Write This Down: You are the City. You Are the people

Aeschylus, Suppliants 179-180

“I suggest you safeguard my words by writing them on tablet in your minds”

αἰνῶ φυλάξαι τἄμ᾿ ἔπη δελτουμένας

Aeschylus, Suppliants, 200-204

“Don’t be too aggressive or broken in speech:
These people are really ready to be angry.
Remember to be accommodating: you are a foreign refugee in need.
To speak boldly is not a fitting move for the weak.”

καὶ μὴ πρόλεσχος μηδ᾿ ἐφολκὸς ἐν λόγῳ
γένῃ· τὸ τῇδε κάρτ᾿ ἐπίφθονον γένος.
μέμνησο δ᾿ εἴκειν· χρεῖος εἶ, ξένη, φυγάς·
θρασυστομεῖν γὰρ οὐ πρέπει τοὺς ἥσσονας.

Aeschylus, Suppliants, 370-375

“You are the city, truly. You are the people.
An unjudged chief of state rules
The altar, the city’s hearth,
With only your votes and nods,
With only your scepter on the throne
You judge every need. Be on guard against contamination!”

σύ τοι πόλις, σὺ δὲ τὸ δάμιον·
πρύτανις ἄκριτος ὢν
κρατύνεις βωμόν, ἑστίαν χθονός,
μονοψήφοισι νεύμασιν σέθεν,
μονοσκήπτροισι δ᾿ ἐν θρόνοις χρέος
πᾶν ἐπικραίνεις· ἄγος φυλάσσου.

 

original DELACROIX Eugène française Fonds des dessins et miniatures Album Delacroix Eugène -31-

Aeschylus, Suppliants 991-997

“Write this down with the many other notes
In your mind of the wisdoms from your father:
An unfamiliar mob is evaluated by time,
But everyone has an evil tongue prepared to lash out
over immigrants and speaking foully is somehow easy.
I advise you not to bring me shame
Now that you are in the age which turns mortal gazes.”

καὶ ταῦτα μὲν γράψασθε πρὸς γεγραμμένοις
πολλοῖσιν ἄλλοις σωφρονίσμασιν πατρός,
ἀγνῶθ᾿ ὅμιλον ἐξελέγχεσθαι χρόνῳ·
πᾶς δ᾿ ἐν μετοίκῳ γλῶσσαν εὔτυκον φέρει
κακήν, τό τ᾿ εἰπεῖν εὐπετὲς μύσαγμά πως.
ὑμᾶς δ᾿ ἐπαινῶ μὴ καταισχύνειν ἐμέ,
ὥραν ἐχούσας τήνδ᾿ ἐπίστρεπτον βροτοῖς

Back to RGTO: Reading Tragedy Together When Sheltering Alone

Five years ago, a group of us got together and started reading Greek tragedies with actors and scholars and whoever else appeared. Over the next 3 years years, we aired 65 episodes, covering every tragedy, fragments, some comedies, original work, excerpts from epic, and eventually the Batrakhomuomakhia. We did a podcast about it and an interview a year or so later.

It was a transformative and uplifting experience that reshaped the way many of us thought about the relationship between performance and communities of support and interpretation. I am grateful for it and nostalgic in these darker days. We will be reposting the original notes for each session for the remainder of the year.

Greek Tragedy Readings, Week 1: Euripides’ Helen (Supported by the Center for Hellenic Studies and the Kosmos Society and Out of Chaos Theatre).

A week or so ago Paul O’Mahony pulled together a few people from the Center for Hellenic Studies (Lanah Koelle and Keith DeStone) with me and several members of the Kosmos Society (including Janet Ozsolak, Helene Emeriaud, Sarah Scott) with an idea: bringing together Hellenists and actors in isolation to do readings and discussions of Greek Tragedy during these strange times. We talked about how important it is to retain human contact and communication to stay sane, how the arts help us reflect on being human and how in these frightening times the humanities have no less a purchase on our imaginations and our needs than at any other.

We sketched out a basic plan to read a play a week and invite professional actors to read scenes together. And then we tried it out the next day. We recorded it rather than performing it live because we had no idea how well it would go. Here it is:

Actors: Evelyn Miller, Richard Neal, Paul O’Mahony, and Eunice Roberts

Questions and comments by Joel Christensen

Designed by Paul O’Mahony with consultation from the Kosmos Society and Joel Christensen (me!)

Scenes include: Helen’s opening speech Helen and Teucer (l. 68-164) Menelaos speech (l.386-438) Menelaos and Old Woman (l.437-484) Menelaos and Helen meet (l.528-661) Menelaos and Helen plotting (l.1031-1093)

I hope you take some time to watch this and read along (we use this text). The conversation was unscripted and mostly unplanned–some of the comments about seeming and being and living at the edge of things or through mediated experiences struck me pretty hard.

We plan to do this on a weekly basis and are looking for experts in tragedy and actors who would like to participate. Please reach out! We hope to give people a chance to spend time thinking about Greek tragedy, engaging with one another, and meeting new people, learning new things.

For next week, we will be running the show live and opening it up to the public:

Wednesday at 3 PM EST we are reading Sophocles’ Philoktetes (using this text) and will be joined by Howard University’s Norman Sandridge. Watch here and the Center for Hellenic Studies website for news.

Tragedy readings

Bring Home Hektor’s Bones

The Iliad ends with the burial of Hektor, but the mythographical tradition would not let him lie in peace. There is a tradition for the exhumation and the reburial of his remains.

Aristodemos BNJ383 F7 [“Brill’s New Jacoby”=Schol. AB ad Il. 13.1]

“the Trojans and Hektor”: He has separated Hektor in particular from the rest of the Trojans. Following the sack of Troy, Hektor the son of Priam obtained honor from the gods after death. For the Thebans in Boiotia were beset by evils and solicited a prophecy about their deliverance. The oracle told them that they would stop the troubles if they would transfer the bones of Hektor from Ophrunion in the Troad to a place in their land called the “birthplace of Zeus”. They, once they did this and were freed from the evils, maintained the honors for Hektor and during hard times they used to call for his manifestation. This is the account in Aristodemos.

Τρῶάς τε καὶ ῞Εκτορα] κεχώρικε τῶν λοιπῶν Τρώων τὸν ῞Εκτορα κατ᾽ ἐξοχήν. μετὰ δὲ τὴν ᾽Ιλίου πόρθησιν ῞Εκτωρ ὁ Πριάμου καὶ μετὰ τὸν θάνατον τὴν ἀπὸ θεῶν εὐτύχησε τιμήν· οἱ γὰρ ἐν Βοιωτίαι Θηβαῖοι πιεζόμενοι κακοῖς ἐμαντεύοντο περὶ ἀπαλλαγῆς· χρησμὸς δὲ αὐτοῖς ἐδόθη παύσεσθαι τὰ δεινά, ἐὰν ἐξ ᾽Οφρυνίου τῆς Τρωάδος τὰ ῞Εκτορος ὀστᾶ διακομισθῶσιν εἰς τὸν παρ᾽ αὐτοῖς καλούμενον τόπον Διὸς γονάς. οἱ δὲ τοῦτο ποιήσαντες καὶ τῶν κακῶν ἀπαλλαγέντες διὰ τιμῆς ἔσχον ῞Εκτορα, κατά τε τοὺς ἐπείγοντας καιροὺς ἐπικαλοῦνται τὴν ἐπιφάνειαν αὐτοῦ. ἡ ἱστορία παρὰ ᾽Αριστοδήμωι.

Pausanias, 9.18.5

“At Thebes there is also the grave of Hektor, Priam’s son. It is next to a spring called the Oedipus Spring. The Thebans say that they brought the bones from Troy to this place because of the following oracle:

Thebans living in the in the city of Kadmos,
If you want to live in a country with blameless wealth
Bring the bones of Hektor, Priam’s son, home
From Asia to be honored as a hero in accordance with Zeus

The spring was named after Oedipus because it was the same place where Oedipus washed off the blood from his father’s murder

Ἔστι δὲ καὶ Ἕκτορος Θηβαίοις τάφος τοῦ Πριάμου πρὸς Οἰδιποδίᾳ καλουμένῃ κρήνῃ, κομίσαι δὲ αὐτοῦ τὰ ὀστᾶ ἐξ Ἰλίου φασὶν ἐπὶ τοιῷδε μαντεύματι·
Θηβαῖοι Κάδμοιο πόλιν καταναιετάοντες,
αἴ κ᾿ ἐθέλητε πάτραν οἰκεῖν σὺν ἀμύμονι πλούτῳ,
Ἕκτορος ὀστέα Πριαμίδου κομίσαντες ἐς οἴκους
ἐξ Ἀσίης Διὸς ἐννεσίῃσ᾿ ἥρωα σέβεσθαι.

Lykophron in his Alexandra alludes to a strange tale of the transfer of Hektor’s remains from Troy to Thebes.  Since Lykophron is virtually unreadable, here is the account from scholia (Schol. In Lykrophon 1194):

“They say that when there was a famine in Greece Apollo decreed that they should transfer the bones of Hektor, which were at the place called Ophrunos, from Troy to some city in Greece which did not take part in the expedition against Troy.* When the Greeks realized that Thebes in Boiotia had not fought against Troy, they retrieved the remains of the hero and installed them there.”

φασὶν ὅτι λοιμοῦ κατασχόντος τὴν ῾Ελλάδα ἔχρησεν ὁ ᾿Απόλλων τὰ τοῦ ῞Εκτορος ὀστᾶ κείμενα ἐν ᾿Οφρυνῷ τόπῳ Τροίας μετενεγκεῖν ἐπί τινα πόλιν ῾Ελληνίδα ἐν τιμῇ <οὖσαν> μὴ μετασχοῦσαν τῆς ἐπὶ ῎Ιλιον στρατείας. οἱ δὲ ῞Ελληνες εὑρόντες τὰς ἐν Βοιωτίᾳ Θήβας μὴ στρατευσαμένας ἐπὶ ῎Ιλιον ἐνεγκόντες τὰ τοῦ ἥρωος λείψανα ἔθηκαν αὐτὰ ἐκεῖσε.

