Spending Cuts Lead a Professor to Sell Books

Palladas of Alexandria, 9.175

“I am selling Kallimakhos and Pindar and all these
Cases of grammar, since I have a case of poverty.
Dôrotheus has cut my living wage,
Signing off an unholy message against me.
But you, dear Theô, guard me, don’t allow me
To waste my life conjugating with poverty.”

Καλλίμαχον πωλῶ καὶ Πίνδαρον ἠδὲ καὶ αὐτὰς
πτώσεις γραμματικῆς πτῶσιν ἔχων πενίης.
Δωρόθεος γὰρ ἐμὴν τροφίμην σύνταξιν ἔλυσε
πρεσβείην κατ’ ἐμοῦ τὴν ἀσεβῆ τελέσας.
ἀλλὰ σύ μου πρόστηθι, Θέων φίλε, μηδέ μ’ ἐάσῃς
συνδέσμῳ πενίης τὸν βίον ἐξανύσαι.

 

This story may sound depressingly familiar to modern contingent faculty. It resonates with classicists and humanists in particular…

teacher

The Beginning and End(s) of Education

Antisthenes, fr. 38

“The examination of words is the beginning of education.”

ἀρχὴ παιδεύσεως ἡ τῶν ὀνομάτων ἐπίσκεψις

[Attributed to Antisthenes by Aristotle in his Rhetoric]

education1

“Trying is the first step of learning”

πῆρά τοι μαθήσιος ἀρχά (Alcman, fr. 125)

 

Dionysus Thrax, On the Art of Grammar (2nd to 1st Centuries BCE; go here for a nice translation of the remaining works)

“The art of grammar is the experience-derived knowledge of how things are said, for the most part, by poets and prose authors. It has six components. First, reading out loud and by meter; second, interpretation according to customary compositional practice; third, a helpful translation of words and their meanings; fourth, an investigation of etymology; fifth, a categorization of morphologies; and sixth—which is the most beautiful portion of the art–the critical judgment of the compositions.”

Γραμματική ἐϲτιν ἐμπειρία τῶν παρὰ ποιηταῖϲ τε καὶ ϲυγγραφεῦϲιν ὡϲ ἐπὶ τὸ πολὺ λεγομένων.   Μέρη δὲ αὐτῆϲ ἐϲτιν ἕξ· πρῶτον ἀνάγνωϲιϲ ἐντριβὴϲ κατὰ προϲῳδίαν, δεύτερον ἐξήγηϲιϲ κατὰ τοὺϲ ἐνυπάρχονταϲ ποιητικοὺϲ τρόπουϲ,  τρίτον γλωϲϲῶν τε καὶ ἱϲτοριῶν πρόχειροϲ ἀπόδοϲιϲ, τέταρτον ἐτυμολογίαϲ εὕρεϲιϲ, πέμπτον ἀναλογίαϲ ἐκλογιϲμόϲ, ἕκτον κρίϲιϲ ποιημάτων, ὃ δὴ κάλλιϲτόν ἐϲτι πάντων τῶν ἐν τῇ τέχνῃ.

Part of this seems similar to the principle of the Alexandrian librarian and editor Aristarchus, to the D Scholia to the Iliad (5.385) provide an important testimonium:

“Aristarchus believed it best to make sense of those things that were presented more fantastically by Homer according to the poet’s authority, that we not be overwhelmed by anything outside of the things presented by Homer.”

᾿Αρίσταρχος ἀξιοῖ τὰ φραζόμενα ὑπὸ τοῦ Ποιητοῦ μυθικώτερον ἐκδέχεσθαι, κατὰ τὴν Ποιητικὴν ἐξουσίαν, μηδὲν ἔξω τῶν φραζομένων ὑπὸ τοῦ Ποιητοῦ περιεργαζομένους.

And, again, here’s Sophocles’ serenity prayer for education:

 

Fr. 843

“I learn what can be taught; I seek what
can be found; and I ask the gods what must be prayed for.”

τὰ μὲν διδακτὰ μανθάνω, τὰ δ’ εὑρετὰ
ζητῶ, τὰ δ’ εὐκτὰ παρὰ θεῶν ᾐτησάμην

 

Grammar = Misery

Palladas of Alexandria, Greek Anthology 9.173

“The foundation of grammatical knowledge is a five-line curse. The first has ‘wrath,’ the second ‘destructive.’ And after ‘destructive’ comes the ‘many woes’ of the Greeks. The third line leads ‘the souls to Hades.’ In the fourth we find ‘spoils’ and ‘dogs,’ while the fifth gives us ‘carrion birds’ and the ‘anger of Zeus.’ With all of this, how can a grammarian be anything but miserable after five curses, and five cases*?”

᾿Αρχὴ γραμματικῆς πεντάστιχός ἐστι κατάρα·

πρῶτος „μῆνιν” ἔχει, δεύτερος „οὐλομένην”,

καὶ μετὰ δ’ „οὐλομένην” Δαναῶν πάλιν „ἄλγεα” πολλά·

ὁ τρίτατος „ψυχὰς εἰς ᾿Αίδην” κατάγει·

τοῦ δὲ τεταρταίου τὰ „ἑλώρια” καὶ „κύνες” ἀργοί,

πέμπτου δ’ „οἰωνοὶ” καὶ „χόλος” ἐστὶ „Διός”.

πῶς οὖν γραμματικὸς δύναται μετὰ πέντε κατάρας

καὶ πέντε πτώσεις μὴ μέγα πένθος ἔχειν;

*That is, the five cases of Greek nouns/adjectives.