Achilles’ (Missing) Sister

Reading over Merkelbach and West’s Fragmenta Hesiodea often reminds me of many things I have forgotten. I am too young to blame this forgetfulness on senility; and yet too old to blame it on youthful ignorance.

Today’s particular disturbance comes from fragment 213 which tells us that Achilles, like Odysseus, has a sister (fragment included within the scholia below).

At first, I thought that this was some sort of Lykophrontic fantasy. But, alas, upon looking into the details, she is actually mentioned in the Iliad!

Iliad, 16.173-178

“Menestheus of the dancing-breastplate led one contingent,
son of the swift-flowing river Sperkheios
whom the daughter of Peleus, beautiful Poludôrê bore
when she shared the bed with the indomitable river-god, Sperkheios
although by reputation he was the son of Boros, the son of Periêrês
who wooed her openly by offering countless gifts.”

τῆς μὲν ἰῆς στιχὸς ἦρχε Μενέσθιος αἰολοθώρηξ
υἱὸς Σπερχειοῖο διιπετέος ποταμοῖο·
ὃν τέκε Πηλῆος θυγάτηρ καλὴ Πολυδώρη
Σπερχειῷ ἀκάμαντι γυνὴ θεῷ εὐνηθεῖσα,
αὐτὰρ ἐπίκλησιν Βώρῳ Περιήρεος υἷι,
ὅς ῥ’ ἀναφανδὸν ὄπυιε πορὼν ἀπερείσια ἕδνα.

The confusion, shock and horror of this detail—which I presume the vast majority of Homer’s audiences have overlooked or forgotten as with the sad fate of Odysseus’ sister—can be felt as well in the various reactions of the Scholia where we encounter (a) denial—it was a different Peleus!; (b) sophomoric prevarication—why doesn’t Achilles talk about her, hmmm?; (c) conditional acceptance through anachronistic assumptions—she’s suppressed because it is shameful that she is a bastard; (d) and, finally, citation of hoary authorities to insist upon a ‘truth’ unambiguous in the poem.

I have translated the major scholia below. Note that we can see where the ‘fragments’ of several authors come from here (hint: they’re just talked about by the scholiasts). We can also learn a bit about the pluralistic and contradictory voices to be found in the Homeric scholia. The bastard child bit is my favorite part.

 

Schol A. ad Il. 16.175

“Pherecydes says that Polydora was the sister of Achilles. There is no way that this has been established in Homer. It is more credible that this is just the same name, as in other situations, since [the poet] would have added some sign of kinship with Achilles.”

ὃν τέκε Πηλῆος θυγάτηρ: ὅτι Φερεκύδης (Fr. 61-62) τὴν Πολυδώραν φησὶν ἀδελφὴν ᾿Αχιλλέως. οὐκ ἔστι δὲ καθ’ ῞Ομηρον διαβεβαιώσασθαι. πιθανώτερον οὖν ὁμωνυμίαν εἶναι, ὥσπερ καὶ ἐπ’ ἄλλων, ἐπεὶ προσέθηκεν ἂν τεκμήριον τῆς πρὸς ᾿Αχιλλέα συγγενείας.

 

Schol T. ad Il. 16.175

”  “Daughter of Peleus”: A different Peleus, for if he were a nephew of Achilles, this would be mentioned in Hades when they speak about his father and son or in the allegory of the Litai when he says “a great spirit compelled me there” or “my possessions and serving women” he might mention the pleasure of having a sister. The poet does not recognize that Peleus encountered some other woman. Neoteles says that Achilles’ cousin leads the first contingent and gives evidence of knowledge of war. And he gave countless gifts to marry the sister of Achilles. Should he not mentioned her in Hades? Odysseus does not mention Ktimene [his sister].

Pherecydes says that [Polydore] was born from Antigonê, the daughter of Eurytion; the Suda says her mother was Laodameia the daughter of Alkmaion; Staphulos says she was Eurudikê the daughter of Aktôr. Zenodotos says the daughter’s name was Kleodôrê; Hesiod and everyone else calls her Poludôrê.”

ex. Πηλῆος θυγάτηρ: ἑτέρου Πηλέως· εἰ γὰρ ἦν ἀδελφιδοῦς ᾿Αχιλλέως, καὶ ἐμνήσθη αὐτοῦ ἐν τῷ ῞Αιδῃ περὶ τοῦ πατρὸς καὶ τοῦ υἱοῦ ἐρωτῶν (cf. λ 494—537), καὶ ἐν ταῖς Λιταῖς, φάσκων „ἔνθα δέ μοι μάλα <πολλὸν> ἐπέσσυτο θυμός” (Ι 398), „κτῆσιν ἐμὴν δμῶάς τε” (Τ 333), ἔφασκεν ἂν καὶ τῆς ἀδελφῆς ἀπόλαυσιν. Πηλέα τε οὐκ οἶδεν ὁ ποιητὴς ἑτέρᾳ γυναικὶ συνελθόντα. Νεοτέλης δὲ ὡς ἀδελφιδοῦν᾿Αχιλλέως φησὶ τῆς πρώτης τάξεως ἡγεῖσθαι, ὡς καὶ μαρτυρεῖ ἐπιστήμην πολέμου· †ὡς ἀχιλλέως τε ἀδελφὴν γαμεῖν† ἀπερείσια δίδωσιν ἕδνα (cf. Π 178). εἰ δὲ μὴ ἐμνήσθη αὐτῆς ἐν ῞Αιδου· οὐδὲ γὰρ ᾿Οδυσσεὺς Κτιμένης (cf. ο 363 cum λ 174—9). Φερεκύδης (FGrHist 3, 61 b) δὲ ἐξ ᾿Αντιγόνης τῆς Εὐρυτίωνος, Σουίδας (FGrHist 602, 8) ἐκ Λαοδαμείας τῆς ᾿Αλκμαίωνος, Στάφυλος (FGrHist 269,5) ἐξ Εὐρυδίκης τῆς῎Ακτορος. Ζηνόδοτος (FGrHist 19,5) δὲ Κλεοδώρην φησίν, ῾Ησιόδου (fr. 213 M.—W.) καὶ τῶν ἄλλων Πολυδώρην αὐτὴν καλούντων.