* In the Iliad, though the Boiotians (2.494-510) are named prominently in the catalogue of ships alongside the prominent city of Orchomenos (511-516), only Hypothebes is mentioned alongside recognizable topographical features of Thebes (οἵ θ’ ῾Υποθήβας εἶχον ἐϋκτίμενον πτολίεθρον, 505). One explanation for this is that “The place below Thebes” is the settlement surviving after the Epigonoi sacked the city. Diomedes, prominent in the Iliad, was instrumental in that expedition. In mythical time, then, Thebes was a ruined city for the advent of the expedition against Thebes.

The transfer of heroic remains is reported frequently in ancient texts. For Theseus’ bones see: Plut. Vit. Cim. 8.57; Vit. Thes. 36.1–4; Paus. 1.17.6, 3.3.7.  Cf. Hdt. 167-68; Paus 3.3.6 for Orestes’ bones. McCauley (1999) identifies 13 different instances of the transfer of remains in ancient Greece, with 9 of them being clearly political in motivation.

Simon Hornblower accepts that the cult of Hektor at Thebes was historical. One suggestion for this (Schachter 1981-94: 1.233-4) is that when Kassandros re-founded Thebes in 316 BCE he consciously affiliated with Hektor in response to Alexander’s earlier association with Achilles (Kassandros had a great enmity for Alexander). Hornblower (427) also posits the bone tale as an instance of rivalry between Thebes and Athens as part of Thebes establishing a connection in the Hellespont to challenge Athenian commercial interests in the region. The first suggestion places the bone transfer tale after 316 BCE; the second dates it back to 365. Hornblower suggests that there were two stages involved with an oracle being reported c. 465 BCE (428) and the bones being retrieved near the end of the century.

Image result for Hector ancient greek vase

A. Schachter, Cults of Boeotia1–4 (London, 1981-1994).

Hornblower, Simon 203. Lykophron: Alexandra. Oxford.

McCauley, B. 1999. “Heroes and Power: The Politics of Bone Transferal.” In R. Hägg (ed.) Ancient Greek Hero Cult. Stockholm, 1999:85-98

Phillips, D. D. 2003. “The Bones of Orestes and Spartan Foreign Policy.” In Gestures: Essays in Ancient History, Literature, and Philosophy Presented to Alan L. Boegehold, edited by G. W. Bakewell and J. P. Sickinger, 301–16. Oxford.

Asclepius Had Two Mothers?

N.B. The following contains some severe misogyny and a debate about Asclepius’ ‘true’ mother:

Pausanias, 2.26.6

“There is also another story about [Asclepius], that when Korônis was pregnant with him she had sex with Iskhus, Elatos’ son and that she was killed by Artemis who was defending the insult to Apollo. But when the pyre had been lit, they say that Hermes plucked the child from the flam.

The third story seems to me to be the least true—it makes Asclepius the child of Arsinoê, the daughter of Leucippus. When Apollophanes the Arcadian came to Delphi and asked the god if Asclepius was the child of Arsinoê and thus a Messenian citizen, the oracle prophesied:

Asclepius, come as a great blessing to all mortals,
Whom lovely Korônis bore after having sex with me—
The daughter of Phlegyas in rugged Epidauros.

This oracle makes it abundantly clear that Asclepius is not Arsinoê’s child but that Hesiod or one of those poets who insert lines into Hesiod’s poetry added for the favor of the Messenians.”

λέγεται δὲ καὶ ἄλλος ἐπ’ αὐτῷ λόγος, Κορωνίδα κύουσαν ᾿Ασκληπιὸν ῎Ισχυι τῷ ᾿Ελάτου συγγενέσθαι, καὶ τὴν μὲν ἀποθανεῖν ὑπὸ ᾿Αρτέμιδος ἀμυνομένης τῆς ἐς τὸν ᾿Απόλλωνα ὕβρεως, ἐξημμένης δὲ ἤδη τῆς πυρᾶς ἁρπάσαι λέγεται τὸν παῖδα ῾Ερμῆς ἀπὸ τῆς φλογός. ὁ δὲ τρίτος τῶν λόγων ἥκιστα ἐμοὶ δοκεῖν ἀληθής ἐστιν, ᾿Αρσινόης ποιήσας εἶναι τῆς Λευκίππου παῖδα ᾿Ασκληπιόν. ᾿Απολλοφάνει γὰρ τῷ ᾿Αρκάδι ἐς Δελφοὺς ἐλθόντι καὶ ἐρομένῳ τὸν θεὸν εἰ γένοιτο ἐξ ᾿Αρσινόης ᾿Ασκληπιὸς καὶ Μεσσηνίοις πολίτης εἴη, ἔχρησεν ἡ Πυθία·

ὦ μέγα χάρμα βροτοῖς βλαστὼν ᾿Ασκληπιὲ πᾶσιν,
ὃν Φλεγυηὶς ἔτικτεν ἐμοὶ φιλότητι μιγεῖσα
ἱμερόεσσα Κορωνὶς ἐνὶ κραναῇ ᾿Επιδαύρῳ.

οὗτος ὁ χρησμὸς δηλοῖ μάλιστα οὐκ ὄντα ᾿Ασκληπιὸν ᾿Αρσινόης, ἀλλὰ ῾Ησίοδον ἢ τῶν τινα ἐμπεποιηκότων ἐς τὰ ῾Ησιόδου τὰ ἔπη συνθέντα ἐς τὴν Μεσσηνίων χάριν.

The standard details are reported in the Homeric Hymn to Asclepius:

“I begin to sing of the doctor of diseases, Asclepius,
The son of Apollo whom shining Korônis bore
In the Dotian plain, that daughter of king Phlegyas.
He’s a great blessing to mortal men, a bewitcher of painful troubles.
And hail to you lord. I am beseeching you with this song.”

᾿Ιητῆρα νόσων ᾿Ασκληπιὸν ἄρχομ’ ἀείδειν
υἱὸν ᾿Απόλλωνος τὸν ἐγείνατο δῖα Κορωνὶς
Δωτίῳ ἐν πεδίῳ κούρη Φλεγύου βασιλῆος,
χάρμα μέγ’ ἀνθρώποισι, κακῶν θελκτῆρ’ ὀδυνάων.
Καὶ σὺ μὲν οὕτω χαῖρε ἄναξ· λίτομαι δέ σ’ ἀοιδῇ.

Phlegyas  is the father of Ixion and Corônis.  His son Ixion was exiled as a murder and then, after Zeus cleansed him of his crime, he tried to rape Hera and was punished in Hades for eternity (spinning, crucified, on a wheel). One can easily imagine distancing Asclepius from this family…

The debate is treated by an ancient scholiast:

Schol. ad Pind. Pyth 3.14

“Some say Asklepios is the son of Arsinoê, others say he is the son of Korônis. Asclepiades claims that Arsinoê is the daughter of Leukippus the son of Periêros from whom comes Asklepios from Apollo and a daughter Eriôpis. Thus we have the line: “She bore in the halls Asklepios, marshall of men / after being subdued by Apollo, and well-tressed Eriôpis.” There is also of Arsinoê: “Arsinoê, after having sex withZeus and Leto’s son,bore Asklepios, blameless and strong.”

Socrates also claims that Asklepios is the offspring of Arsinoê and has been interpolated as the child of Korônis. The matters about Korônis have been reported in lines that were added into Hesiodic poetry….”

τὸν μὲν εὐίππου θυγάτηρ: τὸν ᾿Ασκληπιὸν οἱ μὲν ᾿Αρσινόης, οἱ δὲ Κορωνίδος φασὶν εἶναι. ᾿Ασκληπιάδης δέ φησι τὴν ᾿Αρσινόην Λευκίππου εἶναι τοῦ Περιήρους, ἧς καὶ ᾿Απόλλωνος ᾿Ασκληπιὸς καὶ θυγάτηρ ᾿Εριῶπις·

  ἡ δ’ ἔτεκ’ ἐν μεγάροις ᾿Ασκληπιὸν ὄρχαμον ἀνδρῶν,
Φοίβῳ ὑποδμηθεῖσα, ἐϋπλόκαμόν τ’ ᾿Εριῶπιν.
καὶ ᾿Αρσινόης ὁμοίως·

᾿Αρσινόη δὲ μιγεῖσα Διὸς καὶ Λητοῦς υἱῷ
τίκτ’ ᾿Ασκληπιὸν υἱὸν ἀμύμονά τε κρατερόν τε.

καὶ Σωκράτης (FHG IV p. 496) γόνον ᾿Αρσινόης τὸν ᾿Ασκληπιὸν  ἀποφαίνει, παῖδα δὲ Κορωνίδος εἰσποίητον. ἐν δὲ τοῖς εἰς ῾Ησίοδον ἀναφερομένοις ἔπεσι (fr. 123) φέρεται ταῦτα περὶ τῆς Κορωνίδος·

Later, the same scholion presents an attempt by a Greek historian to resolve the two narratives.

“Aristeidês in the text on the founding of Knidos reports this: Asclepios is the child of Apollo and Arsinoê but she was called Korônis when she was a maiden. She was the daughter of Leukippus of Amykla in Lakedaimon.”

