Put the Living in Your Head and STFU About the Dead

Erasmus, Adagia 152

It is proper to remember the living. This is an old adage directed at those who talk excessively about the dead. It is commonly thought to be a bad omen to have the dead one the tip of one’s tongue and to bring them forth and cite them in speech. For this reason M. Varro in Book 3 of On the Latin Language thinks that letum (death) is derived ἀπὸ τῆς λήθης, that is from forgetting, as if to suggest that it is proper for one to move into oblivion once they have died. In funerals, it was once customary to hear from the announcet: “He has been given to death.” 

The adage is related by Cicero in his On the Ends of Good and Evil. There, when Piso and then Quintus Cicero have said that they are violently moved by the recollection of famous men from the contemplation of the places in which they had at some time been when they were alive, and when each of them decided by whose memory they were delighted the most, Pomponius Atticus added as if joking, ‘But I, whom you are accustomed to upbraiding as totally given over to Epicurus, am much more in the camp of Phaedrus, whom I esteem foremost, as you know, in the gardens of Epicurus, which we were just passing, but I remember the living in accordance with the advice of the ancient proverb: yet I could not forget Epicurus if I wanted to, since our closest friends have his image not just on tablets, but even on their cups and rings.’ So much for Cicero.

Similarly, Plautus in his Truculentus

You may know a person while they live; once they are dead, you should remain silent.

But now the rabble doesn’t even remember the good deeds of friends, since this saying of Thales is rightly celebrated, that it is proper to be mindful no less of absent friends than of present ones.

Vivorum meminisse oportet. Vetus adagium in eos, qui plurimum de vita defunctis loquuntur, id quod vulgo putant ominosum mortuos in ore habere eosque ut velut citatos in sermonem adducere. Unde et M. Varro libro De lingua Latina tertio putat lethum ἀπὸ τῆς λήθης, id est oblivione dictum, quasi in oblivionem abire conveniat, qui vita excesserit, atque in funeribus sic quondam a praecone dici solere: Ollus letho datus est. Refertur adagium a Cicerone libro quinto De finibus bonorum et malorum. Ubi cum Piso, deinde Q. Cicero dixissent se vehementer commoveri recordatione clarorum virorum ex contemplatione locorum in quibus aliquando vivi versati fuissent, et uterque recensuisset, quorum memoria potissimum delectaretur, tum Pomponius Atticus quasi iocans: At ego, inquit, quem vos ut deditum Epicuro insectari soletis, sum multum equidem cum Phaedro, quem unice diligo, ut scitis, in Epicuri hortis, quos modo praeteribamus, sed veteris proverbii admonitu vivorum memini; nec tamen Epicuri licet oblivisci, si cupiam, cuius imaginem non modo in tabulis nostri familiares, sed etiam in poculis et anulis habent. Hactenus Cicero. Plautus item in Truculento:

Dum vivit, hominem noveris; dum mortuus est, quiescas.

At nunc vulgus ne beneficium quidem amicorum meminit, cum Thaletis dictum iure celebretur oportere non minus absentium amicorum quam praesentium memores esse.

Biological Warfare in Ancient Greece

Suda, sigma 777

Solon: They [the Amphiktyones] selected this man to be their adviser for war against the Kirrhaians. When they were consulting the oracle about victory, the Pythia said: “you will not capture and raze the tower of this city before the wave of dark-eyed Amphitritê washes onto my precinct as it echoes over the wine-faced sea.”

Solon persuaded them to make Kirrhaia sacred to the god so that the sea would become a neighbor to Apollo’s precinct. And another strategy was devised by Solon against the Kirrhaians. For he turned a river’s water which used to flow in its channel into the city elsewhere.

The Kirrhaians withstood the besiegers by drinking water from wells and from rain. But [Solon] filled the river with hellebore roots and when he believed the water had enough of the drug, he returned it to its course. Then the Kirrhaians took a full portion of this water. And when they went AWOL because of diarrhea, the Amphiktyones who were stationed near the wall took it and then the city.”

