Little Sparks of Virtue

Cicero, De Finibus 5. 43

“There is certainly seems to be natural power for humans for attaining every kind of virtue and for these reasons small children are motivated by the attraction of virtues whose seeds they possess without teaching. These are surely the fundamental aspects of human nature which increase and grow as if planted. This is because we are made in such a way at birth that we already possess the basic impulses of doing something, of loving some people, and with qualities of liberality, and giving things. We also receive spirits which reach toward knowledge, wisdom, and bravery, already disinclined toward the opposites.

It is not without reason that we see those things I have mentioned in children like little sparks of virtue from which the philosopher’s reason must be kindled—the child must find their way to nature’s end by following their divine guide. As I have often said in the early period when our minds are still weak, we see nature’s power as if through fog. But once the mind progresses and gets stronger, it recognizes the power of its nature, that it may still proceed further and has become only half-finished on its own.”

 Est enim natura sic generata vis hominis ut ad omnem virtutem percipiendam facta videatur, ob eamque causam parvi virtutum simulacris quarum in se habent semina sine doctrina moventur; sunt enim prima elementa naturae, quibus auctis virtutis quasi germen efficitur. Nam cum ita nati factique simus ut et agendi aliquid et diligendi aliquos et liberalitatis et referendae gratiae principia in nobis contineremus atque ad scientiam, prudentiam, fortitudinem aptos animos haberemus a contrariisque rebus alienos, non sine causa eas quas dixi in pueris virtutum quasi scintillas videmus, e quibus accendi philosophi ratio debet, ut eam quasi deum ducem subsequens ad naturae perveniat extremum. Nam ut saepe iam dixi in infirma aetate imbecillaque mente vis naturae quasi per caliginem cernitur; cum autem progrediens confirmatur animus, agnoscit ille quidem naturae vim, sed ita ut progredi possit longius, per se sit tantum inchoata.


Sarcophagus, Roma, Musei Vaticani, Museo Chiaramont

Tessered Latin and Greek: A Lexical “Wrinkle in Time”

There is a great story in the Daily Beast about Greek (and a little Latin) in Madeleine L’Engle’s A Wrinkle in Time. This blog has a little cameo…

Sometimes when I talk to students about my childhood I get the sense that it seems almost as distant and different from theirs as some of the texts from Ancient Greece I encourage them to read. I listened to the radio play of Empire Strikes Back on the radio. I remember getting cable installed. I never sent an email until I went to college. I used to check out vinyl records from the library to listen to Cinderella and the JungleBook!

Ah, the library. I grew up in rural Maine and the local free libraries were, in a way, the center of my childhood. My father was deaf from birth; reading was what we all did as a family. And it was the one realm in which I never felt limited. My parents never told me what to read, when to read or, more importantly, what not to read. We just went to the library every week and they set me free.

At some point in elementary school, I took it upon myself to read the entire collection of Newbery award books. There was a list prominently displayed in the kids’ room at a few different libraries we frequented. I am pretty sure I read Lloyd Alexander’s The High King first and soon after Robert Obrien’s Mrs. Frisby and the Rats of Nimh. I love both books and when I noticed the medal on the cover, connected it to the list and just started in on it.

I connected with Madeleine L’Engle’s A Wrinkle in Time almost immediately. That famous start: “IT was a dark and stormy night.” My father used these very words all the time before he would start telling us some ridiculous tale. The world in this book was also one like mine: it was dark (as often the case in rural Maine) and, with our long winters, it was also stormy.

It also deploys that initial scale that works so well–it starts small and simple: Margaret in her room or at the kitchen table, complaining of school, lovingly tolerating her precocious brother. But it was also a world that promised that the stark simplicity it presented was a mere facade over something much more complex–that behind the austere and disappointing world, there were other worlds. In short, the promise of a tale like L’Engle’s was the very promise of the libraries I so loved–that there are ways out of this world into countless others.

I have never reread this book as an adult, but every time I think of it: it is dark, I am in third grade, but there is a light dawning on the horizon. So, when the journalist Mimi Kramer (@nhmeems) contacted me over twitter to ask about the Greek and Latin in A Wrinkle in Time, my first reaction was shock. There is Greek and Latin in L’Engle’s novel? There is, and, as she tells in her fine story on it, it is messed up. And how it has stayed messed up itself is a story worth reading and telling. It is, a bit depressingly, a very adult and mundane mystery, but, for me at least, it provides a passage through time.