᾿Αριστείδης δὲ ἐν τῷ περὶ Κνίδου κτίσεως συγγράμματί (FHG IV 324) φησιν οὕτως· ᾿Ασκληπιὸς ᾿Απόλλωνος παῖς καὶ ᾿Αρσι-νόης. αὕτη δὲ παρθένος οὖσα ὠνομάζετο Κορωνὶς, Λευκίππου δὲ θυγάτηρ ἦν τοῦ ᾿Αμύκλα τοῦ Λακεδαίμονος·

In this debate, we are likely witnessing a later comment (e.g. Pausanias) on an early divergence with roots in local (epichoric) traditions about the genealogy of Asclepius. The Panhellenic account (more Athenocentric in this case) is championed by Pausanias.

Asclepiys

Dio Chrysostom on Preferring Even Unpleasant Lies to the Truth

Dio Chrysostom, Oration 11 (“On the Fact that Troy Was Never Sacked”)

“I know with some certainly that it is hard to teach all people, but easy to deceive them. And if they learn anything, they scarcely learn it from the few who do really know, while they are easily deceived by many who know nothing, and not only by others, but by themselves too. For the truth is bitter and unpleasant to the ignorant; a lie, however, is sweet and appealing. In the same way, I suppose, light is unpleasant for those with diseased eyes to see, while the darkness is harmless and dear, even if they cannot see. Or, how else would lies often be stronger than the truth, unless they prevailed because of pleasure? Although it is hard to teach, as I was saying, it is harder in every way to re-teach when people have heard lies for a long time and, even worse, when they have not been alone in their delusion, but their fathers, grandfathers and nearly every forebear has been deceived with them.

For it is not easy to take a false belief from them, not even if someone should refute it completely. Similarly, I imagine that, when children have been raised with superstitious beliefs, it is hard for someone to speak the truth later regarding the very things they would not have accepted if someone had just told them in the beginning. This impulse is so strong that many prefer wicked things and agree that they belong to them properly, if they have previously believed so, instead of good things they hear later on.”

Image result for Trojan Horse ancient Greek

Οἶδα μὲν ἔγωγε σχεδὸν ὅτι διδάσκειν μὲν ἀνθρώπους ἅπαντας χαλεπόν ἐστιν, ἐξαπατᾶν δὲ ῥᾴδιον. καὶ μανθάνουσι μὲν μόγις, ἐάν τι καὶ μάθωσι, παρ’ ὀλίγων τῶν εἰδότων, ἐξαπατῶνται δὲ  τάχιστα ὑπὸ πολλῶν τῶν οὐκ εἰδότων, καὶ οὐ μόνον γε ὑπὸ τῶν ἄλλων, ἀλλὰ καὶ αὐτοὶ ὑφ’ αὑτῶν. τὸ μὲν γὰρ ἀληθὲς πικρόν ἐστι καὶ ἀηδὲς τοῖς ἀνοήτοις, τὸ δὲ ψεῦδος γλυκὺ καὶ προσηνές. ὥσπερ οἶμαι καὶ τοῖς νοσοῦσι τὰ ὄμματα τὸ μὲν φῶς ἀνιαρὸν ὁρᾶν, τὸ δὲ σκότος ἄλυπον καὶ φίλον, οὐκ ἐῶν βλέπειν. ἢ πῶς ἂν ἴσχυε τὰ ψεύδη πολλάκις πλέον τῶν ἀληθῶν, εἰ μὴ δι’ ἡδονὴν ἐνίκα;

χαλεποῦ δέ, ὡς ἔφην, ὄντος τοῦ διδάσκειν, τῷ παντὶ χαλεπώτερον τὸ  μεταδιδάσκειν, ἄλλως τε ὅταν πολύν τινες χρόνον ὦσι τὰ ψευδῆ ἀκηκοότες καὶ μὴ μόνον αὐτοὶ ἐξηπατημένοι, ἀλλὰ καὶ οἱ πατέρες αὐτῶν καὶ οἱ πάπποι καὶ σχεδὸν πάντες οἱ πρότερον. οὐ γάρ ἐστι ῥᾴδιον τούτων ἀφελέσθαι τὴν δόξαν, οὐδ’ ἂν πάνυ τις ἐξελέγχῃ. καθάπερ οἶμαι τῶν τὰ ὑποβολιμαῖα παιδάρια θρεψάντων χαλεπὸν ὕστερον ἀφελέσθαι τἀληθῆ λέγοντα ἅ γε ἐν ἀρχῇ, εἴ τις αὐτοῖς ἔφρασεν, οὐκ ἄν ποτε ἀνείλοντο. οὕτω δὲ τοῦτο ἰσχυρόν ἐστιν ὥστε πολλοὶ τὰ κακὰ μᾶλλον προσποιοῦνται καὶ ὁμολογοῦσι καθ’ αὑτῶν, ἂν ὦσι πεπεισμένοι πρότερον, ἢ τἀγαθὰ μετὰ χρόνον ἀκούοντες.

“I would not even be surprised, Trojan men, that you believed Homer was more trustworthy when he told the harshest lies about you than me when I told that truth—since you believe him to be a divine man and wise and you have taught your children epic right from the beginning, even though he has only curses for your city, and untrue ones at that. But you wouldn’t accept that I describe things as they are and have been, because I am many years younger than Homer. Certainly, most people say that time is also the best judge of affairs, and, whenever they hear something after a long time, they disbelieve it for this very reason.

If I were dare to speak against Homer among the Argives and to show in addition that his poetry was false concerning the greatest matters, chances are they would be rightfully angry with me and expel me from the city if I appeared to be erasing and cleansing their fame. But it is right that you have some gratitude towards me and listen eagerly. I have stood in defense of your ancestors. I say at the outset to you that these stories have by necessity already been recited by others and that many have learned them. Some of those men will not understand them; others will pretend to discount them, even though they do not, and still others will try to refute them, especially, I think, those ill-fated sophists. But I know clearly that they will not be pleasing to you. For most men have their minds corrupted by fame to the extent that they would prefer to be infamous for the greatest failures rather than be unknown and suffer no evil.”

οὐκ ἂν οὖν θαυμάσαιμι καὶ ὑμᾶς, ἄνδρες ᾿Ιλιεῖς, εἰ πιστότερον ἡγήσασθαι ῞Ομηρον τὰ χαλεπώτατα ψευσάμενον καθ’ ὑμῶν ἢ ἐμὲ τἀληθῆ λέγοντα, κἀκεῖνον μὲν ὑπολαβεῖν θεῖον ἄνδρα καὶ σοφόν, καὶ τοὺς παῖδας εὐθὺς ἐξ ἀρχῆς τὰ ἔπη διδάσκειν οὐθὲν ἄλλο ἢ κατάρας ἔχοντα κατὰ τῆς πόλεως, καὶ ταύτας οὐκ ἀληθεῖς, ἐμοῦ δὲ μὴ ἀνέχοισθε τὰ ὄντα καὶ γενόμενα λέγοντος, ὅτι πολλοῖς ἔτεσιν ὕστερον ῾Ομήρου γέγονα. καίτοι φασὶ μὲν οἱ πολλοὶ τὸν χρόνον τῶν πραγμάτων * καὶ κριτὴν ἄριστον εἶναι, ὅτι δ’ ἂν ἀκούωσι μετὰ πολὺν χρόνον, διὰ τοῦτο ἄπιστον νομίζουσιν. εἰ μὲν οὖν παρ’ ᾿Αργείοις ἐτόλμων ἀντιλέγειν ῾Ομήρῳ, καὶ τὴν ποίησιν αὐτοῦ δεικνύναι ψευδῆ περὶ τὰ μέγιστα, τυχὸν ἂν εἰκότως ἤχθοντό μοι καὶτῆς πόλεως ἐξέβαλλον εἰ τὴν παρ’ ἐκείνων δόξαν ἐφαινόμην ἀφανίζων καὶ καθαιρῶν· ὑμᾶς δὲ δίκαιόν ἐστί μοι χάριν εἰδέναι καὶ ἀκροᾶσθαι προθύμως· ὑπὲρ γὰρ τῶν ὑμετέρων προγόνων ἐσπούδακα. προλέγω δὲ ὑμῖν ὅτι τοὺς λόγους τούτους ἀνάγκη καὶ  παρ’ ἑτέροις ῥηθῆναι καὶ πολλοὺς πυθέσθαι· τούτων δὲ οἱ μέν τινες οὐ συνήσουσιν, οἱ δὲ προσποιήσονται καταφρονεῖν, οὐ καταφρονοῦντες αὐτῶν, οἱ δέ τινες ἐπιχειρήσουσιν ἐξελέγχειν, [μάλιστα δὲ οἶμαι τοὺς κακοδαίμονας σοφιστάς.] ἐγὼ δὲ ἐπίσταμαι σαφῶς ὅτι οὐδὲ ὑμῖν πρὸς ἡδονὴν ἔσονται. οἱ γὰρ πλεῖστοι τῶν ἀνθρώπων οὕτως ἄγαν εἰσὶν ὑπὸ δόξης διεφθαρμένοι τὰς ψυχὰς ὥστε μᾶλλον ἐπιθυμοῦσι περιβόητοι εἶναι ἐπὶ τοῖς μεγίστοις ἀτυχήμασιν ἢ μηδὲν κακὸν ἔχοντες ἀγνοεῖσθαι.

“For I think that the Argives themselves would not wish for the matters concerning Thyestes, Atreus and the descendants of Pelops to have been any different, but would be severely angry if someone were to undermine the myths of tragedy, claiming that Thyestes never committed adultery with Atreus wife, nor did the other kill his brother’s children, cut them up, and set them out as feast for Thyestes, and that Orestes never killed his mother with his own hand. If someone said all of these things, they would take it harshly as if they were slandered.