Σόλων: τοῦτον εἵλοντο οἱ Κιρραίοις πολεμεῖν ᾑρημένοι σύμβουλον. χρωμένοις δὲ σφίσι περὶ νίκης ἀνεῖπεν ἡ Πυθώ: οὐ πρὶν τῆσδε πόληος ἐρείψετε πύργον ἑλόντες, πρίν κεν ἐμῷ τεμένει κυανώπιδος Ἀμφιτρίτης κῦμα ποτικλύζοι, κελαδοῦν ἐπὶ οἴνοπα πόντον. ἔπεισεν οὖν ὁ Σόλων καθιερῶσαι τῷ θεῷ τὴν Κίρραιαν, ἵνα δὴ τῷ τεμένει τοῦ Ἀπόλλωνος γένηται γείτων ἡ θάλαττα. εὑρέθη δὲ καὶ ἕτερον τῷ Σόλωνι σόφισμα ἐς τοὺς Κιρραίους: τοῦ γὰρ ποταμοῦ τὸ ὕδωρ ῥέον δι’ ὀχετοῦ ἐς τὴν πόλιν ἀπέστρεψεν ἀλλαχόσε. καὶ οἱ μὲν πρὸς τοὺς πολιορκοῦντας ἔτι ἀντεῖχον ἔκ τε φρεάτων καὶ τὸ ὕδωρ τὸ ἐκ θεοῦ πίνοντες. ὁ δὲ τοῦ ἑλλεβόρου τὰς ῥίζας ἐμβαλὼν ἐς τὸν ποταμόν, ἐπειδὴ ἱκανῶς τοῦ φαρμάκου τὸ ὕδωρ ᾔσθετο ἔχον, ἀντέστρεψεν αὖθις ἐς τὸν ὀχετόν, καὶ ἐνεφορήσαντο ἀνέδην οἱ Κιρραῖοι τοῦ ὕδατος. καὶ οἱ μὲν ὑπὸ τῆς διαρροίας ἐξέλιπον, οἱ δὲ ἐπὶ τοῦ τείχους τῆς φρουρᾶς Ἀμφικτύονες εἷλον τὴν φρουρὰν καὶ τὴν πόλιν.

Image result for medieval manuscript diarrhea
Roman d’Alexandre, Tournai 1338-1344.

From Apollonios Paradoxographus

“In his work On Plants, in the last part of the material, Theophrastos says that Eunomos, the Khian and purveyor of drugs, did not [cleanse himself/die] while drinking many draughts of hellebore. Once, even, when together with his fellow craftsmen he took over 22 drinks in one day as he sat in the agora and he did not return from his implements. Then he left to wash and eat, as he was accustomed, and did not vomit. He accomplished this after being in this custom for a long time, because he started from small amounts until he got to so many large ones. The powers of all drugs are less severe for those used to them and for some they are even useless.”

50 Θεόφραστος ἐν τῷ περὶ φυτῶν, ἐν τῇ ἐσχάτῃ τῆς πραγματείας· Εὔνομος, φησίν, ὁ Χῖος, ὁ φαρμακοπώλης, ἐλλεβόρου πίνων πλείονας πόσεις οὐκ ἐκαθαίρετο. καὶ ποτέ, ἔφη, ἐν μιᾷ ἡμέρᾳ συνθέμενος τοῖς ὁμοτέχνοις περὶ δύο καὶ εἴκοσι πόσεις ἔλαβεν ἐν τῇ ἀγορᾷ καθήμενος καὶ οὐκ ἐξανέστη ἀπὸ τῶν σκευῶν <μέχρι δείλης>. τότε δ’ ἀπῆλθεν λούσασθαι καὶ δειπνῆσαι, ὥσπερ εἰώθει, καὶ οὐκ ἐξήμεσεν.

 τοῦτο δὲ ἔπραξεν ἐν πολυχρονίῳ συνηθείᾳ γεγονώς, ἀρξάμενος ἀπὸ ὀλίγων ἕως τοσούτων πόσεων. πάντων δὲ τῶν φαρμάκων αἱ δυνάμεις ἀσθενέστεραι τοῖς συνειθισμένοις, ἐνίοις δὲ καὶ ἄπρακτοί εἰσιν.