The author J.S. Bangs–to my knowledge–was the first to post online about the problems with the Greek. As you can read there or in Kramer’s article, whoever transcribed the quotation from Euripides (most likely from a quotation book cribbed poorly from Stobaeus) confused lamdas for etas and nus for upsilons, giving us the aesthetically displeasing fairly impossible: “Αεηπου οὐδὲν, πὰντα δ’ εηπἰζειυ χρωετ for the text printed as Euripides fr. 761 in Stobaeus: ἄελπτον οὐδέν, πάντα δ’ ἐλπίζειν χρεών. The book’s translation, moreover, “Nothing is hopeless; we must hope for everything” obscures what I see in the Greek which is a near koan, “nothing is unexpected, and one must expect everything.”

The story of trying to fix this has its own story. The Greek is off in the blog post (to be pedantic): the initial breathing and the vowel in the final participle need adjustment: ἄελπτον οὐδέν, πάντα δ’ ἐλπίζειν χρεών, (not the displayed Ἅελπτον οὐδέν, πάντα δ’ ἐλπίζειν χρηῶν). And even in a recent edition where the Greek has been mostly fixed, the rough breathing on that initial Alpha remains.

But that is a quibble. I am surprised (but not overly so) that I remember nothing of this; but a little shock that this bad Greek has lasted over 60 years! (And that is the story Mimi Kramer tells, much better than I could do so. And she keys us into another mystery. In the same scene, but a little earlier, the mysterious Mrs. Who speaks Latin!

“Finxerunt animi, raro et perpauca loquentis,” Mrs. Who
intoned. “Horace. To action little, less to words inclined.”

The translation she quotes, however, does not match up well with the Latin provided. To be fair, Horace is a bit of a punk: I think he is virtually untranslatable–but, for those readers who know Latin well, can we bring any light to this dark night?

Here are the full lines from Loeb’s translation by Rushton Fairclough

Horace Sermones 1.4

“The gods be praised for fashioning me of meagre wit and lowly spirit, of rare and scanty speech.”

di bene fecerunt, inopis me quodque pusilli
finxerunt animi, raro et perpauca loquentis.

More literally (but with a much inferior rhythm, I would suggest “The gods have done well: they made me of a small and minor spirit, one who speaks rarely and little”. The proffered translation in A Wrinkle In Time is “To action little, less to words inclined”, which seems to be a combination of only the second halves of the couplet (…inopis me quodque pusilli…raro et perpauca loquentis).

So, a working theory Kramer and I discussed for this is simply that someone who didn’t know Latin picked this Horace out of a quote book where there were two lines each of Latin and English and, because only the second line of English was selected, selected only the second line of Latin too. The translation first appears in a 19th century anthology of Richard Steele’s essays for The Spectator and The Tattler, as a reprint of Spectator No. 19 (March 22, 1711). In the typical fashion of 18th-century literary essayists, Steele and Addison prefixed a Latin epigraph to each of their essays without translation. The English version, then, was provided by the compiler of the anthology as a service to those readers without Latin. The English rendering must have made an impression on someone, because it reappears at the beginning of the 20th century in a dictionary of phrases and classical quotations. The full English translation is;

Thank Heaven that made me of a humble mind;
to action little, less to words inclined.

Guess what else is in that very dictionary? You guessed it, the Euripides fragment on page 129 with the correct Greek with the very translation offered in A Wrinkle in Time.

So, we have a half couplet plucked from Horace and a line poorly transcribed from Euripides. Can any lovers of language (and L’Engle) propose something more generous? Is she reading the Latin differently? Am I reading it wrongly?

As someone who loves literature, I take perverse pleasure in not allowing there to be mistakes. So, for instance, where our Horace above has famously declares that even Homer nods (that is, loses track of stuff), many interpreters instead have declared, no, impossible! And we engage in mental acrobatics to show how even mistakes are actually signs of hidden deeper meaning.