I imagine that things would go the same among the Thebans, if someone were to declare that their misfortunes were lies, that Oedipus never killed his father nor had sex with his mother, nor then blinded himself, and that his children didn’t die in front of the wall at each other’s hands, and the Sphinx never came and ate their children. No! instead, they take pleasure in hearing that the Sphinx came and ate their children, sent to them because of Hera’s anger, that Laios was killed by his own son, and Oedipus did these things and wandered blind after suffering, or how the children of previous king of theirs and founder of the city, Amphion, by Artemis and Apollo because they were the most beautiful men. They endure musicians and poets singing these things in their presence at the theater and they make contests for them, whoever can sing or play the most stinging tales about them. Yet they would expel a man who claimed these things did not happen. The majority has gone so far into madness that their obsession governs them completely. For they desire that there be the most stories about them—and it does not matter to them what kind of story it is. Generally, men are not willing to suffer terrible things because of cowardice, because they fear death and pain. But they really value being mentioned as if they suffered.”

αὐτοὺς γὰρ οἶμαι τοὺς ᾿Αργείους μὴ ἂν ἐθέλειν ἄλλως γεγονέναι τὰ περὶ τὸν Θυέστην καὶ τὸν ᾿Ατρέα καὶ τοὺς Πελοπίδας, ἀλλ’ ἄχθεσθαι σφόδρα, ἐάν τις ἐξελέγχῃ τοὺς μύθους τῶν τραγῳδῶν, λέγων ὅτι οὔτε Θυέστης ἐμοίχευσε τὴν τοῦ ᾿Ατρέως οὔτε ἐκεῖνος ἀπέκτεινε τοὺς τοῦ ἀδελφοῦ παῖδας οὐδὲ κατακόψας εἱστίασε τὸν Θυέστην οὔτε ᾿Ορέστης αὐτόχειρ ἐγένετο τῆς μητρός. ἅπαντα ταῦτα εἰ λέγοι τις, χαλεπῶς ἂν φέροιεν ὡς λοιδορούμενοι.

τὸ δὲ αὐτὸ τοῦτο κἂν Θηβαίους οἶμαι παθεῖν, εἴ τις τὰ παρ’ αὐτοῖς ἀτυχήματα ψευδῆ ἀποφαίνοι, καὶ οὔτε τὸν πατέρα Οἰδίπουν ἀποκτείναντα οὔτε τῇ μητρὶ συγγενόμενον οὔθ’ ἑαυτὸν τυφλώσαντα οὔτε τοὺς παῖδας αὐτοῦ πρὸ τοῦ τείχους ἀποθανόντας ὑπ’ ἀλλήλων, οὔθ’ ὡς ἡ Σφὶγξ ἀφικομένη κατεσθίοι τὰ τέκνα αὐτῶν, ἀλλὰ τοὐναντίον ἥδονται ἀκούοντες καὶ τὴν Σφίγγα ἐπιπεμφθεῖσαν αὐτοῖς διὰ χόλον ῞Ηρας καὶ τὸν Λάϊον ὑπὸ τοῦ υἱέος ἀναιρεθέντα καὶ τὸν Οἰδίπουν ταῦτα ποιήσαντα καὶ παθόντα τυφλὸν ἀλᾶσθαι, καὶ πρότερον ἄλλου βασιλέως αὐτῶν καὶ τῆς πόλεως οἰκιστοῦ, ᾿Αμφίονος, τοὺς παῖδας, ἀνθρώπων καλλίστους γενομένους, κατατοξευθῆναι ὑπὸ ᾿Απόλλωνος καὶ ᾿Αρτέμιδος· καὶ ταῦτα καὶ αὐλούντων καὶ ᾀδόντων ἀνέχονται παρ’ αὑτοῖς ἐν τῷ θεάτρῳ, καὶ τιθέασιν ἆθλα περὶ τούτων, ὃς ἂν οἰκτρότατα εἴπῃ περὶ αὐτῶν ἢ αὐλήσῃ· τὸν δὲ εἰπόντα ὡς οὐ γέγονεν οὐδὲν αὐτῶν ἐκβάλλουσιν. εἰς τοῦτο μανίας οἱ πολλοὶ ἐληλύθασι καὶ οὕτω πάνυ ὁ τῦφος αὐτῶν κεκράτηκεν. ἐπιθυμοῦσι γὰρ ὡς πλεῖστον ὑπὲρ αὐτῶν γίγνεσθαι λόγον· ὁποῖον δέ τινα, οὐθὲν μέλει αὐτοῖς. ὅλως δὲ πάσχειν μὲν οὐ θέλουσι τὰ δεινὰ  διὰ δειλίαν, φοβούμενοι τούς τε θανάτους καὶ τὰς ἀλγηδόνας· ὡς δὲ παθόντες μνημονεύεσθαι περὶ πολλοῦ ποιοῦνται.

Reputable Tales about Ariadne; And Weird Ones Too

The following account is interesting for the variations in the story of Ariadne and Theseus but also for the strange detail of the ritual where young men imitate a woman in childbirth. Also, the counterfeit letters bit is precious. What would they say?.

Other tales about Ariadne, According to Plutarch (Theseus 20)

“There are many other versions circulated about these matters still and also about Ariadne, none of which agree. For some say that she hanged herself after she was abandoned by Theseus. Others claim that after she was taken to Naxos by sailors she lived with Oinaros a priest of Dionysus and that she was abandoned by Theseus because he loved another.

“A terrible lust for Aiglê the daughter of Panopeus ate at him” [fr. 105]—this is a line Hereas the Megarean claims Peisistratus deleted from the poems of Hesiod, just as again he says that he inserted into the Homeric catalogue of dead “Theseus and Perithoos, famous children of the gods” [Od. 11.631] to please the Athenans. There are some who say that Ariadne gave birth to Oinipiôn and Staphulos with Theseus. One of these is Ion of  Khios who has sung about his own city “Oinopiôn, Theseus’ son, founded this city once.” [fr. 4D]

The most reputable of the myths told are those which, as the saying goes, all people have in their mouths. But Paiôn the Amathousian has handed down a particular tale about these events. For he says that Theseus was driven by a storm, to Cyprus and that he had Ariadne with him, who was pregnant and doing quite badly because of the sea and the rough sailing. So he set her out alone and he was carried back into the sea from the land while he was tending to the ship. The native women, then, received Ariadne and they tried to ease her depression because of her loneliness by offering her a counterfeit letter written to her by Theseus and helping her and supporting her during childbirth. They buried her when she died before giving birth.

Paiôn claims that when Theseus returned he was overcome with grief and he left money to the island’s inhabitants, charging them to sacrifice to Ariadne and to have two small statues made for her—one of silver and one of bronze. During the second day of the month of Gorpiaon at the sacrifice, one of the young men lies down and mouns and acts as women do during childbirth. They call the grove in which they claim her tomb is that of Ariadne Aphrodite.

Some of the Naxians claim peculiarly that there were two Minoses and two Ariadnes. They claim one was married to Dionysus on Naxos and bore the child Staphulos, and the young one was taken by Theseus and left when he came to Naxos with a nurse named Korkunê—whose tomb they put on display. They claim that Ariadne died there and has honors unequal to those of the earlier one. The first has a festival of singing and play; the second has one where sacrifices are performed with grief and mourning.”

Πολλοὶ δὲ λόγοι καὶ περὶ τούτων ἔτι λέγονται καὶ περὶ τῆς Ἀριάδνης, οὐδὲν ὁμολογούμενον ἔχοντες. οἱ μὲν γὰρ ἀπάγξασθαί φασιν αὐτὴν ἀπολειφθεῖσαν ὑπὸ τοῦ Θησέως, οἱ δὲ εἰς Νάξον ὑπὸ ναυτῶν κομισθεῖσαν Οἰνάρῳ τῷ ἱερεῖ τοῦ Διονύσου συνοικεῖν, ἀπολειφθῆναι δὲ τοῦ Θησέως ἐρῶντος ἑτέρας· Δεινὸς γάρ μιν ἔτειρεν ἔρως Πανοπηΐδος Αἴγλης. τοῦτο γὰρ τὸ ἔπος ἐκ τῶν Ἡσιόδου Πεισίστρατον ἐξελεῖν φησιν Ἡρέας ὁ Μεγαρεύς, ὥσπερ αὖ πάλιν ἐμβαλεῖν εἰς τὴν Ὁμήρου νέκυιαν τὸ Θησέα Πειρίθοόν τε θεῶν ἀριδείκετα τέκνα,χαριζόμενον Ἀθηναίοις· ἔνιοι δὲ καὶ τεκεῖν ἐκ Θησέως Ἀριάδνην Οἰνοπίωνα καὶ Στάφυλον· ὧν καὶ ὁ Χῖος Ἴων ἐστὶ περὶ τῆς ἑαυτοῦ πατρίδος λέγων· Τήν ποτε Θησείδης ἔκτισεν Οἰνοπίων.

