Skipping the Passive for the Straight-Up Aggressive

Pliny, Letters 2.1

“I am super mad and whether or not it is right I’m not sure but I’m super mad. You know how unfair love is frequently, often powerless always quick to be offended. But my reason is still serious whether I believe it’s right and I am as mad as I would be if it were right since I have had no letter from you for such a long time.

The only solution to this is if you write me many really long letters right now. This is the only way I will forgive you. Other things seem fake. I won’t even hear “I was in Rome” or “I was busy”. But Gods forbid you say, “I’ve been sick.”

I’ve been in my country-house enjoying my two delights that come from leisure: reading and resting. Bye!”

Plinius Paulino Suo S.

1Irascor, nec liquet mihi an debeam, sed irascor. Scis, quam sit amor iniquus interdum, impotens saepe μικραίτιος semper. Haec tamen causa magna est, nescio an iusta; sed ego, tamquam non minus iusta quam magna sit, graviter irascor, quod a te tam diu litterae nullae. Exorare me potes uno modo, si nunc saltem plurimas et longissimas miseris. Haec mihi sola excusatio vera, ceterae falsae videbuntur. Non sum auditurus “non eram Romae” uel “occupatior eram”; illud enim nec di sinant, ut “infirmior”. Ipse ad villam partim studiis partim desidia fruor, quorum utrumque ex otio nascitur. Vale.

File:Ancient Roman villa of Salar 012 (30512518878).jpg ...
This is a Villa. It is not Pliny’s. 

Nameless Altars and Human Sacrifice

Diogenes Laertius, Vitae philosophorum 1.110 [Epimenides]

“Epimenides was known among the Greeks and was thought to be extremely beloved to the gods. For this reason, when the Athenians were once afflicted by a plague and the Pythian oracle prophesied that they should cleanse their city, they sent a ship along with Nikias the son of Nikêratos, summoning Epimenides.

He made it to Athens at the time of the 46th Olympiad [c. 596 BCE] and cleansed the city. He stopped it in the following manner. After obtaining white and black sheep, he led them to the Areopagos and then allowed them to go wherever they wanted there. He ordered the people following them to sacrifice the sheep to whichever god was proper to the place where each sheep laid down.

This is how the plague stopped. For this reason it is still even today possible to find altars without names in certain Athenian neighborhoods as a commemoration of that ancient cleansing. Some people report that Epimenides indicated the pollution from the Kylon scandal as the cause of the plague along with a resolution for it. For this reason, they killed two youths, Kratinos and Ktêsibios and the suffering was relieved.”

(110) γνωσθεὶς δὲ παρὰ τοῖς ῞Ελλησι θεοφιλέστατος εἶναι ὑπελήφθη. ὅθεν καὶ Ἀθηναίοις ποτὲ λοιμῶι κατεχομένοις ἔχρησεν ἡ Πυθία καθῆραι τὴν πόλιν, οἱ δὲ πέμπουσι ναῦν τε καὶ Νικίαν τὸν Νικηράτου εἰς Κρήτην, καλοῦντες τὸν Ἐπιμενίδην. καὶ ὃς ἐλθὼν ὀλυμπιάδι τεσσαρακοστῆι ἕκτηι ἐκάθηρεν αὐτῶν τὴν πόλιν, καὶ ἔπαυσε τὸν λοιμὸν τοῦτον τὸν τρόπον· λαβὼν πρόβατα μέλανά τε καὶ λευκά, ἤγαγεν πρὸς τὸν ῎Αρειον πάγον, κἀκεῖθεν εἴασεν ἰέναι οἷ βούλοιντο, προστάξας τοῖς ἀκολούθοις, ἔνθα ἂν κατακλινῆι αὐτῶν ἕκαστον, θύειν τῶι προσήκοντι θεῶι· καὶ οὕτω λῆξαι τὸ κακόν· ὅθεν ἔτι καὶ νῦν ἔστιν εὺρεῖν κατὰ τοὺς δήμους τῶν Ἀθηναίων βωμοὺς ἀνωνύμους, ὑπόμνημα τῆς τότε γενομενης ἐξιλάσεως. οἱ δὲ τὴν αἰτίαν εἰπεῖν τοῦ λοιμοῦ τὸ Κυλώνειον ἄγος σημαίνειν τε τὴν ἀπαλλαγήν· καὶ διὰ τοῦτο ἀποθανεῖν δύο νεανίας Κρατῖνον καὶ Κτησίβιον, καὶ λυθῆναι τὴν συμφοράν

