The Rise and Fall of Republican Rome as Stages in a Life

Seneca the Elder, Historical Fragments, 1 [=Lactant. Inst. Div. 7.15.14]

“Seneca outlined the periods of Roman history in “life-stages”. The first was her infancy under the king Romulus, who parented Rome and educated her. Then there followed a childhood under various kings thanks to whom the city grew and was shaped by many practices and institutions. Then, while Tarquin was king and Rome began to become more adult, it could not endure servitude and, once the yoke of arrogant rule was thrown off, preferred to heed laws instead of kings.

Once the Roman adolescence ended with the close of the Punic war,  it began to show the full strength of adulthood. For, when Carthage was subdued, that city which was an ancient rival for power, Rome extended her hands over the whole earth, both land and sea until every king and nation had bent to her power.

But, since there was no reason left for wars, Rome began to use her strengths poorly and wore herself out. This was the first step of old age: when Rome was wounded by civil wars and suffering from internal evil, she returned again to the practice of individual rule, as if she had devolved into a second infancy. Thus she lost the freedom which she defended when Brutus was its agent and champion and grew weak in old age, as if she had not the strength to support herself unless she could use the ‘cane’ of kings.”

Seneca Romanae urbis tempora distribuit in aetates; primam enim dixit infantiam sub rege Romulo fuisse, a quo et genita et quasi educata sit Roma, deinde pueritiam sub ceteris regibus, a quibus et aucta sit et disciplinis pluribus institutisque formata. At vero Tarquinio regnante, cum iam quasi adulta esse coepisset, servitium non tulisse, et reiecto superbae dominationis iugo maluisse legibus obtemperare quam regibus, cumque esset adulescentia eius fine Punici belli terminata, tum denique confirmatis viribus coepisse iuvenescere. Sublata enim Carthagine, quae diu aemula imperii fuit, manus suas in totum orbem terra marique porrexit, donec regibus cunctis et nationibus imperio subiugatis, cum iam bellorum materia deficeret, viribus suis male uteretur, quibus se ipsa confecit. Haec fuit prima eius senectus, cum bellis lacerata civilibus atque intestino malo pressa rursus ad regimen singularis imperii recidit quasi ad alteram infantiam revoluta. Amissa enim libertate, quam Bruto duce et auctore defenderat, ita consenuit tamquam sustentare se ipsa non valeret nisi adminiculo regentium uteretur.

Roman copy: 1st century BC-AD 1st century; Greek original: 3rd century BC

A Pirate Orator! A Late-Arriving Orphan!

IPseudo-Sallust, Against Cicero

“I would have a hard time enduring your attacks with a level mind, Marcus Tullius, if I believed that this petulance of yours came from good judgment rather than a sick mind. But, since I discover in you neither balance nor modesty, I will answer you just so you may lose the pleasure you get from slandering someone when you are slandered yourself.

Where shall I complain, whom shall I address, Senators, to tell that the Republic is being divided up as booty for any kind of daring pirate? Can I call to the Roman people, the people who are so corrupted by expenditures that they offer themselves and their fortunes for sale? Can I call to you, Senators, whose authority is a joke to any of the foulest and most criminal—especially when Marcus Tullius defends the laws, the courts, and the Republic and lords over this order as if he were the last scion of a famous family of Scipio Africanus and not some orphan citizen, just recently rooted in this city?

Come on, Marcus—aren’t your words and deeds perfectly clear? Haven’t you lived in such a way from boyhood that you believed that there was nothing sinful which anyone could do to your body? Or, I guess you did not develop this excessive elegance of yours with Marcus Piso by offering up your shame? It is thus hardly a wonder that you sell it so criminally since you won it so disgustingly.”

[The text goes on to insult Cicero’s wife, daughter, his relationship with Crassus and more…Many apologies to anyone who cares for Cicero, I have a weakness for excessive Latin invective…and Cicero did too…]

Graviter et iniquo animo maledicta tua paterer,M. Tulli, si te scirem iudicio magis quam morbo animi petulantia ista uti. Sed cum in te neque modum neque modestiam ullam animadverto, respondebo tibi ut si quam male dicendo voluptatem cepisti, eam male audiendo amittas.