Comfort in Literature in the Face of Disease and Death

Pliny, Letters 8.19

“I have so much joy and comfort in literature that there’s nothing that can’t be made happier because of it and there’s nothing sad enough to detract from its effect. I am so troubled by the sickness of my wife and the danger to my household, even the threat of death, that I have fled to my study as the only distraction from pain. I may sense my troubles more in this way but I yet bear them more easily. 

It is my custom, however, to test on my friends’ judgment–especially yours– anything I intend to circulate publicly. So, if you have ever before done so, please examine the book which you are receiving with this letter, since I fear that have focused too poorly because of my sorrow. I was able to overcome my grief enough to write, but I could not do it with a light and happy spirit. For happiness to come from study, study must arise from joy.  Goodbye”

Et gaudium mihi et solacium in litteris, nihilque tam laetum quod his laetius, tam triste quod non per has minus triste. Itaque et infirmitate uxoris et meorum periculo, quorundam vero etiam morte turbatus, ad unicum doloris levamentum studia confugi, quae praestant ut adversa magis intellegam sed patientius feram. Est autem mihi moris, quod sum daturus in manus hominum, ante amicorum iudicio examinare, in primis tuo. Proinde si quando, nunc intende libro quem cum hac epistula accipies, quia vereor ne ipse ut tristis parum intenderim. Imperare enim dolori ut scriberem potui; ut vacuo animo laetoque, non potui. Porro ut ex studiis gaudium sic studia hilaritate proveniunt. Vale.

Rattenberg (Tyrol). Augustine museum – Memento-mori-painting ( 1694 ) from Kitzbühl – detail with inscription: “All skulls are signed but one; write your name on it, it is yours.”

Helen’s Consent: A Scholion on the Difference between the Iliad and the Odyssey

Homer, Iliad 2.350–356

“I say that the over-powering son of Kronos assented
On that day when the Argives took to the fast-faring ships
Bringing murder and death to the Trojans,
Showing clear and favorable signs by flashing lightning.
So let no one be compelled to return home,
Before each one has taken a Trojan wife to bed
As payback for the struggles and moans of Helen”

φημὶ γὰρ οὖν κατανεῦσαι ὑπερμενέα Κρονίωνα
ἤματι τῷ ὅτε νηυσὶν ἐν ὠκυπόροισιν ἔβαινον
᾿Αργεῖοι Τρώεσσι φόνον καὶ κῆρα φέροντες
ἀστράπτων ἐπιδέξι’ ἐναίσιμα σήματα φαίνων.
τὼ μή τις πρὶν ἐπειγέσθω οἶκον δὲ νέεσθαι
πρίν τινα πὰρ Τρώων ἀλόχῳ κατακοιμηθῆναι,
τίσασθαι δ’ ῾Ελένης ὁρμήματά τε στοναχάς τε.

Schol. A ad Hom. Il. 2.356ex

[To pay back the struggles and moans of Helen]: “The separatists say that the poet of the Iliad presents Helen as enduring it badly and groaning because of the trauma of rape by Alexander while the poet of the Odyssey presents her as willing.

This is because they do not understand that the account is not from her perspective, but that we need to understand that it is from outside her perspective, that she is the object. So, there is the interpretation that it is is necessary to take vengeance in exchange for how we have groaned and suffered about Helen.”

τίσασθαι δ’ ῾Ελένης <ὁρμήματά τε στοναχάς τε>: πρὸς τοὺς Χωρίζοντας· ἔφασαν (fr. 1 K.) γὰρ τὸν μὲν τῆς ᾿Ιλιάδος ποιητὴν δυσανασχετοῦσαν συνιστάνειν καὶ στένουσαν διὰ τὸ βίᾳ  ἀπῆχθαι ὑπὸ τοῦ ᾿Αλεξάνδρου, τὸν δὲ τῆς ᾿Οδυσσείας ἑκοῦσαν, οὐ νοοῦντες ὅτι οὐκ ἔστιν ἐπ’ αὐτῆς ὁ λόγος, ἀλλ’ ἔξωθεν πρόθεσιν τὴν περί δεῖ λαβεῖν, ἵν’ ᾖ περὶ ῾Ελένης. καὶ ἔστιν ὁ λόγος, τιμωρίαν λαβεῖν ἀνθ’ ὧν ἐστενάξαμεν καὶ ἐμεριμνήσαμεν περὶ ῾Ελένης· παραλειπτικὸς γὰρ προθέσεών ἐστιν ὁ ποιητής.