File:3217 - Athens - Sto… of Attalus Museum - Kylix - Photo by ...
Kylix showing an armored youth offering a sacrifice. Ancient Agora Museum in Athens, around 480 BC

Which Road to Hell?

Epictetus. Disc 2. 6.17-19

 “But if you say these things are annoying, what annoyance does the thing that existed experience in perishing? The tool of destruction is a blade, a wheel, the sea, a tile, or a tyrant. What does it matter to you what road you take to hell? All the paths there are equal in the end.

εἰ δ᾿ ὡς δύσκολα καλεῖς, ποίαν δυσκολίαν ἔχει τὸ γενόμενον φθαρῆναι; τὸ δὲ φθεῖρον ἢ μάχαιρά ἐστιν ἢ τροχὸς ἢ θάλασσα ἢ κεραμὶς ἢ τύραννος. τί σοι μέλει, ποίᾳ ὁδῷ καταβῇς εἰς Ἅιδου; ἴσαι πᾶσαί εἰσιν.

Miniature from the Hours of Catherine of Cleves, Morgan Library & Museum, MS M.945, f. 107r

Hesiod: Cure for the Blues

Hesiod, Theogony 94-103.

“It is because of the Muses and far-shooting Apollo
Men on the earth are singers and players of the lyre,
And because of Zeus, they are kings. Whomever the Muses
Love is blessed: a sweet sound flows from his mouth.
Even if some fresh concern worries a man’s spirit,
And the affliction desiccates his heart, just let some singer,
the Muses’ servant, celebrate in song the glories of folks
From olden times and the blessed Olympian gods,
That man quickly forgets his blues, does not remember his cares–
Just like that, the Muses’ gifts change his disposition.”

ἐκ γάρ τοι Μουσέων καὶ ἑκηβόλου Ἀπόλλωνος
ἄνδρες ἀοιδοὶ ἔασιν ἐπὶ χθόνα καὶ κιθαρισταί,
ἐκ δὲ Διὸς βασιλῆες: ὃ δ᾽ ὄλβιος, ὅντινα Μοῦσαι
φίλωνται: γλυκερή οἱ ἀπὸ στόματος ῥέει αὐδή.
εἰ γάρ τις καὶ πένθος ἔχων νεοκηδέι θυμῷ
ἄζηται κραδίην ἀκαχήμενος, αὐτὰρ ἀοιδὸς
Μουσάων θεράπων κλέἱα προτέρων ἀνθρώπων
ὑμνήσῃ μάκαράς τε θεούς, οἳ Ὄλυμπον ἔχουσιν,
αἶψ᾽ ὅ γε δυσφροσυνέων ἐπιλήθεται οὐδέ τι κηδέων
μέμνηται: ταχέως δὲ παρέτραπε δῶρα θεάων.

B.B. King with his lyre-substitute, the guitar.
Image: Paul Natkin/Getty.

Larry Benn has a B.A. in English Literature from Harvard College, an M.Phil in English Literature from Oxford University, and a J.D. from Yale Law School. Making amends for a working life misspent in finance, he’s now a hobbyist in ancient languages and blogs at featsofgreek.blogspot.com.

Angry Poet and Killer Songs

CW: Suicide 

Greek Anthology, 7.351, Dioscorides

“By this holy tomb of the dead we daughters of Lykambes
Who received a hateful reputation, make this oath:
We didn’t shame our virginity or our parents
Nor Paros, the highest of the sacred islands.

