grief;
Advice for someone playing the fool to excess”

. . . ἄλλ᾿ ἐπ᾿ ἄλλῃ φάρμακον κεῖται νόσῳ·
λυπουμένῳ μὲν μῦθος εὐμενὴς φίλων,
ἄγαν δὲ μωραίνοντι νουθετήματα.

Menander (fr. 591 K.).

“The man who is sick in the body needs a doctor;
someone who is sick in the mind needs a friend
For a well-meaning friend knows how to treat grief.”

Τῷ μὲν τὸ σῶμα † διατεθειμένῳ κακῶς
χρεία ‘στ’ ἰατροῦ, τῷ δὲ τὴν ψυχὴν φίλου·
λύπην γὰρ εὔνους οἶδε θεραπεύειν φίλος.

Attributed to Socrates (in Stobaeus)

“The sick need doctors; the unlucky need encouragement from friends.”

Τοῖς μὲν νοσοῦσιν ἰατρούς, τοῖς δ’ ἀτυχοῦσι φίλους δεῖ παραινεῖν.

Euripides, Alcestis, 962—966 (Full text on the Scaife Viewer)

I have leapt through the Muses
And soared high but
Even though I have tried most words
I have found nothing stronger than Necessity
Not any medicine at all.

᾿Εγὼ καὶ διὰ Μούσας
καὶ μετάρσιος ᾖξα καὶ
πλείστων ἁψάμενος λόγων
κρεῖσσον οὐδὲν ᾿Ανάγκας
εὗρον, οὐδέ τι φάρμακον.

Sotion, About Rage

“Consolation is the greatest medicine for anger,
It counters grief, anger, and brings forgetfulness from all evils.”

῞Οτι ἡ παραμυθία φάρμακον ἀνίας ἐστὶ μέγιστον,
νηπενθές τ’ ἄχολόν τε, κακῶν ἐπίληθον ἁπάντων.

Biôn (c. XIV Herm., XVIII Ahr.).

“Love should summon the Muses; the Muses should carry love.
The Muses—I hope—give song to me always when I need it,
Sweet song, no medicine is more pleasing!”

Μοίσας ῎Ερως καλέοι, Μοῖσαι τὸν ῎Ερωτα φέροιεν·
μολπὰν ταὶ Μοῖσαί μοι ἀεὶ ποθέοντι διδοῖεν,
τὰν γλυκερὰν μολπάν, τᾶς φάρμακον ἅδιον οὐδέν.

Image result for Ancient Greek friends

All of these quotes make me rethink the following from the Odyssey (14.399-400):

“Let us take pleasure from recalling one another’s grievous pains”

κήδεσιν ἀλλήλων τερπώμεθα λευγαλέοισι / μνωομένω

How To Talk to a (Potentially Deranged) Patient

Rufus of Ephesus, Quest. Medic. 2

“It is right to ask someone who is sick questions from which something of the matters concerning the sickness might be diagnosed and might be treated better. First, I advise to make inquiries from the one who is sick himself. For you might from this learn how much the person is sick or healthy in respect to judgment along with his strength and weakness and what type of sickness and what place he has suffered.

If the patient answers right away and properly and plausibly and without stumbling in speech or sense and if it is according to is typical matter—if he is otherwise orderly, in a gentle and orderly way, but, if otherwise bold or fearful, in a brash or timid manner—it is right to consider him to be in his right mind. But if you ask him some things and he should answer others or forget in the middle of speaking, if his speech is unsteady and unclear and there are shifts from his first manner to the opposite, these are all signs of being deranged.”

     ᾿Ερωτήματα χρὴ τὸν νοσοῦντα ἐρωτᾶν, ἐξ ὧν ἂν καὶ διαγνωσθείη τι τῶν περὶ τὴν νόσον ἀκριβέστερον καὶ θεραπευθείη κάλλιον. πρῶτον δὲ ἐκεῖνο ὑποτίθημι τὰς πεύσεις αὐτοῦ τοῦ νοσοῦντος ποιεῖσθαι. μάθοις γὰρ ἂν ἐνθένδε ὅσα τε κατὰ γνώμην νοσεῖ ἢ ὑγιαίνει ὁ ἄνθρωπος καὶ ῥώμην αὐτοῦ καὶ ἀσθένειαν, καὶ τίνα ἰδέαν νόσου καὶ τίνα τόπον πεπονηκὼς <εἴη>. εἰ μὲν γὰρ ἐφεξῆς τε ἀποκρίνοιτο καὶ μνημονικῶς καὶ τὰ εἰκότα καὶ μηδαμῆ σφαλλόμενος μήτε τῇ γλώττῃ μήτε τῇ γνώμῃ καὶ εἰ καθ’ ὁρμὴν τὴν οἰκείαν, —εἰ μέν ἐστιν ἄλλως κόσμιος, πράως καὶ