Schol. BCE ad Il. 16.175

“They say that she is from another Peleus. For if he were a nephew of Achilles wouldn’t this be mentioned or wouldn’t he ask about his sister in Hades along with his father and son? At the same time, the poet does not know that Peleus encountered some other women. More recent poets say that Menestheus is his nephew and that this is the reason he leads the first contingent and shows knowledge of war and that ‘he gave countless gifts to marry the sister of Achilles’. But if he does not mention it, it is not necessarily foreign to him. For the poet is rather sensitive to certain proprieties.”

ἑτέρου, φασί, Πηλέως· εἰ γὰρ ἦν ἀδελφιδοῦς ᾿Αχιλλέως, πῶς οὐκ ἐμνήσθη αὐτοῦ ἢ τῆς ἀδελφῆς ἐν τῷ ῞Αιδῃ περὶ τοῦ πατρὸς ἐρωτῶν καὶ τοῦ υἱοῦ; ἅμα τε οὐκ οἶδεν ὁ ποιητὴς Πηλέα ἑτέρᾳ συνελθόντα γυναικί. οἱ δὲ νεώτεροι ἀδελφιδοῦν αὐτοῦ λέγουσιν· ὅθεν καὶ τῆς πρώτης τάξεως ἡγεῖται καὶ πολέμων ἐπιστήμων μαρτυρεῖται, καὶ ὡς †ἀχιλλέως ἀδελφὴν γαμῶν ἀπερείσια δίδωσιν. εἰ δὲ μὴ ἐμνήσθη αὐτῆς ἢ τούτου, οὐ ξένον· περὶ γὰρ τῶν καιριωτέρων αὐτῷ ἡ φροντίς.

Schol. b ad Il. 16.175

“Since, otherwise, if Polydora were his sister, she would be a bastard and he would not want to mention her. Or, maybe it is because she has already died.”

ἄλλως τε ἐπειδὴ νόθη ἦν ἡ Πολυδώρη αὐτοῦ ἀδελφή, τάχα οὐδὲ μνημονεύειν αὐτῆς ἐβουλήθη. ἢ ὅτι καὶ αὐτὴ ἤδη τετελευτηκυῖα ἦν.

Schol D ad Il. 16.175

“Did Peleus have a daughter Polydôrê from another? Staphulos says in the third book of his Thessalika that she was born from Eurydike the daughter of Aktôr. Pherecydes says it was the daughter of Eurytion; others says Laodameia, the daughter of Alkmaion.”

ἐκ τίνος Πηλεὺς Πολυδώρην ἔσχεν; ὡς μὲν Στάφυλός φησιν ἐν τῇ τρίτῃ Θεσσαλικῶν, ἐξ Εὐρυδίκης τῆς ῎Ακτορος θυγατρός. Φερεκύδης δὲ ἐξ ᾿Αντιγόνης τῆς Εὐρυτίωνος, ἄλλοι δὲ ἐκ Λαοδαμείας τῆς ᾿Αλκμαίωνος.

What happened to Peleus’ first wife—if they were married? According to John Tzetzes (see Fowler 2013, 444) Peleus accidentally killed his father-in-law during the Kalydonian Boar Hunt, so he had to go abroad and in Iolkos the king’s wife tried to seduce him and told Antigone that Peleus would abandon her. Antigone killed herself, leaving Peleus free to marry Thetis. (But who took care of their daughter?).

It can get more confusing: some traditions (Apollodorus, 3.163 and 168) make a Polymele the daughter of Peleus and Patroklos’ mother whereas Polydora is Peleus’ wife in between Antigone and Thetis. Whatever the case, we can do our own scholiastic justification for Achilles not talking about his sister without creating a second Peleus. She must have been a bit older than Achilles since by all accounts Peleus fathered her before (1) the Kalydonian Boar Hunt, (2) the sacking of Iolkos and (3) the Voyage of the Argo. She would likely have been raised in a separate household from Achilles and married off before he went to study with the centaur Cheiron!

(More importantly: In the poetic world of Homer, sisters just don’t matter. Brothers do. Helen does not mention missing her sisters. Hektor talks to multiple brothers, but where are his sisters? In the Odyssey, Achilles asks about his father and son because Odysseus is interested in fathers and sons. This may make it more, not less, appropriate that Achilles says nothing of his sister: Odysseus just doesn’t care about sisters. Nor, it seems, does Homer.)

Works Consulted (apart from the Greek Texts).

Timothy Gantz. Early Greek Myth. Baltimore, 1993.
Robert Fowler. Early Greek Mythography. Vol. 2:Commentary, 2013.

Image result for ancient greek achilles

A Funerary Inscription for a Twelve-Year Old Girl

This inscription is from Attica, dating to around 350 BCE.

SEG 25:298 (SEG 23.166 Peek: Greek from the PHI Website)

“Traveler, weep for the age of this dead girl—
For she left when she was only twelve, causing her friends much grief
And leaving behind immortal pain. The rest of it
This memorial announces to everyone who passes by.