No: Archilochus spat hateful rumor
And frightening insult against our family.
By the gods and the spirits: we never saw Archilochus
On the streets or in Hera’s great sanctuary.

If we were truly so lustful and reckless, that guy
Never would have wanted to have children with us.”

Οὐ μὰ τόδε φθιμένων σέβας ὅρκιον αἵδε Λυκάμβεω,
αἳ λάχομεν στυγερὴν κληδόνα, θυγατέρες
οὔτε τι παρθενίην ᾐσχύναμεν οὔτε τοκῆας
οὔτε Πάρον, νήσων αἰπυτάτην ἱερῶν,

ἀλλὰ καθ᾿ ἡμετέρης γενεῆς ῥιγηλὸν ὄνειδος
φήμην τε στυγερὴν ἔφλυσεν Ἀρχίλοχος.
Ἀρχίλοχον, μὰ θεοὺς καὶ δαίμονας, οὔτ᾿ ἐνἀγυιαῖς
εἴδομεν οὔθ᾿ Ἥρης ἐν μεγάλῳ τεμένει.
εἰ δ᾿ ἦμεν μάχλοι καὶ ἀτάσθαλοι οὐκ ἂν ἐκεῖνος
ἤθελεν ἐξ ἡμέων γνήσια τέκνα τεκεῖν.

Schol. C ad Ovid, Ibis 53-54

“Lycambes offered his daughter Neobule to Archilochus and promised a dowry which he refused to give later. So Archilochus composed invective in iambic meter about him and talked so savagely about him and his wife and his daughter that he compelled them to hanging. For they preferred dying over living with such foul abuses.”

Lycambes Neobulen, filiam suam, Archilocho desponsavit et dotem promisit; quam quia postea negavit, Archilochus in iambico metro invectivam in ipsum fecit et tam turpia de eo dixit quod ipsum et uxorem et filiam ad laqueos coegit: maluerunt enim mori quam sub turpibus obprobriis vivere.

Eustathius, Commentary in Hom. Od. 11.277 (1684.45)

“You should know that many have hanged themselves over grief. This is why the ancient account has the daughters of Lykambes doing so thanks to Archilochus’ poems because they could not endure the rumors from his insults. The man was skilled at offending. For this reason we have the proverb “you’ve tread on Archilochus” which is for people who are good at insults, as if someone claims you stepped on snake or a sharp thorn.”

ἰστέον δὲ ὅτι πολλῶν προσώπων ἁψαμένων βρόχους ἐπὶ λύπαις ἔπαθον οὕτω κατὰ τὴν παλαιὰν ἱστορίαν καὶ αἱ Λυκαμβίδαι ἐπὶ τοῖς Ἀρχιλόχου ποιήμασι, μὴ φέρουσαι τὴν ἐπιφορὰν τῶν ἐκείνου σκωμμάτων· ἦν γὰρ ὁ ἀνὴρ δεινὸς ὑβρίζειν· ὅθεν καὶ παροιμία ἐπὶ τῶν οὕτω σκώπτειν εὐφυῶν τό, Ἀρχίλοχον πεπάτηκας, ὡς εἴ τις εἴπῃ, σκορπίον ἢ ὄφιν ἢ κακὴν ἄκανθαν.

Cave of Archilochos on the Paros island, near Sacred cape in front of the entrance to the harbor of Parikia.

When This is All Over, It Will Happen Again

Nemesius, De natura Hominis 37

“The stoics say that once the planets return into the same sign and location where each one was at the beginning when the universe first arose, in that appointed circuit of time there is a burning and purging of existence and everything returns necessarily to the same order. Each of the stars that travels again ends up indistinguishable from how they were in the previous cycle.

They say that Socrates will be there again along with Plato and each of the people with them and their friends, and their fellow citizens. They will experience the same things, do the same things, and try their hand at the same things; and every city, village, and field will be the same. This re-creation of everything happens not once but often

In the boundless space, the things turn out the same without this completion. The gods, because they do not submit to that destruction and have become away from just one cycle, know everything that is going to happen in subsequent eras from a single turn. There’s nothing different in what happens from before but everything is indistinguishable down to the smallest detail.”