κοσμίως, ὁ δ’ αὖ φύσει θρασὺς ἢ δειλὸς θρασέως ἢ δεδοικ<ότ>ως—τοῦτον μὲν χρὴ νομίζειν τὰ γοῦν κατὰ γνώμην καλῶς ἔχειν. εἰ δὲ καὶ ἄλλα σὺ μὲν ἐρωτᾷς, ὁ δὲ ἄλλα ἀποκρίνοιτο καὶ εἰ μεταξὺ λέγων ἐπιλανθάνοιτο, αἱ δὲ τρομώδεις καὶ ἀσαφεῖς γλῶσσαι καὶ αἱ μεταστάσεις ἀπὸ τοῦ ἀρχαίου τρόπου πρὸς τὸ ἐναντίον, πάντα ταῦτα παρακρουστικά.

 

Image result for medieval manuscript medicine doctor
Sloane MS 1975, f. 91v

Madness and Ecstasy: Reading the Bacchae

Reading Euripides’ Bacchae 

Over the past few weeks we have presented readings of Euripides’ Helen and Sophocles’ Philoktetes, Euripides’ Herakles (in partnership with the Center for Hellenic Studies and the Kosmos Society and Out of Chaos Theatre). Our basic approach is to have actors in isolation read parts with each other online, interspersed with commentary and discussion from ‘experts’ and the actors. This week, we turn to the Bacchae (text to be used here).

Eur. Bacchae 196

“We alone are right-minded; everyone else is wrong.”

μόνοι γὰρ εὖ φρονοῦμεν, οἱ δ᾽ ἄλλοι κακῶς.

Scenes to be Read

1-64
170-329
460-518
775-1024
1167-end

 

Euripides, Bacchae 386–401

The fate for unbridled mouths
And lawless foolishness
Is misfortune.
The life of peace
And prudence
Is unshaken and cements together
Human homes. For even though
They live far off in the sky
The gods gaze at human affairs.
Wisdom is not wit;
Nor is thinking thoughts which belong not to mortals.

Life is brief. And because of this
Whoever seeks out great accomplishments
May not grasp the things at hand.
These are the ways of madmen
And wicked fools, I think.

ἀχαλίνων στομάτων
ἀνόμου τ’ ἀφροσύνας
τὸ τέλος δυστυχία·
ὁ δὲ τᾶς ἡσυχίας
βίοτος καὶ τὸ φρονεῖν
ἀσάλευτόν τε μένει καὶ
ξυνέχει δώματα· πόρσω
γὰρ ὅμως αἰθέρα ναίον-
τες ὁρῶσιν τὰ βροτῶν οὐρανίδαι.
τὸ σοφὸν δ’ οὐ σοφία,
τό τε μὴ θνατὰ φρονεῖν
βραχὺς αἰών· ἐπὶ τούτωι
δὲ τίς ἂν μεγάλα διώκων
τὰ παρόντ’ οὐχὶ φέροι; μαι

νομένων οἵδε τρόποι καὶ
κακοβούλων παρ’ ἔμοιγε φωτῶν.

Actors
Dionysus – Tony Jayawardena
Agaue – Janet Spencer-Turner
Pentheus – Richard Neale
Kadmos – Vince Brimble
Tiresias – Paul O’Mahony
Chorus – Nichole Bird and Sarah Finigan

Euripides Bacchae, Fourth Chorus (862-912)

“Will I ever lift my white foot
As I dance along
In the all night chorus—
Shaking my head at the dewy sky
Like the fawn who plays
In a meadow’s pale pleasures
When she has fled the frightful hunt
Beyond the well-woven nets of the guard—
With a holler, the hunter
Recalls the rush of his hounds
And she leaps
With the swift-raced lust of the winds
Across the riverbounded plain,
Taking pleasure in the places free
Of mortals and in the tender shoots
Of the shadow grove?

What’s cleverness for? Is there any nobler prize
Mortals can receive from the gods
Than to hold your hand over the heads
Of your enemies?
Whatever is noble is always dear.

