Libanius, Upon Facing Another Monday

Libanius, Autobiography 246

“And the affair followed and these were my fears, leaving me with a desire for nothing but death. And my conversations with everyone nearby were about this as were my prayers to the gods. One who mentioned baths was my enemy; anyone who mentioned dinner was my enemy.

And I fled in exile from the books which contained the classical texts of my toil; I fled from writing and composition of my lectures. I lost my ability to speak even though my students were shouting for me. Whenever I tried, I was taken off track like a boat facing an opposing wind. Even though they harbored hopes of hearing me, I still went silent. My doctors were telling me to seek healing somewhere else because there were no medicines for these kinds of ills in their craft.”

καὶ εἵπετο δὲ τὸ ἔργον, φόβοι τε ἐκεῖνοι καὶ πλὴν τελευτῆς οὐδενὸς ἐπιθυμία. ἀλλὰ περὶ τούτου λόγοι τε πρὸς τοὺς ἀεὶ παρόντας εὐχαί τε πρὸς θεούς. ἐχθρὸς μὲν ὁ λουτροῦ μεμνημένος, ἐχθρὸς δὲ ὁ δείπνου, καὶ φυγὴ ἀπὸ βιβλίων ἐν οἷς οἱ τῶν ἀρχαίων πόνοι, φυγὴ δὲ ἀπὸ γραφῆς τε καὶ ποιήσεως λόγων, κατελέλυτο δὲ τὸ λέγειν, καὶ ταῦτα τῶν νέων βοαῖς τοῦτο ἀπαιτούντων. ὁπότε γὰρ δὴ πρὸς αὐτὸ γιγνοίμην ἀπεφερόμην ὥσπερ ἀκάτιον ἐναντίῳ πνεύματι, καὶ οἱ μὲν εἶχον ἀκροάσεως ἐλπίδας, ἐγὼ δ᾿ ἂν1ἐσίγων. ἰατροὶ δὲ τὴν τούτων ἴασιν ἄλλοθι ζητεῖν ἐκέλευον, ὡς οὐκ ὄντων σφίσι τῶν τοιούτων ἐν τῇ τέχνῃ φαρμάκων.

mondays

Leave Your Homework to Sunday Night? Philo has Some Words for You

Philo, The Preliminary studies 29.166–7

There are those who, when they encounter the frights and horrors of the wilderness with complete endurance and strength complete the contest of life, after preserving it unsullied and unconquered, holding fast against the compulsions of nature like poverty, so that they subdue hunger, thirst, cold, and heat and everything which enslaves other people through the great abundance of their strength.

The cause of this is not simple toil but toil with a certain sweetening. For he says “the water is sweetened” and the work that is sweet and attractive is also called “love of labor” (philoponia). For in work the desire and longing and and love of finer things is sweet. Let no one turn away from this kind of suffering, nor let anyone believe that when the table of the feast and happiness is called “bread of suffering” it is for its harm rather than profit. For the soul which is chastened is fed by the instructions of education.”

οἱ δὲ τὰ φοβερὰ καὶ δεινὰ τῆς ἐρήμης πάνυ τλητικῶς καὶ ἐρρωμένως ἀναδεχόμενοι τὸν ἀγῶνα τοῦ βίου διήθλησαν ἀδιάφθορον καὶ ἀήττητον φυλάξαντες καὶ τῶν τῆς φύσεως ἀναγκαίων κατεξαναστάντες, ὡς πεῖναν, δίψος, [ῥῖγος,] κρύος, θάλπος, ὅσα τοὺς ἄλλους εἴωθε δουλοῦσθαι, κατὰ πολλὴν ἰσχύος περιουσίαν ὑπάγεσθαι. αἴτιον δὲ ἐγένετο οὐ ψιλὸς ὁ πόνος, ἀλλὰ σὺν τῷ γλυκανθῆναι· λέγει γάρ· “ἐγλυκάνθη τὸ ὕδωρ,” γλυκὺς δὲ καὶ ἡδὺς πόνος ἑτέρῳ ὀνόματι φιλοπονία καλεῖται. τὸ γὰρ ἐν πόνῳ γλυκὺ ἔρως ἐστὶ καὶ πόθος καὶ ζῆλος καὶ φιλία τοῦ καλοῦ. μηδεὶς οὖν τὴν τοιαύτην κάκωσιν ἀποστρεφέσθω, μηδ᾿ “ ἄρτον κακώσεως” νομισάτω ποτὲ λέγεσθαι τὴν ἑορτῆς καὶ εὐφροσύνης τράπεζαν ἐπὶ βλάβῃ μᾶλλον ἢ ὠφελείᾳ· τρέφεται γὰρ τοῖς παιδείας δόγμασιν ἡ νουθετουμένη ψυχή.