The debate here, then, seems to be whether Helen is the actor behind the ὁρμήματά τε στοναχάς τε or the reason the ὁρμήματά τε στοναχάς τε are experienced by others. What I find more interesting in this passage is the assertion that ancient scholars split the authorship of the epics based on whether Helen seems a willing participant or not. Also not to be overlooked here: Nestor is rallying the troops by telling them they won’t go home until each of them “lies alongside” (κατακοιμηθῆναι) a wife of a Trojan.

(Most of our information about the separatists comes from scholia attributed to Aristarchus. There are eleven direct mentions of the scholiasts in Erbse’s edition.)

File:Helen of Sparta boards a ship for Troy fresco from the House of the Tragic Poet in Pompeii.jpg
Fresco from Pompeii, Helen Boards the Ship to Troy

Take Heed and Sow Your Seed

Erasmus, Adagia 141:

“Don’t hesitate to sow.”

A rustic adage, but not an unworthy one, which could be made to refer to this volume: don’t wait to sow. By this we are warned not to avoid doing any of those things from which nothing at all of effort but much indeed of benefit can spring forth, if not for the present, then certainly later, and if not for ourselves, then certainly for our offspring. Columella writes in his twelfth book of De Re Rustica: “Therefore this common saying about the setting of trees has been taken up by rustic people: don’t hesitate to sow.” For building sometimes drains its profits, business depends on fortune and often turns out badly for not a few people. In the same way, one thing or another is either a disadvantage or a danger to this person or that person, but much benefit is taken from planting trees and yet it does not depend on great outlay of effort.” Vergil expressed the same sentiment in the second book of his Georgicswith the addition of a figure: “And we hesitate still to sow and expend our care?”

Serere ne dubites

Rusticanum adagium, sed non indignum, quod in hoc volumen referatur: Serere ne dubites. Quo monemur, ne quando pigeat eiusmodi rerum aliquid moliri, a quibus nihil omnino dispendii, plurimum emolumenti possit proficisci, si non in praesens, certe in posterum, si non nobis, at saltem posteris. Columella libro De re rustica duodecimo: Quare vulgare illud de arborum positione rusticis usurpatum: Serere ne dubites. Nam aedificatio nonnunquam exhaurit fructus, negotiatio pendet a fortuna neque paucis male cessit. Eundem ad modum ex aliis aliud atque aliud est vel incommodi vel periculi, sed ex arboribus conserendis plurimum capitur commoditatis neque magno tamen impendio constat. Eandem sententiam Vergilius addita figura sic extulit libro Georgicôn secundo: Et dubitamus adhuc serere atque impendere curam ?

Two Years and then Some More: A Plague’s Retreat and Return

Thucydides, Peloponnesian War 3.87

“As winter started coming on, the disease afflicted the Athenians a second time—even though it hadn’t totally disappeared before, there was still a period of relief. Then it lingered no less than a year when the first encounter was two. The overall result was that nothing overwhelmed the Athenians and sapped their power more than this.

No fewer than 4400 hoplites died from the ranks along with three hundred cavalry. And the number of the rest of the masses that died was never discovered.”

Τοῦ δ’ ἐπιγιγνομένου χειμῶνος ἡ νόσος τὸ δεύτερον ἐπέπεσε τοῖς ᾿Αθηναίοις, ἐκλιποῦσα μὲν οὐδένα χρόνον τὸ παντάπασιν, ἐγένετο δέ τις ὅμως διοκωχή. παρέμεινε δὲ τὸ μὲν ὕστερον οὐκ ἔλασσον ἐνιαυτοῦ, τὸ δὲ πρότερον καὶ δύο ἔτη, ὥστε ᾿Αθηναίους γε μὴ εἶναι ὅτι μᾶλλον τούτου ἐπίεσε καὶ ἐκάκωσε τὴν δύναμιν· τετρακοσίων γὰρ ὁπλιτῶν καὶ τετρακισχιλίων οὐκ ἐλάσσους ἀπέθανον ἐκ τῶν τάξεων καὶ τριακοσίων ἱππέων, τοῦ δὲ ἄλλου ὄχλου ἀνεξεύρετος ἀριθμός.