Scarcely, but still surely,
The divine moves its strength
It brings mortals low
When they honor foolishness
And do not worship the gods
Because of some insane belief
They skillfully hide
The long step of time
As they hunt down the irreverent.
For it is never right
To think or practice stronger
Than the laws.
For it is a light price
To believe that these have strength—
Whatever the divine force truly is
And whatever has been customary for so long,
This will always be, by nature.

What’s cleverness for? Is there any nobler prize
Mortals can receive from the gods
Than to hold your hand over the heads
Of your enemies?
Whatever is noble is always dear.

Fortunate is the one who flees
The swell of the sea and returns to harbor.
Fortunate is the one who survives through troubles
One is greater than another in different things,
He surpasses in fortune and power—
But in numberless hearts still
Are numberless hopes: some result
In good fortune, but other mortal dreams
Just disappear.

Whoever has a happy life to-day,
I consider fortunate.

Χο. ἆρ’ ἐν παννυχίοις χοροῖς
θήσω ποτὲ λευκὸν
πόδ’ ἀναβακχεύουσα, δέραν
αἰθέρ’ ἐς δροσερὸν ῥίπτουσ’,
ὡς νεβρὸς χλοεραῖς ἐμπαί-
ζουσα λείμακος ἡδοναῖς,
ἁνίκ’ ἂν φοβερὰν φύγηι
θήραν ἔξω φυλακᾶς
εὐπλέκτων ὑπὲρ ἀρκύων,
θωύσσων δὲ κυναγέτας
συντείνηι δράμημα κυνῶν,
μόχθοις δ’ ὠκυδρόμοις ἀελ-
λὰς θρώισκηι πεδίον
παραποτάμιον, ἡδομένα
βροτῶν ἐρημίαις σκιαρο-
κόμοιό τ’ ἔρνεσιν ὕλας;
†τί τὸ σοφόν, ἢ τί τὸ κάλλιον†
παρὰ θεῶν γέρας ἐν βροτοῖς
ἢ χεῖρ’ ὑπὲρ κορυφᾶς
τῶν ἐχθρῶν κρείσσω κατέχειν;
ὅτι καλὸν φίλον αἰεί.
ὁρμᾶται μόλις, ἀλλ’ ὅμως
πιστόν <τι> τὸ θεῖον
σθένος· ἀπευθύνει δὲ βροτῶν
τούς τ’ ἀγνωμοσύναν τιμῶν-
τας καὶ μὴ τὰ θεῶν αὔξον-
τας σὺν μαινομέναι δόξαι.
κρυπτεύουσι δὲ ποικίλως
δαρὸν χρόνου πόδα καὶ
θηρῶσιν τὸν ἄσεπτον· οὐ
γὰρ κρεῖσσόν ποτε τῶν νόμων
γιγνώσκειν χρὴ καὶ μελετᾶν.
κούφα γὰρ δαπάνα νομί-
ζειν ἰσχὺν τόδ’ ἔχειν,
ὅτι ποτ’ ἄρα τὸ δαιμόνιον,
τό τ’ ἐν χρόνωι μακρῶι νόμιμον
ἀεὶ φύσει τε πεφυκός.
†τί τὸ σοφόν, ἢ τί τὸ κάλλιον†
παρὰ θεῶν γέρας ἐν βροτοῖς
ἢ χεῖρ’ ὑπὲρ κορυφᾶς
τῶν ἐχθρῶν κρείσσω κατέχειν;
ὅτι καλὸν φίλον αἰεί.
εὐδαίμων μὲν ὃς ἐκ θαλάσσας
ἔφυγε χεῖμα, λιμένα δ’ ἔκιχεν·
εὐδαίμων δ’ ὃς ὕπερθε μόχθων
ἐγένεθ’· ἕτερα δ’ ἕτερος ἕτερον
ὄλβωι καὶ δυνάμει παρῆλθεν.
μυρίαι δ’ ἔτι μυρίοις
εἰσὶν ἐλπίδες· αἱ μὲν
τελευτῶσιν ἐν ὄλβωι
βροτοῖς, αἱ δ’ ἀπέβασαν·
τὸ δὲ κατ’ ἦμαρ ὅτωι βίοτος
εὐδαίμων, μακαρίζω.

Euripides, Bacchae 1388-1392

Many are the forms of divine powers
Many are the acts the gods unexpectedly make.
The very things which seemed likely did not happen
but for the unlikely, some god found a way.
This turned out to be that kind of story.