Much-wept Hades, why did you take Kleoptolemê when she
Was still a girl, at an ill-fated age? Didn’t you feel any shame?
You left for her dear mother Mnêsô everlasting grief
In exchange for mortal misfortune.

Dear Mother and sisters and Meidotelês who fathered you
As a source of pain for himself, Kleoptolemê,–
They look forward only to grief, and not your bed-chamber, now that you’ve died,
but a lament instead of a husband, a funeral instead of a marriage.”

ἡλικίαν δάκ[ρυσον, ὁδοιπόρε, τῆσδε θανούσης]·
δωδεκέτις [γὰρ ἐοῦσ’ ὤιχετο, πολλὰ φίλοις]
στερχθεῖσ’, ἀθά[νατον δὲ λιποῦσ’ ἄλγος· τὰ δὲ λοιπὰ]
πᾶσι τόδ’ ἀγγέλλει [μνῆμα παρε]ρ[χομένοις]·

ὦ πολύκλαυθ’ Ἅιδη, τ[ί Κλεοπτολ]έμη[ν ἔτι κούραν]
ἥρπασας ἡλικίας δύσ̣[μορον; οὐ] σέ[βεαι];
μητρὶ δὲ τεῖ μελέαι πένθ[ο]ς Μνη[σοῖ προλέλοι]πας
ἀθάνατον θνητῆς εἵνεκα συν[τυχία]ς

ὦ μελέα μῆτερ καὶ ὁμαίμονες ὅς τέ σ’ ἔφυσεν
Μειδοτέλης αὑτῶι πῆμα, Κλεοπτολέμη·
οἳ γόον, οὐ θάλαμον τὸν σὸν προσορῶσι θανούσης,
θρῆνόν τε ἀντ’ ἀνδρὸς καὶ τάφον ἀντὶ γάμου.

Image result for funerary inscription Greek attica
Grave Relief for Naiskos of Sime at the Getty

Perictione and the Harmonious Woman

Perictione, On a Woman’s “Harmony” [=Stob. 4.28.19 p. 688]

“A woman must recognize that harmony is full of thought and wisdom. For a mind must be thoroughly trained for virtue in order to be just, brave, thoughtful, improved by self-sufficiency, and hateful to empty opinion. From these qualities, a woman gains noble deeds for herself and her husband. Her children and home benefit too. Often there is also benefit for the state if a woman like this governs cities or peoples as we observe in kingdoms.

For the one who rules her own desires and passion becomes divine and harmonious. Lawless lusts do not pursue her and she will be able to maintain her husband, children, and whole household in friendship. Indeed, all the women who become seduced by foreign beds also become hostile to all those in their home who are free and dedicated to the family. A woman like this works up tricks against her husband and manufactures lies about him so that she alone might seem to stand apart for her good mind and her conduct of the household when she really loves laziness. Truly, this is the ruin of all the things that are common for her and her husband.

But I have said enough about these things. It is necessary to arrange the body to the measure of nature for food, clothes, bathing, anointing, hair-dos, and everything that comes from gold and stone for jewelry. For all the women who eat, drink, dress, and carry these expensive things are prepared to fall into the folly of complete wickedness in their beds and criminal behavior in other things too. It is right only to sate hunger and thirst with things which are simple and to keep off the cold with wool or some cloak of hair.

No small a vice is forsworn by staying far away from food either sold for a a lot or of great renown. And it is great foolishness to don excessively thin clothing or garments decorated with due from seashells or any other expensive color. For the body wants only not to be cold or naked for the sake of propriety, but it asks for nothing else. Human opinion longs for empty and useless things because of ignorance. Also, a woman should not wrap gold around her, or Indian stone or anything coming from another place; she will not braid her hair with excessive artifice, nor will she anoint herself with scents smelling of Arabia, nor color the face by making it whiter or making it blush or darkening her eyebrows and eyes, making her hair light with dyes nor take lots of baths. The one who pursues these strategies is looking for someone who admires feminine lack of control.

“Beauty comes from intelligence and not from those things—and it commends women who do well. Necessity should not compel nobility and wealth and coming from great city and the repute and friendship of famous and royal men. If she misses these things, she does not grieve; if she does not miss them, she does not press to seek them. For a thoughtful woman is not hindered from living apart from these things. If she allows those things which she has been allotted, her mind must never doubt at the great and wondrous things, but instead let her depart far from them. For when they fall into misfortune it harms more than it helps. Conspiracy, envy, and betrayal are proper to these things so that a woman of this sort would never be at peace. Instead one needs to revere the gods to gain the good hope of happiness and to obey her country’s laws and customs.

After these precepts, I advise a woman to honor and revere her parents. For they are equal to the gods in all ways and act on behalf of their relatives. In respect to her husband it is right that she live lawfully and rightly, keeping nothing private in her thoughts but watching and guarding their bed. Everything is common in this. She must endure everything  from her husband—if he is unlucky and if he makes any mistakes because of ignorance, or sickness or drunkenness or has relationships with other women. For this fault is at home with men, but never women, and vengeance is set for it.

“She must preserve custom and not be jealous. She needs to endure anger, and cheapness, and faultfinding, and envy, and evil speech and anything else he has his nature and will put everything in a way that will be dear to him in her prudence. For a woman who is dear to her husband and works for him well is harmonious and loves her whole household and makes those outside of it well-intentioned toward it. When she does not love the home, she is not willing to see her household, or her own children, or her servants or the possessions she has safe, but in stead she curses them and prays for every kind of ruin, as if she were an enemy, and she prays for her husband to die, as if he is hateful to her so that she is a neighbor to others and hates all those who tend to him.