Ubi querar, quos implorem, patres conscripti, diripi rem publicam atque audacissimo cuique esse praedae? apud populum Romanum? qui ita largitionibus corruptus est, ut se ipse ac fortunas suas venales habeat. an apud vos, patres conscripti? quorum auctoritas turpissimo cuique et sceleratissimo ludibrio est; ubi M. Tullius leges, iudicia, rem publicam defendit atque in hoc ordine ita moderatur quasi unus reliquus e familia viri clarissimi, Scipionis Africani, ac non reperticius, accitus, ac paulo ante insitus huic urbi civis.

An vero, M. Tulli, facta tua ac dicta obscura sunt? an non ita a pueritia vixisti ut nihil flagitiosum corpori tuo putares quod alicui collibuisset? aut scilicet istam immoderatam eloquentiam apud M. Pisonem non pudicitiae iactura perdidicisti! itaque minime mirandum est quod eam flagitiose venditas quam turpissime parasti.

 

(c) Manchester City Galleries; Supplied by The Public Catalogue Foundation

Charlatans With Unjustified Confidence and Unmeasured Words

M. Cornelius Fronto to Marcus Aurelius (c. 139 CE)

“I believe that a lack of experience and learning is completely preferable in all arts to partial experience and incomplete education. For one who knows that he has no experience in an art tries less and fails less thanks to that. In fact, such hesitation limits arrogance. But whenever anyone uses knowing something lightly as expertise he makes many mistakes because of false confidence.

So, people claim that it is better to never taste Philosophy than to sample it lightly, as it is said, with just the lips. Those men turn out to be the most malicious kind, who travel to a discipline’s entrance and turn away rather than going completely inside. It is still possible in other arts that you can play a part for a while and seem experienced in what you do not know. But in how to choose and arrange words, one shines through immediately when he cannot provide any words but those that show his ignorance of them, that he judges them poorly, provides them rashly, and cannot know either their usage or their strength.”

1. Omnium artium, ut ego arbitror, imperitum et indoctum omnino esse praestat quam semiperitum ac semidoctum. Nam qui sibi conscius est artis expertem esse minus adtemptat, eoque minus praecipitat; diffidentia profecto audaciam prohibet. At ubi quis leviter quid cognitum pro comperto | ostentat, falsa fiducia multifariam labitur. Philosophiae quoque disciplinas aiunt satius esse numquam adtigisse quam leviter et primoribus, ut dicitur, labiis delibasse, eosque provenire malitiosissimos, qui in vestibulo artis obversati prius inde averterint quam penetraverint. Tamen est in aliis artibus ubi interdum delitescas et peritus paulisper habeare quod nescias. In verbis vero eligendis conlocandisque ilico dilucet, nec verba dare diu quis1 potest, quin se ipse indicet verborum ignarum esse, eaque male probare et temere existimare et inscie contrectare, neque modum neque pondus verbi internosse.

Andries Cornelis Lens, “Hercules Protects Painting from Ignorance and Envy” 1763

On Rivers and Poets: Quintilian And Callimachus

Quintilian, An Orator’s Education 10.1.47

“Hence, as Aratus believes that we must begin with Zeus, we think that it is right to begin with Homer. For, truly, just as what he says about the ocean, which he says is the source and the force of every river and stream, so too does Homer furnish the model and origin for every type of eloquence. No one has exceeded him for sublimity in the large themes or quiet sense in the personal ones. At the same time he is ebullient and terse, joyful and severe, a source of wonder for his expansions and his brevity—preeminent by far for both his poetic and rhetorical mastery.”

Igitur, ut Aratus ab Iove incipiendum putat, ita nos rite coepturi ab Homero videmur. Hic enim, quem ad modum ex Oceano dicit ipse 〈omnium〉 amnium fontiumque cursus initium capere, omnibus eloquentiae partibus exemplum et ortum dedit. Hunc nemo in magnis rebus sublimitate, in parvis proprietate superaverit. Idem laetus ac pressus, iucundus et gravis, tum copia tum brevitate mirabilis, nec poetica modo sed oratoria virtute eminentissimus.