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No Better(er) A Man: Mimnermus’ Memory of War

Mimnermus fr. 14

“That man did not have this kind of strength and proud spirit
As I learn from those who came before me
Who saw him turning back the Lydian cavalry’s teeming ranks
On the Hermion plan, a man with an ash-spear in his hand.
Pallas Athena never carped at his heart’s
Rushing strength when he sped into the front-fighters,
In the clash of the bloody war,
Disappointing his enemies’ bitter bolts.
For not one of his opponents was a better man
At facing the work of powerful war,
When he [went] like the rays of the sun…”

οὐ μὲν δὴ κείνου γε μένος καὶ ἀγήνορα θυμὸν
τοῖον ἐμέο προτέρων πεύθομαι, οἵ μιν ἴδον
Λυδῶν ἱππομάχων πυκινὰς κλονέοντα φάλαγγας
῞Ερμιον ἂμ πεδίον, φῶτα φερεμμελίην [1
τοῦ μὲν ἄρ’ οὔ ποτε πάμπαν ἐμέμψατο Παλλὰς ᾿Αθήνη
δριμὺ μένος κραδίης, εὖθ’ ὅ γ’ ἀνὰ προμάχους
σεύαιθ’ αἱματόεν<τος ἐν> ὑσμίνηι πολέμοιο,
πικρὰ βιαζόμενος δυσμενέων βέλεα·
οὐ γάρ τις κείνου δηίων ἔτ’ ἀμεινότερος[2] φὼς
ἔσκεν ἐποίχεσθαι φυλόπιδος κρατερῆς
ἔργον, ὅτ’ αὐγῆισιν φέρετ’ εἴκελος[3] ἠελίοιο

This poem is not one of the best attributed to Mimnermus, but it has an a few interesting images and some instructive hapax legomena [“words that occur only once”]

1. A hapax legomenon [word only occuring once]: φερεμμελίην, “ash-spear” wielding”

2. ἀμεινότερος: a double formation, adding the comparative suffix –oter– to the irregular comparative ameinôn

3. Most editions have ὠκέος ἠελίοιο in the final line. I prefer εἴκελος because it works better with the dative αὐγῆισιν

Penthesileia in Agrigento https://www.flickr.com/photos/sarah_c_murray/5556332339

 

Up Before Dawn, Two Baths and a Nap: The Daily Routine of Emperor Severus

Dio Cassius 27.17

“This is the daily routine Severus used when there was peace. He was always doing something before dawn and after that he  used to take a walk while talking and listening about the matters of the empire. Then he would have a judicial court, except when there was some festival or another. And he used to do this best of all—for he provided ample time for those who were arguing the case and he provided those of us who were advising him lots of time too.

He used to make judgments until midday and then he would ride his horse as much as he was able. Then he would take a bath after engaging in some kind of exercise. Following this, he would have no meager lunch either on his own or with his children.

After lunch, he usually napped for a bit. When he rose, he turned to the rest of his affairs and then used to spend time engaged in both Greek and Latin debates while walking again. Near dusk, he would bathe again and then dine with those who were attending him—for he did not frequently have a guest for dinner and he would only sponsor expensive banquets on days when it was necessary. He lived for sixty-five years, plus eight months and twenty-five days. Even at the end, he demonstrated his eagerness for activity: as he was dying he said: “come here, give me whatever there is to do.”

 