“I think that a woman like this is harmonious, if she is full of intelligence and prudence. For she will not only help her husband, but also her children and relatives and slaves and the whole household in which her possessions and friends, citizens and guests, reside. Her body supports things things by not being excessive, by pursuing and heeding noble actions, by following her husband in the practice of shared opinion in their common life, by following along with those he admits to their family and friendships and by believing the same things are sweet and bitter as her husband, she is not disharmonious in any way.”

Περὶ γυναικὸς ἁρμονίας

Τὴν ἁρμονίην γυναῖκα γνώσασθαι δεῖ φρονήσιός τε καὶ σωφροσύνης πλείην· κάρτα γὰρ ψυχὴν πεπνῦσθαι δεῖ εἰς ἀρετήν, ὥστ’ ἔσται καὶ δικαίη καὶ ἀνδρηίη καὶ φρονέουσα καὶ αὐταρκείῃ καλλυνομένη καὶ κενὴν δόξην μισέουσα. ἐκ τούτων γὰρ ἔργματα καλὰ γίνεται γυναικὶ ἐς αὐτήν τε καὶ ἄνδρα· καὶ τέκεα καὶ οἶκον· πολλάκις δὲ καὶ πόλει, εἴ γε πόλιας ἢ ἔθνεα ἡ τοίη γε κρατύνοι,  ὡς ἐπὶ βασιληίης ὁρέομεν. κρατέουσα ὦν ἐπιθυμίας καὶ θυμοῦ, ὁσίη καὶ ἁρμονίη γίγνεται· ὥστε οὐδὲ ἔρωτες αὐτὴν ἄνομοι διώξουσιν, ἀλλ’ ἐς ἄνδρα τε καὶ τέκεα καὶ τὸν οἶκον ξύμπαντα φιλίην ἕξει. ὁκόσαι γὰρ ἐράστριαι τελέθουσιν ἀλλοτρίων λεχέων, αὗται δὲ πολέμιαι γίγνονται πάντων τῶν ἐν τῇ οἰκίῃ ἐλευθέρων τε καὶ οἰκετέων· καὶ συντιθῆ ψύθη καὶ δόλους ἀνδρὶ καὶ ψεύδεα κατὰ πάντων μυθίζεται πρὸς τοῦτον, ἵνα μούνη δοκέῃ διαφέρειν εὐνοίῃ καὶ τῆς οἰκίης κρατῇ ἀργίην φιλέουσα. ἐκ τούτων γὰρ φθορὴ γίγνεται συμπάντων ὁκόσα αὐτῇ τε καὶ τῷ ἀνδρὶ ξυνά ἐστι.

καὶ ταῦτα μὲν ἄχρι τῶνδε λελέχθω. σκῆνος δὲ ἄγειν χρὴ πρὸς μέτρα φύσιος τροφῆς τε πέρι καὶ ἱματίων καὶ λουτρῶν καὶ ἀλειψίων καὶ τριχῶν θέσιος καὶ τῶν ὁκόσα ἐς κόσμον ἐστὶ χρυσοῦ καὶ λίθων. ὁκόσαι γὰρ πολυτελέα πάντα ἐσθίουσι καὶ πίνουσι καὶ ἀμπέχονται καὶ φορέουσι τὰ φορέουσι γυναῖκες, ἐς ἁμαρτίην ἕτοιμαι κακίης συμπάσης ἔς τε λέχεα καὶ ἐς τὰ ἄλλα ἀδικοπρηγέες. λιμὸν ὦν καὶ δίψαν ἐξακέεσθαι δεῖ μοῦνον, κἢν ἐκ τῶν εὐτελέων ἔῃ, καὶ ῥῖγος, κἢν νάκος κἢν σισύρη.

βρωτῆρας δὲ εἶναι τῶν τηλόθεν ἢ τῶν πολλοῦ πωλεομένων ἢ τῶν ἐνδόξων κακίη οὐχὶ μικρὰ πέφαται· ἠμφιάσθαι <δ’> εἵματα ἀπεικότα λίην καὶ ποικίλα ἀπὸ θαλασσίης βάψιος τοῦ κόχλου ἢ ἄλλης χρόης πολυτελέος μωρίη πολλή. σκῆνος γὰρ ἐθέλει μὴ ῥιγέειν μηδὲ γυμνὸν εἶναι χάριν εὐπρεπείης, ἄλλου δ’ οὐδενὸς χρῄζει. δόξα δὲ ἀνθρώπων μετὰ ἀμαθίης ἐς τὰ κενεά τε καὶ περισσὰ  ἵεται. ὥστ’ οὔτε χρυσὸν ἀμφιθήσεται ἢ λίθον ᾿Ινδικὸν ἢ χώρης ἐόντα ἄλλης, οὐδὲ πλέξεται πολυτεχνίῃσι τρίχας, οὐδ’ ἀλείψεται ᾿Αραβίης ὀδμῆς ἐμπνέοντα, οὐδὲ χρίσεται πρόσωπον λευκαίνουσα ἢ ἐρυθραίνουσα τοῦτο ἢ μελαίνουσα ὀφρύας τε καὶ ὀφθαλμοὺς καὶ τὴν πολιὴν τρίχα βαφαῖσι τεχνεωμένη, οὐδὲ λούσεται θαμινά. ἡ γὰρ ταῦτα ζητέουσα θηητῆρα ζητεῖ ἀκρασίης γυναικηίης.