 

οἱ δὲ Στωϊκοί φασιν ἀποκαθισταμένους τοὺς πλανήτας εἰς τὸ αὐτὸ σημεῖον κατά τε μῆκος καὶ πλάτος ἔνθα τὴν ἀρχὴν ἕκαστος ἦν ὅτε τὸ πρῶτον ὁ κόσμος συνέστη, ἐν ῥηταῖς χρόνων περιόδοις ἐκπύρωσιν καὶ φθορὰν τῶν ὄντων ἀπεργάζεσθαι, καὶ πάλιν ἐξ ὑπαρχῆς εἰς τὸ αὐτὸ τὸν κόσμον ἀποκαθίστασθαι, καὶ τῶν ἀστέρων ὁμοίως πάλιν φερομένων ἕκαστα τῶν ἐν τῇ προτέρᾳ περιόδῳ γενομένων ἀπαραλλάκτως ἀποτελεῖσθαι.

ἔσεσθαι γὰρ πάλιν Σωκράτην καὶ Πλάτωνα καὶ ἕκαστον τῶν ἀνθρώπων σὺν τοῖς αὐτοῖς καὶ φίλοις καὶ πολίταις, καὶ τὰ αὐτὰ πείσεσθαι, καὶ τοῖς αὐτοῖς συντεύξεσθαι καὶ τὰ αὐτὰ μεταχειριεῖσθαι, καὶ πᾶσαν πόλιν καὶ κώμην καὶ ἀγρὸν ὁμοίως ἀποκαθίστασθαι· γίνεσθαι δὲ τὴν ἀποκατάστασιν τοῦ παντὸς οὐχ ἅπαξ ἀλλὰ πολλάκις·

μᾶλλον δὲ εἰς ἄπειρον, καὶ ἀτελευτήτως τὰ αὐτὰ ἀποκαθίστασθαι· τοὺς δὲ θεοὺς τοὺς μὴ ὑποκειμένους τῇ φθορᾷ ταύτῃ, παρακολουθήσαντας μιᾷ περιόδῳ γινώσκειν ἐκ ταύ- πάντα τὰ μέλλοντα ἔσεσθαι ἐν ταῖς ἑξῆς περιόδοις·  οὐδὲν γὰρ ξένον ἔσεσθαι παρὰ τὰ γενόμενα πρότερον, ἀλλὰ πάντα ὡσαύτως ἀπαραλλάκτως ἄχρι καὶ τῶν ἐλαχίστων.

or

Catullus: A Lexicon

Catullus 96 is classed as a consolation, a poem comforting the bereaved at the death of a loved one (in this case a wife or mistress, it seems). The poems imagines what the corpse would feel if somehow it were aware of the grief of the living: 

#96

If anything dear and welcome can happen in mute graves
Because of our sadness, Calvus,
Because of that longing by which we renew old loves
And by which we weep for friendships formed long ago,
Surely Quintilia isn’t saddened by her untimely death,
But rather, she’s gladdened by your love.

Si quicquam mutis gratum acceptumve sepulcris
accidere a nostro, Calve, dolore potest,
quo desiderio veteres renovamus amores
atque olim junctas flemus amicitias,
certe non tanto mors immatura dolori est
Quintiliae, quantum gaudet amore tuo.

The central word in the lyric is “sadness” (dolor): it motivates the first couplet; it’s given a synonym and definition in the second; and reappears in the third. 

What’s styled as a consolation is really an occasion for Catullus to display his private language. Catullus tells us that “sadness” (dolor) is a form of “longing” (desiderium), and longing has two aspects: 1. the reanimation of old love (desire renewed, that is), and 2. a lament for an old friendship.

I’m fairly sure that if you or I were to deconstruct “sadness” this is not where we would land. These definitional moves beg the question, if in Catullus’s private language familiar terms like “sadness” and “longing” have idiosyncratic meanings, then “love” (amor) and “friendship” (amicitia) probably do too. 