πολλαὶ μορφαὶ τῶν δαιμονίων,
πολλὰ δ᾿ ἀέλπτως κραίνουσι θεοί·
καὶ τὰ δοκηθέντ᾿ οὐκ ἐτελέσθη,
τῶν δ᾿ ἀδοκήτων πόρον ηὗρε θεός.
τοιόνδ᾿ ἀπέβη τόδε πρᾶγμα.

Image result for agave pentheus vase

Videos of Earlier Sessions
Euripides’ Helen, March 25th
Sophocles Philoktetes, April 1st
Euripides’ Herakles, April 8th 
Upcoming Readings

 

Euripides, Iphigenia in Aulis, April 22nd

Sophocles, Women of Trachis, April 29th

Euripides, Orestes, May 6th

Aeschylus, The Persians May 13th

How To Talk to a (Potentially Deranged) Patient

Rufus of Ephesus, Quest. Medic. 2

“It is right to ask someone who is sick questions from which something of the matters concerning the sickness might be diagnosed and might be treated better. First, I advise to make inquiries from the one who is sick himself. For you might from this learn how much the person is sick or healthy in respect to judgment along with his strength and weakness and what type of sickness and what place he has suffered.

If the patient answers right away and properly and plausibly and without stumbling in speech or sense and if it is according to is typical matter—if he is otherwise orderly, in a gentle and orderly way, but, if otherwise bold or fearful, in a brash or timid manner—it is right to consider him to be in his right mind. But if you ask him some things and he should answer others or forget in the middle of speaking, if his speech is unsteady and unclear and there are shifts from his first manner to the opposite, these are all signs of being deranged.”

     ᾿Ερωτήματα χρὴ τὸν νοσοῦντα ἐρωτᾶν, ἐξ ὧν ἂν καὶ διαγνωσθείη τι τῶν περὶ τὴν νόσον ἀκριβέστερον καὶ θεραπευθείη κάλλιον. πρῶτον δὲ ἐκεῖνο ὑποτίθημι τὰς πεύσεις αὐτοῦ τοῦ νοσοῦντος ποιεῖσθαι. μάθοις γὰρ ἂν ἐνθένδε ὅσα τε κατὰ γνώμην νοσεῖ ἢ ὑγιαίνει ὁ ἄνθρωπος καὶ ῥώμην αὐτοῦ καὶ ἀσθένειαν, καὶ τίνα ἰδέαν νόσου καὶ τίνα τόπον πεπονηκὼς <εἴη>. εἰ μὲν γὰρ ἐφεξῆς τε ἀποκρίνοιτο καὶ μνημονικῶς καὶ τὰ εἰκότα καὶ μηδαμῆ σφαλλόμενος μήτε τῇ γλώττῃ μήτε τῇ γνώμῃ καὶ εἰ καθ’ ὁρμὴν τὴν οἰκείαν, —εἰ μέν ἐστιν ἄλλως κόσμιος, πράως καὶ

κοσμίως, ὁ δ’ αὖ φύσει θρασὺς ἢ δειλὸς θρασέως ἢ δεδοικ<ότ>ως—τοῦτον μὲν χρὴ νομίζειν τὰ γοῦν κατὰ γνώμην καλῶς ἔχειν. εἰ δὲ καὶ ἄλλα σὺ μὲν ἐρωτᾷς, ὁ δὲ ἄλλα ἀποκρίνοιτο καὶ εἰ μεταξὺ λέγων ἐπιλανθάνοιτο, αἱ δὲ τρομώδεις καὶ ἀσαφεῖς γλῶσσαι καὶ αἱ μεταστάσεις ἀπὸ τοῦ ἀρχαίου τρόπου πρὸς τὸ ἐναντίον, πάντα ταῦτα παρακρουστικά.

 

Image result for medieval manuscript medicine doctor
Sloane MS 1975, f. 91v

How To Talk to a Patient (And Look for the Signs of the Deranged)

Rufus of Ephesus, Quest. Medic. 2

“It is right to ask someone who is sick questions from which something of the matters concerning the sickness might be diagnosed and might be treated better. First, I advise to make inquiries from the one who is sick himself. For you might from this learn how much the person is sick or healthy in respect to judgment along with his strength and weakness and what type of sickness and what place he has suffered.