The famous plague is described at 2.47-55 and first fell on the Athenians in 430 BCE. Three years later, after a respite, it returned.

The tenth plague: the death of the first-born including Pharaoh’s son. From the Haggadah for Passover (the ‘Sister Haggadah’). 2nd or 3rd quarter of the 14th century. British Library

The Best People Sickness Can Make

Pliny The Younger, Letters, 7.26

“A friend’s sickness has lately reminded me that we are the best people when we are sick. Does greed or lust ever bother a sick person? They are not controlled by their desires or their love of honors. They don’t care about wealth and think whatever little bit they have is enough, because they will leave it behind! The sick remember the gods and realize they are mortal. They don’t feel envy or awe or contempt for other people. Slander doesn’t attract or encourage the sick and all they dream of are baths and fountains.

These are the end of their concerns, the object of their prayers. And they promise that will be enough if they are lucky to survive. I can now say briefly and clearly what the philosophers try to convey in so many endless words: When we’re healthy we should strive to be the kind of people we promised to be when we were sick. Goodbye!”

Nuper me cuiusdam amici languor admonuit, optimos esse nos dum infirmi sumus. Quem enim infirmum aut avaritia aut libido sollicitat? Non amoribus servit, non adpetit honores, opes neglegit et quantulumcumque, ut relicturus, satis habet. Tunc deos tunc hominem esse se meminit, invidet nemini, neminem miratur neminem despicit, ac ne sermonibus quidem malignis aut attendit aut alitur: balinea imaginatur et fontes.

Haec summa curarum, summa votorum mollemque in posterum et pingue destinat vitam. Possum ergo quod plurimis verbis plurimis etiam voluminibus philosophi docere conantur, ipse breviter tibi mihique praecipere, ut tales esse sani perseveremus, quales nos futuros profitemur infirmi. Vale.

Euricius Cordus (1486-1535); Fur die newe, hievor vnerhorte und erschrocklich todtliche Kranckheyt und schnellen todt, die English schweyee-sucht geant, Strassbourg: 1529.Early books on medicine..Published: 1928..Copyrighted work available under Creative Commons Attribution only licence CC BY 4.0 http://creativecommons.org/licenses/by/4.0/

Who Cares about Bird-Signs?

Homer, Iliad 12.230–257

“Glaring at him, shining-helmed Hektor answered:
Poulydamas, you never announce things dear to me in public.
You know how to make a different, better speech than this one.
If you are really arguing this out loud earnestly,
Well then the gods have ruined your thoughts themselves,
You who order me to forget the counsels of loud-thundering Zeus,
What he himself promised and assented to for me.
Now you ask me to listen to some tender-winged bird?
I don’t notice or care at all about these birds,
Whether they go to the right to dawn and the sun
Or whether they go to the left to the dusky gloom.
We are obeying the plan of great Zeus.
He rules over all the mortals and the immortal too.
One bird omen is best: defend your fatherland.
Why do you fear the war and strife so much?
If all the rest of us are really killed around
The Argive ships, there’s no fear for you in dying.
Your heart is not brave nor battle-worthy.
But if you keep back from the fight, or if you turn
Any other away from the war by plying him with words,
Well you’ll die straight away then, struck down by my spear.”

So he spoke and led on, and they followed him
With a divine echo. Zeus who delights in thunder
Drove a gust of wind down from the Idaian slopes,
Which carried dust straight over the ships. It froze the minds
Of the Achaeans and gave hope to the Trojans and Hektor.
Trusting in these signs and their own strength,
They were trying to break through the great wall of the Achaeans.”

