The Epidemic’s Over, We’re Fine

Cicero, Letters to Friends, to Terentia 8 (14.1)

“When it comes to my family, I will do what you report seems right to our friends. Concerning where I am currently, the epidemic is certainly already over and, even though it lasted a while, it didn’t touch me. Plancius, the most dutiful man, longs to keep me with him and detains me here.

I was hoping to stay in some deserted place in Epirus where Piso and his soldiers would never come, but Plancius holds me here. He posts that it will turn out to be possible for him to leave for Italy with me. Should I see that day and return to your embrace and my families and get you and myself back again, I will judge that a great profit of your commitment and mine.”

De familia, quo modo placuisse scribis amicis faciemus. de loco, nunc quidem iam abiit pestilentia, sed quam diu fuit me non attigit. Plancius, homo officiosissimus, me cupit esse secum et adhuc retinet. ego volebam loco magis deserto esse in Epiro, quo neque Piso veniret nec milites, sed adhuc Plancius me retinet; sperat posse fieri ut mecum in Italiam decedat. quem ego diem si videro et si in vestrum complexum venero ac si et vos et me ipsum reciperaro, satis magnum mihi fructum videbor percepisse et vestrae pietatis et meae.

Cicero Very Fine

Doubled Ignorance: Plato on the Dunning-Kruger Effect and Lawmaking

Plato, Laws, 863 c (Full text on the Scaife viewer)

“Someone wouldn’t be wrong in saying that ignorance is a third cause of f*ck-ups.  But a law-maker would be better in splitting this cause into two, understanding the simple one as a cause of minor mistakes. The doubled ignorance—when someone who is screwing up is held not only by ignorance but by the belief of wisdom too as if they perfectly understand all the things they know nothing about—is the cause of serious and harmful mistakes when it has power and strength.

But when present in people who are weak, doubled ignorance produces the errors of children and old people. A law-maker will consider these mere mistakes and will make laws accordingly, which will be the most lenient and full of pardon of all.”

ΑΘ. Τρίτον μὴν ἄγνοιαν λέγων ἄν τις τῶν ἁμαρτημάτων αἰτίαν οὐκ ἂν ψεύδοιτο· διχῇ μὴν διελόμενος αὐτὸ ὁ νομοθέτης ἂν βελτίων εἴη, τὸ μὲν ἁπλοῦν αὐτοῦ κούφων ἁμαρτημάτων αἴτιον ἡγούμενος, τὸ δὲ διπλοῦν, ὅταν ἀμαθαίνῃ τις μὴ μόνον ἀγνοίᾳ συνεχόμενος ἀλλὰ καὶ δόξῃ σοφίας, ὡς εἰδὼς παντελῶς περὶ ἃ μηδαμῶς οἶδεν, μετὰ μὲν ἰσχύος καὶ ῥώμης ἑπομένης μεγάλων καὶ ἀμούσων ἁμαρτημάτων τιθεὶς αἴτια τὰ τοιαῦτα, ἀσθενείας δὲ ἑπομένης, παίδειά τε ἁμαρτήματα καὶ πρεσβυτέρων γιγνόμενα θήσει μὲν ἁμαρτήματα καὶ ὡς ἁμαρτάνουσιν νόμους τάξει, πρᾳοτάτους γε μὴν πάντων καὶ συγγνώμης πλείστης ἐχομένους.

Medieval Floor Tile with fool

4 Years of Presidential Memories: Etymologies for Tyrant

From the Suda:

“Tyrannos: The poets before the Trojan War used to name kings (basileis) tyrants, but later during the time of Archilochus, this word was transferred to the Greeks in general, just as the sophist Hippias records. Homer, at least, calls the most lawless man of all, Ekhetos, a king, not a tyrant. Tyrant is a a name that derives from the Tyrrenians because these men were quite severe pirates.* None of the other poets uses the name tyrant in any of their works. But Aristotle in the Constitution of the Cumaeans says that tyrants were once called aisumnêtai, because this name is a bit of a euphemism.”

Τύραννος: οἱ πρὸ τῶν Τρωϊκῶν ποιηταὶ τοὺς βασιλεῖς τυράννους προσηγόρευον, ὀψέ ποτε τοῦδε τοῦ ὀνόματος εἰς τοὺς Ἕλληνας διαδοθέντος κατὰ τοὺς Ἀρχιλόχου χρόνους, καθάπερ Ἱππίας ὁ σοφιστής φησιν. Ὅμηρος γοῦν τὸν πάντων παρανομώτατον Ἔχετον βασιλέα φησί, καὶ οὐ τύραννον. προσηγορεύθη δὲ τύραννος ἀπὸ Τυρρηνῶν: χαλεποὺς γὰρ περὶ λῃστείας τούτους γενέσθαι. οὐδεὶς δὲ οὐδὲ ἄλλος τῶν ποιητῶν ἐν τοῖς ποιήμασιν αὐτοῦ μέμνηται τὸ τοῦ τυράννου ὄνομα. ὁ δὲ Ἀριστοτέλης ἐν Κυμαίων πολιτείᾳ τοὺς τυράννους φησὶ τὸ πρότερον αἰσυμνήτας καλεῖσθαι. εὐφημότερον γὰρ ἐκεῖνο τὸ ὄνομα. ὅτι καὶ ἕτεροι ἐτυράννησαν, ἀλλ’ ἡ τελευταία καὶ μεγίστη κάκωσις πάσαις ταῖς πόλεσιν ἡ Διονυσίου τυραννὶς ἐγένετο.