If the patient answers right away and properly and plausibly and without stumbling in speech or sense and if it is according to is typical matter—if he is otherwise orderly, in a gentle and orderly way, but, if otherwise bold or fearful, in a brash or timid manner—it is right to consider him to be in his right mind. But if you ask him some things and he should answer others or forget in the middle of speaking, if his speech is unsteady and unclear and there are shifts from his first manner to the opposite, these are all signs of being deranged.”

     ᾿Ερωτήματα χρὴ τὸν νοσοῦντα ἐρωτᾶν, ἐξ ὧν ἂν καὶ διαγνωσθείη τι τῶν περὶ τὴν νόσον ἀκριβέστερον καὶ θεραπευθείη κάλλιον. πρῶτον δὲ ἐκεῖνο ὑποτίθημι τὰς πεύσεις αὐτοῦ τοῦ νοσοῦντος ποιεῖσθαι. μάθοις γὰρ ἂν ἐνθένδε ὅσα τε κατὰ γνώμην νοσεῖ ἢ ὑγιαίνει ὁ ἄνθρωπος καὶ ῥώμην αὐτοῦ καὶ ἀσθένειαν, καὶ τίνα ἰδέαν νόσου καὶ τίνα τόπον πεπονηκὼς <εἴη>. εἰ μὲν γὰρ ἐφεξῆς τε ἀποκρίνοιτο καὶ μνημονικῶς καὶ τὰ εἰκότα καὶ μηδαμῆ σφαλλόμενος μήτε τῇ γλώττῃ μήτε τῇ γνώμῃ καὶ εἰ καθ’ ὁρμὴν τὴν οἰκείαν, —εἰ μέν ἐστιν ἄλλως κόσμιος, πράως καὶ

κοσμίως, ὁ δ’ αὖ φύσει θρασὺς ἢ δειλὸς θρασέως ἢ δεδοικ<ότ>ως—τοῦτον μὲν χρὴ νομίζειν τὰ γοῦν κατὰ γνώμην καλῶς ἔχειν. εἰ δὲ καὶ ἄλλα σὺ μὲν ἐρωτᾷς, ὁ δὲ ἄλλα ἀποκρίνοιτο καὶ εἰ μεταξὺ λέγων ἐπιλανθάνοιτο, αἱ δὲ τρομώδεις καὶ ἀσαφεῖς γλῶσσαι καὶ αἱ μεταστάσεις ἀπὸ τοῦ ἀρχαίου τρόπου πρὸς τὸ ἐναντίον, πάντα ταῦτα παρακρουστικά.

 

Image result for medieval manuscript medicine doctor
Sloane MS 1975, f. 91v

Heal Your Body and Soul This Holiday Season: Talk with Family and Friends

In the holiday season, take some time away from madness to refresh your soul with family and friends.

From the Suda

“Pharmakon [medicine]: conversation, consoling, it comes from pherein [bringing] akos [relief/cure]. But it is also said to come from flowers.

Φάρμακον: παραμυθία, ὁμιλία, εἴρηται δὲ ἀπὸ τοῦ φέρειν τὴν ἄκεσιν: εἴρηται δὲ ἀπὸ τῶν ἀνθέων

Etym. Magn.

“Medicine: consolation, conversation. This is from pherein [to bear] and akos [relief], something close to pherakon

Φάρμακον: Παραμυθία, ὁμιλία· παρὰ τὸ φέρειν τὸ ἄκος, φέρακόν τι ὄν·

Chantraine s.v. pharmakon, after surveying various approaches to its etymology (mostly reflexes of pherô and PIE *bher-) concludes “la question de l’origine de pharmakon est insoluble en l’ état present de nos connaissances.”

But it seems that the medicinal/therapeutic power of conversation was a popular trope in several contexts.

Some Proverbs from Arsenius, Paroemiographer

“Only words [reason] is medicine for grief”

Λόγος μέν ἐστι φάρμακον λύπης μόνος.

“Conversation [ or ‘reason’] is the doctor for suffering in the soul”

Λόγος ἰατρὸς τοῦ κατὰ ψυχὴν πάθους.

The palliative and or curative effect of stories and speech appears with some frequency in Euripides (and then appears in other authors as well)

Euripides, fr. 1065

“Many words of the ancients still ring true:
Their fine stories are medicine for mortal fear.”

καὶ τῶν παλαιῶν πόλλ’ ἔπη καλῶς ἔχει·
λόγοι γὰρ ἐσθλοὶ φάρμακον φόβου βροτοῖς.