Callimachus, Hymn to Apollo 2.108-112

“Envy spoke surreptitiously into Apollo’s ears:
“I don’t love the singer who doesn’t sing as wide as the sea”
Apollo then kicked Envy with his foot and said this:
“The flowing of the Assyrian river is huge, but it carries a great deal
Of trash from the earth and hauls garbage with its water.
The bees do not carry water from just anywhere to Demeter
But only that which is clean and unmixed and flows down
From a sacred fountain, a little stream from a high peak.”

ὁ Φθόνος ᾿Απόλλωνος ἐπ’ οὔατα λάθριος εἶπεν·
‘οὐκ ἄγαμαι τὸν ἀοιδὸν ὃς οὐδ’ ὅσα πόντος ἀείδει.’
τὸν Φθόνον ὡπόλλων ποδί τ’ ἤλασεν ὧδέ τ’ ἔειπεν·
‘᾿Ασσυρίου ποταμοῖο μέγας ῥόος, ἀλλὰ τὰ πολλά
λύματα γῆς καὶ πολλὸν ἐφ’ ὕδατι συρφετὸν ἕλκει.
Δηοῖ δ’ οὐκ ἀπὸ παντὸς ὕδωρ φορέουσι μέλισσαι,
ἀλλ’ ἥτις καθαρή τε καὶ ἀχράαντος ἀνέρπει
πίδακος ἐξ ἱερῆς ὀλίγη λιβὰς ἄκρον ἄωτον.’

Gem showing the River Achelous overcome by Herakles. From the Beazley Archive https://www.beazley.ox.ac.uk/record/2C5AF364-B4F1-4AE3-B4F2-435330C4B9C8

Knowing Helps and Hurts a Lot Too: Some Sayings for Back to School

These sayings [‘Apophthegmata’] are drawn from the Gnomologium Vaticanum.

470: “Socrates, when asked what is sweetest in life, said “education, virtue, and the investigation of the unknown”

Σωκράτης ὁ φιλόσοφος ἐρωτηθεὶς τί ἥδιστον ἐν τῷ βίῳ εἶπε· „παιδεία καὶ ἀρετὴ καὶ ἱστορία τῶν ἀγνοουμένων”.

24: “Aristippos used to say the he took money from students not in order to straighten their lives but how so they might learn to spend their money on fine things.”

῾Ο αὐτὸς παρὰ τῶν μαθητῶν λαμβάνειν ἔφασκε μισθόν, οὐχ ὅπως τὸν βίον ἐπανορθώσῃ, ἀλλ’ ὅπως ἐκεῖνοι μάθωσιν εἰς τὰ καλὰ δαπανᾶν.

50: “Aristotle said that education is a decoration for the lucky but a refuge for the unfortunate.”

῾Ο αὐτὸς ἔφη τὴν παιδείαν εὐτυχοῦσι μὲν εἶναι όσμον, ἀτυχοῦσι δὲ καταφύγιον.

87: “When he was asked whom he loved more, Phillip or Aristotle, Alexander said “both the same—for the first gave me the gift of life and the second taught me to live well.”

῾Ο αὐτὸς ἐρωτηθεὶς τίνα μᾶλλον ἀγαπᾷ, Φίλιππον ἢ ᾿Αριστοτέλην, εἶπεν· „ὁμοίως ἀμφοτέρους· ὁ μὲν γάρ μοι τὸ ζῆν ἐχαρίσατο, ὁ δὲ τὸ καλῶς ζῆν ἐπαίδευσεν.”

164: “Glukôn the philosopher called education a sacred refuge.”

Γλύκων ὁ φιλόσοφος τὴν παιδείαν ἔλεγεν ἱερὸν ἄσυλον εἶναι.

259: “When Demetrios [of Phalerus] was asked what was the noblest of animals he said “A human adorned by education.”

῾Ο αὐτὸς ἐρωτηθεὶς τί τῶν ζώων κάλλιστόν ἐστιν εἶπεν· „ἄνθρωπος παιδείᾳ κεκοσμημένος”.

302: “[Zeno the Stoic] used to say that education was sufficient for happiness”

῾Ο αὐτὸς ἔφη τὴν παιδείαν πρὸς εὐδαιμονίαν αὐτάρκη.