For Aristotle’s distinctions, see Politics, book 3 (1285a)

*According to Louise Hitchcock and Aren Maeir (“Yo-ho, Yo-ho: A Seren’s Life For me.” World Archaeology 46:4, 624-640) the Philistines used the word seren to mean leader; this word may have been related to Hittite tarwanis and was possibly circulated by the ‘sea peoples’. Greek tyrannos may have developed from this.

Hesychius:  anangkomonarkhos “monarch-by-force”: a tyrant

ἀναγκομόναρχος· ὁ τύραννος

Etymologicum Magnum

“This is likely formed from Tursennians*. Or it derives from Gyges who was from a Turran city in Lykia, and he was the first one who was a tyrant. Others claim it is from truô [“to distress, wear out, afflict”], that it was truanos and that the rho and nu switched places through pleonasm. Ancients used to use the word Turannos for kings. There was a time when they used a call the tyrant ‘king’.

Τύραννος: ῎Ητοι ἀπὸ τῶν Τυρσηνῶν· ὠμοὶ γὰρ οὗτοι· ἢ ἀπὸ Γύγου, ὅς ἐστιν ἀπὸ Τύρρας πόλεως Λυκιακῆς, τυραννήσαντος πρῶτον. ῎Αλλοι δὲ ἀπὸ τοῦ τρύω, τὸ καταπονῶ, τρύανος· καὶ ὑπερβιβασμῷ τοῦ ρ, τύραννος, κατὰ πλεονασμὸν τοῦ ν. Τύραννον δὲ οἱ ἀρχαῖοι καὶ ἐπὶ βασιλέως ἔτασσον· ἔσθ’ ὅτε δὲ καὶ τὸν τύραννον βασιλέα ἔλεγον.

*A name for Etruscans

s.v. Αἰσυμνητήρ

“An aisiomêtês is one who has proper plans. A tyrant is the opposite.”

ὁ αἰσιομήτης, ὁ αἴσια βουλευόμενος· ὁ γὰρ τύραννος τοὐναντίον.

s.v. Βασιλεύς

“For, a king must truly do noble things. One who does evil, he’s a tyrant.”

δεῖ γὰρ ἀληθῶς βασιλέα καλοποιεῖν· ὁ δὲ κακοποιῶν, τύραννος

Chaintraine notes that the etymology of turannos is unclear but that it may be related to Etruscan turan or Hittite tarwana.

Od. 18.83-87

“If this one defeats you and proves stronger,
I will send you to the shore, throw you in a black ship,
And ship you off to king Ekhetos, the most wicked man of all.
He will cut off your nose and ears with pitiless bronze
And after severing your balls, he will feed them raw to his dogs.”

αἴ κέν σ’ οὗτος νικήσῃ κρείσσων τε γένηται,
πέμψω σ’ ἤπειρόνδε, βαλὼν ἐν νηῒ μελαίνῃ,
εἰς ῎Εχετον βασιλῆα, βροτῶν δηλήμονα πάντων,
ὅς κ’ ἀπὸ ῥῖνα τάμῃσι καὶ οὔατα νηλέϊ χαλκῷ
μήδεά τ’ ἐξερύσας δώῃ κυσὶν ὠμὰ δάσασθαι.”

Cf. 22.474-477 where Odysseus and Telemachus have this done to the cow-herd, Melanthios:

“They took Melanthios out through the hall and into the courtyard.
They cut off his nose and ears with pitiless bronze.
Then they cut off his balls and fed them raw to the dogs;
And they cut off his hands and feet with an enraged heart.”

ἐκ δὲ Μελάνθιον ἦγον ἀνὰ πρόθυρόν τε καὶ αὐλήν·
τοῦ δ’ ἀπὸ μὲν ῥῖνάς τε καὶ οὔατα νηλέϊ χαλκῷ
τάμνον μήδεά τ’ ἐξέρυσαν, κυσὶν ὠμὰ δάσασθαι,
χεῖράς τ’ ἠδὲ πόδας κόπτον κεκοτηότι θυμῷ.