Euripides, fr. 1079

“Mortals have no other medicine for pain
Like the advice of a good man, a friend
Who has experience with this sickness.
A man who troubles then calms his thoughts with drinking,
Finds immediate pleasure, but laments twice as much later on.”

Οὐκ ἔστι λύπης ἄλλο φάρμακον βροτοῖς
ὡς ἀνδρὸς ἐσθλοῦ καὶ φίλου παραίνεσις.
ὅστις δὲ ταύτῃ τῇ νόσῳ ξυνὼν ἀνὴρ
μέθῃ ταράσσει καὶ γαληνίζει φρένα,
παραυτίχ’ ἡσθεὶς ὕστερον στένει διπλᾶ.

Eur. Fr. 962

“There are different medicines for different diseases.
A kind story [muthos] from friends for a man in grief;
Advice for someone playing the fool to excess”

. . . ἄλλ᾿ ἐπ᾿ ἄλλῃ φάρμακον κεῖται νόσῳ·
λυπουμένῳ μὲν μῦθος εὐμενὴς φίλων,
ἄγαν δὲ μωραίνοντι νουθετήματα.

Menander (fr. 591 K.).

“The man who is sick in the body needs a doctor;
someone who is sick in the mind needs a friend
For a well-meaning friend knows how to treat grief.”

Τῷ μὲν τὸ σῶμα † διατεθειμένῳ κακῶς
χρεία ‘στ’ ἰατροῦ, τῷ δὲ τὴν ψυχὴν φίλου·
λύπην γὰρ εὔνους οἶδε θεραπεύειν φίλος.

Attributed to Socrates (in Stobaeus)

“The sick need doctors; the unlucky need encouragement from friends.”

Τοῖς μὲν νοσοῦσιν ἰατρούς, τοῖς δ’ ἀτυχοῦσι φίλους δεῖ παραινεῖν.

Euripides, Alcestis, 962—966

I have leapt through the Muses
And soared high but
Even though I have tried most words
I have found nothing stronger than Necessity
Not any medicine at all.

᾿Εγὼ καὶ διὰ Μούσας
καὶ μετάρσιος ᾖξα καὶ
πλείστων ἁψάμενος λόγων
κρεῖσσον οὐδὲν ᾿Ανάγκας
εὗρον, οὐδέ τι φάρμακον.

Sotion, About Rage

“Consolation is the greatest medicine for anger,
It counters grief, anger, and brings forgetfulness from all evils.”

῞Οτι ἡ παραμυθία φάρμακον ἀνίας ἐστὶ μέγιστον,
νηπενθές τ’ ἄχολόν τε, κακῶν ἐπίληθον ἁπάντων.

Biôn (c. XIV Herm., XVIII Ahr.).

“Love should summon the Muses; the Muses should carry love.
The Muses—I hope—give song to me always when I need it,
Sweet song, no medicine is more pleasing!”

Μοίσας ῎Ερως καλέοι, Μοῖσαι τὸν ῎Ερωτα φέροιεν·
μολπὰν ταὶ Μοῖσαί μοι ἀεὶ ποθέοντι διδοῖεν,
τὰν γλυκερὰν μολπάν, τᾶς φάρμακον ἅδιον οὐδέν.

Image result for Ancient Greek friends

All of these quotes make me rethink the following from the Odyssey (14.399-400):

“Let us take pleasure from recalling one another’s grievous pains”

κήδεσιν ἀλλήλων τερπώμεθα λευγαλέοισι / μνωομένω

Medicine for the Soul: Conversations with Friends

The other day I was a little surprised to find the following definitions and etymologies of  pharmakon (“medicine”).

From the Suda

“Pharmakon [medicine]: conversation, consoling, it comes from pherein [bringing] akos [relief/cure]. But it is also said to come from flowers.

Φάρμακον: παραμυθία, ὁμιλία, εἴρηται δὲ ἀπὸ τοῦ φέρειν τὴν ἄκεσιν: εἴρηται δὲ ἀπὸ τῶν ἀνθέων

Etym. Magn.

“Medicine: consolation, conversation. This is from pherein [to bear] and akos [relief], something close to pherakon

Φάρμακον: Παραμυθία, ὁμιλία· παρὰ τὸ φέρειν τὸ ἄκος, φέρακόν τι ὄν·

Chaintrain s.v. pharmakon, after surveying various approaches to its etymology (mostly reflexes of pherô and PIE *bher-) concludes “la question de l’origine de pharmakon est insoluble en l’ état present de nos connaissances.”