Τὸν δ’ ἄρ’ ὑπόδρα ἰδὼν προσέφη κορυθαίολος ῞Εκτωρ·
Πουλυδάμα, σὺ μὲν οὐκ ἔτ’ ἐμοὶ φίλα ταῦτ’ ἀγορεύεις·
οἶσθα καὶ ἄλλον μῦθον ἀμείνονα τοῦδε νοῆσαι.
εἰ δ’ ἐτεὸν δὴ τοῦτον ἀπὸ σπουδῆς ἀγορεύεις,
ἐξ ἄρα δή τοι ἔπειτα θεοὶ φρένας ὤλεσαν αὐτοί,
ὃς κέλεαι Ζηνὸς μὲν ἐριγδούποιο λαθέσθαι
βουλέων, ἅς τέ μοι αὐτὸς ὑπέσχετο καὶ κατένευσε·
τύνη δ’ οἰωνοῖσι τανυπτερύγεσσι κελεύεις
πείθεσθαι, τῶν οὔ τι μετατρέπομ’ οὐδ’ ἀλεγίζω
εἴτ’ ἐπὶ δεξί’ ἴωσι πρὸς ἠῶ τ’ ἠέλιόν τε,
εἴτ’ ἐπ’ ἀριστερὰ τοί γε ποτὶ ζόφον ἠερόεντα.
ἡμεῖς δὲ μεγάλοιο Διὸς πειθώμεθα βουλῇ,
ὃς πᾶσι θνητοῖσι καὶ ἀθανάτοισιν ἀνάσσει.
εἷς οἰωνὸς ἄριστος ἀμύνεσθαι περὶ πάτρης.
τίπτε σὺ δείδοικας πόλεμον καὶ δηϊοτῆτα;
εἴ περ γάρ τ’ ἄλλοι γε περὶ κτεινώμεθα πάντες
νηυσὶν ἐπ’ ᾿Αργείων, σοὶ δ’ οὐ δέος ἔστ’ ἀπολέσθαι·
οὐ γάρ τοι κραδίη μενεδήϊος οὐδὲ μαχήμων.
εἰ δὲ σὺ δηϊοτῆτος ἀφέξεαι, ἠέ τιν’ ἄλλον
παρφάμενος ἐπέεσσιν ἀποτρέψεις πολέμοιο,
αὐτίκ’ ἐμῷ ὑπὸ δουρὶ τυπεὶς ἀπὸ θυμὸν ὀλέσσεις.
῝Ως ἄρα φωνήσας ἡγήσατο, τοὶ δ’ ἅμ’ ἕποντο
ἠχῇ θεσπεσίῃ· ἐπὶ δὲ Ζεὺς τερπικέραυνος
ὦρσεν ἀπ’ ᾿Ιδαίων ὀρέων ἀνέμοιο θύελλαν,
ἥ ῥ’ ἰθὺς νηῶν κονίην φέρεν· αὐτὰρ ᾿Αχαιῶν
θέλγε νόον, Τρωσὶν δὲ καὶ ῞Εκτορι κῦδος ὄπαζε.
τοῦ περ δὴ τεράεσσι πεποιθότες ἠδὲ βίηφι
ῥήγνυσθαι μέγα τεῖχος ᾿Αχαιῶν πειρήτιζον.

Schol. T ad Il. 12.238–238

“you order me to obey bird signs: the prudent person will both honor the gods and obey birdsigns, like Odysseus does. This is obeying instead of believing.

τύνη δ’ οἰωνοῖσι<—κελεύεις / πείθεσθαι>: ὁ φρόνιμος καὶ θεοὺς τιμήσει καὶ οἰωνοῖς πείσεται, ὡς ὁ ᾿Οδυσσεύς (cf. Κ 274—82). τὸ δὲ πείθεσθαι (238) ἀντὶ τοῦ πιστεύειν.

Schol b. ad Il. 12.238

“The prudent person both knows to honor god and to obey bird signs, a thing which Hektor does not understand”

ὁ φρόνιμος καὶ θεὸν τιμᾶν οἶδε καὶ οἰωνοῖς πείθεσθαι, ὅπερ ῞Εκτωρ οὐ συνίησιν.