Ekhetos is mentioned again at 18.116 and 21.308. The scholia repeat how cruel he is; but most seem to believe that he was made up by Homer.

agamemnon3med-1

Don’t Go to the Seventh Gate! Reading Aeschylus “Seven Against Thebes” Online

Aeschylus, Seven Against Thebes 968

“The mind goes mad with mourning.”

μαίνεται γόοισι φρήν.

Aeschylus, Seven Against Thebes 704

“Don’t take those paths to the Seventh Gate”

μη ᾿λθῃς ὁδοὺς σὺ τάσδ᾿ ἐφ᾿ Ἑβδόμαις πύλαις.

Aeschylus, Seven Against Thebes 92-95

“Which god or goddess will defend us?
Who will help us?
Should I fall before the paternal altars
Of our gods?

τίς ἄρα ῥύσεται, τίς ἄρ᾿ ἐπαρκέσει
θεῶν ἢ θεᾶν;
95πότερα δῆτ᾿ ἐγὼ <πάτρια> ποτιπέσω
βρέτη δαιμόνων;

The Center for Hellenic Studies , the Kosmos Society and Out of Chaos Theatre has been presenting scenes from Greek tragedy on the ‘small screen’ since the beginning of the US lockdown in March. As our director Paul O’Mahony has put it, since we are “unable to explore the outside world, we have no option but to explore further the inner one.

Aeschylus, Seven Against Thebes 208-210

“What’s this? Can a sailor find some clever safety
By escaping from the stern to the prow
When his ship is overcame by swelling seas?”

τί οὖν; ὁ ναύτης ἆρα μὴ ᾿ς πρῷραν φυγὼν
πρύμνηθεν ηὗρε μηχανὴν σωτηρίας
νεὼς καμούσης ποντίῳ πρὸς κύματι;

This week brings us back to Thebes, one of the central locations for Ancient Greek myth, and likely the second most famous tale of a besieged city from the ancient world. The tale of Seven Against Thebes is part of the Oedipus story, following on from his departure from the city and his cursing of his sons. We have records of a famous epic which told this tale, the lost Thebais, but Aeschylus’ version is our earliest full text dedicated to the struggle between Eteocles and Polyneices. Sophocles and Euripides will provide their own versions of this story, focusing in part on different aspects.

Aeschylus’ account takes us from the anticipation before the battle right up through the conflict over burying the brothers (more well-known from Sophocles’ Antigone). This play was produced in 467 BCE as part of a trilogy dedicated to the family of Oedipus, apparently with a play dedicated to each generation: LaiosOedipus, and the warring sons. The bulk of this play is the run up to the action, the description of where each of the famous seven fights, and the aftermath. 

Aeschylus, Seven Against Thebes 287-295

“I care about this, but my heart cannot sleep in fear.
Anxiety lives next door
To my heart, growing fear
About the enemies around my wall
Just as a dove shakes all over
Afraid of the snakes with evil plans
For the children sleeping in their beds.”

μέλει, φόβῳ δ᾿ οὐχ ὑπνώσσει κέαρ·
γείτονες δὲ καρδίας
μέριμναι ζωπυροῦσι τάρβος
τὸν ἀμφιτειχῆ λεών,
δράκοντας ὥς τις τέκνων
ὑπερδέδοικεν λεχαίων δυσευνάτορας
πάντρομος πελειάς.

Scenes (Ian Johnston’s Translation)

1-35: Eteocles 
78-287: Eteocles, Chorus 
375-791: Messenger, Eteocles, Chorus 
845-1010: Chorus, Antigone, Ismene 
 

Aeschylus, Seven Against Thebes 4

“If we should do well, it’s thanks to the gods.”

εἰ μὲν γὰρ εὖ πράξαιμεν, αἰτία θεοῦ·

Performers

Eteocles – Tim Delap
Chorus – Hannah Barrie and Paul O’Mahony
Messenger – Sara Valentine
Antigone – Tabatha Gayle
Ismene – Evelyn Miller

Special Guest: Naomi Weiss

Aeschylus, Seven Against Thebes 563-567

“The story hunts through my chest
Each strand of my hair stands straight up
As I leason to the boasts of these boastful
Unholy men. If the gods are gods,
I pray they destroy them in our land.”

ἱκνεῖται λόγος διὰ στηθέων,
τριχὸς δ᾿ ὀρθίας πλόκαμος ἵσταται
μεγάλα μεγαληγόρων κλυούσᾳ
ἀνοσίων ἀνδρῶν· εἰ θεοὶ θεοί,
τούσδ᾿ ὀλέσειαν ἐν γᾷ.