314: “Heraclitus used to say that learning is a second sun for the educated”

῾Ηράκλειτος τὴν παιδείαν ἕτερον ἥλιον εἶναι τοῖς πεπαιδευμένοις ἔλεγεν.

439: [Plato] used to say that someone being educated needs three things: ability, practice and time.”

῾Ο αὐτὸς ἔλεγεν ὅτι ὁ παιδευόμενος τριῶν τούτων χρῄζει· φύσεως, μελέτης, χρόνου.

469: “[Protagoras] used to say “knowing a lot helps a lot and hurts a lot.”

῾Ο αὐτὸς ἔφη· „πολυμαθίη κάρτα μὲν ὠφελέει, κάρτα δὲ βλάπτει”.

Other passages

Euripides, Iphigenia at Aulis 559-567

“Men have different natures;
They have different ways. But acting rightly
Always stands out.
The preparation of education
points the way to virtue.
For it is a mark of wisdom to feel shame
and it brings the transformative grace
of seeing through its judgment
what is right; it is reputation that grants
an ageless glory to your life.”

διάφοροι δὲ φύσεις βροτῶν,
διάφοροι δὲ τρόποι· τὸ δ’ ὀρ-
θῶς ἐσθλὸν σαφὲς αἰεί·
τροφαί θ’ αἱ παιδευόμεναι
μέγα φέρουσ’ ἐς τὰν ἀρετάν·
τό τε γὰρ αἰδεῖσθαι σοφία,
†τάν τ’ ἐξαλλάσσουσαν ἔχει
χάριν ὑπὸ γνώμας ἐσορᾶν†
τὸ δέον, ἔνθα δόξα φέρει
κλέος ἀγήρατον βιοτᾶι.

Stobaeus 2.31 88

“Diogenes used to say that educating children was similar to potters’ sculpting because they take clay that is tender and shape it and decorate it how they wish.  But once it has been fired, it can’t be shaped any longer.  This is the way it is for those who were not educated when they were children: once they are grown, they have been hardened to change.”

Διογένης ἔλεγε τὴν τῶν παίδων ἀγωγὴν ἐοικέναι τοῖς τῶν κεραμέων πλάσμασιν· ὡς γὰρ ἐκεῖνοι ἁπαλὸν μὲν τὸν πηλὸν ὄντα ὅπως θέλουσι σχηματίζουσι καὶ ῥυθμίζουσιν, ὀπτηθέντα δὲ οὐκέτι δύνανται πλάσσειν, οὕτω καὶ τοὺς ἐν νεότητι μὴ διὰ πόνων παιδαγωγηθέντας, τελείους γενομένους ἀμεταπλάστους γίνεσθαι.

Antisthenes, fr. 38

“The examination of words is the beginning of education.”

ἀρχὴ παιδεύσεως ἡ τῶν ὀνομάτων ἐπίσκεψις

Alcman, fr. 125

“Trying is the first step of learning”

πῆρά τοι μαθήσιος ἀρχά

Dionysus Thrax, On the Art of Grammar (2nd to 1st Centuries BCE; go here for a nice translation of the remaining works)

“The art of grammar is the experience-derived knowledge of how things are said, for the most part, by poets and prose authors. It has six components. First, reading out loud and by meter; second, interpretation according to customary compositional practice; third, a helpful translation of words and their meanings; fourth, an investigation of etymology; fifth, a categorization of morphologies; and sixth—which is the most beautiful portion of the art–the critical judgment of the compositions.”

Γραμματική ἐϲτιν ἐμπειρία τῶν παρὰ ποιηταῖϲ τε καὶ ϲυγγραφεῦϲιν ὡϲ ἐπὶ τὸ πολὺ λεγομένων.   Μέρη δὲ αὐτῆϲ ἐϲτιν ἕξ· πρῶτον ἀνάγνωϲιϲ ἐντριβὴϲ κατὰ προϲῳδίαν, δεύτερον ἐξήγηϲιϲ κατὰ τοὺϲ ἐνυπάρχονταϲ ποιητικοὺϲ τρόπουϲ,  τρίτον γλωϲϲῶν τε καὶ ἱϲτοριῶν πρόχειροϲ ἀπόδοϲιϲ, τέταρτον ἐτυμολογίαϲ εὕρεϲιϲ, πέμπτον ἀναλογίαϲ ἐκλογιϲμόϲ, ἕκτον κρίϲιϲ ποιημάτων, ὃ δὴ κάλλιϲτόν ἐϲτι πάντων τῶν ἐν τῇ τέχνῃ.