κάλλος γὰρ τὸ ἐκ φρονήσιος, οὐκὶ δὲ τὸ ἐκ τούτων, ἁνδάνει ταῖς γινομέναισιν εὖ. ἀναγκαῖα δὲ μὴ  ἡγεέσθω εὐγενηίην καὶ πλοῦτον καὶ μεγάλης πόλιος πάντως γενέσθαι καὶ δόξαν καὶ φιλίην ἐνδόξων καὶ βασιληίων ἀνδρῶν· ἢν μὲν γὰρ ἔῃ, οὐ λυπέει· ἢν δὲ μὴ ἔῃ, ἐπιζητέειν οὐ ποιέει· τούτων γὰρ δίχα φρονίμη  γυνὴ ζῆν οὐ κωλύεται. κἢν ἔῃ δὲ ταῦτα ἅπερ λελάχαται, τὰ μεγάλα καὶ θαυμαζόμενα μή ποτε διζέσθω ψυχή, ἀλλὰ καὶ ἄπωθεν αὐτῶν βαδιζέτω· βλάπτει γὰρ μᾶλλον ἐς ἀτυχίην ἕλκοντα ἢ ὠφελέει. τούτοισι γὰρ ἐπιβουλή τε καὶ φθόνος καὶ βασκανίη προσκέεται, ὥστε ἐν ἀταραξίῃ  οὐκ ἂν γένοιτο ἡ τοιήδε. θεοὺς δὲ σέβειν δεῖ ἐς εὐελπιστίην εὐδαιμονίης,  νόμοισί τε καὶ θεσμοῖσι πειθομένην πατρίοισι.

μετὰ δὲ τούτους μυθεύομαι [τοὺς θεοὺς] γονέας τιμᾶν καὶ σέβειν· οὗτοι γὰρ ἴσα θεοῖσι πάντα  πέλουσι καὶ πρήσσουσι τοῖς ἐγγόνοισι. πρὸς δὲ τὸν ἄνδρα τὸν ἑαυτῆς ζώειν ὧδε δεῖ νομίμως καὶ κρηγύως, μηδὲν ἐννενωμένην ἰδίῃ, ἀλλ’ εὐνὴν τηρεῦσαν καὶ φυλάσσουσαν· ἐν τούτῳ γάρ ἐστι τὰ ξύμπαντα. φέρειν δὲ χρὴ τῶ ἀνδρὸς πάντα, κἢν ἀτυχῇ, κἢν ἁμάρτῃ κατ’ ἄγνοιαν ἢ νοῦσον ἢ μέθην, ἢ ἄλλῃσι γυναιξὶ συγγένηται· ἀνδράσι μὲν γὰρ ἐπιχωρέεται ἁμαρτίη αὕτη· γυναιξὶ δὲ οὔκοτε, τιμωρίη δ’ ἐφέστηκεν.

σώσασθαι ὦν τὸν νόμον δεῖ καὶ μὴ ζηλοτυπέειν· φέρειν δὲ καὶ ὀργὴν καὶ φειδωλίην καὶ μεμψιμοιρίην καὶ ζηλοτυπίην καὶ κακηγορίην καὶ ἤν τι ἄλλο ἔχῃ ἐκ φύσιος, καὶ τούτω θήσεται πάντα ὅκως φίλον ἐστὶν αὐτέῳ σωφρονέουσα. γυνὴ γὰρ ἀνδρὶ φίλη οὖσα καὶ τἀνδρὸς πρήσσουσα κρηγύως, ἁρμονίη ὑπάρχει, καὶ οἶκον τὸν ξύμπαντα φιλέει καὶ τοὺς θύρηθεν εὐνόους τῇ οἰκίῃ ποιέει· ἐπὴν δὲ μὴ φιλέῃ, οὔτε οἶκον οὔτε παῖδας τοὺς ἑωυτῆς οὔτε θεράποντας οὔτε οὐσίην ἡντιναῶν ἐθέλει σῴαν ἐσιδέειν, φθορὴν δὲ πᾶσαν ἀρεῖται καὶ εὔχεται εἶναι, ὡς πολεμίη ἐοῦσα, καὶ τὸν ἄνδρα εὔχεται τεθνάναι ὡς ἐχθρόν, ὅπως ἄλλοισιν ὁμουρέῃ, καὶ ὁκόσοι ἁνδάνουσι τουτέῳ ἐχθαίρει.

ἁρμονίην δὲ αὐτὴν ὧδε δοκέω, εἰ πλεῖος τελέθει φρονήσιός τε καὶ σωφροσύνης. οὐ γὰρ μοῦνον ὠφελήσει τὸν ἄνδρα, ἀλλὰ καὶ παῖδας καὶ συγγενέας καὶ δούλως καὶ τὴν οἰκίην ξύμπασαν, ἐν ᾗ καὶ κτήματα καὶ φίλοι πολιῆταί τε καὶ ξένοι εἰσί· καὶ ἀπεριεργίῃ τὸ σκῆνος διάξει τουτέων, λεσχαίνουσά τε καὶ ἀκούουσα καλά, καὶ ἀκολουθέουσά τε αὐτέῳ καθ’ ὁμοδοξίην τῆς ξυνῆς βιοτῆς, καὶ οἷς ἐκεῖνος αὔξει ξυγγενέσι τε καὶ φίλοισι ξυνομαρτέουσα, καὶ ταὐτὰ ἡγεομένη γλυκέα τε καὶ πικρὰ τὠνδρί, ἢν μὴ ἀναρμόνιος εἰς τὸ πᾶν ἔῃ.

NOT for a ‘harmonious woman’. A Make-up pot from Paestum.