Artistic Director: Paul O’Mahony (Out of Chaos Theatre)
Associate Director: Liz Fisher
Director of Outreach: Amy Pistone (Gonzaga University)
Dramaturg: Emma Pauly
Executive Producer: Lanah Koelle (Center for Hellenic Studies)
Producers: Keith DeStone (Center for Hellenic Studies), Hélène Emeriaud, Janet Ozsolak, and Sarah Scott (Kosmos Society)
Poster Artist: John Koelle
Poster Designer: Allie Marbry (Center for Hellenic Studies)

 

Upcoming Episodes

Euripides, Suppliants September 23rd

Euripides, Phoenician Women, September 30

Performing Epic 1, Homer’s Iliad, October 7th

Euripides, Rhesus, October 14th

 

Aeschylus, Seven Against Thebes 1168-1171

“The adage holds that Obedience is the mother

Of Success and the wife of Salvation.”

Πειθαρχία γάρ ἐστι τῆς Εὐπραξίας

μήτηρ, γυνὴ Σωτῆρος· ὧδ᾿ ἔχει λόγος.

For earlier performances see the project home page or the full playlist on YouTube.

Aeschylus, Seven Against Thebes 783-787

“It is just as if the sea is driving on
Waves of troubles. One recedes but another rises
Three times as strong. And it crashes around
The city’s prow.
In between all we have
Is this thin breadth of a wall.”

κακῶν δ᾿ ὥσπερ θάλασσα κῦμ᾿ ἄγει
τὸ μὲν πίτνον, ἄλλο δ᾿ ἀείρει
τρίχαλον, ὃ καὶ περὶ πρύμ-
ναν πόλεως καχλάζει·
μεταξὺ δ᾿ ἄλκαρ ὅδ᾿ ὀλίγῳ
τείνει πύργος ἐν εὔρει.

Against Windbags & “Debate Me” Guys

Giovanni Pontano, de Sermone 1.19:

Beyond these people of each type, whom we consider to go wrong and slip into excess either in praise or in contentious wrangling, there are those who are called verbose, and the fault itself is called verbosity. As these people are eager to please and be gratifying, they are indeed not pleasing at all, and offer no pleasure. Indeed, they offer instead annoyance and give birth to a tedium full of exhaustion and satiety, so deceived by their judgment of things and their mountains of words that you don’t even know, from the fact that they either offend or satisfy your ears, whether they should be placed among the contentious or the stupid. But the contentious conduct themselves in such a way as to spare no one, and they don’t care at all whether they offend others. But the verbose have set their aim and intention upon delighting the audience, but while they maintain no measure and offer no delight, they cross over into the camp of the enemy and appear similar to traitors. And so, the verbose are able to please at the beginning and in the middle of the speech occasionally, but they are not held in hatred, and their speeches are refused rather than fled. But the contentious offend everywhere, and all good people direct their hatred at them as they shrink from listening to them, and even hound them with curses.

I’m Going to Die, Let Everything Burn

CW: Profanity. Climate change trauma. I think I am going to be re-posting this one regularly. This goes out to all the politicians, plutocrats, and CEOs who continue to do nothing about climate change. Special recognition for the party of stupidity that denies climate change science.

Anonymous, Greek Anthology, 7.704

“When I’m dead, the earth can be fucked by fire.
It means nothing to me since I’ll be totally fine.”

Ἐμοῦ θανόντος γαῖα μιχθήτω πυρί·
οὐδὲν μέλει μοι· τἀμὰ γὰρ καλῶς ἔχει.

This statement is no less potent or poignant now than 2500 years ago. It signals the vampiric and internally apocalyptic solipsisms of the powerful and the elite. But it also engages with a universal human denial and naive narcissism that allows us to ignore and exacerbate global warming and to throw other people’s children into cages while we cherish our own. This is the voice that says only the now matters, that this quarter’s profits are more important than sustainability and justice, that today’s ends justify any kinds of means.

Unsurprisingly, it is attributed to the Roman Emperors Tiberius and Nero.

Suda tau 552 [cribbing Dio Cassius]

“And Tiberius uttered that ancient phrase, “when I am dead, the earth can be fucked with fire”, and he used to bless Priam because he died with his country and his palace.”

τοῦτο δὲ τὸ ἀρχαῖον ἐφθέγξατο· ἐμοῦ θανόντος γαῖα μιχθήτω πυρί. καὶ τὸν Πρίαμον ἐμακάριζεν, ὅτι μετὰ τῆς πατρίδος καὶ τῆς βασιλείας ἀπώλετο.

Tragicorum Graecorum Fragmenta
From Tragicorum Graecorum Fragmenta

Here’s one explanation:

Appendix Proverbiorum 2.56

“When I am dead, the earth can be fucked by fire.” Note that this [proverb is used] to express that it isn’t necessary to think or worry about the future

᾿Εμοῦ θανόντος γαῖα μιχθήτω πυρί: ὅτι οὐ δεῖ περὶ τῶν μελλόντων φροντίζειν ἢ δεδιέναι.