Sophocles, fr. 843

“I learn what can be taught; I seek what
can be found; and I ask the gods what must be prayed for.”

τὰ μὲν διδακτὰ μανθάνω, τὰ δ’ εὑρετὰ
ζητῶ, τὰ δ’ εὐκτὰ παρὰ θεῶν ᾐτησάμην

Phocylides

“It is right to teach noble things to one who is still a child”

χρὴ παῖδ᾿ ἔτ᾿ ἐόντα / καλὰ διδάσκειν ἔργα

 

Aristotle, According to Diogenes Laertius, Vitae Philosophorum 5.21

“He said that the root of education is bitter but the fruit is sweet.”

Τῆς παιδείας ἔφη τὰς μὲν ῥίζας εἶναι πικράς, τὸν δὲ καρπὸν γλυκύν.

“He used to say that three things are needed for education: innate ability, study, and practice”

τριῶν ἔφη δεῖν παιδείᾳ, φύσεως, μαθήσεως, ἀσκήσεως.

When asked what the difference was between those who were educated and those who were not, Aristotle said “as great as between the living and the dead.” He used to say that education was an ornament in good times and a refuge in bad.

ἐρωτηθεὶς τίνι διαφέρουσιν οἱ πεπαιδευμένοι τῶν ἀπαιδεύτων, “ὅσῳ,” εἶπεν, “οἱ ζῶντες τῶν τεθνεώτωντὴν παιδείαν ἔλεγεν ἐν μὲν ταῖς εὐτυχίαις εἶναι κόσμον, ἐν δὲ ταῖς ἀτυχίαις καταφυγήν

Heraclitus, fr. 40

“Knowing much doesn’t teach you how to think.”

πολυμαθίη νόον ἔχειν οὐ διδάσκει.

What It Takes to Understand Vergil

Macrobius, Saturnalia 5.14-15

“Has it been proved to you that Vergil cannot be understood by someone who is ignorant of the sound of Latin and is equally distant to one who has not drunk Greek learning deep with the fullest thirst?

If I did not fear making you antsy, I could fill huge volumes with the material he translated from the most obscure Greek teachings. But these assertions are enough to support the thesis I have proposed.”

probatumne vobis est Vergilium, ut ab eo intellegi non potest qui sonum Latinae vocis ignorat, ita nec ab eo posse qui Graecam non hauserit extrema satietate doctrinam?

nam si fastidium facere non timerem, ingentia poteram volumina de his quae a penitissima Graecorum doctrina transtulisset implere: sed ad fidem rei propositae relata sufficient.’

Macrobius presenting his work to his son Eustachius.

“Covered in Flames and Sorrowful Ash”: Martial on Vesuvius

Alexey Bogolyubov, Eruption of Vesuvius

Today is, according to many, the anniversary of the eruption of Vesuvius in the Bay of Naples in 79 CE. Pliny’s account is the most famous, but Martial had his say too (Epigrams, 4.4):

“Here is Vesuvius, just yesterday green with shading vines–
here the noble grape made filled deep pools:
these were the hills Bacchus loved more than Nysae.
On this mountain the Satyrs not so long ago led their dance.
Here was the home Venus considered more pleasing than Sparta.
This place was famous because of its Herculean name.
All of this lies covered in flames and sorrowful ash.
Not even the gods wished for this to be their right.”

Hic est pampineis uiridis modo Vesbius umbris,
presserat hic madidos nobilis uua lacus:
haec iuga quam Nysae colles plus Bacchus amauit;
hoc nuper Satyri monte dedere choros;
haec Veneris sedes, Lacedaemone gratior illi;              5
hic locus Herculeo nomine clarus erat.
Cuncta iacent flammis et tristi mersa fauilla:
nec superi uellent hoc licuisse sibi.

 

Do YOU Know Your Great-Grandfather’s Grandfather?