Ἃ δ᾿ ἐστὶν εὐφημότατα τῶν μυθολογουμένων, πάντες ὡς ἔπος εἰπεῖν διὰ στόματος ἔχουσιν. ἴδιον δέ τινα περὶ τούτων λόγον ἐκδέδωκε Παίων ὁ Ἀμαθούσιος. τὸν γὰρ Θησέα φησὶν ὑπὸ χειμῶνος εἰς Κύπρον ἐξενεχθέντα καὶ τὴν Ἀριάδνην ἔγκυον ἔχοντα, φαύλως δὲ διακειμένην ὑπὸ τοῦ σάλου καὶ δυσφοροῦσαν, ἐκβιβάσαι μόνην, αὐτὸν δὲ τῷ πλοίῳ βοηθοῦντα πάλιν εἰς τὸ πέλαγος ἀπὸ τῆς γῆς φέρεσθαι. τὰς οὖν ἐγχωρίους γυναῖκας τὴν Ἀριάδνην ἀναλαβεῖν καὶ περιέπειν ἀθυμοῦσαν ἐπὶ τῇ μονώσει, καὶ γράμματα πλαστὰ προσφέρειν, ὡς τοῦ Θησέως γράφοντος αὐτῇ, καὶ περὶ τὴν ὠδῖνα συμπονεῖν καὶ βοηθεῖν· ἀποθανοῦσαν δὲ θάψαι μὴ τεκοῦσαν. ἐπελθόντα δὲ τὸν Θησέα καὶ περίλυπον γενόμενον τοῖς μὲν ἐγχωρίοις ἀπολιπεῖν χρήματα, συντάξαντα θύειν τῇ Ἀριάδνῃ, δύο δὲ μικροὺς ἀνδριαντίσκους ἱδρύσασθαι, τὸν μὲν ἀργυροῦν, τὸν δὲ χαλκοῦν. ἐν δὲ τῇ θυσίᾳ τοῦ Γορπιαίου μηνὸς ἱσταμένου δευτέρᾳ κατακλινόμενόν τινα τῶν νεανίσκων φθέγγεσθαι καὶ ποιεῖν ἅπερ ὠδίνουσαι γυναῖκες· καλεῖν δὲ τὸ ἄλσος Ἀμαθουσίους, ἐν ᾧ τὸν τάφον δεικνύουσιν, Ἀριάδνης Ἀφροδίτης.

Καὶ Ναξίων δέ τινες ἰδίως ἱστοροῦσι δύο Μίνωας γενέσθαι καὶ δύο Ἀριάδνας, ὧν τὴν μὲν Διονύσῳ γαμηθῆναί φασιν ἐν Νάξῳ καὶ τοὺς περὶ Στάφυλον τεκεῖν, τὴν δὲ νεωτέραν ἁρπασθεῖσαν ὑπὸ τοῦ Θησέως καὶ ἀπολειφθεῖσαν εἰς Νάξον ἐλθεῖν, καὶ τροφὸν μετ᾿ αὐτῆς ὄνομα Κορκύνην, ἧς δείκνυσθαι τάφον. ἀποθανεῖν δὲ καὶ τὴν Ἀριάδνην αὐτόθι καὶ τιμὰς ἔχειν οὐχ ὁμοίας τῇ προτέρᾳ. τῇ μὲν γὰρ ἡδομένους καὶ παίζοντας ἑορτάζειν, τὰς δὲ ταύτῃ δρωμένας θυσίας εἶναι πένθει τινὶ καὶ στυγνότητι μεμιγμένας.

heseus and Ariadne, painting by Antoinette Béfort, Salon of 1812 and 1814. Formerly in the Walter P. Chrysler Jr. collection as a work by Anne-Louis Girodet. Attributed to Béfort by Margaret A. Oppenheimer (Four 'Davids,' a 'Regnault,' and a 'Girodet' reattributed : female artists at the Paris salons, Apollo, 145, 424,‎ 1997, p. 38-44).

“Theseus and Ariadne”, painting by Antoinette Béfort, Salon of 1812

Paris’ First Wife and Astyanax’s Post-Trojan Life

Things are  strange with Servius (=Jacoby Abas 46, f1)

Servius  on Virgil, Aeneid 9.262

devicta genitor (sc. Aeneas) quae cepit Arisba]

“Which his father took once Arisba was conquered…”

“(And yet, according to Homer, Arisba sent aid to the Trojans and was overcome by Achilles)…the city is called Arisba after the daughter of Merpos or Macareus who was the first wife of Paris. According to some authors, Abas, who wrote the Troika, related that after the Greeks left Troy, the rule of this city was given to Astyanax. Antenor expelled him once he had allied himself with the states neighboring where Arisba’s location. Aeneas took this badly and took up arms for Astyanax; once the expedition was prosecuted successfully, he returned the kingdom to Astyanax.”

[[atqui secundum Homerum Arisba Troianis misit auxilia et ab Achille subversa est …]] dicta est Arisba ab Meropis vel Macarei filia, quam primum Paris in coniugio habuit. quidam ab Abante, qui Troica scripsit, relatum ferunt, post discessum a Troia Graecorum Astyanacti ibi datum regnum. hunc ab Antenore expulsum sociatis sibi finitimis civitatibus, inter quas et Arisba fuit. Aeneam hoc aegre tulisse et pro Astyanacte arma cepisse, ac prospere gesta re Astyanacti restituisse regnum.

Several details of this are strange. First, the fact that Paris had a first wife, though not strange on the surface, is rarely mentioned. Second, Astyanax’s survival after the fall of Troy is far from typical—the typical tale is his murder at the hands of Odysseus. Less surprising but still worth mentioning is the antagonism between Antenor—who is depicted in some sources as being friendly to Menelaos and Agamemnon—and the surviving heir of the house of Priam. Finally, I find it touching that Aeneas would take a break from all of his own troubles to help his cousin’s star-crossed son.

Color photograph of an Oil painting with a reclining Helen and Paris
Benjamin West, “Helen Brought to Paris,” 1776

Hymning the Praises of Women and Men: A Lost Singer in the Odyssey

Homer Odyssey 3. 265-72

“Shining Klytemnestra was resisting the shameful deed
Previously, for she had use of some good advice for her mind.
See, a man was there beside her, a singer whom Agamemnon
Ordered much to safeguard his wife when he went to Troy.
But when the fate of the gods was bound to overcome him,
Then [he*] packed off the singer to some lonely island
And left him there as food and booty for the birds
And he, willingly, took her willing to his own home”

ἡ δ’ ἦ τοι τὸ πρὶν μὲν ἀναίνετο ἔργον ἀεικές,
δῖα Κλυταιμνήστρη· φρεσὶ γὰρ κέχρητ’ ἀγαθῇσι·
πὰρ δ’ ἄρ’ ἔην καὶ ἀοιδὸς ἀνήρ, ᾧ πόλλ’ ἐπέτελλεν
᾿Ατρεΐδης Τροίηνδε κιὼν εἴρυσθαι ἄκοιτιν.
ἀλλ’ ὅτε δή μιν μοῖρα θεῶν ἐπέδησε δαμῆναι,
δὴ τότε τὸν μὲν ἀοιδὸν ἄγων ἐς νῆσον ἐρήμην
κάλλιπεν οἰωνοῖσιν ἕλωρ καὶ κύρμα γενέσθαι,
τὴν δ’ ἐθέλων ἐθέλουσαν ἀνήγαγεν ὅνδε δόμονδε.

*note how carefully the Homeric text leaves the subject of the action in doubt until the final line.

Schol. EM ad Od. 3.267

“In olden days, singers used to hold the position of philosopher, everyone used to consider them wise and they entrusted their kind to them to be educated. When gathering in festivals and to rest for many days, they used to listen to them if any famous or noble deed had happened. So, the singer who was left with Klytemnestra was trying to hinder wicked thoughts from happening by narrating the virtues of men and women. And she was acting prudently as long as that singer was present. Some people say that the singer did not have genitals, wrongly. Some named him Khariades, others call him Demodokos, others Glaukos.”

τὸ ἀρχαῖον οἱ ἀοιδοὶ φιλοσόφου τάξιν ἐπέσχον καὶ πάντες αὐτοῖς προσεῖχον ὡς σοφοῖς, καὶ παιδευθῆναι τούτοις παρεδίδοσαν τοὺς ἀναγκαίους· ἔν τε ταῖς ἑορταῖς ἔν τε ταῖς ἀναπαύσεσιν ἐπὶ πολλὰς ἡμέρας συλλεγόμενοι τούτων ἤκουον εἴ που γέγονεν ἐπιφανὲς ἢ καλὸν ἔργον. καὶ ὁ καταλειφθεὶς οὖν παρὰ τῇ Κλυταιμνήστρᾳ ᾠδὸς πονηρὰς ἐπινοίας ἐγγίνεσθαι ἐκώλυε, διηγούμενος ἀνδρῶν καὶ γυναικῶν ἀρετάς. καὶ ἕως τούτου ἐσωφρόνει ἕως αὐτῇ παρῆν οὗτος. τινὲς ἀοιδὸν τὸν μὴ αἰδοῖα ἔχοντα, κακῶς. τοῦτόν τινες Χαριάδην, οἱ δὲ Δημόδοκον καλοῦσιν, οἱ δὲ Γλαῦκον.

Woodcut illustration of Clytemnestra and Aegisthus murdering Agamemnon and their subsequent deaths at the hand of Orestes
https://commons.wikimedia.org/wiki/File:Woodcut_illustration_of_Clytemnestra_and_Aegisthus_murdering_Agamemnon_and_their_subsequent_deaths_at_the_hand_of_Orestes_-_Penn_Provenance_Project.jpg

Schol MQV 3.267

“A singer was stationed with her too. For in ancient times, singers used to have the position of philosophers. Some people who know things badly report that he was a Eunuch”

συμπαρῆν γὰρ αὐτῇ καὶ ᾠδός. τὸ γὰρ ἀρχαῖον οἱ ᾠδοὶ φιλοσόφων τάξιν ἐπεῖχον. τινὲς δὲ κακῶς νοήσαντες τὸν εὐνοῦχον ἀπέδοσαν.

Schol. M. ad Od. 3.367

“There some people report he was a Eunuch from the alpha privative morios and aidoios for singer, that his genitals were removed.”

ἐνταῦθα δέ τινες ἀοιδὸν τὸν εὐνοῦον νοοῦσιν ἐκ τοῦ α στερητικοῦ μορίου καὶ τοῦ αἰδοίου, τὸν ἐστερη-μένον τῶν αἰδοίων.