The saying seems to predate the Roman Emperors, however. Cicero riffs on this sentiment.

Cicero, De Finibus 3.64

“In turn, they believe that the universe is ruled by the will of the gods and that it is like a city or state shared by humans and gods and that everyone of us is a member of this universe. This is the reason that it is natural for us to put shared good before the personal. Truly, just as the laws prefer the safety of the collective over that of individuals, so too a good and wise person, obedient to the laws and not ignorant of his civic duty, pursues the advantage of the collective over that of an individual or himself.

A traitor to a state need not be hated more than one who undermines common advantage or safety on account of his own. This is why the person who faces death for the republic must be praised, because it bestows glory upon us to care more for our country than ourselves. And this is why it seems an inhuman and criminal voice when people say that they don’t care if all of everything burns when they are dead—as it is typically construed with that common Greek verse—and it is also certainly true that we must care for those who will live in the future for their own sake.”

Mundum autem censent regi numine deorum eumque esse quasi communem urbem et civitatem hominum et deorum, et unumquemque nostrum eius mundi esse partem; ex quo illud natura consequi ut communem utilitatem nostrae anteponamus. Ut enim leges omnium salutem singulorum saluti anteponunt, sic vir bonus et sapiens et legibus parens et civilis offici non ignarus utilitati omnium plus quam unius alicuius aut suae consulit. Nec magis est vituperandus proditor patriae quam communis utilitatis aut salutis desertor propter suam utilitatem aut salutem. Ex quo fit ut laudandus is sit qui mortem oppetat pro re publica, quod deceat cariorem nobis esse patriam quam nosmet ipsos. Quoniamque illa vox inhumana et scelerata ducitur eorum qui negant se recusare quo minus ipsis mortuis terrarum omnium deflagratio consequatur (quod vulgari quodam versu Graeco pronuntiari solet), certe verum est etiam iis qui aliquando futuri sint esse propter ipsos consulendum.

Tree ridge in flames during the 2018 Woolsey Fire, California, US. Photo courtesy of Peter Buschmann, United States Forest Service, USDA. Some additional editing by W.carter.

Here’s a more genteel variation on the sentiment:

A note about the translation: I use the English profane “fuck” for mikhthênai here for two reasons. First, mignumi is often used in periphrases or euphemism for sex. Second, I think the speaker is effecting a dismissive and aggressively narcissistic stance towards the world which will exist after his death. Such narcissism and self-absorption is so perverse and twisted and yet so utterly common as to demand obscenity and plunge us all into the painfully profane. Third, as my students, and unfortunately my children, can attest, I am profane in real life. This is in part a class issue (I lack certain refinements) but it is also part character (my slight discomfort at class mobility and playing the professional role is expressed through this minor, adolescent rebelliousness).

But, there’s also the zeitgeist. There have been  complaints  over the years about profanity coming from this website and twitter account. While I understand that language use can be harmful and seem inapposite, I fear that I am insufficiently sympathetic to complaints about vulgar or profane language. We are living in a perverse and obscene time. Effective language, a man once said, is when the sound is an echo of the sense.

Seneca gets the same sense, but makes it a bit more active in his Medea.

Seneca, Medea 426–428

“…The only rest
Is if I see the whole world uprooted along with my ruin.
Let everything depart with me. It is pleasing to destroy while you die.”

…Sola est quies,
mecum ruina cuncta si video obruta;
mecum omnia abeant. trahere, cum pereas, libet.

Thanks to @mwiik and @ericvonotter for this.

https://twitter.com/ericvonotter/status/1160589899667517442?s=20

Sick of Seneca

Aulus Gellius, Attic Nights 12.2

That Annaeus Seneca, when judging Ennius and Cicero, was possessed of light and silly judgment.

Some think of Seneca as a worthless writer, whose books it is not even worth the effort to touch, because his speech seems vulgar and played-out, while his matter and thoughts are characterized either by a bungling and empty force or a light and rather juridical affectation. His learning, however, is common and plebeian, and has neither the grace nor the dignity of the ancient writers. Though others may not deny that he has too little of elegance in his words, they affirm that he is not lacking a knowledge and understanding of the things which he discusses, in addition to a not unpleasing severity in censuring moral lapses. It is not necessary for me to make a judgment or criticism of his talent or writing as a whole; but I would like to consider the nature of the judgment which he made on Cicero, Ennius, and Vergil. In the twenty-second book of his moral epistles, which he wrote to Lucullus, he says that Ennius wrote these ridiculous verses about that ancient man Cethegus:

He was called by the people once,

who lived about that time,

the special flower of the people, and the marrow of Persuasion.