You’ll have to take my word for it that by love (amor) Catullus intends something like passion and desire (nothing unusual there). But “friendship” (amicitia) is trickier. It also belongs to amorous discourse, but it’s some combination of intimacy, mutuality, and trust between lovers. “Longing” is both carnal (amor) and, for lack of a better word, spiritual (amicitia). 

The love lyric Catullus 109 shows what “friendship” means:    

#109

My everything, you claim this mutual love
Of ours will be lasting and happy.
Great god, grant that she can keep her word,
Speaks sincerely, and speaks from the heart,
So we might sustain this eternal compact
Of sacred friendship for all of life.

Iucundum, mea vita, mihi proponis amorem
hunc nostrum inter nos perpetuumque fore.
di magni, facite ut vere promittere possit,
atque id sincere dicat et ex animo,
ut liceat nobis tota perducere vita
aeternum hoc sanctae foedus amicitiae.

Larry Benn has a B.A. in English Literature from Harvard College, an M.Phil in English Literature from Oxford University, and a J.D. from Yale Law School. Making amends for a working life misspent in finance, he’s now a hobbyist in ancient languages and blogs at featsofgreek.blogspot.com.

Rowing the Same Ship, Twice

Plutarch, Theseus 23.1

“The Athenians preserved the boat—a thirty-oared ship—on which Theseus sailed with his companions and came back safely until the time of Demetrius of Phalerus, changing out the older wood and replacing it with strong, new parts until the ship became a famous example to philosophers of the problem of growth. Some say that it remained the same ship, others claim it did not.”

τὸ δὲ πλοῖον ἐν ᾧ μετὰ τῶν ἠϊθέων ἔπλευσε καὶ πάλιν ἐσώθη, τὴν τριακόντορον, ἄχρι τῶν Δημητρίου τοῦ Φαληρέως χρόνων διεφύλαττον οἱ Ἀθηναῖοι, τὰ μὲν παλαιὰ τῶν ξύλων ὑφαιροῦντες, ἄλλα δὲ ἐμβάλλοντες ἰσχυρὰ καὶ συμπηγνύντες οὕτως ὥστε καὶ τοῖς: φιλοσόφοις εἰς τὸν αὐξόμενον λόγον ἀμφιδοξούμενον παράδειγμα τὸ πλοῖον εἶναι, τῶν μὲν ὡς τὸ αὐτό, τῶν δὲ ὡς οὐ τὸ αὐτὸ διαμένοι λεγόντων.

Solon, fr. 18

“I grow old, always learning many things.”

γηράσκω δ’ αἰεὶ πολλὰ διδασκόμενος·

Plato, Cratylus 402

So. “Heraclitus, I guess you know, says that everything flows and nothing stays the same. He compares reality to a flowing river, saying that you cannot step into the same river twice.”

Λέγει που Ἡράκλειτος ὅτι πάντα χωρεῖ καὶ οὐδὲν μένει, καὶ ποταμοῦ ῥοῇ ἀπεικάζων τὰ ὄντα λέγει ὡς δὶς ἐς τὸν αὐτὸν ποταμὸν οὐκ ἂν ἐμβαίης.

Her. That’s for real.

ΕΡΜ. Ἔστι ταῦτα.

Homer, Odyssey 16.204

“No other Odysseus will ever come home to you”

οὐ μὲν γάρ τοι ἔτ’ ἄλλος ἐλεύσεται ἐνθάδ’ ᾿Οδυσσεύς,

Cleobulina’s Poetic Riddles

The following is not really a single poem but rather a collection of lines cited in Athenaeus, Plutarch and others and attributed to Cleobulina

Cleobulina fr. 3.1

“I have seen a man fashioning bronze on another man with fire
Fitting it so well that he joined them in the blood.
I saw a man stealing and deceiving violently—
To accomplish this with violence is the most just thing.
A donkey corpse struck me on the ear with its horny shin.”