Schol P. ad Od. 3.367

“Some say that the singers were tragedians. For the ancients treated these people with honor. And others say that the singer he mentions was a eunuch”

ἀοιδὸς] οἱ μὲν ἀοιδοὺς λέγουσι τοὺς τραγῳδούς. διὰ τιμῆς γὰρ οἱ παλαιοὶ τούτους ἦγον· οἱ δὲ …. φασὶν εἶναι εὐνοῦχον λέγοντα τὸν ἀοιδὸν εἶναι τῆς Κλυταιμνήστρας.

Schol. EHMQR Ad Od. 3.267

“Demetrius of Phalerum has as follows: “Menelaos, when he went with Odysseus to Delphi asked about the expedition which was about to happen against Troy. At that time, in fact, Kreon was running the nine-year contest of the Pythian games. The Spartan Demodokos won, a student of Automedon of Mycenae who was the first who composted the Battle of Amphritryon against the Teleboans and the Conflict of Kithairon and Helikon for whom the mountains in Boiotia are named. He was also a student of Perimedes the Argive who taught the Mycenean Automedes himself along with Likymnios the Bouprasian and Sinis along with Dôrieus, the Laconian Pharides and the Spartan Probolos.

At that time, Menelaos dedicated the expedition for Helen to Athena thanks to forethought. Agamemnon led Demodokos to Mycenae and ordered him to watch over Klytemnestra.

People used to honor singers excessively as teachers of the gods and other ancient acts of good men and they used to delight in the lyre beyond the other instruments. Klytemnestra clearly honored him—she didn’t have him murdered but instead ordered him to be exiled. Timolaus suggest that he was the brother of Phemios who accompanied Penelope to Ithaca to keep a watch over her. He sang for the suitors under compulsion.”

οὕτω Δημήτριος ὁ Φαληρεύς· Μενέλαος ἅμα τῷ ᾿Οδυσσεῖ ἐλθὼν εἰς Δελφοὺς τὸν θεὸν ἤρετο περὶ τῆς μελλούσης ἔσεσθαι εἰς ῎Ιλιον στρατείας. τότε δὴ καὶ τὸν ἐνναετηρικὸν τῶν Πυθίων ἀγῶνα ἀγωνοθετεῖ Κρέων, ἐνίκα δὲ Δημόδοκος Λάκων μαθητὴς Αὐτομήδους τοῦ Μυκηναίου, ὃς ἦν πρῶτος δι’ ἐπῶν γράψας τὴν ᾿Αμφιτρύωνος πρὸς Τηλεβόας μάχην καὶ τὴν ἔριν Κιθαιρῶνός τε καὶ ῾Ελικῶνος, ἀφ’ ὧν δὴ καὶ τὰ ἐν Βοιωτίᾳ ὄρη προσαγορεύεται· ἦν δὲ καὶ αὐτὸς μαθητὴς Περιμήδους ᾿Αργείου, ὃς ἐδίδαξεν αὐτόν τε τὸν Μυκηναῖον Αὐτομήδην, καὶ Λικύμνιον τὸν Βουπράσιον καὶ Σίνιν, καὶ τὸν Δωριέα, καὶ Φαρίδαν τὸν Λάκωνα, καὶ Πρόβολον τὸν Σπαρτιάτην. τότε δὴ Μενέλαος τῇ προνοίᾳ τῆς ῾Ελένης ἀνέθηκεν ὅρμον ᾿Αθηνᾷ. τὸν δὲ Δημόδοκον εἰς Μυκήνας λαβὼν ᾿Αγαμέμνων ἔταξε τὴν Κλυταιμνήστραν τηρεῖν. ἐτίμων δὲ λίαν τοὺς ᾠδοὺς ὡς διδασκάλους τῶν τε θείων καὶ παλαιῶν ἀνδραγαθημάτων, καὶ τῶν ἄλλων ὀργάνων πλέον τὴν λύραν ἠγάπων. δηλοῖ δὲ καὶ Κλυταιμνήστρα τὴν εἰς αὐτὸν τιμήν· οὐ γὰρ φονεύειν, ἀλλ’ ἀφορίζειν αὐτὸν ἐκέλευσε. Τιμόλαος δὲ ἀδελφὸν αὐτόν φησιν εἶναι Φημίου, ὃν ἀκολουθῆσαι τῇ Πηνελόπῃ εἰς ᾿Ιθάκην πρὸς παραφυλακὴν αὐτῆς· διὸ καὶ βίᾳ τοῖς μνηστῆρσιν ᾄδει.

Schol. EQ ad. Od. 3.367

“The music of rhapsodes applied so much to political matters that people report that the city of Sparta used it especially to encourage like-mindedness and preservation of the customs. They also say that once the Pythia, when a disturbance developed, told people to listen a Lesbian song and stop their rivalry.”

τοσοῦτον δὲ καὶ πρὸς τὰ πολιτικὰ διέτεινεν ἡ τῶν κιθαρῳδῶν μουσικὴ ὡς τῶν Σπαρτιατῶν τὴν πόλιν ὠφελεῖσθαι λέγουσιν ὑπὸ τούτων τῶν ἀνδρῶν τὰ μέγιστα καὶ πρὸς ὁμόνοιαν καὶ πρὸς τὴν τῶν νόμων φυλακήν. ὡς καὶ τὴν Πυθὼ, αὐτόθι φυομένης ταραχῆς, εἰπεῖν, τὸν Λέσβιον ᾠδὸν ἀκούειν καὶ παύσασθαι τῆς φιλονεικίας. ὃ καὶ γέγονεν. E.Q.

A Tunic of Flesh and Kirke [#Circe] as an Allegory

Plutarch’s Moralia Fr. 200

“Our fated nature is identified by Empedocles as the force behind this remaking, “wrapping [us] in a tunic of strange flesh” and transferring souls to a new place. Homer has called this circular revolution and the return of rebirth by the name Kirke, a child of Helios, the one who unites every destruction with birth and destruction again, binding it endlessly.

The Island Aiaia is that place which revives the person who dies, a place where the souls first step when they are wandering and feel like strangers to themselves as they mourn and cannot figure out which direction is west nor where the “sun which brings life to people over the land / descends again into the earth.”

These souls long for their habits of pleasure and their life in the flesh and the way they lived with their flesh and they fall again into that mixture where birth swirls together and truly stirs into one the immortal and moral, the material of thought and experience, elements of heaven and earth. The souls are enchanted but also weakened by the pleasures that pull them to birth again. At that time, souls require a great amount of good luck and much wisdom to find some way to resist and depart from their worst characters and become bound to their most base parts or passions and take up a terrible and beastly life.”

Αὐτῆς γὰρ τῆς μετακοσμήσεως εἱμαρμένη καὶ φύσις ὑπὸ Ἐμπεδοκλέους δαίμων ἀνηγόρευται σαρκῶν ἀλλογνῶτι περιστέλλουσα χιτῶνι καὶ μεταμπίσχουσα τὰς ψυχάς, Ὅμηρος δὲ τὴν ἐν κύκλῳ περίοδον καὶ περιφορὰν παλιγγενεσίας Κίρκην προσηγόρευκεν, Ἡλίου παῖδα τοῦ πᾶσαν φθορὰν γενέσει καὶ γένεσιν αὖ πάλιν φθορᾷ συνάπτοντος ἀεὶ καὶ συνείροντος. Αἰαίη δὲ νῆσος ἡ δεχομένη τὸν ἀποθνήσκοντα μοῖρα καὶ χώρα τοῦ περιέχοντος, εἰς ἣν ἐμπεσοῦσαι πρῶτον αἱ ψυχαὶ πλανῶνται καὶ ξενοπαθοῦσι καὶ ὀλοφύρονται καὶ οὐκ ἴσασιν ὅπῃ ζόφος οὐδ᾿ ὅπῃ ἠέλιος φαεσίμβροτος εἶσ᾿ ὑπὸ γαῖαν,ποθοῦσαι δὲ καθ᾿ ἡδονὰς τὴν συνήθη καὶ σύντροφον ἐν σαρκὶ καὶ μετὰ σαρκὸς δίαιταν ἐμπίπτουσιν αὖθις εἰς τὸν κυκεῶνα, τῆς γενέσεως μιγνύσης εἰς ταὐτὸ καὶ κυκώσης ὡς ἀληθῶς ἀίδια καὶ θνητὰ καὶ φρόνιμα καὶ παθητὰ καὶ ὀλύμπια καὶ γηγενῆ, θελγόμεναι καὶ μαλασσόμεναι ταῖς ἀγούσαις αὖθις ἐπὶ τὴν γένεσιν ἡδοναῖς, ἐν ᾧ δὴ μάλιστα πολλῆς μὲν εὐτυχίας αἱ ψυχαὶ δέονται πολλῆς δὲ σωφροσύνης, ὅπως μὴ τοῖς κακίστοις ἐπισπόμεναι καὶ συνενδοῦσαι μέρεσιν ἢ πάθεσιν αὑτῶν κακοδαίμονα καὶ θηριώδη βίον ἀμείψωσιν.

Aristotle, Physiognomics 808b

“[in this case] the soul and the body would experience things together, but they would not have the same reactions as one another. But, now, it is entirely clear that one follows another. This is especially obvious from the following. For madness seems to be a matter of the mind; doctors, however, respond to it by cleansing the body with medicines and also by telling them to pursue certain habits in life which may relieve the mind of madness.

So, the form of the body is relieved by treatments to the body at the very same time that the soul is freed from madness. Since they are both relieved together, it is clear that their reactions are in synchrony. It is also clear from this that the forms special to the body are similar to the capabilities of the mind, with the result that all similarities in living things are clear signs of some kind of sameness.”