…ἐχρῆτο δὲ ὁ Σεουῆρος καταστάσει τοῦ βίου εἰρήνης οὔσης τοιᾷδε. ἔπραττέ τι πάντως νυκτὸς ὑπὸ τὸν ὄρθρον, καὶ μετὰ τοῦτ᾿ ἐβάδιζε καὶ λέγων καὶ ἀκούων τὰ τῇ ἀρχῇ πρόσφορα· εἶτ᾿ ἐδίκαζε, χωρὶς εἰ μή τις ἑορτὴ μεγάλη εἴη. καὶ μέντοι καὶ ἄριστα αὐτὸ ἔπραττε· καὶ γὰρ τοῖς δικαζομένοις ὕδωρ ἱκανὸν ἐνέχει, καὶ ἡμῖν τοῖς συνδικάζουσιν αὐτῷ παρρησίαν πολλὴν ἐδίδου. 2ἔκρινε δὲ μέχρι μεσημβρίας, καὶ μετὰ τοῦθ᾿ ἵππευεν ἐφ᾿ ὅσον ἂν ἐδυνήθη· εἶτ᾿ ἐλοῦτο, γυμνασάμενός τινα τρόπον. ἠρίστα δὲ ἢ καθ᾿ ἑαυτὸν ἢ μετὰ τῶν παίδων, οὐκ ἐνδεῶς. εἶτ᾿ ἐκάθευδεν ὡς πλήθει· ἔπειτ᾿ ἐξαρθεὶς τά τε λοιπὰ προσδιῴκει καὶ λόγοις καὶ Ἑλληνικοῖς καὶ Λατίνοις συνεγίνετο ἐν περιπάτῳ. εἶθ᾿ οὕτω πρὸς ἑσπέραν ἐλοῦτο αὖθις, καὶ ἐδείπνει μετὰ τῶν ἀμφ᾿ αὑτόν· ἥκιστά τε γὰρ ἄλλον τινὰ συνέστιον ἐποιεῖτο, καὶ ἐν μόναις ταῖς πάνυ ἀναγκαίαις ἡμέραις τὰ πολυτελῆ δεῖπνα συνεκρότει. ἐβίω δὲ ἔτη ἑξήκοντα πέντε καὶ μῆνας ἐννέα καὶ ἡμέρας πέντε καὶ εἴκοσι2 (τῇ γὰρ ἑνδεκάτῃ τοῦ Ἀπριλίου ἐγεγέννητο), ἀφ᾿ ὧν ἦρξεν ἔτη ἑπτακαίδεκα καὶ μῆνας ὀκτὼ καὶ ἡμέρας τρεῖς. τό τε σύμπαν οὕτως ἐνεργὸς ἐγένετο ὥστε καὶ ἀποψύχων ἀναφθέγξασθαι· “ἄγετε, δότε, εἴ τι πρᾶξαι ἔχομεν.

 

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This compares favorably, I think, to the recently shared schedule of Mark Wahlberg.

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Is There a Doctor in the House?

Aristophanes, Assemblywomen 363-371

“Who can get a doctor for me and which one?
Who is an expert in the art of assholes?
Is it Amunôn? Perhaps he will decline.
Have someone call Antisthenes by any means.
For this man knows why an asshole wants
To shit thanks to the groaning.
Queen Eleithuia, don’t you ignore me
When I am breaking but all stopped up,
Don’t let me be the comic chamberpot!”

τίς ἂν οὖν ἰατρόν μοι μετέλθοι, καὶ τίνα;
τίς τῶν καταπρώκτων δεινός ἐστι τὴν τέχνην;
ἆρ᾿ οἶδ᾿ Ἀμύνων; ἀλλ᾿ ἴσως ἀρνήσεται.
Ἀντισθένη τις καλεσάτω πάσῃ τέχνῃ·
οὗτος γὰρ ἁνὴρ ἕνεκά γε στεναγμάτων
οἶδεν τί πρωκτὸς βούλεται χεζητιῶν.
ὦ πότνι᾿ Ἱλείθυα μή με περιίδῃς
διαρραγέντα μηδὲ βεβαλανωμένον,
ἵνα μὴ γένωμαι σκωραμὶς κωμῳδική.

By Autor: Dr.Rudolf Schandalik. – Own work Eigenes Foto, Public Domain, https://commons.wikimedia.org/w/index.php?curid=977342

Seneca on What Parents Do For Children

Seneca, De Beneficiis 6.24

“Don’t you see how parents compel the tender age of their children toward a healthy endurance of matters? They lavish care on their bodies even as they weep and struggle against them and, so that early freedom does not destroy their limbs, they even swaddle them to help them stay straight. And soon they shape them with a liberal education, adding threats when the children are unwilling. And they treat the final boldness of youth with frugality, shame, good habits, and, compulsion, if necessary.

Force and severity are added to to these youths who are already in control of themselves if they reject these remedies because of fear or intemperance. These are the greatest benefits which we receive from our parents, while we are either ignorant or unwilling.”

Non vides, quemadmodum teneram liberorum infantiam parentes ad salubrium rerum patientiam cogant? Flentium corpora ac repugnantium diligenti cura fovent et, ne membra libertas immatura detorqueat, in rectum exitura constringunt et mox liberalia studia inculcant adhibito timore nolentibus; ad ultimum audacem iuventam frugalitati, pudori, moribus bonis, si parum sequitur, coactam applicant.

Adulescentibus quoque ac iam potentibus sui, si remedia metu aut intemperantia reiciunt, vis adhibetur ac severitas. Itaque beneficiorum maxima sunt, quae a parentibus accepimus, dum aut nescimus aut nolumus.