Sappho’s Equal? Some Epigrams Assigned to the Poet Nossis

Nossis is one of the best attested woman poets from the ancient world. Don’t feel bad if you haven’t heard of her.

Greek Anthology, 6.353

“Melinna herself is here. Look how her pure face
Seems to glance gently at me.
How faithfully she looks like her mother in every way.
Whenever children equal their parents it is beautiful.”

Αὐτομέλιννα τέτυκται· ἴδ᾿ ὡς ἀγανὸν τὸ πρόσωπον
ἁμὲ ποτοπτάζειν μειλιχίως δοκέει·
ὡς ἐτύμως θυγάτηρ τᾷ ματέρι πάντα ποτῴκει.
ἦ καλὸν ὅκκα πέλῃ τέκνα γονεῦσιν ἴσα.

7.718

“Stranger, if you sail to the city of beautiful dances, Mytilene,
The city which fed Sappho, the the Graces’ flower,
Tell them that the land of Lokris bore for the Muses
A woman her equal, by the name of Nossis. Go!”

Ὦ ξεῖν᾿, εἰ τύ γε πλεῖς ποτὶ καλλίχορον Μυτιλάναν,
τὰν Σαπφὼ χαρίτων ἄνθος ἐναυσαμέναν,
εἰπεῖν, ὡς Μούσαισι φίλαν τήνᾳ τε Λοκρὶς γᾶ
τίκτεν ἴσαν ὅτι θ᾿ οἱ τοὔνομα Νοσσίς· ἴθι.

6.275

“I expect that Aphrodite will be pleased to receive
As an offering from Samutha, the band that held her hair.
For it is well made and smells sweetly of nektar,
That very nektar she uses to anoint beautiful Adonis.”

Χαίροισάν τοι ἔοικε κομᾶν ἄπο τὰν Ἀφροδίταν
ἄνθεμα κεκρύφαλον τόνδε λαβεῖν Σαμύθας·
δαιδαλέος τε γάρ ἐστι, καὶ ἁδύ τι νέκταρος ὄσδει,
τοῦ, τῷ καὶ τήνα καλὸν Ἄδωνα χρίει.

9.332

“Let’s leave for the temple and go to see Aphrodite’s
Sculpture—how it is made so finely in gold.
Polyarkhis dedicated it after she earned great
wealth from the native glory of her body.”

Ἐλθοῖσαι ποτὶ ναὸν ἰδώμεθα τᾶς Ἀφροδίτας
τὸ βρέτας, ὡς χρυσῷ διαδαλόεν τελέθει.
εἵσατό μιν Πολυαρχίς, ἐπαυρομένα μάλα πολλὰν
κτῆσιν ἀπ᾿ οἰκείου σώματος ἀγλαΐας.

Nossis.jpg
Bust by Francesco Jerace

“What Kinds of Things Are Roses”: More Poems from Nossis

Yesterday I posted some fragments from Nossis. Here are some more.

Greek Anthology, 6. 265

“Reverent Hera, who often comes down
From the sky to gaze upon your fragrant Lakinian home.
Take the linen robe which Theophilos, the daughter of Kleokha
Wove for you with the help of her noble daughter Nossis.”

Ἥρα τιμήεσσα, Λακίνιον ἃ τὸ θυῶδες
πολλάκις οὐρανόθεν νεισομένα καθορῇς,
δέξαι βύσσινον εἷμα, τό τοι μετὰ παιδὸς ἀγαυᾶς
Νοσσίδος ὕφανεν Θευφιλὶς ἁ Κλεόχας.

6.138

“These weapons the Brettian men hurled down from their unlucky shoulders
As they were overcome by the hands of the fast-battling Lokrians.
They are dedicated here singing the Lokrians glory in the temple of the gods.
They don’t long at all for the hands of the cowards they abandoned.”

Ἔντεα Βρέττιοι ἄνδρες ἀπ᾿ αἰνομόρων βάλον ὤμων,
θεινόμενοι Λοκρῶν χερσὶν ὕπ᾿ ὠκυμάχων,
ὧν ἀρετὰν ὑμνεῦντα θεῶν ὑπ᾿ ἀνάκτορα κεῖνται,
οὐδὲ ποθεῦντι κακῶν πάχεας, οὓς ἔλιπον.

7.414

“Pass by me, give an honest laugh, and speak over me
A loving word. I am Rhintho from Syracuse,
A minor nightingale of the Muses. But from my tragic
Nonsense poems, I made my own ivy crown.”

Καὶ καπυρὸν γελάσας παραμείβεο, καὶ φίλον εἰπὼν
ῥῆμ᾿ ἐπ᾿ ἐμοί. Ῥίνθων εἴμ᾿ ὁ Συρακόσιος,
Μουσάων ὀλίγη τις ἀηδονίς· ἀλλὰ φλυάκων
ἐκ τραγικῶν ἴδιον κισσὸν ἐδρεψάμεθα.

Greek Anthology, 5.170

“There is nothing sweeter than love: all other blessings
Take second place. I even spit honey from my mouth.
This is what Nossis says. Whomever Kypris has not kissed,
Does not understand her flowers, what kinds of things roses are.”

Ἅδιον οὐδὲν ἔρωτος· ἃ δ᾽ ὄλβια, δεύτερα πάντα
ἐστίν· ἀπὸ στόματος δ᾽ ἔπτυσα καὶ τὸ μέλι.
τοῦτο λέγει Νοσσίς· τίνα δ᾽ ἁ Κύπρις οὐκ ἐφίλασεν,
οὐκ οἶδεν τήνας τἄνθεα, ποῖα ῥόδα.