ἡ ψυχή τε καὶ τὸ σῶμα συμπαθῆ, οὐ μέντοι συνδιατελοῦντα ἀλλήλοις. νῦν δὲ καταφανὲς ὅτι ἑκάτερον ἑκατέρῳ ἕπεται. μάλιστα μέντοι ἐκ τοῦδε δῆλον γένοιτο. μανία γὰρ δοκεῖ εἶναι περὶ ψυχήν, καὶ οἱ ἰατροὶ φαρμάκοις καθαίροντες τὸ σῶμα καὶ διαίταις τισὶ πρὸς αὐτοῖς χρησάμενοι ἀπαλλάττουσι τὴν ψυχὴν τῆς μανίας. ταῖς δὴ τοῦ σώματος θεραπείαις καὶ ἅμα ἥ τε τοῦ σώματος μορφὴ λέλυται καὶ ἡ ψυχὴ μανίας ἀπήλλακται. ἐπειδὴ οὖν ἅμα ἀμφότερα λύονται, δῆλον ὅτι συνδιατελοῦσιν ἀλλήλοις. συμφανὲς δὲ καὶ ὅτι ταῖς δυνάμεσι τῆς ψυχῆς ὅμοιαι αἱ μορφαὶ τοῖς σώμασιν ἐπιγίνονται, ὥστ᾿ ἐστὶν ἅπαντα ὅμοια ἐν τοῖς ζῴοις τοῦ αὐτοῦ τινὸς δηλωτικά.

Here is another allegorical interpretation of the Odyssey attributed to Porphyry.

from Stobaeus, i. 44. 60 

Τοῦ αὐτοῦ (sc. Πορφυρίου)·

“The things that Homer says about Kirkê contain a wonderful theory about the soul. The interpretation runs as follows:

Some have the heads, voice, head and skin of swine, but the mind remains constant as it was before. This myth is similar to the riddle about the soul presented by Pythagoras and Plato, that it is indestructible in nature and unseen but that it is not safe from harm or unchangeable. In what is called its destruction or death, it undergoes a change and then a transference into different kinds of bodies pursuing an appearance and fit according to pleasure, by similarity and practice to how it lived life. In this, each person draws a great advantage from education and philosophy, since the soul has a memory of noble things, judges the shameful harshly, and is able to overcome the unnatural pleasures. This soul can pay attention to itself, and guard that it might not accidentally become a beast because it has grown attracted to an hideously shaped, unclean body regarding virtue, a body that excites and nourishes uncultured and unreasoning nature rather than increasing and nourishing thought.

Τὰ δὲ παρ᾿ Ὁμήρῳ περὶ τῆς Κίρκης λεγόμενα θαυμαστὴν ἔχει τὴν περὶ ψυχὴν θεωρίαν. λέγεται γὰρ οὕτως,

οἱ δὲ συῶν μὲν ἔχον κεφαλὰς φωνήν τε τρίχας τε καὶ δέμας· αὐτὰρ νοῦς ἦν ἔμπεδος ὡς τὸ πάρος περ. ἔστι τοίνυν ὁ μῦθος αἴνιγμα τῶν περὶ ψυχῆς ὑπό τε Πυθαγόρου λεγομένων καὶ Πλάτωνος, ὡς ἄφθαρτος οὖσα τὴν φύσιν καὶ ἀίδιος, οὔ τι μὴν ἀπαθὴς οὐδ᾿ ἀμετάβλητος, ἐν ταῖς λεγομέναις φθοραῖς καὶ τελευταῖς μεταβολὴν ἴσχει καὶ μετακόσμησιν εἰς ἕτερα σωμάτων εἴδη, καθ᾿ ἡδονὴν διώκουσα τὸ πρόσφορον καὶ οἰκεῖον ὁμοιότητι καὶ συνηθείᾳ βίου διαίτης· ἔνθα δὴ τὸ μέγα παιδείας ἑκάστῳ καὶ φιλοσοφίας ὄφελος, ἂν μνημονεύουσα τῶν καλῶν ἡ ψυχὴ καὶ δυσχεραίνουσα τὰς αἰσχρὰς καὶ παρανόμους ἡδονὰς δύνηται κρατεῖν καὶ προσέχειν αὑτῇ καὶ φυλάττειν μὴ λάθῃ θηρίον γενομένη καὶ στέρξασα σώματος οὐκ εὐφυοῦς οὐδὲ καθαροῦ πρὸς ἀρετὴν φύσιν ἄμουσον καὶ ἄλογον καὶ τὸ ἐπιθυμοῦν καὶ θυμούμενον μᾶλλον ἢ τὸ φρόνιμον αὐξάνοντος καὶ τρέφοντος.

“Once the soul is translated, that which is fated and nature, which Empedocles named the divine force that “wraps us in a foreign robe of flesh”, also re-fits the soul.  Homer has named this circular journey and return of rebirth Kirkê, the child of the sun because the sun binds every destruction to birth and every birth in turn to destruction, always weaving them together. The Island Aiaia is also that place allotted to receive one who dies—where the souls first arrive as they wander, and suffer alienation as they mourn and they do not know which way is west nor “where the sun which brings mortals light comes upon the earth”.

As they long for their habits of pleasure—their shared life in the flesh and their way of life with the flesh—they provide the draught with its character again: it is the drink where birth is mixed and stirs together what is truly immortal and mortal, the thoughts and sufferings, the ethereal and the earthbound. The souls are enchanted and weakened by the pleasures that will lead them back to birth again. At this time, souls require great luck and great wisdom in order to avoid pursuing their worst aspects or passions and dedicate themselves to a cursed and beastly life”.

Αὐτῆς γὰρ τῆς μετακοσμήσεως εἱμαρμένη καὶ φύσις ὑπὸ Ἐμπεδοκλέους δαίμων ἀνηγόρευται “σαρκῶν ἀλλογνῶτι περιστέλλουσα χιτῶνι”καὶ μεταμπίσχουσα τὰς ψυχάς, Ὅμηρος δὲ τὴν ἐν κύκλῳ περίοδον καὶ περιφορὰν παλιγγενεσίας Κίρκην προσηγόρευκεν, Ἡλίου παῖδα τοῦ πᾶσαν φθορὰν γενέσει καὶ γένεσιν αὖ πάλιν φθορᾷ συνάπτοντος ἀεὶ καὶ συνείροντος. Αἰαίη δὲ νῆσος ἡ δεχομένη τὸν ἀποθνήσκοντα μοῖρα καὶ χώρα τοῦ περιέχοντος, εἰς ἣν ἐμπεσοῦσαι πρῶτον αἱ ψυχαὶ πλανῶνται καὶ ξενοπαθοῦσι καὶ ὀλοφύρονται καὶ οὐκ ἴσασιν ὅπῃ ζόφος “οὐδ᾿ ὅπῃ ἠέλιος φαεσίμβροτος εἶσ᾿ ὑπὸ γαῖαν” ποθοῦσαι δὲ καθ᾿ ἡδονὰς τὴν συνήθη καὶ σύντροφον ἐν σαρκὶ καὶ μετὰ σαρκὸς δίαιταν ἐμπίπτουσιν αὖθις εἰς τὸν κυκεῶνα, τῆς γενέσεως μιγνύσης εἰς ταὐτὸ καὶ κυκώσης ὡς ἀληθῶς ἀίδια καὶ θνητὰ καὶ φρόνιμα καὶ παθητὰ καὶ ὀλύμπια καὶ γηγενῆ, θελγόμεναι καὶ μαλασσόμεναι ταῖς ἀγούσαις αὖθις ἐπὶ τὴν γένεσιν ἡδοναῖς, ἐν ᾧ δὴ μάλιστα πολλῆς μὲν εὐτυχίας αἱ ψυχαὶ δέονται πολλῆς δὲ σωφροσύνης, ὅπως μὴ τοῖς κακίστοις ἐπισπόμεναι καὶ συνενδοῦσαι μέρεσιν ἢ πάθεσιν αὑτῶν κακοδαίμονα καὶ θηριώδη βίον ἀμείψωσιν.

For it is right that it is called and considered a crossroad in the underworld around which the parts of the soul split: the rational, the emotional, and the desirous. Each of these produces a force or an inducement to the life appropriate to itself. This is no longer myth or poetry but truth and a story of nature. In this transformation and rebirth, when the aspect of desire overpowers and takes control, [Homer] is claiming that because of the dominance of pleasure and gluttony, they transform into the bodies of donkeys and pigs and receive unclean lives on the ground. The interpretation runs as follows.

Whenever a soul has an emotional component that has grown completely savage because of harsh rivalries or murderous savagery developing from some disagreement or vendetta, that soul finds a second birth which is full of bitterness and angry thoughts and falls into the shape of a wolf or a lion, embracing this body as if it were a tool of vengeance for his controlling passion. For this reason, one must keep clean when near death as if for a religious rite and restrain from every kind of base pleasure, put every harsh emotion to bed, and to withdraw from the body by suppressing envies, enmities, and rages down deep. This “Hermes of the golden-staff” happens to be that very reasoning which indicates clearly the good and either wholly restrains or saves it from the deadly draught should it drink—it preserves the soul in a human life and character for as long a time as is possible.”