Varro, on the Latin Language (VII. 3)

“It is not surprising [that ancient words have unclear meanings] since not only was Epimenides not recognized by many when he got up from sleep after 50 years, but Teucer as well was unknown by his family after only 15 years, according to Livius Andronicus. But what is this to the age of poetic words? If the source of the words in the Carmen Saliorum is the reign of Numa Pompilius and those words were not taken up from previous composers, they are still 700 years old.

Why, then, would you criticize the labor of an author who has not successfully found the name of a hero’s great-grandfather or that man’s grandfather, when you cannot name the mother of your own great-grandfather’s grandfather? This distance is so much closer to us than the period from now to the beginning of the Salians when people say the Roman’s poetic words were first in Latin.”

Nec mirum, cum non modo Epimenides sopore post annos L experrectus a multis non cognoscatur, sed etiam Teucer Livii post XV annos ab suis qui sit ignoretur. At hoc quid ad verborum poeticorum aetatem? Quorum si Pompili regnum fons in Carminibus Saliorum neque ea ab superioribus accepta, tamen habent DCC annos. Quare cur scriptoris industriam reprehendas qui herois tritavum, atavum non potuerit reperire, cum ipse tui tritavi matrem dicere non possis? Quod intervallum multo tanto propius nos, quam hinc ad initium Saliorum, quo Romanorum prima verba poetica dicunt Latina.

Teucer was a king of Salamis who was absent during the Trojan War.
Epimenides was a poet from Crete who wrote a Theogony. He allegedly went to sleep as a boy and awoke 57 years later. Here’s his strange entry from the Suda.

“Epimenides, son of Phaistos or Dosiados or Agiasarkhos and his mother was Blastos. A Cretan from Knossos and epic poet. As the story goes, his soul could leave his body for however long the time was right and then return again. When he died, after some time his skin was found to be tattooed with words. He lived near the 30th olympiad and he was among the first of the seven sages and those after them. For he cleansed Athens of the plague of Kylôneios at the time of the 44th Olympiad when he was an old man. He wrote many epic poems, including in catalogue form about mysteries, purifications, and other riddling matters. Solon wrote to him asking for the cleansing of the city. He lived 150 years but he slept for 50 of them. “The Epimenidean skin” is a proverb for mysterious writings.”

᾿Επιμενίδης, Φαίστου ἢ Δοσιάδου ἢ ᾿Αγιασάρχου υἱός, καὶ μητρὸς Βλάστας, Κρὴς ἀπὸ Κνωσσοῦ, ἐποποιός· οὗ λόγος, ὡς ἐξίοι ἡ ψυχὴ ὁπόσον ἤθελε καιρόν, καὶ πάλιν εἰσῄει ἐν τῷ σώματι· τελευτήσαντος δὲ αὐτοῦ, πόρρω χρόνων τὸ δέρμα εὑρῆσθαι γράμμασι κατάστικτον. γέγονε δὲ ἐπὶ τῆς λ′ ὀλυμπιάδος, ὡς προτερεύειν καὶ τῶνζ′ κληθέντων σοφῶν ἢ καὶ ἐπ’ αὐτοῖς γενέσθαι. ἐκάθηρε γοῦν τὰς ᾿Αθήνας τοῦ Κυλωνείου ἄγους κατὰ τὴν μδ′ ὀλυμπιάδα, γηραιὸς ὤν. ἔγραψε δὲ πολλὰ ἐπικῶς· καὶ καταλογάδην μυστήριά τινα καὶ καθαρμοὺς καὶ ἄλλα αἰνιγματώδη. πρὸς τοῦτον γράφει Σόλων ὁ νομοθέτης μεμφόμενος τῆς πόλεως κάθαρσιν. οὗτος ἔζησεν ρν′ ἔτη, τὰ δὲ Ϛ′ ἐκαθεύδησεν. καὶ παροιμία τὸ ᾿Επιμενίδειον δέρμα, ἐπὶ τῶνἀποθέτων.

Donato Bramante e aiuti, il filosofo Epimenide, 1477. Dal palazzo del Podestà veneto. Bergamo, Palazzo della Ragione.