ἄνδρ’ εἶδον πυρὶ χαλκὸν ἐπ’ ἀνέρι κολλήσαντα
οὕτω συγκόλλως ὥστε σύναιμα ποιεῖν.
ἄνδρ’ εἶδον κλέπτοντα καὶ ἐξαπατῶντα βιαίως,
καὶ τὸ βίαι ῥέξαι τοῦτο δικαιότατον.
κνήμηι νεκρὸς ὄνος με κερασφόρωι οὖας ἔκρουσεν·

These lines are poetic riddles: the first one, according to Athenaeus, is about using a cupping glass to draw blood to the surface of the skin) the last one is about a Phrygian flute (which was made from a donkey bone)

Cleobulina 4bpblogspotcomk3VU9hBtRk0T5b6PfaiZzIAAAAAAA

Sulpicia’s Song, At Last

The poems of Sulpicia are translated on Diotima. Note: in a particularly characteristic treatment, the Loeb digital library does not have a separate author entry for Sulpicia. Here is a nice summary about her with a few bibliographical links.

Sulpicia 13 (= Tib. 3.13)

 “At last, love is here—and the story I might have told to hide it
Would have caused me more shame than laying it bare.
Cytherea brought him right to me once I overwhelmed her
with my songs. Then  she put him right in my lap.

She promised it and she did it. Let anyone tell the tale of my laughter
if they happen to have none of their own
I would never want to trust notes to anyone to sealed tablets,
Just in case someone else reads them before my love.

Ah, it is a pleasure to ‘sin’ and exhausting to hide my face
For rumor’s sake. Let me be known as a worthy woman with her worthy man.”

Tandem venit amor, qualem texisse pudori
quam nudasse alicui sit mihi fama magis.
exorata meis illum Cytherea Camenis
attulit in nostrum deposuitque sinum.
exsolvit promissa Venus: mea gaudia narret,
dicetur si quis non habuisse sua.
non ego signatis quicquam mandare tabellis,
ne legat id nemo quam meus ante, velim,
sed peccasse iuvat, vultus componere famae
taedet: cum digno digna fuisse ferar.

Martial, 10.35

“All girls who desire to please one man
Should read Sulpicia.
All husbands who desire to please one wife
Should read Sulpicia.
She doesn’t write the rage of the Colchian woman
Or repeat the dinners of dire Thyestes.
She doesn’t believe there ever was a Scylla, or Byblis
But she teaches chaste and honest love,
And games, both sweet and a little naughty.
Anyone who judges her poems well
Will say that there never was a cleverer girl,
There never was a girl more reverent!
I think that the jokes of Egeria
In Numa’s dark cave were something like this.
You would have been more humble and learned
With Sulpicia as a teacher or a peer, Sappho:
But if he had seen her by your side,
Harsh Phaon would have loved Sulpicia.
Uselessly: for she would not be wife of the Thunderer
Nor girlfriend to Bacchus or Apollo
Should she live after her Calenus was taken away.”

Omnes Sulpiciam legant puellae,
Uni quae cupiunt viro placere;
Omnes Sulpiciam legant mariti,
Uni qui cupiunt placere nuptae.
Non haec Colchidos adserit furorem 5
Diri prandia nec refert Thyestae;
Scyllam, Byblida nec fuisse credit:
Sed castos docet et probos amores,
Lusus, delicias facetiasque.
Cuius carmina qui bene aestimarit, 10
Nullam dixerit esse nequiorem,
Nullam dixerit esse sanctiorem.
Tales Egeriae iocos fuisse
Udo crediderim Numae sub antro.
Hac condiscipula vel hac magistra 15
Esses doctior et pudica, Sappho:
Sed tecum pariter simulque visam
Durus Sulpiciam Phaon amaret.
Frustra: namque ea nec Tonantis uxor
Nec Bacchi nec Apollinis puella 20
Erepto sibi viveret Caleno.

Martial is not referring to the first Sulpicia (whose poetry is recorded with that of Tibullus, book 3) but a second Sulpicia from the time of Domitian.

 

Français 599, fol. 72