ἡ γὰρ λεγομένη καὶ νομιζομένη τῶν ἐν Ἅιδου τρίοδος ἐνταῦθά που τέτακται περὶ τὰ τῆς ψυχῆς σχιζομένη μέρη, τὸ λογιστικὸν καὶ θυμοειδὲς καὶ ἐπιθυμητικόν, ὧν ἕκαστον ἀρχὴν ἐξ αὑτοῦ καὶ ῥοπὴν ἐπὶ τὸν οἰκεῖον βίον ἐνδίδωσι. καὶ οὐκέτι ταῦτα μῦθος οὐδὲ ποίησις ἀλλ᾿ ἀλήθεια καὶ φυσικὸς λόγος. ὧν μὲν γὰρ ἐν τῇ μεταβολῇ καὶ γενέσει τὸ ἐπιθυμητικὸν ἐξανθοῦν ἐπικρατεῖ καὶ δυναστεύει, τούτοις εἰς ὀνώδη καὶ ὑώδη σώματα καὶ βίους θολεροὺς καὶ ἀκαθάρτους ὑπὸ φιληδονίας καὶ γαστριμαργίας φησὶ γίνεσθαι τὴν μεταβολήν. ὅταν δὲ φιλονεικίαις σκληραῖς καὶ φονικαῖς ὠμότησιν ἔκ τινος διαφορᾶς ἢ δυσμενείας ἐξηγριωμένον ἔχουσα παντάπασιν ἡ ψυχὴ τὸ θυμοειδὲς εἰς δευτέραν γένεσιν ἀφίκηται, πλήρης οὖσα προσφάτου πικρίας καὶ βαρυφροσύνης ἔρριψεν ἑαυτὴν εἰς λύκου φύσιν ἢ λέοντος, ὥσπερ ὄργανον ἀμυντικὸν τὸ σῶμα τῷ κρατοῦντι προσιεμένη πάθει καὶ περιαρμόσασα. διὸ δεῖ μάλιστα περὶ τὸν θάνατον ὥσπερ ἐν τελετῇ καθαρεύοντα παντὸς ἀπέχειν πάθους φαύλου τὴν ψυχὴν καὶ πᾶσαν ἐπιθυμίαν χαλεπὴν κοιμήσαντα καὶ φθόνους καὶ δυσμενείας καὶ ὀργὰς ἀπωτάτω τιθέμενον τοῦ φρονοῦντος ἐκβαίνειν τοῦ σώματος. οὗτος ὁ χρυσόρραπις Ἑρμῆς ἀληθῶς ὁ λόγος ἐντυγχάνων καὶ δεικνύων ἐναργῶς τὸ καλὸν ἢ παντάπασιν εἴργει καὶ ἀπέχει τοῦ κυκεῶνος, ἢ πιοῦσαν2 ἐν ἀνθρωπίνῳ βίῳ καὶ ἤθει διαφυλάσσει πλεῖστον χρόνον, ὡς ἀνυστόν ἐστι.

Epictetus, Fr. 26

“Epictetus used to say, ‘you’re a tiny soul lugging around a corpse’.”

Ψυχάριον εἶ βαστάζον νεκρόν, ὡς Ἐπίκτητος ἔλεγεν.

Wright Barker (British, 1863-1941) – “Circe” c.1889Color photograph of an oil painting. A woman, nude to the waste, gestures towards the viewer from the top of marble steps. Lions and wolves gather around her

The Birth of Helen and her Multiple Mothers

Pausanias, 1.33.7

“The Greeks claim that Nemesis was Helen’s mother and that Leda nursed her and raised her.”

Ἑλένῃ Νέμεσιν μητέρα εἶναι λέγουσιν Ἕλληνες, Λήδαν δὲ μαστὸν ἐπισχεῖν αὐτῇ καὶ θρέψαι

Scholia to Lykophron 88

“Zeus made himself look like a swan and joined Nemesis near the river Ocean. From this union, she laid an egg which Leda received, warmed, and then bore Helen and the Dioscouri”

κύκνῳ ἀπεικασθεὶς ὁ Ζεὺς Νεμέσει τῇ ᾿Ωκεανοῦ συνῆλθεν, ἐξ ἧς γεννᾶται ᾠόν, ὅπερ λαβοῦσα ἡ Λήδα ἐθέρμαινε καὶ ἔτεκε τὴν ῾Ελένην καὶ τοὺς Διοσκούρους.

Scholia to Callimachus’s Hymns 3.232

“Ramnos is a deme in Attica where Zeus slept with Nemesis who then produced an egg which Leda found, warmed and which produced in turn the Dioscuri and Helen.”

<῾Ραμνουσίδι:> ῾Ραμνοῦς δῆμος ᾿Αττικῆς, ἔνθα τῇ Νεμέσει ὁ Ζεὺς συνεκαθεύδησεν, ἥτις ἔτεκεν ᾠόν, ὅπερ εὑροῦσα ἡ Λήδα ἐθέρμανε καὶ ἐξέβαλε τοὺς Διοσκούρους καὶ τὴν ῾Ελένην.

Black and white photograph of a vase painting showing Greek figures looking an an egg on a pedestal

The fragmentary poem from the  epic cycle dubbed the Cypria was attributed to lesser known poets like Stasinus and Hegesias by ancient authors. Its name, however, comes from the fact that it was largely believed to be composed in Cyprus (or by a Cypriot poet traveling abroad).

The first fragment of the poem tends to be its most well-known since it places the Trojan War in a context of global discussion and echoes the Iliad in making this all part of Zeus’ plan. But the ninth fragment has some frightening details. First, it alleges that Helen is not the daughter of Zeus and Leda (of the swan scene) but instead is the offspring of Zeus and the unwilling goddess Nemesis. Second, it shows Zeus pursuing her all over the earth no matter what form she took.

Cypria, Fr. 9 Benarbé [fr 10. West 2013]

“After them [he?] bore a wonder to mortals, a third child Helen—
Fine-haired Nemesis gave birth to her after having sex
With Zeus, the king of the gods, under forceful compulsion.
For she was not willing to have sex with Kronos’ son
Father Zeus, since her mind rushed with shame and opposition [nemesis].
She fled over the earth and the dark, barren sea,
But Zeus pursued her—and he longed to catch her in his heart.
At one time along the waves of the much-resounding sea,
He broke through the water as she took the form of a fish—
At another he followed her through the river Ocean to the ends of the earth.
Again, across the much-nourishing land. She became all the terrible
Beasts, the many the land raises up, in trying to escape him.”

τοὺς δὲ μέτα τριτάτην ῾Ελένην τέκε θαῦμα βροτοῖσι·
τήν ποτε καλλίκομος Νέμεσις φιλότητι μιγεῖσα
Ζηνὶ θεῶν βασιλῆϊ τέκε κρατερῆς ὑπ’ ἀνάγκης·
φεῦγε γὰρ οὐδ’ ἔθελεν μιχθήμεναι ἐν φιλότητι
πατρὶ Διὶ Κρονίωνι· ἐτείρετο γὰρ φρένας αἰδοῖ
καὶ νεμέσει· κατὰ γῆν δὲ καὶ ἀτρύγετον μέλαν ὕδωρ
φεῦγε, Ζεὺς δ’ ἐδίωκε—λαβεῖν δ’ ἐλιλαίετο θυμῶι—
ἄλλοτε μὲν κατὰ κῦμα πολυφλοίσβοιο θαλάσσης
ἰχθύι εἰδομένην πόντον πολὺν ἐξοροθύνων,
ἄλλοτ’ ἀν’ ᾿Ωκεανὸν ποταμὸν καὶ πείρατα γαίης,
ἄλλοτ’ ἀν’ ἤπειρον πολυβώλακα· γίγνετο δ’ αἰνὰ
θηρί’, ὅσ’ ἤπειρος πολλὰ τρέφει, ὄφρα φύγοι νιν.

As West (2013, 81-83) points out, there is some motif transference going on here in the fragment. For one, in many testimonia Thetis is said to change shapes to elude Peleus. In addition, we know the popular account of Zeus changing into a swan [or goose] to seduce Leda. Finally, Nemesis—as a concept and less as a character—is often associated with Helen’s behavior. She receives “nemesis and shame” for her actions. Much of this may linger in the mythopoetic background when the leaders of the Trojans declare upon seeing her again in the Iliad “there’s no nemesis for the Trojans and Achaeans, that they suffered pain for so long for this kind of woman….” (οὐ νέμεσις Τρῶας καὶ ἐϋκνήμιδας ᾿Αχαιοὺς
τοιῇδ’ ἀμφὶ γυναικὶ πολὺν χρόνον ἄλγεα πάσχειν).

But other accounts have Zeus changing to match Nemesis as well. Apollodorus (3.10.7) attempts to harmonize the two accounts:

“Some allege that Helen is the daughter of Nemesis and Zeus and that when she was fleeing Zeus’ sexual advance she changed her shape into a goose and that Zeus matched her and approached her as a swan. She produced an egg from this intercourse—people say that some shepherd found this egg in a thicket, fetched it and gave it to Leda who placed it in a box where she guarded it. When, after some time, it hatched and produced Helen, Leda raised her as her own daughter.”

λέγουσι δὲ ἔνιοι Νεμέσεως ῾Ελένην εἶναι καὶ Διός. ταύτην γὰρ τὴν Διὸς φεύγουσαν συνουσίαν εἰς χῆνα τὴν μορφὴν μεταβαλεῖν, ὁμοιωθέντα δὲ καὶ Δία κύκνῳ συνελθεῖν· τὴν δὲ ᾠὸν ἐκ τῆς συνουσίας ἀποτεκεῖν, τοῦτο δὲ ἐν τοῖς ἄλσεσιν εὑρόντα τινὰ ποιμένα Λήδᾳ κομίσαντα δοῦναι, τὴν δὲ καταθεμένην εἰς λάρνακα φυλάσσειν, καὶ χρόνῳ καθήκοντι γεννηθεῖσαν ῾Ελένην ὡς ἐξ αὑτῆς θυγατέρα τρέφειν…

color photograph of a red figure comic vase painting showing a large man with an axe about to kill someone breaking out of an egg on a pedestal.