“Learn As Long As You Are Ignorant”: Seneca on What He Has to Teach

Seneca, Moral Epistles 76.3-5

“People of every age enter this classroom. “Do we grow old only to follow the young?” When I go into the theater as an old man and I am drawn to the racetrack and no fight is finished without me, shall I be embarrassed to go to a philosopher? You must learn as long as you are ignorant—if we may trust the proverb. And nothing is more fit to the present than this: as long as you live you must learn how to live. Nevertheless, there is still something which I teach there. You ask, what may I teach? That an old man must learn too.

But the human race still shames me every time I enter the school. Near to that theater of the Neapolitans, I have to pass that house of Metronax. There, the place is packed too as with a burning desire they judge who is the best flute player. The Greek horn and a herald bring a crowd. But in the place where we seek what a good man is, where how to be a good man may be learned, the smallest audience sits and they seem to most people to be up to no good in their pursuit. They are called useless and lazy. May such derision touch me. For the insults of the ignorant should be heard with a gentle mind. Contempt itself must be held in contempt as we journey toward better things.”

Omnis aetatis homines haec schola admittit. “In hoc senescamus, ut iuvenes sequamur?” In theatrum senex ibo et in circum deferar et nullum par sine me depugnabit ad philosophum ire erubescam?

Tamdiu discendum est, quamdiu nescias; si proverbio credimus, quamdiu vivas. Nec ulli hoc rei magis convenit quam huic: tamdiu discendum est, quemadmodum vivas, quamdiu vivas. Ego tamen illic aliquid et doceo. Quaeris, quid doceam? Etiam seni esse discendum. Pudet autem me generis humani, quotiens scholam intravi. Praeter ipsum theatrum Neapolitanorum, ut scis, transeundum est Metronactis petenti domum. Illud quidem fartum est et ingenti studio, quis sit pythaules bonus, iudicatur; habet tubicen quoque Graecus et praeco concursum. At in illo loco, in quo vir bonus quaeritur, in quo vir bonus discitur, paucissimi sedent, et hi plerisque videntur nihil boni negotii habere quod agant; inepti et inertes vocantur. Mihi contingat iste derisus; aequo animo audienda sunt inperitorum convicia et ad honesta vadenti contemnendus est ipse contemptus.

old man with coffee mean saying in Latin ""You ask, what may I teach? That an old man must learn too.""

 

The Audacity of Dopes

Marcus Aurelius, Letter to Fronto 4.3 (1.1 Haines)

It seems to me that, in all arts, it is far better to be entirely inexperienced and uneducated than to be somewhat experienced and know a little. Anyone who is conscious of the fact that they are out of their element in a given art will try less and thus screw up less. A lack of confidence is a check to audacity. But when someone shows off something that they have a passing familiarity with as if they had mastered it, their false confidence slips up in various ways. They even say that it is far better never to have touched on philosophy than to have done it lightly and sipped, as the saying goes, with the edge of your lips. Further, they add that people come out with the worst characters when they spend sometime in the antechamber of an art and then duck out before they have penetrated inside. Yet there is in some arts a place where you may lie hidden and be considered for some time an expert in that which you don’t understand. But in the selection and disposition of words, the amateur is obvious and can’t pour out words for a long time without demonstrating that they are ignorant of words, judge them badly, reckon them rashly, handle them ineptly, and make distinctions neither about the mode nor about the weight of words.

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“What words for such an occasion?”

Omnium artium, ut ego arbitror, imperitum et indoctum omnino esse praestat quam semiperitum ac semidoctum. Nam qui sibi conscius est artis expertem esse minus adtemptat eoque minus praecipitat: Diffidentia profecto audaciam prohibet. At ubi quis leviter quid cognitum pro conperto ostentat, falsa fiducia multifariam labitur. Philosophiae quoque disciplinas ajunt satius esse numquam attigisse quam leviter et primoribus, ut dicitur, labiis delibasse, eosque provenire malitiosissimos, qui in vestibulo artis obversati prius inde averterint, quam penetraverint. Tamen est in aliis artibus, ubi interdum delitiscas et peritus paulisper habeare, quod nescias. In verbis vero eligendis conlocandisque ilico dilucet nec verba dare diutius potest, quin se ipse indicet verborum ignarum esse eaque male probare et temere existimare et inscie contrectare neque modum neque pondus verbi internosse.