Then he writes about these same verses, ‘I wonder at the fact that the most eloquent and devoted fans of Ennius have praised this claptrap as fine poetry. Cicero, to be sure, mentions these among Ennius’ best lines.’ He then adds about Cicero himself, ‘I am not surprised that there was a man who could write verses like this since there was also a man who would praise them; but perhaps Cicero, that famous orator, was pleading his own case by praising these, in order to make his own awful verses appear good.’ After this, Seneca adds most foolishly, ‘Even in Cicero’s prose you can find some things, from which it is clear that he did not waste his time when he read Ennius.’ Then he includes an example of the sort of thing which he reprehends in Cicero as being  ‘Ennian,’ which he wrote in his book de re publica: ‘Menelaus the Laconian was graced with a sweet-talking charm,’ and in another passage, ‘he cultivates brevity of speech in his oratory.’ Then that clown Seneca has the audacity to make apology for Cicero’s errors by writing, ‘It was not the fault of Cicero himself, but of his times; it was inevitable that one would speak thus, when that sort of thing was commonly read.’ Then he suggests that Cicero included these bits to avoid the charge that his speech was too ornate and polished.

In the same place, he says this of Vergil: ‘Even our own Vergil has, for the same reason, placed certain ugly and unwonted verses which go somewhat beyond the limit, so that his Ennian audience could recognize a little bit of antiquity in his new poem.’

But now I’m sick of Seneca’s words. Nevertheless, I won’t omit to mention these little jokes of that stupid and witless man: ‘There are some verses of Ennius of such great sense that they could, though written among those that smell like goats, could nevertheless please a perfumed audience.’ When he is criticizing the verses about Cethegus which I quoted above, he says, ‘Whoever loves this kind of verse would probably also like the couches of Sotericus.’

Seneca certainly seems worthy for the perusal of adulescents when he compares the dignity and taste of the best ancient poetry to the couches of Sotericus as though they had no grace and were long ago forgotten and condemned. But listen as I remember a few things which Seneca actually said well, such as that which he said about a miser who wanted more money: ‘What does it matter how much money you have? There is always much more which you do not have!’ Was this well-said? Certainly. But good sayings don’t benefit the young as much as bad sayings harm them, and this is especially true when the inferior ones are so much greater in number, and if they are not about some small and simple affair, but a doubtful one which requires serious judgment.

II Quod Annaeus Seneca iudicans de Q. Ennio deque M. Tullio leui futtilique iudicio fuit.

[1] De Annaeo Seneca partim existimant ut de scriptore minime utili, cuius libros adtingere nullum pretium operae sit, quod oratio eius uulgaria uideatur et protrita, res atque sententiae aut inepto inanique impetu sint aut leui et causidicali argutia, eruditio autem uernacula et plebeia nihilque ex ueterum scriptis habens neque gratiae neque dignitatis. Alii uero elegantiae quidem in uerbis parum esse non infitias eunt, sed et rerum, quas dicat, scientiam doctrinamque ei non deesse dicunt et in uitiis morum obiurgandis seueritatem grauitatemque non inuenustam. [2] Mihi de omni eius ingenio deque omni scripto iudicium censuramque facere non necessum est; sed quod de M. Cicerone et Q. Ennio et P. Vergilio iudicauit, ea res cuimodi sit, ad considerandum ponemus. [3] In libro enim uicesimo secundo epistularum moralium, quas ad Lucilium conposuit, deridiculos uersus Q. Ennium de Cetego antiquo uiro fecisse hos dicit:

is dictust ollis popularibus olim, qui tum uiuebant homines atque aeuum agitabant, flos delibatus populi Suada medulla.