Livre des Vices et des Vertus , XVe siècle. Paris, BnF, département des Manuscrits, Français 20320, fol. 177v
Livre des Vices et des Vertus , XVe siècle. Paris, BnF, département des Manuscrits, Français 20320, fol. 177v

Who Is the Most Beautiful Under the Earth?

Nireus is famed as the second most beautiful of the Greeks at Troy; Thersites is claimed as the ugliest. Lucian puts them together in the underworld.

Lucian, Dialogue of the Dead 30

Nireus: Look here, Menippos, this one will teach which one is better looking. Tell me, Menippos, don’t I look prettier to you?

Menippus: Who are you two? I think I need to know that first.

Nireus: Nireus and Thersites

Menippos: Which of you is Nireus and which is Thersites? This is not at all clear to me.

Thersites: I have this one thing already, that I am similar to you and you are not at all different now than when Homer that blind guy praised you as the most beautiful of all when he addressed you, but he said that I am a cone-headed hunchback no worse for a beating. But, Menippos, examine which ever one you think is better looking.

Nireus: Be he said that I am “the son of Aglaia and Kharops, the most beautiful man who came to Troy.”

Menippos: Eh, you did not come as the most beautiful under the earth, I think: but the bones are the same and your head can only be distinguished from Thersites’ head by that little bit, that yours is a bit better shaped. For you do not have the same peak and you are not as manly.

Nireus: Ask Homer what sort I was when I joined the expedition to Troy!

Thersites: That’s good enough for me.

ΝΙΡΕΥΣ
᾿Ιδοὺ δή, Μένιππος οὑτοσὶ δικάσει, πότερος εὐμορφότερός ἐστιν. εἰπέ, ὦ Μένιππε, οὐ καλλίων σοι δοκῶ;

ΜΕΝΙΠΠΟΣ
Τίνες δὲ καὶ ἔστε; πρότερον, οἶμαι, χρὴ γὰρ τοῦτο εἰδέναι.

ΝΙΡΕΥΣ
Νιρεὺς καὶ Θερσίτης.

ΜΕΝΙΠΠΟΣ
Πότερος οὖν ὁ Νιρεὺς καὶ πότερος ὁ Θερσίτης; οὐδέπω γὰρ τοῦτο δῆλον.

ΘΕΡΣΙΤΗΣ
῝Εν μὲν ἤδη τοῦτο ἔχω, ὅτι ὅμοιός εἰμί σοι καὶ οὐδὲν τηλικοῦτον διαφέρεις ἡλίκον σε ῞Ομηρος ἐκεῖνος ὁ τυφλὸς ἐπῄνεσεν ἁπάντων εὐμορφότερον προσειπών, ἀλλ’ ὁ φοξὸς ἐγὼ καὶ ψεδνὸς οὐδὲν χείρων ἐφάνην τῷ δικαστῇ. ὅρα δὲ σύ, ὦ Μένιππε, ὅντινα καὶ εὐμορφότερον ἡγῇ.

ΝΙΡΕΥΣ
᾿Εμέ γε τὸν ᾿Αγλαΐας καὶ Χάροπος, “ὃς κάλλιστος ἀνὴρ ὑπὸ ῎Ιλιον ἦλθον.”

ΜΕΝΙΠΠΟΣ
᾿Αλλ’ οὐχὶ καὶ ὑπὸ γῆν, ὡς οἶμαι, κάλλιστος ἦλθες, ἀλλὰ τὰ μὲν ὀστᾶ ὅμοια, τὸ δὲ κρανίον ταύτῃ μόνον ἄρα διακρίνοιτο ἀπὸ τοῦ Θερσίτου κρανίου, ὅτι εὔθρυπτον τὸ σόν· ἀλαπαδνὸν γὰρ αὐτὸ καὶ οὐκ ἀνδρῶδες ἔχεις.
ΝΙΡΕΥΣ
Καὶ μὴν ἐροῦ ῞Ομηρον, ὁποῖος ἦν, ὁπότε συνεστράτευον τοῖς ᾿Αχαιοῖς.

ΜΕΝΙΠΠΟΣ
᾿Ονείρατά μοι λέγεις· ἐγὼ δὲ ἃ βλέπω καὶ νῦν ἔχεις, ἐκεῖνα δέ οἱ τότε ἴσασιν.

ΝΙΡΕΥΣ
Οὔκουν ἐγὼ ἐνταῦθα εὐμορφότερός εἰμι, ὦ Μένιππε;

ΜΕΝΙΠΠΟΣ
Οὔτε σὺ οὔτε ἄλλος εὔμορφος· ἰσοτιμία γὰρ ἐν ᾅδου καὶ ὅμοιοι ἅπαντες.