But it seems that the medicinal/therapeutic power of conversation was a popular trope in several contexts.

Some Proverbs from Arsenius, Paroemiographer

“Only words [reason] is medicine for grief”

Λόγος μέν ἐστι φάρμακον λύπης μόνος.

“Conversation [ or ‘reason’] is the doctor for suffering in the soul”

Λόγος ἰατρὸς τοῦ κατὰ ψυχὴν πάθους.

The palliative and or curative effect of stories and speech appears with some frequency in Euripides (and then appears in other authors as well)

Euripides, fr. 1065

“Many words of the ancients still ring true:
Their fine stories are medicine for mortal fear.”

καὶ τῶν παλαιῶν πόλλ’ ἔπη καλῶς ἔχει·
λόγοι γὰρ ἐσθλοὶ φάρμακον φόβου βροτοῖς.

 

Euripides, fr. 1079

“Mortals have no other medicine for pain
Like the advice of a good man, a friend
Who has experience with this sickness.
A man who troubles then calms his thoughts with drinking,
Finds immediate pleasure, but laments twice as much later on.”

Οὐκ ἔστι λύπης ἄλλο φάρμακον βροτοῖς
ὡς ἀνδρὸς ἐσθλοῦ καὶ φίλου παραίνεσις.
ὅστις δὲ ταύτῃ τῇ νόσῳ ξυνὼν ἀνὴρ
μέθῃ ταράσσει καὶ γαληνίζει φρένα,
παραυτίχ’ ἡσθεὶς ὕστερον στένει διπλᾶ.

 

Eur. Fr. 962

“There are different medicines for different diseases.
A kind story [muthos] from friends for a man in grief;
Advice for someone playing the fool to excess”

. . . ἄλλ᾿ ἐπ᾿ ἄλλῃ φάρμακον κεῖται νόσῳ·
λυπουμένῳ μὲν μῦθος εὐμενὴς φίλων,
ἄγαν δὲ μωραίνοντι νουθετήματα.

Menander (fr. 591 K.).

“The man who is sick in the body needs a doctor;
someone who is sick in the mind needs a friend
For a well-meaning friend knows how to treat grief.”

Τῷ μὲν τὸ σῶμα † διατεθειμένῳ κακῶς
χρεία ‘στ’ ἰατροῦ, τῷ δὲ τὴν ψυχὴν φίλου·
λύπην γὰρ εὔνους οἶδε θεραπεύειν φίλος.

Attributed to Socrates (in Stobaeus)

“The sick need doctors; the unlucky need encouragement from friends.”

Τοῖς μὲν νοσοῦσιν ἰατρούς, τοῖς δ’ ἀτυχοῦσι φίλους δεῖ παραινεῖν.

 

Euripides, Alcestis, 962—966

I have leapt through the Muses
And soared high but
Even though I have tried most words
I have found nothing stronger than Necessity
Not any medicine at all.

᾿Εγὼ καὶ διὰ Μούσας
καὶ μετάρσιος ᾖξα καὶ
πλείστων ἁψάμενος λόγων
κρεῖσσον οὐδὲν ᾿Ανάγκας
εὗρον, οὐδέ τι φάρμακον.

Sotion, About Rage

“Consolation is the greatest medicine for anger,
It counters grief, anger, and brings forgetfulness from all evils.”

῞Οτι ἡ παραμυθία φάρμακον ἀνίας ἐστὶ μέγιστον,
νηπενθές τ’ ἄχολόν τε, κακῶν ἐπίληθον ἁπάντων.

Biôn (c. XIV Herm., XVIII Ahr.).

“Love should summon the Muses; the Muses should carry love.
The Muses—I hope—give song to me always when I need it,
Sweet song, no medicine is more pleasing!”

Μοίσας ῎Ερως καλέοι, Μοῖσαι τὸν ῎Ερωτα φέροιεν·
μολπὰν ταὶ Μοῖσαί μοι ἀεὶ ποθέοντι διδοῖεν,
τὰν γλυκερὰν μολπάν, τᾶς φάρμακον ἅδιον οὐδέν.

Image result for Ancient Greek friends

All of these quotes make me rethink the following from the Odyssey (14.399-400):

“Let us take pleasure from recalling one another’s grievous pains”

κήδεσιν ἀλλήλων τερπώμεθα λευγαλέοισι / μνωομένω