Greek Anthology, 9.604

“This frame has the picture of Thaumareta. The painter
Caught the form and the age of the soft-glancing woman well.
Your house dog, the little puppy, would paw at you if she saw this,
Believing that she was looking down at the lady of her home.”

Θαυμαρέτας μορφὰν ὁ πίναξ ἔχει· εὖ γε τὸ γαῦρον
τεῦξε τό θ᾿ ὡραῖον τᾶς ἀγανοβλεφάρου.
σαίνοι κέν σ᾿ ἐσιδοῖσα καὶ οἰκοφύλαξ σκυλάκαινα,
δέσποιναν μελάθρων οἰομένα ποθορῆν.

The Rites of Spring

Horace Ode I.23

You bolt from me like a fawn, Chloē,
One searching pathless hills for her anxious mother,
And not without unfounded fear
Of the winds and woods.

For when the arrival of spring
Ruffled leaves, making them sway,
Or green lizards parted the brambles,
In her heart and in her knees the fawn trembles.

But I’m not pursuing you, like a wild tiger
Or Gaetulian lion, so as to crush you.
It’s time–stop traipsing after your mother.
You’re ripe for a man.

Vitas hinnuleo me similis, Chloē,
quaerenti pavidam montibus aviis
matrem non sine vano
aurarum et siluae metu.

nam seu mobilibus veris inhorruit
adventus foliis seu virides rubum
dimovere lacertae,
et corde et genibus tremit.

atqui non ego te tigris ut aspera
Gaetulusve leo frangere persequor:
tandem desine matrem
tempestiva sequi viro.

Some thoughts:

  • Chloe does not simply bolt (vitas), but does so in the manner of a frightened fawn searching for the familiar in a bewildering environment. Since the simile insists that the fawn is lost and afraid, we should imagine Chloē’s movement as hesitant, confused, uncertain (“vitas…me” could simply mean “you evade me”). 
  • The second stanza is an elaboration of the fawn’s “unfounded fear” (vano…metu). Here too the concern is with movement: movement of the leaves and movement of the brambles. What the two movements have in common is that we readers know the cause of each (wind in the case of the leaves, lizards in the case of the brambles) but the inexperienced fawn does not. To the fawn, the movements are unexplained and frightening. Are these movements in nature metaphors for some movement in Chloē–the cause of which we know but she does not? Is Horace pointing to the birth of sexual desire in the young woman? 
  • In Sappho 31, trembling is one of the physical manifestations of desire. And green is associated with–technical terming coming–horniness. “Trembling seizes all of me,” Sappho sings, “And I’m greener than grass” (31.13-14). Not for nothing, Chloē, χλόη in Greek, means “green shoots.” What moves the brambles (metaphor for a movement within her) is a green lizard. And of course Chloē’s stand-in, the fawn, trembles (tremit) at nature’s mysterious developments.
  • “You’re ripe for a man” (tempestivaviro). This phrase is ordinarily read as an expression of the speaker’s desire for Chloē. It concludes his seduction attempt. But her ripeness (“ready for a man” is probably the most common translation) might speak as much to her needs as to his. That is to say, Chloē has reached the age where she has not only a desirable body, but a desiring self.
Mark Rothko. Untitled (Green on Maroon). 1961. Museo Nacional Thyssen-Bornemisza, Madrid

Larry Benn has a B.A. in English Literature from Harvard College, an M.Phil in English Literature from Oxford University, and a J.D. from Yale Law School. Making amends for a working life misspent in finance, he’s now a hobbyist in ancient languages and blogs at featsofgreek.blogspot.com.

Tacitus on Germanic Standards for Women and Child-Rearing

Some of the rhetoric here seems a bit familiar…

Tacitus, Germania 19-20

In that country, no one finds vice amusing; nor is seducing or being seduced celebrated as a sign of the times. Even better are those communities where only virgins marry and a promise is made with the hope and vow of a wife. And so, they have only one husband just as each has one body and one life so that there may be no additional thought of it, no lingering desire, that they may not love the man so much as they love the marriage. It is considered a sin to limit the number of children or to eliminate the later born. There good customs are stronger than good laws.

There are children there naked and dirty in every house growing into the size of limbs and body at which we wonder. Each mother nourishes each child with her own breasts; they are not passed around to maids and nurses.”

nemo enim illic vitia ridet, nec corrumpere et corrumpi saeculum vocatur. melius quidem adhuc eae civitates, in quibus tantum virgines nubunt et cum spe votoque uxoris semel transigitur. sic unum accipiunt maritum quo modo unum corpus unamque vitam, ne ulla cogitatio ultra, ne longior cupiditas, ne tamquam maritum, sed tamquam matrimonium ament. numerum liberorum finire aut quemquam ex agnatis necare flagitium habetur, plusque ibi boni mores valent quam alibi bonae leges.In omni domo nudi ac sordidi in hos artus, in haec corpora, quae miramur, excrescunt. sua quemque mater uberibus alit, nec ancillis aut nutricibus delegantur.

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Festivals for Women and Different Marriage Customs

Paradoxographus Vaticanus, 25-28, 45

25 “Among the Iberians there is a tribe [and] and in a certain festival they honor women with gifts, however so many demonstrate at that time that they can weave the most numerous and beautiful cloaks.”

Παρὰ τοῖς ῎Ιβηρσιν ἔθνος ἐστὶ ἐν ἑορτῇ τινι τὰς γυναῖκας τιμῶν δώροις, ὅσαι ἂν πλεῖστα καὶ κάλλιστα ἱμάτια ὑφήνασαι τότε ἐπιδείξωσιν.