Black Figure Amphora, Walters Art Museum Baltimore

Learning, Recollection, and Babies Laughing in their Sleep

Plutarch, Moralia: other Fragments 217

“A summary of different arguments by Plutarch of Charoneia showing that learning is recollection

    1. Do we think one thing because of another thing? Not unless it was known beforehand. This is a Platonic argument.
    2. Do we supplement ideas that are missing things? This is also Platonic
    3. Are children better at learning because they are nearer to the period before life when memory is preserved? This is an obvious approach.
    4. Are different people more capable for different kinds of learning?
    5. Have many people taught themselves entire art forms?
    6. Do babies laugh while they’re sleeping when they don’t while they are awake? Indeed, many speak when asleep even though they have not yet otherwise.
    7. Are some people frightened of silly things even though they are brave, like someone afraid of a weasel, or a rooster for no clear reason?
    8. Is discovery not attainable otherwise? For no one would seek what we know nor for what we never knew previously and we couldn’t find what we do not know.
    9. Is truth conversant with reality once forgetfulness has been removed? An argument based on diction.
    10. Is Memory the mother of the Muses, since unclear memory is the reason for our examinations.”

Ἐπιχειρημάτων διαφόρων συναγωγὴ δεικνύντων ἀναμνήσεις εἶναι τὰς μαθήσεις ἐκ τῶν τοῦ Χαιρωνέως Πλουτάρχου·

(a) Εἰ ἀφ᾿ ἑτέρου ἕτερον ἐννοοῦμεν. οὐκ ἂν εἰ μὴ προέγνωστο. τὸ ἐπιχείρημα Πλατωνικόν.

(b) Εἰ προστίθεμεν τὸ ἐλλεῖπον τοῖς αἰσθητοῖς· καὶ αὐτὸ Πλατωνικόν.

(c) Εἰ παῖδες εὐμαθέστεροι, ὡς ἐγγίους τῆς προβιοτῆς, ἐν  ἡ μνήμη ἐσῴζετο. ἐπιπόλαιος ὁ λόγος.

(d) Εἰ ἄλλοι πρὸς ἄλλο μάθημα ἐπιτηδειότεροι.

(e) Εἰ πολλοὶ αὐτοδίδακτοι ὅλων τεχνῶν.

(f) Εἰ πολλὰ παιδία ὑπνώττοντα γελᾷ, ὕπαρ δ᾿ οὔπω· πολλὰ δὲ καὶ ὄναρ2 ἐφθέγξατο, ἄλλως οὔπω φθεγγόμενα.

(g) Εἰ ἔνιοι καὶ ἀνδρεῖοι ὄντες ὅμως φοβοῦνται φαῦλ᾿ ἄττα, οἷον γαλῆν ἢ ἀλεκτρυόνα, ἀπ᾿ οὐδεμιᾶς φανερᾶς αἰτίας.

(h) Εἰ μὴ ἔστιν ἄλλως εὑρίσκειν. οὔτε γὰρ ἃ ἴσμεν ζητήσειεν ἄν τις, οὔτε ἃ μηδαμῶς ἴσμεν πρότερον, ἀλλ᾿ οὐδ᾿ ἂν εὕροιμεν ἃ μὴ ἴσμεν.

(i) Εἰ ἡ ἀλήθεια κατ᾿ ἀφαίρεσιν τῆς λήθης ἔντευξις τοῦ ὄντος ἐστί. λογικὴ ἡ ἐπιχείρησις.

(j) Εἰ ἡ μήτηρ τῶν Μουσῶν Μνημοσύνη, ὡς ἡ ἀδιάρθρωτος μνήμη τῶν ζητήσεων αἰτία.

New Mexico Recollections by Marsden Hartley (https://commons.wikimedia.org/wiki/File:New_Mexico_Recollections_by_Marsden_Hartley,_Columbus_Museum_of_Art.jpg)

Don’t. Betray. Sappho.

Sappho, fr. 55

“When you die you will lie there and no one will remember you.
And there will no longing for you later on. You will not receive
Any roses from Pieria. But you will wander unseen through Hades’ home
Flitting away from the dirty corpses.”

κατθάνοισα δὲ κείσηι οὐδέ ποτα μναμοσύνα σέθεν
ἔσσετ’ οὐδὲ πόθα εἰς ὔστερον· οὐ γὰρ πεδέχηις βρόδων
τὼν ἐκ Πιερίας· ἀλλ’ ἀφάνης κἀν ᾿Αίδα δόμωι
φοιτάσηις πεδ’ ἀμαύρων νεκύων ἐκπεποταμένα.

Image result for ancient greek underworld scene sarcophagus
Roman Sarcophagus, Abduction of Persephone