[4] Ac deinde scribit de isdem uersibus uerba haec: ‘Admiror eloquentissimos uiros et deditos Ennio pro optimis ridicula laudasse. Cicero certe inter bonos eius uersus et hos refert.’ [5] Atque id etiam de Cicerone dicit: ‘Non miror’ inquit ‘fuisse, qui hos uersus scriberet, cum fuerit, qui laudaret; nisi forte Cicero summus orator agebat causam suam et uolebat suos uersus uideri bonos.’ [6] Postea hoc etiam addidit insulsissime: ‘Aput ipsum quoque’ inquit ‘Ciceronem inuenies etiam in prosa oratione quaedam, ex quibus intellegas illum non perdidisse operam, quod Ennium legit.’ [7] Ponit deinde, quae apud Ciceronem reprehendat quasi Enniana, quod ita scripserit in libris de republica: ‘ut Menelao Laconi quaedam fuit suauiloquens iucunditas’, et quod alio in loco dixerit: ‘breuiloquentiam in dicendo colat.’ [8] Atque ibi homo nugator Ciceronis errores deprecatur et ‘non fuit’ inquit ‘Ciceronis hoc uitium, sed temporis; necesse erat haec dici, cum illa legerentur.’ [9] Deinde adscribit Ciceronem haec ipsa interposuisse ad effugiendam infamiam nimis lasciuae orationis et nitidae. [10] De Vergilio quoque eodem in loco uerba haec ponit: ‘Vergilius quoque noster non ex alia causa duros quosdam uersus et enormes et aliquid supra mensuram trahentis interposuit, quam ut Ennianus populus adgnosceret in nouo carmine aliquid antiquitatis.’ [11] Sed iam uerborum Senecae piget; haec tamen inepti et insubidi hominis ioca non praeteribo: ‘Quidam sunt’ inquit ‘tam magni sensus Q. Ennii, ut, licet scripti sint inter hircosos, possint tamen inter unguentatos placere’; et, cum reprehendisset uersus, quos supra de Cetego posuimus: ‘qui huiuscemodi’ inquit ‘uersus amant, liqueat tibi eosdem admirari et Soterici lectos.’ [12] Dignus sane Seneca uideatur lectione ac studio adulescentium, qui honorem coloremque ueteris orationis Soterici lectis compararit quasi minimae scilicet gratiae et relictis iam contemptisque. [13] Audias tamen commemorari ac referri pauca quaedam, quae idem ipse Seneca bene dixerit, quale est illud, quod in hominem auarum et auidum et pecuniae sitientem dixit: ‘Quid enim refert, quantum habeas? multo illud plus est, quod non habes.’ [14] Benene hoc? sane bene; sed adulescentium indolem non tam iuuant, quae bene dicta sunt, quam inficiunt, quae pessime, multoque tanto magis, si et plura sunt, quae deteriora sunt, et quaedam in his non pro ἐνθυμήματι aliquo rei paruae ac simplicis, sed in re ancipiti pro consilio dicuntur.

Here’s a Plan: Evict the Rich, Feed Everyone

Cicero, Pro Sestio 103

“The people were certain that their freedom was at risk. Their leaders did not agree. As far as a matter concerned the safety of the aristocrats, they were afraid of the rashness of the masses and the liberty in the vote. Tiberius Gracchus was introducing his agrarian law. It was welcomed by the people since it appeared to firm up the fortunes of the lower classes.

The aristocrats were against it because they believed it created unrest and imagined that the State would be disarmed of its greatest protectors once the rich were evicted from their long-term holdings. Gaius Gracchus was introducing a grain law. It was also welcome to the people for it provided plentiful food without labor. The Nobles were aghast because they believed that such a law disincentivized work in favor of laziness and that it would drain the treasury.”

Populus libertatem agi putabat suam. Dissentiebant principes et in salute optimatium temeritatem multitudinis et tabellae licentiam pertimescebant. Agrariam Ti. Gracchus legem ferebat. Grata erat populo; fortunae constitui tenuiorum videbantur. Nitebantur contra optimates, quod et discordiam excitari videbant et, cum locupletes possessionibus diuturnis moverentur, spoliari rem publicam propugnatoribus arbitrabantur. Frumentariam legem C. Gracchus ferebat. Iucunda res plebei; victus enim suppeditabatur large sine labore. Repugnabant boni, quod et ab industria plebem ad desidiam avocari putabant et aerarium exhauriri videbant.

Agrarian Law: Tiberius Gracchus  introduced a law in 133 BCE that no holder of public land (ager publicus populi Romani) should have more than 500 iugera and that land should be re-distributed to the poor.

Not to ruin it, but things did not turn out well for the Gracchi

Cornelia, Mother of the Gracchi

Clodius The Monster and the Origin of “Cui Bono”

Cicero, Pro Milone 32

“How, then, is it possible to prove that Clodius conspired against Milo? For such an audacious, nefarious monster it is enough to show that he had a great reason, that great hope resided in the death of Milo, and that there was great purpose to it. And so, let that proverb of Cassius “Who profited from it?” [cui bono fuerit] frame the players on the stage, if truly good men are compelled to deception by no prize while the wicked often are moved by a small one.

Once Milo was killed, Clodius advanced in these ways: not only was he as a praeter under no consul who would do something about his crime, but he was also a praeter serving under consuls with whose plans if not their actually help he hoped that he would be able to get away with his planned insanities. These men, as I am sure we were thinking, would not want to restrain his actions if they could, since they would think about the great benefit they owed him; men who, even if they wanted to, would hardly be capable of squashing the boldness of the most criminal person, an audacity fully strengthened by time.”

Quonam igitur pacto probari potest insidias Miloni fecisse Clodium? Satis est in illa quidem tam audaci, tam nefaria belua docere, magnam ei causam, magnam spem in Milonis morte propositam, magnas utilitates fuisse. Itaque illud Cassianum, “cui bono fuerit,” in his personis valeat, etsi boni nullo emolumento impelluntur in fraudem, improbi saepe parvo. Atqui Milone interfecto Clodius haec adsequebatur, non modo ut praetor esset non eo consule, quo sceleris nihil facere posset, sed etiam ut eis consulibus praetor esset, quibus si non adiuvantibus, at coniventibus certe speraret posse se eludere in illis suis cogitatis furoribus: cuius illi conatus, ut ipse ratiocinabatur, nec cuperent reprimere, si possent, cum tantum beneficium ei se debere arbitrarentur, et, si vellent, fortasse vix possent frangere hominis sceleratissimi conroboratam iam vetustate audaciam.