So, maybe the ‘wrong’ Greek is not wrong at all. Perhaps it is really an invitation to contemplation of absurd erudition. Or, even more importantly, perhaps it is a secret message–an anagram or something, which, if decoded, will open up for us passages to universes unknown.

(Ok. I was a kid again there, still hoping to skip dimensions….)

Image result for a wrinkle in time cover
This is the over of the book I read.

Augustine, Confessions 1.8: On Learning how Things have Names

“Was it really this man—me—who jumped from infancy and moved to childhood? Or was it more that childhood entered me and replaced infancy? Infancy didn’t depart—where would it go? But still, it was not there anymore. For I was no longer an infant who could not speak but I was a boy who spoke. I remember this and sometime later I understood where I learned to speak. My elders were not teaching me, offering me words in some established curriculum as they would later with reading, but I, with the mind you gave me, my God, I wanted to make clear the feelings of my heart with all types of groaning and sounds and mad moving of the limbs, so that my will would be obeyed; when I did not prevail over all the things which I wanted from everyone, I picked at it with my memory. Whenever anyone called something something and when they moved toward a thing in response to that word a second time, I observed it and I understood that the thing was named by them—when they made that sound they meant to indicate it.”

nonne ab infantia huc pergens veni in pueritiam? vel potius ipsa in me venit et successit infantiae? nec discessit illa: quo enim abiit? et tamen iam non erat. non enim eram infans qui non farer, sed iam puer loquens eram. et memini hoc, et unde loqui didiceram post adverti. non enim docebant me maiores homines, praebentes mihi verba certo aliquo ordine doctrinae sicut paulo post litteras, sed ego ipse mente quam dedisti mihi, deus meus, cum gemitibus et vocibus variis et variis membrorum motibus edere vellem sensa cordis mei, ut voluntati pareretur, nec valerem quae volebam omnia nec quibus volebam omnibus, prensabam memoria. cum ipsi appellabant rem aliquam et cum secundum eam vocem corpus ad aliquid movebant, videbam et tenebam hoc ab eis vocari rem illam quod sonabant cum eam vellent ostendere.

The Full Latin Text

Macrobius, Saturnalia (Preface, 1-4): Nature, Education and the Original Helicopter Parent

“My child Eustathius: nature has imbued our life with many different instincts, but none is greater than the force which binds us to our own children. She has made our need to educate you and raise you so powerful that parents can gain no greater pleasure–if everything goes according to plan–and feel no more savage sorrow, than when they fail. For this reason I have valued nothing more than your education and, because I believe that focused work should be preferred to prolonged diversion–I am intolerant of delays: I cannot wait for you to advance through only the studies you make tirelessly on your own, so I have also made an effort to read for you and to put together whatever I have read spread out among various volumes of Greek and Latin, before and since you were born as a total supplement of knowledge. And, just as if from your own pantry of culture, whenever you need some fact from history which evades other men by hiding in books, or you need to remember some famous deed or saying, it will be easy and efficient for you to find it.”

Multas variasque res in hac vita nobis, Eustachi fili, natura conciliavit: sed nulla nos magis quam eorum qui e nobis essent procreati caritate devinxit, eamque nostram in his educandis atque erudiendis curam esse voluit, ut parentes neque, si id quod cuperent ex sententia cederet, tantum ulla alia ex re voluptatis, neque, si contra eveniret, tantum maeroris capere possent.Hinc est quod mihi quoque institutione tua nihil antiquius aestimatur, ad cuius perfectionem compendia longis amfractibus anteponenda ducens moraeque omnis inpatiens non opperior ut per haec sola promoveas quibus ediscendis naviter ipse invigilas, sed ago ut ego quoque tibi legerim, et quicquid mihi, vel te iam in lucem edito vel antequam nascereris, in diversis seu Graecae seu Romanae linguae voluminibus elaboratum est, id totum sit tibi scientiae supellex, et quasi de quodam litterarum peno, si quando usus venerit aut historiae quae in librorum strue latens clam vulgo est aut dicti factive memorabilis reminiscendi, facile id tibi inventu atque depromptu sit.

The full text.

Macrobius Ambrosius Theodosius. His friends just called him Mat.