For the past several weeks, we have been looking at the children of Odysseus.
Here’s the full list, 17 names for sons (for, I think, 13 individuals) and a daughter:
Telemakhos and Arkesilaos/Ptoliporthes (Penelope) [Eustathius/Pausanias]
Agrios, Latinus and Telegonos (Kirke [Hesiod]) or Auson [Lykophron]
Rhomos, Antias, Ardeas (Kirke) [Dionysus of Halicarnassos]
Nausithoos and Nausinoos (Kalypso) [Hesiod]
Leontophron or Dorukles or Euryalos (Euippê, Epirote Princess) [Eustathius]
Polypoitês (Kallidikê, Thesprotian Princess) [Proklos]
Leontophronos (Daughter of Thoas, Aitolian Princess) [Apollodoros]
And one daughter:
Kassiphone (Kirke) [Lykophron]
The primary children emphasize certain themes: his ‘core’ family in the Homeric Odyssey; his association with western settlements and travel through his children with the goddesses; and the Homeric Odyssey’s willingness to suppress or ignore details inconsonant with its aims. (And, although it is possible some of the children are ‘later’ than our Odyssey tradition, it seems unlikely that this is true for all of them.)
One of the things we can also see is that Odysseus provides a genealogical touchstone for cities outside of the Greek center (observed by Irad Malkin among others) and that in this capacity he often overlaps with Herakles (directly or through their heirs). In his pairing with various princess we also get an idea of his (1) post-Odyssean career; (2) the various ways in which his mythical genealogy spreads; and (3) his malleability as a mythical character. In turn this also helps us learn a bit more about the strategies of our Odyssey which silences most of these traditions but acknowledges the continuation of Odysseus’ tale after the epic’s end.