The Cassius in question is L. Cassius Longinus, Tribune of the Plebs in 127 BCE . We have mentioned the polarizing P. Clodius Pulcher before.

Cicero was a fan of this saying.

Cicero, Pro Sexto Roscio Amerino, 84

The famous Lucius Cassius, whom the Roman people used to consider the most truthful and wisest judge, often used to say in evaluating cases “who stood to profit” [cui bono fuisset]. This is the human way: no one pursues a crime without the hope of some profit.”

Cassius ille, quem populus Romanus verissimum et sapientissimum iudicem putabat, identidem in causis quaerere solebat, “cui bono” fuisset. Sic vita hominum est, ut ad maleficium nemo conetur sine spe atque emolumento accedere.

Roman Coin depicting Vestal Virgin on one side and L. Cassius on the other (he famously prosecuted the Vestal Virgins for not being chaste)

 

 

Customary Triviality and the Second Most Beautiful Danaan

Demetrius, On Style 60-61

“First, anthypallage, as when Homer has “the two rocks, one reaches to the broad sky”. This is far more impressive than if the typical genitive had been used and he had said, two of the rocks, one reaches the broad sky. It is customarily said like that. But everything customary is trivial, and for this reason brings no amazement.

Conider, in turn, Nireus, who is minor himself and whose affairs are minor since he has three ships and a small number of people. The poet makes him great and his group lareger using the double and combined figures of anaphora and asyndeton. He says “Nireus led three ships / Nirieus the son of Aglaiê, Nireus, who was the prettiest man. The anaphora—repetition of the same word, here Nireus—and the asyndeton makes the matter described seem larger, even though it is only two or three ships.”

(60) πρῶτον μὲν τὴν ἀνθυπαλλαγήν, ὡς Ὅμηρος, “οἱ δὲ δύο σκόπελοι ὁ μὲν οὐρανὸν εὐρὺν ἱκάνει”· πολὺ γὰρ οὕτω μεγαλειότερον ἐναλλαγείσης <τῆς> πτώσεως, ἢ εἴπερ οὕτως ἔφη, “τῶν δὲ δύο σκοπέλων ὁ μὲν οὐρανὸν εὐρύν”· συνήθως γὰρ ἐλέγετο. πᾶν δὲ τὸ σύνηθες μικροπρεπές, διὸ καὶ ἀθαύμαστον.

(61) Τὸν δὲ Νιρέα, αὐτόν τε ὄντα μικρὸν καὶ τὰ πράγματα αὐτοῦ μικρότερα, τρεῖς ναῦς καὶ ὀλίγους ἄνδρας, μέγαν καὶ μεγάλα ἐποίησεν καὶ πολλὰ ἀντ᾿ ὀλίγων, τῷ σχήματι διπλῷ καὶ μικτῷ χρησάμενος ἐξ ἐπαναφορᾶς τε καὶ διαλύσεως. “Νιρεὺς γάρ,” φησι, “τρεῖς νῆας ἄγεν, Νιρεὺς Ἀγλαΐης υἱός, Νιρεύς, ὃς κάλλιστος ἀνήρ”· ἥ τε γὰρ ἐπαναφορὰ τῆς λέξεως ἐπὶ τὸ αὐτὸ ὄνομα τὸν Νιρέα καὶ ἡ διάλυσις πλῆθός τι ἐμφαίνει πραγμάτων, καίτοι δύο ἢ τριῶν ὄντων.

The lines in the Iliad are slightly different (2.671–675)

“Then Nireus came from Symê with three beautiful ships,
Nireus the son of Aglaiê and lord Kharops,
Nireus, the most beautiful man who came to Troy
Of all the Danaans after the blameless son of Peleus.
But he was weak and a meager army followed him.”

Νιρεὺς αὖ Σύμηθεν ἄγε τρεῖς νῆας ἐΐσας
Νιρεὺς ᾿Αγλαΐης υἱὸς Χαρόποιό τ’ ἄνακτος
Νιρεύς, ὃς κάλλιστος ἀνὴρ ὑπὸ ῎Ιλιον ἦλθε
τῶν ἄλλων Δαναῶν μετ’ ἀμύμονα Πηλεΐωνα·
ἀλλ’ ἀλαπαδνὸς ἔην, παῦρος δέ οἱ εἵπετο λαός.

Thebes Vase from this site