26 “Among the Krobuzoi it is the custom to mourn when an infant is born and consider the one who dies lucky”

Παρὰ Κροβύζοις ἔθος ἐστὶ τὸ μὲν γεννώμενον βρέφος θρηνεῖν, τὸν δὲ θανόντα εὐδαιμονίζειν.

27 “Among the Nasamoi in Libya it is the custom that on the first day a woman is married that she has sex with everyone who is present and then take gifts from them. After that, she has sex only with the one who marries her.”

Παρὰ Νασαμῶσι τοῖς ἐν Λιβύῃ νόμος ἐστὶ τὴν γαμουμένην τῇ πρώτῃ ἡμέρᾳ συγγίνεσθαι πᾶσι τοῖς παροῦσι καὶ παρ’ αὐτῶν δῶρα λαμβάνειν καὶ μετὰ τοῦτο τῷ γήμαντι μόνῳ μίγνυσθαι.

28 “The women of the Sauromatoi do not get married unless they kill an enemy man.”

Αἱ τῶν Σαυροματῶν γυναῖκες οὐ πρότερον γαμοῦνται, ἂν μὴ ἄνδρα κτάνωσι πολέμιον.

45 “The Liburnians have shared wives and they raise their children in common for five years. When they make it to the eighth year, they compare the children for their similarity to the men and they distribute to each one who is similar. And that one keeps him as a son.”

Λιβύρνιοι κοινὰς τὰς γυναῖκας ἔχουσι καὶ τὰ τέκνα ἐν κοινῷ τρέφουσι μέχρι ἐτῶν πέντε· εἶτα τῷ ἔκτῳ συνενέγκαντες ἅπαντα τὰ παιδία τὰς ὁμοιότητας πρὸς τοὺς ἄνδρας εἰκάζουσι, καὶ ἑκάστῳ τὸν ὅμοιον ἀποδιδόασι, καὶ λοιπὸν ἐκεῖνος ὡς υἱὸν ἔχει.

51 “The Assyrians sell their daughters in the marketplace to whoever wants to settle down with them. First the most well-born and most beautiful and then the rest in order. Whenever they get to the least attractive, they announce how much someone is willing to take to live with them and they add this consolation price from the fee charged for the desirable girls to these [last ones].”

᾿Ασσύριοι τὰς παρθένους ἐν ἀγορᾷ πωλοῦσι τοῖς θέλουσι συνοικεῖν, πρῶτον μὲν τὰς εὐγενεστάτας καὶ καλλίστας, εἶτα τὰς λοιπὰς ἐφεξῆς· ὅταν δὲ ἔλθωσι ἐπὶ τὰς φαυλοτάτας, κηρύττουσι πόσον τις θέλει προσλαβὼν ταύταις συνοικεῖν, καὶ τὸ συναχθὲν ἐκ τῆς τῶν εὐπρεπῶν τιμῆς ταύταις προστίθενται [ταῖς παρθένοις].

Image result for ancient greek wedding

Suspicious Speech and the Pleasure Principle

Quintilian Inst Orat. 5.14

“In addition, the harsher something is by nature, the more it must be peppered with pleasures. A speech’s content is less suspicious thanks to disguise; and the audience’s pleasure aids much the speech’s credibility. Unless, of course, we believe that Cicero put it badly in his suggestion that ‘laws keep quiet among arms’ or ‘sometimes a sword is handed to us by the laws themselves.’ In these cases, the devices must be consideration as an ornament, not an impediment.”

quoque quid est natura magis asperum, hoc pluribus condiendum est voluptatibus, et minus suspecta argumentatio dissimulatione, et multum ad fidem adiuvat audientis voluptas: nisi forte existimamus Ciceronem haec ipsa male in argumentatione dixisse, ‘silere leges inter arma’, et ‘gladium nobis interim ab ipsis porrigi legibus’. In his tamen habendus is est modus ut sint ornamento, non impedimento.

Image result for medieval manuscript pleasure
Roman de la Rose. Bruges c. 1490-150

Rejoicing at the Death of a Tyrant

Suetonius, Divus Tiberius 75

“The people were so happy about his death that some people went around shouting after its announcement, “Tiberius into the Tiber!” while others prayed to the Earth and the divine Shades to give him no place in death except with the damned.

Others still were threatened his body with a hook and the Mourning Stairs, angered over the memory of recent cruelty: for the senate had decreed a stay of ten days for all condemned to execution. But that day came about for some when the news of Tiberius’ death surfaced. Although they were pleading for public help since no one could be approached and appealed to oppose their punishments now that Gaius was gone, the jailors strangled them and threw them out on the Mourning Stairs anyway, afraid of acting against the law. So hatred for the tyrant only increased since his brutality remained even after his death.”

LXXV. Morte eius ita laetatus est populus, ut ad primum nuntium discurrentes pars: “Tiberium in Tiberim!” clamitarent, pars Terram matrem deosque Manes orarent, ne mortuo sedem ullam nisi inter impios darent, alii uncum et Gemonias cadaveri minarentur, exacerbati super memoriam pristinae crudelitatis etiam recenti atrocitate. Nam cum senatus consulto cautum esset, ut poena damnatorum in decimum semper diem differretur, forte accidit ut quorundam supplicii dies is esset, quo nuntiatum de Tiberio erat. Hos implorantis hominum fidem, quia absente adhuc Gaio nemo exstabat qui adiri interpellarique posset, custodes, ne quid adversus constitutum facerent, strangulaverunt abieceruntque in Gemonias. Crevit igitur invidia, quasi etiam post mortem tyranni saevitia permanente