ΘΕΡΣΙΤΗΣ
᾿Εμοὶ μὲν καὶ τοῦτο ἱκανόν.

Gustave Klimt. Detail from the painting Le Tre Eta (1905).

Keep Your Hands Clean With this One Easy trick!

Fragments of Old Comedy, 1146

“You need to start washing and you need to do it to music”

καταλαβεῖν σε τὴν πλύσιν δεῖ, δεῖ δὲ μὴ ’κτὸς μουσικοῦ

Aelian, Varia Historia 8

“…Some people with unclean hands were sailing with them…”

συμπλεόντων τινῶν οὐ καθαρῶν τὰς χεῖρας #Aelian

Aeschylus, Libation-Bearers 378

“Their leaders’ unclean hands…”

τῶν δὲ κρατούντων χέρες οὐχ ὅσιαι

Euripides, Hippolytus 1458

“Would you leave me with unwashed hands?”

ἦ τὴν ἐμὴν ἄναγνον ἐκλιπὼν χέρα;

Hand washing instructions accompanied by the opening lines of the Iliad in Greek
Created by Ryan Baumann

 

A Poem to a Jug of Wine

Greek Anthology 5.135 Anonymous

“Curved, well-turned, with a single ear on a long neck,
Slim-throated, speaking through lips close-kept,
You happy server of Bacchus, the Muses, and Aphrodite,
Our party’s delightful mistress, laughing sweetly.
Why are you drunk when I’m sober, but when I’m trashed,
You’re sober? You break the rules of the drinker’s pact.”

εἰς λάγυνον ὁμοίως οἰνηράν

Στρογγύλη, εὐτόρνευτε, μονούατε, μακροτράχηλε,
ὑψαύχην, στεινῷ φθεγγομένη στόματι,
Βάκχου καὶ Μουσέων ἱλαρὴ λάτρι καὶ Κυθερείης,
ἡδύγελως, τερπνὴ συμβολικῶν ταμίη,
5τίφθ᾽, ὁπόταν νήφω, μεθύεις σύ μοι, ἢν δὲ μεθυσθῶ,
ἐκνήφεις; ἀδικεῖς συμποτικὴν φιλίην.

 

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Wild Goat Style Greek Wine Jug, 6th Century BCE

Tom Paxton, “Bottle of Wine” (1968)

Bottle of wine, fruit of the vine
When you gonna let me get sober
Leave me along, let me go home
I wann’a go back and start over

Basil Goes Into Deep Guilt Over Late Correspondence

Basil, Letter 20

 

“For me, the intensity of the business I am now engaged in might give me some reason for a lack of correspondence. In addition, the smell I have contracted from excessive association with the idiotic mob makes me less at ease in addressing you sophisticates who will grow irritable and intolerant if you don’t hear anything worthy of your own wisdom.

 

But you, I guess, since you are readier to speak than all the Greeks I know, are accustomed to making your voice public on any pretext. And I think I know the most famous people in your ranks. There is no reason for your silence. And that is enough about that.”

 

Ἡμῖν μὲν γὰρ τὸ πυκνὸν τῆς ἀσχολίας τοῦτο ἐν ᾧ νῦν ἐσμὲν κἂν παραίτησιν ἐνέγκοι τυχὸν πρὸς τὴν ἔνδειαν τῶν γραμμάτων· καὶ τὸ οἱονεὶ ἐῤῥυπῶσθαι λοιπὸν τῇ κατακορεῖ συνηθείᾳ πρὸς ἰδιωτισμὸν ὄκνον εἰκότως ἐμποιεῖ προσφθέγγεσθαι ὑμᾶς τοὺς σοφιστάς, οἵ, εἰ μή τι ἄξιον τῆς ὑμετέρας αὐτῶν σοφίας ἀκούσεσθε, δυσχερανεῖτε καὶ οὐκ ἀνέξεσθε. σὲ δέ που τὸ ἐναντίον εἰκὸς ἐπὶ πάσης προφάσεως δημοσιεύειν σαυτοῦ τὴν φωνήν, ἐπιτήδειον ὄντα εἰπεῖν ὧν αὐτὸς οἶδα Ἑλλήνων. οἶδα γάρ, ὡς οἶμαι, τοὺς ὀνομαστοτάτους τῶν ἐν ὑμῖν. ὥστε οὐδεμία παραίτησις σιωπῶντι. καὶ ταῦτα μὲν εἰς τοσοῦτον.

 

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